and the Custom Electronic Design and lristallation Association
flexibility,
51·1260'5
Bus
Matrix'"
51-1260's
has
won
and
ease
unique
design
stereo
volume
levels
feature
simultaneously
capabilities,
many
by
presti-
iles.
Contractor
(CEDIA).
addition, the St-1200 also won the Consumer Electronics Show's tnnovations
Design
and
Engineering
Award.
of
or
in
and
the
In
'95
Systems Integration Amplifier
51-1260
Figure 1
Page 4
FEATURES
AND
BENEFITS
Microcontroller Based Real World Power
The
51-1260
maximizes the amplifier's operational efficiency and enables it to deliver a solid 60
watts per chan:;el into 8 ohms, 20Hz to 20kHz, 0.04% THO.
80 watts per channel into 4 ohms,
Multi-TapToroid power transformer features 6 independent secondary windings, one
for each
vides the power necessary to deliver solid, deep, controlled
of
full
speakers.
12
channel amplifier incorporates microcontroller technology which
of
the six amplifier modules.
20Hz
This
Its
power increases to
to 20kHz,
extraordinary power supply design pro-
at
0.06% THO.
bass
response
The
massive
to a house
Transparent Sound
The
audio circuitryofthe
ing the latest in discrete output transistor design, featuring 1% metal film resistors,
high quality capacitors and oversized heat sinks. All this attention to technical detail
results in a sound that
51-1260isconstructed with the finest
is
clear and uncolored.
parts
available includ-
Microcontroller Based Operation and Protection Modes
The
51-1260 utilizes advanced microcontroller
of
monitors all facets
voltage, main power
circuit/low impedance protection and DC output protection. Additionally,
see
front panel
channel pair (CH1/2, CH3/4, CH5/6, CH7/8, CH9/10 and CH
the amplifier's main power supply, providing
unlikely event that a problem occurs on one channel pair, the other channels
continue to play. When conditions return to normal, regular operation
Dual Input
Nile's unique Dual Input BusMatrix'" selector gives you the flexibility to individually
assign
Leftl
BusMatrix'", routing surround sound to the master bedroom,
mono to a bathroom
makes the
sional installer exciting new features and sound system design possibilities.
each amplifier channel to a BusMatrix'" input signal, either Leftl, Rightl,
+Rightl, Left2, Right2,
51-1260
the amplifier's operation and protection modes: over/under line
fuse
status,
LED
indicators display the operation or protection mode for each
BusMatrix™
isassimpleasflicking a switch.
an
ideal multi-room or MultiZone amplifier, offering the profes-
channel pair on/off
Selector
Left
2+Right2, or to a dedicated signal input.
fast
based
status,
and
operation circuitry that
thermal protection, short
11
/12)aswellasfor
easy
troubleshooting.Inthe
will
stereo
The
Dual Input BusMatrix'"
to the den, and
easy
will
resume.
With
the
to
II
Page 5
Twelve to Six Channel Configurable Power
Eachofthe
six 120-watt channels
These
Bridging enables you to double the power to specific speaker locations, including
large rooms and outdoor applications.
51-1260's
switches
six
adjacent output pairs
by
setting the bridging switch to the "BRIDGED" position.
are
locatedatthe top
of
the
are
bridgeable.
rear
panel
(see
You
can create up to
Page
27
figure 16).
Freedom from Noise and Cross-Talk
The unique design
extremely high channel-to-channel isolation. 5ignal-to-noise ratio and cross-talk
specifications are comparable to those
recording studios. With the 51-1260, the music playing in the living room
interfere with the music playing in the den.
of
the 51-1260's Dual Input
of
BusMatrix'M
mixing consoles used in professional
PC
board ensures
will
not
Independent Level Controls
Each
channel
vidually adjust the setting for up to twelve different speaker locations for
audio performance, providing uniform sound in every room.
has
its
own independent volume level control, enabling you to indi-
designed in the USA by Niles engineers and includes a
MultiZone
This
output
two
II
Page 6
SYSTEM
As
shown in Figure2,a distrib-
utedaudio/videosystem
defined by the number
ing zones it
tening zone you
only
RadiolTape,
time. A listening zone can consistofa single room or a group
of
volumes and greater convenience in different rooms with-
in a zone, individual volume
controls can be used.Niles
makes volume controls in various
designing your system, take
into account who
system
it. Consult your local Niles
dealer for more information.
one source(e.g.COl
rooms.
styles
and when they
DESIGN
of
listen-
has.
Within a liscan
listen to
etc.)
To
and colors. When
at
anyone
achieve different
will
use
will
BASICS
the
use
..------.",
is
"-----.;:,-....
A Single-Zone System
allows only one source to
be heard throughout the
house at a given time.
FAMILY ROOMLIVING ROOM
LISTENING ZONE 1
Figure 2 -Single
Zone
System
[J
==
A MultiZone
in Figure
hold
instance, a family might have
their family room wired for surround sound and their living
room wired for background
music.
the children can watch TV in
surround sound
and Dad
andenjoyingbackground
music in the living room.
moreflexibility.
In
system
3,
offers the house-
a two zone
are
reading the paper
as
while
shown
For
system,
Mom
r--
II
ILIVING
I LISTENING ZONE 1 I
L...-
ROOM
_
Figure 3 -MultiZone System
r
I
I
I
I
--
I
I
I
I
II
I
I
FAMILY
I
I LISTENING ZONE 2
L...-
ROOM
I
II
_
II
Page 7
SYSTEM
DESIGN
CONSIDERATIONS
Speaker Compatibility
A single channel (not bridged)ofthe 51-1260iscapableofdriving a
As
speaker load.
channel, presenting the amplifier a 2.66 ohm load. Proper ventilation
is
critical when driving
ventilated, the protection circuits may activate and shut off the channel at higher
volume levels (for more information on proper amplifier placement,
Considerations on page
A channel pair that
4 ohms. Proper ventilationofthe
bridged channels. Ifthe
activate and shut off the channel at higher volume levels (for more information on
proper amplifier placement,
When designing your
plete line
els
rated from 6-8 ohms).
of
manyasthree 8 ohm speakers can be safely connected to a single
low
impedance loads. If the
77).
has
been BRIDGEDiscapableofdrivinganimpedance load
51-1260iscritical when driving a 4 ohm load
51-1260isnot properly ventilated, the protection circuits may
see
Installation Considerations on page 77).
system,
in-wall, in-ceiling, outdoor
try to specify 6-8 ohm speakers (Niles offers a com-
and
home theater loudspeakers with all mod-
51-1260
low
impedance
of
the 51-1260
is
not properly
see
Installation
of
with
Cable and Wire
Because the
important that you correctly label allofthe input cables and speaker wires. Label the
cables and wires
which they are connected. This
future.
The
51-1260
connectors.
noise and best overall performance.
cable.
A OB25 MultiZone Input Connector
Products which include a mating OB25 output connector. All
are included within the single connector, along
Input.
The
51-1260
applications,
than 80 feet, we recommend
5-way binding posts
to the wire
51-1260
connects to your sources via shielded line level audio cables with
Use
connects to your speakers using
we
will
has
many connections on the rear panel
with
their destination or source, rather than the 51-1260 terminal to
will
make it easier to reconfigure your system in the
high quality cables with your Niles amplifier for the lowest possible
Your
Niles dealer can recommend the proper
is
provided for
with
two
conductor speaker wire.
recommend you
will
accommodate up to 12-gauge wire. Attaching banana plugs
enable the connectionoflarger wire
use
16or18
14
gauge wire. The
gauge wire.
51-1260's
use
the
sizes.
(see
Figure
with Niles
12
dedicated inputs
51-1260's
For
wiringnns
high-quality, gold-plated
MultiZone
Voltage Trigger
13), it
For
most
longer
RCA
is
Page 8
Using Mono for Smoother Coverage
In
large or irregularly shaped rooms, you may find that the main listening area may
of
be closer to one
amplifier you
create
of
no ill effects. Some
sound quality
•
• Irregularly shaped rooms.
• Bathrooms with one speaker over the tub and one speaker over the sink(s).
mono
the system.
Large
rooms
the speakers. Ifthe
will
only
hear half the music.
sound from one speaker without impacting the stereo quality in the
You
can configure each room to either stereo or monoasneeded with
of
the most popular
would
with
be:
many seating
speakers
areas
areas
and/or many pairsofspeakers.
in the room are connected to a stereo
The
51-1260's
where
mono
BusMatrix'" enables you to
will
greatly enhance the
rest
• Hallways or passageways
• Small rooms, such
required.
as
(including those with multiple speakers).
walk-in closets where more than a single speakerisnot
Bridging Channels for Areas that Require More
Volume and Power
There are several situations where bridgingisan
There are also applications where bridging
recommended. Bridging channels increases the power to 120watts per channel with
an
8 ohm impedance.
These
1.
2.
are someofthe most common DOs and DON'Ts:
Outdoors
the walls enclose the sound and reflect it back to the listener. A pair
playing into a large patio or yard
two
into
Surround
are much greater than the left, right or surround channels. This
application for
(DO)
-Sound dissipates faster outside than it does in a room where
120 watt channels.
Sound
Systems
two
channels to be bridged into one 120 watt channel.
(DO)
-
will
greatly benefit from bridging four channels
The
excellent way to improve the sound.
would
dynamic demands for the center channel
seem
to be appropriate butisnot
is
of
speakers
an
excellent
3.
More
way,
of
by using
amplifier channels into
than
one
often the best way to get good background musicisto install multiple pairs
speakers.
You
two
pair
of 8
ohm
speakers
will
actually deliver more power to
unbridged amplifier channels than you
two
and connected the
(DON'T)
-In
two
pairsofspeakers in parallel.
a large room or a long hall-
two
pairsof8 ohm speakers
wouldifyou bridged four
Page 9
APPLICATIONS
Advantages of Using the 51-1260 in a Single Zone System
By
connecting a Niles 51-1260 to a stereo receiver's preamplifier outputs, you dedi-
Each
cate a robust 60 watts to each speaker in your multi-room system.
its
own level control, enabling you to compensate for architectural differences which
may
cause
systemsothat when allofthe room volume controls are
the
the large rooms and the small rooms play at the same volume.
one speakertoseem
louder than another.Inaddition, you can fine tune
set
to the loudest level,
channel
has
DSS
Niles VCS-2D
Volume Control
Room 1Room 2
VCR
Preamplifier or
AM/FM receiver
SI-1260
0-
'YYYT
Tt,
Room 3Room
Single Zone
CD
4
RoomS
Room 6
Figure
4 -
Single
Zone
II
Page 10
Creating a Low-Cost Second Zone
Using a Dedicated Source
The
main problem in a single zone
in one room, you cannot listen to another source in another room simultaneously.
who
However, for a listener
ated to
allow
source. This
simultaneous CD listening while the main
is
possible onlyifthe CD player you are using
only listens to
one with remote controllable volume and the other a fixed volume.
Figure
5,
you connect the
CD
channel inputs for the particular room where you
is
output
the
(lRR-40, IRP-2+ and IRC-2)
connected to the main preamp or receiversoyou can also listen to CDs in
restofthe house. The finishing touchisto install a Niles infrared repeater
so
control from your CD listening room.
systemisthat when a sourceisbeing listened to
CDs,
a low-cost second zone may be cre-
systemisplaying another
has
dual audio outputs,
As
shown in
player's variable output to the
will
listen only to CDs. The fixed
you may adjust the
CD
player's volume via remote
(Fixed)
51-1260's
dedicated
IRC-2
system
for
(Variable)
CDs
BusMatrix'" Input
Niles VCS-2D
Volume Control
1J
1----......
~~:::::=~~t-
81-1260
0-
ZONE 1ZONE 2
Figure
5 -
low
tw"
Cost
Second
BusMatrix'" Input 2
Zone
I
I
I
I
I
I
I
I
Page 11
Using a Dual-Zone Receiver for Two Listening Zones
Mostoftoday's Dolby Digital surround sound receivers include a second zone pre-
used
amplifier output
of
the
51-1260's
BusMatrix™
a second listening zone
to create a second listening zone. Using this output
inputs provides amplification for multiple rooms within
as
shown in Figure
6.
with
one
DVD/CD
CHANGER
I
I
VCR
ZONE 1I
(Home Theater) :
II
:_
~r~n~
~~e~k~~
BusMatrix'" Input 1
Niles
VCS-2D
Volume
Living
I(Unbridged Channels1-8)
L
Room
Control
KitchenExercise
__
S;~n!e~
~p_e~k~r
~r----------_----1
SI-1260
0--
..
""
..
Room
DSS
----
R~~
~e.e~':e~s
HallwayPatioI
Second Zone Output
_
~
Niles
VCS-2D
HP
Volume Control
(HP
= High
Power)
(Bridged
Channels
~~J~~l_~
I
I
I
I
I
I
I
I
I
I
:
Figure 6 -Using a Dual Zone Receiver
Page 12
Adding Preamps
In
the ultimate MultiZone
single component multi-zone/multi-source preamplifier) to one
completely independent listening
in
six separate zones to simultaneously listen to different source components
Many
51-1260's Dual
tem design.Asshown in
and second zone outputs connected to the 51-1260's Dual
inputs respectively.
six via
through twelve in the
1260 placing three rooms in Zone
MultiZone
dip
switch settings.
systems
BusMatrix™
Figure
Bus
Input
same
incorporate
multiple
rooms
within
a single zone. The
Input simplifies the connections required for this
8,
a Niles A4.6Ci
MultiZone
Controller
BusMatrix™
has
#1
#1isthen routed to amplifier channels one through
Bus
Input
manner. 5ix rooms can
#2isrouted to amplifier channels seven
now
be connected to the
#1
and three rooms in Zone #2. The remain-
sys-
its first
and
#2
51-
ing zone outputs on the A4.6Ci can be connected to another 51-1260 for more
zones.
,..-------,
I
I
I
I
I
I
I
I
ZONE 3
...
-------,
II
II
I
...
-------,
II
II
I
...
-------,
II
II
1
ZONE 6
-~
ZONE 4
oI
ZONE 5
oI
--'
..J
Niles A4.6Ci
BusMatrix'· Input 1
Niles
VCS·2D
Volume
Control
________________________
ROOM
1
ROOM
ZONE 1ZONE 2
-----....-
2
Zones
CJ
ROOM
1-2/
-
AM/FM
TUNER
..
81-1260
JI
3
Zones 3-6
..,-----BusMatrix'·
•
ROOM
4ROOM 5
81-1260
CJ
-
Input 2
-----'==--=::::1..-
•
oI
6I
J
ROOM
I
I
I
I
I
I
I
I
I
I
I
I
I
Figure
8 -
Dual
BusMatrix'·
Input
Page 14
CONFIGURING
The
51-1260
installation before starting. Start by drawing a block diagram
the Configuration Worksheet on page 29 to document
51-1260.
out according to the block diagram (figure
Figure 9
offers many configuration possibilities. Therefore, carefully plan the
Figure9,shown below,isan
YOUR
exampleofa Configuration Worksheet filled
SYSTEM
how
6)
on page
70.
of
your system and
you plan to connect your
use
Sample
BUS INPUTS & OUTPUTSCONNECTEDTO...
Left Bus Input # 1Second Zone
Right Bus Input # 1
Left Bus Input # 2
Right Bus Input # 2
Cascade Output Bus # 1 Right
Cascade Output Bus # 1 Left
Cascade Output Bus # 2 Right
Cascade Output Bus # 2 Left
CH #BRIDGED
1
2
3
4
5
6
7
8
9
10
11
12
Configuration Worksheet
Second Zone
D
D
D
D
~
r;I
DIP
L1
R1
L1
R1
L 1Bus
-----_.
R1
L1+R1
L1+Rl
Off
1---
L1
Off
R1
INPUT SOURCESPEAKER
Bus
#1
Bus
#1
Bus
#1
Bus
#1
#1
Bus
#1
Bus
#1
Bus
#1
N/SN/S
---
Bus
#1
N/SN/S
Bus
#1
Left
Right
N/S
N/S
N/S
N/S
N/S
N/S
Output
Output
Left
Living
Right
Left
Kitchen
Right
Left
Exercise
Right
Hallway
Hallway
--
Left
Patio
Right
Room
Living
Kitchen
Exercise
#1
#2
Patio
Room
Room
Room
--
MODE SETIINGS
Constant
Audio Sense
Voltage Trigger
Control Output
IN
USE
D
ri/
D
D
SPECIAL CONNECTIONS OR NOTES
Page 15
INSTALLATION CONSIDERATIONS
Automating the turn-onofyour
in a distributed
AC
outletofyour preamplifier or receiver.
requires large amountsofcurrent from
recommended to activate the
51-1260
important
amplifier on only when it
On
Important!
any
concerning the Front Panel Power Switch).
in
Mode selector switch
of
the three turn-on options to function (refer to page
system.
order to prevent
needs,
The
Front
However, do not plug the main power cord into the switched
the
51-1260
Panel
51-1260isoneofthe
its
system
system
has
is
needed.
(see
Figure 10).
Power 5witch mustbein the
preamplifier/receiver before turning on your
"turn-on thumps".
three special turn-on
These
Turn-On Modes
The
Constant:
The
front panel
the amplifier. When the switch
is
"ON",
auto turn-on circuitryis"OFF".
master
when itisout, the ampis"OFF".
power switch operates
is
in, the amp
easiest
The
high power design
AC
power source. Additionally, itisalways
three options
TURN
MODE
steps
In
order to
modes
ON
D
§E
that let you turn the
are
accessed
(switch in) position for
23
for more information
ON
CONSTANT
AUDIO
3-30V AC/DC
-TRIGGER
when installing it
of
the
address
by the Turn-
SENSE
INPUT
51-1260
these
Audio
there
16 inputs, but the sensing circuitry
The
amount of audio signal present at any
audio inputs. If itdetects a signal, the adjacent
pair
3/4,5/6,
signal
amplifier channels "OFF".
3-30V AC/DC Trigger Input:
signal
such a voltage, all adjacent pairs
signal switch
ly switches the amplifier "OFF". Voltage triggers
ed
DC wall adapter
receiver.
Sense:
is
no audio signal presentatanyofthe
turn-on
of
amplifier channels (i.e. channel 7/2,
stops,
is
switchers,
The
amplifier
sensing
etc.)
assigned
the
not applied to the voltage trigger input. Once the sensing circuitry detects
"ON".
some
circuitry looks for a tiny
to receive the inputsignals
sensing
Once the voltageisremoved, the Voltage Trigger circuit instant-
video projectors,
(Niles FCD0665) plugged into the switched outlet
is
"OFF" when
is
active.
of
the
circuit waits approximately 2-minutes, then switches all
The
amplifieris"OFF" when a 3 to 30-Volt
of
amplifier channels that
some
surround sound processors, or a12Volt
Figure10- Turn-On Mode
will
may
switch
be
"ON".
are
supplied by Niles automat-
Oncethe audio
receiving
of
AC
or DC
an
audio
your stereo
If you
doesn't
Volt trigger increasing up to a minimum
are
using a wall adapter or external power supply to provide the trigger, it
havetobe
very large
(a
minimum current capabilityof2.5-milliamps for a 3
of38milliamps for a 3D-Volt trigger).
continued on page 1
7.
Page 16
Attractive extruded
aluminum front panel.
Multi-color "Channel Pair"
LED
indicators
display channel pair on/off status,
and protection modes
/
51-1260
5Y5TEMS
INTEGRAl
N
AMPLIfIER
/
/
.
~
~
~
(C'~'"
CI-IANNHS
U""NNHS
n'ANNrlS
O
...
N"[lS
CH,o.NNHS
~I"OWUl
=====
.-,
,-.
,.
.-.
':l·10
11·12
-
NILES
Red
"Power"
LED
confirms the amplifierisconnectedtoa live
AC
outlet and that the front panel switchison. Additionally, it indicates
any AC line voltage problems and main power fuse status
Figure
13
Front panel "Master Power"
switch turns off the entire
amplifier, including the auto
turn on circuitry.
Removable Two-prong
IEC
compatible
AC
power cord.
Gold-plated RCA jacks for
the dedicated inputs.
DB-25 input connector for simplified
dedicated audio and voltage trigger
connection using Niles MultiZone Products.
L----'"'~-#------
Serial Number.
Bridging switch for each channel
pair.
Level controls for each
channel.
BusMatrix··controls for each
channel.
"Turn-On" Mode Switch.
----tt-~'r
Cascade outputs of the
bus input enable you to daisy
chain multiple amplifiers.
3.5
mm
Jack for
3-30V AC/DC trigger input.
Gold Plated Dual Bus
Inputs, selectable
by
the
BusMatrix··, provide
enhanced input flexibility.
3.5 mm
Jack
for
12vDCControl Output.
(150
mA max)
Gold plated, dual banana plug
spaced, five-way speaker
binding posts.
Page 17
continued from page
Placement
14.
CAUTION
A
damagetothe
Place the
placed
high-fidelity component,
proper cooling. When installing the
rearisopen to
are
the amplifier
If the cabinet's design
fans" to provide continuous air flow into and out
with
at
least 6 inchesoffree air space above the amplifier and 1 inch on
CAUTION!
A
Mode,
CAUTION!
51-1260.
A
The
51-1260isequipped
generates a powerful magnetic field that could induce a hum in a turntable
larlya turntable
directly above
I
Placing
51-1260
its
on a flat, level surface like a table or shelf.
weight equally distributed on the unit's four feet. This amplifier, like any
fresh
is
located on a carpeted surface, place a board under the amplifier's
When
less
than8ohms
00
equipped
or
directly adjacent to the
the
amplifier's
will
air
(see
will
not accommodate
using
NOT
block
with
with a moving coil cartridge).
51-1260's
weightonthe
rearorfront
panels
connectorsorcontrols.
The
51-1260
last
much longerifitisgiven adequate ventilation for
51-1260ina cabinet, be sure that the cabinet's
Figure
low
Bridged
11). Additionally, place the
an
open
rear,
of
the cabinet
impedance
Mode),
the
ventilation
a massive toroidal power transformer.
speaker
loads
refertoFigure12for
holesonthe
DO
51-1260.
51-1260sothat there
install
(see
(less
than4ohms
top
NOT place a turntable
two
Figure
proper
and
bottomofthe
This
will
cause
must
be
each
side. If
feet.
small "boxer
12).
Normal
placement.
transformer
(particu-
CAUTION!
capacityofthe
A
Make
of
amplifier and
proper ventilation.
sure
6"
offree air
•
Before
Figure
that thereisa minimum
placing
shelfis70
11
space
above the
1"
on each side for
the
Ibsorgreater.
;!Y&Ii!Y&li~
•
51-1260ona
shelf,
verify
Figure
Boxer
Fan
•
I I
(105 CFM)
6"
directly centered
on topofthe 51-1260.
that
the
12
weight
Boxer
directly centered
behind the 51-1260.
.
, !
Fan
(105 CFM)
~
bearing
2"
Allowaminimum
behind the unit to accommodate
cables and connectors.
of2"of
depth
If the cabinet rearisnot open to fresh
or
if
air
loads, install
vide continuous air
of
your using
the cabinet.
low
impedance
two
"boxer fans" to pro-
flow
into and out
Page 18
INSTALLATION
Line
A
amplifierchannels in the "bridged"
mode, assign the audio signal
amplified to the EVEN numbered
amplifierchannel using the
Dip Switches.
Level
Cautio~!
connections.
STEPDESCRIPTION
1. Correctly label
cables
2.
Connect
RCA
connectors
inputordedicated
51-1260's rear panel.
NOTE: When you are using two
Audio
The
amplifier
the
interconnecting
coming
the
from
sourcesbyinserting
into a BusMatrix™
input
Inputs
must
be
each source.
jack
on
to
be
BusMatrix™
off
whenever you make changestothe
Use audio patch cables terminated
RCA
connectors.
the
the
Connect outputs from your source components to the input jacks on the amplifier.
NEVER
input
inputs.
connect a preamplifier or source
(e.g., record inputs) to the
input
with
51-1260
Cascade
Audio
Outputs
The "Cascade Audio Outputs" enable you to connect additional amplifiers to your
preamplifier's output. Connectionisaccomplished
are
cables. The outputs
you
will
need a Niles AVDA-3 buffered distribution amplifier. A single AVDA-3
not buffered; to daisy chain more than five Niles amplifiers
enables you to daisy chain five amplifiers from each
51-1260
amplifier
more than one
AC
STEPDESCRIPTION
1. Plug
power
120 Volt, 50-Hz wall outlet.
A
power amplifiers to
has
a vacuum tube output
be
fed from the
51-1260.
Power
the
cord
CAUTION! DO NOT PLUG THE
51-1260'S POWER CORD INTO A
PREAMPLIFIER'S CONVENIENCE
OUTLET.
Plug
51-1260's attached 2 prong
intoacorrectly
grounded
stage,
same
you must
If you
protector,
proper ground
1.
The
890 watts from
much more than the typical accessory
outlet on a component's rear panel can
provide.
with
standard
of
three outputs.
RCA
interconnect
This
allows
master preamplifier. If your pre-
use
a Niles AVDA-3 to drive
use
a grounded power strip, surge
or
extension cord, verify that the
is
maintained
51-1260 draws a maximumofabout
an
AC
wall outlet.
This
15
is
Use
2.
the
to switch
preamplifier
51-1260's
"ON"
is
"ON".
auto turn-on circuitry
the
51-1260
when the
Page 19
Speaker
Wire
Connections
A CAUTION!
All
speaker wire connections must be made with the amplifier
Figure
14 -
~~~
__
Binding
------:::7
Posts
Banana Plugs
There
banana plugs available.
Some
thespeaker wireand
some
offers banana plugs that
haveaquick-connect
binding system for the
speakerwireincluded
within the banana plug
itself. After the wire is
attached, the banana plug
is
hole at the end of the
amplifier's speaker bind-
ing post. Dual banana
plugs will fit the SI-1260
binding posts.
are
many types of
are
are
simply inserted into the
OFF.
crimped onto
soldered. Niles
Bare Wire
Unscrew the
knobs and insert the bare wire
through the hole
Tighten the knob until the wire is
securely clamped.
STEP
1.
Label all wires.
2.
Connect one stripped wire end
banana plugtothe
and one
CAUTION! NOT EVEN A SINGLE
A
STRAND OF WIRE CAN BE
ALLOWED TO TOUCH THE
AMPLIFIER CHASSIS OR
ANOTHER CONNECTOR.
red
or black plastic
in
to
the
red
the post.
black
tenninal
tenninal.
or
all
wires connecting to
If
labeled with their destination
their specific connectiontothe
will
be
easiertoreconfigure
the
future.
A.
Split
the
speaker
2
inches.
B.
Strip
1/2
inchofinsulation from
speaker
C.
strandsofeach
into
wire conductor.
Attach
the
appropriate
banana
wire insulationatleast
plugs
conductor
51-1260
the
the
or twist
and
binding
51-1260
rather
51-1260,
system
the
insert
post.
are
than
it
in
each
wire
them
Page 20
BusMatrix
Ti
'
Input
DIP
Switch
Settings
Each channel has a
nel's source
nal
foraparticular
1L
is
for the assignmentofthe Left
1R
is
for the assignmentofRight
1L+1R
2Lisfor the Left
2Risfor the Right
2L+2Risfor a summed mono signalofthe Left and Right
The
seventh switch
Again,
should
input
is
for the assignmentofa summed mono signalofthe Left and Right
only one
be
configured
dedicated
signal
channel,
Bus
Input
Bus
assigns
of
the
BusMatrix'·
(see
Figure 15).
set
only one
DIP
Switch
Bus
Bus
Input
1t2
Input
1t2
the dedicated input to
seven
to
the
DIP
liON"
DIP
To
assign
of
the seven switchestothe
Settings
Input
1t1
Itl
switches
position
switch
the
its
respective channel
"OFF"Position
(switched to the right).
bank
that assigns that chan-
BusMatrixmsource
right.
Bus
Input
1t2
"ON" Position
I
B
U
s
L
input
Bus
Input
lL
lR
1L+1R
2L
2R
2L+2R
1
sig-
#1
Figure15-BusMatrix'·
STEPDESCRIPTION
1.
Move
"ON"
only
one
position
(1)
for
DIP
switchtothe
each
channel.
CAUTION! EACH DIP SWITCH
A
ALLOWS YOU TO MOVE
SEVEN SLIDE SWITCHES TO
"ON"
THE
SET MORE THAN ONE SLIDE
SWITCH TO
CREATE AN UNDESIRABLE
MIX
OF INPUTS ON THE
ENTIRE BUS.
DIP
ALL
POSITION. IF YOU
"ON"
YOU MAY
Switches
Page 21
Bridging
The
51-1260's
nel
by
combiningor"bridging"
Figure
16-
Channel Bridging Switch
'TWo
bridging
Channels
switches
and
allow
l\.vo
DIP Switches
into
One
youtocreateamore
powerful amplifier
adjacent amplifier channels together into one.
Figure
Bridged Channel Connedions
17-
chan-
...
NORMAL/BRIDGED.....
Slide the bridging
switch in the direc-
of
tion
bridge
amplifier channels.
Set the controls
the
pair by using the
EVEN
the arrow to
two
adjacent
newly bridged
numbered
of
channel.
STEPDESCRIPTION
1.
Choose which
wish
to
bridge
switch
position (toward arrow).and 2,
A
for
CAUTION!
SPEAKER
4
OHMS
NEL.
of
the
six pairs you
and
move
that
pairtothe
DO
NOT
CONNECT
LOAD
TOABRIDGED
OF
LESS
the
bridging
"Bridged"
THAN
CHAN-
The
12
channels aTC grouped into 6 pairs
(e.g.
1 &
2).
Only
pair
can be bridged.
Of
channels 3 and 4 could
bridged. Channel 2
cannotbebridged.
Each
A
bridged channelisdesigned
ohm
minimum load. Connecting multiple
speakers to a single channel, creating a
nominal impedance0(less th;m 4 ohms
may cause the 51.1260 to go into protection
mode
orbedamaged.
When
bridged
speakers to the
two
together.
labeled "Bridged".
A
the
two
channels within a
Thus,
only
and
3 are not a pair
channels are
connect
two
terminals
channels 1
and
for
I:X!
a 4
Connect
2.
two
(BRIDGED+, BRIDGED-). Carefully
observe
CAUTION!
A
HEADPHONE
THE
CHANNEL
Use
3.
switch
adjustments
bridged channel.
the
bridged
the
polarity
OUTPUT
the
EVEN NUMBERED
bank
and
speaker
speaker
DO
NOT
JUNCTION
OF
PAIR.
level control
and
wires
markings.
CONNECT
A BRIDGED
configuration of a
to
the
terminals
A
BOX
TO
BosMalr;,,'
to<
the
Connect the speaker wires10Ihe
cent amplifier channel's
NOTE:
BlACK
amplifier.
These
pair will
or
When
ensure
switches are allinthe "OFF" position.
If
oneofthe speaker wires touches a
terminal,
connectionstoa bridged
poor
cause
quality
two
that
either
sound.
channels
the
RED
you
will short-circuit the
thermal shutdown
are
bridged into one,
numbered
odd
two
terminals only.
channel
adja·
DIP
Page 22
Setting
The
51-1260
mode switch to the proper position.
Figure 10 for more information about each of the turn-on modes.
the
Turn-On
has
three (3) turn-on modes. Select the desired mode by sliding the
Mode
See
Switch
Installation
Considerations on page
74
and
Figure
The
As
plug output jackonthe rear panelofthe
provides a 12V DC trigger signal. Itissuitable for
triggering Niles automated switchers, some
motorized
and other devices that require a constant 12V
DC control voltage for activation.
18
~---
AUDIO
'-------'--TRIGGER
3-3QV
SENSE
AC/DC
INPUT
Slide the switch with either your fingernail
or a 1/8" slotted screwdriver blade.
Control Output
shown in Figure 19, a 3.5 mm female mini-
51-1260
screens
and electric curtain controls
RN
oN
Using
Figure 19 -
the
3.5 mm jack
is
This voltage
amplifier channels
amplifier channels
"OFF" .
STEP
1.
Check
device
Connect
2.
control
polarity
provided only when anyofthe
the
requirementsofthe
you
wanttocontrol.
the
3.5mm
output
(tip =
are
active or
are
"OFF", the 12V signal
jacktothe
maintaining
+)
"ON".
proper
When all
is
DESCRIPTION
The
control output provides 150 mA
current maximum.
Niles makes
(FC00724).
@~~
~
an
accessory cable plug
~
of
Page 23
OPERATION
Front Panel Power Switch
The
51-1260's
toggles between the
ON
position to enable the amplifier to activate
(see
page
consumption while you
you
would
Power LED Indicator
The 51-1260 features a bi-colored
amplifier:
master power switchislocated on the front panel.
ON
(switch in) and the OFF (switch out) position. It must be
14).
If you
are
going on vacation
are
away,
set
the master power switch to the
like to return to normal operation,
POWER
regardless
aneVor
set
the switch back to the
LED
indicating the power
of the turn-on mode selected
would like to reduce power
Pressing
OFF
position. When
ON
position.
status
the switch
in
the
of
the
POWER LED
OFF
Solid Yellow
Solid Red
Fast Red Blinking
(Three
Times
Per Second)
Slow Red Blinking
(Once Every Three Seconds)
STATUS
Amplifierisnot plugged in to a live
The amplifierisplugged into a live
is
OFF
power switch
The
amplifierisplugged into a liveACoutlet
is
ON
switch
TheACline voltageisabove or below the normal 120V
This
will
Normal operation resumes once the
to 120V AC.
Internal defect.
service.
(in
cause the amplifier to turn off.
(out position).
position).
The
amplifier shouldbereturned to Niles for
AC
outlet.
AC
outlet and the main
and
the main power
AC
line voltage returns
AC.
Page 24
Channel Pair LED Indicators
The
51-1260
that indicate the following:
incorporates individual multi-colored
LEOs
for each channel-pair
CHANNEL
PAIR LEDSTATUS
OFF
Solid
Green
Fast
Red
Blinking
(Three Times
Slow
(Once Every Three Seconds)
Solid
Red
Red
Per
Second)
Blinking
The channel
The channel
Indicates a possible short circuit or
Speaker
fier's speaker terminals and/or a damaged speaker wire
a short circuit. More than three pairsof8 ohm
to the
same
low impedance. Bothofthese conditions
cator to
necting a proper speaker impedance load
pair to resume normal operation.
Indicates the channel
ventilation. Providing proper
eliminate this
amplifier placement details).
Thereisa damaged internal component in this channel pair
module.
pairisOFF.
pair
is
active and operating normally.
low
impedance condition.
wire
strands
amplifier channel present the amplifier channel with a
blink
red
The
amplifier should be returned to
that
are
touching at the speaker or the ampli-
can
speakers
will
cause
the
very quickly. Eliminating the short circuitorcon-
will
enable the channel
pairisoverheating due to inadequate
problem
airflow
(refer to page
to the
75,
amplifier
figures77and72for
Niles
for service.
cause
attached
LED
indi-
will
Page 25
Using Level Controls as Limiters
Using the individual level controls, the
of
level for each
be calibrated
of
size and acoustics and to establish a maximum volume level. Thisisespecially
if
useful
stereo too loudly.
Calibrate your
1.
Adjust allofthe
are any other amplifiers in the system, adjust their level controls to the minimum.
(Allofthe amplifiers in your system must have level controls).
2.
Adjust all individual in-wall volume controls to the loudest setting (fully clockwise).
3.
Playa loud radio station.
4.
Increase the preamplifierorreceiver's volume up slowly. If you hear any sound,
lower the preamplifier's volume again and recheck all amplifier levels, they must
be
up, proceed to
your systemisremote controlled, orifsomeofthe
at minimum. If no soundisheard when the preamplifieristurned all the way
the different rooms connected. Individual room volume levels can
so
that all rooms have similar volume control characteristics regardless
system's
volume levels using the
51-1260's
step
level controls to the minimum volume position.Ifthere
five.
51-1260
enables you to
steps
outlined below:
set
a specific volume
users
like to play the
5.
Have someone
51-1260
the
6.
Adjust the volume for
listening position in
to the desired maximum level for that room.
step
into each room and listenasyou adjust each level control on
each
channel to achieve a good balance from the most
each
room.
used
Page 26
Listening
An outputof60 wattsisadequate power to completely drown out conversation in
a normal sized room.
Obviously, it requires more power to achieve a reasonable volume
large room than it does in a small room.
possible to turn the volumesohigh that the amplifier runs outofpower.
ates
"clipping"
at
Higher Volumes
Even
at those levels, the
distortion.
51-1260
Evenifyou are normally very careful, it
will
sound clear and clean.
of
soundina
This
cre-
is
Clipping distortion makes treble sound very harsh and unmusical. If you hear
sounding treble from any
the channel pairs connected to those
ful high frequency sound spikes that
speaker.
If you continue to operate the amplifier at "clipping" power levels the protection
will
circuits
tions have returned to normal. Perpetually over-driving your speakers and amplifier
is
abuse and
operate. The protection circuits
will
void the manufacturer's warranty on all affected products.
speakers,
immediately turn
speakers.
will
quickly damage the tweeterofany loud-
These
will
down
reset
when output signal condi-
the level controls for
harsh sounds include power-
harsh
Cleaning and Maintenance
The internal parts
Once
oxidation and improve conductivity.
You
DO
a year itisappropriate to twist each
can clean the amplifier with soft c'oth or a paper towel dampened with water.
NOT
use
any spray-type or
of
the 51-1260 are electronic and require no maintenance.
abrasive
input
cleaners
on
RCA
the
connector to remove any
amplifier.
Page 27
TROUBLESHOOTING GUIDE
When a problem occurs, consult this guide first. If the problem persists, or you
have additional questions, call your local Niles dealer or call Niles Technical
Support at
1-800-289-4434.
Have your configuration worksheet handy when you call.
The
most common problems are related to hook-up.
SYMPTOM
Very low ornosound on
one channel.
No sound on one channel
pair and channel pair LED
quickly blinking red.
is
POSSIBLE
1.
BusMatrix'· DIP switchisnot in the correct position.
Check your configuration worksheet and verify all
settings.
2.
Audio cable to the inputisbad. Connect the nonworking channel to a cable known to be good.
3.
Bridging Switchisin wrong position. Check your configuration worksheet for the correct setting and
1.
Check that connections are secure and that there
no loose
to the negative terminal at the backofthe amplifier
and/or the
2.
Disconnect the speaker wire at both ends;
the 2 conductorsatboth ends and
for a short circuit. If there
two conductorsatone end and test for continuity.
3.
Verify that
speakersisnot
channel
CAUSES
strandsofwires crossing from the positive
and
AND
TEST
PROCEDURE
speaker.
test
is
no short, connect
the
impedance load
less
than 2.66 ohms withanunbridged
of
the connected
4 ohms with a bridged channel.
separate
with a meter
verify.
are
the
No sound on one channel
pair and channel pair LED
slowly blinking red.
No sound on one channel
pair and channel pair LED
solid red.
The
amplifier module
ventilation or prolonged operationatclipping
is
1.
Turn
the amplifier off and
to cool.
2.
Check to ensure that thereissufficient ventilation for
the
amplifier. After a reasonable time
turn the amplifier back on and check the
3.
Lower the level controls for that channel pair.
The
amplifier module requires service.
is
Contact your Niles dealer for service information.
has
overheated due to inadequate
allow
levels.
the internal circuits
has
passed,
LED
again.
Page 28
SYMPTOM
Very
loworno
sound on
someorall channels.
POSSIBLE
1.
Bridging Switchisin wrong position. Check your con-
figuration worksheet for the correct setting and verify.
DIP switch(es)
Check the worksheet and verify all settings.
2.
If the channel pair
being overdriven (volume set too high on the pream-
plifier).
calibrated to avoid this condition (refer to page 25
for information on Using Level Controls
Amplifier
Contact your Niles dealer for service information.
(especially those
an
cable feed, and/or a
Tester.
re-
as
Limiters).
is
Bass is
weak
and stereo
soundis"phasey".
A speaker connectedtoa
bridged
channels
pairofamplifier
sounds
weak.
1.
Check that the Bridging Switchis"OFF".Iftwo
cent channels
ing switch
speakers
2. The
speakers
reverse
and
speaker
Check that the Bridging Switchis"ON".
are
connected normally but the bridg-
is
set
to the
"BRIDGED"
will
be outofphase.
are wired outofphase. Recheck polarity
the connections on the backofone
if
necessary.
position, the two
adja-
Page 29
CONFIGURATION WORKSHEET
BUS
INPUTS & OUTPUTSCONNECTED
Lett Bus Input # 1
Right Bus Input
Left
Bus
Inp::",-,
Right Bus Input # 2
# 1
#::..::2
-+
_
TO
Cascade Output Bus # 1 Right
Cascade
Cascade
cascade Output
CH
3
4
5
6
1
8
--
9
10
11
12
Output
Output
#BRIDGED
1
2
0
0
0
0
0
-
0
Bus
# 1
Left
--1---------_·-
Bus
# 2
Right
Bus
# 2
Left
DIP
--
1---
INPUT SOURCESPEAKER
--
-
MODE SETTINGS
Constant
Audio Sense
Voltage Trigger
Control
Output
-t-':::C"-f----------------/
-I-
IN
D
D
D
D
USE
SPECIALCONNECTIONSORNOTES
Page 30
SPECI
Design Principle
Linear voltage/current amplification.
Continuous Power Output (FTC Rated)
(Unbridged, all channels driven) 60 watts per channelat8 ohms, 80 watts per
channel at 4 ohms.
Bridged Power Output
(Adjacent channels bridged, all channels driven) 120 watts per channel at
8 ohms.
Input Impedance
47K ohms
Input Sensitivity
.77Volts for 8 ohms at
Overall Voltage Gain
32
dB
FICATIONS
rated
output
Frequency Response
Bandwidth Limited from 5Hz to 50kHz
Distortion
(Normal mode)
0.06%
0.06%
(Bridged mode)
0.06%
Overall Dimensions
1711wide
Weight
73
THO
THO
THO
pounds
20Hz
rated
20Hz
by 7.511high (including
to 20kHz all channels driven(8ohms)
20Hz
to 20kHz all channels driven(4ohms)
to 20kHz all channels driven(8ohms)
feet)
by 19" deep.
II
Page 31
Page 32
IMPORTANT SAFETY INSTRUCTIONS
The lightning flash with arrowhead symbol, within
equilateral triangle, is intendedtoalert the usertothe
A~.
CAUTION:
THE
RISK
SHOCK,
COVER.
ABLE
PARTS
SERVICING
SERVICE
1.
Read these instructions.
2.
Keep these instructions.
3.
Heed
4.
Follow all instructions.
5.
Do not use this apparatus near water.
6.
Clean only with a dry cloth.
TO
OF
ELECTRICAL
DO NOT
NO
USER-SERVICE-
INSIDE.
TO·
QUALIFIED
PERSONNEL.
all
warnings.
REDUCE
REMOVE
REFER
presence
product's enclosure that may be
to
Warning:Toreduce
The exclamation point within an equivalent triangle is
intended
operating and maintenance (servicing) instructions
literature accompanying the appliance.
of
uninsulated dangerous voltage within the
constitute a riskofelectric shocktopersons.
the
apparatustorainormoisture
to
riskoffireorelectric
alert the usertothe presence of important
of
sufficient magnitude
shock,donot
expose
7.Donot block any ventilation openings. Installinaccording with the manufacturer's instructions.
8.
Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus
(including amplifiers) that produce heat.
an
this
in
the
9.
Do not defeat the safety purpose of the polarized or ground plug. A polarized plug has two blades
with one wider than the other. A grounding-type plug has two blades and a third grounding prong.
The wide blade is provided for your safety. If the provided plug does not fit into your outlet, consult
an
electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched particularly at plug, convenience
receptacles, and the point where they exit from the apparatus.
11
. Only use attachments/accessories specified by the manufacturer.
12. Use only with a cart, stand, tripod, bracket, or table specified by the
manufacturer, or sold with the apparatus. When a cart is used, use
caution when moving the cart/apparatus combination
to
avoid injury
from tip-over.
13. Unplug this apparatus during lighting storms or when unused for long
periods of time.
14. Refer
all
servicingtoqualified service personnel. Servicing is required when
the apparatus has been damaged
in
any
way,
suchaspower-supply cord or
plug is damaged, liquid has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does not operate normally, or has been
dropped.
15. Apparatus shall not be exposed to dripping or splashing, and no objects filled with liquids shall be
placed on the apparatus.