Nord Electro 4D User Manual
User Manual
Nord Electro 4d
OS Version 1.x
Part No. 50384 Copyright Clavia DMI AB
Print Edition 1.1
CAUTION - ATTENTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
RISQUE DE SHOCK ELECTRIQUE
NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK
DO NOT REMOVE COVER (OR BACK).
NO USER SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED PERSONNEL.
ATTENTION:POUR EVITER LES RISQUES DE CHOC ELECTRIQUE, NE
PAS ENLEVER LE COUVERCLE.
AUCUN ENTRETIEN DE PIECES INTERIEURES PAR L´USAGER.
CONFIER L´ENTRETIEN AU PERSONNEL QUALIFE.
AVIS: POUR EVITER LES RISQUES D´INCIDENTE OU D´ELECTROCUTION,
N´EXPOSEZ PAS CET ARTICLE A LA PLUIE OU L´HUMIDITET.
Instructions pertaining to a risk of re, electric shock or injury to persons.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
Warning - When using electric products, basic precautions should always be followed, including the following:
1) Read these instructions.
2) Keep these instructions.
3) Heed all warnings.
4) Follow all instructions.
5) Do not use this apparatus near water.
6) Clean only with dry cloth.
7) Do not block any ventilation openings. Install in accordance
with the manufacturer’s instructions.
8) Do not install near any heat sources such as radiators, heat
registers, stoves, or other apparatus (including ampliers) that
produce heat.
9) Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with one
wider than the other. A grounding type plug has two blades
and a third grounding prong. The wide blade or the third prong
are provided for your safety. If the provided plug does not t
into your outlet, consult an electrician for replacement of the
obsolete outlet.
Additional Safety Information
No naked ame sources, such as lighted candles, should be placed on
the apparatus;
Do not use the apparatus in tropical climates.
WARNING: To reduce the risk of re or electric shock, do not expose
this apparatus to rain or moisture.
The apparatus shall not be exposed to dripping or splashing and that
no objects lled with liquids, such as vases, shall be placed on the
apparatus.
The maims plug is used as the disconnect device and shall remain
readily operable.
The lightning ash with the arrowhead symbol within
an equilateral triangle is intended to alert the user to the
presence of uninsulated voltage within the products enclosure that may be of sufcient magnitude to constitute
a risk of electric shock to persons.
Le symbole éclair avec le point de èche à l´intérieur d´un triangle
équilatéral est utilisé pour alerter l´utilisateur de la presence à
l´intérieur du coffret de ”voltage dangereux” non isolé d´ampleur
sufsante pour constituer un risque d`éléctrocution.
The exclamation mark within an equilateral triangle is
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the product.
Le point d´exclamation à l´intérieur d´un triangle équilatéral est
employé pour alerter l´utilisateur de la présence d´instructions
importantes pour le fonctionnement et l´entretien (service) dans le
livret d´instructions accompagnant l´appareil.
10) Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the point
where they exit from the apparatus.
11) Only use attachments/accessories specied by the manufacturer.
12) Use only with the cart, stand,
tripod, bracket, or table specied by the
manufacturer, or sold with the apparatus.
When a cart is used, use caution when
moving the cart/apparatus combination to
avoid injury from tip-over.
13) Unplug this apparatus during lightning
storms or when unused for long periods of time.
14) Refer all servicing to qualied service personnel. Servicing
is required when the apparatus has been damaged in any way,
such as power-supply cord or plug is damaged, liquid has been
spilled or objects have fallen into the apparatus, the apparatus
has been exposed to rain or moisture, does not operate normally, or has been dropped.
Il convient de ne pas placer sur l´appareil de sources de ammes nues,
telles que des bougies allumées;
L´appareil n’est pas destiné á étre utilisé sous un climat tropical.
L´appareil ne doit pas étre exposé á des égouttements d´eau ou des
éclaboussures et de plus qu´aucun objet rempli de liquide tel que des
vases ne doit étre placé sur l´appareil.
Lorsque la prise du résau d’alimentation est utilisée comme dispositif
de déconnexion, ce dispositif doit demeuré aisément accessible.
Trademarks: The Nord logo is a trademark of Clavia DMI AB. All other trademarks
mentioned in this publication are the properties of their respective holders.
Specications and appearances are subject to change without notice.
Copyright © Clavia DMI AB
| 3
Nord Electro 4D Table of Contents
1 Introduction
Thank you! . . . . . . . . . . . . . . . . . . . . 4
About this manual. . . . . . . . . . . . . 4
Disclaimer . . . . . . . . . . . . . . . . . . . . . 4
OS and internal memory . . . . . . 4
Factory presets. . . . . . . . . . . . . . . . 4
Restori ng the facto ry pres ets . . . . . . . . 4
OS upgrades . . . . . . . . . . . . . . . . . . 4
2 Overview
Knobs & buttons . . . . . . . . . . . . . . 5
Knobs . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Selec tor button s . . . . . . . . . . . . . . . . . . 5
On/Of f buttons . . . . . . . . . . . . . . . . . . . 5
Shif t button . . . . . . . . . . . . . . . . . . . . . 5
Drawba rs . . . . . . . . . . . . . . . . . . . . . . . 5
3 Connections
Audio connections . . . . . . . . . . . . . 6
Headph ones . . . . . . . . . . . . . . . . . . . . . 6
Left Ou t and Righ t Out . . . . . . . . . . . . . 6
Monitor I n . . . . . . . . . . . . . . . . . . . . . . . 6
MIDI Connections. . . . . . . . . . . . . . 6
MIDI Out . . . . . . . . . . . . . . . . . . . . . . . . 6
MIDI In . . . . . . . . . . . . . . . . . . . . . . . . . . 6
USB Connection . . . . . . . . . . . . . . . 6
Pedal Connections. . . . . . . . . . . . . 7
Sustai n Pedal . . . . . . . . . . . . . . . . . . . . 7
Rotor Peda l . . . . . . . . . . . . . . . . . . . . . . 7
Control P edal . . . . . . . . . . . . . . . . . . . . 7
4 Getting Started
About the programs . . . . . . . . . . . 8
Selecting programs . . . . . . . . . . . 8
Edit a program . . . . . . . . . . . . . . . . 8
Selecting pianos, samples . . . . 8
Using the Organ. . . . . . . . . . . . . . . 9
The Rotar y effect . . . . . . . . . . . . . . 9
Memory Protection . . . . . . . . . . . . 9
Storing a program. . . . . . . . . . . . .10
The Live buffer . . . . . . . . . . . . . . . .10
Octave Shift . . . . . . . . . . . . . . . . . .10
Adding effects . . . . . . . . . . . . . . . . .10
Activate a n amplifi er emulat ion . . . . . . .10
The Delay . . . . . . . . . . . . . . . . . . . . .10
5 Nord Electro 4D Reference
Master l evel knob . . . . . . . . . . . . . . . . .11
Organ section . . . . . . . . . . . . . . . . . 11
Organ Mo del but ton . . . . . . . . . . . . . . . 11
The B3 mo del . . . . . . . . . . . . . . . . . . . . 11
The VX m odel . . . . . . . . . . . . . . . . . . . .11
The Far f model . . . . . . . . . . . . . . . . . . .11
Rotar y Speed . . . . . . . . . . . . . . . . . . . .12
Vibrato/C horus . . . . . . . . . . . . . . . . . . .12
Percus sion . . . . . . . . . . . . . . . . . . . . . .12
Preset /Drawb ar/Split . . . . . . . . . . . . . .12
Additio nal MIDI ke yboard . . . . . . . . . . .13
The draw bars . . . . . . . . . . . . . . . . . . . .13
Piano section . . . . . . . . . . . . . . . . .13
Clavin et sound . . . . . . . . . . . . . . . . . . .13
Pick-up ty pe . . . . . . . . . . . . . . . . . . . . .13
Pick-up Type De scriptio n . . . . . . . . . . .13
Clav EQ . . . . . . . . . . . . . . . . . . . . . . . . .13
Acousti cs . . . . . . . . . . . . . . . . . . . . . . .13
Samp Env . . . . . . . . . . . . . . . . . . . . . . .14
Piano Type. . . . . . . . . . . . . . . . . . . . . . .14
Mono . . . . . . . . . . . . . . . . . . . . . . . . . . .14
Model . . . . . . . . . . . . . . . . . . . . . . . . . .14
Program section . . . . . . . . . . . . . .14
Up/Dow n buttons . . . . . . . . . . . . . . . . .14
Displa y. . . . . . . . . . . . . . . . . . . . . . . . . .14
Store . . . . . . . . . . . . . . . . . . . . . . . . . . .14
Live Mod e . . . . . . . . . . . . . . . . . . . . . . .14
Instru ment sele ctors . . . . . . . . . . . . . . .15
Shif t. . . . . . . . . . . . . . . . . . . . . . . . . . . .15
Octave Sh ift. . . . . . . . . . . . . . . . . . . . . .15
Effects . . . . . . . . . . . . . . . . . . . . . . . .15
EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
Effec t 1 . . . . . . . . . . . . . . . . . . . . . . . . .15
Effec t 2 . . . . . . . . . . . . . . . . . . . . . . . . .15
Speake r/Comp . . . . . . . . . . . . . . . . . . . 15
Reverb . . . . . . . . . . . . . . . . . . . . . . . . . .16
Delay / Re verb . . . . . . . . . . . . . . . . . . .16
Feedba ck . . . . . . . . . . . . . . . . . . . . . . .16
Ping Pong . . . . . . . . . . . . . . . . . . . . . . .16
Tempo Tap . . . . . . . . . . . . . . . . . . . . . .16
Gain . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
6 The Menus
System Menu . . . . . . . . . . . . . . . . . .17
1 - Memor y Protect – O n, Off . . . . . . . . 17
2 - Output R outing . . . . . . . . . . . . . . . .17
3 - Transpose . . . . . . . . . . . . . . . . . . . .17
4 - Fine Tune . . . . . . . . . . . . . . . . . . . . .17
5 - Sustai n Pedal Pola rity . . . . . . . . . . .17
6 - Rotor Peda l Polarit y . . . . . . . . . . . . .17
7 - Sustai n Pedal Mod e. . . . . . . . . . . . .17
8 - Rotor Peda l Mode . . . . . . . . . . . . . .17
9 - Ctrl Ped al Type. . . . . . . . . . . . . . . . .17
10 - Ctrl Peda l Mode . . . . . . . . . . . . . . .18
11 - Organ Trig Mode . . . . . . . . . . . . . .18
MIDI Menu. . . . . . . . . . . . . . . . . . . . . 18
1 - Local Co ntrol . . . . . . . . . . . . . . . . . .18
2 - MIDI Inte rface. . . . . . . . . . . . . . . . . .18
3 - MIDI Cha nnel . . . . . . . . . . . . . . . . . .18
4 - Lower Cha nnel. . . . . . . . . . . . . . . . .18
5 - Control C hange (CC ) Mode . . . . . . .18
6 - Progra m Change Mo de . . . . . . . . . .18
7 - MIDI Split M ode . . . . . . . . . . . . . . . .18
8 - Dump On e . . . . . . . . . . . . . . . . . . . .18
9 - Dump Al l . . . . . . . . . . . . . . . . . . . . .18
10 - Send CC . . . . . . . . . . . . . . . . . . . .18
B3 Menu . . . . . . . . . . . . . . . . . . . . . .19
1 - Tonewheel M ode . . . . . . . . . . . . . . .19
2 - Key Click L evel. . . . . . . . . . . . . . . . .19
3 - Key Bounc e . . . . . . . . . . . . . . . . . .19
4 - Perc. Fast D ecay . . . . . . . . . . . . . . .19
5 - Perc. Slow D ecay. . . . . . . . . . . . . . .19
6 - Perc. Nor m Level . . . . . . . . . . . . . . .19
7 - Perc. Sof t Level . . . . . . . . . . . . . . . .19
8 - Perc Draw bar 9 Canc el . . . . . . . . . .19
Rotary Menu . . . . . . . . . . . . . . . . . .19
1- Rotary Mo del . . . . . . . . . . . . . . . . . .19
2 - Balanc e Bass/ Horn . . . . . . . . . . . . .19
3 - Treble Horn S peed. . . . . . . . . . . . . .19
4 - Bass Roto r Speed . . . . . . . . . . . . . .19
5 - Treble Horn A cceler ation . . . . . . . . .19
6 - Bass Roto r Acceler ation . . . . . . . . .19
7 Nord Sound Manager
System re quireme nts . . . . . . . . . . . . . 20
Installation . . . . . . . . . . . . . . . . . . . 20
USB Dri ver. . . . . . . . . . . . . . . . . . . . . . 20
Sound Ma nager . . . . . . . . . . . . . . . . . 20
Overview . . . . . . . . . . . . . . . . . . . . . 20
The Toolbar . . . . . . . . . . . . . . . . . . . . .21
The Tabs . . . . . . . . . . . . . . . . . . . . . . . .21
Parti tion Memo ry Indi cator . . . . . . . . . .21
Right-C licking . . . . . . . . . . . . . . . . . . . .21
File For mats. . . . . . . . . . . . . . . . . . . . . .21
The Quick Tour . . . . . . . . . . . . . . . 22
Transfer pia nos to the Ele ctro 4D . . . . 22
Deleti ng a piano . . . . . . . . . . . . . . . . . 22
Downlo ad a new soun d . . . . . . . . . . . 22
Replac e . . . . . . . . . . . . . . . . . . . . . . . . 22
Relink . . . . . . . . . . . . . . . . . . . . . . . . . 23
Downlo ad Queue . . . . . . . . . . . . . . . . 23
Upload s ounds . . . . . . . . . . . . . . . . . . 23
Progra m Bundles . . . . . . . . . . . . . . . . 2 3
Upload a P rogram Bu ndle. . . . . . . . . . .24
Downlo ading a Bun dle . . . . . . . . . . . . .24
Organi ze the progr am part ition . . . . . . 25
Search B ox . . . . . . . . . . . . . . . . . . . . . 25
Auto Sele ct . . . . . . . . . . . . . . . . . . . . . 25
Backup . . . . . . . . . . . . . . . . . . . . . . . . 25
Restore . . . . . . . . . . . . . . . . . . . . . . . . 25
Sound Manager reference . . . . 26
Toolbar . . . . . . . . . . . . . . . . . . . . . . . 26
Menus . . . . . . . . . . . . . . . . . . . . . . . . 28
File Me nu . . . . . . . . . . . . . . . . . . . . . . 28
Edit Men u . . . . . . . . . . . . . . . . . . . . . . 28
View Me nu . . . . . . . . . . . . . . . . . . . . . 29
Help . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Tabs . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Piano – Sa mp Lib - Prog ram - Synth . 29
Search B ox . . . . . . . . . . . . . . . . . . . . . 29
Loc - Locat ion . . . . . . . . . . . . . . . . . . . 29
Name. . . . . . . . . . . . . . . . . . . . . . . . . . 29
Categor y . . . . . . . . . . . . . . . . . . . . . . . 29
Size . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Ver – Versio n Number . . . . . . . . . . . . . 29
Note. . . . . . . . . . . . . . . . . . . . . . . . . . . 3 0
Footer Ar ea . . . . . . . . . . . . . . . . . . . . 30
Parti tion Memo ry Indi cator . . . . . . . . . 30
Cancel B utton . . . . . . . . . . . . . . . . . . . 30
Progres s Bars . . . . . . . . . . . . . . . . . . . 3 0
Messa ge/Text Ar ea . . . . . . . . . . . . . . . 30
Updates a nd sound s. . . . . . . . . . . . . . 3 0
8 MIDI functions
About th e MIDI imp lementa tion . . . . . .31
Keyboar d velocit y . . . . . . . . . . . . . . . . .31
Progra m change . . . . . . . . . . . . . . . . . .31
MIDI Sys ex (System E xclusive) . . . . . . .31
With a sequencer. . . . . . . . . . . . . .31
Conne ctions . . . . . . . . . . . . . . . . . . . . .31
Local O n/Off . . . . . . . . . . . . . . . . . . . . .31
MIDI Cha nnel. . . . . . . . . . . . . . . . . . . . .31
Progra m Change . . . . . . . . . . . . . . . . . .31
Control lers. . . . . . . . . . . . . . . . . . . . . . .31
About c ontrolle rs and “cha sing” . . . . . .31
Program and CC dumps . . . . . . 32
Sendin g program d umps . . . . . . . . . . 32
Sendin g MIDI Cont roller du mps . . . . . 32
Recei ve MIDI Sys Ex dumps . . . . . . . . 32
MIDI Con troller l ist. . . . . . . . . . . . . . . . 32
MIDI Imp lementa tion Char t. . . . . . . . . 33
9 Index
Index . . . . . . . . . . . . . . . . . . . . . . . . . . 34
4 | NorD ElEctro 4D UsEr MaNUal os v1.x
Introduction
1
Thank you!
We’d first like to thank you for purchasing the Nord Electro 4D. Our
goal when we developed the Nord Electro instruments was to create
the best emulations of traditional electromechanical keyboard instruments on the market, and to make these instruments compact and
lightweight. With the Electro 4D we have taken our commitment a step
further by adding physical drawbars, upgrading the organ and the
piano and the effects sections and also by the ability to use sampled
instruments from the Nord Sample Library .
This allows us to for example include some of the fabulous Mellotron
sounds in the factory sound bank. Each and every piano and sample
in the Nord Electro 4D can be replaced by you, using the free Nord
Sound Manager application. New pianos and other sounds are found
on the enclosed Nord DVD and on the www.nordkeyboards.com web
site.
No compromises, just a good selection of outstanding, classic keyboard sounds with true feel, from a natural keyboard response to the
authentic sound quality – that is what we have been pursuing during
the development. To make a great tool you have to put all the focus on
a few things and that is exactly what we tried to achieve. We hope that
you will have as much fun owning and using the instrument, as we had
developing it.
The physical drawbars and the improved B3 engine on the Electro 4D
are the icing of a splendid cake. We sincerely hope that you two will
have a lot of fun together!
OS and internal memory
The operating system, programs and pianos and samples in Nord
Electro 4D are stored in a Flash memory. A Flash memory keeps the
data also when the power is turned off. Another big advantage is that
you can replace data in the Flash memory at any time. This means that
you will be able to download OS upgrades, pianos and samples and
programs to your Nord Electro 4D from a computer. The Nord Electro
4D features a USB port for quick and easy download of new piano
and/or instrument samples.
Factory presets
The internal sound memory of Nord Electro 4D consists of 128
programs. In addition there is the Live buffer memories, which will continuously store any changes as they are made, and remember these
settings after the power is turned off.
All of the 128 factory Programs of Nord Electro 4D can be replaced.
To make sure you don’t accidentally overwrite Programs you want to
keep, it’s a good idea to back up your sounds regularly on a computer
using the Nord Sound Manager application.
Restoring the factory presets
The factory Programs are available as Nord Sound Manager backup
files for download at the Nord web site at www.nordkeyboards.com or
on the included Nord DVD.
About this manual
You are probably very eager to start using your new instrument, and
we sure don’t want to keep you from having fun. We will try to cover all
the essential aspects on how to use the Electro 4D in the very first few
pages of this manual. After that follows the reference section where all
the functions are explained in detail.
Disclaimer
All trademarks and brand names mentioned in this manual are the
property of their respective owner’s and are not affiliated or associated
with Clavia. These trademarks and brand names are only mentioned to
describe the types of sounds reproduced by Nord Electro 4D.
OS upgrades
The latest OS version for Nord Electro 4D series is available for download at the www.nordkeyboards.com website.
chaptEr 2 ovErviEw | 5
Overview
2
The front panel of the Nord Electro 4D has four main areas, Organ,
Piano, Program and Effects. We’ll familiarize ourselves briefly with the
panel here and describe the functions in detail in the following chapters.
On the left part of the panel is the Master Level knob, the organ model
selector and the Rotary Speed section. The Master level controls the
entire instruments output level at the two output jacks and the headphone output. This control is not programmable, that particular functionality is instead available in the effects section with the Gain control.
The Organ section is lit and active when the Organ selector in the
Program area is activated.
Moving towards the middle of the panel, the Piano section behaves just
as the organ. The controls are lit when the Piano selector is active.
The Program section contain the parameters and functions that are
used to select and store programs, to set the System, MIDI, B3 and
Rotary menu settings and to select the instrument to be used with the
Organ or Piano selectors. We’ll describe the functions in this area in
greater detail starting at page 14.
The Effect section contains the functions of the effects. Please refer to
page 15 for more information.
The functions and settings of the System, MIDI, B3 and Rotary menus
are conveniently printed to the right on the panel.
Selector buttons
Selector buttons are used to
activate one setting in an array.
Selector buttons have a set
of round or triangular LEDs to
indicate the current setting.
Press the button several times
to cycle through the possible
options.
Holding Shift and pressing a selector button (with the exception
of the Type button) will cycle through the settings in a counter
clockwise fashion.
On/Off buttons
On/Off buttons are used for activating a parameter or a group of parameters such as effects.
Shift button
Some buttons have a secondary function, which
will be available if you hold down Shift while
pressing the button. The name of the secondary
function is printed below the button. Shift is also
used together with the Up/Down buttons when
you want to change a setting in the System,
MIDI or Sound menus.
Knobs & buttons
Knobs
The knobs control the continuously variable
parameters in the Nord Electro 4D.
M A parameter value can be totally different
from the knob’s physical position when
you load a Program. As soon as you start
turning the knob, the value will ‘snap’ to the
knob’s physical position.
Drawbars
The nine drawbars on the Nord
Electro4D allow you to sculpt
the organ sound in real time.
Their positions will be stored in
the programs, for immediate
access.
6 | NorD ElEctro 4D UsEr MaNUal os v1.x
Connections
3
CONTROL
PEDAL
ROTOR
PEDAL
SUSTAIN
PEDAL
MIDI MIDI MONITOR RIGHT LEFT OUT
Audio connections
Headphones
This is where you connect a ¼" stereo connector from a pair of headphones.
Left Out and Right Out
The left and right line level outputs from the Nord Electro 4D are unbalanced. Use ¼" connectors to connect the Nord Electro 4D to an amplifier or recording equipment.
The Nord Electro 4D is a stereo instrument, with separate signal paths
for the left and right audio channels. To properly experience the Electro
4D, use both outputs in a stereo operation.
ININOUT OUT MONOUSB
HEADPHONES
MIDI Connections
MIDI In
MIDI connection used to receive MIDI data to the Nord Electro 4D from
other equipment such as keyboards or computers.
MIDI Out
MIDI connection used for sending keyboard and panel generated MIDI
data from the Nord Electro 4D to other equipment such as sound
modules or computers.
The System functions allow you to separate the pianos/samples and
the organ sounds in the left and right outputs. Read more about this
functionality on page 17.
General guide on audio connections:
• Make all the connections before you turn on the power to your amplifier.
• Turn on the power to your amplifier last.
• Turn off the power to your amplifier first.
E Playing at a high volume level can result in hearing impairments
such as permanent hearing loss.
Monitor In
Use this to connect and monitor a signal from an mp3 or a CD player
at the Nord Electro 4D’s headphone output. This allows you to e.g.
rehearse with the Electro 4D to pre-recorded music.
M Signals connected to this input will not be processed with the
Electro 4D’s effects or appear at the Electro 4D’s left and right
output jacks.
USB Connection
The USB connection is used for the Nord Electro 4D to communicate with a personal computer in order to update the OS or to add or
replace any of the piano and/or sampled sounds. The computer can
run the Nord Sound Manager application, or be used to transfer the
operating system if the unit needs to be updated.
The Nord Electro 4D can also transmit and receive MIDI data via the
USB interface, read more about this in the MIDI chapter.
M Computers running Microsoft Windows operating systems need
a driver for the USB connection to work. The driver can be found
on the enclosed Nord DVD, or at the www.nordkeyboards.com
website.
chaptEr 3 coNNEctioNs | 7
Sustain Pedal
Pedal Connections
CONTROL
ROTOR
SUSTAIN
PEDAL
PEDAL
PEDAL
MIDI MIDI MONITOR RIGHT LEFT OUT
ININOUT OUT MONOUSB
HEADPHONES
¼" connector for a switch type pedal. When a connected pedal is
operated, the notes you play will be sustained.
Rotor Pedal
¼" connector for a switch type pedal. When a connected pedal is
operated, the rotary speed will change.
M Two types of pedal polarities can be used with these inputs; you
select the one that applies to each pedal, in the System menu
which is described on page 17.
It is possible to use only one pedal connected to the sustain pedal
input to control sustain for piano sounds and rotary speed selection
for organ sounds (see page 17 for details on how to configure this).
Control Pedal
¼" stereo connector for a pedal of the potentiometer type (also known
as expression pedals). A connected pedal can be used as a swell pedal
for the organs, a volume pedal for pianos and samples and also as a
controller for two of the effects: the P-wah and the ring modulator (RM).
The Nord Electro 4D has three pedal inputs; a sustain pedal, a pedal to
control the rotor speed and a control pedal (an expression type pedal),
which can be used to control various parameters.
When connecting an expression pedal to the Control Pedal input, you
should use a stereo cable with a Tip-Ring-Sleeve connector. Please
note that the pedal must have a stereo output jack. The resistance
range of a control pedal should be 10 or 50 kOhm. To simplify setup,
the most common pedal models (Roland, Yamaha, Korg and Fatar) are
pre-configured in the Nord Electro 4D, and you simply select the type
of pedal which you want to use in the System menu, see page 17.
8 | NorD ElEctro 4D UsEr MaNUal os v1.x
Getting Started
4
Let’s take a few minutes to get familiar with the Electro 4D. The user interface is designed to be as intuitive as possible, and to perform as well as you
do in a live situation. We hope that you soon will feel confident in using it, and by following this short chapter, we will go through most of the functions.
4 Press the Up button to get to the next acoustic piano.
About the programs
Sound and effect settings are stored in the Program memory of the
Nord Electro 4D. The Electro 4D organizes the memory in 32 pages
with 4 programs in each page, making this a total of 128 programs.
Every program can be changed and replaced as you wish. A complete
set of the factory programs are available on the Nord DVD that accompanies the unit and on our website. This allows you to get back to the
factory settings, should you wish to do so, using the Sound Manager.
The chapter about the Nord Sound Manager begins with a separate
tour, on page 22.
Selecting programs
Use the Up/Down buttons to the left of the LED display to select the
page and the program buttons 1 ~ 4 to select the programs within
each page. The page and program number will be displayed in the
LED.
When the Electro 4D leaves the factory, the first 16 or so pages are
organized to make it easier for you to quickly check out sounds from
specific instrument groups. The 1st programs in each page are organs,
the 2nd programs are acoustic pianos, the 3rd program are electric
pianos and the 4th programs are sample based instruments.
You can of course organize the programs in any order you want. Such
a process can be done quite easily by using the drag and drop features
in the Nord Sound Manager.
Edit a program
Editing a program is just as easy as grabbing a knob and change a setting, or press a button to select a different setting. The knob’s physical
position isn’t always as the stored setting in the program that is active,
but as soon as you start turning a knob, the parameter will snap to the
knob’s position.
When you have edited a program, a dot will appear in the lower right
display corner next to the program number.
This will alert you to the fact that the program
has been edited but not yet saved. If you select
a new program without saving, any edits you
have made will be lost and the program will have its original settings
the next time you select it.
Selecting pianos, samples
1 Press the Program 1 button to listen to a B3 organ program, 1.1.
2 Press the Up button to get
to the next organ program,
2.1. Keep pressing the Up
button until you are ready
for the next instrument
group.
3 Press and hold the Down
button to get back to 1.1,
and then the Program
2 button to listen to the
acoustic grand on the 1.2
location.
1 Select a program where the Piano instrument is active. The LEDs
on the piano section and the Selector LED for the piano will be lit.
2 Press repeatedly
on the Piano Type
selector to cycle
through the types.
3 Press the Model
buttons to select
the various piano
models within the
selected type.
4 Press the Type
selector again
until the Samp Lib is
activated.
chaptEr 4 GEttiNG startED | 9
Use the Model selector buttons to select one of the samples that are
included in the Electro 4D from the factory.
The Rotary effect
5 Press the Samp
Env button
repeatedly.
This will cycle through
the four options for
the sample’s attack
and velocity settings.
6 Press and hold
Shift and the
Samp Env button.
The rotary effect adds some great sonic drama to the organs, but can
of course be used with any other sound as well. The Electro 4D rotary
has three available speeds: fast, slow and stop. Stop does not
disengage the effect; it only stops the rotating speakers.
1 Make sure that the Speaker/Comp effect is
activated and select the Rotary by pressing
the effect selector until both the upper
LEDs are lit.
The drive knob now controls the overdrive of the
rotary amplifier.
This allows you to
select one of the four
available release time settings.
M This button doubles as the Clavinet EQ selector, when the Clavinet
type is active.
Using the Organ
1 Press the Organ instrument selector above the program 1 - 4
buttons.
This activates the Organ section.
2 Press the Organ Model selector on the left side of the panel,
below the master level knob, repeatedly to cycle through the three
organs – the B3, Vox and Farfisa emulations.
The settings for the three organ instruments
are made using the drawbars. The Farfisa uses
these in a switching mode, with only two settings (on or off) for each.
3 Press the Drawbar button and make
a setting with the drawbars to change
the sound. When the physical position of the drawbars matches the
programmed setting in the program,
the drawbar LED will be lit.
4 Press and hold Shift and the Drawbar/Split button.
This activates the organ split mode. The keyboard will be split at C4.
The lower half will use the Lo setting; the upper half will use the Up
setting.
2 Press the Slow/Stop button in the Rotary
Speed section to the left on the panel, to
cycle between the Fast and Slow speeds
of the rotary.
The rotors will speed up and slow down,
producing a nice swirly effect without the negative side effects that e.g. alcohol intake might
induce.
3 Press the Stop mode button to activate this one-speed mode.
The Stop Mode LED will be lit.
4 Press repeatedly on the Slow/Stop button to cycle between Fast
and Stop.
The rotary will now emulate the functionality of an early, one speed
original rotary speaker that had only the fast and the stopped rotary
speed options.
If you connect a foot switch to the rotor pedal input, you can
control the rotary speed with this pedal.
Memory Protection
When the Nord Electro 4D is shipped from factory, the memory protect
is turned on to prevent you (or your cat) from accidentally overwriting
any of the original programs. Before you can store any of your own
programs, this memory protect feature has to be turned off by toggling
a setting located in the System menu.
1 Hold Shift and press the Program 1 button to enter the System
Menu.
2 The very first item in the System Menu is the Memory Protection.
Use the Down button to get to the first item if this isn’t already
active.
3 Hold Shift and press the Down button to switch from the On
setting to the Of setting.
If you press and hold both the Shift and the Preset/Split buttons
for a couple of seconds, the Split LED will begin to flash and you
can press a key on the keyboard to set a new split point as long
as these buttons are held down. The key you press will be the first
upper manual key.
4 Press shift to exit the system menu. The memory protection will
now remain in the Off setting until you change it again.
10 | NorD ElEctro 4D UsEr MaNUal os v1.x
Storing a program
If you are happy with a change to a program that you have made, you
should probably store the program.
1 Press the Store button.
The program number in the LED starts flashing.
2 Select a new location where you want to store the program.
Use the Up/Down buttons
and the program buttons to
navigate to a new program
location if you do not want to
overwrite the original program.
3 Press the Store button a
second time to confirm
your choice.
The edited program has now
replaced the previous one in
the location you specified.
M To cancel the procedure,
press the Shift button
before you press Store the second time.
M With Memory Protect set to Off, a double tap on the Store button
will store a Program in its original location.
Adding effects
1 Select the program number 1.2 which
is a Grand Piano with a hint of reverb.
2 Turn on Effect 2 (the On LED should
be lit) and press repeatedly on the
Effect 2 selector.
The effect options are indicated with the
selector LEDs and changes in a cyclical,
clockwise fashion for each time the selector is pressed.
Some of the effects have three options that
indicate the depth of the effect. Flang1 is
the shallowest version, Flang 2 is a more
pronounced effect and when both the Flang 1 and Flang 2 LEDs are lit,
you have selected the most dramatic flanger effect.
3 Turn the effect rate knob.
This changes the rate of the active effect.
4 Hold Shift and press repeatedly on the effect selector.
This allows you to reverse through the effect selections.
5 Turn off the effect.
If you now continue to press on the effect selector after the effect is
turned off, the effect setting will change even though the effect is not
active.
The Live buffer
The special Live buffers can be described as a “live program memory”.
If you activate the Live button, all changes to the panel settings you
make will be continuously saved in the active Live program (1-4). If you
switch the power off, or select another program, the settings are still
stored in the Live memory, so when you power up next time (or return
to the Live memory) all settings will be exactly as they were when you
left them.
If the Live memory is selected and you decide you wish to store the
settings permanently as a program you can do so using the standard methods (see above). You can also store programs into the Live
memory location, in which case the program settings will replace the
current Live memory settings.
Octave Shift
Press either of the Octave Shift buttons to shift the pitch up or down in
whole octaves within the instrument’s
note range. Each instrument has a
finite note range, read more about this
in “Octave Shift” on page 15.
Activate an amplifier emulation
1 Press the Speaker/Comp button to activate the Amp emulation.
The Speaker/Comp LED will be lit.
2 Press repeatedly on the selector to cycle through the various options.
The knob controls the drive for the three amps and the rotary simulator,
and the amount when the compressor is selected.
The Delay
1 Activate the delay/reverb.
2 Hold Shift and press the reverb selector
button. The Delay LED lights up.
3 Tap the desired tempo on the Tempo Tap
button.
4 You can also set the delay time by hold-
ing the Tempo Tap button and adjust the
tempo with the Up/Down buttons.
5 Adjust the number of repeats (Dly1, Dly2
etc.) by pressing the selector button repeatedly.
This finishes our little tour; we hope that you now have the
initial knowledge on how to operate most of the functions on
the panel. There is another Quick Tour in the Sound Manager
chapter.
chaptEr 5 NorD ElEctro 4D rEfErENcE | 11
Nord Electro 4D Reference
5
Master level knob
This control sets the overall output level of
the Electro 4D, at the line and the headphone
outputs. This is not a programmable control. If
you want to set an output level for a particular
program, this can be achieved with the Gain
control.
Organ section
Each drawbar represents a partial with a fixed harmonic interval relating
to the played note. Note that the 5 1/3 drawbar is a 5th above the
fundamental harmonic although, in most situations it is perceived as
sounding below the fundamental harmonic.
Do not forget to try out the four tonewheel modes that are avail-
able in the B3 menu, see page 19. These will dramatically change
the sound of the B3 model from squeaky clean to a battered, old
work horse.
The Organ section in the Nord Electro 4D features emulations of three
classic organ models; a B3, a Vox Continental II (Vx model) and a
Farfisa Compact DeLuxe (Farf model).
Organ Model button
You select which organ model to use, with the
Organ Model button.
The B3 model
This model is a digital simulation of the classic
mechanical tone wheel organ. This simulation utilizes innovative and
advanced methods to capture every nuance of the original sound, for
example:
• An extremely accurate digital model of the original chorus and vibrato
scanner.
• Modeling of the individual random contact bounces for each harmonic.
• Modeling of the unique frequency characteristics of the built-in preamplifier which forms the “body” of the sound.
• Simulation of the energy robbing in the tone wheel architecture that
creates the typical “compressed” sound.
• Authentic tuning of the tone wheels according to the original design.
• Extremely fast keyboard response.
• Full polyphony.
The VX model
The original instrument is probably the most famous of all the transistor-based combo organs that emerged in the early 60’s. Transistor
technology made it possible to manufacture much more compact and
portable organ instruments. Compared to the mighty sound of tonewheel organs, transistor organs generally sounded reedier and weaker,
but this one had a distinctive, timeless sound and is recreated faithfully
in the Nord Electro 4D.
The labels used for the VX model drawbars are printed on the row
directly above the drawbars. The drawbars on the Electro 4D’s VX
emulation control the level of each available partial, in the same fashion
as on a dual manual original Continental. The upper manual uses the
16, 8, 4, II and III registers and the lower manual uses the 8, 4, 2 and IV
registers. Each register represents a fixed harmonic interval, or groups
of intervals (the II, III and IV) in a relationship to the played note.
The two rightmost drawbars control the sum of all partials in the form
of a filtered, soft and dark sounding signal (the sine icon), and an unfiltered signal with a bright and intense sound (the triangular icon).
M If these drawbars are both fully set to the lowest level, the organ
will produce no sound.
The Farf model
This typical “buzzy” sound of this vintage instrument is one of the most
distinct and easily recognizable organ sounds ever created, yet it is actually possible to get quite a wide range of sounds out of the instrument.
The labels used for the Farf model drawbars are printed on the upper
row above the drawbars.
The drawbars act as on/off switches, or “Register selectors” when the
Farf model is selected.
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