Nikon AI User Manual

Page 1
Micro-Niklor 105mm
f/4
Nikon INSTRUCTION MANUAL
Page 2
NOMENCLATURE
Reproduction ratio scale (lens only)
Reproduction ratio scale (lens + PN ring)
Focusing ring
Aperture ring
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Page 4
CONTENTS
Foreword
Mounting the lens............................................
Focusing........................................................
Notes on focusing
Determining exposure..................................
Close-up tables
Depth-of-field tables
Features/specifications................................
.......................................................
Recommended focusing screens....
Reproduction ratio.................................
Focusing at predetermined ratio ... .... 8
Depth of field ........................................ .... 9
........................................
With built-in TTL metering
Without TTL metering
............................................
.....................................
....................
...........................
.... 4
.... 5
.... 6
__ __
.... 9
... .10
____ ____
... .12
... .13
... .15
7 7
10 11
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FOREWORD
The Micro-Nikkor 105mm f/4 is a special telephoto lens designed for close-up photography at high reproduction ratios. It features the same optical construction as the much-acclaimed Bellows-Nikkor 105mm f/4, but with a special focusing helicoid that enables operation from
infinity (°o) to a reproduction ratio of 1 : 2 (half life-size) without the
need for any adapters. The lens offers “automatic maximum aperture indexing” (Al) with suitably equipped cameras, via the meter cou pling ridge provided. The ridge and the auto diaphragm function to gether to permit full aperture exposure measurement; the lens is also fitted with a meter coupling shoe to permit the same operation with Nikon cameras which lack the Al facility. In terms of optical perform ance, the Micro-Nikkor’s excellent flatness of field is a stand-out feature, enabling virtually distortion-free images at all reproduction ratios. The application of Nikon Integrated Coating (NIC) further en hances performance by increasing image contrast, while reducing flare and ghost, for outstanding color reproduction. When the Micro-Nikkor 1 05mm is used with the special Auto Extension
Ring PN-11 or PN-1, focusing is further extended from 1 : 2 to 1 ; 1 for full life-size reproduction.
To get the best results from your Micro-Nikkor 105mm f/4, read this
instruction manual carefully. Keep the manual handy for reference
until you have thoroughly familiarized yourself with the lens and its operation. A few minutes of preparation will help you avoid costly mistakes.
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MOUNTING THE LENS
Page 7
Position the lens in the camera’s bayonet mount, aligning the mounting indexes on the camera and the lens. Twist the lens counter clockwise until it clicks into place. To remove, depress the lens release button on the camera and twist the lens clockwise.
Note: When mounting the lens on a camera with a meter coupling lever (Al type), make sure that the camera’s meter coupling lever is correctly positioned; when mounting on a camera without this lever (non­Al type), conventional “manual” maximum aperture indexing is required. In both cases, refer to the camera's instruction manual.
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FOCUSING
The fully automatic diaphragm of the Mlcro­Nikkor enables focusing with maximum image brightness throughout the entire focusing range
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of the lens. As the image is constantly viewed at the maximum aperture setting (i.e., f/4),
the depth of field is minimized so that the
image snaps in and out of focus rapidly and distinctly. To focus, turn the focusing ring until the image
on the focusing screen appears sharp and crisp.
Via the special focusing helicoid, the Micro-
Nikkor operates continuously from infinity
(°°) to 0.47m (1.55 ft) for a reproduction
ratio of 1:2. The distance scale on the focusing ring is marked in both meters (white) and feet (yel low). These figures indicate the distance from the subject to the camera’s film plane.
Note: The exact position of the film plane is indicat ed on all cameras for convenience when measuring. On Nikon F/F2 cameras, the top edge of the serial number is the exact position of the plane. On
other Nikon and Nikkormat cameras, the plane is
indicated by the symbol (-Q-)
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Recommended Focusing Screens
Nineteen different interchangeable focusing screens are available for F and F2 Nikon cameras to suit any type of lens or picture
taking situation. Those which are recommend ed for use with this Micro-Nikkor 105mmf/4
lens are listed below.
®= Excellent focusing ®= Acceptable focusing
The image is brilliant from edge to edge, but the center area (range-finder, microprism or cross hair) is dim. Focus on the surrounding matte area.
0= Acceptable focusing
Slight vignetting (or moire phenomenon, in the case of the microprism) affects the screen image. The image on the film, however, shows no trace
of this. □ = Not usable B= With these lens-screen combinations the view
finder can be used only for focusing; exposure
measurement is not possible.
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Reproduction Ratio The reproduction ratio is the numerical expres sion of the relationship between the image size
(to be recorded on the film) and the actual size of the subject. For example, if the image on
the focusing screen is one-fifth the actual size
of the subject, the reproduction ratio is said to
be 1:5, and is indicated on the reproduction
ratio scale of the Micro-Nikkor 105mm f/4 by
the number “5’I
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FOCUSING — continued
Focusing at Predetermined Ratio Above the distance scale on the focusing ring are two reproduction ratio scales inscribed in orange. The inner scale, with figures from 1:10 to 1:2, represents the reproduction ratios ob
tained when the lens is used alone. The outer
scale figures (i.e., 1:2 to 1:1) represent the
ratios possible when the lens and, PN-1 or
PN-11 ring, are used together. Using either of these scales, you can photograph at a pre determined ratio without calculating the distances required. To photograph at a repro duction ratio of 1 : 5, for example, just turn the focusing ring until the number “5” is aligned with the distance scale index; then aim at the subject and adjust your position
(close to, or farther away from, the subject) until the image appears sharp and crisp on the focusing screen.
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Page 14
Depth of Field Depth of field refers to the zone of acceptable
i focus extending in front of and behind the
plane of sharpest focus. As this zone is excep
tionally shallow at high reproduction ratios, previewing is desirable before shooting. To preview, press the depth-of-field button on the camera and the lens will close to the preselected aperture to allow you to see how
much background and foreground is in focus.
Depth of field can also be observed by reading the color-coded indicators inscribed on the lens barrel. The pairs of colored lines on either side of the white distance scale index line correspond to f/numbers of the same color on the aperture scale. At close distances, so little
is in focus that the depth-of-field tables on
pages 13 ~ 14 are more useful.
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NOTES ON FOCUSING
Camera Shake; Close-up photography poses several problems not encountered in general photography. One of these is sensitivity to vibration—the magnification of the image is so high that even slight displacement during shooting results in a blurred image. Therefore, the use of a tripod is recommended at all
times, with shutter actuated via cable release. In this respect, the convenient, 360° rotatable tripod mounting collar on the PN ring will prove useful. Close Working Distances; At high reproduction ratios encountered during close-up shooting, depth of field decreases drastically. This con dition can be partially compensated for by stopping down the lens. But at very close working distances, an extremely shallow depth of field is inevitable. Careful placement of the camera will be necessary to ensure that the
important surfaces of the subject are in the
same zone of sharpness.
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DETERMINING EXPOSURE
Camera
Al A1
Al
non-AI
*non-AI PN-1
non-Al
»With this combination, conventional “manual" maximum aperture indexing is required.
Close-up attachment
PN-n
PN-1 Stop-down
Bellows, E2 and K rings and close-up lenses
PN-11 Stop-down
Bellows, E2 and K rings and close-up lenses
Exposure measurement Full aperture
Stop-down
Full aperture Stop-down
10
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With Built-in TTL Metering The Micro-Nikkor has a fully automatic dia phragm with settings from f/4 to f/32. The Micro-Nikkor couples fully to the thru-the­lens meter of any F/F2 Nikon Photomic or
other Nikon/Nikkormat cameras for full aper ture exposure measurement over the entire range of aperture settings. Note that when this lens is used with non-AI cameras, con ventional “manual” maximum aperture in dexing is required.
When close-up attachments such as a PN ring
or bellows are used, the exposure measure
ment method is shown in the table on the left.
When the lens is mounted in the reverse posi tion, the stop-down method should be used. See the instruction manual supplied with your camera or Photomic viewfinder for details.
Caution; When the stop-down method is used at smaii apertures, a finder eyecup should be attached to the eyepiece to ensure complete exclusion of
stray light.
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Without TTL Metering At close ranges (reproduction ratios greater than 1:10), the amount of light reaching the film decreases as the lens-to-film distance in creases. When non-TTL measurement is used for this range, the result is underexposed photographs unless compensation has been made for this decrease. (When the Micro-
Nikkor 105mm f/4 lens is used with the Pho­tomic or Nikon/Nikkormat TTL meter it is not necessary to make compensations, since the meter is designed to give an accurate reading of the amount of light reaching the
film.)
The table at right gives the exposure factors
(compensation values) with exposure increase
in f/stops for non-TTL exposure measurement
at reproduction ratios greater than 1:10.
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Reproduction
ratio
1/10 1/8 1/6 1/4 1.5 1/2
1/1.8 2.3 1/1.6 1/1,4 1/1.2 1/1
Exposure
factor
1,2
1.2 0.3
1.3
2.1 1.1
2.4 1.3
2.7
3.1 1.6
3.6 1,9
Exposure
increase
in f/stops
0.2
0.4
0.6
1.2
1.4
Insert this table into the memo holder at the back of your camera for easy reference.
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CLOSE-UP TABLES
Photographic Ranges with Other Close-up Attachments
Close-up attachment
E2 Ring I/7.5-1/1-6
K Ring Set PN Ring 1/5.7-1/3.7
Bellows PB-4, PB-5
Close-Up Lens No. 0 I/I3.4-I/1.7
Close-Up Lens No. 1 Oose-Up Lens No. 1
Repro-Copy Outfit PF-2, PF-3
j Close-up attachment
]E2Ring
. K Ring Set
PN Ring
Bellows PB-4, PB-5
Close-Up Lens No. 0
Close-Up Lens No. 1
Close-Up Lens No. 2
Repro-Copy Outfit
PF-2, PF-3
* The first values are for the K1 ring used alone and the second ones for all five
rings used together.
** The figures shown here represent the ranges obtained with the subject on the
1 2 baseplate, using the lens without any close-up attachment.
Reproduction
1/18.1-1/1.1
I/2.4-1.8
t/6-4- 1/1.4
l/3.2-l/1,l
I/6-1/2
Reproduction
1/7.5-1/1.6
1/I8.I-1/1.1
I/5.7-1/3.7
1/2.4-1.8
1/13.4-1/1.7
1/6.4-1/1.4
1/3.2-1/I.1
i/6-1/2
Lens in normal position
Subject field is.O X 27.0
3.8 X 5.7
43.4x 65.2
2.5 X 3.8 1 3.7 X 20.6-
8.8x 13.3
Mx2!o
32.3 x 48.4
4.0 X 6.0
15.4 X 23.1 ■
3.4 X 5.2
7.7 X f 1.6
2.7 X 4.0
14.4 X 21.6='
4.8 X 7-2
Lens in normal position
Subject field
7.1 X 10.5
1.5 X 2.2
17.i X 25.7
1.0 X 1.5
5.4 X 8.1“
3.5 X 5-2
2.3 X 3.5
0.55 X 0.79 1^7 X 19.1
1.6 X 2.4
6.1 x9.1-
1.4 X 2.0
3.0 X 4.6
1.1 X 1.6 '
5.7 X 8.5
1.9 X 2,8
Focused
distance
IOi-44.1
212-41.9
260-202
50.8-45.3 I/3.8-1.6
1S6-42.9
82.7-39.7
49.1-3S-4
85.3-41.9
Focused
distance
39-8 -17.4
83.3-16.5
102-79.4
20.0-17.8
61.5-16-9
32.6-15.6
19.3-14.0
33.5 16.5
Reproduction
Reproduction
1/3.8-I.6
Lens in reverse position
Subject field
9.2 X 13.8 1-5 X 2.2
Len in reverse position
Subject field
3.6 X S.4-
0.58 X 0.88
Focused distance
63.9-44.3
Focused
distance
25.1-17.4
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DEPTH-OF-FIELD TABLES
Focused
distance
0.47 0.469-0.471
0.50
0.55
0.6
0.7 0.697-0.703
0.8 0.795-0.805
1
1.2 1.19-1.21
1.5
2 1.96-2.0 4
3
7
oo
4
0.499-0.501 0.499-0.501 0.498-0.502 0.497-0.503
0.549-0.552 0.548-0.552 0.547-0.553 0.546-0.554 0.544-0.556 0.542-0.559 0.538-0.563 1/2 .90
0.598-0.602 0.597-0.603 0.596-0.604
0.992-1.01 0.990-1.01 0.98 4-1.02
1.48-1.5 2
2.91-3.1 0
6.48-7.6 2
82.9-«> 66.4-«
5
0.469-0.471 0.468-0.472 0.468-0.472
0.696-0.704
0.794-0.806
1.18-1.2 2
1.47-1.5 3
1.95-2.0 5 1.92-2.09 1.8 9-2.12 1.85-2.18 1.80-2.26 1.72-2.40
2.88-3.1 3
6.36-7.7 9
8 11 16
0.694-0.707
0.791-0.810
1.17-1.2 3
1.46-1.5 4
2.82-3.2 1
6:03-8.3 6
41.6-00
Depth of field
22
0.467-0.473 0.466-0.474
0.496-0.504
0.595-0.606
0.691-0.709 0.687-0.713 0.683-0.719 0.675-0.727 1/4.45
0.787-0.813
0.978-1.02
1.17-1.2 4
1.44-1.5 6
2.76-3.3 0 2.66-3.45 2.55-3.66 2.39-4.08 1/26.5
5.73-9.0 2
30.3-« 20.9-« 15.2-«
0.592-0.608 0.589-0.612
0.782-0.819 0.775-0.827 0.765-0.840 1/5.45
0.968-1.03 0.9 57-1.05
1.15-1.2 5
1.42-1.5 9 1.39-1.63 1.35-1.70 1/12.2
5.30-10.4 4.87-12.7
0.494-0.506
1.13-1.2 8
0.464-0.477
0.492-0.509
0.584-0.617
0.939-1.07
1.11-1.3 1 1/9.33
4.28-20.6
10.5-« 1 /«
Reproduction ratio
32
1/1.98
1/2.35
1/3.43
1/7.40
1/17.0
1/64.7
(m)
13
Page 22
DEPTH-OF-FIELD TABLES — continued
Focused distance
1.55 r6-9/16”-l’6-5/8’’
1.75
2 1'11-7/8’'-2' 1/16"
2.5 2'S-13/16”-2'6-l/8"
3 2'11-H/l6'’-3']/4’' 2'11-5/8"-3’5/16'' 2’1 l-7/l6"-3'l/2" 2'1l-1/4"-3'll/16"
4
5 4'11-l/8”-5'7/8” 4’10-3/4’'-5'l-l/4"
7
10
20
-
r8-15/16"-1'9"
3'll-7/16”-4’!/2"
6'10-3/16”-7'1-7/8"
9-8-I/8”- 10’4"
18'8”-21’6”
272'-«
4
5.6 n
1’6-l/2’’-r6-5/8"
l'8-7/8”-r9-]/16”
ri1-7/8”-2’I/16"
2'5-3/4”-2’6-3/16"
3'1M/4"-4'll/l6" 3'10-15/16" 4’M/16"
6'9-7/16"-7'2-5/8"
9’6-n/16”-l0’6”
18’3"-22'2” 17’7"-23'3" I6'10"-24'10"
194'-« 136’-*
1'6-1/2”-l'6-5/8" l’6-i/2"-r6-n/16"
l'8-7/8"-1'9-l/16"
l'Il-13/16”-2'I/8"
2'5-5/8"-2'6-5/16" 2'5-9/16"-2'6-7/16" 2'5-5/t6"-2’6-5/8"
4']0-1/4"-5'M 3/I6" 4'9-11/l6"-5'2-1/2" 4'8-11/16"-5'3-3/4" 4'7-9/l6"-S'S-S/16"
6'8-7/l6"-7'3-7/8” 6'7-3/l6”-7'5-7/l6"
9’4-9/16"-l0'9" 9'2"-ir0” 8'10-1/16"-n'7" 8'5-l 1/16"-12'3" 7’iM/4"-l3’8"
14
1'8-13/16"-l'9-l/8"
n l-3/4"-2' 3/16"
3'i0-9/16"-4'l-7/16"
99'4”-«
Depth of field '
1'6-7/16"-1'6-n/16"
r8-3/4”-r9-3/16"
n I-5/8"-2'S/16"
2'10-15/16"-3'I-1/I6'
3'10"-4'2-3/16"
6’5-1/4"-7'8-3/l6"
IS'8"-27'H"
68'6"-»
16
22
r6-3/8"-l'6-3/4" 1'6-5/16"-l'6-13/16"
1'8-ll/16"- 1'9-1/4" l'8-9/16"-l’9-7/16" 1/2.72
ri1-l/2"-2'7/16" 1'1I-5/l6"-2'n/16"
2'5-l/8"-2'6-7/8" 2'4-3/4"-2'7-3/8" I/S.07
2'10-5/8"-3'M /2"
3'9-1/4" 4'3-1/16"
6'3" 7'll-3/4" 5'll-S/8"-8'6-3/8" 1/18.3
I4'6"-32'9" 12'n"-46’7"
SO'O"—
Reproduction
32
2'I0"-3’2-1/4" 1/6.57
3'8-3/16"-4'4-l 1/16" 1/9.52
4'S-l3/16"-5'8-l/8" 1/12.4
34'7"—
1/2.01
1/3.53
1/27.0
1/56.1
1/»
Page 23
FEATURES/SPECIFICATIONS
Focal length: 105mm Maximum aperture: f/4 Lens construction: 5 elements in 3 groups Picture angle: 23°20' Distance scale: Graduated in meters and feet from 0.47m (1.55 ft) to infinity (°°) Aperture scale: f/4 ~ f/32 Diaphragm: Fully automatic Reproduction ratios: Scales provided; 1:10 to 1 : 2 for lens only; 1 : 2 to 1 : 1 for lens plus PN-1 orPN-11 ring Exposure measurement: Via full-aperture method; meter coupling ridge provided for Al cameras and meter coupling shoe for non­A1 cameras Lens hood: Slip-out type built into front of lens
Tripod mounting: Via socket in tripod mount
ing collar of PN ring; collar rotatable to per mit vertical and horizontal format picture taking; click-stops provided at each 90° of rotation; collar locking screw provided
Page 24
Attachment size; 52mm (P = 0.75) Mount; Nikon F mount Dimensions; 74.5mm0 x 104mm long (over all); 96mm extention from flange
Weight; 500g Accessories included; 52mm snap-on front
lens cap; rear lens cap LF-1
Optional accessories; 52mm screw-in filters;
flexible lens pouch No. 55; hard lens case
CL-33A, plastic lens case CP-2; flexible lens
pouch No. 56 (with PN ring attached); hard lens case CL-35A (with PN ring attached)
15
Page 25
No reproduction in any form of this booklet, in whole or in part (except for brief quotation in critical articles or reviews), may be made without written authorization from the publishers.
jUikoti)
NIPPON KOGAKU K.K.
Printed in Japan (77.10.C) &-3
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