Nikon 25515 User Manual

Page 1
The Nikon Guide to Digital Photography
with the
DIGITAL CAMERA
En
Page 2
Trademark Information
Apple, the Apple logo, Macintosh, Mac OS, Power Macintosh, PowerBook, and Quick Time are registered trademarks of Apple Computer, Inc. Finder, Power Mac, iMac, and iBook are trademarks of Apple Computer, Inc. Microsoft and Windows are registered trademarks of Microsoft Corporation. Internet is a trademark of Digital Equipment Corpora­tion. CompactFlash is a trademark of SanDisk Corporation. Lexar Media is a trademark Lexar Media Corporation. Microdrive is a registered trademark of Hitachi Global Storage Technologies in the United States and / or other coun­tries. Adobe and Acrobat are registered trademarks of Adobe Systems Inc. PictBridge is a trademark. All other trade names mentioned in this manual or the other documentation provided with your Nikon product are trademarks or registered trademarks of their respective holders.
Attaching the Camera Strap
Attach the camera strap as shown be­low. Repeat for the second eyelet.
The Lens Cap
When replacing or removing the lens cap, press the tabs on either side of the cap to release the latch.
To avoid losing the lens cap, use the cord provided to attach it to the camera as shown.
햲햳
햴햵
Page 3
i
Introduction
First Steps
Basic Photography
More on Photography
Movies
More on Playback
Menu Guide
Technical Notes
Symbols and Conventions
To make it easier to fi nd the information you need, the following symbols and con­ventions are used:
This icon marks tips, additional information that may be helpful when using the camera.
This icon marks cautions, informa­tion that should be read before use to prevent damage to the camera.
This icon marks notes, information that should be read before using the camera.
This icon indicates that more infor­mation is available elsewhere in this manual or in the Quick Start Guide.
Scene Mode
Page 4
ii
For Your Safety
To prevent damage to your Nikon product or injury to yourself or to others, read the following safety precautions in their entirety before using this equip­ment. Keep these safety instructions where all those who use the product will read them.
The consequences that could result from failure to observe the precautions listed in this section are indicated by the following symbol:
This icon marks warnings, information that should be read before using this Nikon product to prevent possible injury.
WARNINGS
Do not look at the sun through the view-
fi nder
Viewing the sun or other strong light source through the viewfi nder could cause permanent visual impairment.
Turn off immediately in the event of
malfunction
Should you notice smoke or an unusual smell coming from the equipment or from the AC adapter (available sepa­rately), unplug the AC adapter and re­move the battery immediately, taking care to avoid burns. Continued opera­tion could result in injury. After remov­ing the battery, take the equipment to a Nikon-authorized service representative for inspection.
Do not use in the presence of fl ammable
gas
Do not use electronic equipment in the presence of fl ammable gas, as this could result in explosion or fi re.
Observe caution when using the camera
strap
Never place the strap around the neck of an infant or child.
Do not disassemble
Touching the product’s internal parts could result in injury. In the event of malfunction, the product should be repaired only by a qualifi ed technician. Should the product break open as the result of a fall or other accident, take the product to a Nikon-authorized ser­vice representative for inspection after unplugging the AC adapter and remov­ing the battery.
Observe proper precautions when han-
dling batteries
Batteries may leak or explode if improp­erly handled. Observe the following precautions when handling batteries for use in this product:
• Before replacing the battery, turn the product off and make sure the power­on lamp has gone out. If you are using an AC adapter, be sure it is unplugged.
• Use only rechargeable Nikon EN-EL1 lithium-ion batteries (supplied) or six­volt 2CR5 (DL245) lithium batteries (available separately).
• When inserting the battery, do not at­tempt to insert it upside down or back­wards.
• Do not short or disassemble batteries.
• Do not expose batteries to fl ame or to excessive heat.
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iii
• Do not immerse in or expose to water.
• Replace the terminal cover when trans­porting the battery. Do not transport or store with metal objects such as neck­laces or hairpins.
• Batteries are prone to leakage when fully discharged. To avoid damage to the product, be sure to remove the bat­tery when no charge remains.
• Immediately after use, or when the product is used on battery power for an extended period, the battery may become hot. Before removing the bat­tery, turn the camera off and allow the battery to cool.
• The camera grip may become notice­ably warm when the camera is used with a 2CR5 (DL245) lithium battery. This is normal and does not indicate a malfunction.
• Discontinue use immediately should you notice any change in the battery, such as discoloration or deformation.
Use appropriate cables
When connecting cables to the input and output jacks, use only the cables provided or sold by Nikon for the pur­pose, to maintain compliance with product regulations.
Keep out of reach of children
Particular care should be taken to pre­vent infants from putting the batteries or other small parts into their mouths.
Removing memory cards
Memory cards may become hot during use. Observe due caution when remov­ing memory cards from the camera.
CD-ROMs
The CD-ROMs on which the software and manuals are distributed should not be played back on audio CD equip­ment. Playing CD-ROMs on an audio CD player could cause hearing loss or damage the equipment.
Observe caution when operating the
fl ash
Using the fl ash close to your subject’s eyes could cause temporary visual impairment. Particular care should be observed if photographing infants, when the fl ash should be no less than one meter (39˝) from the subject.
When using the viewfi nder
When operating the diopter adjustment control with your eye to the viewfi nder, care should be taken to not put your fi nger in your eye accidentally.
Avoid contact with liquid crystal
Should the monitor break, care should be taken to avoid injury due to broken glass and to prevent liquid crystal from the monitor touching the skin or enter­ing the eyes or mouth.
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iv
Notices
E8700
Notice for customers in the U.S.A.
Federal Communications Commission (FCC) Radio Frequency Interference Statement
This equipment has been tested and found to comply with the limits for a Class B digi­tal device, pursuant to Part 15 of the FCC rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interfer­ence to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful in­terference to radio or television reception, which can be determined by turning the equipment off and on, the user is encour­aged to try to correct the interference by one or more of the following measures:
• Reorient or relocate the receiving an­tenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio / television technician for help.
CAUTIONS
Modifi cations
The FCC requires the user to be notifi ed that any changes or modifi cations made to this device that are not expressly approved by Nikon Corporation may void the user’s authority to operate the equipment.
Interface Cables
Use the interface cables sold or provided by Nikon for your equipment. Using other interface cables may exceed the limits of Class B Part 15 of the FCC rules.
Notice for customers in the State of California WARNING: Handling the cord on this
product will expose you to lead, a chemi­cal known to the State of California to cause birth defects or other reproductive harm. Wash hands after handling.
Nikon Inc., 1300 Walt Whitman Road, Melville, New York 11747-3064, U.S.A. Tel.: 631-547-4200
• No part of the manuals included with this product may be reproduced, trans­mitted, transcribed, stored in a retrieval system, or translated into any language in any form, by any means, without Nikon’s prior written permission.
• Nikon reserves the right to change the specifi cations of the hardware and soft­ware described in these manuals at any time and without prior notice.
• Nikon will not be held liable for any damages resulting from the use of this product.
• While every effort has been made to ensure that the information in these manuals is accurate and complete, we would appreciate it were you to bring any errors or omissions to the attention of the Nikon representative in your area (address provided separately).
Page 7
v
Notice for customers in Canada
CAUTION
This class B digital apparatus meets all re­quirements of the Canadian Interference Causing Equipment Regulations.
ATTENTION
Cet appareil numérique de la classe B res­pecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
Notice Concerning Prohibition of Copying or Reproduction
Note that simply being in possession of material that has been digitally copied or repro­duced by means of a scanner, digital camera or other device may be punishable by law.
• Items prohibited by law from being copied or reproduced
Do not copy or reproduce paper money, coins, securities, government bonds, or local government bonds, even if such copies or reproductions are stamped “Sample.”
The copying or reproduction of paper money, coins, or securities which are circulated in a foreign country is pro­hibited.
Unless the prior permission of the gov­ernment has been obtained, the copy­ing or reproduction of unused postage stamps or post cards issued by the government is prohibited.
The copying or reproduction of stamps issued by the government and of cer­tifi ed documents stipulated by law is prohibited.
• Cautions on certain copies and re­productions
The government has issued cautions on copies or reproductions of securities is­sued by private companies (shares, bills, checks, gift certifi cates, etc.), commuter passes, or coupon tickets, except when a minimum of necessary copies are to be provided for business use by a com­pany. Also, do not copy or reproduce passports issued by the government, licenses issued by public agencies and private groups, ID cards, and tickets, such as passes and meal coupons.
• Comply with copyright notices
The copying or reproduction of copy­righted creative works such as books, music, paintings, woodcut prints, maps, drawings, movies, and photographs is governed by national and international copyright laws. Do not use this product for the purpose of making illegal copies or to infringe copyright laws.
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vi
Table of Contents
For Your Safety ............................................................................................... ii
Notices........................................................................................................... iv
Introduction 1
Parts of the Camera......................................................................................... 2
Using the Monitor........................................................................................... 4
Camera Displays............................................................................................... 5
Turning the Camera on and Off ..................................................................... 7
The Shutter-Release Button............................................................................ 7
Navigating the Menus..................................................................................... 7
First Steps 8
Inserting Batteries ........................................................................................... 8
Inserting Memory Cards.................................................................................. 10
Basic Setup....................................................................................................... 11
Basic Photography 14
Step 1 —Select
Mode.................................................................................. 14
Step 2 — Frame the Picture.............................................................................. 16
Step 3 — Focus and Shoot ................................................................................ 18
Step 4 — View the Results (Quick review/Full-screen review)........................ 21
Scene Mode 23
Taking Pictures in Scene Mode ....................................................................... 23
Taking Pictures for a Panorama...................................................................... 28
More on Photography 30
Image Quality and Size ................................................................................... 30
Image Quality................................................................................................. 30
Image Size...................................................................................................... 32
Flash Mode....................................................................................................... 34
Focus Mode...................................................................................................... 37
Self-Timer Mode.............................................................................................. 38
Exposure Compensation ................................................................................. 39
Exposure Mode (Shooting Modes [Custom 1] and [Custom 2] Only)..... 40
P: Programmed Auto...................................................................................... 41
S: Shutter-Priority Auto ................................................................................... 42
A: Aperture-Priority Auto................................................................................ 43
M: Manual...................................................................................................... 44
Sensitivity (Shooting Modes [Custom 1] and [Custom 2] Only)............ 46
Manual Focus (Shooting Modes [Custom 1] and [Custom 2] Only) ..... 47
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vii
Movies 49
Movie Options (Shooting Modes [Custom 1] and [Custom 2] Only).... 49
Recording Movies............................................................................................ 51
Recording a Time-Lapse Movie ....................................................................... 52
Viewing Movies ............................................................................................... 54
More on Playback 55
Viewing Pictures on the Camera .................................................................... 55
Full-Frame Playback ........................................................................................ 55
Viewing Multiple Pictures: Thumbnail Playback ............................................... 57
Photo Information .......................................................................................... 58
Taking a Closer Look: Playback Zoom.............................................................. 60
Creating Small Copies: Small Picture............................................................... 62
Voice Memos: Recording and Playback ........................................................... 63
Viewing Pictures on TV ................................................................................... 64
Viewing Pictures on a Computer.................................................................... 65
Printing Pictures .............................................................................................. 68
Printing Via Direct USB Connection................................................................. 69
Menu Guide 74
The Shooting Menu (Shooting Modes [Custom 1] and [Custom 2] Only) ...
74
White Balance ................................................................................................ 76
Metering ........................................................................................................ 79
Continuous .................................................................................................... 80
Best Shot Selector (BSS).................................................................................. 84
Image Adjustment.......................................................................................... 86
Saturation Control.......................................................................................... 87
User Setting.................................................................................................... 88
Image Sharpening .......................................................................................... 89
Lens ............................................................................................................... 90
Exposure Options ........................................................................................... 91
Focus Options................................................................................................. 93
Zoom Options ................................................................................................ 95
Speedlight Options......................................................................................... 96
Auto Bracketing ............................................................................................. 99
Noise Reduction ............................................................................................. 101
Reset.............................................................................................................. 102
My Menu ....................................................................................................... 103
CF Card Format.............................................................................................. 104
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viii
The Playback Menu ......................................................................................... 105
Delete ............................................................................................................ 106
Folders ........................................................................................................... 108
Slide Show ..................................................................................................... 112
Protect ........................................................................................................... 114
Hide Image..................................................................................................... 115
Print Set ......................................................................................................... 116
Auto Transfer ................................................................................................. 118
Move Image ................................................................................................... 120
CF Card Format.............................................................................................. 121
Small Pic......................................................................................................... 121
The Setup Menu .............................................................................................. 122
Language ....................................................................................................... 124
Date............................................................................................................... 124
Folders ........................................................................................................... 126
Monitor Options............................................................................................. 126
Seq. Numbers................................................................................................. 129
Shutter Sound ................................................................................................ 130
Auto Off......................................................................................................... 131
CF Card Format.............................................................................................. 131
Controls ......................................................................................................... 132
Shot Confi rmation.......................................................................................... 133
info.txt ........................................................................................................... 134
USB................................................................................................................ 134
Video Mode ................................................................................................... 135
Reset All......................................................................................................... 135
Date Imprint................................................................................................... 136
Firmware Version............................................................................................ 136
Technical Notes 137
Optional Accessories ....................................................................................... 137
Approved Memory Cards................................................................................ 139
Caring for Your Camera .................................................................................. 140
Error Messages................................................................................................. 143
Troubleshooting .............................................................................................. 146
Specifi cations ................................................................................................... 149
Index................................................................................................................... 151
Page 11
1
Introduction
Introduction
Use Only Nikon Brand Electronic Accessories
Nikon COOLPIX cameras are designed to the highest standards and include com­plex electronic circuitry. Only Nikon brand electronic accessories (including battery chargers, batteries, AC adapters, and Speedlights) certifi ed by Nikon specifi cally for use with this Nikon digital camera are engineered and proven to operate within the operational and safety requirements of this electronic circuitry.
THE USE OF NON-NIKON ELECTRONIC ACCESSORIES COULD DAMAGE THE CAMERA AND MAY VOID YOUR NIKON WARRANTY. The use of third-party rechargeable Li-ion batteries not approved by Nikon could interfere with normal operation of the camera or result in the batteries overheating, igniting, rupturing, or leaking.
For more information about Nikon brand accessories, contact a local authorized Nikon dealer.
Thank you for your purchase of a Nikon COOLPIX 8700 digital camera. This manual has been written to help you enjoy taking pictures with your Nikon digital camera. Read this manual thoroughly before use, and keep it where all those who use the product will read it.
Before Taking Important Pictures
Before taking pictures on important occasions (such as at weddings or before taking the camera on a trip), take a test shot to ensure that the camera is functioning normally. Nikon will not be held liable for damages or lost profi ts that may result from product malfunction.
Life-Long Learning
As part of Nikon’s “Life-Long Learning” commitment to ongoing prod uct sup port and ed u ca tion, con tin u al ly-updated information is avail able on-line at the following sites:
• For users in the U.S.A.: http://www.nikonusa.com/
• For users in Europe: http://www.europe-nikon.com/support
• For users in Asia, Oceania, the Middle East, and Africa: http://www.nikon-asia.com/ Visit these sites to keep up-to-date with the latest product in for ma tion, tips, an swers to fre quent ly-asked ques tions (FAQs), and gen er al advice on digital imaging and pho tog ­ra phy. Ad di tion al information may be available from the Nikon rep re sen ta tive in your area. See the URL below for contact in for ma tion:
http://nikonimaging.com/
Page 12
Introduction
2
Parts of the Camera
Command dial
(FUNC) button
( 15, 132)
LCD illuminator button (
6)
(exposure compensation) button ( 39)
Voice memo record/ playback button ( 63)
(exposure mode) button
( 40)
Shutter-release button ( 7)
Power switch (
7)
Control panel (
6)
Eyelet for camera strap (× 2)
Built-in Speedlight (
17, 34)
AF-assist illuminator
(LED;
19, 140, 149)
Photocell (
98)
Lens ( 141, 149)
Microphone (
49, 63)
Self-timer lamp (
38) Red-eye reduction lamp ( 34) Shot confi rmation lamp ( 133)
Accessory shoe cover (
96)
Accessory shoe ( 96)
Page 13
3
Introduction
(monitor) button ( 4) Zoom ( / ) buttons
( 16, 57, 60)
Electronic viewfi nder ( 4, 5)
Diopter adjustment control (
17)
(menu) button
( 74)
Monitor (
4, 5)
(display) button ( 4, 55)
Memory card
slot cover
(
10)
(quick review)
button ( 21)
Multi selector
( 7)
(delete) button
( 21, 55, 57, 63)
/ SIZE (image quality / size)
button ( 30, 32)
(fl ash mode) button ( 34) ISO (sensitivity) button ( 46)
(AE / AF lock) button ( 20, 132)
/ MF (focus mode / manual focus) button ( 37, 47)
Speaker ( 54, 63)
Digital I / O (USB) connector ( 66, 70)
DC-IN connector ( 9)
Audio / video (A / V) out connector
( 64)
Tripod socket Battery-chamber cover
(
8, 138)
Battery pack connector (under cover; 138)
Battery-chamber cover
latch ( 8)
Mode selector
(
14, 55)
Interface connector
cover
Page 14
Introduction
4
Using the Monitor
Fold out to use Range of rotation
Stow on camera body
Frame self-portraits
*
Storage position
†
* Monitor shows mirror im-
age of what will appear in fi nal picture.
† If camera is on, monitor
turns off and electronic viewfi nder turns on auto­matically.
Do Not Use Excessive Force
Do not use excessive force when rotating the monitor. Failure to observe this precau­tion could damage the hinge connecting the monitor to the camera body.
The and Buttons
The electronic viewfi nder can be used to frame pictures when bright ambient lighting conditions make the display in the monitor diffi cult to see. Use the button to switch between the monitor and electronic viewfi nder. To hide or display indicators in the monitor or electronic viewfi nder when the camera is in shooting mode, press the button.
Histogram
*
Framing guidesView through lens with battery,
fl ash, and focus indicators only
Settings and view through lens
(shooting display)
F5.6
F5.6
F5.6
1 /125
12 5
1/125
15
15
15
8M8M8M
F5.6
F5.6
F5.6
1 /125
12 5
1/125
151515
8M8M8M
0°
90°
80°
* Shooting modes (Custom 1) and (Custom 2) only; not displayed in exposure
mode M, in movie mode, or when AE-lock is in effect.
Page 15
5
Introduction
Monitor / Electronic V iewfi nder
The following indicators appear in the monitor and electronic viewfi nder dur­ing shooting:
Camera Displays
F5.6
F5.6
F5.6
1 /125
125
1/125 151515
1.0
.0
1.0
10
10
10
8M8M8M
AE/AF
AE/AF
AE/AF
17 16 15
6
2
14 13 12
3
45
7 8
9 10 11
TOKYO
TOKYO
TOKYO
1
1
AE-L
AE-L
AE-L
AF-L
AF-L
AF-L
100
100
100
HH
F5.6
F5.6
F5.6
1 /125
125
1/125
1.0.01.0
10
10
10
8M8M8M
AE/AF
AE/AF
AE/AF
151515
32 31
29
18
28 27
2119 20
22
25
23
26
NRNRNR
WBWBWB
30
24
106
106
”106”
1 Shooting mode.............................. 15
2 Zoom indicator 2............................. 16
Folder name .................. 22, 108, 126
3 Exposure / focus lock ............... 91, 133
4 Focus mode................................... 37
5 Flash indicator ............................... 18
Recording indicator ....................... 19
6 Flash mode.................................... 34
7 Battery level indicator 3................... 14
8 Focus indicator 4............................. 18
9 Image size ..................................... 32
10 Image quality................................. 30
11 Number of exposures
remaining...................................... 14
12 Date imprint indicator.................. 136
13 Aperture.................................. 40, 43
14 Shutter speed.......................... 40, 42
15 “Date not set” icon 5...................... 12
16 Exposure compensation................. 39
17 Self-timer indicator........................ 38
18 Ultra HS recording indicator........... 81
19 Manual focus display..................... 47
20 Spot metering target ..................... 79
21 Flash mode for optional
Speedlights.................................... 97
22 White balance ............................... 76
23 Sensitivity (ISO equivalency) ........... 46
24 Image adjustment.......................... 86
Black-and-white indicator.............. 87
25 Focus areas.................................... 93
26 Length of movie ............................ 51
27 Exposure display............................ 44
28 Exposure mode.............................. 40
29 Converter lens setting.................... 90
30 Best Shot Selector (BSS)................. 84
Bracketing indicator....................... 99
Noise reduction ........................... 101
31 Metering mode ............................. 79
32 Continuous shooting mode ........... 80
1 Icon varies with scene mode selected. 2 Displayed when zoom buttons are pressed. 3 Appears when batteries are running low. 4 Displayed when shutter-release button is pressed
halfway.
5 Appears when camera clock has not been set.
Page 16
Introduction
6
Control Panel
1
1 Sensitivity (ISO equivalency)
indicator........................................ 46
2 White balance indicator (appears
when
button is used to set white
balance) ........................................ 76
3 Battery level indicator .................... 14
4 Image quality................................. 30
5 Exposure mode.............................. 40
6 Shutter speed 2......................... 40, 42
Aperture 2................................ 40, 43
Shooting mode.............................. 24
Image size ..................................... 32
Exposure compensation................. 39
Sensitivity (ISO equivalency) ........... 46
White balance ............................... 76
Image transfer status..................... 66
7 Manual focus indicator.................. 47
8 Continuous shooting mode ........... 80
9 Exposure compensation
indicator........................................ 39
10 Flash mode.................................... 34
11 Exposure count display (number of
exposures remaining)..................... 14
Exposure indicator......................... 44
12 Metering mode ............................. 79
13 Self-timer ...................................... 38
Focus mode................................... 37
14 Flexible Program............................ 41
The LCD Illuminator Button
To view settings in the dark, press the LCD illuminator button ( 2). The LCD illumina­tor (control panel backlight) will light for about eight seconds.
2 Press button to switch between shutter-speed
and aperture displays ( , , P, and M only).
1 Control panel is shown with all elements lit for
illustrative purposes.
Page 17
Move cursor up
Cancel and return to previous menu, or move cursor left
Display sub-menu, move cursor right, or make selection.
Move cursor down
7
Introduction
The Shutter-Release Button
The camera has a two stage shutter-release button. The camera sets focus and exposure when the button is pressed halfway. Focus and exposure will remain locked while the shutter-release button is kept in this position. To take the picture, press the shutter-release button the rest of the way down.
Navigating the Menus
The multi selector is used to navigate through the camera menus.
Turning the Camera on and Off
When the camera is turned on, the lens will extend and the monitor or electronic viewfi nder will display a wel­come message. The message will clear from the display when the camera is ready for shooting or playback.
When the camera is turned off, the lens will retract and the camera displays will turn off.
Page 18
EN-EL1
2CR5
EN-EL1
2CR5
8
First Steps
First Steps
Inserting Batteries
The camera uses either of the following batteries:
Battery Description
Six-volt 2CR5 (DL245)
lithium batteries (×1)
• Available at many retail outlets
• Not rechargeable
Rechargeable Nikon
EN-EL1 lithium-ion
batteries (×1)
• Provided with camera
• Can be recharged using supplied MH-53 battery charger (be sure to charge battery before using camera for fi rst time or after long period of disuse). About two hours are required to charge battery when no charge remains.
1
Turn the camera off
3
Insert the battery
Insert the battery as shown in the label inside the battery-chamber cover.
Inserting Batteries
Inserting the battery upside down or backwards could damage the camera. Check to be sure the battery is in the correct orientation.
2CR5 (DL245)
EN-EL1
2
Open the battery-chamber cover
Slide the battery-chamber cover latch to the position () and fl ip the battery-chamber cover open ().
Page 19
9
First Steps
Replacing Batteries
Turn the camera off before removing or inserting batteries. To remove the battery, open the battery-chamber cover as described in Step 2, above, and slide the battery out. Note that the battery may become hot during use; observe due caution when removing the battery.
Read Battery Warnings
Read and follow the battery warnings and cautions on pages ii–iii and 140 of this manual, together with any warnings and instructions supplied by the bat­tery manufacturer.
Alternative Power Sources
To power the camera continuously for extended periods, use an EH-53 AC adapter (available separately; 137). Do not, under any circumstances, use another make or model of AC adapter. Failure to observe this precaution could result in overheating or in damage to the camera.
4
Close the battery-chamber cover
Close the battery-chamber cover () and slide the latch to the position ().
Page 20
1
2
Upside down
Sideways
First Steps
10
The Eject Button
If the eject button is up when the card-slot cover is closed, closing the cover will partially eject the memory card, causing errors when the camera is turned on. Be sure the eject button is down before inserting memory cards.
Removing Memory Cards
Memory cards can be removed without loss of data when the camera is off. To remove memory cards, turn the camera off and open the memory card slot cover. Press the eject button to pop it up (), then press it again to partially eject the card (). The card can then be removed by hand. Note that memory cards may become hot during use; observe due cau­tion when removing memory cards.
Inserting Memory Cards
The camera stores pictures on CompactFlash™ memory cards. See “Technical Notes: Approved Memory Cards” ( 139) for a list of compatible cards.
1
Turn the camera off
2
Open the memory card slot cover
A yellow notice detailing memory card insertion is placed in the memory card slot at shipment. Re­move the notice and read the instructions.
3
Insert a memory card
Check that the eject button is all the way down () and then insert a memory card as shown in the label inside the memory card slot cover ().
Inserting Memory Cards
Insert memory cards termi­nals fi rst. Inserting the card upside down or backwards could damage the camera or the card. Check to be sure the card is in the correct orientation.
Direction
of insertion
Terminals
Front
D
O NOT INSERT:
Page 21
LANGUAGE
Cancel Set
Deutsch Nederlands
SvenskaEnglish Español Français Italiano
MENU QUICK
11
First Steps
Basic Setup
4
Close the memory card slot cover
Format Memory Cards Before First Use
Memory cards must be formatted before fi rst use. See “The Shooting Menu: CF Card Format” (
104).
Follow the steps below to choose a language and set the time and date.
1
Ready the monitor
2
Turn the camera on
The fi rst time the camera is turned on, a language­selection dialog will be displayed. Choose a lan­guage and set the time and date as described on the following pages.
햲
햲
햴
햴
햶
햶
햳
햳
햵
햵
Page 22
First Steps
12
The Clock Battery
When the main battery is installed or an AC adapter is connected, the clock battery will charge in about 10 hours. When fully charged, the clock battery can provide several days of backup power. The language-selection dialog will automatically be dis-
played when the clock battery is exhausted.
The Camera Clock
The camera clock is less accurate than most watches or household clocks. Check the clock regularly against more accurate timepieces and reset as necessary.
† Select No to exit to mode selected with mode selector. If time and date are not set,
(“date not set”) icon will fl ash in monitor during shooting and all pictures will have
time stamp of “0000.00.00 00:00.” Movies will be dated “2004.01.01 00:00.”
3
Highlight Ye s.
†
DATE
Set time and date?
Set time and date?
Set time and date?
No
Yes
4
BK Set
MENU QUICK
HOME TIME ZONE
Display map of world time zones.
BK Set
MENU QUICK
HOME TIME ZONE
5
Select home time zone.
1
LANGUAGE
Cancel Set
Deutsch Nederlands
SvenskaEnglish Español Français Italiano
MENU QUICK
Highlight Deutsch (German), English, Español (Spanish), Français (French), Italiano (Italian), Nederlands (Dutch), Svenska (Swedish), (Japanese),
(Simplifi ed Chinese), or
(Korean).
*
* Press button to exit without selecting language. Language-selection dialog will
be displayed next time camera is turned on or if monitor is activated after camera has entered standby mode.
2
DATE
Set time and date?
Set time and date?
Set time and date?
No
Yes
Confi rmation dialog displayed.
Page 23
13
First Steps
‡ If daylight saving time ( 125) is in effect in local time zone, highlight DaylightSav-
ing and press multi selector right. To return to Step 6, highlight current time zone. To return to Step 4, highlight Time Zone and press multi selector right.
01
00 :
00
01 2004.
MYD
DATE
7
Display DATE menu.
.02
10 :
15
01 2004.
DYM
DATE
11
Choose order in which Day, Month,
and Year will be displayed.
.01
00 :
00
01 2004
MYD
DATE
9
Select Month. Repeat steps 8–9 to
edit Month, Year, hour, and minute.
12
Exit to mode currently selected with mode selector. Note that time and date of recording will not be imprinted on pictures unless Date or Date and time is selected for Date imprint ( 136).
F5.6
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F5.6
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125
1/125
15
15
15
8M8M8M
01
00 :
00
01 2004.
MYD
DATE
8
Edit Day (order of Day, Month, and
Year may differ in some areas).
.01
10 :
15
02 2004.
MYD
DATE
10
Highlight D M Y.
6
01. 01. 2004 00 : 00
Time Zone
DaylightSaving
TIME ZONE
Madrid, Paris, Berlin
TIME ZONE menu displayed.
‡
Page 24
14
Basic Photography
Basic Photography
Step 1 —Select Mode
(auto) mode is selected automatically the fi rst time the camera is turned on. In this automatic, “point-and-shoot” mode, the majority of settings are controlled by the camera in response to shooting conditions, producing opti­mal results in most situations.
1
Slide the mode selector to and turn the
camera on
T
he lens will extend and the monitor or electronic viewfi nder will display a welcome message. The camera is ready to shoot when the message is replaced by the shooting display and settings are displayed in the control panel.
The Battery Indicator
Monitor Control panel
No pictures can be taken until battery has been recharged or replaced.
Camera functions normally.
If fl ash fi res, monitor / elec­tronic viewfi nder turns off while Speedlight recharges.
Notes
(fl ashes)
Status
Low battery. Ready
spare battery.
Battery fully charged.
Battery exhausted.
NO ICON
WARNING!!
BATTERY
EXHAUSTED
Shooting mode ( 15)
indicates
auto mode.
Exposure mode ( 40)
P (programmed auto) is automatically selected in mode.
Battery
indicator
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F5.6
1 /125
125
1/125
15
15
15
8M8M8M
Monitor / electronic
viewfi nder
Control panel
Number of pictures that can be taken depends on capacity of the memory card and options chosen for image quality and size.
Image quality / size ( 30)
Choose according to how picture will be used.
Exposure mode
Page 25
15
Basic Photography
F5.6
F5.6
F5.6
1 /125
125
1/125
151515
8M8M8M
F5.6
F5.6
F5.6
1 /125
125
1/125
151515
8M8M8M
2
Confi rm that mode is selected
If Mode Is Not Selected
If mode is not selected, press the button and rotate the command dial until the icon is displayed in the top left corner of the monitor or electronic viewfi nder.
If User setting (the default option) has not been as- signed to the button ( 132), the shooting mode can be selected using camera menus ( 88).
Shooting Mode
The following shooting modes are available:
Icon
88
14–20
23–29Varies
Description
Automatic mode with choice of twelve “scenes” suited to different subjects or shooting conditions.
Automatic, “point-and-shoot” mode.
Manual modes that offer control over all settings. Separate adjustments can be made in each mode.
Mode
Scene
Auto
Custom 1
Custom 2
* Icon varies with scene mode selected ( 23).
⇔ * ⇔ ⇔
Number of Exposures Remaining
If the number of exposures remaining reaches zero, the message “OUT OF MEMORY” will be displayed in the monitor. No further pictures can be taken until:
• a new memory card is inserted ( 10)
•
pictures are deleted ( 21, 106) The “OUT OF MEMORY” message may clear from the display if a lower image quality or size is selected ( 30).
Page 26
Basic Photography
16
Step 2 — Frame the Picture
1
Ready the camera
Hold the camera steadily in both hands.
Don’t Block the Shot
To avoid muffl ed sound or dark or partially obscured pictures, keep fi ngers and other objects away from the microphone, lens, and fl ash. To avoid blocking the red-eye reduction lamp, keep your fi ngers below the ridges on the camera grip.
2
Frame the subject
The camera is equipped with two types of built-in zoom: optical zoom, in which the camera’s tele­scoping lens can be used to magnify the subject up to 8 ×, and digital zoom, in which digital processing is used to further magnify the image up to 4 ×, for a total of 32 ×. Use the zoom buttons to frame your subject in the center of the monitor:
• Press the button to zoom out from your sub­ject, increasing the area visible in the frame.
• Press the button to zoom in on your subject so that it fi lls a larger area of the frame.
• When the camera is zoomed in to maximum magnifi cation, holding the button down for about two seconds will trigger digital zoom, and the zoom indicator will turn yellow. Use the and buttons to adjust zoom in the digital zoom range. To cancel digital zoom, press until the zoom indicator turns white.
Avoid pressing buttons on left side of camera while shooting.
Indicator shows
amount of zoom
when either button
is pressed
F5.6
F5.6
F5.6
1 /125
125
1/125
151515
8M8M8M
Digital zoom
F5.6
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F5.6
1 /125
125
1/125
151515
8M8M8M
out
in
Page 27
17
Basic Photography
The Built-in Speedlight
At default settings, the built-in Speedlight will pop up automati­cally when the shutter-release button is pressed halfway if ad­ditional light is required for correct exposure. Do not place your fi ngers where they will obstruct the built-in Speedlight. If the Speedlight is prevented from popping up when the shutter-re­lease button is pressed halfway, a message will be displayed.
Do not attempt to raise the Speedlight by hand. Failure to observe this precaution could result in damage to the Speedlight. To lower the Speedlight, gently press it straight down until it clicks into place. Do not apply force to the front, back, or sides.
Digital Zoom ( 95)
In digital zoom, data from the camera’s image sensor are processed digitally, enlarging the center portion of the picture to fi ll the frame. Unlike optical zoom, digital zoom does not increase the amount of detail visible in the picture. Instead, details visible at maximum optical zoom are simply enlarged, producing a slightly “grainy” image.
When Lighting Is Poor
When lighting is poor, sensitivity is raised to compensate and the image in the monitor may be slightly mottled. This is normal and does not indicate a malfunction.
Viewfi nder Focus
If the image in the electronic viewfi nder seems blurred, rotate the diopter adjustment control until the image is in sharp fo­cus. When operating the diopter control with your eye to the viewfi nder, care should be taken to avoid accidentally putting your fi nger in your eye.
Auto Power Off (Standby Mode)
If no operations are performed for one minute (three minutes when menus are dis­played), the monitor and electronic viewfi nder will turn off automatically and the camera will enter standby mode, reducing the drain on the batteries (if the camera is powered by an optional AC adapter or the Loop option is selected during a slide show [ 112], the monitor and viewfi nder will turn off after thirty minutes). To reactivate the display, press the , , , or button or press the shutter-release button halfway.
The length of time before the camera enters standby mode can be changed using the Auto off option in the setup menu ( 131).
Page 28
Basic Photography
18
Step 3 — Focus and Shoot
1
Focus
Press the shutter-release button halfway to set fo­cus and exposure ( 7). In mode, the camera will automatically focus on the subject at the center of the frame. Focus and exposure will lock while the shutter-release button is pressed halfway. If the subject is poorly lit and the fl ash is on, the built-in Speedlight will pop up automatically and begin charging.
With the shutter-release button pressed halfway, check the focus and fl ash indicators in the monitor or electronic viewfi nder.
*
37)
or manual
focus is used ( 47).
2
Take the picture
Press the shutter release button the rest of the way down to take the picture. To prevent blur, press the
shutter-release button down smoothly.
Flash
indicator
On (red) Flash will fi re when picture is taken.
Blinks red Flash charging.
Off Flash off or not required.
Focus
indicator
On (green) Subject in focus.
*
Blinks green
Camera unable to focus on sub­ject at center of frame. Using fo­cus lock, focus on another subject at same distance, then recompose picture and shoot.
Flash indicator
Focus indicator
Display Lag
The image from the camera CCD must be processed before it can be displayed in the monitor or electronic viewfi nder, resulting in a slight lag between the movement of the subject and the image in the display. This lag can be reduced by selecting Quick response for the Monitor options > Shutter release speed option in the setup menu ( 126).
F5.6
F5.6
F5.6
1 /125
125
1/125
151515
8M8M8M
Page 29
19
Basic Photography
During Recording
While pictures are being recorded to the memory card, a ( recording) or ( wait) icon will be displayed in the monitor or electronic viewfi nder. The camera can continue to take pictures until the icon is displayed. Do not turn the camera off, eject the
memory card, or remove or disconnect the power source while the or icon is displayed. Cutting power or removing the memory card in these circumstances could
result in loss of data or in damage to the camera or card.
Low Battery
If the fl ash fi res when the low battery icon is displayed, the monitor will turn off while the Speedlight recharges.
The AF-Assist Illuminator
If lighting is poor when the shutter-release button is pressed halfway, the built-in Speedlight will pop up and the AF as­sist illuminator will light, allowing the camera to focus even when the subject is poorly lit. The AF-assist illuminator has a range of about 1.2 m (3´11˝). The AF-assist illuminator will not light if:
• The built-in Speedlight is obstructed, preventing it from popping up (note that the AF-assist illuminator may light even when the fl ash is off; be careful not to obstruct the Speedlight while shooting)
• Focus mode ( 37) is set to (infi nity)
• (Portrait), (Night Portrait), or (Close up) or is selected in scene mode ( 24–26) or Manual is chosen for Focus options > AF area mode ( 93) and the center focus area is not selected
• (Landscape), (Night landscape), or (Fireworks show) is selected in scene mode ( 25–26)
• A setting other than Time-lapse movie is selected in movie mode ( 49)
• Manual is selected for Speedlight opt. > Pop up ( 96) and the built-in Speedlight is lowered
Getting Good Results with Autofocus
Autofocus performs best when there is contrast between the subject and the back­ground and the subject is evenly lit. It does not perform well if the subject is very dark or moving rapidly, if there are objects of sharply differing brightness in the scene (e.g., the sun is behind your subject and their features are in deep shadow), or if there are several objects at different distances from the camera at the center of the frame (e.g., your subject is inside a cage).
Page 30
Basic Photography
20
AF / AE Lock
Focus and exposure are locked when the shutter-release button is pressed halfway, and remain locked while the shutter-release button is held in this position (focus lock). Focus lock can be used to take pictures of off-center subjects or in situations in which the camera is unable to focus using autofocus.
4
Press shutter-release button rest of way down to take picture.
Take picture
3
Focus and exposure are locked while shut­ter-release button is pressed halfway.
*
Recompose picture
2
Check that focus indicator glows steadi­ly, indicating that subject is in focus.
Check focus indicator
1
Position subject in center of frame and press shutter-release button halfway.
Focus
* Do not change distance between camera and subject while focus lock is in effect. If
subject moves, release shutter-release button and focus again at new distance.
The Button
Focus and exposure will also lock while the button is pressed (if desired, the button can be used to lock focus but not exposure, or vice versa; 132).
F5.6
F5.6
F5.6
1 /125
125
1/125
151515
8M8M8M
F5.6
F5.6
F5.6
1 /125
125
1/125
151515
8M8M8M
F5.6
F5.6
F5.6
1 /125
125
1/125
151515
8M8M8M
Page 31
21
Basic Photography
Step 4 — View the Results (Quick Review / Full-Screen Review)
Playback Mode
Pictures can also be viewed by sliding the mode selector to (playback mode;
55).
Playback Tips
Pictures are displayed briefl y at low resolution while being read from the memory card. This makes it possible to scroll rapidly through the pictures in memory without waiting for each image to be displayed at full resolution.
The button can be used to view pictures without leaving shooting mode.
1
Pictures displayed in top left corner
of monitor (quick review).
2
Press button again to display pic-
tures full screen (full-screen review).
Use the multi selector to view additional pictures. Press the multi selector down or right to view pictures in the order recorded, up or left to view pic­tures in reverse order. To return to shooting mode, press the button a third time or press the shutter-release button halfway.
Deleting Unwanted Pictures (Full-Screen Review)
To delete the picture displayed in full-screen review, press the button. A confi rmation dialog will be displayed; press the multi selector up or down to highlight an option and then press the multi selector to the right to make a se­lection.
• Yes: Delete the picture and return to full-screen review
• No: Exit to full-screen review without deleting the picture
Quick Review
Pressing the button will not delete pictures displayed in quick review.
02.01.2004
02.01.2004
10:20
10:20
02.01.2004
100NIKON
100NIKON
0001
0001
. JPG
JPG
100NIKON
0001. JPG
10:20
11 11
8M8M8M
Erase 1 image?
Erase 1 image?
Erase 1 image?
No
Yes
Page 32
Basic Photography
22
Image File and Folder Names
On the memory card, pictures are identifi ed by fi le names with three parts: a four letter identifi er, a four-digit fi le number assigned automatically by the camera in ascending order, and a three-letter extension (e.g., “DSCN0001.JPG”).
en a picture is viewed on the camera, the fi le number and extension appear in the top right corner of the display. The identifi er is not displayed, but is visible when the picture is transferred to a computer.
Pictures are stored in folders named with a three-digit folder number followed by a fi ve-character identifi er (e.g, “100NIKON”). The default identifi er is NIKON; if desired, folders with other identifi ers can be created and pictures organized by theme ( 108). Each sequence of pictures taken using interval-timer photography, Ultra HS, or pan­orama assist is stored in a separate folder with its own identifi er: “INTVL” for interval timer photography ( 83), “N_” plus a three-digit sequence number for Ultra HS (e.g, “101N_001”; 80), or “P_” plus a three-digit sequence number for panorama assist (e.g, “101P_001”; 29). Folders can hold up to 200 pictures; if a picture is taken when the current folder contains 200 pictures, a new folder will be created by adding one to the current folder number. If a picture is taken when the current folder contains a picture numbered 9999, a new folder will be created and fi le numbering will begin again from 0001. If the current folder is numbered 999 and contains 200 pictures or a picture numbered 9999, no further pictures can be taken until the memory card is formatted ( 104) or a new memory card inserted.
The fi rst picture displayed when pictures are played back is the picture with the highest fi le number in the highest-numbered folder.
Type Identifi er Extension
HI-quality still 30.TIFDSCN
Original
49
49
.MOV
.MOV
INTN
DSCNMovie
Time-lapse movie
Cropped copy 60.JPGRSCN
Copy
62.JPGSSCN
Small copy
DSCN .WAV 63Voice memo (appended to original still)
Audio
fi le
RSCN .WAV 63Voice memo (appended to cropped copy)
SSCN .WAV 63Voice memo (appended to small copy)
FINE-, NORMAL-, or BASIC-quality still 30.JPGDSCN
RAW-quality still 30.NEFDSCN
Page 33
23
Scene Mode
Scene Mode
Scene mode offers a menu of twelve “scenes,” each corresponding to a common situation, such as a backlit subject, sunset, or interior shot. Camera settings are automatically adjusted to suit the selected scene, sparing the user the necessity of adjusting each setting separately. To select a scene:
Taking Pictures in Scene Mode
3
Highlight scene (scene can also be highlighted by rotating command dial). Highlighted scene shown by large icon and caption. To exit without changing current selection, press .
Party/Indoor
SetBK
QUICK
MENU
SET-UP
User setting
* Default scene is . If User setting has not been assigned to button ( 132),
scene mode can be selected using camera menus ( 88).
The Scene Menu
The scene menu also contains a User setting option for choosing the shooting mode ( 88) and a SET-UP option for access to the camera setup menu ( 122).
Portrait
SetBK
QUICK
MENU
SET-UP
User setting
1
Select scene mode.
*
2
Display scene menu.
Portrait
SetBK
QUICK
MENU
SET-UP
User setting
4
Select highlighted scene and return to shooting mode. Selected scene shown by icon in monitor or electronic view­fi nder.
F5.6
F5.6
F5.6
1 /125
125
1/125
15
15
15
8M8M8M
F5.6
F5.6
F5.6
1 /125
125
1/125
15
15
15
8M8M8M
Page 34
24
Scene Mode
Depending on the scene selected, restrictions may apply to fl ash mode ( ; 34), the AF-assist illuminator ( ; 19), focus mode ( ; 37), or focus area selection ( ; 93). These restrictions are noted on the pages that follow.
Scene Mode
Depending on your subject, scene mode may not always produce the desired results. If results are not satisfactory, choose (auto) mode and try again.
The AF-Assist Illuminator
In (Portrait), (Night Portrait), and (Close up) modes, the AF-assist illuminator is only available when the center focus area is selected.
Camera Shake ( )
In some scenes, slow shutter speeds may result in blurred pictures. The number of stars next to the icon indicates the precautions appropriate for avoiding blur: ✭ hold camera in both hands and brace elbows against body ✭ ✭ use tripod or rest camera on fl at, level surface
Selecting a Scene
The scene can also be selected by pressing the button and rotating the command dial. Selected scene is shown in control panel as – .
* Other modes can be selected.
Off
✭
Auto
†
✔
Party / Indoor ( )
Use for shots that include details of the background, or to capture the effects of candlelight and other indoor background lighting.
ManualAuto
†
✔
*
—
Portrait ( )
Use for portraits. Main subject stands out clearly while background details are softened, lending composition sense of depth.
• Degree of softening depends on amount of light avail­able.
† Self-timer can be used.
Page 35
25
Scene Mode
Selecting a scene: 23
Manual
✭ ✭
Auto
*
✔
Off
✭
Auto
*
✔
Sunset ( )
Preserves the deep hues seen in sunsets and sunrises.
——
*
—
Landscape ( )
Use for vivid landscape shots that enhance outlines, colors, and contrast in such subjects as skyscapes and forests.
• Camera focuses at infi nity. Focus indicator lights whenever shutter-release button is pressed halfway.
Off—Auto
†
Auto
*
✔
Beach / Snow ( )
Captures the brightness of such subjects as snowfi elds, beaches, or sunlit expanses of water.
Night portrait ( )
Use for shots that provide natural balance between main subject and background when shooting portraits under low light.
• Noise reduction ( 101) turns on automatically at slow shutter speeds.
* Self-timer can be used. † Other modes can be selected.
Page 36
26
Scene Mode
* Self-timer can be used. † Other modes can be selected.
Manual
✭
† *
✔
Close up ( )
Use for close-up shots of fl owers, insects, and other small objects.
• Camera focuses continuously until shutter-release button is pressed halfway to lock focus. Minimum focus distance varies with zoom position. To focus on objects as close as 3 cm / 1.2˝ to lens, adjust zoom until macro close-up icon ( ) turns green. (Note that fl ash may not light entire subject at ranges of 50 cm / 1´8˝ or less. Take test shot and examine results in monitor or electronic viewfi nder.)
—
✭ ✭
—
Fireworks show ( )
Slow shutter speeds are used to capture the expanding burst of light from a fi rework.
• Focus is fi xed at infi nity. Focus indicator lights when­ever shutter-release button is pressed halfway.
• Self-timer and exposure compensation can not be used.
—
✭ ✭
*
—
Night landscape ( )
A slow shutter speed is used to produce stunning night landscapes.
• Noise reduction ( 101) turns on automatically at slow shutter speeds.
• Focus is fi xed at infi nity. Focus indicator lights when­ever shutter-release button is pressed halfway.
Page 37
27
Scene Mode
Selecting a scene: 23
* Other modes can be selected. † Macro close-up and self-timer can be selected. ‡ Self-timer can be used.
Off—Auto
‡
✔
Back light ( )
Use when light is coming from behind a portrait sub­ject, throwing their features into shadow, or when the subject is in the shade but the background is brightly lit. The fl ash will fi re automatically to “fi ll in” (illuminate) shadows.
Off—
*
Auto
†
✔
Copy ( )
Provides clear pictures of text or drawings on a white board or in printed matter such as a business card.
• Use macro close-up ( 37) to focus at short ranges.
• Colored text and drawings may not show up well in fi nal picture.
Noise Reduction
“ Noise” in the form of randomly-spaced, brightly-colored pixels tends to appear in pictures taken at slow shutter speeds. This effect is particularly noticeable in dark areas of the picture. In (night portrait) and (night landscape) modes, pictures taken at slow shutter speeds are processed to reduce noise (this more than doubles the time needed to process pictures before they are saved to the memory card). NR is displayed in these modes.
Off—
*
Auto
*
✔
Panorama assist ( ; 28)
Use when taking a series of pictures that will later be joined to form a single scene (for example, a panorama or 360 ° virtual-reality image).
• White balance and exposure are fi xed at values for fi rst shot in series. Exposure compensation, fl ash mode, focus mode, and zoom can not be changed after fi rst shot.
Page 38
28
Scene Mode
1
Select (Panorama assist) in scene menu as described in steps 1–3 of “Taking Pictures in Scene Mode” ( 23).
7
End series.
6
Take next shot. Repeat steps 5-6 until
all shots in series have been taken.
Taking Pictures for a Panorama
5
Compose next shot to overlap with
previous picture.
F5.6
F5.6
F5.6
1 /125
125
1/125
15
15
15
8M8M8M
2
Default pan direction displayed.
F5.6
F5.6
F5.6
1 /125
125
1/125
15
15
15
8M8M8M
3
Select how pictures will be joined to­gether in completed panorama. This is the direction in which to pan the cam­era after each shot. Yellow AE-L icon in monitor shows that white balance and exposure will lock with fi rst shot.
F5.6
F5.6
F5.6
1 /125
125
1/125
15
15
15
8M8M8M
Right
to left
Bottom
to top
Top to
bottom
Left to
right
4
Take fi rst picture. About one third of picture is shown superimposed on view through lens (if pan direction is left to right, picture will appear on left side of monitor). AE-L icon turns white to show that white balance and exposure settings for this picture apply to all pic­tures in series.
F5.6
F5.6
F5.6
1 /125
125
1/125
15
15
15
8M8M8M
Page 39
29
Scene Mode
Selecting a scene: 23
Panorama Assist
Pan direction, zoom, exposure compensation, image quality and size, fl ash mode, and focus mode can not be changed after the fi rst picture is taken. Pictures can not be deleted until shooting is complete.
Viewing Pictures Taken Using Panorama Assist
Each series of pictures taken at Panorama assist is stored in a separate folder with a name consisting of “P_” preceded by a three-digit folder number and followed by a three-digit sequence number (e.g., “101P_001”). To view the pictures, select All fold- ers in the playback Folders menu or select the appropriate folder from the folder list (
111).
Use a Tripod
Using a tripod makes it easier to compose overlapping shots.
Page 40
30
More on Photography
More on Photography
Image Quality and Size
Pictures taken with a digital camera are stored as image fi les. The size of the fi les, and with it the number of images that can be recorded on the memory card, depends on the quality and size of the images. Before shooting, choose image quality and size according to how the picture will be used.
Image Quality
The camera stores images in one of three formats: NEF (RAW), TIFF (HI qual­ity), or JPEG (FINE, NORMAL, or BASIC quality).
o reduce the amount of memory each shot occupies,
JPEG i
mages are compressed as they are saved to the memory card. Compression selectively reduces the quality of the image; the more a picture is compressed, the more noticeable this loss of quality is likely to be. This column gives the approximate compression ratio for each setting.
2 Available only in shooting modes (Custom 1) and (Custom 2). Selecting
(auto) or scene mode resets image quality to FINE. Digital zoom ( 16) not sup­ported.
3 Available only at an image size of . Direct print ( 69) not supported. 4 Available only at image sizes of and .
BASIC
Basic image quality, suitable for pictures that will be distributed by e-mail or used in web pages.
1 : 16
FINE
Fine image quality, suitable for enlargements or high-quality prints.
1 : 4
JPEG
HI
2, 4
High image quality (on par with NEF) in format supported by most imaging applications.
TIFF
RAW
2, 3
Raw data from CCD are saved in Nikon Elec- tronic Image Format (NEF) without processing or compression, preserving high level of detail at fi le size slightly smaller than that of TIFF images.
Not
compressed
NEF
NORM
(NORMAL)
Normal image quality, suited to most applica­tions.
1 : 8
Option Description
Compression
ratio
1
Format
Page 41
31
More on Photography
To choose an image quality setting:
Viewing RAW (NEF) Images on a Computer
RAW (NEF) images can only be viewed using PictureProject or Nikon Capture (versions
4.0 or earlier excluded; for more information, see the web sites listed on page 1 of this manual). To create a TIFF copy for viewing in other applications, press the button while a RAW image is displayed in full-frame playback ( 56). The copy will be saved under a name with the extension .TIF.
Press
button until desired setting appears in con-
trol panel and shooting display.
F5.6
F5.6
F5.6
1 /125
125
1/125
15
15
15
8M8M8M
RAW
RAW
HI
HI
NORM
NORM
FINE
FINE
BASIC
BASIC
Page 42
More on Photography
32
Image Size
Image size refers to the dimensions of the image, measured in pixels. Pictures taken at smaller sizes require less memory, making them suited to distribution by e-mail or the web. Conversely, the larger the image, the larger the size at which it can be printed or displayed without becoming noticeably “grainy.”
To choose an image size:
Print Size
The size of images when printed depends on the printer resolution: the higher the resolution, the smaller the fi nal print size.
Image size
(pixels)
Description
(print sizes assume printer resolution of 300 dpi)
Control
panel
(3,264 × 2,448) Will print at a size of about 28 × 21 cm (11˝ × 8˝).
(2,592 × 1,944) Will print at a size of about 22 × 16 cm (8 ½˝ × 6 ½˝).
(2,048 × 1,536) Will print at a size of about 17 × 13 cm (7˝ × 5˝).
(1,600 × 1,200) Will print at a size of about 14 × 10 cm (5
1
/
3˝ × 4˝).
(1,024 × 768)
Suited to printing at smaller sizes (for example, as illustration in letter or report) or to display on moni­tors 17˝ or larger.
(640 × 480)
Can be displayed full screen on 13˝ monitors. Suited to distribution by e-mail or on web.
(3,264 × 2,176)
Top and bottom of frame cropped out to produce picture of same proportions as frame of regular 35­mm fi lm.
(1,280 × 960)
Will print at a size of about 11 × 8 cm (4˝ × 3˝).
Press button and rotate command dial until desired setting appears in control panel and shooting display.
F5.6
F5.6
F5.6
1 /125
125
1/125
15
15
15
8M8M8M
5M 3M 2M 1M PC
TV
3:2
5M
8M
8M
3M 2M 1M PC
TV
3:2
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Memory Card Capacity and Image Quality / Size
The following table shows the approximate number of pictures that can be stored on a 256 MB memory card at different combinations of image quality and size.
Image
size
Image quality
HI FINE NORMAL BASICRAW
File size
No. of images
File size
No. of images
10 64 126 24420
23 MB 4 MB 2 MB 1 MB12 MB
— 100 195 373—
— 3 MB 2 MB 650 KB—
File size
No. of images
File size
No. of images
— 159 313 602—
— 2 MB 800 KB 420 KB—
— 252 489 870—
— 960 KB 500 KB 270 KB—
File size
No. of images
File size
No. of images
— 391 712 1306—
— 630 KB 330 KB 190 KB—
— 602 979 1567—
— 420 KB 230 KB 130 KB—
File size
No. of images
File size
No. of images
— 1306 1959 2612—
— 190 KB 110 KB 80 KB—
11 71 142 279—
21 MB 4 MB 2 MB 900 KB—
*
All fi gures are approximate. File size of JPEG images varies with scene recorded.
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34
Select a fl ash mode according to lighting conditions.
Auto Flash Off
The built-in Speedlight turns off automatically when focus is set to infi nity ( 37), an option other than Single is selected for Continuous ( 80), BSS ( 84) is on, a setting other than Normal is selected for Lens ( 90), AE lock ( 91) is on, or Internal off is selected for Speedlight opt. > Speedlight cntrl ( 97).
Sensitivity (ISO Equivalency; 46)
A sensitivity of 400 is not recommended when using a fl ash.
Speedlight Options ( 96)
The Speedlight opt. item in the shooting menu contains options controlling the built- in and optional Speedlights.
Mode
Shooting
display
Control
panel
Flash fi res whenever pic­ture is taken.
Use to “fi ll-in” (illuminate) shad­ows and back-lit subjects.
Anytime Flash
( fi ll fl ash)
Flash will not fi re even when lighting is poor.
Use to capture natural lighting un­der dim light or where use of fl ash is prohibited. Care should be taken to avoid blurring when lighting is poor.
Flash Cancel (off)
Red-eye reduction lamp lights before main fl ash fi res, reducing “red-eye.”
Auto with red-eye
reduction
Use for portraits (works best if sub­ject looks directly at red-reduction lamp). Not recommended when quick shutter response is required.
When lighting is poor, built-in Speedlight pops up when shutter-release but­ton is pressed halfway and fi res when picture is taken. If left raised, fl ash will not fi re if not required.
Recommended for most situations.
Auto
NO
ICON
Auto fl ash combined with slow shutter speeds.
Use to capture both subject and background at night or under dim light. Care should be taken to avoid blurring when lighting is poor.
Slow sync
How it works When to use it
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Anytime Flash
( fi ll fl ash)
Fill fl ash with red-
eye reduction
Fill fl ash + slow
sync
To choose a fl ash mode:
Manual Pop-Up
When Manual is selected for Speedlight opt. > Pop up, the built-in Speedlight can be raised by pressing the button. When raised, the fl ash will fi re whenever the shutter is released. The fl ash mode can not be changed while the Speedlight is lowered; when the Speedlight is raised, the following fl ash modes are available:
Flash Range
Flash range varies with zoom position. When the camera is zoomed all the way out, the fl ash has a range of 0.5–4.1 m / 1´8˝–13´5˝. The range at maximum zoom is
0.5–2.7 m / 1´8˝–8´10˝ (Auto ISO). At ranges of 0.5 m (1´8˝) or less, the fl ash may not light the entire subject. When using the fl ash at short range, play pictures back after shooting to check the results.
Low Battery
If the built-in Speedlight fi res while the (low battery) icon is displayed, the monitor will turn off while the fl ash recharges.
Flash mode changes as follows:
NO ICON /
Auto
Flash Cancel
(off)
/
Auto with red-eye
reduction
/
Slow sync
Anytime fl ash
(fi ll fl ash)
Press button until desired setting appears in control panel and shooting display (note that no icon appears in shooting display when fl ash is set to auto).
F5.6
F5.6
F5.6
1 /125
125
1/125
15
15
15
8M8M8M
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36
Using the Built-in Speedlight
Do not attempt to raise the Speedlight by hand. When lowering the Speedlight, gently press straight down until it clicks into place, being careful not to pinch your fi ngers, hair, or other objects. Do not apply force to the front, back, or sides of the Speedlight. Failure to observe these precautions could damage the Speedlight.
Do Not Obstruct the Built-in Speedlight
When Auto (the default option) is selected for Speedlight opt. > Pop up, the built-in Speedlight will pop-up automatically when required (because the photocell used for fl ash control is part of the built-in fl ash unit, the Speedlight will pop up automatically even when an optional fl ash is mounted on the camera accessory shoe). Do not place your fi ngers or other objects on top of the Speedlight while shooting. If the Speedlight is held down when the shutter-release button is pressed halfway, a message will be displayed. Pictures can still be taken, but neither the built-in Speedlight nor optional Speedlights will fi re. Note that the built-in Speedlight will pop up even when off ( ) if the AF-assist illuminator is required.
Lens Hoods
Remove lens hoods (available separately; 137) when using the fl ash.
When Lighting Is Poor
When lighting is poor and the fl ash is off ( ) or set to slow sync ( ), shutter speed slows and pictures may be blurred. At speeds slower than ¼ s, the shutter-speed indica­tor in the monitor or electronic viewfi nder will turn yellow to indicate that dark areas of the image may be slightly mottled. Mottling can be reduced by turning noise reduction on ( 101). At speeds slower than
1
/
30 s, we recommend using a tripod or resting the
camera on a steady, level surface.
If (auto) or scene modes, or when sensitivity ( 46) is set to AUTO in shooting modes and , the camera will automatically increase sensitivity to a maximum of ISO 200 in response to lighting conditions, permitting faster exposures and minimizing blur caused by inadvertent camera movement (camera shake). An ISO icon will be displayed to warn that pictures may be slightly mottled.
ISO
ISO
ISO
F5.6
F5.6
F5.6
1 /125
125
1/125
151515
8M8M8M
Optional Speedlights
Optional Speedlights can be mounted on the camera’s accessory shoe ( 96).
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Choose a focus mode according to the subject and composition.
Mode How it works
Self-timer
Combines autofocus (see above) at distances of 3 cm (1˝) or more with shutter-release delay of 10 s or 3 s.
Use for self-portraits or to prevent pictures from blur­ring when shutter-release button is pressed.
NO ICON
Autofocus
Camera automatically adjusts focus according to distance to subject.
Use when subject is 50 cm (1´8˝) or more from lens.
Macro close-up
If zoomed in or out until icon in the shooting display turns green, camera can focus on objects as close as 3 cm (1.2˝) to lens.
Use for close-ups.
When to use it
Infi nity
Camera focuses at infi nity; focus indicator lights whenever shutter­release button is pressed halfway. Flash is disabled.
Use when shooting distant scenes through foreground objects such as windows.
Manual Focus
For information on manual focus, see “Manual Focus” ( 47).
To choose a focus mode:
Focus mode changes as follows:
NO ICON
Autofocus Infi nity
Macro
close-up
Self-timer
Press button until desired setting appears in control panel and shooting display.
F5.6
F5.6
F5.6
1 /125
125
1/125
15
15
15
8M8M8M
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38
Self-Timer Mode
The self-timer can be used for self-portraits or to avoid blurring that may re­sult from the camera moving when the shutter-release button is pressed.
The Self-Timer
The Continuous option in the shooting menu is automatically set to Single when self- timer mode is selected (
80). The self-timer is not available when (Fireworks show)
is selected in scene mode (
26).
When using manual focus (
47), select the self-timer before choosing a focus dis-
tance. Choosing another focus mode automatically cancels manual focus.
The self-timer lamp on the front of the camera will blink until one second before the picture is taken, staying lit during the fi nal second to warn that the shutter is about to be released.
*
icon is displayed; camera focuses in macro close-up mode ( 37).
Blinks
Press once for 10 s delay
Press twice for 3 s delay
Start
1 s remaining
Stays lit
Shutter released
2
Set focus and exposure.
F5.6
F5.6
F5.6
1 /125
125
1/125
15
15
15
8M8M8M
3
Start timer. Press once for delay of about 10 s, twice for delay of about 3 s. Beep sounds when timer starts; timer in shooting display counts down until shutter is released. To stop timer before picture is taken, press shutter button twice (10 s timer) or once (3 s timer).
F5.6
F5.6
F5.6
1 /125
125
1/125
15
15
15
8M8M8M
10
10
10
1
Select self-timer mode.
*
F5.6
F5.6
F5.6
1 /125
125
1/125
15
15
15
8M8M8M
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Exposure compensation is used to alter exposure from the value suggested by the camera. Exposure compensation can be set to values between –2.0 EV (underexposure) and +2.0 EV (overexposure) in increments of
1
3 EV.
Exposure Compensation
Restrictions on Exposure Compensation
Exposure compensation is not available in manual exposure mode ( 44) or when (Fireworks show) is selected in scene mode ( 26).
Cancelling Exposure Compensation
To cancel exposure compensation, choose a value of 0.0. In (auto) and scene modes, exposure compensation will be reset to 0.0 when the camera is turned off or another shooting mode is selected.
Choosing a Value for Exposure Compensation
As a rule of thumb, select positive values when large areas of the frame are very brightly lit (for example, when photographing an expanse of sunlit water, sand, or snow) or when the background is much brighter than the main subject. Choose negative values when large areas of the frame are very dark (for example, when photographing a forest of dark green leaves) or when the background is much darker than the main subject. This is because the camera, in order to avoid extreme under- or over-exposure, tends to lower exposure when the frame is very bright and raise exposure when the frame is very dark, which can make naturally bright subjects look dim and naturally dark subjects appear over-bright, or “washed out.”
Press button and rotate command dial until desired setting ap­pears in control panel and shooting display.
F5.6
F5.6
F5.6
1 /125
125
1/125
15
15
15
8M8M8M
1.0
.0
1.0
At settings other than 0.0, icon is displayed in control panel after button is released.
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40
Exposure Mode (Shooting Modes and Only)
In (auto) and scene modes, the camera automatically adjusts shutter speed and aperture to produce optimal exposure. In shooting modes (Custom
1) and (Custom 2), a choice of four exposure modes gives the user direct control over shutter speed and aperture.
Mode How it works
M
Manual
User controls both shutter speed and aperture.
Use for complete control over exposure.
P
Programmed
auto
Camera sets shutter speed and aperture for optimal exposure. Flexible program can be used to select additional combinations of shutter speed and aperture that will produce the same exposure.
Recommended for most situa­tions.
A
Aperture-
priority auto
User chooses aperture: camera sets shutter speed for best re­sults.
Large apertures (small f/-num­bers) soften background details and let more light into camera, increasing range of fl ash. Small apertures (large f/-numbers) in­crease depth of fi eld, bringing main subject and background into focus.
When to use it
S
Shutter-
priority auto
User chooses shutter speed: cam­era sets aperture for best results.
High shutter speeds freeze mo­tion. Low shutter speeds sug­gest movement by blurring mov­ing objects.
To choose the exposure mode:
* If User setting has not been assigned to button ( 132), shooting mode can be
selected in shooting menu ( 88).
2
Select exposure mode.
F5.6
F5.6
F5.6
1 /125
125
1/125
15
15
15
8M8M8M
1
Select shooting mode or .
*
F5.6
F5.6
F5.6
1 /125
125
1/125
15
15
15
8M8M8M
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P: Programmed Auto
In programmed auto, the camera automatically adjusts shutter speed and ap­erture according to the amount of light available, producing optimal exposure in most situations. Adjustments to exposure can be made using exposure compensation (
39) or exposure bracketing ( 99).
Flexible Program
In programmed auto, different combinations of shutter speed and aperture can be selected by rotating the command dial (fl exible program). Each combi­nation of shutter speed and aperture will produce the same exposure.
Restoring Default Values for Shutter Speed and Aperture
Default values for shutter speed and aperture can be restored by rotating the command dial until the asterisk (“*”) is no longer displayed. Default values can also be restored by selecting another exposure mode or turning the camera off.
Shutter speed and aperture shown in shooting dis­play. Asterisk (“*”) appears when fl exible program is in effect. Control panel shutter speed / aperture display shows either shutter speed or aperture; press
button to switch from one to the other.
F8.0
F8.0
F8.0
1 /60
60
1/60
15
15
15
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42
S: Shutter-Priority Auto
In shutter-priority auto, the user selects the shutter speed by rotating the com­mand dial; aperture is set automatically by the camera in response to lighting conditions. Shutter speed can be set to values between 8 s and ¼,000 s in incre­ments equivalent to 1 EV (one step).
F2.8
F2.8
F2.8
1/1000
1000
1/1000
15
15
15
8M8M8M
Rotate command dial un­til desired shutter speed appears in control panel and shooting display.
If the selected shutter speed would result in the picture being under- or over­exposed, the shutter-speed display in the monitor or electronic viewfi nder will fl ash when the shutter-release button is pressed halfway. Choose another shut­ter speed and try again. At speeds slower than ¼ s, the shutter-speed indicator in the shooting display will turn yellow to show that mottling may appear in the fi nal picture. If possible, choose a faster shutter speed or use noise reduction (
101).
Ultra HS
When Ultra HS is selected for Continuous ( 80), the frame advance rate is fi xed at thirty frames per second, with the result that the shutter speed can not be set to a value slower than
1
/
30 s.
Aperture Restrictions
At a shutter speed of ¼,000 s, aperture is restricted to f/7.4 (maximum zoom) or to values between f/5.0 and f/8.0 (camera zoomed out to widest angle).
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A: Aperture-Priority Auto
In aperture-priority auto, aperture is controlled by rotating the command dial; shutter speed is set automatically by the camera in response to lighting condi­tions. Aperture varies in increments equivalent to
1
/
3 EV (
1
/
3 step); depending
on the zoom position, the camera can achieve apertures as large as f/2.8 or as small as f/8.
Rotate command dial until desired aperture ap­pears in control panel and shooting display.
F8.0
F8.0
F8.0
1 /60
60
1/60
15
15
15
8M8M8M
If the selected aperture would result in the picture being under- or over-exposed, the aperture display in the monitor or electronic viewfi nder will fl ash when the shutter-release button is pressed halfway. Choose another aperture and try again.
An aperture of f/8 may not be available at some zoom positions. For smaller apertures, try zooming the camera out.
Aperture and Zoom
The maximum and minimum values for aperture are determined by the camera lens and zoom setting. Unless On is chosen for Zoom options > Fixed aperture ( 95), aperture will change as the camera is zoomed in or out. If the second-highest aperture setting is selected with the camera zoomed all the way out and the camera is then zoomed in, the camera will vary the f/-number to maintain aperture at the second-high­est setting for the current zoom position.
Faster Shutter Speeds
Depending on the amount of light available, it may be possible to achieve shutter speeds as high as ¼,000 s (
1
/
8,000 s when shooting in Ultra HS) by zooming the camera all
the way out and selecting the smallest aperture (largest f/-number).
Choosing an exposure mode: 40
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44
M: Manual
In manual exposure mode, the user controls both shutter speed and aperture. Shutter speed can be set to values between 8 s and ¼,000 s in increments equiv­alent to 1 EV (one step), or the shutter can be held open for long time expo­sures of up to ten minutes (see opposite). Aperture can set to values between the minimum and maximum in increments equivalent to
1
/
3 EV (
1
/
3 step).
1
Select shutter speed or aperture. Se­lected item changes each time button is pressed (selected item high­lighted in green in shooting display).
F5.6
F5.6
F5.6
1/125
15
15
15
8M8M8M
F5.6
F5.6
F5.6
1/60
15
15
15
8M8M8M
2
Set selected item. Exposure displays show amount picture will be under- or over-exposed at current setting.
F8.0
1 /60
60
1/60
15
15
15
8M8M8M
3
Select remaining item (aperture or shutter speed). Repeat steps 2–3 until desired exposure is achieved.
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Understanding the Exposure Displays
The exposure displays show the amount pictures will be under- or over-exposed at the values currently selected for shutter speed and aperture.
The control panel display is in EVs, rounded to the nearest EV. If the picture would be under- over-exposed by more than 9 EV, the display will show a fl ashing –9 (underexposure) or +9 (overexposure). If no operations are performed for about eight seconds, the display in the control panel will be replaced by the number of exposures remaining.
The exposure display in the monitor or electronic viewfi nder shows the amount expo­sure deviates from the value suggested by the camera in EVs (–2 to +2 EV in increments of
1
/
3 EV).
(Values in EVs)
–2 ±0 +2
–1 +1
Underexposed Overexposed
Long Time Exposures
For long time exposures of up to ten minutes, set Continuous ( 80) to Single and rotate the command dial to select a shutter speed of BULB or TIME. The length of time the shutter will remain open depends on the option selected for Exposure options > Bulb / Time ( 92):
• Bulb release: When BULB is selected for shutter speed, the shutter will remain open for as long as the shutter-release button is held down, to a maximum of ten minutes.
• Timed release: When TIME is selected for shutter speed, the shutter will open when the shutter-release button is pressed and remain open until the shutter-release button is pressed again or the time selected in the Timed release menu has elapsed.
If possible, use a tripod to prevent blurring caused by camera shake. To reduce mot­tling, use noise reduction (
101).
F5.6
F5.6
F5.6
151515
8M8M8M
BULB10M
F5.6
F5.6
F5.6
151515
8M8M8M
TIME30S
Choosing an exposure mode: 40
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46
and Only)
Sensitivity (ISO equivalency) is the digital equivalent of fi lm speed. The higher the sensitivity, the less light needed to make an exposure, allowing higher shutter speeds and smaller apertures. Much as fi lm with a high ISO rating tends to produce “grainy” images, high sensitivities may be associated with “noise”—randomly spaced, brightly colored pixels concentrated in dark parts of the image. Noise reduction (
101) can be used to reduce noise in pictures
taken at shutter speeds of ¼ s or slower.
In (auto) and scene modes, the camera automatically raises sensitivity when lighting is poor. In shooting modes (Custom 1) and (Custom 2), the following options are available:
Option
50
Approximately equivalent to ISO 50. Recommended unless lighting is poor or faster shutter speeds are required (e.g., when the subject is moving). Noise may appear in pictures taken at settings above this value.
100 Approximately equivalent to ISO 100.
Description
200 Approximately equivalent to ISO 200.
400
Approximately equivalent to ISO 400. Intended for use with natural light­ing; not recommended when using fl ash.
AUTO
Approximately equivalent to ISO 50 under normal conditions; when light­ing is poor, however, camera automatically compensates by raising sensi­tivity to maximum of ISO 200 equivalent ( 36).
To choose a value for sensitivity:
Press button and rotate command dial until desired setting is displayed. At set­tings other than AUTO, sensitivity is shown in shooting display during shooting.
100
100
100
F5.6
F5.6
F5.6
1 /125
125
1/125
15
15
15
8M8M8M
505050
400
400
400
AUTO
AUTO
AUTO
100
100
100
200
200
200
Exposure Mode
If AUTO is selected in shutter-priority auto or manual exposure mode, sensitivity will be fi xed at ISO 50 equivalent and will not vary with lighting conditions.
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Manual Focus (Shooting Modes and Only)
In shooting modes (Custom 1) and (Custom 2), manual focus is available for situations in which the desired results can not be achieved using autofo­cus. Focus distance can be selected from preset values ranging from 3 cm (1˝) to infi nity.
2
Confi rm focus in shooting dis­play. Unless Off is selected for
Focus options > Focus confi rma- tion ( 94), focus confi rmation
turns on automatically when manual focus is in effect, and objects that are in focus will be sharply outlined.
3
Take pictures.
Cancelling Manual Focus
To cancel manual focus, press the MF ( ) button to select another focus mode.
Using the Self-Timer
When using manual focus with the self-timer, select self-timer mode before focusing.
Close-Ups
Minimum focus distance varies with zoom position. At some positions, the camera may be unable to focus at very short distances (the end of the manual focus display). If the camera is unable to focus at the current zoom position, the manual focus display will turn red.
Focus Lock
The button can not be used to lock focus in manual focus mode.
Converter Lenses
Use autofocus with optional converter lenses ( 137).
1
Press MF ( ) button and rotate command dial until subject is in focus. Focus position (distance from lens) shown by manual focus display in monitor or electronic viewfi nder. icon displayed in control panel.
F5.6
F5.6
F5.6
1 /125
125
1/125
15
15
15
8M8M8M
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Image Adjustment (Shooting Modes and Only)
The shooting menu includes options for controlling white balance, sharpness, con­trast, and color saturation. These settings, which are available only in shooting modes and ( 40), can be adjusted according to shooting conditions and the user’s creative intent.
WHITE BALANCE 1/2 Auto
White bal preset Daylight Incandescent Fluorescent Cloudy Speedlight
IMAGE ADJUSTMENT
Auto
Normal More contrast
Less contrast
IMAGE SHARPENING
Normal Low Off
High
Auto
SATURATION CONTROL
Normal
Black&white
Enhanced
Moderate Minimum
Maximum
White Balance ( 76)
Adjust white balance for natural coloration under different types of lighting.
Image Adjustment ( 86)
Adjust contrast according to the scene and how the picture will be used.
Saturation Control ( 87)
Take pictures in black-and-white, or adjust vividness for print­ing or for retouching in an imaging application.
Image Sharpening ( 89)
Sharpen or soften outlines.
Keep or Delete (Quick Delete)
While pictures are being recorded at an image quality of HI or at a Continuous setting of Ultra HS, a (quick delete) icon will be displayed in shooting display. To delete pictures before they are recorded to the memory card, press the button. A confi rmation dialog will be displayed; press the multi selector up or down to highlight an option and then press the multi selector to the right to make a se­lection.
• Yes: Delete the picture and return to shooting mode
• No: Exit to shooting mode without deleting the picture
Erase 1 image?
Erase 1 image?
Erase 1 image?
No
Yes
Choosing a shooting mode: 15
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49
Movies
Movies
Movie Options (Shooting Modes and Only)
In shooting modes (Custom 1) and (Custom 2), the camera can record the following types of movie. All movies except time-lapse movies include sound recorded via the built-in microphone; the exposure mode is fi xed at P (programmed auto) in all movie modes.
Option Description
TV movie
(640)
Movies are recorded at 30 frames per second. Each frame is 640 × 480 pixels in size with vertical interlacing. Maximum length for TV movies is 35 s.
Small movie
(320)
Movies are recorded at 15 frames per second. Each frame is 320 × 240 pixels in size. Maximum length for small movies is 180 s.
Sepia movie
320
Movies are recorded in sepia at 5 frames per second. Each frame is 320 × 240 pixels in size. Maximum length for sepia movies is 180 s.
Time-lapse
movie
Camera takes still pictures at specifi ed intervals and joins these frames to create silent movie with frame rate of 30 fps and frame size of 640 × 480. Resulting movie may be up to 35 s (1050 frames) long. Use to create time-lapse movies of slow processes that can be fi lmed without moving camera: fl owers opening, butterfl y emerging from cocoon, moving clouds, etc.
Movie Files
Movies are recorded as QuickTime movie fi les with the extension “.MOV” and names consisting of “INTN” (time-lapse movies) or “DSCN” (other movies) plus a four-digit fi le number assigned by adding one to the highest fi le number in the current folder (e.g., “INTN0001.MOV” or “DSCN0015.MOV”). Movies can be played back on a computer after transfer.
Page 60
Movies
50
To choose the type of movie that will be recorded:
† If Time lapse movie is selected, time-lapse-movie menu will be displayed ( 52).
2
MY MENU
Metering
White balance
Continuous
BSS
User setting SET-UP Show all menus
Highlight Continuous.
*
CONTINUOUS
Single
Continuous H Continuous L Multi-shot 16 Ultra HS 5 shot buffer
1/2
3
Display CONTINUOUS menu.
4
Time lapse
Movie
CONTINUOUS
2/2
Highlight Movie.
MOVIE
TV movie (640
)
Small movie(320
)
Time-lapse movie Sepia movie 320
5
Display MOVIE menu.
6
MOVIE
TV movie (640
)
Small movie(320
) Time-lapse movie Sepia movie 320
Highlight option.
7
MY MENU
Metering
White balance
Continuous
BSS
User setting SET-UP Show all menus
Make selection.
†
1
MY MENU
Metering
White balance
Continuous BSS
User setting SET-UP Show all menus
Display shooting menu.
8
F5.6
F5.6
F5.6
1 /125
125
1/125
106
106
”106”
TVTVTV
Return to shooting mode.
* If Continuous option is not available in MY MENU, select Show all menus and
highlight Continuous in full shooting menu ( 74–75).
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51
Movies
While recording is in progress, a REC indicator will be displayed. To pause recording, press the button. Recording will resume when the button is pressed again.
Recording Movies
Zoom
Adjust optical zoom before recording TV movies, small movies, or sepia movies. Once recording has begun, pressing the zoom buttons will activate digital zoom (maximum 2 ×), even if Off is selected for Zoom options > Digital tele ( 95).
Using the Flash
The Speedlight turns off when TV movie (640), Small movie (320), or Sepia movie 320 is selected.
Focus Mode
If Single AF (the default option) is selected for Focus options > Auto-focus mode (
94), focus will lock when the shutter-release button is pressed to start recording.
1
Slide the mode selector to and turn the
camera on
The exposure count display in the monitor shows the maximum total length of the movie that can be recorded.
2
Start recording
Press the shutter-release button all the way down to start recording.
To record a TV movie, small movie, or sepia movie:
106
106
”106”
3
End recording
Press the shutter-release button all the way down a second time to end recording. Recording will end automatically when the memory card is full or the movie has reached maximum length.
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Movies
52
Recording a Time-Lapse Movie
Selecting Time-lapse movie from the MOVIE menu displays the menu shown in Step 1, below.
2
Display menu of interval options.
Take a Test Shot
Take a test shot and view the results before beginning recording.
1
Highlight Set interval time.
AE LOCK
Off
On
6
Display AE LOCK menu.
5
Highlight AE lock.
4
Make selection and return to shoot­ing menu. To change AE lock option, select Continuous > Movie > Time lapse movie. To exit without changing AE lock option, proceed to Step 9.
3
Choose interval between frames from
30 s (thirty seconds), 1 m (one minute), 5 m (fi ve minutes), 10 m (ten minutes), 30 m (thirty minutes), and 60 m (sixty
minutes).
Set interval time
AE lock
TIME-LAPSE MOVIE
SET INTERVAL TIME
30s
1m
5m 10m 30m 60m
SET INTERVAL TIME
30s
1m
5m 10m 30m 60m
MY MENU
Metering
White balance
Continuous
BSS
User setting SET-UP Show all menus
TIME-LAPSE MOVIE
Set interval time
AE lock
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53
Movies
Use a Reliable Power Source
If possible, use the optional EH-53 AC adapter when recording time-lapse movies.
During Recording
To save power, the monitor, viewfi nder, and control panel turn off between frames. The displays turn on automatically immediately before the camera takes the next shot.
Image Quality
The fi le size of time lapse movies varies greatly depending on the option selected for image quality. If HI or RAW is selected, image quality will automatically be set to FINE.
AE Lock
When On is selected for AE lock, a yellow AE-L icon will be displayed in the monitor, indicating that exposure and white balance will be locked with the fi rst shot. Once the fi rst shot is taken, the icon will turn white.
F5.6
F5.6
F5.6
1 /125
125
1/125
325
325
325
TVTVTV
AE-L
8
Make selection.
7
Choose On to fi x exposure and auto white balance for entire movie at val­ues for fi rst frame, Off to meter new values for exposure and white balance with each shot.
AE LOCK
Off
On
9
Return to shooting mode.
10
Start recording. Camera will take pic­tures at specifi ed interval until shutter­release button is pressed again, mem­ory card is full, or movie has reached maximum length.
F5.6
F5.6
F5.6
1 /125
125
1/125
325
325
325
TVTVTV
MY MENU
Metering
White balance
Continuous
BSS
User setting SET-UP Show all menus
Page 64
Movies
54
To play a movie back, slide the mode selector to and display the movie in full-frame playback (movie fi les are indicated by a icon). Press the button to begin playback. If the movie was recorded with the
TV movie (640), Small movie (320), or Sepia movie 320 option, sound recorded with the movie will be
played back over the camera’s built-in speaker.
Viewing Movies
To Description
Quick Review / Full-Screen Review
Movies can not be played back in quick review or full-screen review ( 21).
Direct Print
Movies can not be printed via direct USB connection ( 69).
Press
Start / pause /
resume
playback
Press button to start playback. While playback is in progress, pressing button pauses playback. Press again to resume. When movie ends, fi rst frame of movie will be displayed.
Rewind movie
one frame
When movie is paused, pressing multi selector up or left rewinds movie one frame.
Advance
movie one
frame
When movie is paused, pressing multi selector down or right advances movie one frame.
Raise volume
Volume indicator displayed in monitor when zoom but­tons are pressed. Four levels are available: high ( ), medium ( ), low ( ), and mute ( ).
Lower volume
11 11
02.01.2004
02.01.2004
12:00
12:00
02.01.2004
100NIKON
100NIKON
0001
0001
. MOV
MOV
100NIKON
0001. MOV
12:00
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Full-Frame Playback
To view the pictures on the memory card full-frame in the monitor (full-frame playback), slide the mode selector to .
Viewing Pictures on the Camera
Deleting the Current Picture
To delete the picture displayed in the monitor, press the button. A confi rmation dialog will be displayed; press the multi selector up or down to highlight an option and then press the multi selector to the right to make a selection.
• Yes: Delete the picture and return to playback mode
• No: Exit to playback mode without deleting the picture
Quick Review / Full-Screen Review
To view pictures without leaving shooting mode, press the button ( 21).
Erase 1 image?
Erase 1 image?
Erase 1 image?
No
Yes
Viewing Additional Pictures
Press the multi selector down or right to view pictures in the order recorded, up or left to view pictures in reverse order. Keep the multi selector pressed to scroll rapidly to the desired frame number.
Photo Information
Press the button to hide or view photo information ( 58).
02.01.2004
02.01.2004
10:20
10:20
02.01.2004
100NIKON
100NIKON
0001
0001
. JPG
JPG
100NIKON
0001. JPG
10:20
11 11
8M8M8M
02.01.2004
02.01.2004
10:20
10:20
02.01.2004
100NIKON
100NIKON
0001
0001
. JPG
JPG
100NIKON
0001. JPG
10:20
11 11
8M8M8M
Battery indicator is displayed when battery is low, even when photo information is hidden.
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Creating HI-Quality Copies of RAW Images (Full-Frame Playback)
HI-quality (TIFF) copies can be created from RAW-quality images, allowing the pic­tures to be viewed in any application that supports TIFF. The copy will have the same fi le name as the original, with “.TIF” in place of the extension “.NEF” (if the original is named “DSCN0001.NEF,” the copy will be named “DSCN0001.TIF”). To create a copy, slide the mode selector to and follow the steps below.
Creating HI-Quality Copies
Before creating a copy, switch to shooting mode, select HI image quality, and check the number of exposures remaining to confi rm that there is space on the memory card for at least one additional HI-quality image.
Voice memos recorded with RAW images are not copied, and will be lost if the original is deleted.
No
Yes
Delete RAW data?
Delete RAW data?
Delete RAW data?
5
Highlight option.
• No: exit without deleting original
• Yes: delete original Press multi selector to right to select high­lighted option and return to full-frame playback.
* To exit without creating copy, highlight No and press multi selector right. † icon displayed during copying. Wait until copying is complete.
02.01.2004
02.01.2004
10:25
10:25
02.01.2004
100NIKON
100NIKON
0002
0002
. NEF
NEF
100NIKON
0002. NEF
10:25
42 42
8M8M8M
RAW
RAW
1
Display RAW-quality original.
No
Yes
Convert RAW to HI?
Convert RAW to HI?
Convert RAW to HI?
3
Highlight Yes.
*
No
Yes
Delete RAW data?
Delete RAW data?
Delete RAW data?
4
Create HI-quality copy.
†
No
Yes
Convert RAW to HI?
Convert RAW to HI?
Convert RAW to HI?
2
Confi rmation dialog displayed.
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Viewing Multiple Pictures: Thumbnail Playback
Pressing the
(
) button in full-screen review or full­frame playback displays the pictures on the memory card in “contact sheets” of four thumbnail images. The following operations can be performed while thumbnails are displayed:
To DescriptionPress
Change
number of
pictures
displayed
With four thumbnails displayed, press ( ) button once to view nine thumbnails. Press ( ) to “zoom in” from nine- to four-thumbnail view or, when four thumbnails are displayed, to view highlighted picture full frame.
( ) /
( )
Exit to cur-
rent mode
Return to full-frame playback with highlighted picture dis­played full frame (full-frame playback) or return to shooting mode (full-screen review).
Delete
highlighted
picture
Confi rmation dialog will be displayed. Press multi selector up or down to highlight option, press to right to select.
• Select Yes to delete picture
• Select No to exit without deleting pic- ture
Erase 1 image?
Erase 1 image?
Erase 1 image?
No
Yes
Create
small copy
Create small copy of highlighted picture (full-frame play­back only; not available in full-screen review). See “Creat­ing Small Copies: Small Picture” ( 62).
Shutter
button
Page
through
pictures
Rotate the command dial to scroll through thumbnails a page at a time.
Highlight
pictures
Press multi selector up, down, left, or right to highlight pictures.
1
3
2
4
1
3
2
4
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58
Photo Information
In full-screen review and full-frame playback, informa­tion about each picture is superimposed on the image. There are six pages of photo information for each picture. Rotate the command dial to cycle through photo information as follows: Page 1 ⇔ Page 2 ⇔ Page 3 ⇔ Page 4 ⇔ Page 5 ⇔ Page 6 ⇔ Page 1.
Page 1 (File Information)
1 Date of recording
2 Time of recording 3 Image size 4 Folder 5 File number and type 6 Battery level indicator 7 Voice memo icon 8 Tr ansfer icon
9 Print-order icon 10 Protect icon 11 Current frame num-
ber / total number of frames visible in cur­rent folder
12 Image quality
Page 2 (Shooting Information)
1 Camera type 2 Firmware information 3 Metering mode 4 Exposure mode 5 Shutter speed 6 Aperture
Page 3 (Shooting Information, continued)
1 Exposure compensation 2 Focal length 3 Focus mode 4 Flash status 5 Image adjustment 6 Sensitivity (ISO equivalency)
02.01.2004
02.01.2004
10:20
10:20
02.01.2004
100NIKON
100NIKON
0001
0001
. JPG
JPG
100NIKON
0001. JPG
10:20
11 11
8M8M8M
FINE
FINE
1 2
3
11
12
10
9
8
7
6
5
4
CAMERA
CAMERA
: E8700
E8700
APERTURE
APERTURE
: F4.2
F4.2
SHUTTER
SHUTTER
: 1/500
1/500
MODE
MODE
: P
METERING
METERING
: MATRIX
MATRIX
FIRM
FIRM
VER
VER
: E8700Vx.x
E8700Vx.x
CAMERA : E8700
APERTURE : F4.2
SHUTTER : 1/500
MODE : P
METERING : MATRIX
FIRM VER : E8700Vx.x
1 2
3 4 5 6
EXP
EXP +/+/
-
: 0.0
0.0
SENSITIVITY
SENSITIVITY
: AUTO
AUTO
IMG ADJUST
IMG ADJUST
: AUTO
AUTO
SPEED LIGHT
SPEED LIGHT
: OFF
OFF
FOCUS
FOCUS
: AF
AF
FOCAL LENGTH
FOCAL LENGTH
: f30mm
f30mm
EXP +/- :0.0
SENSITIVITY : AUTO
IMG ADJUST : AUTO
SPEED LIGHT : OFF
FOCUS : AF
FOCAL LENGTH : f30mm
1 2
3 4 5 6
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Page 4 (Shooting Information, continued)
1 White balance 2 Color saturation 3 Sharpening 4 Digital zoom 5 Converter lens setting 6 File size
Page 5 (Exposure Information)
1 Thumbnail preview (fl ashing border marks image
highlights — i.e., brightest areas of image)
2 Histogram (shows distribution of tones in image;
horizontal axis corresponds to pixel brightness, with dark tones to left and bright tones to right, while vertical axis shows number of pixels of each
brightness in image) 3 File number and type 4 Exposure information (metering, shutter speed,
aperture, exposure compensation, sensitivity)
Page 6 (Focus Confi rmation)
1 File number and type 2 Focus information (focal length, shutter speed,
aperture, focus mode, noise reduction) 3 Focus confi rmation (areas of picture that are in
focus are sharply outlined; active focus area is
shown in red)
WHITE BAL
WHITE BAL
: AUTO
AUTO
FILE SIZE
FILE SIZE
: 2440KB
2440KB
CONVERTER
CONVERTER
: OFF
OFF
DIGITAL TELE
DIGITAL TELE
: X1.00
X1.00
SHARPNESS
SHARPNESS
: AUTO
AUTO
SATURATION
SATURATION
: 0
WHITE BAL : AUTO
FILE SIZE : 2440KB
CONVERTER : OFF
DIGITAL TELE : X1.00
SHARPNESS : AUTO
SATURATION : 0
1 2
3 4 5 6
0001. JPG
AUTO
0.0
1/500 F4.2
1
2
4
3
0001. JPG
0001. JPG
OFF
OFF
AF
AF
F4.2
F4.2
1/500
1/500
f30mm
f30mm
0001. JPG
OFF
AF
F4.2
1/500
f30mm
1
2
3
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60
Taking a Closer Look: Playback Zoom
Use the ( ) button to zoom in on still pictures dis­played in full-screen review or full-frame playback.
To DescriptionPress
Zoom in
Zoom increases each time button is pressed, to a maximum of 6 ×. While image is zoomed in, icon and zoom ratio are displayed in top left corner of monitor.
( )
Zoom out
Zoom decreases each time button is pressed. To cancel zoom, zoom picture out until entire picture is displayed.
( )
Create
cropped
copy
(full-frame
playback
only)
If icon is displayed at top of monitor, cropped copy of current picture can be created by pressing shutter-release but­ton. Confi rmation dialog will be displayed; press multi selec­tor up or down to highlight option, press to right to select.
• Select Ye s to create new picture con­taining only area visible in monitor
• Select No to exit without creating cropped copy
Shutter
button
No
Yes
Save this image as
Save this image as
displayed?
displayed?
Save this image as displayed?
Cancel
zoom
Cancel zoom and return to full-frame playback or shooting mode (full-screen review).
View other
areas of
picture
Use multi selector to scroll to areas of picture not visible in monitor. To use multi selector to view other pictures, can­cel zoom.
Scroll
Scroll
Scroll
1.2
1 . 2
1.2
Zoom
Zoom
Zoom
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Playback Zoom
Playback zoom is not available with movies or with copies created using the small picture option.
Additional time is required to display RAW- or HI-quality images. If a message is dis­played when the button is pressed to zoom in on the image, wait until the message clears from the display and then try again.
Cropping Pictures
Copies may not display or transfer correctly when viewed on other models of Nikon digital camera. Cropping is not available with RAW or HI-quality images, pictures taken at an image size of (3,264 × 2,176), pictures created using panorama assist, movies, pictures created using the Ultra HS or Time lapse options in the Continuous menu, cropped copies, or copies created using the small picture option. Copies can only be created if suffi cient space is available on the memory card.
Cropped Copies
Cropped copies are stored as NORMAL-quality JPEG fi les and have the same time and date of creation as the original. Depending on the size of the original and the zoom ratio at the time the copy was created, copies will be 3,264 × 2,448 ( ) , 2,592 × 1,994 ( ), 2,048 × 1,536 ( ), 1,600 × 1,200 ( ), 1,280 × 960 ( ), 1,024 × 768 ( ), 640 × 480 ( ), 320 × 240 ( ), or 160 × 120 ( ) pixels in size. Copies are stored in separate fi les on the memory card with names of the form “RSCNnnnn.JPG,” where “nnnn” is a four-digit num­ber assigned automatically by the camera. Copies are independent of the originals: delet­ing the copy has no effect on the original, deleting the original no effect on the copy. Cop­ies are created with the same transfer marking as the original, but any subsequent changes to transfer marking or to protect, hide, and print attributes must be made separately.
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62
Creating Small Copies: Small Picture
To create a small copy of the picture currently displayed in full-frame playback or highlighted in the thumbnail list, press the shutter-release button.
SMALL PIC
No
Yes
Create small picture
Create small picture
file?
file?
Create small picture file?
1
Confi rmation dialog displayed.
* To exit without creating small copy, highlight No and press multi selector to right.
Depending on the option selected for Small pic in the playback menu ( 121), copies will be 640 × 480 ( ), 320 × 240 ( ), or 160 × 120 ( ) pix­els in size. Small copies are stored as BASIC-quality JPEG fi les, making them ideal for distribution by e-mail or for use in web pages.
3
Create copy and return to playback. To view copy, use multi selector to scroll to last picture in current folder. When viewed on camera, copies are surround­ed by gray border. Copies can not be viewed in playback zoom.
SMALL PIC
No
Yes
Create small picture
Create small picture
file?
file?
Create small picture file?
2
Highlight Yes.
*
Small Copies
Copies are stored as fi les with names of the form “SSCNnnnn.JPG,” where “nnnn” is a four-digit number assigned automatically by the camera. Copies are independent of the originals: deleting the copy has no effect on the original, deleting the original no effect on the copy. Copies are created with the same transfer marking and date and time of recording as the original, but any subsequent changes to transfer marking or to protect, hide, and print attributes must be made separately.
Copies may not display or transfer correctly when viewed on other models of Nikon digital camera. Small copies can not be created in full screen review or playback zoom. Copies can not be created from RAW or HI-quality images, pictures with a size of (3,264 × 2,176), movies, pictures created using panorama assist or the Ultra HS or Time lapse options in the Continuous menu, cropped copies, or other small copies. Copies can only be created if suffi cient space is available on the memory card.
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Voice Memos: Recording and Playback
Brief voice memos can be added to pictures displayed in full-frame playback ( 55). Voice memos can not be added to movies. Memos are stored on the memory card as WAV-format sound fi les. During playback, the presence of a memo is indicated by a
icon.
To DescriptionPress
Volume indicator displayed in monitor when zoom but­tons are pressed. Four levels are available: high ( ), medium ( ), low ( ), and mute ( ).
Record memo
Memo of up 20 s can be recorded while button is pressed. Recording ends after about 20 s or when button is released.
Play memo
If icon appears in fi le information display during play­back, memo can be played back over the built-in speaker by pressing button. Playback ends when entire re­cording has been played back or button is pressed a second time.
Raise volume
Lower volume
Pause / resume
playback
Press button to pause playback. Press again to re­sume.
( )
( )
Delete
picture or
voice memo
Confi rmation dialog will be displayed. Press multi selector up or down to highlight option, press to right to select.
• Select Yes to delete both picture and voice memo
• Select to delete voice memo only
• Select No to exit without deleting picture or voice memo
Erase 1 image?
Erase 1 image?
Erase 1 image?
No
Yes
1919”19”
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Viewing Pictures on TV
The EG-E5000 audio / video (A / V) cable included with the camera can be used to connect the camera to a television or video-cassette recorder (VCR).
Choosing a Video Mode
The Video mode item in the setup menu offers a choice of NTSC and PAL (
135). Be sure that the mode selected matches the standard used by the
video device.
1
Turn the camera off
Turn the camera off before connecting or disconnecting the A / V cable.
2
Connect the A / V cable
Insert the black plug into the camera’s A / V-out connector. Insert the yel­low plug into the video-in jack on the television or VCR. Connect the white plug to the audio-in jack.
PAL
If PAL is selected for Video mode while the camera is connected to a video device, video output will be suspended and the camera monitor or electronic viewfi nder will turn on while movies are being recorded or pictures are being taken with Continuous set to Ultra HS.
3
Tune the television to the video channel
If in doubt, consult the documentation for your television or VCR.
4
Slide the mode selector to
5
Turn the camera on
The camera monitor will remain off and the television will show the image normally shown in the monitor.
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Using the UC-E1 USB cable and PictureProject software, you can view photo­graphs and movies on a computer. Before pictures can be transferred (copied) to your computer, PictureProject must be installed. For more information on installing PictureProject and transferring pictures to a computer, see the docu­mentation on the reference CD and the Quick Start Guide.
Before Connecting the Camera
Before transferring pictures to a computer, set the USB option in the camera setup menu to match the computer’s operating system ( 134). The camera supports two options: Mass storage (the default op­tion) and PTP (Picture Transfer Protocol).
Viewing Pictures on a Computer
Operating system USB option
Windows 2000 Professional
Windows Millennium Edition (Me)
Windows 98 Second Edition (SE)
Choose Mass storage.
Windows XP Home Edition
Windows XP Professional
Mac OS X (10.1.5 or later)
Choose Mass storage or PTP.
PTP
Mass storage
USB
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Connecting the USB Cable
Turn the computer on and wait for it to start up. After confi rming that the camera is off, connect the UC-E1 USB cable as shown below. Connect the camera directly to the computer; do not connect the cable via a USB hub or keyboard.
Windows 2000 Professional, Windows Millennium Edition (Me),
Windows 98 Second Edition (SE)
Do NOT select PTP when connecting the camera to a computer running one of the above operating systems. If you have connected the camera to a computer running one of the above operating systems with PTP selected in the USB menu, disconnect the camera as described below. Be sure to select Mass storage before reconnecting the camera.
Windows 2000 Professional
A dialog will be displayed welcoming you to the Found New Hardware Wizard. Click
Cancel to close the dialog, and then disconnect the camera.
Windows Millennium Edition (Me)
After displaying a message stating that the hardware information database is being updated, the computer will start the Add New Hardware Wizard. Click Cancel to exit the wizard, and then disconnect the camera.
Windows 98 Second Edition (SE)
The Add New Hardware Wizard will be displayed. Click Cancel to exit the wizard, and then disconnect the camera.
UC-E1 USB cable
When the camera is turned on, the lens will extend and will be displayed in the control panel. All controls except the power switch will be inactive.
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Mac OS X
Drag the “Untitled (Unlabeled)” camera volume into the Trash.
Disconnecting the Camera
If PTP is selected in the USB menu, the camera can be turned off and the USB cable disconnected once transfer is complete. If the USB option in the camera setup menu is still at its default setting of Mass storage, the camera must fi rst be removed from the system as described below.
Windows XP Home Edition / Windows XP Professional
Click the “Safely Remove Hardware” icon ( ) in the taskbar and select Safely remove USB Mass Storage Device from the menu that appears.
Windows 2000 Professional
Click the “Unplug or Eject Hardware” icon ( ) in the taskbar and select Stop USB Mass Storage Device from the menu that appears.
Windows Millennium Edition (Me)
Click the “Unplug or Eject Hardware” icon ( ) in the taskbar and select Stop USB Disk from the menu that appears.
Windows 98 Second Edition (SE)
In My Computer, click with the right mouse button on the removable disk corresponding to the camera and select Eject from the menu that appears.
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Printing Pictures
To print the pictures from the camera memory card:
• select pictures for printing using the
Print set
option and take the memory
card to a digital print service center ( 116)
• select pictures for printing using the
Print set
option and insert the memory
card into a personal photo printer equipped with a card slot ( 116)
• use the USB cable to connect the camera to a PictBridge-compatible printer and print pictures directly from the camera ( 69)
• transfer the pictures using PictureProject and print them from a computer (see the documentation on the reference CD)
To print the time and date of recording on pictures:
• take pictures using the Date imprint option in the setup menu, which im- prints the date or date and time of recording directly on pictures as they are taken ( 136)
•
if the photo printer or print service supports Digital Print Order Format
(DPOF), use the Date option in the Print set > Print selection menu ( 116)
• transfer the pictures using PictureProject and print them using the date im­print option (see the documentation on the reference CD)
“ Print Set” and Digital Print Order Format ( DPOF)
The Print set option in the playback menu is used to create a digital “print order” listing the pictures to be printed, the number of prints, and the information to be included on each print. This print order is stored on the camera memory card in Digital Print Order Format (DPOF). Once a print order has been created, the memory card can be inserted in a DPOF-compatible device and the pictures printed directly from the card. Before us­ing this option, check that the printer or print service supports DPOF. Note that:
• If the Print set option has not been used to create a print order, one copy of all the pictures on the memory card will be printed
“Date Imprint” Versus the Print Set “Date” Option
Date imprint Print selection > Date
Must be set before picture is taken
Set after picture is taken
Date permanently imprinted on picture Date stored separately
Date appears whenever picture is
printed
Date only appears when picture is print-
ed on DPOF-compatible printer
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Printing Via Direct USB Connection
When the camera is connected to a PictBridge-compatible printer via the UC-E1 USB cable, selected pictures can be printed directly from the camera memory card.
Step 1 — Set the USB Option to PTP
Before pictures can be printed via direct USB connection, the USB option in the setup menu must be set to PTP ( 134; the default option is Mass stor-
age). Be sure to change the USB option before connecting the printer.
Step 3
Print
• Print selected pictures ( 70)
• Print DPOF print order ( 72)
Step 1
Set the USB option to PTP ( 69)
Step 2
Connect the USB Cable ( 70)
Before Printing
Before printing via direct USB connection, check printer settings and make sure that the printer supports PictBridge. See the printer manual for details.
Pictures That Can Not Be Printed by Direct USB Connection
Movies and RAW-quality pictures ( 30) can not be printed via direct USB connection. Some printers may not support direct printing of HI-quality (TIFF) images; consult the documentation provided with the printer for more information.
Use a Reliable Power Source
When printing pictures via direct USB connection, be sure the battery is fully charged. If in doubt, recharge the battery before printing or use the optional EH-53 AC adapter.
PictBridge
PictBridge is an industry standard that ensures compatibility between cameras and printers, allowing pictures to be printed directly from the camera without using a computer.
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Step 2 — Connect the USB Cable
After confi rming that the camera is off, connect the UC-E1 USB cable as shown below.
Turn the camera and printer on. The menu shown at right will be displayed in the camera monitor.
PictBridge
Print selection
Print all images
Cancel
DPOF printing
Step 3 — Print
To print selected pictures:
* To print one copy of each picture on memory card, highlight Print all images and
press multi selector to right. Select Cancel to exit without printing pictures.
UC-E1 USB cable
PictBridge
Print selection
Print all images
Cancel
DPOF printing
1
Highlight Print selection.
*
02. 01. 2004 10: 35
PRINT SELECTION
4 4
BK Set
MENU QUICK
2
Display selection dialog.
3
Scroll through pictures. Current picture shown at bottom of display.
02. 01. 2004 10: 35
PRINT SELECTION
4 4
BK Set
MENU QUICK
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More on Playback
* Select Confi rm to return to Step 6, Cancel to exit without printing pictures. † Press button to interrupt printing before all pictures have been printed.
POWER SWITCH CAN NOW BE TURNED OFF
QUICK
Resume
9
Message shown at left is displayed when printing is complete. Turn cam­era off and disconnect USB cable, or press button to return to Step 1.
02. 01. 2004 10: 35
PRINT SELECTION
111
1
4 4
BK Set
MENU QUICK
4
Select current picture and set number of prints to 1. Selected pictures marked by icon.
02. 01. 2004 10: 35
PRINT SELECTION
333
3
4 4
BK Set
MENU QUICK
5
Use multi selector to specify number of prints (up to 9). To deselect picture, press multi selector down when num­ber of prints is 1. Repeat steps 3–5 to select additional pictures.
Printing
QUICK
Cancel
006001
8
Start printing.
†
7
Highlight Begin print.
*
Begin print
Confirm Cancel
PRINT SELECTION
PLEASE CHECK
PLEASE CHECK
PRINTER STATUS
PRINTER STATUS
PLEASE CHECK PRINTER STATUS
prints
prints
006 prints
CONFIRM
Exit
321
4 5 6
321
45
6
3
1 1 1
3
1 1 1
3
11
3
111
QUICK
6
View selected pictures. Press multi se­lector up, right, left, or down to view pictures not visible in display. After confi rming selection, press button again to proceed to next step.
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More on Playback
72
The Print set option in the playback menu can be used to create a digital “print order” that specifi es the pictures to be printed, the number copies of each print, and the information to be included on the prints ( 116). To print the current print order:
DPOF Printing
The DPOF printing option is only available if a print order has been created.
PictBridge
Print selection Print all images
Cancel
DPOF printing
1
Highlight DPOF printing.
2
Display options.
CONFIRM
3
1 1 1
3
1 1 1
3
11
3
111
321
4 5 6
321
456
Exit
QUICK
4
Display print order. Press multi selec­tor up, right, left, or down to view
pictures not visible in display.
Begin print
Confirm
Cancel
DPOF PRINTING
PLEASE CHECK
PLEASE CHECK
PRINTER STATUS
PRINTER STATUS
006 prints
prints
PLEASE CHECK PRINTER STATUS
006 prints
3
Highlight Confi rm (to exit without printing pictures, highlight Cancel and
press multi selector to right).
Begin print
Confirm Cancel
DPOF PRINTING
PLEASE CHECK
PLEASE CHECK
PRINTER STATUS
PRINTER STATUS
prints
prints
PLEASE CHECK PRINTER STATUS
006 prints
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More on Playback
Error Messages
If the dialog shown at right is displayed, an error has occurred. After checking the printer and resolving any problems as di­rected in the printer manual, highlight Resume and press the multi selector to the right to resume printing. Select Cancel to exit without printing the remaining images.
Cancel
Resume
PRINTER ERROR CHECK PRINTER STATUS
Begin print
Confirm Cancel
DPOF PRINTING
PLEASE CHECK
PLEASE CHECK
PRINTER STATUS
PRINTER STATUS
prints
prints
PLEASE CHECK PRINTER STATUS
006 prints
6
Highlight Begin print.
*
Printing
QUICK
Cancel
006001
7
Start printing. To interrupt printing before all images have been printed, press button and then turn camera off and disconnect USB cable.
8
Message shown at left is displayed when printing is complete. Turn cam­era off and disconnect USB cable, or press button to return to Step 1.
POWER SWITCH CAN NOW BE TURNED OFF
QUICK
Resume
5
Return to DPOF PRINTING menu.
Begin print
Confirm
Cancel
DPOF PRINTING
PLEASE CHECK
PLEASE CHECK
PRINTER STATUS
PRINTER STATUS
006 prints
prints
PLEASE CHECK PRINTER STATUS
006 prints
* Select Confi rm to return to Step 4, Cancel to exit without printing pictures.
Page 84
74
Menu Guide
Menu Guide — The Shooting Menu
In shooting modes (Custom 1) and (Custom 2), the settings listed oppo­site can be adjusted from the shooting menu. To display the shooting menu, slide the mode selector to and follow the steps below.
The Shooting Menu (Shooting Modes and Only)
* Illustration shows default menu.
Pressing the button displays a one-page custom menu containing fi ve items selected from a total of nineteen options available in the full shooting menu (at default settings, the options displayed are White balance, Meter- ing, Continuous, BSS, and User Setting). The items that appear in the custom menu can be selected using the My menu option ( 103). To display the full shooting menu, which consists of three pages of options:
1
Highlight Show all menus.
MY MENU
Metering
White balance
Continuous BSS
User setting SET-UP
Show all menus
2
Full shooting menu displayed.
ALL MENU
1/3 White balance
Metering Continuous
Image adjustment Saturation control
BSS
User setting
1
Select shooting mode or .
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Display shooting menu.
*
MY MENU
Metering
White balance
Continuous BSS User setting
SET-UP Show all menus
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Menu Guide — The Shooting Menu
The Icon
A icon appearing next to a highlighted option indicates that the selected option can be changed by rotating the command dial.
ALL MENU 1/3
White balance
Metering
Continuous
BSS
Image adjustment
Saturation control 87
86
84–85
80–83
79
76–78
User setting 88
The full shooting menu contains the following options:
ALL MENU 2/3
Image sharpening
Lens
Exposure options
Focus options
Zoom options
Speedlight opt. 96–98
95
93–94
91–92
90
89
Auto bracketing 99–100
ALL MENU 3/3
Noise reduction
Reset
My menu
CF card format 104
103
102
101
ALL MENU
1/3 White balance
Metering Continuous
Image adjustment Saturation control
BSS
User setting
Image sharpening
Lens Exposure options Focus options Zoom options Speedlight opt. Auto bracketing
ALL MENU
2/3
Noise reduction
Reset My menu CF card format
SET-UP
ALL MENU
3/3
SET-UP 122–136
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Menu Guide — The Shooting Menu
76
White Balance
The color of the light refl ected from an object varies with the color of the light source. The human brain is able to adapt to such changes in color, with the re­sult that we see white objects as white, regardless of whether they are in the shade, direct sunlight, or under incandescent lighting. Digital cameras can mimic this adjustment by processing information from the camera’s image sensor (CCD) according to the color of the light source. This process is known as a “white balance adjustment.”
In
and scene modes, white balance is adjusted automatically to suit the selected scene. In shooting modes and , white balance can be selected from the following options:
WHITE BALANCE 1/2 Auto
White bal preset Daylight Incandescent Fluorescent Cloudy Speedlight
Option
Incandescent Use under incandescent lighting.
Auto
White balance automatically adjusted to suit lighting conditions. Recommended for most situations.
White bal preset
White object used as reference to set white balance un­der unusual lighting conditions.
Fluorescent Use under most types of fl uorescent lighting.
Cloudy
Speedlight Use with built-in Speedlight.
Use when taking pictures under overcast skies.
Daylight White balance adjusted for direct sunlight.
Description
Shade Use under sunny skies when subject is in shade.
White Balance
At settings other than (Auto), white balance is shown by an icon in the shooting display.
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Menu Guide — The Shooting Menu
Using the shooting menu: 74
1
Highlight white balance option.
WHITE BALANCE 1/2
Auto White bal preset
Daylight
Incandescent Fluorescent Cloudy Speedlight
3
Make selection and return to shooting menu.
WHITE BALANCE 1/2
Auto White bal preset
Daylight
Incandescent Fluorescent Cloudy Speedlight
Fine-Tuning White Balance
At settings other than (Auto) and (White bal preset), white balance can be “fi ne tuned” to compensate for variations in the color of the light source or to create pictures with a “warm” or “cold” cast. Except in the case of (Fluorescent), adjustments can be made in the range +3 to –3 in increments of one. Higher settings can be used to lend images a bluish tinge or to compensate for light sources with a yellow or red cast. Lower settings can be used to make pictures slightly yellow or red or to compensate for light sources with a blue cast.
When white balance is set to
(Fluorescent), a menu
of three different bulb types is available.
Bulb typeOption
FL1
FL2
FL3 Daylight (D)
Daylight
White /
Neutral (N)
White (W)
To fi ne-tune white balance:
2
Select value.
White bal preset
WHITE BALANCE 1/2
Auto
Daylight
Incandescent Fluorescent Cloudy Speedlight
Page 88
Menu Guide — The Shooting Menu
78
Preset White Balance
Preset white balance is used when shooting under mixed lighting or to compensate for light sources with a strong color cast (for example, to make pictures taken under a lamp with a red shade look as though they had been taken under white light). When
(White bal preset) is selected from the white-balance menu, the camera will zoom in and the menu shown above at right will be displayed.
Cancel
Measure
WHITE BAL PRESET
Option
Cancel
Recalls the most recent value for preset white balance from memory and sets white balance to this value.
Measure
To measure a new value for white balance, place a white object, such as a piece of paper, under the lighting that will be used in the fi nal picture. Frame this object so that it fi lls the square in the center of the menu shown above. Highlight Measure and press the multi selector to the right to measure a new value for white balance (the shutter will be re­leased and the camera will return to the original zoom position, but no picture will be recorded).
Description
Using the Flash
Preset white balance can not be measured with the fl ash.
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Menu Guide — The Shooting Menu
Using the shooting menu: 74
Metering
Choose a metering method suited to the composition and lighting conditions.
METERING
Matrix
Spot Center-weighted
Spot AF area
Option
Matrix
Camera compares mea­surements from 256 areas of frame with library of typical compositions to set exposure for entire frame.
How it works
Spot AF
area
Links spot metering to ac­tive focus area when auto or manual focus area se­lection is in effect ( 93).
Use instead of autoexposure lock to me­ter off-center subjects. Matrix metering is used when focus-area selection is off.
Recommended for most situations.
Spot
Camera meters area shown by square in center of monitor. Only about
1
/
32
of frame is metered.
Ensures that subject in metering target is correctly exposed even if background is much brighter or darker. Can be used with autoexposure lock ( 20) to meter off-center subjects.
Center-
weighted
Camera meters entire frame but assigns weight of 80% to area in center of frame occupying rough­ly ¼ of total.
Classic meter for portraits; preserves back­ground details while letting lighting con­ditions at center of frame determine ex­posure. Can be used with autoexposure lock ( 20) to meter off-center subjects.
When to use it
Metering
Metering is shown by icons in the control panel and shooting display. No icon appears in the shooting display when (Matrix) is selected. When spot AF-area metering is selected, a icon appears in the control panel.
Control panel
Shooting display
Spot metering target
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Continuous
Use the options in this menu to capture a fl eeting expression on a portrait subject, photograph a subject that is moving unpredictably, or capture motion in a series of pictures.
CONTINUOUS
Single
Continuous H Continuous L Multi-shot 16 Ultra HS 5 shot buffer
1/2
Option
Single
Camera takes one picture each time shutter-release button is pressed.
Continuous H
1, 2
While shutter-release button is pressed, camera records up to 5 pictures at up to 2.5 fps. Monitor and electronic viewfi nder turn off during shooting.
Continuous L
2, 3
Camera records up to 12 pictures at rate of up to 1.2 fps while shutter-release button is pressed. Shooting is suspended while
icon is displayed ( 81).
Time lapse
3
Camera takes pictures automatically at specifi ed interval. See “Interval Timer Photography” ( 82).
Description
Multi-shot 16
2, 3
Each time shutter-release button is pressed, camera takes 16 consecutive pictures 816 × 612 pixels in size at about 1.5 fps and arranges them in 4 rows to form a single picture measuring 3,264 × 2,448 pixels. Image size automatically set to .
5 shot buffer
2, 3
Camera shoots at up to 1 fps while shutter-release button is pressed, but only last fi ve shots are saved to memory card.
Ultra HS
4
While shutter-release button is pressed, camera records up to 100 pictures at rate of up to 30 fps. Image quality is automati­cally set to NORMAL and image size to (640 × 480). With each sequence, camera creates new folder in which all photos in sequence are stored. Folder name consists of “N_” followed by three-digit sequence number assigned automatically by camera. Exposure count is shown in shooting display.
Movie
4
Camera records movies up to three minutes long. See “Mov­ies” ( 49).
1 HI image quality reset to FINE. 2 Built-in Speedlight turns off. 3 RAW and HI image quality reset to FINE.
4 Built-in and optional Speedlights turn off
(Movie > Time-lapse movie excluded).
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Menu Guide — The Shooting Menu
Using the shooting menu: 74
Other Camera Settings
Settings other than Single can not be used in combination with BSS ( 84), white-bal­ance bracketing ( 99), or noise reduction ( 101). Multi-shot 16, Ultra HS, 5 shot buffer, Time lapse, and Movie can not be used in combination with auto-exposure bracketing ( 99). Digital zoom ( 16) can not be used at settings of Multi-shot 16 or Ultra HS.
Focus, Exposure, and White Balance
At settings other than Single, focus, exposure, and white balance are determined by the fi rst picture in each series.
Ultra HS
If the monitor is swivelled to point in the same direction as the lens during shooting, the display in the monitor will be inverted.
During shooting, progress is shown by the zoom indicator in the monitor, from S (start) to E (end). To interrupt shooting before one hundred pictures have been recorded, lift your fi nger from the shutter-release button.
The Memory Buffer
During shooting, pictures are stored in a temporary memory buffer before being trans­ferred to the memory card for permanent storage. You can continue to take pictures as long as room is available in the buffer. When the buffer is full, a (wait) icon will be displayed and shooting will be suspended. More pictures can be taken as soon as enough memory becomes available in the buffer.
Continuous
At settings other than Single, the current “continuous” setting is shown by an icon in the shooting display. At settings of Continuous H, Continuous L, 5 shot buffer, and Time lapse, a icon appears in the control panel. A icon appears in the control panel when Multi-shot 16 is selected; in Ultra HS and Movie mode, the icon in the control panel fl ashes. At a setting of Ultra HS, the image-quality indicator (NORM) fl ashes in the control panel.
Control panel
Shooting display
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82
Interval Timer Photography
To display the menu shown in Step 1, below, highlight Time lapse in the CONTINUOUS menu and press the multi selector to the right.
Take a Test Shot
Take a test shot and view the results before beginning recording.
2
Display menu of interval options.
3
Choose interval between pictures from
30 s (thirty seconds), 1 m (one minute), 5 m (fi ve minutes), 10 m (ten minutes), 30 m (thirty minutes), and 60 m (sixty
minutes).
SET INTERVAL TIME
30s
1m
5m 10m 30m 60m
4
Make selection and return to shooting menu. To change AE lock option, select Continuous >Time lapse. To exit with- out changing AE lock option, proceed to Step 9.
5
Highlight AE lock.
AE LOCK
Off
On
6
Display AE LOCK menu.
1
Highlight Set interval time.
TIME LAPSE
Set interval time
AE lock
SET INTERVAL TIME
30s
1m
5m 10m 30m 60m
MY MENU
Metering
White balance
Continuous
BSS
User setting SET-UP Show all menus
TIME LAPSE
Set interval time
AE lock
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Menu Guide — The Shooting Menu
Using the shooting menu: 74
Use a Reliable Power Source
To prevent shooting from ending unexpectedly, use the optional EH-53 AC adapter for interval timer photography.
During Recording
To save power, the monitor and electronic viewfi nder turn off between pictures. The display turns on automatically immediately before the camera takes the next shot.
Folders
Each sequence of pictures is stored in a folder with a name consisting of a three-digit folder number followed by “INTVL” (e.g., “101INTVL”).
Quick Review / Full Screen Review
Quick review and full screen review are not available during interval timer shooting.
7
Choose On to fi x exposure and auto white balance for entire series at val­ues for fi rst picture, Off to meter new values for exposure and white balance with each shot.
AE LOCK
Off
On
8
Make selection.
9
Return to shooting mode.
10
Start recording. Camera will take pictures at specifi ed interval until shut­ter-release button is pressed again, memory card is full, or 1,800 pictures have been taken.
INTVL
INTVL
INTVL
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MY MENU
Metering
White balance
Continuous
BSS
User setting SET-UP Show all menus
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Menu Guide — The Shooting Menu
84
Best Shot Selector (BSS)
The options in the “best-shot selector” (BSS) menu are recommended for situations in which inadvertent camera movement can produce blurred pictures, or when parts of the image are prone to under- or over­exposure.
Off
On Exposure BSS
BEST SHOT SELECTOR
Option Description
Off BSS off.
On
Camera takes shots while shutter-release but­ton is pressed, to a maximum of ten. These im­ages are then compared and sharpest picture (picture with highest level of detail) saved to memory card. Flash turns off automatically and focus, exposure, and auto white balance for all photos are determined by the fi rst picture in each series. Recom­mended for situations in which inadvertent camera movement can produce blurred pictures, for example when:
• the camera is zoomed in • macro close-up is in effect
• lighting is poor and the fl ash can not be used
Exposure
BSS
Selecting this option displays sub-menu shown at right. Choose from:
• Highlight BSS: picture with smallest area of overexposure is selected.
• Shadow BSS: picture with smallest area of underexposure is selected.
• Histogram BSS: of pictures with least under- and over-exposure, camera chooses picture with overall exposure closest to optimum.
Camera takes fi ve shots each time shutter-release button is pressed. These images are then compared and picture that best meets select­ed criterion saved to memory card. Flash turns off automatically and focus and auto white balance for all photos are determined by the fi rst picture in each series. Recommended for subjects containing ar­eas of high contrast, when it is diffi cult to set exposure correctly.
EXPOSURE BSS
Highlight BSS
Shadow BSS Histogram BSS
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Menu Guide — The Shooting Menu
Using the shooting menu: 74
Restrictions on BSS
BSS may not produce the desired results with a moving subject or if the composition is changed while the shutter-release button is pressed all the way down. BSS can not be used with the self timer ( 38), Continuous ( 80) settings other than Single, autoexposure or white-balance bracketing ( 99), or noise reduction ( 101). Image­quality settings of RAW and HI are not available with exposure BSS.
BSS
At settings other than Off, the current BSS setting is indicated by an icon in the shooting display.
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86
Image Adjustment
At settings other than Auto, the current image-adjustment setting is indicated by an icon in the shooting display. No image adjustment icon is displayed when Black&white is selected for Saturation control.
Image Adjustment
The options in the image adjustment menu control contrast.
IMAGE ADJUSTMENT
Auto
Normal More contrast
Less contrast
Option Description
Normal
Camera performs same standard contrast adjustment on all pictures. Suitable for a wide variety of scenes, from dark to bright.
Auto
Camera automatically adjusts contrast according to shooting condi­tions.
Less
contrast
Picture processed to decrease difference between light and dark ar­eas, reducing contrast. Recommended when light is very bright, creating strong shadows on subject.
More
contrast
Picture processed to emphasize difference between light and dark areas, enhancing contrast. Useful when shooting under overcast skies or shooting low contrast subjects such as landscapes.
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Menu Guide — The Shooting Menu
Using the shooting menu: 74
Saturation Control
If Black&white is in effect when Sepia movie 320 is selected in the movie menu (
49), Saturation control will be reset to Normal.
Black-and-White
When Black&white is selected, monitor shows the view through the lens in black-and-white and a icon is appears in the shooting display.
Saturation Control
Saturation control is used to heighten or reduce the vividness of colors.
SATURATION CONTROL
Normal
Black&white
Enhanced
Moderate Minimum
Maximum
Option Description
±0 Normal Recommended for most situations.
+2 Maximum
Use for vivid, photoprint effect when taking pictures that will be printed “as is,” without further modifi cation.
+1 Enhanced
Use when taking pictures that will later be retouched on a computer.
–1 Moderate
–2 Minimum
Black&white
Pictures recorded in black-and-white. Black-and-white images require same amount of memory as color images, but show a higher level of detail. Black&white can not be used in combi­nation with digital zoom ( 16), white balance ( 76), white­balance bracketing ( 99), or RAW image quality ( 30).
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Menu Guide — The Shooting Menu
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USER SETTING
Set
BK
QUICK
MENU
SET-UP
User setting
User Setting
The User Setting menu can be used in place of the button to choose the shooting mode. Choose from Auto ( ), Scene (scene mode), Custom 1 (shooting mode ), and Custom 2 (shooting mode ). The camera stores changes to settings in shooting modes
and and restores these settings the next time the mode is selected, making it possible to create two sets of “custom” settings (one for shooting mode and another for shooting mode ) and recall them as desired. For more information on shooting modes, see page 15.
Auto Scene
Custom 1
Custom 2
USER SETTING
1
Highlight User setting.
2
Display USER SETTING menu.
1
Highlight User setting.
2
Display USER SETTING menu.
Shooting Mode
The current shooting mode is shown in the top left corner of the shooting display.
Displaying the User Setting Menu in (Auto) Mode
Press the button. The menu shown in Step 1 will be displayed.
Displaying the User Setting Menu in Scene Mode
Press the button. The menu shown in Step 1 will be displayed.
Auto
Scene Custom 1 Custom 2
USER SETTING
SET-UP
User setting
SHOOTING MENU(AUTO
)
Auto
Scene
Custom 1 Custom 2
USER SETTING
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Menu Guide — The Shooting Menu
Using the shooting menu: 74
Image Sharpening
In shooting modes and , the image-sharpening menu controls the amount of sharpening performed. The camera automatically processes pictures to empha­size the borders between light and dark areas, making edges seem sharper. As this processing occurs after shooting, its effects can not be previewed in the shoot­ing display, but they will be visible in the fi nal picture.
IMAGE SHARPENING
Normal Low Off
High
Auto
Option
Low Sharpening reduced below normal level.
Auto
Camera sharpens edges for optimal results; amount of sharpening varies from shot to shot.
High
Pictures processed to increase sharpness, making edges more dis­tinct.
Normal Camera performs same standard level of sharpening on all images.
Off No sharpening performed.
Description
Page 100
Menu Guide — The Shooting Menu
90
Lens
The lens menu is used to adjust camera settings for optimal results with the optional converter lenses and adapters listed below. Note that these accessories can only be used with a lens adapter ring ( 137). For complete information on use and handling, see the documentation provided with each converter lens.
LENS
Normal
Wide adapter Telephoto
Fisheye
Option
Fisheye
(for FC-E9)
• Zoom fi xed at widest angle.
• Focus fi xed at infi nity.
• Metering fi xed at center-weighted ( 79).
• Corners of frame blacked out to create circular frame.
Normal
No modifi cations are made to settings. Use when no converter lens is attached (be sure to remove lens adapter ring).
Wide adapter
(for WC-E80)
Camera zooms out to widest angle. Zoom can be adjusted be­tween middle optical zoom position and widest angle.
Telephoto
(for TC-E15ED)
Optical zoom set to maximum optical zoom position. Digital zoom can be used.
Description
Using a Flash
The built-in Speedlight turns off automatically at settings other than Normal. Optional Speedlights mounted on the accessory shoe ( 96) can be used with wide-angle and telephoto converter lenses when the optional Speedlight is set to mode A (non-TTL auto). Use of an optional Speedlight is not recommended with fi sheye converter lenses, as the fl ash will be unable to light the entire subject.
Use Autofocus
When shooting at settings other than Normal, use autofocus ( 37). Manual focus and infi nity will not produce results that accurately refl ect the selected focus distance.
Lens
At settings other than Normal, the current lens setting is indi­cated by an icon in the monitor.
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