OpenEye 200 User Manual
General Specifications
Model No.
Image Sensor
Imaging DSP
IP Rating
Type / Format
Wide Dynamic Range
Minimum Illumination
Day / Night
Horizontal TVL
Service Monitor Jack
S/N Ratio
Focal Length
Iris Control
Synchronization
Video Output
White Balance
Auto White Balance Range
Backlight Compensation
Auto Gain Control
Operating Temperature
Heater
Power Consumption
Rated Amperature
Input Voltage
Weight
Dimensions
Housing / Dome Cover
CM-201 CM-215CM-205 CM-205-L9
1/3” Sony SuperHAD
Sony SS-11X
IP55
NTSC
No
1.2 lux @ F1.6 (50 IRE)
Yes
500 TVL
No
48dB
4~9 mm
DC Type Auto IRIS Control
INT
1.0Vpp, 75Ω Unbalanced
Automatic White Balance
2500 K ~ 9700 K
Central Area for DC IRIS Lens
ON/OFF
14ºF ~ 122ºF (-10ºC ~ 50ºC)
No
3.2W (Max)
0.27A (12vDC) / 0.13A (24vAC)
12vDC / 24vAC (±10%)
0.6 lbs (0.27 kg)
Dome : ø3.9" (100 mm) x H: 2.1" (55 mm)
Housing: ø4.7" (120 mm) x H: 1.9" (50 mm)
White / Clear
1/3” Sony SuperHAD
Sony HQ-1
IP55
NTSC
No
0.6 lux @ F1.2 (50 IRE)
Yes
Day: 540 TVL / Night: 570 TVL
Yes, 2.5mm (3/32) T/S Jack
>50dB
3.3~12 mm 9~22 mm
DC Drive
INT / LL
1.0Vpp, 75Ω Unbalanced
AWB, AWB-EX
2700 K ~ 11000 K (AWB-EX 2000 K ~ 18000 K)
Center Area
AGC-EX / AGC Norm
14ºF ~ 122ºF (-10ºC ~ 50ºC)
No
4.2W (Max)
0.35A (12vDC) / 0.175A (24vAC)
12vDC / 24vAC (±10%)
0.6 lbs (0.17 kg)
Dome : ø3.9" (100 mm) x H: 2.1" (55 mm)
Housing: ø4.7" (120 mm) x H: 1.9" (50 mm)
White / Clear
1/3” Pixim Orca
Pixim
IP55
NTSC
Yes, 120dB Max Dynamic Range
0.6 lux @ F1.2 (50 IRE)
Yes (Auto, On, Off)
504+ TVL
Yes, 2.5mm (3/32) T/S Jack
>48dB @ F1.2, 50 IRE
3.3~12 mm
DC Drive
INT / LL
1.0Vpp, 75Ω Unbalanced
AWB, ATW, MWB, ATW-EX
2200 K ~ 7500 K (AWB-EX 2000 K ~ 11000 K)
Fully Adjustable
Fully Adjustable
14ºF ~ 122ºF (-10ºC ~ 50ºC)
No
4.2W (Max)
0.35A (12vDC) / 0.175A (24vAC)
12vDC / 24vAC (±10%)
0.6 lbs (0.17 kg)
Dome : ø3.9" (100 mm) x H: 2.1" (55 mm)
Housing: ø4.7" (120 mm) x H: 1.9" (50 mm)
White / Clear
Regulatory Compliance
Emissions
Immunity
FCC COMPLIANCE: This equipment has been tested and found to comply with the limits for a Class B
digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable
protection against armful interference in a residential installation. This equipment generates uses and
can radiate radio frequency energy and, if not installed and used in accordance with the instructions,
may cause harmful interference to radio communications. However, there is no guarantee that
interference will not occur in a particular installation.
If this equipment does cause harmful interference to radio or television reception, which can be
determined by turning the equipment off and on, the user is encouraged to try to correct the interference
by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced Radio/TV technician for help.
CISPR 22 WARNING: This is a Class B product. In a domestic environment this product may cause
radio interference in which case the user may be required to take adequate measures.
POWER SUPPLY REQUIREMENTS: For use with listed Audio/Video product and only connected to
15W or less power supply. *Power supply should be a NEC Class 2 / LPS Supply.
EQUIPMENT MODIFICATION CAUTION: Equipment changes or modifications not expressly approved
by the manufacturer, the party responsible for FCC compliance, could void the user’s authority to
operate the equipment and could create a hazardous condition.
This class B digital apparatus complies with Canadian ICES-003.
Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.
ATTENTION: The information in this document is subject to change without notice. OpenEye shall
not be liable for technical, editorial errors or omissions contained herein.
FCC part 15 Class B
CE: EN55011
ICES-003
EN55022
CISPR 11
CISPR22
ANSI C63.4
CE: EN50130-4
Camera Adjustments
Standard Camera CM-201
Twist the controls on the side of the varifocal lens to adjust the focus and field of view settings.
A
B
A : Focus adjuster
B : Field of view adjuster
High Resolution Camera CM-205/CM-205-L9
A : Focus adjuster
B : Field of view adjuster
C : DIP switches
D : ALC adjustment
E : V-PHASE adjustment
ALC
L.L
1
D/N
2
AWB
3
FL
4
BLC
5
6
AGC
V-PHASE
-
/+
D
C
Video
ALC
ON
1
ECE
2
3
4
5
6
HASE
V-P
A
B
E
Tamper Resistant Indoor
Dome Camera
Camera Setup
model no.
Please carefully read these instructions before using this product.
CM-201
CM-205
CM-205-L9
CM-215
Save this manual for future use.
27790AG
DC-IRIS Adjustment (ALC)
This is factory preset. It should not normally require adjustment.
Vertical Phase Adjustment (V-Phase)
Use this adjustment when using an 24vAC supply to align the camera phase with that of the power supply.
OFFFUNCTION ON
1
L.L
2
D/N
3
AWB
4
FL
5
BLC
6
AGC
INT
OFF
NORMAL
OFF
OFF
EX
LL
ON
EX
ON
ON
NORMAL
The bank of DIP switches allows the following settings to be made:
Line Lock (INT/LL)
In LL Mode, the V-Phase may be adjusted to compensate for connected supply phase differences. Only applicable
for 24vAC supply. When using a 12vDC power supply, the camera should be operated with INT (internal) sync.
DAY/NIGHT Mode (D/N)
When this switch is set to ON the camera will produce color images under normal lighting conditions. In reduced
light the camera will switch to Monochrome mode.
Auto White Balance (AWB Normal/AWB-EX)
AWB: The camera operates in the normal AWB range (2700 K ~ 11000 K).
AWB-EX: The camera operates in the extended AWB range (2000 K ~ 18000 K).
Flickerless Mode (FL/ON)
The camera reduces flicker in the image under fluorescent lighting.
Back Light Compensation (BLC)
When set to ON, this option improves the camera’s response to strong, unwanted lighting effects behind the
desired subject.
Low Light Sensitivity (AGC-EX/AGC Norm)
When set to EX, sensitivity in low light will automatically increased.
Selecting NORMAL will remove noise from the image, but will also limit the camera’s sensitivity.
Camera Adjustments & Programming
With the exception of the focus and field of view adjustments (made using controllers A and B) all
settings for the Wide Dynamic Range camera (CM-215) are made using its on-screen menu
display. A working video monitor and a separate plug-in service board ( C ) are required to view
and select options.
Menu Map (WDR Camera CM-215)
Press the ENTER button on the control board for three seconds to view the menu.
Camera Adjustment (WDR Camera CM-215)
A
A : Focus adjuster
B : Field of view adjuster
C : Service board
B
PRESETS NORMAL
INDOOR
OUTDOOR
FLUOR1
FLUOR2
SYNC
NTSC FFF
CUSTOM
EXPOSURE AGC
LOW
NORMAL
HIGH
WDR RANGE
CTRL
LOW
NORMAL
HIGH
AE PREFs HIGHLIGHTS
SHADOWS
SHUTTER LIMIT
CUSTOMS
OFF
X2
X4
X8
X16
WHITE
BALANCE
MODE
ATW Xtnd
ATW Normal
AWB
MANUAL
ADVANCED
WHITE BAL
MGNTA CTRL
WB BIAS
VIEWING ZOOM OFF
ON
FLIP OFF
ON
INT
LL
INT2
OFF
ON
CUSTOM
OFF
ON
CUSTOM
UP
RIGHT
DOWN
C
ENTER
LEFT
Menu Description
PRESETS
There are five unique “factory set” general configuration presets. Select the general configuration
preset which best suits your requirements for a specified environment. Pressing the ENTER key
on the selected option will display the parameters of a general configuration preset, pressing the
ENTER key again will select the general configuration preset.
NORMAL - Provides the most versatile settings for general purpose applications.
INDOOR - Optimized for indoor scenes with windows and/or glass doors.
OUTDOOR - Optimized for sunny outdoor scenes.
FLUOR1 - Line Lock recommended.
INT 1– Internally generated sync.
LL – Line Lock – Sync is locked to the AC supply cycle and permits adjustment of V-phase to
correct for vertical sync picture roll. (Applicable for 24VAC supply only. If a 12 volt DC power
s
upply is used the camera will run in INT1 or INT2.)
INT 2– Internal Flickerless – Internally generated sync that can reduce flicker under florescent
lighting.
FLUOR2 – Prevents flicker without requiring Line Lock by use of shutter.
EXPOSURE
There are four different exposure modes available for selection. Each exposure mode controls the
electronic shutter differently and is suitable for different lighting environments.
AGC – Automatic Gain Control – When low Light Priority is set to gain, gain increases as light
decreases up to the maximum set by gain limit. No color artifacts are visible, and the dynamic
range is not decreased as gain increases.
WDR RANGE CTRL - Use WD control, electronic shutter control, mechanical iris control, and the
low-brightness zone controls selected in LOW Lux MODE to control the exposure time
automatically. Seamless switching between control zones delivers shockless AE.
AE PREFs – Automatically optimizes the scene for highlights or for shadows.
SHUTTER LIMIT – Limits the shutter value.
SETUP
SAVE/
RESTORE
RESOLUTION NORMAL
HIGH
ADVANCED
LINEARITY GAMMA
VIEWING
SHARPNESS
SATURATION BIAS
IRIS DC GAIN
AI THRESH
VIDEO I/O VIDEO STANDARD
SYNC
DAY/NIGHT
D/N CONTROL
NTSC
INT
OFF
SETUP
COLOR
FULL SCREEN
METERING
NIGHT MODE
PRESENTS
ZONE SETUP
ADJUST ZONE
RESTORE USER SETTINGS
SAVE USER SETTINGS
RESTORE FACTORY SETTINGS
RESET CAMERA
SYSTEM INFO
MODE
PAL
INT2
LL
ON
AUTO
B/W
B/W w/BURST
SAFE AREA
CTR SPOT
LOWER 1/3
OFF
AUTO
MANUAL
WHITE BALANCE
There are four different white balance modes available for selection. Each white balance mode
controls the electronic shutter differently and is suitable for different lighting environments.
ATW Xtnd – Extended Auto White Balance Range – use this setting for scenes that may have an
extremely wide range of color temperature.
ATW Normal – Selects a normal Auto White Balance Range, for general operation. If necessary
the range is configurable with low limit (to help with reds) and high limit (to help with blues)
adjustments.
AWB – Save or cancel AWB and all changes.
MANUAL – Allows manual setting of the color temperature of the image. This can be achieved by
using the Kelvin option, or using similar methods the installer may be familiar with. This setting
is also pertinent to static environment applications where the lighting conditions never change,
like indoor hallways.
VIEWING
FLIP - This mode reverses the top and bottom sides of the liner.
GAMMA MODE – Select appropriate gamma mode for type of display. Gamma correction
compensates for non linear grayscale in a display device or to make non standard luminance.
MANUAL – Manual Gamma may be used to enhance detail in low light areas of an image which
would normally not be visible with highlights present in the image.
SHARPNESS – Adjusts overall image sharpness.
SATURATION – Adjusts overall color content of the image.
SETUP
IRIS- DC GAIN – Adjusts the iris control gain when using a DC iris.
AI THRESH – Adjust the threshold at which the automatic iris becomes active.
DAY/NIGHT SETUP – Day/Night operation. This feature may be used to improve low light
performance by reducing noise from the video signal or to force the camera into Night mode
regardless of lighting conditions.
SAVE/RESTORE
RESTORE USER SETTINGS – This will undo any changes made since the last “Save Setting”.
SAVE USER SETTINGS – Save any programming changes to ensure they are retained after
power loss or reset. If changes are not saved, the camera will revert to the previous settings on
power-up.
RESTORE FACTORY SETTINGS – Restore camera settings to factory default – full reset, all
previous program will be lost including video standard which will default to NTSC.
RESET CAMERA – Save any programming changes to ensure they are retained after power loss
or reset. If changes are not saved, the camera will revert to the previous settings on power-up.
RESET CAMERA – This is a soft reset and has the same effect as cycling the camera power.
SYSTEM INFO – Displays the camera firmware version.
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