Neumann.Berlin TLM 127 User Manual

Product Information
TLM 127
Large Diaphragm Microphone
www.neumann.com
Georg Neumann GmbH • Ollenhauerstr. 98 • 13403 Berlin • Germany • Tel.: +49 (30) 41 77 24-0 • Fax: +49 (30) 41 77 24-50 E-Mail: headoffice@neumann.com, engineering@neumann.com, catalog-info@neumann.com • Web: www.neumann.com
he TLM 127 is a large-diaphragm studio microphone with omnidirectional and cardioid directional characteristics. In addition, via a special power supply it is possible to use remote control to switch between the five direction­al
characteristics: omnidirectional
, wide-angle cardioid, cardioid, hyper­cardioid and figure-8.
The TLM 127 is addressed from the front, marked with the Neu­mann logo. On the front of the mi­crophone is also the switch for selecting the acteristic
directional char-
. There are 3 settings: omnidirectional, cardioid, and remote control (”R“).
On the back of the microphone is a 14 dB attenuation switch, as well as a high-pass filter switch with 2 settings: –3 dB cut-off frequency 15 Hz (”LIN“), and 100 Hz.
Applications
The comprehensive control features, which permit optimal adjustment to particular re­quirements, make the TLM 127 well-suited to a wide range of applications. It is an extremely
flexible tool, appropriate for advanced oper-
ators of home recording studios as well
as for experienced audio professionals
who place the highest demands on the sound and technical capabilities of a
microphone.
Acoustic Features
When the cardioid setting is used the cap-
sule has a flat frequency response up to
3 kHz and an increased presence of 3 dB at
higher frequencies.
The wire mesh headgrille houses the large-di­aphragm K 127 capsule. This capsule is de­rived from the K 103 (of the TLM 103), which accounts for its outstanding impulse re­sponse. The TLM 127 is thus capable of re­producing all transient phenomena of music and speech without any coloration.
The sound character of the microphone is de­termined exclusively by the capsule; no elec­tronic equalization is used.
The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.
Polar Patterns
Via a special power sup­ply, the five directional characteristics omnidirec­tional, cardioid, figure-8,
hypercardioid and wide-an-
gle cardioid can be selected
by remote control. The direc-
tional characteristic switch on
the front of the microphone
must be set to ”R“ (remote con-
trol).
The hypercardioid directional
characteristic is superior to the car­dioid in suppressing sounds to the left and right of the source, while the wide-angle cardioid is especially suit­able for recording large sound sources.
Electrical Features
The TLM 127 is a fet 100 series studio mi­crophone. The letters TLM stand for ”Trans­formerless Microphone“.
By means of modern circuit technology, the self-noise lev­el of the TLM 127 has been reduced significantly relative to that of comparable convention­al microphones. The TLM 127 transmits a sound pressure level of 140 dB without distor­tion, and provides a dynamic range of 132 dB with no switchover (A-weighted).
Filter and Preattenuation
TLM 127
Application Hints
• For universal use
• Announcer’s mic for broadcasting/voice over
• Ideal mic for close miking of instruments with high sound pressure levels
• Spot mic for wind instruments, especially trumpet and saxophone, strings, piano, kick drum, guitar amps
• During recordings when the mic is in a location where it is difficult to change polar patterns, for example, suspended from a ceiling. A special remote control is available.
These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.
Two switches are located on the back of the TLM 127 microphone. The left switch reduc­es the sensitivity of the microphone by 14 dB, and should be used only when there is a risk that very high sound pressure levels could overload following devices. The switch does not expand the dynamic range of the microphone, but rather shifts it upward by 14 dB to higher sound pressure levels.
The slide switch on the right sets the cut-off frequency of a high-pass filter built into the microphone. When the ”LIN“ setting is used, a high-pass fil­ter suppresses frequencies below 15 Hz by 12 dB/octave. Alternatively, the cut-off fre­quency can be set to 100 Hz. This setting may be used, among other things, to suppress the proximity effect.
Features
• Studio microphone, controlled locally or remotely
• Pressure-gradient transducer with double-diaphragm capsule (based on the K 103)
• Switchable to omni and cardioid + remotely controlla­ble polar pattern (subcardioid, hypercardioid and figure-8)
• Extremely low-noise: 8 dB-A
• High SPL capability: 140 dB
• Transformerless circuit technology
• Switchable 14 dB preattenua­tion and low-frequency roll-off
• Complete set including elastic suspension
Remote Control
In principle, any P48 power supply is suitable for powering the TLM 127. When a standard P48 power supply is used, the switch on the microphone can be used to select the omnidi­rectional or cardioid directional characteristic.
Using the special power supply unit N 248 the directional characteristics of the TLM 127 can be controlled remotely and the additional di­rectional characteristics (wide angle cardioid, hypercardioid and figure 8) can be used.
The absolute level of the phantom voltage in­dicates to the microphone which directional characteristic is to be used. As in conventional operation, cable lengths of up to 300 m are per­missible.
Since the voltage variation is within the normed tolerance range of phantom powering, the pow­er supply unit can also be used with any con­ventional microphone designed for P48 opera­tion.
Mixed operation is also possible. Thus a TLM 127 can be controlled remotely at one output, while a conventional microphone is powered by the second output.
Operational Reliability
The entire internal assembly is elastically mounted to reduce interference from structure­borne noise. In addition, the capsule is set on an elastic mount.
The frequency range of the TLM 127 extends well below 20 Hz. Thus even extremely low­frequency signals can be reproduced without coloration.
This naturally also makes the microphone more sensitive to low-frequency interference signals, such as structure-borne and wind noise. To counteract this, the EA 1 elastic suspension (included) and the WS 87 windscreen may be used. For close vocal use, the PS 15 or PS 20 a pop screen is recommended.
Delivery Range
TLM 127 (mt):TLM 127 (mt):
TLM 127 (mt): TLM 127 (mt) Microphone
TLM 127 (mt):TLM 127 (mt): SG 1 Stand mount
TLM 127 (mt) Set:TLM 127 (mt) Set:
TLM 127 (mt) Set: TLM 127 (mt) Microphone
TLM 127 (mt) Set:TLM 127 (mt) Set: EA 1 (mt) Elastic suspension Wooden box
TLM 127 (mt) Stereo set:TLM 127 (mt) Stereo set:
TLM 127 (mt) Stereo set: 2x TLM 127 (mt) Microphone
TLM 127 (mt) Stereo set:TLM 127 (mt) Stereo set: 2x EA 1 (mt) Elastic suspension Aluminium case
Catalog No.
TL M 127 .............................................................................. ni ............... 008527
TLM 127 mt ...................................................................... blk ............ 008528
TLM 127 Set ..................................................................... ni ............... 008475
TLM 127 mt Set ............................................................. blk ............ 008486
TLM 127 Stereo set ..................................................... ni ............... 008512
TLM 127 mt Stereo set ............................................. blk ............ 008513
Selection of Accessories
Battery supply, BS 48 i ............................................... blk ............ 006494
Battery supply, BS 48 i-2 ......................................... blk ............ 006496
Power supply, N 248 (EU) ..................................... blk ............ 008537
Power supply, N 248 (US) ...................................... blk ............ 008538
Power supply, N 248 (UK) ..................................... blk ............ 008539
Double mount, DS 120 .............................................. blk ............ 007343
Auditorium hanger, MNV 87 .................................. ni ............... 006804
Auditorium hanger, MNV 87 mt .......................... blk ............ 006806
Popscreen, PS 15 ............................................................ blk ............ 008472
Popscreen, PS 20 a ....................................................... blk ............ 008488
Windscreen, WS 87 ...................................................... blk ............ 006753
Microphone cable, IC 3 mt ....................................... blk ............ 006543
A complete survey and detailed descriptions of all accessories are contained in the accessories catalog
Meaning of color codes: blk = black ni = nickel
Technical Data
Acoustical operating principle ........................... Pressure gradient transducer
Directional pattern ............................................................. Omnidirectional, cardioid,
Frequency range ..................................................................................... 20 Hz...20 kHz
Sensitivity at 1 kHz into 1 kohm .............................................................. 12 mV/Pa
Rated impedance ................................................................................................... 50 ohms
Rated load impedance .................................................................................. 1000 ohms
Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) .............................................. 74 dB
Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) ................................ 86 dB
Equivalent noise level, CCIR1)................................................................................. 20 dB
1)
according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS 2) measured as equivalent el. input signal
(wide angle cardioid, hypercardioid and
figure-8 also available, via remote control)
Equivalent noise level, A-weighted1)............................................................... 8 dB-A
Maximum SPL for THD 0.5%2)...................................................................... 140 dB
Maximum SPL for THD 0.5% with preattenuation2)...................... 154 dB
Maximum output voltage .................................................................................... 10 dBu
Dynamic range of the microphone amplifier (A-weighted) ......... 132 d B
Supply voltage (P48, IEC 61938) ........................................................ 48 V ± 4 V
Current consumption (P48, IEC 61938) ................................................... 3.2 m A
Matching connector .................................................................................................. XLR3F
Weight................................................................................................................................. 450 g
Diameter ......................................................................................................................... 57 mm
Length........................................................................................................................... 17 3 mm
52
measured in free-field conditions (IEC 60268-4), tolerance ±2 dB
TLM 127
* only when used with remote control power supply
* only when used with remote control power supply
* only when used with remote control power supply
53
Errors excepted, subject to changes • Printed in Germany • Publ. 01/08 092497/A03
Neumann is a registered trademark of the Georg Neumann GmbH in certain countries.
®
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