Optimus MD-1600 User Manual

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Electronic Keyboard
Cat. No. 42-4043
OWNER’S MANUAL
Please read before using this equipment.
MD-1600
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WARNING:
shock hazard, do not expose this product to rain or moisture.
CAUTION:
ELECTRIC SHOCK, DO NOT REMOVE COVER OR BACK. NO USER-SERVICE­ABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
!
To reduce the risk of fire or
CAUTION
RISK OF ELECTRIC SHOCK.
DO NOT OPEN.
TO REDUCE THE RISK OF
This symbol is intended to alert you to the presence of uninsu­lated dangerous voltage within the product’s enclosure that might be of sufficient magnitude to con­stitute a risk of electric shock. Do not open the product’s case.
This symbol is intended to inform you that important operating and maintenance instructions are included in the literature accom­panying this product.
!
THE FCC WANTS YOU TO KNOW
This keyboard complies with the limits for a Class B dig ital device as spec ified in Part 15 of provide reasonable protection against radio and TV interference in a residential area. However, your keyboard might cause TV or radio interference even when it is operating properly. To elimi­nate interference, you can try one or both of these corrective measures:
• increase the distance between the keyboard and the radio or TV
• use outlets on di fferent ele ctr i ca l c ir­cuits for the keybo ard and the radi o or TV
Consult your local RadioShack store if the problem still exists.
FCC Rules
. These limits
We recommend you write your MD­1600’s serial number he re. The number is on the bottom of the MD-1600.
Serial Number _________________
©
1999 Tandy Corporation.
Optimus and RadioShack are registered trademarks used by Tandy Corporation.
All Rights Reserved.
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FEATURES
Your Optimus MD-160 0 Electronic Key­board is a state-of-the-art musical instru­ment that offers you a vast array of sounds, with 2-way bass reflex speakers for stunning sound reproduction. You can choose from 200 different musical instruments or sound effects and 100 rhythms, as well as accompaniments and percussion sounds.
The MD-1600 also include s a MIDI fea­ture (Musical Instrument Digital Inter­face), which lets you conn ect it to other MIDI-equipped musical instruments or devices — even your personal comput­er! This versatile keyboard can provide hours of fun and is i dea l for anyone who wants to make music, from the begi nner to the experienced musician.
The MD-1600 conforms to most,
Note:
but not all, General MIDI spe cifications. Therefore, you might experience some incompatibility when using the MD-16 00 with another General MIDI device. For more information, see “Using MIDI” on Page 41.
light makes it easy to read the display even in darkness.
24-Note Polyphonic Sound
play and hear up to 24 notes at the same time, so yo u c an pl ay or c r eat e a l­most any type of music.
Memory
record up to 2 songs, 6 tracks, and 5,200 notes. The recording remains stored even while the keyboard is off.
Pitch Bender Wheel
note by altering i ts pit ch to creat e rea lis­tic effects for reed instrument or guitar tones.
200 Tones
to sound like anything from a harpsi­chord to a honky-tonk piano. You can even create your own tones with the custom tone synthesizer feature.
100 Auto-Rhythms
beat for many styles of music, from rhumba to rock.
— lets you set the MD-1600 to
— lets you bend a
— let you set your MD-1600
— provide a ste ady
— lets you
Your MD-1600’s features include:
73 Full-Size Keys with Touch Re­sponse
ies in response to the force of your touch, just like an acoustic pi ano or or­gan, so you can add emotion to your music.
Backlit Liquid Crystal Display
shows the notes and ch ords as you play them, along with the current tone, rhythm, and tempo. The built-in back-
— the keyboard’s volume var-
Headphones/Output Jack
connect (optional) headphones so you can play without distu rbing o the rs, or a n external amplifier (neither supplied) so you can play for a crowd.
Assignable Jack
sustain pedal (not suppli ed) to the MD­1600 so you can sustain or soften your keyboard’s sound, or start/stop an au to­rhythm.
— lets you connect a
— lets you
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100 Free Sessions
— let you set the MD-1600 to automatically play an ac­companiment consisting of a prerecord­ed chord progression with a matching rhythm.
Synthesizer Function
— lets you cre-
ate up to 32 of your own original tones.
Tune Function
— lets you adjust the pitch of your keyboard so you can play in tune with other instruments.
Transpose Function
— lets you in­stantly change the key of music, even when you are playing.
Tempo Control
— lets you spe ed up o r slow down the tempo of any selected music pattern.
Fill-In Rhythm
— lets you insert a short
variation into any auto-rhythm.
Auto Accompaniment
— lets you auto­matically play a pr eset harmo nic patter n to match the selected auto-rhythm.
Reverb
— lets you add depth and space
to the sound.
Layer Function
— lets you set the key­board to play two differe nt tones at the same time, giving your music a “layered” effect.
Split Function
— lets you use different sounds for the low-end and high-end keys.
Mixer Function
— lets you make the MD-1600 sound mul tiple tones for auto accompaniment, memory playback, or to play MIDI data receiv ed from anot her MIDI device.
Automatic Intro/Ending Rhythm
— lets you set the MD-1600 to automatical­ly add a 3- to 8-measure introduction or 3- to 8-measure ending to the selecte d auto-rhythm.
Drum Pads
— play drum sounds re-
gardless of the keyboard’s tone setting.
Two Built-In Speakers
— let you hear
the sound you create.
Two Power Options
— let you power the keyboard from internal batter ies (no t supplied) or standard AC power (with an optional adapter) , so you c an make m u­sic almost anywhere.
Notes:
• If the keyboard is left in one place for a very long time, its feet could mar your furniture’s finish. We rec­ommend you place the feet on felt cloth pads to protect your furniture or use a keyboard stand, available at your local RadioShack store.
• This Owner’s Manual explains how to use this electronic keyboard. It does not teach music.
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CONTENTS
Preparation .......................... ............................................. ....................................... 7
Connecting Power .............................................................................................. 7
Using Batteries ............................................................................................ 7
Using AC Power .......................................................................................... 8
Connecting Headphones .................................................................................... 8
Listening Safely ........................................................................................... 8
Connecting an External Amplifier ....................................................................... 9
Using the Music Stand ....................................................................................... 9
Operation ............................. ............................................. ..................................... 10
Basic Operation .................... ....... ...... ....... ...... ....... ...... ....... ...... ........................ 10
Playing the Demonstration Tunes .................................................................... 10
Using the Preset Tones .................................................................................... 11
Using the Drum Pads ....................................................................................... 13
Using Reverb .................................................................................................... 13
Using Split ........................................................................................................ 13
Using Layer ...................................................................................................... 14
Using Split and Layer Together ........................................................................ 14
Using the Preset Auto-Rhythms ....................................................................... 15
Selecting/Playing an Auto-Rhythm ............................................................ 15
Using SYNCHRO ....................................................................................... 16
Using INTRO ............................................................................................. 16
Using FILL-IN ............................................................................................. 17
Using VARIATION ...................................................................................... 17
Using ENDING ........................................................................................... 17
Using Auto-Accompaniment ............................................................................. 17
Adjusting the Accompaniment Volume ...................................................... 18
Concert Chord ................................................ ...... ....... ...... ....... ................. 18
Standard Fingering .................................................................................... 20
Full-Range Chords ..................................................................................... 21
Using FREE SESSION .............................................................................. 21
Using the Mixer ................................................................................................ 22
Editing the Status of a Channel ................................................................. 23
Editing the Parameter ................................................................................ 24
Using the Custom T one Synthesizer ................................................................ 24
Understanding 1DCO and 2DCO Tones .................................................... 25
Creating and Storing a User Tone ............................................................. 25
Hints on Creating a User Tone ................................................................... 27
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Special Features ....................................... ....... ....................................... ...... ...... .. 29
Changing Keys ................................................................................................. 29
Tuning the Keyboard ........................................................................................ 29
Using Touch Response ..................................................................................... 30
Changing Auto Power Off ................................................................................. 30
Using Pitch Bend .............................................................................................. 30
Setting the Pitch Bend Range .................................................................... 31
Using a Sustain Pedal ...................................................................................... 31
Using the Memory ................................................................................................. 32
Real-Time Recording ........................................................................................ 32
Playing Back from Memory ............................................................................... 34
Step Recording ................................................................................................. 35
Specifying Chords in the Normal Mode ..................................................... 36
Specifying the Length of a Note ................................................................. 36
Correcting Mistakes ................................................................................... 37
Recording Multiple Tracks ................................................................................ 37
Real-Time Recording ................................................................................. 37
Step Recording .......................................................................................... 38
Changing Navigation Track ........................................................................ 39
Editing Memory Contents ................................................................................. 39
Editing Techniques and Display Contents .................................................. 40
Deleting Individual Data ............................................................................. 40
Deleting All Data in a Specific Track .......................................................... 40
Using MIDI ............................................................................................................. 41
About MIDI ......................... ...... ....... ...... ....... ...... ....................................... ...... .. 41
Making the MIDI Connections .......................................................................... 41
MIDI Data ......................................................................................................... 42
Changing MIDI Settings .................................................................................... 44
Dumping/Importing Data ................................................................................... 45
Dumping Data ............................................................................................ 45
Importing Data ........................................................................................... 45
Notes About the MIDI Implementation Chart .................................................... 46
Troubleshooting .................................................................. .................................. 48
Care and Maintenance .......................................................................................... 49
Specifications ......................... .......................... .......................... ......................... .. 50
Appendix ................................. .......................... .......................... ......................... .. 52
Note Table ........................................................................................................ 52
Free Session Chord Progression Chart ............................................................ 54
Drum Assignment List ...................................................................................... 56
Standard Fingering Chord Charts ....................................................................... 57
MIDI Implementation Chart .................................................................................. 58
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PREPARATION
To connect a MIDI device, see
Note:
“Making the MIDI Connections” on Page 41. To connect a sustain pedal, see “Using a Sustain Pedal” on Page 31.
CONNECTING POWER
You can power your MD-1600 from ei­ther:
• internal batteries (see “Using Batter­ies”)
• standard AC power using an optional AC adapter (s ee “Usin g AC Power” on Page 8)
Notes:
• Connecting an AC adapt er auto mat ­ically disconnects internal batteries.
• Always disconnect the adapter when you finish using the MD-1600.
Cautions:
• Use only fresh batteries of the required size and recommended type.
• If you do not plan to use the MD­1600 with batteries for a week or more, or if you will be usin g only A C power, remove the batteries.
• Do not mix old and new batteries, different types of batteries (stan­dard, alkaline, or rechargeable), or rechargeable batteries of different capacities.
1. Press the tabs on the batte ry com­partment cover, then pull up to remove the cover.
• Disconnecting the keyboard’s power clears the contr ol settings, memory contents, and user tones (see “Using the Custom Tone Synthe­sizer” on Page 24 and “Using the Memory” on Page 32).
Using Batteries
Your MD-1600 can use six D batteries (not supplied) for power. For the best performance and longest life, we rec om ­mend RadioShack alkaline batteries.
2. Put the batteries in the compartment as indicated by the polar ity symbols (+ and –) marked beside the com­partment.
3. Replace the cover.
If the MD-1600 sounds weak or does not work properly, replace all six batteries.
Warning:
promptly and properly. Do not burn or bury them.
Caution:
batteries; batteries can leak chemicals that can destroy electronic parts.
Dispose of old batteries
Always remove old or weak
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Using AC Power
You can power your MD-1600 from standard AC power using a 12-volt AC adapter (not supplied) and a Size M Adaptaplug.
Cautions:
You must use an AC adapter that supplies 12 volts and delivers at least
1.5 amps. Its center tip must be s et to negative, and its plug must cor­rectly fit the MD -1600 ’s Using an adapter that does not meet these specifications could damage the MD-1600 or the adapter.
• Always press keyboard before you c onnect or dis­connect the adapter.
• Always plug the AC a dapter i nto the MD-1600 before you pl ug it into the AC outlet. Always unplug the AC adapter from the AC outlet before you unplug it from the MD-1600.
POWER
DC 12V
to turn off the
jack.
CONNECTING HEADPHONES
To listen to your MD-1600 without dis­turbing others, you can connect a pair of
1
/4-inch (6.35-mm) plug stereo head­phones (not supplied). Your local Ra­dioShack store sell s a wide selection of headphones.
To connect a p air of head phones, i nsert the headphones’ into the back of the keyboard.
Note:
nects the MD-1600’s built-in speakers.
PHONES/OUTPUT
Connecting headphones discon-
Listening Safely
1
/4-inch (6.35-mm) plug
jack on the
Follow these steps to power your MD­1600 from AC power.
1. Insert the adapter’s barrel plug into
DC 12V
the MD-1600.
2. Plug the adapter into a s tandard AC outlet.
8
jack on the back of the
To protect your hearing, follow these guidelines when you use headphones.
• Set the volume to the low est setting before you begin liste ning. A fter yo u begin listening, adjus t the volume to a comfortable level.
• Do not listen at extr emely high vol­ume levels. Extended high-volume listening can lead to permanent hearing loss.
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• Once you set the volume, do not increase it. Over time, your ears adapt to the volume level, so a vol­ume level that does not cause dis­comfort might still damage your hearing.
CONNECTING AN EXTERNAL AMPLIFIER
To amplify your MD-1600’s sound, you can connect it to an external amplifier (not supplied) using an a udio cable (not supplied) with a
1
/4-inch (6.35-mm) plug.
To connect an external am plifier to you r keyboard, insert the cable’s (6.35-mm) plug into the
PUT
jack on the back of the keyboard,
PHONES/OUT-
1
/4-inch
and connect the cable ’s oth er end to the amplifier’s input jack(s) (such as AUX IN or TAPE IN).
Your local RadioSha ck store sells a full line of amplifiers, speakers, and connec­tion cables.
USING THE MUSIC STAND
To easily view she et mu si c whi le pl ay ing your keyboard, insert the supplied music stand into the slot on the top back panel.
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OPERATION
POWER MODE
VOLUME
BASIC OPERATION
1. Slide
VOLUME
Important:
age, always set th e MD-1600’s vol­ume to
MIN
2. To turn on the MD-1600, press
POWER
. The POWER indicator
lights and the display turns on.
To save power, the keyboard
Note:
automatically turns off after about 6 minutes if you do not press a key. To turn the keyboard on again, press
POWER
. To cancel the auto power off feature, see “Changing Auto Power Off” on Page 30.
3. Slide
4. Slide
MODE
VOLUME
and begin playing the keyboard.
Notes:
• The MD-1600 selects the tone
GND PIANO (No. 000) the first time you turn the powe r on. Each time you turn it on after that, it recalls the last selected tone. To select a different tone, see “ Usi ng the Preset Tones” on Page 11.
MIN
to
(minimum).
To prevent hearing dam-
before you turn it on.
NORMAL
to
toward
.
MAX
slightly
• To select an auto-rhythm, see “Using the Preset Aut o-Rhythms” on Page 15.
• To play auto accompaniment, see “Using Auto-Accompaniment” on Page 17.
5. Slide
VOLUME
toward
MAX
to
increase the sound level or toward
MIN
to decrease it.
6. To turn off the MD-1600, press
POWER
. The red POWER indicator
and the keyboard’s display turn off.
PLAYING THE DEMONSTRATION TUNES
To showcase its many sounds, your MD-1600 can play tw o pre-programme d demonstration tunes.
To start the demonstration, press The MD-1600 begins to play the first demonstration tune (No. 0). To select the other tune, press
+
or – on the key­pad. The selected tune’s number ap­pears and the tune begins to play.
DEMO
.
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Tone Number/Name
Chord Symbol
Tempo Sound Level
Keyboard
The
tone number and name
appear at the top of the display. The middle row shows the beats per minute, the
measure playing
each measure. The
clefs
to the right of the display show the
chord symbol
and the
treble and bass
, the
tempo
in
number of the
beat count
in
notes as they play. The bar graph shows the
sound level
on each of the 16 chan­nels (see “Using the Mixer” on Page 22). The
keyboard
at the bottom of the dis­play shows the lo cation of the keys be­ing pressed.
USING THE PRESET TONES
Your MD-1600 can sound like 200 differ­ent musical instruments or sound ef­fects. The name and three-dig it number of each preset tone is listed on the MD­1600’s top panel.
Notes:
Treble Clef
Bass Clef
Measure/Beat Count
tones, however, are capable of on ly 12-note polyphony.
• Most tones on this keyboard have been record ed and p roce ssed usin g a technique ca lled
digital sampling
To ensure a high level of tonal qua l­ity, samples are taken in the low, mid, and high ranges and the n co m­bined. You might notice very slight differences in volume or sound qual­ity for some tones when you play them at different positions on the keyboard. This is an unavoidable result of multiple sampling and is normal.
Follow these steps to select and play a preset tone.
1. Press
TONE
.
TONE
and the current
tone’s number appear.
The MD-1600 automatically
Note:
selects the tone GRAND PIANO (No. 000) the first time you turn on power.
.
• The MD-1600 has 24-note (maxi­mum) polyphonic sound. This means that you can play up to 24 different notes at the same time with most of the keyboard’s preset tones. Many of the keyboard’s preset
2. To play a different tone, choose a preset tone from the 200 TONES list and enter its three-digit number on the keypad. For example, to select ELEC PIANO 1, press
0 0 4
. As you press the keys, the selected digits appear.
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Notes:
• You can select the next highest or lowest numbered tone by simply pressing
+
or – on the keypad.
• The names of tone numbers 000– 127 are marked to the right of the MD-1600’s display. The names for tone numbers 128–167 appear in the table below. Mem­ory locations 168–199 are reserved for custom tones that you create (see “Using the Cus­tom Tone Synthesizer” on Page 24).
No. Tone
128 SYNTH PAD 1 129 SYNTH PAD 2 130 TOUCH STRINGS 131 DO AHH 132 STRINGS HIT 133 VIBES PIANO 134 SAW SYNTH 135 TOUCH BASS 136 STRINGS PIANO 137 E. PIANO STRINGS 138 STEREO PIANO 139 12 STR GUITAR 140 BRASS FALL 141 BASS SLIDE 142 FEEDBACK GT 143 PIANO 144 ECHO ORGAN 145 ROTARY ORGAN 146 CHORUSED EP 147 STRINGS GT 148 PAD ENS 1
STRINGS
No. Tone
149 PAD ENS 2 150 SEQUENCE 1 151 SEQUENCE 2 152 SYNTH PAD 3 153 SYNTH PAD 4 154 SYNTH PAD 5 155 SYNTH PAD 6 156 SYNTH PAD 7 157 SYNTH PAD 8 158 REVERSE ECHO 159 FAST TREMOLO
160–167 DRUM SET 1–8
• When you select o ne of the dru m sets (tone numbers 160–167), each key plays a di fferent p ercu s­sion sound. See “Drum Assign­ment List” on Page 56.
• The drum set sounds change when you change the rhythm number, play back data stored in memory, or receive MIDI program change data.
• Tone numbers 168–199 are user tones. See “Using the Custom Tone Synthesizer” on Page 24.
3. Play the keyboard to hear the selected tone.
4. Adjust the volume to the desired level.
To select a different tone, while
TONE
appears, simply enter the desired tone number.
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REVERB
Drum Pads
RHYTHM
TONE
LAYER
SPLIT
USING THE DRUM PADS
The MD-1600 has six drum pads that you can use to play percu ssion sounds independent of the key board keys . Sim­ply tap on a drum pad to play the per­cussion sound currently assigned to it. To change the drum pad sounds, use the mixer function to change the tone assigned to Channel 10. See “Us ing the Mixer” on Page 22.
USING REVERB
The REVERB feature creates ambiance effects by causing the sound to linger and reverberate . Press indicator appears next to the type of re­verb you want.
HALL
— creates a concert hall effect.
ST AGE
— creates the acoustics of a
small club.
ROOM
— adds the acoustics of a studio.
REVERB
so the
USING SPLIT
The MD-1600’s SPLIT feature lets you play two different tones on opposite ends of the keyboard, so the low-end keys play one tone, and the high-end keys play another . Fol low thes e s tep s to use SPLIT.
1. Press
2. Enter the three-digit number for the
3. Press
4. Enter the three-digit number for the
5. Hold down
TONE
.
tone you want the high-end ke ys to play.
SPLIT
. The
SPLIT
indicator
appears.
tone you want the low-end keys to play.
SPLIT
, and press the key where you want the hi gh-end tones to begin. The selected key’s name appears on the display.
For example, if you set the split point to be F below middle C,
F3
appears.
To turn off REVERB, press
REVERB
no indicator appears on the display.
so
You can change the split point
Note:
at any time.
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6. Play both the low and high-end keys to hear the selected split tones.
To select a different low- end tone, e nter the three-digit numb er for the new low­end tone while the SPLIT indicator is on the display.
To select a different high-end tone,
SPLIT
press
to turn off its indicator, th en enter the three-digit nu mber for the new high-end tone. The n press
SPLIT
again
so the SPLIT indicator appears. To cancel SPLIT play, press
SPLIT
again so its indicator turns off.
Notes:
• If SPLIT is on when you turn off the keyboard, SPLIT will still be on the next time you turn on the keyboard.
• When you turn on SPLIT, the last selected settings appear.
USING LAYER
The MD-1600 lets you se t the keyboard to play two different preset tones at the same time, creating a “layered effect” when you press one key.
The first tone you select when us-
Note:
ing LAYER is called the the second tone is called the
1. Press
TONE
.
2. Enter the three-digit num ber for the base tone.
base tone
layer tone
and
3. Press
LAYER
. The LAYER indicator
appears.
4. Enter the three-digit number for the layer tone.
5. Play the keyboard to hear the selected layered tones.
To select a different layer tone, enter the three-digit number for the new layer tone while the LAYER ind icator is on the dis­play.
To select a different base tone, press
LAYER
to turn off its indicator, then enter the three-digit number for the new base tone. Then press
LAYER
again so the
LAYER indicator appear s. To cancel LAYER, press
LAYER
so its indicator turns off.
Notes:
• If LAYER is on when you turn off the keyboard, LAYER will still be on the next time you turn on the keyboard.
• When you turn on LAYER, the previ­ous tone settings appear.
USING SPLIT AND LAYER TOGETHER
You can combine the SPLIT and LAYER
.
features, so you can play one layered combination of tones on the low-end keys and another on the high-end keys.
1. If either indicator i s on, press
LAYER
or
to turn it off.
again
SPLIT
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2. Enter the number for the high-end base tone on the keypad.
3. Press
4. Enter the number for the low-end
5. Press
6. Press
7. Enter the number of the layered
8. Press
9. Enter the number of the layered
10. If desired, hold down
11. Play the keyboard to hear the
To cancel the SPLIT/LAYER combina­tion, press each button so both the SPLIT and LAYER indicators disappear.
SPLIT
so the SPLIT indicator
appears.
base tone.
SPLIT
so the SPLIT indicator
disappears.
LAYER
tor appears.
tone for the high-end keys.
appears.
tone for the low-end keys.
press the key where you want the high-end tones to begin.
selected tones.
so the LAYER indica-
SPLIT
. The SPLIT indicator
SPLIT
and
USING THE PRESET AUTO-RHYTHMS
You can play a preset auto-rhythm on the MD-1600 in any of these ways:
• Select and play a rhythm. See “Selecting/Playin g an Auto-Rhythm” on Page 15.
• Synchronize the start of a rhythm with your music. See “Using SYN­CHRO” on Page 16.
• Start a rhythm with a special intro­duction. See “Using INTRO” on Page 16.
• Stop a rhythm with a special ending. See “Using ENDING” on Page 17.
• Briefly vary the patte rn of a rhythm. See “Using FILL-IN” on Page 17.
• Play an alternate version (variation) of a rhythm. See “Using VARIA­TION” on Page 17.
Selecting/Playing an Auto-Rhythm
1. Press name and number of the current auto-rhythm appear on the display.
Note:
selects the rhythm CLUB POP (No.
00) the first time you turn it on. Each time you turn it on after that, it recalls the last selected rhythm.
RHYTHM
The MD-1600 automatically
.
RHYTHM
and the
Your MD-1600 has 100 preset auto­rhythms that provide a steady beat for your music. The name and two-digit number of each preset auto-rhythm is marked to the left of th e MD-1600’s di s­play.
2. To select a different rhythm, choose an auto-rhythm from the 100 RHYTHMS list and enter its two­digit number on the keypad. For example, to select 8 BEAT BALLAD 2 (No. 05), press
0
then 5.
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VAR/FILL-IN
TEMPO
SYNCHRO/ ENDING
INTRO
NORMAL/ FILL-IN
START/STOP
You can select the next high -
Note:
est or lowest numbered auto-rhythm by simply pressing
+
or – on the key-
pad.
3. Set
MODE
START/STOP
NORMAL
to
. Then press
to start the selected
auto-rhythm.
4. Adjust the volume to the desired level.
5. To change the auto-rhythm speed,
TEMPO
press
. or . The current
tempo setting appears on the dis­play .
Notes:
• You can adjust the tempo to play an auto-rhythm from 40 to 255 beats per minute.
• To quickly slow down or speed up the tempo, hold down
TEMPO
.
• You can also adjust the tempo by first pressing
TEMPO
. or , then
entering the desired number of beats per minute in three digit s (040 to 255), or by holding down
+
or – on
the keypad.
. or
• To reset the tempo to its default (original) speed, press
TEMPO
and at the same time.
To select a different rhythm, repeat Steps 1 and 2.
To stop the auto-rhythm, press
STOP
.
START/
Using SYNCHRO
The MD-1600’s SYNCHRO feature lets you synchronize the start of an auto­rhythm with the beginning of your music.
After you select and enter an auto­rhythm, press
SYNCHRO/ENDING
, then begin playing the keybo ard. The rhythm automatically starts to play when you press any key within the first 1
1
/2 octaves of the lower end of the keyboard (the first 18 keys from the left).
Using INTRO
The MD-1600’s INTRO feature lets you start the selected auto-rhythm with a light, 3- to 8-measure introduction that blends easily into the selected rhythm.
.
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To start a rhythm with an introduction, select and enter the rhythm, then pres s
INTRO
. The introduction pla ys, then the selected auto-rhythm automatically starts.
Using FILL-IN
The FILL-IN feature lets you insert a short (1- to 2-measure) fill-in segment into a selected auto-rhythm.
To insert the fill-in segment, press and release rhythm is playing. Th e MD-1600 inserts a 1- to 2-measure variation in the rhythm, then the original rhythm auto­matically resumes.
NORMAL/FILL-IN
while the auto-
Using VARIATION
Each of the MD-1600 ’s 100 p rese t auto­rhythms has a built-in variation (alter­nate) to its normal beat pattern. The variation differs slig htly from the normal rhythm, so it is almost like having two rhythms in one!
To play the alternate rhyt hm , pres s
FILL-IN
at the selected tempo. To insert the fill-in s egment in the alter-
nate rhythm, press keyboard adds a 1- to 2-m easure varia­tion in the rhythm.
To return to the normal rhythm, press
NORMAL/FILL-IN
. The variation plays continuously
VAR/FILL-IN
.
VAR/
. The
To stop the auto-rhythm, press
STOP
.
START/
Using ENDING
To end the se lected rhythm with a spe­cial 3- to 8-measure flourish, press
CHRO/ENDING
playing, about 3–8 measures before you want the rhythm to end. The MD-1600 plays a special ending, then automati­cally stops the rhythm.
while the auto-rhythm is
SYN-
USING AUTO-ACCOMPANIMENT
The 18 keys on the left side of t he key­board with note labels above them are called
accompaniment keys
You can set the MD-1600 to play three different types of auto accompaniment.
Concert Chord
on the accompaniment keys using chord formations of from one to four notes. The number of keys you press deter­mines the type of chord that plays.
Standard Fingering
chords on the accompaniment key s us­ing standard chord formations of three or four notes (see “Standard Fin gering” on Page 20).
Free Session
dy using the entire keyboard while the MD-1600 plays accompaniment based on your auto-rh ythm selection (see “Us­ing FREE SESSION” on Page 21).
— lets you play chords
— lets you play the melo-
.
— lets you play
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ACCOMP VOLUME
Notes:
• After you press the auto accompani-
ment keys when using concert chord or standard fingering, the MD­1600 plays the same ch or d unti l you press other accompanim ent keys to play a different chord or you press
ST ART/ ST OP
.
• You can use the MD-160 0’s rhythm
controls (
VAR/FILL-IN ING
) with all three types of auto
INTRO,NORMAL/FILL-IN
, and
SYNCHRO/END-
accompaniment.
Adjusting the Accompaniment Volume
The MD-1600 lets you adjust the volume of your accompaniment s eparately from the overall volume of the keyboard.
1. Press
2. Within 5 seconds, enter a number
ACCOMP VOLUME
. The three­digit number of the last selected accompaniment vol ume appears on the display.
from
0 0 0
(softest) to
1 2 7
(loudest)
on the keypad. The numbers appear
on the display as you press the keys.
To select the next highest or lo west accompaniment volume number, you can also press pressing down
ACCOMP VOLUME
+
or – to quickly increase or
+
or – after
decrease the accompaniment vol-
,
ume.
To reset the accomp animent volume to its default value of 87, press
VOLUME
then press + and – at the same
time.
The auto-accompaniment pat-
Note:
terns consist of four parts: chord 1, chord 2, bass, and rhythm. You c an de­lete any of the parts by using the mixer function. See “Using the Mixer” on Page 22.
Concert Chord
The concert chord method lets begin­ning keyboard pl ayers easily select an d play a chord.
. Hold
ACCOMP
18
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