Neumann.Berlin bcm 104 User Manual

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Pocket Guide 2008

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Solution-D: TLM 103 D

tlm 67

bcm 104

Studio and Stage MicrophonesStudio and Stage Microphones

Studio and Stage Microphones

Studio and Stage MicrophonesStudio and Stage Microphones

Analog and digital (incl. Accessories)Analog and digital (incl. Accessories)

Analog and digital (incl. Accessories)

Analog and digital (incl. Accessories)Analog and digital (incl. Accessories)

Digital Microphones

Solution-DSolution-D

................................................................................................................................................................................................................................

Solution-D

................................................................................................................

Solution-DSolution-D

Tube Microphones

147147

TubeTube

MM MM

Large Diaphragm Microphones

TLMTLM

TLM

TLMTLM TLMTLM

TLM

TLMTLM TLMTLM

TLM

TLMTLM

Switchable Large Diaphragm Microphones

TLMTLM

TLM

TLMTLM TLMTLM

TLM

TLMTLM UU

UU UU

Vocalist Microphones

KKKK

KKKK KMSKMS

KMS

KMSKMS

Miniature Microphones

SeriesSeries

Series

SeriesSeries System KMSystem KM

System KM

System KMSystem KM

Stereo Microphones

KUKU

KUKU RSMRSM

RSM

RSMRSM USMUSM

USM

USMUSM

Shotgun Microphones

KMRKMR

KMR

KMRKMR

Broadcast Microphones

BCMBCM

BCM

BCMBCM BCMBCM

BCM

BCMBCM

Special Microphones

GFMGFM

GFM

GFMGFM TLMTLM

TLM

TLMTLM

Accessories

147

Tube

..........................................................................................................

147147

TubeTube

149149

TubeTube

149

Tube

..........................................................................................................

149149

TubeTube

150150

TubeTube

150

Tube

..........................................................................................................

150150

TubeTube

4949

...................................................................................................................

4949

103103

103

................................................................................................................

103103

193193

193

................................................................................................................

193193

6767

...................................................................................................................

6767

170170

170

............................................................................................................

170170

8787

AiAi

...................................................................................................................

8787

AiAi

8989

......................................................................................................................

8989

104/105104/105

104/105

......................................................................................................

104/105104/105

104/105

......................................................................................................

104/105104/105

180180

180

.............................................................................................................

180180

100100

....................................................................................................................................................................................................

100

..................................................................................................

100100

....................................................................................................................................................................................................

100100

100

...................................................................................................................

100100

191191

191

.............................................................................................................

191191

6969

............................................................................................................

6969

81/8281/82

81/82

.....................................................................................................

81/8281/82

104104

104

............................................................................................................

104104

705705

705

............................................................................................................

705705

132132

132

............................................................................................................

132132

5050

................................................................................................................

5050

..............................................................................................................................................................................................

...............................................................................................

..............................................................................................................................................................................................

103103

103

103103 107107

107

107107

109109

109

109109

115115

115

115115 119119

119

119119

123123

123

123123 127127

127

127127

131131

131

131131

2323

2323 2929

2929 3535

3535

3939

3939 4343

4343 4949

4949

5353

5353 5757

5757 6363

6363 6767

6767

7171

7171 7575

7575

8181

8181 8787

8787

9999

Product Information

Solution-D

Digital Microphones

www.neumann.com

Why digital signal processing?

With the development of the first digital recording equipment, the digitization of audio data began many years ago, at the end of the signal processing chain. By now, almost all audio signal processing components are available in digital form.

It is well-known that digital signals provide the necessary conditions for mathematically precise calculation and processing, allowing signals to be modified, copied, transmitted and stored as desired, with no loss of quality.

In contrast, analog signal processing is characterized by limited precision, error accumulation, a lack of redundant signal information, and no possibility to include error correction procedures. In the analog signal transmission chain, every processing step is thus associated with a deterioration of signal quality. This results in a progressive decrease in dynamic range, due to the introduction of noise voltages and nonlinear distortion.

Moreover, digital processing permits the performance of functions that are difficult or impossible to implement by means of analog signal processing. This is particularly the case with functions that require intermediate data storage.

A microphone technology milestone

With the Solution-D digital microphone system, Neumann has succeeded in bringing the dynamic range and signal fidelity of the best analog studio microphones into the digital domain, thus making possible an entirely digital signal chain for audio production.

Thanks to optimized A/D conversion, especially developed synchronization technology, and the capability of controlling standard microphone parameters and various integrated signal processing functions remotely, the Solution-D meets the most demanding requirements of professional audio production. The fundamental principle of the technology permits recordings to be made with no „bottlenecks“ in the signal chain.

An extremely fast peak limiter integrated into the microphone provides constant protection from overloading. The Neumann A/D converter, which is likewise located in the microphone, eliminates the necessity of tedious experimentation with external converters and preamps. The Neumann sound, with optimal quality, is therefore captured directly on the hard drive. Users can rely on this, and thus have more time for the essentials.

Components and interfaces

The power supply, remote control, synchronization, and signal and data transmission of the digital microphones conform to the AES 42 standard. Neumann made a decisive contribution to the development of this standard, which supplies the nec-

TRUE NEUMANN SOUND: The legendary Neumann

sound in the digital realm. Pure Neumann capsule

sound.

The System

Description

essary preconditions for the implementation of digital microphone technology.

The Solution-D digital microphone system consists of the following components: The digital microphone (the D-01 and TLM 103 D large-diaphragm and KM D small-diaphragm microphones are now available); the Digital Microphone Interface (DMI); and the Remote Control Software (RCS), which facilitates the operation and permits the remote control of the microphones. A PC or Mac can serve as the control computer, which of course can also be used simultaneously as Didital Audio Workstation for recording. The DMI permits connection to all subsequent devices that have an AES/EBU interface.

As an alternative to a DMI, a „Connection Kit“ can be used to connect Solution-D microphones to the AES/EBU or S/PDIF interface of a recording system. However, if a Connection Kit is used, it is not possible to control the microphone functions remotely. Thus a control computer is not required. In this case, if it is necessary to synchronize several microphones, a sample rate converter must be used.

All of the possible Solution-D system configurations are illustrated on the following pages.

Starter Sets, containing a microphone and a Connection Kit, provide an economically attractive entry to the world of digital microphones. If users later wish to take advantage of additional adjustable parameters and remotely controlled functions, the system can be expanded at any time through the acquisition of a separate DMI.

Remote control of standard microphone parameters

The DMI digital microphone interface permits familiar microphone settings such as the directional characteristic, pre-attenuation and low-cut filter to be controlled remotely and saved. Changing the settings of microphone parameters is greatly simplified, which makes it possible for settings to be tested rapidly from the monitoring position, in order to optimize the sound quality. All of the settings can be saved together with any desired additional information, thus eliminating the necessity of keeping a hand-written log of the recording procedure.

Integrated digital audio signal processing

An A/D converter, developed and patented by Neumann, receives the signal directly from the capsule, and is optimized

for the specific signal and impedance parameters of the capsule. Level matching that may be desired for subsequent equipment takes place in the digital domain, in the microphone. Analog components such as preamplifiers and A/D converters are thus no longer required, resulting in considerable cost savings.

The special A/D converter technology makes it possible to have the complete dynamic range of the microphone capsule available in the digital domain, with no restrictions. Setting gain levels is therefore no longer critical.

A particularly significant feature is the peak limiter function. Located for the first time in the most effective position, at the signal source, it reduces transient peaks as the level reaches 0 dBFS, when distortion would normally be inevitable. Analog microphones require extensive headroom in the subsequent signal path to handle such signal peaks, which are short but have a large amplitude. Independently of the peak limiter, a compressor/limiter can also be activated, permitting detailed adjustment via the corresponding parameters.

In addition, functions such as mute and phase reverse are also integrated into the microphone. Visual commands such as „On air“ are implemented by means of remotely controlled LEDs in the D-01 microphone. Acoustic commands in the form of various test signals can be used to facilitate line checks.

The firmware of all the digital microphones can be updated via uploading at any time.

Data transmitted by the microphone

Information transmitted by the microphone includes the name of the manufacturer, the model and serial number, the software version installed in the microphone, and the remotely controllable functions that are supported by the microphone. Status indicators such as „ready for operation“ and specific warning functions are also transmitted.

A/D conversion

Despite continuing improvements, integrated circuits available on the market still constitute a limiting factor in the conversion of audio data from analog to digital form. The best currently available delta-sigma A/D converters typically achieve a dynamic range of 115 dB to 120 dB, A-weighted, with a word length of 24 bits.

In comparison, a high-quality analog condenser microphone has a dynamic range of up to 130 dB. A/D conversion with a

TRUE TO THE ORIGINAL: The satisfaction of recording

the uncolored original, with no "bottlenecks" between the capsule and the recording system.

A/D

TRUE CONVERSION: The guarantee of having

one of the best A/D converters available.

considerably better performance is therefore required, in order to prevent the addition of noise to the signal. At the same time, this process must be optimally adapted to the signal levels and source impedance found in the microphone.

If the A/D conversion is carried out only after the signal reaches the mixing console or other equipment, this is usually associated with loss of signal quality, since the conversion takes place only after the gain levels have been set. Headroom aspects and noise contributed by the microphone preamplifier and A/D converter thus affect the dynamic range.

Consequently, the development goal was to achieve highquality digitization of the capsule signal directly in the microphone, so that level matching and other processing steps could be carried out in the digital realm. This is the only way of maintaining the full quality of the microphone signal.

Synchronization

The AES 42 standard defines the following two methods of synchronizing the microphone with the receiver (e.g. a mixing console or a DMI digital microphone interface).

Mode 1: The microphone operates asynchronously, using the sampling rate of its internal quartz oscillator. In this case, a sample rate converter is required at the receiver. This mode should be used only if mode 2 synchronization is not possible, since conventional sample rate converters often impair the dynamic range, and increase the latency time.

Mode 2: The microphone is synchronized with a master word clock. This can be either an external word clock or the internal word clock of the DMI. In this case a frequency/phase comparison with the master word clock is carried out in the AES 42 receiver (DMI). A control signal is generated that is transmitted to the microphone via the remote control data stream, controlling the frequency of the quartz oscillator in the microphone.

Via the BNC output of the DMI, the internal word clock generator can be used to synchronize additional DMIs and subsequent processing equipment, such as a mixing console.

The microphones

The signal generated by the capsule is converted directly into a digital signal. The result is a digital output signal with 24 bits and, for example, a dynamic range of 130 dB (A-weighted) in the case of the D-01.

If required, the digital signal processing (DSP) functions integrated into the microphone can be configured and controlled remotely via the DMI digital microphone interface and the RCS remote control software. These functions include gain setting, changing the directional characteristic in the case of the D-01, pre-attenuation, a low-cut filter, a compressor/limiter with an additional de-esser function, and a peak limiter. Here in particular the digital approach can provide a significant advantage. The peak limiter, which receives the output signal almost directly from the capsule, functions as a completely automatic „safety valve“, permitting the safe utilization of the entire available dynamic range even in stressful recording situations.

External components that were previously required, such as analog preamplifiers and A/D converters, are no longer necessary.

To permit clear identification, the microphones send information such as the name of the manufacturer, model, serial number and currently installed software version to the receiver.

The microphones are equipped with three-pin XLR connectors. A bidirectional signal conforming to the AES 42 standard is transmitted, containing the balanced digital microphone output signal, the phantom power supply, and a remote control data stream, which includes a signal for synchronizing the microphones with a master clock.

The D-01 large-diaphragm digital microphone

Its 15 different remotely controlled directional characteristics and numerous additional features permit the D-01 to be optimally adapted to almost any recording situation. These comprehensive features demonstrate what can be achieved with digital microphone technology. The D-01 has a newly developed capsule, and is valued by users particularly for its hitherto unknown transparency and fidelity to detail.

The TLM 103 D large-diaphragm digital microphone

For many years the analog version of the TLM 103 D has played an important role for ambitious home recording and project studios. This microphone has made the Neumann sound available to a broad spectrum of demanding audio engineers and musicians. The TLM 103 D provides all of the sound features of its analog counterpart, in addition to the advantages of digital circuit technology described above.

TRUE HANDLING SAFETY: Anti-clipping processing

ensures handling safety, and reduces stress.

The System

Description

The KM D miniature digital microphones

The KM D microphones are the digital counterparts of the well-known, successful 180 miniature microphone series. In the analog realm, the KM 184 in particular is regarded as a standard for miniature condenser microphones, and is one of the best-selling of all Neumann microphones.

Six different capsule characteristics are provided. The KM D microphones have a modular design, so that the KM D output stage can be combined with different capsules.

The S/PDIF and AES/EBU Connection Kits

In addition to the DMI digital microphone interface, Neumann also provides „Connection Kits“ at an attractive price, to permit the simple connection of individual microphones to the widely used S/PDIF and AES/EBU interfaces. This allows numerous users to enjoy easy access to „Neumann sound direct to disk“, without the extensive functionality of the comprehensive DMI. Power is provided by an included plug-in power supply unit.

Of course it is possible to upgrade to the DMI at any time, in order to take advantage of the additional configuration capabilities and DSP functions.

Attractive Starter Sets for an economical entry into the field of digital microphone technology

Starter Sets provide a simple and economically very attractive introduction to digital microphone technology. These include a KM 184 D or TLM 103 D microphone and a Connection Kit for an S/PDIF or AES/EBU connection. For entry-level, budget-conscious users who are planning for future recording equipment, an interesting aspect is that an A/D converter is already integrated into the digital Neumann system and, in addition, a preamplifier is no longer required. Moreover, the difficulty of selecting compatible equipment is avoided, since all of the components are provided by a single source. It is thus ensured that the Neumann microphone sound can be captured directly on a digital recording medium with no coloration.

The DMI digital microphone interface

Solution-D microphones operate in accordance with the AES 42 standard. For the interpretation of the microphone

data and remote control of the microphone, corresponding subsequent equipment is therefore required. The DMI-2 digital microphone interface, for instance, is suited to this purpose. The DMI-2 is a separate, two-channel device which makes the microphone signals available in AES/EBU format. (The DMI-8 eight-channel version will be available shortly.) Microphones of other manufacturers that are compatible with the AES 42 standard (e.g. the Sennheiser MKH 8000 with MZD 8000) can of course also be connected to the digital microphone interface.

The DMI is operated with the aid of the Neumann RCS remote control software, installed on a PC or Mac desktop computer or laptop. The connection between the computer and DMI takes place via a USB port and a USB/RS 485 interface converter. If a large number of microphones is used, several DMIs can be cascaded.

In addition to a word clock input and output, the DMI also has an internal word clock generator. If no master word clock signal, e.g. from a mixing console, is detected at the word clock input, the internal master word clock of the DMI is automatically used to synchronize the two microphone channels, and the signal is directed to the word clock output.

External commands such as „On air“ and „Mute“ can be controlled via a 9-pin user port.

The RCS remote control software

All parameters are displayed on the screen, and can be changed at any time. During production, the audio engineer can monitor the operating status and parameters of all of the connected microphones and, if necessary, can change the settings quickly and easily.

The parameters displayed include the directional characteristic, pre-attenuation, low-cut filter, gain, various microphone status indicators, command indicators, and mute and phase reverse functions. Signal levels and the operation of the compressor or limiter can also be monitored on the screen.

Information transmitted by the microphone, such as the name of the manufacturer, model and serial number, is also displayed for clear identification of the connected microphones. Moreover, it is possible to input additional information such as the name of the sound source. Settings for the complete microphone setup can of course be stored and retrieved as required.

TRUE TIME SAVINGS: Reduced time require-

ments and personnel costs, particularly due to faster post production processing.

TRUE ECONOMY: Lower investment costs, since

separate A/D converters and preamps are no longer needed. This also means space and weight savings (e.g. in the OB van).

Connection kit configuration examples (mono only,

KM D nx

KM D Starter Set - S/PDIF (44.1 or 48 kHz)

(other preset frequencies selectable and storable via RCS and DMI)

TLM 103 D

TLM103D Starter Set - AES/EBU (44.1 or 48 kHz)

(other preset frequencies selectable and storable via RCS and DMI)

KM D

Preset: 44.1, 48 or 96 kHz

(other preset frequencies selectable and storable via RCS and DMI)

TLM 103 D

Preset: 44.1, 48 or 96 kHz

(other preset frequencies selectable and storable via RCS and DMI)

D-01

Preset: 48 kHz

synchronization and remote control not possible):

The Family

Combinations

XLR 3 Cable (not included)

AES 42

XLR 3 Cable (not included)

AES 42

XLR 3 Cable

AES 42

XLR 3 Cable

AES 42

Plug-In Power Supply

S/PDIF Module

S/PDIF Connection Kit

Plug-In Power Supply

AES/EBU Module

AES/EBU Connection Kit

Plug-In Power Supply

AES/EBU Module

AES/EBU Connection Kit

Plug-In Power Supply

AES/EBU Module

S/PDIF Connection Kit

S/PDIF

AES/EBU

S/PDIF

Audio Interface

Portable Recording

Device with

S/PDIF Input

Computer-Based

Recording

System with

AES/EBU Input

Digital Mixing Console

with AES/EBU Input

Portable Recording

Device with

S/PDIF Input

Plug-In Power Supply

XLR 3 Cable

AES 42

AES/EBU Module

AES/EBU Connection Kit

110 ohms AES/EBU cable recommended 2) nx = Nextel black

AES/EBU

word clock frequency without remote control

Digital Mixing Console

with AES/EBU Input

DMI configuration examples (full functionality is provided, including microphone synchronization, as well as remote

XLR 3 Cable

AES 42

XLR 3 Cable

AES 42

TLM 103 D

XLR 3 Cable AES 42

KM D

XLR 3 Cable

AES 42

XLR 3 Cable

AES 42

D-01

XLR 3 Cable

AES 42

XLR 3 Cable

AES 42

control and the display of parameters via PC or Mac):

Power

AES/EBU

Power

DMI-2

Wordclock / AES 11

Control Bus

AES/EBU

USBRS 485

Audio Interface

The Family

Configurations

Computer for

Recording System with

AES/EBU Input

Remote Control Software

Power

DMI-2

more DMI-2 / DMI-8

DMI-8

110 ohms AES/EBU cable recommended 2) coming soon

Wordclock / AES 11

Control Bus

Wordclock / AES 11

Control Bus

AES/EBU

RS 485

Digital Mixing Console

Recording Device

with AES/EBU

USBRS 485

USB

Computer for

Power

AES/EBU

Remote Control

Software

Digital Mixing Console

Recording Device

with AES/EBU

Computer for

Remote Control

Software

Anal

Analog capsule

Ideal matching of

Neumann A/D-converter

with microphone capsule

Patented process

Dynamic range 140 dB

The capsule signal is

transferred to the digital

domain without any loss

of quality.

Entire range

of functionality

remote controlled

Synchronization with

stud

studio word clock

Clipping protection

Neumann A/D converter:

Nonlinear

network

- - A/D- converter

og capsu

Ideal matching of Neumann A/D-converter with microphone capsul

Neumann A/D converter:

The Principle

conversionconversion

conversion

conversionconversion

AnalogAnalog

Analog

AnalogAnalog

A/DA/D

A/D

A/DA/D

DSPDSP

DSP

DSPDSP

DSP:

Low Cut Polarity Compressor/Limiter Peak Limiter Gain

DigitalDigital

Digital

DigitalDigital

(AES 42)(AES 42)

(AES 42)

(AES 42)(AES 42)

Entire range of functionality

emote controlle

Synchronization wit

io word cloc

Clipping protectio

DigitalDigital

Digital

DigitalDigital

(AES 42)(AES 42)

(AES 42)

(AES 42)(AES 42)

Toolbox

Components & Sets

TLM 103 D Starter Set S/PDIF

(Preset 44.1 kHz)

TLM 103 D Starter Set S/PDIF

(Preset 48 kHz) Contains: 1 TLM 103 D,

Elastic Suspension EA 1, Connection Kit S/PDIF

KM D Starter Set S/PDIF

(Preset 44.1 kHz)

KM D Starter Set S/PDIF

(Preset 48 kHz) Contains: 1 KM 184 D nx,

Connection Kit S/PDIF, windscreen + clamp

Connection Kit S/PDIF

Contains: 1 S/PDIF Module, Plug-In Power Supply

TLM 103 D Starter Set AES/EBU

(Preset 44.1 kHz)

TLM 103 D Starter Set AES/EBU

(Preset 48 kHz) Contains: 1 TLM 103 D +

Elastic Suspension EA 1 + Connection Kit AES/EBU

KM D Starter Set AES/EBU

(Preset 44.1 kHz)

KM D Starter Set AES/EBU

(Preset 48 kHz) Contains: 1 KM 184 D nx,

Connection Kit AES/EBU, windscreen + clamp

Connection Kit AES/EBU

Contains: 1 AES/EBU Module, Plug-In Power Supply

Miniature MicrophonesLarge Diaphragm Microphone

TLM 103 D:

TLM 103 D microphone, stand mount, wooden box

D-01 microphone

in wooden box

D-01 Mono Set:

D-01, elastic suspension,

DMI-2, RCS

, USB converter, all cables, aluminum case)

D-01 Stereo Set:

2 x D-01, elastic suspensions,

DMI-2, RCS

, USB converter, all cables, aluminum case)

TLM 103 D mt:

TLM 103 D mt microphone, stand mount, wooden box

KK 131 KK 143 KK 145

KK 183 KK 184 KK 185

KK 131 nx

KK 183 nx

KK 143 nx

KK 184 nx

KK 145 nx

KK 185 nx

DMI-2

KM 183 D KM 184 D KM 185 D

DMI-2 (incl. RCS3) and cables)

KM 183/184/185 D (nx) are delivered with windscreen and clamp, also available as stereo sets.

Toolbox

Components & Sets

KM D, Preset: 44.1, 48 or 96 kHz

KM D nx, Preset: 44.1, 48 or 96 kHz

KM 183 D nx1) KM 184 D nx1) KM 185 D nx

nx = Nextel black 2) word clock frequency without remote control

Remote Control Software

Applications

Application Hints

D-01

•

Universally applicable, and particularly suitable for applications where maximum resolution and transparency are desired.

KK 183 + KM D

•

For close miking of instruments when there is no need to attenuate extraneous noise, and in a balanced acoustic environment to record acoustic guitar, wind instruments, strings, percussion, drums

•

Ideal as AB stereo pair because of the flat frequency response in the diffuse sound field

•

Main mic, especially for capturing room acoustics

•

For stereo recordings with a baffle plate

•

Spot mic for piano, wind instruments, organ, choir

KK 184 + KM D

•

For universal use, especially for recording situations when it is necessary to attenuate off-axis sound (mainly from the rear) from other nearby instruments.

•

As XY and ORTF stereo pair

•

Broadcasting mic for announcers

•

Spot mic and overhead

•

Close miking of strings, wind instruments, percussion, piano, Leslie speakers and guitar amps

KK 185 + KM D

•

Especially for recording situations when it is necessary to attenuate off-axis (lateral and rear) sound from other nearby instruments.

•

As XY stereo pair

•

Overhead, toms

•

In situations that are susceptible to acoustic feedback

•

To attenuate unwanted sound of nearby instruments

•

Recording of speech, as in TV, movie and video productions, PA systems

•

Produces especially warm and bass supporting sound for artists who perform in proximity effect range

KK 143 + KM D

• Polar response characteristic acts more like an omni. Therefore, it is an ideal tool to record larger instrument ensembles

• As AB stereo pair, especially in rooms with less than ideal acoustics

• As spot mic for strings, wind instruments, percussion, and Leslie speakers

• Acts very neutral when used close up to bass instruments, such as double bass, bass amps, guitar amps

KK 145 + KM D

• It naturally compensates for proximity effect

• Very neutral tonal balance during close miking of speech, as in TV, movie and video, PA

• Acts very neutral when used close up to bass instruments, such as double bass, bass amps, guitar amps, leslie speakers, toms

TLM 103 D

• A universal cardioid mic

• Vocalist recording

• Announcer’s mic for broadcasting/voice over

• Due to minimal self-noise: on-air mic for radio/ broadcast, very low amplitude signals, radio drama, sampling, foley/sound effects

• Home recording and project studios

• Spot mic for wind instruments, strings, percussion, guitar amps, drum overhead

KK 131 + KM D

• For close miking of instruments when there is no need to attenuate extra-neous noise, and in a balanced acoustic environment to record acoustic guitar, wind instruments, strings, percussion, and drums

• Flat frequency response for close miking, spot mic

Order Information

Delivery Range D-01

D-01 Microphone:

D-01 Microphone in wooden box

D-01 Mono set:

D-01 Microphone DMI-2 Digital Microphone Interface RCS Remote Control Software EA 2 Elastic suspension USB 485 Converter USB cable, RJ 45 patch cable, BNC cable, IC 3 XLR cable, AC line cable Aluminium case

D-01 Stereo set:

2x D-01 Microphone 1x DMI-2 Digital Microphone Interface 1x RCS Remote Control Software 2x EA 2 Elastic suspension 1x USB 485 Converter 1x USB cable, 1x RJ 45 patch cable, 1x BNC cable, 1x IC 3 XLR cable, 1x AC line cable 1x Aluminium case

Catalog No. D-01

D-01 Single Microphone ....................... ni ............... 008482

D-01 Mono set (230 V, EU) ................... ni ............... 008473

D-01 Mono set (230 V, UK) ................... ni ............... 008477

D-01 Mono set (170 V, US) ................... ni ............... 008478

D-01 Stereo set (230 V, EU) .................. ni ............... 008479

D-01 Stereo set (230 V, UK) .................. ni ............... 008481

D-01 Stereo set (170 V, US) .................. ni ............... 008480

Selection of Accessories D-01

Connection Kit AES/EBU ........................................... 008584

Connection Kit S/PDIF .............................................. 008585

Interface, DMI-2 EU .................................................. 008561

Interface, DMI-2 UK .................................................. 008587

Interface, DMI-2 US .................................................. 008588

Elastic suspension, EA 1 ....................... n i ............... 008449

Elastic suspension, EA 1 mt ................... blk ............. 008450

Stand mount, SG 1 ............................... blk ............. 008445

Auditorium hanger, MNV 87 ................. ni ............... 006804

Auditorium hanger, MNV 87 mt ............ b lk ............. 006806

Popscreen, PS 15 ................................. blk ............. 008472

Popscreen, PS 20 a .............................. blk ............. 008488

Microphone cable, IC 3 mt .................... blk ............. 006543

Delivery Range KM D

KM 183 D / KM 184 D / KM 185 D:

KM 183 D (nx) ... KM 185 D (nx) microphone WNS 100 windscreen SG 21 bk Stand mount Wooden box

KM D Starter sets:

KM 184 D nx (44.1 oder 48 kHz) microphone WNS 100 Windscreen SG 21 bk Stand mount Connection Kit (S/PDIF or AES/EBU) Wooden box

Delivery Range KM D Stereo Sets

2x KM 183 D (nx) ... KM 185 D (nx) microphone 2x WNS 100 Windscreen 2x SG 21 bk Stand mount Wooden box

Catalog No. KM D

KM 183 D ............................................. ni ............... 008553

KM 183 D nx ........................................ nx .............. 008554

KM 183 D stereo set .............................. n i ............... 008572

KM 183 D nx stereo set ......................... n x .............. 008573

KM 184 D ............................................. ni ............... 008555

KM 184 D nx ........................................ nx .............. 008556

KM 184 D stereo set .............................. n i ............... 008574

KM 184 D nx stereo set ......................... n x .............. 008575

KM 185 D ............................................. ni ............... 008557

KM 185 D nx ........................................ nx .............. 008558

KM 185 D stereo set .............................. n i ............... 008576

KM 185 D nx stereo set ......................... n x .............. 008577

Starter Set S/PDIF (44.1 kHz) ............... n x .............. 008564

Starter Set S/PDIF (48 kHz) .................. n x .............. 008565

Starter Set AES/EBU (44.1 kHz) ........... nx .............. 008562

Starter Set AES/EBU (48 kHz) .............. nx .............. 008563

Selection of Accessories KM D

Output Stage KM D (44.1 kHz) .............. n i ............... 008578

Output Stage KM D nx (44.1 kHz) ......... n x .............. 008581

Output Stage KM D (48 kHz) ................. ni .............. 008579

Output Stage KM D nx (48 kHz) ............ nx .............. 008582

Output Stage KM D (96 kHz) ................. n i ............... 008580

Output Stage KM D nx (96 kHz) ............ nx .............. 008583

Capsule head, KK 131 .......................... ni ............... 008591

Capsule head, KK 131 nx ..................... n x .............. 008592

Capsule head, KK 143 .......................... ni ............... 008593

Capsule head, KK 143 nx ..................... n x .............. 008594

Capsule head, KK 145 .......................... ni ............... 008595

Capsule head, KK 145 nx ..................... n x .............. 008596

Capsule head, KK 183 .......................... ni ............... 008566

Capsule head, KK 183 nx ..................... n x .............. 008567

Capsule head, KK 184 .......................... ni ............... 008568

Capsule head, KK 184 nx ..................... n x .............. 008569

Capsule head, KK 185 .......................... ni ............... 008570

Capsule head, KK 185 nx ..................... n x .............. 008571

Connection Kit AES/EBU ........................................... 008584

Connection Kit S/PDIF .............................................. 008585

Interface, DMI-2 EU .................................................. 008561

Interface, DMI-2 UK .................................................. 008587

Interface, DMI-2 US .................................................. 008588

Elastic suspension, DA-KM ..................... bl k ............. 008420

Elastic suspension, EA 2124 A mt ......... blk ............. 008433

Table stands, MF 2 ................................ blk ............. 007266

Table stands, MF 3 ................................ blk ............. 007321

Auditorium hanger, MNV 21 mt ............ b lk ............. 006802

Double mount, DS 120 ......................... b lk ............. 007343

Stand mount, SG 21 bk ........................ b lk ............. 008613

Windscreen, WKD-KM ........................... g r ............... 008424

Windjammer, WJ-KM ............................. gr ............... 008426

Foam windscreen, WNS 100 ................. blk ............. 007323

Foam windscreen, WNS 110 ................. blk ............. 008535

Foam windscreen, WNS 120 ................. blk ............. 008427

Foam windscreen, WS 100 ................... blk ............. 006751

Popscreen, PS 15 ................................. blk ............. 008472

Microphone cable, IC 3 mt .................... blk ............. 006543

Microphone cable, IC 31 mt ................. b lk ............. 006570

Delivery Range TLM 103 D

TLM 103 D Microphone:

TLM 103 D (mt) Microphone, SG 1 Stand mount in wooden box

Starter Set TLM 103 D:

TLM 103 D Microphone EA 1 Elastic suspension Connection Kit (S/PDIF or AES/EBU)

Catalog No. TLM 103 D

TLM 103 D ............................................ ni ............... 008603

TLM 103 D mt ....................................... blk ............. 008604

Please indicate preset frequencies with order.

Starter Set S/PDIF (44.1 kHz) ............... n i ............... 008617

Starter Set S/PDIF (48 kHz) .................. n i ............... 008618

Starter Set AES/EBU (44.1 kHz) ........... ni ............... 008615

Starter Set AES/EBU (48 kHz) .............. ni ............... 008616

Selection of Accessories TLM 103 D

Connection Kit AES/EBU ........................................... 008584

Connection Kit S/PDIF .............................................. 008585

Interface, DMI-2 EU .................................................. 008561

Interface, DMI-2 UK .................................................. 008587

Interface, DMI-2 US .................................................. 008588

Elastic suspension, EA 1 ....................... n i ............... 008449

Elastic suspension, EA 1 mt................... b lk ............. 008450

Stand mount SG, 1 ............................... b lk ............. 008445

Auditorium hanger, MNV 87 ................. ni ............... 006804

Auditorium hanger, MNV 87 mt ............ blk ............. 006806

Windscreen, WS 87 .............................. bl k ............. 006753

Popscreen, PS 15 ................................. blk ............. 008472

Popscreen, PS 20 a .............................. b lk ............. 008488

Microphone cable, IC 3 mt .................... bl k ............. 006543

A complete survey and detailed descriptions of all accessories are contained in the accessories catalog

Meaning of color codes: ni = nickel, nx = nextelblack, blk = black, gr = grey

General Specifications of the Solution-D microphonesGeneral Specifications of the Solution-D microphones

General Specifications of the Solution-D microphones

General Specifications of the Solution-D microphonesGeneral Specifications of the Solution-D microphones

Interface: AES 42 Remote controlled functions:

- Polar pattern

- Low-cut: flat, 40, 80, 160 Hz

- Pre-attenuation: 0 , –6, –12, –18 dB

- Gain: 0...63 dB in 1 dB steps, clickless

- Testsignal: 1 kHz, pink noise, white noise

- Sampling rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz

- Parametric compressor/limiter (incl. de-esser function)

- Independent peak limiter avoiding any clipping

- Switch functions: soft muting, phase reverse, signal lights

- Signal lights: red

- System functions, firmware download A/D conversion: Neumann process (patented),

28-bit internal word length Digital signal processing: Fixed-point,

variable internal word length 28 bits to 60 bits Synchronization:

- Asynchronous operation (free-running, AES 42 - Mode 1),

- Synchronous operation (AES 42 - Mode 2),

and blue LEDs

basic frequency accuracy: ± 25 ppm

pulling range: Min. ± 100 ppm Power supply (phantom power complying with AES 42) Output: XLR3M, 24 bits as per AES/EBU (AES 3)

D-01 SpecificationsD-01 Specifications

D-01 Specifications

D-01 SpecificationsD-01 Specifications

Acoustic transducer: K 07 large double-diaphragm capsule, diameter 30 mm with protected internal electrodes Directional characteristic: 15 remote controllable polar patterns, from omni to cardioid to figure-8

Frequency response: 20 Hz to 20 kHz Free-field sensitivity Equivalent noise level, CCIR Equivalent noise level, A-weighted Signal-to-noise ratio Signal-to-noise ratio Maximum SPL at 0 dBFS: 138 dBSPL Dynamic range, A-weighted

Supply voltage range: +6 V to +10,5 V Current consumption: max. 220 mA

1)2)

: –44 dBFS

: 19 dB

, CCIR3): 75 dB , A-weighted3): 86 dB

: 130 dB

: 8 dB-A

Weight: approx. 700 g, Diameter: 63.5 mm, Length: 185 mm

KM D + KK 183 / 184 / 185 SpecificationsKM D + KK 183 / 184 / 185 Specifications

KM D + KK 183 / 184 / 185 Specifications

KM D + KK 183 / 184 / 185 SpecificationsKM D + KK 183 / 184 / 185 Specifications

Acoustic transducer: KK 183/184/185 (known from Series 180) Directional characteristic: Omni/cardioid/hypercardioid

Preset:

- Sampling rates: 44.1, 48 or 96 kHz

- Gain: 10 dB (variable with DMI-2)

- Compressor on, Attack time 100 ms, Release time 0.5 s,

Threshold –10 dBFS, Ratio 2:1

1)2)

: –41/–39/–42 dBFS

: 25/22/25 dB

, CCIR3): 69/70/69 dB

, A-weighted3): 81/81/78 dB

: 13/13/16 dB-A

Technical Data

Supply voltage range: +7 V to +10,5 V Current consumption: max. 150 mA

Weight: approx. 80/84/88 g, Diameter: 22 mm, Length: 108 mm

KM D + KK 131 / 143 / 145 SpecificationsKM D + KK 131 / 143 / 145 Specifications

KM D + KK 131 / 143 / 145 Specifications

KM D + KK 131 / 143 / 145 SpecificationsKM D + KK 131 / 143 / 145 Specifications

Acoustic transducer: KK 131/143/145 Directional characteristic: Omni free field equalized/cardioid wide angle/ cardioid low frequency roll-off

Preset:

- Sampling rates: 44.1, 48 or 96 kHz

- Gain: 10 dB (variable with DMI-2)

- Compressor on, Attack time 100 ms, Release time 0.5 s, Threshold –10 dBFS, Ratio 2:1

Supply voltage range: +7 V to +10,5 V Current consumption: max. 150 mA

Weight: approx. 80/84/88 g, Diameter: 22 mm, Length: 108 mm

TLM 103 D SpecificationsTLM 103 D Specifications

TLM 103 D Specifications

TLM 103 D SpecificationsTLM 103 D Specifications

Acoustic transducer: Pressure gradient transducer Directional characteristic: Cardioid

Preset:

- Sampling rates: 44.1, 48 or 96 kHz

- Gain: 10 dB (variable with DMI-2)

- Compressor on, Attack time 100 ms, Release time 0.5 s, Threshold –10 dBFS, Ratio 2:1

Supply voltage range: +6 V to +10,5 V Current consumption: max. 150 mA

Weight: approx. 460 g, Diameter: 60 mm, Length: 132 mm

DMI-2 (Digital Microphone Interface) SpecificationsDMI-2 (Digital Microphone Interface) Specifications

DMI-2 (Digital Microphone Interface) Specifications

DMI-2 (Digital Microphone Interface) SpecificationsDMI-2 (Digital Microphone Interface) Specifications

2 channels, Inputs: XLR3F, AES 42 Outputs: XLR3M, AES/EBU, 24 bit

Control bus: RS 485 via RJ 45 jack. Second RJ 45 jack for cascading purposes (up to 4 DMI devices today, 16 devices in future). Connection to the computer‘s USB port via Neumann USB 485 interface converter (included).

User Port: 9-pin sub-D, 3 functions per channel

Synchronization: AES 42 - Mode 2 (PLL system using an external Word Clock and remote controlling the VCXO in the microphone, default mode), AES 42 - Mode 1, (asynchronous, needs a sample rate converter (SRC) at the receiver side).

1)2)

: –41/–39/–40 dBFS

: 24/24/24 dB

: 17.5 dB

: 127 dB

: 13/13/14 dB-A

: 7 dB-A

, CCIR3): 70/70/70 dB

, A-weighted3): 81/81/80 dB

: –39 dBFS

, CCIR3): 76.5 dB

, A-weighted3): 87 dB

Word clock input: BNC, 75 ohms. Word clock output: BNC, 75 ohms, automatically set to the internal word clock master when no external word clock received. Selectable internal sampling rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz.

External Word clock: 44.1, 48, 88.2, 96, 176.4, 192 kHz or AES 11 format.

Indicators: Data Valid (AES 42) and Sync Locked (Mode 2) for each channel, Power On and Ext. Word Clock.

Power supply: 90-240 V, 50/60 Hz. Storage of the last microphone settings and reloading to the

microphones after power on automatically without the need of the computer/RCS.

Features of the RCS (Remote Control SoftwareFeatures of the RCS (Remote Control Software

Features of the RCS (Remote Control Software

Features of the RCS (Remote Control SoftwareFeatures of the RCS (Remote Control Software

Communication via USB port (Win 2000/98SE/ME/XP, Vista, MAC OS version 8.6...10 on PowerPC)

))

)

))

Up to 8 channels displayed simultaneously on the screen Controllable functions: polar pattern, low-cut, pre-attenuation,

gain, test signals, limiter/compressor/de-esser, peak limiter, phase reverse, mute, sampling rate, synchronization mode, signal lights,…

Display: peak level meter, gain reduction meter for compressor/ limiter/de-esser and peak limiter, microphone properties (manufacturer, model, serial number, hardware and software revision, internal latency time), DMI properties, status signals (overload, limiter active, data valid, sync locked, power on)

Saving/Loading of configurations Individual channel labelling

Software update of Neumann microphones and DMI device

Connection Kit S/PDIF (AES/EBU) SpecificationsConnection Kit S/PDIF (AES/EBU) Specifications

Connection Kit S/PDIF (AES/EBU) Specifications

Connection Kit S/PDIF (AES/EBU) SpecificationsConnection Kit S/PDIF (AES/EBU) Specifications

Connector: input XLR3F, output Cinch (XLR3M) Weight: approx. 96 g (S/PDIF), approx. 130 g (AES/EBU) Width: 32 mm, Height: 26 mm, Length: 105 mm Power supply: 90-240 V, 50/60 Hz

For remote controlling functions you have to use the DMI-2

All data with respekt to 0 dB pre-attenuation and 0 dB gain.

at 1 kHz

re 94 dBSPL

according to IEC 60268-1; CCIR-weighting according to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS

D-01 only

D-01D-01

D-01

D-01D-01

Omnidirectional

measured in free-field conditions (IEC 60268-4), tolerance ±2 dB

Cardioid

Figure-8

KM D + KK...KM D + KK...

KM D + KK...

KM D + KK...KM D + KK...

KK 131

Diagrams

measured in free-field conditions (IEC 60268-4)

KK 143

KK 145

KK 183

KK 184

KK 185

TLM 103 DTLM 103 D

TLM 103 D

TLM 103 DTLM 103 D

measured in free-field conditions (IEC 60268-4)

Neumann is a registered trademark of the Georg Neumann GmbH in certain countries.

Solution-D is a registered trademark of Georg Neumann GmbH in certain countries.

Product Information

M 147 Tube

Tube Microphone

www.neumann.com

he M 147 Tube is a vacuum tube condenser microphone with cardioid characteristic. At the heart of this microphone is the K 47/49 dual diaphragm capsule, inherited from this model’s now legendary predecessors, the U 47 and the M 49.

Following the capsule is a tube that functions as an impedance converter. The next stage is an efficient, transformerless output circuit, that guarantees an extremely low selfnoise level. Note: This innovative combination of current tube technology with the most advanced solid-state circuitry was decisive in awarding the 1997 TEC Award to the related M 149 Tube mic.

The M 147 Tube can feed extremely long microphone cables without affecting the quality of the audio signal.

Like all Neumann tube microphones, the M 147 Tube comes with an elegant satin nickel finish.

The microphone is delivered as a complete set in a highquality aluminum case. Included with the microphone are a microphone cable, a metal swivel mount for a mic stand, and a compact universal power supply for standard mains sockets. Our modern manufacturing methods makes it possible to offer this complete set at a very attractive price.

Applications

The famous capsule, together with complimenting tube characteristics, makes the M 147 Tube especially well suited as a vocal mic. In addition, it is a superb spot mic for all types of musical instruments.

The extremely low self-noise of its tube circuitry makes the mic perfectly suited for use in modern recording chains, analog and digital.

Acoustic Features

The M 147 Tube is addressed from the side where the microphone body has the diamond-shaped Neumann company logo. The black color identifies tube microphones.

The capsule is equivalent to the one used in the U 47, and is the deciding factor in determining the sound characteristic. It has a flat frequency response to the upper midrange, and a boost of up to 3 dB above 2 kHz.

The headgrille design is a smaller version of the U 47. It protects the capsule effectively against popping and wind noise.

Polar Pattern

The M 147 Tube has a cardioid characteristic, leaning more toward super-cardioid due to its distinctive capsule design. At higher frequencies the pattern becomes more directional. This is very similar to the model after which this new tube microphone was patterned, the U 47 and the successor, the U 47 fet.

Features

• Universal tube microphone

• Pressure gradient transducer with the large diaphragm capsule from the legendary U 47 and M 49

• Transformerless circuitry

• Low self noise level

• Comes with swivel stand mount made of metal, universal power supply, and cable in an attractive aluminium case

Application Hints

• Vocalist mic: its warm and yet transparent sound gives volume and presence

• Announcer’s mic for broadcasting/voice over

• Spot mic for close miking of solo instruments, especially strings, wind instruments, and piano

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

Delivery Range

M 147 Tube microphone, N 149 A power supply incl. power cable, SG 1 swivel mount, KT 8 microphone cable, dust cover, aluminium case

Catalog No.

M 147 Tube (230 Volt, EU) ................................... ni ............... 008435

M 147 Tube (117 Volt, US) ................................... ni ...............008434

M 147 Tube (230 Volt, UK) ................................... ni ............... 008436

Selection of Accessories

Elastic suspension, EA 1............................................ ni ............... 008449

Elastic suspension, EA 1 mt .................................... blk ............008450

Auditorium hanger, MNV 87 .................................. ni ...............006804

Auditorium hanger, MNV 87 mt ..........................b lk ............ 006806

Table stand, MF 3 .......................................................... blk ............ 007321

Table stand, MF 4 .......................................................... blk ............ 007337

Stand extension, STV 4 ...............................................blk ............ 006190

Stand extension, STV 20 ............................................ blk ............ 006187

Stand extension, STV 40 ............................................ blk ............ 006188

Stand extension, STV 60 ............................................ blk ............ 006189

Popscreen, PS 15 ............................................................ blk ............ 008472

Popscreen, PS 20 a.......................................................blk ............ 008488

Windscreen, WS 87 ...................................................... blk ............ 006753

Microphone cable, IC 3 mt....................................... blk ............ 006543

A complete survey and detailed descriptions of all accessories are contained in the accessories catalog

Meaning of color codes: blk = black, ni = nickel

M 147 Tube

Electrical Features

When compared to other microphones, the impedance converter used in the M 147 Tube is distinguished by its extremely low self-noise level of only 12 dB-A / 24 dB CCIR weighted.

Similar to the recently introduced M 149 Tube, the new M 147 Tube combines a specifically selected vacuum tube (triode) with modern circuitry. This technique takes full advantage of the special transfer characteristics of the tube and passes the processed audio signal of the capsule to the microphone output, without any coloration or unwanted side effects.

The tube amplifies the capsule’s signal by approximately 10 dB, thus preventing any possible influences from subsequent electronics. The M 147 Tube delivers a high output voltage, and therefore can feed microphone cables up to 300 m length without signal degradation.

The ideal operating conditions (anode current and heater voltage) of the tube are maintained throughout its life expectancy. A sensor lead detects any voltage drop that occurs through the microphone cable and compensates for it in the N 149 A power supply.

The tube warms up gradually using inverse current limiting to guarantee long life.

Operational Stability

Both, the capsule and the entire circuitry are shock mounted to prevent any structure-borne noise.

Because of its wide operating range, the M 147 Tube can reproduce extremely low frequency signals without distortion.

This implies that the microphone may also be sensitive to unwanted LF interference by structure-borne noise, or wind noise. To avoid possible signal degradation, we offer the EA 1 elastic suspension and the WS 87 windscreen as accessories.

During close miking of vocals we recommend using the PS 15 or PS 20 a pop screen. You will find detailed information in our accessory catalog.

Filter

The electronic circuitry of the M 147 Tube mic has a flat frequency response from 20 Hz to well above 20 kHz. Only the attributes of the capsule determine the typical sound characteristics of the microphone.

N 149 A Power Supply

The N 149 A universal power supply works with all mains AC voltages from 100 V to 240 V, 50 or 60 Hz. Mains power is connected through a standard IEC 320 mains socket. The only difference between the three versions of the M 147 Tube set is the power cord supplied. Note: The N 149 V power supply is fully compatible with the M 147 Tube microphone.

Technical Data

measured in free-field conditions (IEC 60268-4)

M 147 Tube

Acoustical operating principle ................................ Pressure gradient transducer

Directional pattern .................................................................................................... Cardioid

Frequency range ..................................................................................... 20 Hz...20 kHz

Sensitivity at 1 kHz into 1 kohm .............................................................. 20 mV/Pa

Rated impedance................................................................................................... 50 ohms

Rated load impedance.................................................................................. 1000 ohms

Signal-to-noise ratio, CCIR Signal-to-noise ratio, A-weighted Equivalent noise level, CCIR Equivalent noise level, A-weighted Typical SPL (tube characteristic)

for < 0.5% THD (for < 5% THD) .................................................. 114 (134) dB

(rel. 94 dB SPL) .............................................. 70 dB

(rel. 94 dB SPL) ................................ 82 dB

................................................................................. 24 dB

............................................................ 12 dB-A

Selection of Accessories

Elastic suspension,

EA 1 (mt)

Maximum output voltage ........................................................................................ 8 dBu

Dynamic range of the microphone amplifier:

(A-weighted) for < 0.5% THD (for < 5% THD) ................. 102 (122) dB

Powering..................................................................................... Power supply N 149 A

Matching connector microphone .................................................................... DIN 8F

Matching connector power supply ................................................................. XLR3F

Weig ht................................................................................................................................. 460 g

Diameter ......................................................................................................................... 57 mm

Length........................................................................................................................... 1 42 mm

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS

measured as equivalent el. input signal

Table stand, MF 3 (in

connection with stand extension)Auditorium hanger, MNV 87 (mt)

Windscreen, WS 87Popscreen, PS 20 aPopscreen, PS 15 Microphone Cable, IC 3 mt

Table stand, MF 4 (in

connection with stand extension)

Stand extensions,

STV 4 /20 /40 / 60

Adapter Cable, AC 25

Neumann is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

M 149 Tube

Tube Microphone

www.neumann.com

he M 149 Tube is a variable dual-diaphragm microphone. The K 49 capsule – wellknown from the legendary U 47 and M 49 microphones – is followed by a tube functioning as an impedance converter. In contrast to earlier concepts – utilizing a transformer – the tube is complemented with a transformerless output circuit design.

The M 149 Tube can thus feed long microphone cables without any coloration.

Two slide switches are located below the large, acoustically very open headgrille.

The switch at the front allows selection one of nine directional patterns. The slide switch at the rear operates a seven-step high pass filter. It allows a very fine adjustment of the

cut-off frequency.

Applications

There are nine polar

patterns to choose

from, making this mi-

crophone an ideal

choice for a wide range

of recording situations.

As its ancestors, the

M 149 Tube is a superb

vocalist microphone, not

only because of the cap-

sule, but also due to its

modern circuitry, character-

ized by extremely low noise

level.

Acoustic features

The M 149 Tube is addressed from the front, marked with the Neumann logo. Also on the front

is the switch for the selection of

the polar patterns.

The capsule is mount-

ed elastically inside the

headgrille to eliminate

structure borne noise. The

surface below the capsule is

shaped like a cone to disperse any reflected sound from the acoustic upper half space. This avoids any interference with the primary sound arriving at the capsule directly.

A large headgrille surrounds the capsule. It is acoustically very open and therefore increases the sonic realism.

The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

Polar patterns

The polar pattern switch selects one of nine directional patterns: omnidirectional, wide-angle-cardioid, cardioid, hypercardioid, figure-8, and one additional intermediate pattern between each major position.

Electrical features

The circuit of the M 149 Tube microphone has been developed to exceed traditional designs. We have selected a modern tube (triode) and combined its exceptional transmission characteristics with the advantages of our proven transformerless output circuit. The aim was to provide a more controlled environment for the audio signal on its path from the capsule to the output section.

The final stage is an integrated amplifier, especially designed for such applications. It features very low distortion (THD < 0.002 % at ± 10 V), very low self-noise, and high output current capability. As a result, the tube circuit is completely decoupled from the microphone output and its characteristic response curve will be unaffected by very high signal levels or varying load conditions.

The lower output impedance and higher output current capability allow cable lengths up to 300 m (1000 feet) without any degradation of the audio signal.

The tube amplifier changes the high impedance of the capsule and adds 10 dB of gain to the audio signal, providing optimum operating spec-

M 149 Tube

Technical Data

Acoustical operating principle .......................... Pressure gradient transducer

Directional pattern .................................. Omnidirectional, wide angle cardioid,

Frequency range .................................................................................... 20 Hz...20 kHz

Sensitivity at 1 kHz into 1 kohm .......................................... 34/47/62mV/Pa

Rated impedance................................................................................................... 50 ohms

Rated load impedance................................................................................. 1000 ohms

Signal-to-noise ratio, CCIR

Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL) ............ 78/81/83dB

Equivalent noise level, CCIR2).............................................................28/25/23 dB

Equivalent noise level, A-weighted2).........................................16/13/11 dB-A

Omnidirectional / cardioid / figure-8 2) according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS 3) measured as equivalent el. input signal

cardioid, hypercardioid, figure-8

plus one intermediate position each

(rel. 94 dB SPL) ..........................66/69/71 dB

Typical SPL (tube characteristic)3):

for < 0,5% THD...................................................................................................... 1 20 dB

for < 5% THD............................................................................................................. 13 6 dB

Maximum output voltage ..................................................................................... 18 dB u

Dynamic range of the microphone amplifier cardioid:

(A-weighted) for < 0,5% THD (for < 5% THD) ................... 101 (121) dB

Powering....................................................................................... Power su pply N 149 A

Microphone matching connectors ..................................................................... DIN8F

Power supply matching connectors .................................................................. XLR3F

Weig ht.................................................................................................................................. 73 0 g

Diameter ...........................................................................................................................70 mm

Length............................................................................................................................. 201mm

ifications. The wide dynamic range is impressive, as peak output can be ±10 V, at 20 mA.

The ideal operating point of the tube is maintained throughout its entire life expectancy. Plate current and filament voltage are constantly regulated. A sensor circuit monitors and compensates for any voltage drop across the microphone cable. The tube is heated up slowly through inverse current limiting to guarantee long life. Optimum operating conditions are reached within a very short time.

Filter

A seven-position slide switch is located on the back of the microphone. It selects a high-pass filter, advancing in half-octave steps between 20 Hz and 160 Hz (–3dB). This filter is useful to suppress rumble from air-conditioning and in windy situations.

In addition, the filter provides an effective tool to control the audio signal when the microphone is used at close distance and therefore proximity effect alters the program material.

Delivery Range

The specifically designed new N 149 A power supply unit feeds the M 149 Tube through an 8-core cable. The output connector for the audio signal is a 3-pin XLR. The output signal is balanced.

The microphone comes as a set in a high-quality aluminum case, together with the 8-core microphone connecting cable, the N 149 A power supply with plug-in mains unit, the EA 170 full elastic microphone suspension and a dust cover.

Features

• Switchable tube microphone

• Transformerless circuitry

• High output level

• Pressure gradient transducer with the M 49 capsule

• Acoustically very open wire mesh cage

• Nine directional characteristics: omni, wide angle cardioid, cardioid, hypercardioid, figure-8, and one intermediate position each

• 7fold switchable low frequency roll-off

Delivery Range

M 149 Tube Microphone N 149 A Power supply unit with power cable, EA 170 Elastic suspension, KT 8 Microphone cable, Aluminium case, Dust cover

Catalog No.

M 149 Tube (230 V, EU) ................... ni......... 0083 90

M 149 Tube (117 V, US) ................... ni......... 008 399

M 149 Tube (230 V, UK) ................... ni......... 00840 3

Selection of Accessories

Auditorium hanger, MNV 87 ........... ni ..........00 6804

Auditorium hanger, MNV 87 mt ...blk ....... 006806

Table stand, MF 3 ................................... blk .......007321

Table stand, MF 4 ................................... blk .......0 0733 7

Stand extension, STV 4 ........................blk ....... 006190

Stand extension, STV 20 ..................... blk .......006187

Stand extension, STV 40 ..................... blk .......006188

Stand extension, STV 60 ..................... blk .......006189

Popscreen, PS 15 ..................................... blk .......00847 2

Popscreen, PS 20 a................................b lk ....... 0084 88

Microphone cable, IC 3 mt................ blk ....... 0065 43

Adapter cable AC 25 ............................blk ....... 0066 00

A complete survey and detailed descriptions of all accessories are contained in the accessories catalog.

Meaning of color codes: blk = black ni = nickel

Application Hints

• Universal tube mic

• Its warm and yet transparent sound gives volume and presence to a vocalist

• A wide range of adjustments provide the most subtle differentiation of sound, especially in the range of proximity effect

• Mic for broadcasting, dubbing, and voice-over

• Spot mic for close miking of solo instruments, especially strings, wind instruments, and piano

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

measured in free-field conditions (IEC 60268-4), tolerance ±2 dB

M 149 Tube

Neumann is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

M 150 Tube

Tube Microphone

www.neumann.com

ince the 1950s, the Neumann M 50 has been heralded as the ideal microphone for orchestral recording and string scoring. With its phenomenal transient response and unique directional characteristic, this classic mic has endeared many fans, both in the control room and on the soundstage.

The new M 150 Tube takes many of the features from the original M 50 and incorporates them in a very modern microphone. With low self noise, a Titanium membrane and capsule, transformerless tube amplifier and sophisticated power supply, the M 150 Tube is not a reissue but an entirely new microphone in its own right.

Acoustical features

The Titanium diaphragm of the pressure capsule is 12 mm in diameter and is exceedingly thin. Although Titanium has been known to have unique and desirable characteristics for some time, it has, until very recently, been very difficult to procure in the quality necessary for use in a microphone of this type.

The headgrille is shaped just like that on the original M 50, as requested by various top engineers in the recording industry. Due to mounting the pressure capsule with the diaphragm flush to the surface of a small (40 mm) sphere, the directional characteristic of the M 150 Tube is entirely unique.

At the lowest frequencies, this system is a pure omnipressure transducer with a perfectly circular polar pattern. However, in the midand upper frequencies, the pickup pattern becomes more narrow.

The M 150 Tube is an ideal microphone for any stereo, 5.1 or 7.1 surround recording, particularly DECCA Tree technique.

Features

• All Titanium capsule

• Unparalleled transient accuracy

• Pressure omni capsule for extended low frequency response

• Modern version of the worldfamous M 50

• Very low self noise of 15 dB-A

The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

• Transformerless tube amplifier based on the award-winning M 149 Tube microphone

• Ideal for DECCA tree recording and surround miking techniques

• Stereo sets with consecutive serial numbers

Electrical features

The dynamic range of the M 150 Tube is 119 dB, allowing reproduction of the full musical expression, without restraint.

With a low self noise of 15 dB-A, more gain can be used without risk of adding noise to the final product. The transformerless output circuit of this microphone allows for extremely fine reproduction of small signals and low frequency information. Also, long cable runs can be used with no loss of signal quality.

Application Hints

• Its special acoustic properties make this an ideal mic for most classical recordings

• A superb AB stereo pair for perfect balance of direct and reverberant sound

• Decca tree, setup with three microphones

• A highest quality spot (solo) mic

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

Delivery Range

150150

Tube:Tube:

150

Tube: M 150 Tube Microphone, N 149 A Power

150150

Tube:Tube: supply, EA 170 Elastic suspension, KT 8 Connecting cable, Aluminium case

150150

Tube Stereo-Set:Tube Stereo-Set:

150

Tube Stereo-Set: 2x M 150 Tube Microphone,

150150

Tube Stereo-Set:Tube Stereo-Set: 2x N 149 A Power supply, 2x EA 170 Elastic suspension, 2x KT 8 Connecting cable, Aluminium case

Catalog No.

M 150 Tube (230 V, EU) ......................................... ni ............... 008 456

M 150 Tube (230 V, UK) ......................................... ni............... 008458

M 150 Tube (117 V, US) ......................................... ni............... 00 8457

M 150 Tube Stereo set (230 V, EU) ............... ni ............... 0084 62

M 150 Tube Stereo set (230 V, UK) ............... ni............... 00 8464

M 150 Tube Stereo set (117 V, US) ................ni ............... 0084 63

Selection of Accessories

Power supply, N 149 A (EU) ................................ blk ............0 0844 7

Power supply, N 149 A (US) ................................. blk ............ 0084 46

Power supply, N 149 A (UK) ................................ blk ............0 0844 8

Elastic suspension, EA 170 ..................................... ni............... 007271

Auditorium hanger, MNV 87 .................................. ni ...............0 0680 4

Floor stand, MF 4 ........................................................... blk ............ 0073 37

Stand extension, STV 60 ............................................ blk ............ 006189

Popscreen, PS 15 ............................................................ blk ............ 0084 72

Popscreen, PS 20 a....................................................... blk ............ 008 48 8

Microphone cable, IC 3 mt....................................... blk ............ 006543

A complete survey and detailed descriptions of all accessories are contained in the accessories catalog

Meaning of color codes: blk = black, ni = nickel

measured in free-field conditions (IEC 60268-4)

Technical Data

Acoustical operating principle ............................................... Pressure transducer

Directional pattern .................................................................................. omnidirectional

Frequency range .................................................................................... 20 Hz...20 kHz

Sensitivity at 1 kHz into 1 kohm ............................................................. 20 mV/Pa

Rated impedance................................................................................................... 50 ohms

Rated load impedance .......................................................................................1 kohms

Signal-to-noise ratio, CCIR Signal-to-noise ratio, A-weighted Equivalent noise level, CCIR Equivalent noise level, A-weighted

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS 2) measured as equivalent el. input signal

(rel. 94 dB SPL) ............................................6 6 dB

(rel. 94 dB SPL) .............................7 9 dB

............................................................................... 28 dB

...........................................................15 dB-A

Neumann is a registered trademark of the Georg Neumann GmbH in certain countries.

Typical SPL (tube characteristic)

for < 0.5% THD (for < 5% THD) .................................................. 114 (134) dB

Maximum output voltage ........................................................................................ 8 dBu

Dynamic range of the microphone amplifier:

(A-weighted) for < 0.5% THD (for < 5% THD) ..................... 99 (119) dB

Powering...................................................................................... Power supply N 149 A

Matching connector microphone ..................................................................... DIN 8 F

Matching connector power supply .................................................................. XLR3F

Weig ht .................................................................................................................................8 00 g

Diameter/Length ............................................................................................78/165 mm

Product Information

TLM 49

Large Diaphragm Microphone

www.neumann.com

he TLM 49 is a large-diaphragm studio microphone with a cardioid directional characteristic and a warm sound which is especially optimized for vocal performance. It is supplied as a set, with an elastic suspension.

The design is inspired by that of the legendary M 49 and M 50 microphones of the 1950s. Naturally the TLM 49 has the typical Neumann fine matte nickel finish. The “sound design” is also oriented toward that of the M 49 and the U 47.

By combining its retro look with proven Neumann transformerless circuit technology, this microphone ensures low self-noise and the use of high gain levels.

Applications

During the development phase, the sound was

adjusted in extensive practical tests, so as to make the TLM 49 ideal particularly for vocal and

speech recording. However, in addition, it is also

suitable for instrumental applications in profession-

al production studios and demanding home record-

ings.

Polar patterns

The large-diaphragm capsule of the TLM 49 provides a car-

dioid directional characteristic with a tendency toward supercardioid, due to the special capsule construction. Following the example of the M 49, high frequencies are more directional. The capsule diameter is 34 mm.

The front of the microphone is indicated by the red Neumann logo on the microphone body. The capsule is oriented so that the microphone is addressed from the front.

Acoustic features

The TLM 49 uses the famous K 47 capsule, which was also used in the M 49 and the U 47. The capsule has a linear frequency response up to the upper mid-range. Above 2 kHz there is a gentle presence boost up to 3 dB.

The capsule is enclosed by a large microphone headgrille, which is acoustically very open and is hence neutral with regard to the sound.

Electrical features

The letters TLM stand for “transformerless microphone”.

The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

With TLM technology the usual output transformer is replaced by an electronic circuit.

As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.

Noise signals which affect the balanced modulation line are therefore effectively suppressed. The microphone can operate at sound pressure levels of up to 140 dB, and provides a dynamic range of 117 dB (A-weighted).

Operational reliability

The entire interior structure is mounted elastically, to prevent the transmission of structure-borne noise. In addition, the capsule is mounted with a rubber shock mount.

Due to the wide frequency response, the TLM 49 can also transmit extremely low-frequency signals without coloration. Of course this means that the microphone is also sensitive to noise signals such as vibration noise and wind noise in this frequency range. The TLM 49 is therefore supplied with the elastic suspension EA 3, which effectively protects the microphone from structure-borne noise. If the microphone is addressed at extremely close range, pop screen PS 15 or PS 20 a can be used in front of the microphone to provide protection against plosive sounds.

TLM 49

Features

• Sound profile optimized for vocal performance

• Pressure gradient transducer with the large-diaphragm capsule of the legendary U47

• Cardioid characteristic

• Retro design

• Transformerless output circuitry

• Acoustically very open wire mesh headgrille

• Complete set with elastic suspension

Application Hints

• Vocal microphone: Lends richness, power and brilliance to the voice, while remaining balanced and transparent

• Announcer’s microphone for broadcasting, dubbing and voiceovers

• Spot microphone and for recording e.g. strings, piano and guitar

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

Delivery Range

TLM 49 Microphone, EA 3 Elastic suspension

Catalog No.

TLM 49 S et ..........................................................................ni ............... 008550

Selection of Accessories

Power supply, N 248 (EU) .......................................blk ............ 008537

Power supply, N 248 (US) ........................................blk ............ 008538

Power supply, N 248 (UK) .......................................blk ............ 008539

Battery supply, BS 48 i .................................................blk ............ 006494

Auditorium hanger, MNV 87 .................................... ni ...............006804

Auditorium hanger, MNV 87 mt ............................ blk ............ 006806

Popscreen, PS 15 .............................................................. blk ............ 008472

Popscreen, PS 20 a......................................................... blk ............ 008488

Microphone cable, IC 3 mt......................................... blk ............ 006543

Microphone cable, IC 4 ................................................. ni............... 006547

Microphone cable, IC 4 mt......................................... blk ............ 006557

A complete survey and detailed descriptions of all accessories are contained in the accessories catalog.

Meaning of color codes: blk = black, ni = nickel

measured in free-field conditions (IEC 60268-4)

Technical Data

Acoustical operating principle ........................... Pressure gradient transducer

Directional pattern ...................................................................................................Cardioid

Frequency range ..................................................................................... 20 Hz...20 kHz

Sensitivity at 1 kHz into 1 kohm .............................................................. 13 mV/Pa

Rated impedance................................................................................................... 50 ohms

Rated load impedance..................................................................................1000 ohms

Signal-to-noise ratio, CCIR Signal-to-noise ratio, A-weighted Equivalent noise level, CCIR Equivalent noise level, A-weighted

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS 2) measured as equivalent el. input signal, THD2 dominant

(rel. 94 dB SPL) .............................................. 71 dB

(rel. 94 dB SPL) ................................ 82 dB

................................................................................. 23 dB

............................................................ 12 dB-A

Neumann is a registered trademark of the Georg Neumann GmbH in certain countries.

Maximum SPL for THD < 0.5% Maximum output voltage for THD < 5% Dynamic range of the amplifier (A-weighted, 0.5% Dynamic range of the amplifier (A-weighted, 5%

Supply voltage (P48, IEC 61938) ........................................................48 V ± 4 V

Current consumption (P48, IEC 61938) ................................................... 3.2 mA

Matching connector .................................................................................................. XLR3F

Weight................................................................................................................................. 825 g

Diameter ......................................................................................................................... 78 mm

Length........................................................................................................................... 1 65 mm

(THD < 5%2)) ............... 110 (140) dB

............................................. 11 dBu

) ......................... 98 dB

) ......................... 117 dB

Product Information

TLM 103

Large Diaphragm Microphone

www.neumann.com

he TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.

By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically wellbalanced and provides extraordinary attenuation of signals from the rear.

The TLM 103 is available in satin nickel and matte black. Delivery includes an SG 1 metal swivel mount and a wooden jeweler’s box.

Applications

Due to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.

Polar pattern

The TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern – used in most recording situations – the attenuation of unwanted rear sound has been optimized.

Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.

Acoustic features

The TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body.

The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 / U 87 microphones.

Features

• Large diaphragm cardioid microphone

• Pressure-gradient transducer with one-diaphragm capsule

• Transformerless circuitry

• Extremely low noise: 7 dB-A

• Includes swivel mount

• Straightforward handling for homerecording and professional studios

• High-quality professional equipment for limited budgets

Application Hints

• A universal cardioid mic

• Vocalist recording

• Announcer’s mic for broadcasting/voice over

• Due to minimal self-noise: on-air mic for radio/broadcast, very low amplitude signals, radio drama, sampling, foley/sound effects

• Home recording and project studios

• Spot mic for wind instruments, strings, percussion, guitar amps, drum overhead

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

Delivery Range

TLM 103 (mt) Microphone, SG 1 Stand mount swivel in Wooden box

MonoMono

set:set:

Mono

set: TLM103 (mt) Microphone, EA 1 (mt) Elastic

MonoMono

set:set:

suspension in aluminium case StereoStereo

set:set:

Stereo

set: 2x TLM 103 (mt) Microphone, 2x EA 1 (mt)

StereoStereo

set:set:

Elastic suspension in aluminium case StudioStudio

set:set:

Studio

set: TLM103 (mt) Microphone, EA 1 (mt) Elastic

StudioStudio

set:set:

suspension

Catalog No.

TLM 10 3................................................................................ ni ...............0 0843 0

TLM 103 mt ........................................................................blk ............ 008 431

TLM 103 Mono set........................................................ ni ...............0 0850 8

TLM 103 mt Mono set ................................................ blk ............ 0085 09

TLM 103 Stereo set....................................................... ni ...............0 0850 1

TLM 103 mt Stereo set ............................................... blk ............ 0085 02

TLM 103 Studio set........................................................ ni............... 00 8545

TLM 103 mt Studio set ................................................ blk ............0 0854 4

Selection of Accessories

Power supply, N 248 (EU) .......................................blk ............ 0085 37

Power supply, N 248 (US) ........................................blk ............ 008 538

Power supply, N 248 (UK) .......................................blk ............ 0085 39

Auditorium hanger, MNV 87 .................................... ni ...............0 0680 4

Auditorium hanger, MNV 87 mt ............................ blk ............ 0068 06

Elastic suspension, EA 1.............................................. ni ............... 00 8449

Elastic suspension, EA 1 mt ......................................blk ............ 008 450

Popscreen, PS 15 .............................................................. blk ............ 0084 72

Popscreen, PS 20 a......................................................... blk ............ 008488

Microphone cable, IC 3 mt......................................... blk ............ 006543

Microphone cable, IC 4 ................................................. ni............... 00 6547

A complete survey and detailed descriptions of all accessories are contained in the accessories catalog.

Meaning of color codes: blk = black, ni = nickel

The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost.

The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises.

These characteristics are achieved without resorting to corrective resonance effects. Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.

Electrical features

With just 7 dB-A / 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noisefree. As it is capable of handling sound pressure levels up to 138 dB without distortion, the TLM 103 provides a dynamic range of 131 dB (Aweighted).

The letters TLM stand for “transformerless microphone”. With TLM technology the usual output transformer is replaced by an electronic circuit.

As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.

TLM 103

Operational safety

The entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103’s operation. Furthermore the capsule is set on an elastic mount.

The frequency range reaches below 20 Hz and ths even very low bass signals are reproduced without coloration.

Due to this low frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise. For such cases, the elastic suspension EA 1 and the windscreen WS87 are available as accessories. For close vocal use, the PS 15 or PS 20 a pop screens are recommended.

The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

Technical Data

measured in free-field conditions (IEC 60268-4)

TLM 103

Acoustical operating principle ........................... Pressure gradient transducer

Directional pattern ...................................................................................................Cardioid

Frequency range ..................................................................................... 20 Hz...20 kHz

Sensitivity at 1 kHz into 1 kohm .............................................................. 23 mV/Pa

Rated impedance................................................................................................... 50 ohms

Rated load impedance.................................................................................. 1000 ohms

Signal-to-noise ratio, CCIR Signal-to-noise ratio, A-weighted Equivalent noise level, CCIR Equivalent noise level, A-weighted

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS 2) measured as equivalent el. input signal

(rel. 94 dB SPL) ......................................... 76. 5 dB

(rel. 94 dB SPL) ................................ 87 dB

............................................................................ 17.5 dB

................................................................ 7 dB-A

Maximum SPL for THD 0.5%

Maximum output voltage .................................................................................... 13 dBu

Dynamic range of the microphone amplifier (A-weighted) ......... 131 dB

Supply voltage (P48, IEC 61938) .........................................................48 V ± 4 V

Current consumption (P48, IEC 61938) ........................................................ 3 mA

Matching connector .................................................................................................. XLR3F

Weight.............................................................................................................. approx. 450 g

Diameter ......................................................................................................................... 60 mm

Length........................................................................................................................... 1 32 mm

...................................................................... 138 dB

Selection of Accessories

Power supply, N 248

Popscreen, PS 15 Popscreen, PS 20 a Microphone Cable, IC 3 mt Microphone Cable, IC 4 (mt)

Battery supply, BS 48 i

Elastic Suspension, EA 1 (mt) Auditorium Hanger, MNV 87 (mt)

Windscreen, WS 87

Table Stand, MF 3

(in connection with IC 4)

Neumann is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

TLM 193

Large Diaphragm Microphone

www.neumann.com

he TLM 193 is a large diaphragm microphone with a cardioid polar pattern. With this microphone Neumann continues its long tradition, and is offering high end technology at an affordable price for musicians and the home recording studio.

The microphone uses a transformerless circuit, featuring extremely low self noise and large dynamic range.

The polar response is very linear over a wide incidence angle. Thus, even signals coming from the side are reproduced faithfully and without coloration.

The exposed surface of the microphone capsule is at ground potential, making it immune to typical interference and contamination. The microphone is supplied with a swivel mount.

Applications

The TLM 193 is a microphone with cardioid characteristic for professional recording and live applications. It is the ideal microphone for professional productions, for musicians and project studios.

Polar pattern

The TLM 193 has a large diaphragm capsule with cardioid characteristic.

The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

Features

• Large diaphragm cardioid microphone

• Pressure-gradient transducer

• Transformerless circuitry

• Extremely low noise: 10 dB (A)

• Includes swivel mount

• The “plug and play” microphone for professional studios, musicians and homerecording applications

• High-quality professional equipment for mid-size budgets

Acoustic features

The TLM 193 is addressed from the front, marked with the Neumann logo.

The large diaphragm capsule inside the headgrille has a very smooth frequency response for all polar patterns over a wide acceptance angle.

The curves are flat and parallel to the 0° frequency curve up to 10 kHz within a pickup angle of ± 100°.

TLM 193

The TLM 193 differs from omnidirectional pressure transducers, where, due to physical reasons, the diffuse-field and free-field responses never agree.

This microphone has a very even diffuse-field response for all polar patterns. This is important in a reverberant environment, as more reflections arrive at the microphone from different directions.

The acoustic information is not affected in its tonal quality when recorded by the microphone. This characteristic is achieved without resorting to corrective resonance effects.

Therefore, the microphone maintains an excellent impulse response reproducing all transient phenomena of music and speech without coloration.

Electrical features

The letters TLM stand for “transformerless microphone”. With TLM technology the usual output transformer is replaced by an electronic circuit.

As with traditional transformers, it ensures good common mode rejection, and prevents RF interference, that may influence the balanced audio signal.

Compared to other microphones the self noise level of the TLM 193 is considerably reduced. As it is capable of handling sound pressure levels up to 140 dB without distortion, the TLM 193 provides a dynamic range of 130 dB (A-weighted).

Operational safety

All exposed surfaces of the microphone capsule, including the diaphragms, are at ground potential. This technology makes them highly immune to electrical and atmospheric interference and contamination through microscopic dust particles.

The capsule is elastically mounted to avoid any structure borne noise that could interfere with its operation.

The frequency response of the TLM 193 amplifier is linear down to 20 Hz. Even very low bass signals are reproduced without coloration.

This implies that the microphone becomes more sensitive to subsonic frequencies, from structure borne noise or pop and wind noise.

To avoid any LF interference, we recommend to use the EA 1 elastic suspension, the PS 15 pop screen, or the WS 89 windscreen.

Application Hints

• A universal cardioid mic

• Ideal for close miking of instruments with high sound pressure levels

• Announcer’s mic for broadcasting/dubbing

• Home recording and project studios

• Vocalist recording

• Spot mic for

- wind instruments

- strings

- percussion

- guitar amps

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

Delivery Range

TLM 193 Microphone SG 1 Stand mount swivel Wooden box

Catalog No.

TLM 19 3....................................................... blk .......008381

Selection of Accessories

Battery supply, BS 48 i........................ blk .......0 0649 4

Power supply, N 248 (EU) .............. blk .......0 0853 7

Power supply, N 248 (US) ............... blk .......008538

Power supply, N 248 (UK) ..............blk ....... 0085 39

Auditorium hanger, MNV 87 mt ...blk .......0 06806

Elastic suspension, EA 1 mt .............b lk ....... 0084 50

Popscreen, PS 15 ..................................... blk .......00847 2

Windscreen, WS 89 ............................... blk .......0 0719 7

Microphone cable, IC 4 mt

(with stand mount swivel) .................. blk ....... 0065 57

A complete survey and detailed descriptions of all accessories are contained in the accessories catalog.

Meaning of color codes: blk = black, ni = nickel

measured in free-field conditions (IEC 60268-4), tolerance ±2 dB

Technical Data

Acoustical operating principle ........................... Pressure gradient transducer

Directional pattern ...................................................................................................Cardioid

Frequency range ..................................................................................... 20 Hz...20 kHz

Sensitivity at 1 kHz into 1 kohm .............................................................. 18 mV/Pa

Rated impedance................................................................................................... 50 ohms

Rated load impedance..................................................................................1000 ohms

Signal-to-noise ratio, CCIR Signal-to-noise ratio, A-weighted Equivalent noise level, CCIR Equivalent noise level, A-weighted

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS 2) measured as equivalent el. input signal

(rel. 94 dB SPL) .............................................. 73 dB

(rel. 94 dB SPL) ................................ 84 dB

................................................................................. 21 dB

............................................................ 10 dB-A

Neumann is a registered trademark of the Georg Neumann GmbH in certain countries.

Maximum SPL for THD 0.5%

Maximum output voltage .................................................................................... 13 dBu

Dynamic range of the microphone amplifier (A-weighted) ......... 130 dB

Supply voltage (P48, IEC 61938) .........................................................48 V ± 4 V

Current consumption (P48, IEC 61938) ........................................................ 3 mA

Matching connector .................................................................................................. XLR3F

Weight................................................................................................................................. 480 g

Diameter ......................................................................................................................... 49 mm

Length........................................................................................................................... 175 mm

...................................................................... 140 dB

Product Information

TLM 67

Large Diaphragm Microphone

www.neumann.com

In the world of studio microphones, the numbers “47”, “67” and “87” have associations that inspire enthusiasm among professionals in the field. It is of course no coincidence that the name of the new TLM 67 contains the number “67”. In many respects, the TLM 67 is based on the “workhorse” of the 1960s, the legendary U 67. Like the U 67, the TLM 67 incorporates the K 67 capsule. In addition, the special new circuit design closely reproduces the sound characteristics of the classic U 67, without the use of tubes. Similar Neumann circuit technology has already proved very successful in the TLM 49.

The TLM 67 is extremely versatile. Its three switchable directional characteristics (omnidirectional, cardioid and figure-8), selectable 10 dB pre-attenuation and high-pass filter permit detailed adjustments to be made, depending upon the specific recording situation.

Exterior design

The TLM 67 is a large-diaphragm condenser microphone in the classic Neumann style, with a unique dual-color design. The stylish pearl-gray of the microphone body combined with the classic Neumann nickel lends the microphone a touch of distinctive individuality.

The legendary, frequently imitated design of the Neumann U 67 was the first to be developed by Neumann employees in collaboration with the famous German designer, Wilhelm Braun-Feldweg. The design of the TLM 67 represents a contemporary development of that of the U 67, transferring its positive impact to the present era. The enhanced exterior design thus links past and future microphone design trends.

On the occasion of its 80th anniversary, the Neumann company is honoring its founder, Georg Neumann, with a threedimensional metal emblem on the front of the TLM 67. The distinctive Neumann attraction is conveyed in every detail of the microphone.

Applications

Due to its extensive control features, the TLM 67 is suitable for a wide range of applications. In addition to its primary role as a vocal microphone for all types of music and spoken voice, in orchestral recordings the TLM 67 can be used as a main microphone and as a spot microphone for individual instruments.

Acoustic features

The microphone is addressed from the side on which the Neumann logo is located.

A large wire mesh grille encloses the elastically mounted double diaphragm capsule. The directional characteristics omni-

The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

directional, cardioid or figure-8 can be selected via a switch below the grille. The selected setting is indicated by a symbol shown in a window above the switch.

Electrical features

The letters “TLM” stand for “transformerless microphone”. In the TLM 67, an electronic circuit is used rather than a conventional output transformer. Like a transformer, the circuit ensures good common mode rejection, effectively suppressing interference signals that affect the balanced modulation line. The microphone can operate at sound pressure levels of up to 105 dB without distortion, and has a dynamic range of 94 dB (A-weighted), without the use of the preattenuation switch.

Filter and pre-attenuation

The pre-attenuation switch on the back of the microphone can be used to reduce transmission levels by approx. 10 dB. It should be used only when there is a risk of overloading following devices due to very high sound pressure levels. Use of the switch does not increase the dynamic range of the microphone, but rather shifts it by 10 dB, to higher sound pressure levels. The other switch on the back of the microphone can be used to change the cutoff frequency of the built-in high-pass filter, so as to suppress the effects of impact sound and wind noise, or to compensate for the proximity effect.

Operational reliability

Elastic mounting of the capsule supplies protection from the transmission of structure-borne noise. If required, the EA 87 elastic suspension and WS 87 windscreen are available as accessories, for further suppression of structure-borne and wind noise. The PS 15 or PS 20 a popscreen can be used if the microphone is to be addressed at close range.

TLM 67

Features

• Sound characteristics based on the legendary U 67

• Three switchable directional characteristics

• Switchable high-pass filter and pre-attenuation

• Transformerless circuit design

• New dual-color exterior design

Application Hints*

• Extremely versatile

• Vocal microphone (soloists and background choir)

• Broadcasting, dubbing and voiceovers

• Overhead microphone

• Spot microphone, and suitable e.g. for strings, especially cello and double bass, as well as piano

Delivery Range

TLM 67 microphone, Case

Catalog No.

TLM 67 ...............................................................p gr ............................................ 0086 05

* These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

measured in free-field conditions (IEC 60268-4), tolerance ±2 dB

Technical Data

Acoustical operating principle ......................... Pressure gradient transducer

Directional pattern ................................................................ Omni/cardioid/figure-8

Frequency range ................................................................................... 20 Hz...20 kHz

Sensitivity at 1 kHz into 1 kohm ............................................... 10/18/9 mV/Pa

Rated impedance................................................................................................. 50 ohms

Rated load impedance....................................................................................... 1 kohms

Signal-to-noise ratio, CCIR Signal-to-noise ratio, A-weighted Equivalent noise level, CCIR Equivalent noise level, A-weighted

Maximum SPL (tube characteristic)

for THD < 0.5 % ........................................................................... 110/105/111dB

for THD < 5 % .................................................................................. 130/125/131 dB

Maximum output voltage ................................................................................... –1 dB u

Dynamic range of the microphone amplifier:

(A-weighted) for < 0.5% THD (for < 5% THD) ..................... 94(104) dB

Power supply....................................................................................................................... P48

Matching connector microphone .................................................................... XLR3F

Weight................................................................................................................................ 490g

Diameter/Length ..........................................................................................56/200 mm

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS 2) measured as equivalent el. input signal

(rel. 94 dB SPL) ...........................65/70/64 dB

(rel. 94 dB SPL) ............. 78/83/77 dB

.............................................................. 29/24/30 dB

.......................................... 16/11/17dB-A

Neumann is a registered trademark of the Georg Neumann GmbH in certain countries.

Selection of Accessories

Elastic suspension, EA 87 ......................................ni ................................. 007297

Auditorium hanger, MNV 87 ................................ni ................................. 006804

Stand mount, SG 87 ...................................................blk .............................. 008619

Windscreen, WS 87 .................................................... blk .............................. 006753

Popscreen, PS 15 .......................................................... blk .............................. 008472

Popscreen, PS 20 a.....................................................b lk .............................. 008488

Battery supply, BS 48 i............................................. blk .............................. 006494

Battery supply, BS 48 i-2 .......................................blk .............................. 006496

Power supply, N 248 EU ....................................... blk .............................. 008537

Power supply, N 248 US........................................ blk .............................. 008538

Power supply, N 248 UK .......................................b lk .............................. 008539

Microphone cable, IC 3 mt..................................... blk .............................. 006543

Microphone cable, IC 4 ............................................. ni................................. 0 06547

Microphone cable, IC 4 mt..................................... blk .............................. 006557

A complete survey and detailed descriptions of all accessories are contained in the accessories catalog

Meaning of color codes: pgr = pearl gray, blk = black, ni = nickel, gry = gray

Product Information

TLM 170 R

Large Diaphragm Microphone

www.neumann.com

The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

he TLM 170 R was the first microphone to use the successful fet 100 technology. Along with a balanced, transformerless output stage it features extremely low self-noise and an impressive dynamic range.

Five directional characteristics are selectable by means of a rotary switch. In the sixth position, marked “R”, the directional patterns can be controlled remotely with the N 248 power supply. There is no special cable necessary for this purpose.

The microphone has at its rear a 10 dB attenuation switch for extremely high sound pressure levels, and a high-pass filter to suppress structure born noise.

Applications

The TLM 170 R condenser microphone is a large diaphragm microphone with multiple polar patterns. Its sound has a very transparent characteristic, in contrast to some of our other microphones that have a distinct personality.

Therefore, this microphone is used for many diverse applications in professional recording studios, in broadcasting, film and television, and for semiprofessional productions. The polar patterns can be selected either at the microphone itself, or controlled remotely through the special N 48 R-2 power supply.

Acoustic features

The microphone is addressed from the front, marked with the Neumann logo. The large diaphragm capsule inside the headgrille has a

Features

• Local and remote controlled large diaphragm microphone

• Pressure-gradient transducer with double membrane capsule

• Five directional characteristics: omni, wide angle cardioid, cardioid, hypercardioid, figure-8

• Patented circuitry for remote and local switching of directional characteristics

• Switchable low frequency rolloff and 10 dB preattenuation

• Tiltable, elastically suspended bracket mount

TLM 170 R

very smooth frequency response for all polar patterns over a wide acceptance angle. The curves are flat and parallel to the 0° frequency curve up to 10 kHz within an angle of ± 100°.

As a result the TLM 170 R has a very even diffuse-field response for all polar patterns. This is important in a reverberant environment, as more reflections arrive at the microphone from different directions. The acoustic information is not affected in its tonal quality when recorded by the microphone. This characteristic is achieved without resorting to corrective resonance effects.

Therefore, the microphone maintains an excellent impulse response reproducing all transient phenomena of music and speech without any coloration.

The capsule is elastically mounted to avoid any structure borne noise that could interfere with its operation.

Polar patterns

In addition to the usual directional polar patterns: omnidirectional, cardioid, and figure-8, we have added a hypercardioid and wide-an-gle cardioid characteristic. When compared to the standard cardioid pattern, the hypercardioid characteristic suppresses sound from the side more efficiently. The wideangle polar pattern is especially useful to record large sound sources.

Remote control

The N 248 controls the polar pattern remotely by varying the phantom voltage. The range is ± 3 V of the nominal 48 V value. (According to DIN standard a range of ± 4 V is permissible.)

The rotary switch on the microphone must be in the position R (= remote control). In this switch position the TLM 170 R microphone analyses the absolute value of the phantom power and selects the corresponding polar pattern. A standard 3-pin microphone cable is used, similar to the microphone’s conventional operation. Cable lengths may be up to 300 m (1000 feet).

Electrical features

The letters TLM stand for “transformerless microphone”. With TLM technology the usual output transformer is replaced by an electronic circuit.

As with traditional transformers, it ensures good common mode rejection, and prevents RF interference, that may influence the balanced audio signal.

Technical Data

Acoustical operating principle ......................... Pressure gradient transducer

Directional pattern ............................... Omnidirectional, wide angle cardioid,

Frequency range ................................................................................... 20 Hz...20 kHz

Sensitivity at 1 kHz into 1 kohm ................................................................ 8 mV/Pa

Rated impedance.................................................................................................. 50 ohms

Rated load impedance ...............................................................................1000 ohms

Signal-to-noise ratio, CCIR Signal-to-noise ratio, A-weighted Equivalent noise level, CCIR Equivalent noise level, A-weighted

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS 2) measured as equivalent el. input signal

cardioid, hypercardioid, figure-8

(rel. 94 dB SPL) ...........................................68 dB

(rel. 94 dB SPL) ............................8 0 dB

.............................................................................. 26 dB

.......................................................... 14 dB-A

Maximum SPL for THD 0.5% Maximum SPL for THD 0.5% with preattenuation

Maximum output voltage ................................................................................... 10 dBu

Dynamic range of the microphone amplifier (A-weighted) ........1 30 dB

Supply voltage (P48, IEC 61938) ......................................................48 V ± 4 V

Current consumption (P48, IEC 61938) ...................................................... 3 mA

Matching connector ................................................................................................. XLR3F

Weig ht ...............................................................................................................................625 g

Diameter ........................................................................................................................60 mm

Length.......................................................................................................................... 152 m m

.................................................................... 144 d B

..................... 154 dB

Operational safety

All exposed surfaces of the capsule, including the diaphragms, are at ground potential. This technology makes them highly immune to electrical and atmospheric interference and contamination through dust particles.

Filter and attenuation

The TLM 170 R microphone has a 10 dB attenuation switch to prevent the input of the following unit from being overloaded.

A second switch at the rear allows to attenuate the frequency response below 100 Hz to suppress undesired structure borne noise.

Use on tripods

The TLM 170 R is provided with a tilting side bracket to attach the microphone to booms or stands. The bracket is equipped with rubber elements that effectively protect the microphone from mechanical shock.

If necessary, it can be mounted on the other side of the microphone as well.

When using the IC 4 cable (for example to suspend the microphone from the ceiling with the MNV 87 auditorium hanger), the bracket and its holder need to be removed.

The microphone can then be connected to the swivel mount connector of the cable.

Delivery Range

Microphone TLM 170 R (mt), Dust cover, Wooden box

Stereo set:Stereo set:

Stereo set: 2x TLM170 R (mt) Microphone,

Stereo set:Stereo set: 2x EA 170 (mt) Elastic suspension, Dust cover, Aluminium case

Catalog No.

TLM 17 0 R ..................................................ni ..........007165

TLM 170 R mt .......................................... blk .......007166

TLM 170 R Stereo set ......................... ni.......... 0085 03

TLM 170 R mt Stereo set ................. blk .......0 0850 4

Selection of Accessories

Battery supply, BS 48 i........................ blk .......0 0649 4

Power supply, N 248 EU ..................blk ....... 008 537

Power supply, N 248 US ................... blk ....... 0085 38

Power supply, N 248 UK ..................blk ....... 008 539

Elastic suspension, EA 170 ..............ni ..........007271

Elastic suspension, EA 170 mt...... blk ....... 0072 73

Auditorium hanger, MNV 87 ...........ni ..........00680 4

Auditorium hanger, MNV 87 mt ...blk ....... 006 80 6

Popscreen, PS 20 a................................b lk ....... 0084 88

Windscreen, WS 87 ............................... blk .......0 0675 3

Microphone cable, IC 4 ........................ ni.......... 006 547

Microphone cable, IC 4 mt................ blk .......0 06 557

A complete survey and detailed descriptions of all accessories are contained in the accessories catalog.

Meaning of color codes: blk = black ni = nickel

Application Hints

• For universal use, very transparent, without coloration

• Announcer’s mic for broadcasting, dubbing, voice-over

• Ideal mic for close miking of instruments with high sound pressure levels

• Spot mic for wind instruments, especially trumpet and saxophone, strings, piano, kick drum, guitar amps

• During recordings when the mic is in a location where it is difficult to change polar patterns, for example, suspended from a ceiling. A special remote control is available.

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

measured in free-field conditions (IEC 60268-4), tolerance ±2 dB

TLM 170 R

Neumann is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

U87Ai

Large Diaphragm Microphone

www.neumann.com

he U 87 is probably the best known and most widely used Neumann studio microphone. It is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille.

A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion.

Furthermore, the low frequency response can be reduced to compensate for proximity effect.

Applications

The U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic.

Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.

The U 87 Ai is used as a main microphone for orchestra recordings, as a spot mic for single instruments, and extensively as a vocal microphone for all types of music and speech.

Acoustic features

The U 87 Ai is addressed from the front, mark-

The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

Features

• Variable large diaphragm microphone

• Pressure-gradient transducer with double membrane capsule

• The studio microphone classic

• Three directional characteristics: omni, cardioid, figure-8

• Switchable low frequency roll-off

• Switchable 10 dB preattenuation

• Ideal as main and as support microphone in the most differing recording situations

ed with the Neumann logo.

The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range.

The microphone can be used very close to a sound source without the sound becoming unnaturally harsh.

By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkably.

U87Ai

Polar patterns

The dual-diaphragm capsule is elastically mounted and protected by a large headgrille.

A switch below the headgrille selects the three directional patterns: omnidirectional, cardioid and figure-8.

A window above this switch shows the symbol of the selected characteristic.

Electrical features

The letter A in the name indicates a more recent generation, as compared to the U 87 i microphones that were built from 1967 to 1986. Modifications apply to the electronic components of the microphone only; the capsule remained unchanged.

The present-day circuitry increases the operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S/N ratio of 3 dB.

Filter and attenuation

A switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion.

An additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier.

This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).

The cardioid characteristic maintains a smooth frequency response at a distance of 30 to 40 cm, the figure-8 characteristic even at a distance of 15 to 20 cm.

Application Hints

• For universal use

• The classical studio mic for vocalists (soloists and background vocalists)

• Announcer’s mic for broadcasting, dubbing, voice-over

• Overhead

• Spot mic for

- wind instruments

- strings (especially cello and double bass)

- piano

- percussion

• Note: To record instruments with very high sound pressure levels we recommend our mics with TLM circuitry

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

Delivery Range

Microphone U 87 Ai (mt) in Wooden box

Stereo set:Stereo set:

Stereo set: 2x U 87 Ai (mt) Microphone, 2x

Stereo set:Stereo set: EA 87 (mt) Elastic suspension, 2x Dust cover, Aluminium case

Catalog No.

U 87 Ai........................................................... ni ..........00 7022

U 87 Ai mt ................................................... blk ....... 007023

U 87 Ai Stereo set .................................. ni.......... 00 8505

U 87 Ai mt Stereo set ..........................blk ....... 008506

Selection of Accessories

Battery supply, BS 48 i ........................ blk ....... 006494

Power supply, N 248 EU ..................blk ....... 008537

Power supply, N 248 US ................... blk ....... 008538

Power supply, N 248 UK ..................blk ....... 008539

Auditorium hanger, MNV 87 ...........ni ..........006804

Auditorium hanger, MNV 87 mt ...blk ....... 006806

Elastic suspension, EA 87 .................ni .......... 007297

Elastic suspension, EA 87 mt .........blk .......007298

Stand mount swivel, SG 87 ..............blk ....... 0086 19

Popscreen, PS 20 a................................b lk ....... 008488

Windscreen, WS 87 ............................... blk .......0 06753

Microphone cable, IC 4 mt................ blk ....... 006557

A complete survey and detailed descriptions of all accessories are contained in the accessories catalog.

Meaning of color codes: blk = black, ni = nickel

measured in free-field conditions (IEC 60268-4), tolerance ±2 dB

Technical Data

Acoustical operating principle ............................ Pressure gradient transducer

Directional pattern ......................................... Omnidirectional, cardioid, figure-8

Frequency range ..................................................................................... 20 Hz...20 kHz

Sensitivity at 1 kHz into 1 kohm ........................................... 20/28/22 mV/Pa

Rated impedance.................................................................................................200 ohms

Rated load impedance.................................................................................. 1000 ohms

Signal-to-noise ratio, CCIR

Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL) ............. 79/82/80 dB

Equivalent noise level, CCIR2)..............................................................26/23/25 dB

Equivalent noise level, A-weighted2)..........................................15/12/14 dB-A

(rel. 94 dB SPL) ...........................68/71/69 dB

Maximum SPL for THD 0.5%3)................................................ 117 dB (cardioid)

Maximum SPL for THD 0.5% with preattenuation

Maximum output voltage ................................................................................... 390 mV

Dynamic range of the microphone amplifier, A-weighted ............. 105 d B

Supply voltage (P48, IEC 61938) ..........................................................48 V ± 4 V

Current consumption (P48, IEC 61938) .................................................... 0.8 mA

Matching connector ................................................................................................... XLR3F

Weight.................................................................................................................................. 500 g

Diameter ..........................................................................................................................56 mm

Length............................................................................................................................ 200 mm

........................ 127 dB

Neumann is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

U89i

Large Diaphragm Microphone

www.neumann.com

he U 89 is a studio microphone for universal applications. The headgrille protects a dual-diaphragm capsule. A rotary switch below the headgrille selects from five different polar patterns. Therefore the microphone can be adapted easily to large sound sources, and those that are spread wide apart, or to sound sources to be recorded at a greater distance.

The amplifier accepts sound pressure levels up to 134 dB without distortion. This figure can be increased to 140 dB. An additional rotary switch activates a filter that changes the low frequency response either below 80 Hz or 160 Hz.

Applications

The U 89 i is similar in appearance to the U 87. It is of smaller size, and lighter weight. It features five instead of three directional characteristics and a higher maximum sound pressure level which make this microphone easier adaptable to different applications.

Polar patterns

In addition to the usual directional polar patterns: omnidirectional, cardioid, and figure-8, we have added a hypercardioid and wide-angle cardioid characteristic.

When compared to the standard cardioid pattern, the hypercardioid characteristic suppresses sound from the side more efficiently. The wide-angle polar pattern is especially useful to record large sound sources.

The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

Features

• Variable large diaphragm microphone

• Pressure-gradient transducer with double membrane capsule

• Five directional characteristics: omni, wide angle cardioid, cardioid, hypercardioid, figure-8

• Thereby most versatile in all recording situations

• Two-stage roll-off filter

• Switchable 6 dB preattenuation

• Extended frequency range in comparison to U 87 Ai

Acoustic features

The microphone is addressed from the front, marked with the Neumann logo. The large diaphragm capsule has a very smooth frequency response for all polar patterns over a wide acceptance angle. The frequency response curves are flat up to 10 kHz within a pickup angle of ± 100°.

As a result the U 89 i has a very even diffusefield response for all polar patterns. This is important in a reverberant environment when more reflections arrive at the microphone capsule. The acoustic information is not affected in its tonal quality when recorded by the microphone.

This characteristic is achieved without resorting to corrective resonance effects.

The capsule it is elastically mounted to avoid any structure borne noise that could interfere with its operation.

Filter and attenuation

The amplifier handles sound pressure levels up to 134 dB without distortion.

With a self noise level of 17 dB (A-weighted) the total dynamic range is 117 dB. Maximum sound pressure level is 140 dB when the –6 dB rotary switch is in the ON position.

A low frequency roll-off at 80 Hz or 160 Hz can be activated with the third rotary switch below the headgrille. This filter suppresses low frequency interference, yet maintains an even frequency response for close-up sound sources, for example, when proximity effect could adversely affect the program material.

A steep high-pass filter in the LIN position prevents the output transformer of the microphone from being overloaded due to undesired subsonic frequencies.

Operational safety

Delivery Range

Microphone U 89 i (mt) Wooden box

Catalog No.

U 8 9 i .............................................................. ni.......... 006449

U 89 i mt ...................................................... blk .......006450

Selection of Accessories

Battery supply, BS 48 i........................ blk .......006494

Power supply, N 248 EU ..................blk ....... 008537

Power supply, N 248 US ................... blk ....... 008538

Power supply, N 248 UK ..................blk ....... 008539

Auditorium hanger, MNV 87 ...........ni ..........006804

Auditorium hanger, MNV 87 mt ...blk .......006806

Elastic suspension, EA 89 A ............n i ..........0 07195

Elastic suspension, EA 89 A mt .... blk ....... 007196

Stand mount swivel, SG 89 ..............blk ....... 008620

Popscreen, PS 20 a................................b lk ....... 008488

Windscreen, WS 89 ............................... blk .......0 07197

Microphone cable, IC 4 mt

(with stand mount swivel) .................. blk ....... 006557

A complete survey and detailed descriptions of all accessories are contained in the accessories catalog.

Meaning of color codes: blk = black, ni = nickel

Application Hints

• A microphone for universal usage

• Use as spot mic for

- wind instruments,

- strings,

- piano

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

U89i

Technical Data

Acoustical operating principle ........................ Pressure gradient transducer

Directional pattern ............................... Omnidirectional, wide angle cardioid,

Frequency range .................................................................................. 20 Hz...20 kHz

Sensitivity at 1 kHz into 1 kohm ............................................................... 8 mV/Pa

Rated impedance.............................................................................................. 150 ohms

Rated load impedance ..............................................................................1000 ohms

Signal-to-noise ratio, CCIR Signal-to-noise ratio, A-weighted Equivalent noise level, CCIR

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS 2) measured as equivalent el. input signal

cardioid, hypercardioid, figure-8

(rel. 94 dB SPL) ...........................................66 dB

(rel. 94 dB SPL) ............................77 dB

..............................................................................2 8 dB

Equivalent noise level, A-weighted Maximum SPL for THD 0.5% Maximum SPL for THD 0.5% with preattenuation

Maximum output voltage ................................................................................ 800 mV

Dynamic range of the microphone amplifier (A-weighted) ....... 117 dB

Supply voltage (P48, IEC 61938) ..................................................... 48 V ± 4 V

Current consumption (P48, IEC 61938) ................................................ 0.8 m A

Matching connector ................................................................................................. XLR3F

Weig ht .............................................................................................................................. 400 g

Dimensions ................................................................................. Ø 46 mm x 185 mm

......................................................... 17 dB-A

................................................................... 134 dB

.................... 14 0 dB

measured in free-field conditions (IEC 60268-4), tolerance ±2 dB

Neumann is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

KK 104/105 S

Capsule Heads for Sennheiser SKM 5200/SKM 5000 N* Wireless Systems

www.neumann.com

ombining the Neumann KK 104/105 S capsule heads with the Sennheiser SKM 5200/SKM 5000 N* Wireless System thrusts the legendary Neumann sound into the wireless domain, thus opening up new dimensions in sound for sophisticated live-performance engineering.

Neumann KK 104/105 S Capsule Heads for Sennheiser SKM 5200/SKM 5000 N* Wireless Systems

In terms of engineering, the KK 104/105 S are based on the KMS 105, 140, and 150 family of wired vocalist microphones.

They inherit not only their outstanding tonal characteristics and specifications but also their sturdiness and effi-

ciency in suppressing popping and handling noise.

The Sennheiser SKM 5200 and SKM5000 N handheld transmitter are advanced versions of the SKM 5000*, optimized for the Neumann capsule heads, and ensuring reliable, interference-free, high-quality transmission of the capsule signal to the corresponding Sennheiser receiver.

The capsule and handheld transmitter are available with the typical Neumann nickel-colored finish and in black. The KK 104/105 S package includes a spacious, roadworthy nylon

Delivery Range

for Sennheiser SKM 5200 and SKM 5000 N* Wireless Systems:

KK 104 S (bk) Capsule head, Padded nylon bag

KK 105 S (bk) Capsule head, Padded nylon bag

KK 105 HD (bk) Capsule head, Padded nylon bag

Catalog No.

KK 1 04 S ............................................ ni................. 008534

KK 1 04 S bk ..................................... blk ..............008533

KK 1 05 S ............................................ ni................. 008474

KK 1 05 S bk ..................................... blk ..............008476

KK 1 05 HD ....................................... ni .................008559

KK 105 HD bk ................................ blk.............. 008560

Selection of Accessories

Windscreen, WSS 100 .............. blk ..............0 07352

Meaning of color codes: blk = black, ni = nickel

Features

• Neumann capsule head engineering expands with Sennheiser liveperformance engineering

• Cardioid (KK 104S) and Supercardioid (KK 105 S) characteristic

• Low susceptibility to handling noise

• Built-in, highly effective suppression of popping noises

• Easy dismantling for cleaning

• Pure, open, and neutral sound transmission

Application Hints

• Vocals and speech on stage

• Especially suited for in-ear-monitoring

• Especially suitable with front-of-stage monitor systems

• For feedback-prone environment

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

pouch big enough to hold not only the capsule, but the transmitter, battery packs, and additional accessories as well.

These product components are a dream come true for countless customers, who time and again demanded a wireless variant of the successful Neumann KMS 104/105 vocalist microphones. Simultaneously, this combination unites the core areas of competence of two established global players and market leaders: Neumann – the world’s leading manufacturer of condenser microphones, and Sennheiser – the market leader with years of experience in the area of high-quality wireless systems.

KK 104/105 S

* Also all existing Sennheiser SKM 5000

handheld transmitters can be upgraded with the Neumann KK 104 S and KK 105 S capsule heads. Still, to take full advantage of the acoustical properties of these heads it is recommended to utilize the SKM 5200 or SKM 5000 N.

** “Heavy duty” variant with integrated foam popscreen instead of wire mesh for even better plosive attenuation. In addition, foam material provides a very large surface area and can therefore absorb moisture very well.

Technical Data KK 104/105 S (incl. SKM 5200/SKM 5000 N)

Directional pattern ................................................................. Cardioid/Supercardioid

Frequency range .................................................................................... 80 Hz...20 kHz

Sensitivity at 1 kHz into 1 kohms ...........................1.7/1.3 mV / Pa± 1 dB

Equivalent noise level, CCIR Equivalent noise level, A-weighted Max. SPL for 0.5% THD Max. SPL for 3% THD

Dynamic range (A-weighted) ................................................................... >117 dB-A

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS 2) measured as equivalent el. input signal

....................................................................... 42/44 dB

................................................... 31/33 dB-A

..................................................................... 148 /150 dB

.......................................................................... 153 /155 dB

Frequency range .................................................................................... 45 0–9 60 MHz

Switching bandwidth............................................................................................. 2 4 MHz

Transmitter frequencies ..................................................................................................... 16

RF-output ...................................................................................................50 mW ( –3 dB )

Noise suppression system............................................. Sennheiser “HiDyn

Weight (incl. transmitter + power supply unit) .................... approx. 325 g

Dimensions (+ transmitter) .................................... length: 257 mm, Ø 48 mm

”

plus

KK 104 S

measured in free-field conditions (IEC 60268-4)

KK 105 S (HD)

Neumann is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

KMS 104/105

Vocalist Microphones

www.neumann.com

he KMS 104 and KMS 105 mic-

rophones have been developed to

permit optimal transmission of the

human voice, and are thus microphones of choice for demanding live ap-

plications. The KMS 105, which has

already been available on the mar-

ket for some time, has become an

internationally recognized standard

in the field of high-quality stage mi-

crophones.

Due to their low self-noise and

crosstalk behavior which is free of

coloration, both microphones are

ideal for use with in-ear monitoring

systems.

The KMS 104 has a microphone cap-

sule with a cardioid directional charac-

teristic which provides the best possib-

le suppression of sounds originating

from behind the microphone. In contrast,

with its supercardioid cha-

racteristic the KMS 105 is particularly good at suppressing sounds originating from

the entire 180° hemisphere behind the microphone. The user can thus select the version that is optimally suited

to the specific application.

The high acoustic resolution

and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times.

Acoustic features

The studio condenser capsules used in both microphone versions provide the basis for transmitting all the nuances of the human

voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients.

In both microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pres-

sure levels prevent the microphones from being overloaded even by strong plosive sounds.

In spite of excellent pop protection, sibilants and “S” sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104 and KMS 105 vocalist microphones when they are used with a stage sound system.

Electrical features

Since vocalist microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules.

In addition, each microphone has an invariable, built-in highpass filter with a cutoff frequency of 120 Hz (–3 dB,

measured in a free sound field). The dynamic range of the KMS 104/105 is 132 dB, and the maximum sound pressure level is 150 dB.

The low self-noise level of only 18 dB-A permits both microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist.

Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound.

Mechanical features

Microphones designed for use on stage require a particularly robust construction. The KMS 104 and KMS 105 therefore have thick-walled metal housings, which also provide effective protection against handling noise.

The microphone headgrilles are made of hardened steel. If required, they can easily be unscrewed to permit cleaning of the interior acoustic filters.

KMS 104/105

Delivery Range

The KMS 104 and KMS 105 microphones, with a matching stand clamp, are supplied in an attractive padded nylon bag that is sufficiently durable for touring.

Features

• Neumann sound on stage

• Excellent transparency for vocals/speech

• Cardioid/Supercardioid polar pattern with excellent feedback rejection

• Without off-axis coloration

• Transformerless output

• Effective pop shielding without any side effects

• Set includes stand clamp

Application Hints

• Vocals and speech on stage

• Announcer’s mic for broadcasting/dubbing

• Especially suited for in-ear-monitoring

• For feedback-prone environment

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

Delivery Range

KMS 104/105 Microphone SG 105 Stand clamp Padded nylon bag

Catalog No.

KM S 10 4 .............................................................................ni ............. 008548

KMS 10 4 bk ...................................................................... blk .......... 008549

KM S 10 5 .............................................................................ni ............. 008454

KMS 10 5 bk ...................................................................... blk .......... 008455

Selection of Accessories

Battery supply, BS 48 i............................................... blk .......... 006494

Battery supply, BS 48 i-2 ......................................... blk ..........006496

Power supply, N 248 EU .........................................blk .......... 008537

Power supply, N 248 US ..........................................blk .......... 008538

Power supply, N 248 UK .........................................blk .......... 008539

Microphone cable, IC 3 mt....................................... blk ..........006543

Adapter cable, AC 25 ..................................................blk .......... 006600

Adapter cable, AC 27 ..................................................blk .......... 006602

Table stand, MF 3 ..........................................................blk .......... 007 321

Windscreen, WSS 100 ...............................................blk .......... 007352

Stand clamp, SG 105 ..................................................blk .......... 008460

(included in the supply schedule)

A complete survey and detailed descriptions of all accessories are contained in the accessories catalog.

Meaning of color codes: blk = black, ni = nickel

KMS 104

measured in free-field conditions (IEC 60268-4)

KMS 105

KMS 104/105

Technical Data

Acoustical operating principle .......................... Pressure gradient transducer

Directional pattern ...................................................................cardioid/supercardioid

Frequency range .................................................................................... 20 Hz...20 kHz

Sensitivity at 1 kHz into 1 kohm ............................................................ 4.5 mV/Pa

Rated impedance.................................................................................................. 50 ohms

Rated load impedance................................................................................. 1000 ohms

Signal-to-noise ratio, CCIR Signal-to-noise ratio, A-weighted Equivalent noise level, CCIR Equivalent noise level, A-weighted

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS 2) measured as equivalent el. input signal

(rel. 94 dB SPL) ............................................. 66 dB

(rel. 94 dB SPL) ............................... 76 dB

................................................................................ 28 dB

............................................................18 dB-A

Maximum SPL for THD 0.5%

Maximum output voltage ..................................................................................... 12 dBu

Dynamic range of the mic. amplifier (A-weighted) ............................. 132 dB

Supply voltage (P48, IEC 61938) ..........................................................48 V ± 4 V

Current consumption (P48, IEC 61938) .................................................... 3.5 mA

Matching connector ................................................................................................... XLR3F

Weight.............................................................................................................. approx. 300 g

Diameter ..........................................................................................................................48 mm

Length............................................................................................................................ 180 mm

....................................................................... 150 dB

Selection of Accessories

IC 3 mt, Microphone cable BS 48 i, Battery supply N 248, Power supply

AC 25, Adapter cable

WSS 100, Windscreen

Neumann is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

Series 180

Miniature Microphones

www.neumann.com

he “Series 180” consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the “Series 180” is predestined for economy-minded production and home recording studios.

The KM 183 omnidirectional and KM 185 hypercardioid microphones are based on the tremendously successful KM 184 cardioid microphone, which has become a standard within the global studio community in just a very short time.

All “Series 180” microphones are available with either matte black or nickel finish. They come in a folding box with a windshield and two stand mounts that permit connection to the microphone body, or the XLR-connector.

Applications

Their slender shapes and the transmission characteristics described below make the “Series 180” especially suitable for a very wide range of tasks in the radio and television sector.

Acoustic features

The KM 183 and KM 184 microphones are the successors of the well proven KM 83 and KM 84, which have been used since the seventies worldwide with great success. The KM 185 rounds out the series with a hypercardioid microphone.

The KM 183 is a pressure transducer with a boost of approximately 7 dB at 10 kHz in the free field. In the diffuse sound field it has a flat frequency response.

Features

• Three different miniature microphones for all typical studio applications

• Successor of the worldwide successful KM 83/84

• Transformerless circuitry

• Trouble-free operation also with unbalanced equipment (e.g., DAT recorders)

• Set includes windshield and two different microphone clamps

Series 180

The pressure gradient transducers KM 184 and KM 185 feature very smooth frequency responses not only for the 0° axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle.

Although the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0° frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.

This difference was achieved with just a slight change of the capsule’s rear opening, and is not due to resonances.

The KM 185 with its hypercardioid characteristic features attenuation of sound incidence from the side or rear of about 10 dB, with minimum sensitivity at an angle of 120°.

Electrical features

The “Series 180” microphones have the same transformerless circuitry as is used in the KM 100 system, resulting in excellent technical specifications: Compared to the KM 84 the dynamic range of the KM 184 increased by 24 dB mainly through the reduction of self-noise level to only 22 dB (CCIR) and an increased sound pressure handling capability of up to 138 dB.

The microphones operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT recorders.

The output of the “Series 180”, as in all Neumann microphones, is balanced and phantom (48V) powered.

Economy

The “Series 180” is a good choice for all users who look for a high-quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range.

The mechanical construction was simplified, for example, capsule and output stage cannot be separated from each other. For this reason the “Series 180” is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones.

Delivery Range

KM 183 (mt) ... 185 (mt) Microphone, WNS 100 Windscreen, SG 21 bk Stand mount

Stereo set:Stereo set:

Stereo set: 2x KM183 (mt) ... 185 (mt)

Stereo set:Stereo set: Microphone, 2x WNS 100 Windscreen, 2x SG 21 bk Stand mount, Wooden box

Catalog No.

KM 183 ...........................................................ni ........ 00 84 37

KM 183 mt ...................................................blk ..... 0084 38

KM 183 Stereo set .................................. ni ........0085 22

KM 183 mt Stereo set ..........................blk ..... 008521

KM 184 ...........................................................ni ........ 00 84 39

KM 184 mt ...................................................blk ..... 0083 89

KM 184 Stereo set .................................. ni ........0085 24

KM 184 mt Stereo set ..........................blk ..... 008523

KM 185 ...........................................................ni ........ 00 84 40

KM 185 mt ...................................................blk ..... 0084 41

KM 185 Stereo set .................................. ni ........0085 26

KM 185 mt Stereo set ..........................blk ..... 008525

Selection of Accessories

Elastic suspension,

EA 2124 A m t ............................................. blk .....00 84 33

Auditorium hanger, MNV 21 mt ..... blk .....00 6802

Popscreen, PS 15 ....................................... blk .....00847 2

Windscreen, WS 100 ............................. blk .....0 0675 1

A complete survey and detailed descriptions of all accessories are contained in the accessories catalog.

Meaning of color codes: blk = black, ni = nickel

Technical Data

KM 183

KM 184

Series 180

measured in free-field conditions (IEC 60268-4)

KM 185

Technical Data KM 183 / KM 184 / KM 185

Acoustical operating principle ..... Pressure/Pressure gradient transducer

Directional pattern .............................. omnidirectional/cardioid/hypercardioid

Frequency range .................................................................................... 20 Hz...20 kHz

Sensitivity at 1 kHz into 1 kohm ............................................. 12/15/10 mV/Pa

Rated impedance.................................................................................................. 50 ohms

Rated load impedance................................................................................. 1000 ohms

Signal-to-noise ratio, CCIR Signal-to-noise ratio, A-weighted Equivalent noise level, CCIR

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS 2) measured as equivalent el. input signal

(rel. 94 dB SPL) ............................ 70/72/70 dB

(rel. 94 dB SPL) .............. 81/81/79 dB

............................................................... 24/22/24 dB

Equivalent noise level, A-weighted Maximum SPL for THD 0.5%

Maximum output voltage ..................................................................................... 10 dBu

Supply voltage (P48, IEC 61938) .........................................................48 V ± 4 V

Current consumption (P48, IEC 61938) .................................................... 3.2 m A

Matching connector ................................................................................................... XLR3F

Weight.................................................................................................................. approx. 80 g

Diameter ..........................................................................................................................22 mm

Length............................................................................................................................ 107 mm

............................................ 13/13/15dB-A

................................................ 140/138/142dB

Application Hints

KM 183

• For close miking of instruments when there is no need to attenuate extraneous noise, and in a balanced acoustic environment to record

- acoustic guitar,

- wind instruments,

- strings,

- percussion,

- drums

• Ideal as AB stereo pair because of the flat frequency response in the diffuse sound field

• As a main mic, especially for capturing room acoustics

• For stereo recordings with a baffle plate

• As a spot mic for

- piano,

- wind instruments,

- organ,

- choir

KM 184

• For universal use, especially for recording situations when it is necessary to attenuate off-axis sound (mainly from the rear) from other nearby instruments.

• As XY and ORTF stereo pair

• Announcer’s mic for broadcasting

• Spot mic, overhead

• Close miking of

- strings,

- wind instruments,

- percussion,

- piano,

- Leslie speakers,

- guitar amps

KM 185

• Especially for recording situations when it is necessary to attenuate off-axis sound (lateral and rear) from other nearby instruments.

• As XY stereo pair

• Overhead, toms

• In situations that are susceptible to acoustic feedback

• To attenuate unwanted sound of nearby instruments

• Recording of speech, as in

- TV,

- movie and video productions,

- PA systems

• Produces especially warm and bass supporting sound for artists who perform in proximity effect range

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

Neumann is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

KM 100

Miniature Microphone System

www.neumann.com

Features

• Miniature microphones with 7 exchangeable capsules

• Active capsules, detachable up to 50 m from the output stage

• Great variability through capsule extensions and goosenecks

• Switchable 10 dB preattenuation

• Set includes windshield and two different clamps

• Transformerless circuitry

• Extensive accessories

he variable condenser miniature microphone system consists of several active microphone capsules with different directional characteristics, an output stage, and numerous accessories.

Currently there are seven active capsules available: omni diffuse-field equalized, omni free-field equalized, cardioid, wide-angle cardioid, cardioid with bass roll-off, hypercardioid, and figure-8.

Through the modular construction of mic capsules and the output stage it is very easy to adapt the system to a wide range of applications. The mic becomes nearly invisible during work with cameras (film, video), on stage, or suspended from the ceiling in a concert hall.

An active capsule can also be screwed directly onto the output stage. The result is a compact miniature microphone.

Construction

The microphones are only 92 or 110 mm resp. long and 22 mm in diameter. They consist of the condenser capsule and the output stage. Both parts can be unscrewed from each other. The system offers several condenser capsules with different directional characteristics.

Numerous accessories can be mounted between the capsules and the output stage. The capsules attach to cables, capsule extensions, swivel mounts, table stands, goosenecks, stereo mounts, and hangers. Therefore, it is very easy to adapt the system to a wide range of applications.

The active capsule itself is only 35 or 47 mm resp. long. The KM 100 output stage and the active microphone capsule may be separated by up to 50 m of interconnecting cable. These cables are 3 mm in diameter, and therefore very inconspicuous.

Acoustic features

AK 20 is a pressure gradient transducer with the figure-8 characteristic, realized with a single diaphragm. The diaphragm diameter is just 16 mm. All sound field components reach the diaphragm directly. This results in identical frequency response curves and output levels at 0° and 180° sound incidence. Corresponding accessories allow combining the AK 20 with other active capsules or microphones to obtain an MS-Stereo setup.

AK 30 is a diffuse-field equalized pressure transducer with a flat frequency response up to 10 kHz (in the diffuse field). In the free sound field this microphone has a boost of approximately 7 dB at 10 kHz.

AK 31 is a free-field equalized pressure transducer with a flat frequency response up to 20 kHz (in the free field). In the diffuse sound field this microphone has a high frequency rolloff above 5 kHz.

AK 40 is a pressure gradient transducer with cardioid characteristic. The frequency curves are very smooth and match 0° sound incidence. Sound from sources within a pickup angle of ± 135° is reproduced without any coloration.

KM 100

AK 43 is a pressure gradient transducer with wide-angle cardioid characteristic. Attenuation at 90° is 4 dB, at 135° it is 8 dB and at 180° it is 11 dB. The frequency response curves for sound sources within an angle of ± 90° are parallel up to 12 kHz.

AK 45 is a pressure gradient transducer with cardioid characteristic, similar to the AK 40. However, it has an acoustic bass roll-off that is useful during applications when subsonic and low frequencies may cause difficulties. The AK 45 is optimized for a flat low frequency response at a recording distance of 15 cm (“speech cardioid”).

AK 50 is a pressure gradient transducer with hypercardioid characteristic. Attenuation of sound incidence from the side or rear is about 10 dB, with minimum sensitivity at an angle of 120°.

Electrical features

The KM 100 is phantom powered (48 V) and uses transformerless output circuitry. This has several advantages. It features high output capability and extremely low self noise. It provides exceptionally clean sound, free of any coloration. As with traditional transformers, this circuit approach ensures good common mode rejection. The balanced output signal is protected against interference.

The construction is extremely compact. The entire microphone circuitry is on a single hybrid module measuring only 2 cm² in area. It is built into the microphone capsule, therefore the term “active capsules”.

All sensitive components are protected within the capsule. As a result, the quality of the audio signal is never compromised through the use of accessories, for example, when the capsule is detached from the output stage and mounted on a cable or a gooseneck.

Even with a long cable between active capsule and output stage, the signal is immune to external interference.

Preattenuation

The output stage has a 10 dB switch. Attenuation is achieved by reducing the capsule voltage to one third.

When the switch is on, the microphone is capable of accepting sound pressure levels up to 150 dB without being overloaded.

Connectors

To diminish the number of connectors within the KM 100 System some accessories were modified. They can now be screwed directly onto the KM 100 output stage without using the KA 100 cable adapter. The new accessories which include the cable adapter, were renamed adding the suffix KA. For example: LC 3 is now LC 3 KA.

The separate KA 100 cable, needed for older accessories, will be available also in future.

The KM 100 output stage has a 3-pin XLR connector.

Sound diffraction sphere

The SBK 130 sound diffraction sphere slips onto the front of the KM 130/KM 131 pressure microphones. The diaphragm becomes an integral part of the surface of the sphere. This affects the frequency response of the microphones.

While sounds coming from the front-half space are emphasized by up to 2.5 dB between 2 kHz and 10 kHz, sounds arriving from the rear-half space are attenuated by a maximum of 2.5 dB in the range above 5 kHz.

Since the sound diffraction sphere causes the pressure buildup of the KM 130/KM 131 pressure microphones to begin earlier, the frequency response rises smoothly in the middle and upper range. This is similar to a typical pressure gradient microphone, where the directivity increases with rising frequencies. However, since the KM 130/KM 131 are pressure microphones, they maintain a linear sensitivity down to the lowest frequencies.

This changing directivity allows to record at a greater distance from the sound source, and makes the KM 130/KM 131 microphones especially suited as stereo main microphones in A-B configurations.

KM 100 F Output stage

The KM 100 F output stage is an alternative to the KM 100 output stage. In contrast to the KM 100 output stage with a flat frequency response, the KM 100 F attenuates frequencies below 80 Hz at 6 dB/octave. This eliminates or suppresses interference caused by wind or structure-borne noise.

A built-in slide switch allows to raise the cutoff frequency (-3 dB point) from 80 Hz to 120 Hz. An additional slide switch lowers the sensitivity by 10 dB.

Stereo recordings

By means of the AC 30 adapter cable two active capsules, AK 20 and e.g. AK 40 can be connected as MS stereo pair directly with the MTX 191 (A) matrix amplifier. The XY or MS signal is then available at the 5-pin XLR output connector of the MTX 191 (A), and the recording angle can be electrically remote controlled. The output stages KM 100 are then not required.

KM 100

Stereo set

The cardioid and hypercardioid microphones are also available as complete stereo sets, SKM 140 and SKM 150, including all accessories in a single jeweler's box.

A further SKM 100MS Stereo Set containing the microphones KM 120 and KM 140 is available.

KM 100 Output stage

Accessories*

LC 3 KA Microphone cable

AK 20, Active capsule

Catalog No.: 071659

AK 45, Active capsule

Catalog No.: 069015

SBK 130, Sound diffraction sphere

for dia. 22 mm,

Catalog No.: 007371

Extension cable

LC 2, 10 m, Catalog No.: 006690

AK 30, Active capsule

Catalog No.: 069001

AK 50, Active capsule

Catalog No.: 069016

BS 48 i, Battery supply

Catalog No.: 006494

Microphone cable

LC 3KA, 5 m, Catalog No.: 008408

LC 3KA, 10 m, Catalog No.: 008409

AK 31, Active capsule Catalog No.: 069002

KA 100, Cable adapter Catalog No.: 007330

BS 48 i-2, Battery supply

Catalog No.: 006496

DS 21 mt, Double mount

Catalog No.: 006798

AK 40, Active capsule

Catalog No.: 069007

KM 100, Output stage Catalog No.: 007395

N 248, Power supply EU: Catalog No.: 008537 US: Catalog No.: 008538 UK: Catalog No.: 008539

DS 100-1, Double swivel mount

(for KVF ... extension tubes)

Catalog No.: 008491

AK 43, Active capsule

Catalog No.: 069014

KM 100 F, Output stage

Catalog No.: 007376

IC 3 mt, Microphone cable

Catalog No.: 006543

DS 120, Double mount

Catalog No.: 007343

*) Detailed descriptions of all accessories are contained in the accessories catalog.

AK .. Active capsule

KM 100

EA 2124 A mt,

Elastic suspension

Catalog No.: 008433

MF 2, Table stand

(with rubber mounted thread)

Catalog No.: 007266

MF-AK Table Stand

(with Swivel Joint)

Catalog No.: 008453

SG 100, Swivel mount (for KVF ...)

Catalog No.: 006688

KVF 118 KA, Capsule extension

(with gooseneck, 300 mm)

Catalog No.: 008410

MF 3, Table stand

Catalog No.: 007321

MNV 21 mt

Auditorium hanger with clamp for KM ... Catalog No.: 006802

SG 100-1, Swivel mount

Catalog No.: 008490

KVF 158 KA, Capsule extension

(with gooseneck, 700 mm)

Catalog No.: 008411

MF 4, Table stand

Catalog No.: 007337

MNV 87 mt, Auditorium hanger

(with threaded adapter)

Catalog No.: 006806

SG-AK Swivel Mount

Catalog No.: 008452

KVFF 148 KA , Capsule extension

(with double gooseneck, 700 mm)

Catalog No.: 008412

MF 5, Table stand

Catalog No.: 008489

MNV 100, Auditorium hanger

(with clamp for AK ...)

Catalog No.: 006811

SGE 100, Swivel mount for MF 2

(with rubber mounted thread

for AK ...)

Catalog No.: 006742

MA, Microphone fishpole

Catalog No.: 006771

SG 21 bk Swivel mount

Catalog No.: 008613

SMK 8 i, Gooseneck

Catalog No.: 006181

*) Detailed descriptions of all accessories are contained in the accessories catalog..

Accessories

SMK 100 KA, Gooseneck

(with cable, 160 mm) Catalog No.: 008413

Stand extension

STV 4, Catalog No.: 006190

STV 20 , Catalog No.: 006187

STV 40, Catalog No.: 006188 STV 60, Catalog No.: 006189

SMK 100-2 KA, Double gooseneck

(with cable, 160 mm) Catalog No..: 008414

TF 221 c, Table flange

(with rubber mounted thread)

Catalog No.: 007278

PS 15, Pop screen

Catalog No.: 008472

Windscreen, 45 mm

WNS 100 blk., Cat. No.: 007323

WNS 100 red, Cat. No.: 007324 WNS 100 grn, Cat. No.: 007325 WNS 100, yel, Cat. No.: 007326

WNS 100, blu, Cat. No.: 007327

Special Accessories for AK 20 and Stereo-Applications

DA-AK, Elastic suspension

for two AK ...

Catalog No.: 008419

DA-KM, Elastic suspension

for two KM ...

Catalog No.: 008420

WKD-AK, Windscreen

for DA-AK

Catalog No.: 008423

STH 100, Stereo mount (for 2xAK ... with LC 3)

Catalog No.: 007315

WS 100, Windscreen, 90 mm

Catalog No.: 006751

WKD-KM, Windscreen

for DA-KM

Catalog No.: 008424

SR 100, Stand tube

Catalog No.: 007336 and

KA 100, Catalog No.: 007330

STH 120, Stereo mount

for AK 20 and e.g. AK 40

Catalog No.: 008422

Catalog No.: 008425

WJ-AK, Windjammer

for WKD-AK

WJ-KM, Windjammer

for WKD-KM

Catalog No.: 008426

WNS 120, Windscreen

for AK 20

Catalog No.: 008427

AC 30, Adapter cable for connec-

tion of 2 AK ... with MTX 191 (A),

Catalog No.: 008418

MTX 191 A,

Matrix amplifier

Catalog No.: 007331

KM 100

Application Hints

For recording situations where the microphone must remain “invisible”.

KM 120

• MS-Stereo microphone (in combination with the KM 140)

• Two crossed AK 20s in Blumlein technique

• Inconspicuous spot microphone with optimum attenuation of lateral sound sources

• Single microphone for two speakers facing each other

KM 130

• Ideal as AB stereo pair in the diffuse sound field because of the flat frequency response

• As a main mic, especially for capturing room acoustics

• For stereo recordings with a baffle plate

• As a spot mic for piano, wind instruments, organ, and choir

KM 131

• For close miking of instruments when there is no need to attenuate extraneous noise, and in a balanced acoustic environment to record acoustic guitar, wind instruments, strings, percussion, and drums

• Flat frequency response for close miking, spot mic

KM 140

• Universal usage, especially in situations when it is necessary to attenuate sound coming from adjacent instruments

• As XY and ORTF stereo pair

• Announcer’s mic for broadcasting

• Spot mic, overhead

• Close miking of strings, wind instruments, percussion, piano, Leslie speakers, guitar amps

• We recommend using an additional windscreen to minimize the effects of high wind velocity

KM 143

• Polar response characteristic acts more like an omni. Therefore, it is an ideal tool to record larger instrument ensembles

• As AB stereo pair, especially in rooms with less than ideal acoustics

• As spot mic for strings, wind instruments, percussion, and Leslie speakers

• Acts very neutral when used close up to bass instruments, such as double bass, bass amps, guitar amps

KM 145

• It naturally compensates for proximity effect

• Very neutral tonal balance during close miking of speech, as in TV, movie and video , PA

• Acts very neutral when used close up to bass instruments, such as double bass, bass amps, guitar amps, Leslie speakers, toms

KM 150

• As XY stereo pair

• Overhead, toms

• In situations that are susceptible to acoustic feedback

• To attenuate unwanted sound of nearby instruments

• Recording of speech, as in TV, movie and video productions, PA systems

• Produces especially warm and bass supporting sound for artists who perform in proximity effect range

• We recommend using an additional windscreen to minimize the effects of high wind velocity, and plosive sounds

These are just some of the most common applications. Detailed hints are described in the catalog “KM 100 Application Guide”.

Delivery Range KM ...

Microphone KM 120 ... KM 150 Windscreen WNS 100 or WNS 120 Stand mount SG 21 bk Wooden box

Delivery Range SKM 140 (150)

2x Microphones KM 140 (150) 2x Connecting cables LC 3 KA 1x Stereo mount STH 100 Wooden box

Delivery Range SKM 100-MS

1x Microphone each KM 120 and KM 140 2x Connecting cables LC 3 KA 1x Stereo mount STH 120, Wooden box

Catalog No.

KM 1 20 ..........................................blk ......................008417

KM 1 30 ..........................................blk ......................007051

KM 1 31 ..........................................blk ......................007061

KM 1 40 ..........................................blk ......................007031

KM 1 43 ..........................................blk ......................007109

KM 1 45 ..........................................blk ......................0 0706 8

KM 1 50 ..........................................blk ......................0 0707 7

SK M 14 0 .......................................blk ...................... 0070 94

SK M 15 0 .......................................blk ...................... 0070 99

SKM 100-MS.............................. blk ......................008421

KM 120

KM 130

KM 131

KM 140

KM 143

measured in free-field conditions (IEC 60268-4), tolerance ±2 dB

KM 145

KM 100

KM 150

KM 130 with SBK 130

KM 131 with SBK 130

Technical Data KM 120 KM 130 KM 131 KM 140 KM 143 KM 145 KM 150

Acoustical operating principle ...................... Press. grad. ................Pressure ................ Pressur e ......... Press. grad........... Press. grad. ......... Press. grad. ......... Press. grad.

Directional pattern ....................................................... Side-fire ....................... Omni .......................Omni ................ Cardioid................. Cardioid................. Cardioid.................. Hyper-

Frequency range ........................................................ 20 Hz to ............. 20 Hz to ............. 20 Hz to .............20 Hz to ............. 20 Hz to............. 20 Hz to ............. 20 Hz to

Sensitivity at 1 kHz into 1 kohm .................. 12 mV/Pa ............ 12 mV/Pa ............12 mV/Pa ............ 15 mV/Pa ............ 15 mV/Pa ............ 14 mV/Pa ............ 10 mV/Pa

Rated impedance....................................................... 50 ohms ..............50 ohms .............. 50 ohms .............. 50 ohms...............5 0 ohms.............. 50 ohms .............. 50 ohms

Rated load impedance .....................................1000 ohms ....... 1000 ohms .......1000 ohms ....... 1000 ohms ........ 1000 ohms........ 1000 ohms ....... 1000 ohms

Signal-to-noise ratio

CCIR

(rel. 94 dB SPL) ..................................................68 dB .....................67 dB ..................... 69 dB .................... 69 dB ..................... 69 dB..................... 68 dB ..................... 67 dB

A-weighted

(rel. 94 dB SPL) .............................. 76.5 dB ..................... 78 dB .....................78 dB .................... 78 dB..................... 78 dB ..................... 77 dB..................... 76 dB

Equivalent noise level, CCIR Equivalent noise level, A-weighted

Maximum SPL

for THD 0.5% for THD 0.5% with preatt

Maximum output voltage ......................................... 10 dBu ................. 10 dBu ................. 10 dBu ................. 10 dBu .................. 10 dBu .................. 10 dBu ................. 1 0 dBu

Dynamic range of the mic amp

(A-weighted) .................................................................122.5 dB ................. 124 dB ................. 124 dB .................122 dB ................. 122 dB ................. 12 1 dB ................. 124 dB

Supply voltage (P48, IEC 61938) ............48 V ± 4 V ......... 48 V ± 4 V ........ 48 V ± 4 V ........ 48 V ± 4 V .........48 V ± 4 V ......... 48 V ± 4 V ........ 48 V ± 4 V

Current consumption (P48, IEC 61938) ............ 2 mA ...................... 2 mA ...................... 2 mA ...................... 2 mA....................... 2 mA ....................... 2 mA ...................... 2 mA

Matching connector ....................................................... XLR3F ...................XLR3F ................... XLR3F ................... XLR3F....................XLR3F................... XLR3F ................... XLR3F

Weight .....................................................................................102 g ........................ 80 g ........................80 g ........................ 80 g ......................... 80 g ........................ 80 g ........................ 80 g

Diameter ..................................................................... 24/22 mm .................. 22 mm .................. 22 mm .................. 22 mm .................. 22 mm.................. 22 mm .................. 22 mm

Length................................................................................ 110 mm .................. 92 mm ..................92 mm ..................92 mm .................. 92 mm .................. 92 mm .................. 92 mm

............................................................... 140 dB ................. 140 d B ................. 140 dB .................138 dB................. 138 dB ................. 138 dB .................142 dB

according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS 2) measured as equivalent el. input signal

transducer transducer transducer transducer transducer transducer transducer

figure-8 diffuse field free field wide angle low frequency cardioid

equalized equalized roll-off

20 kHz 20 kHz 20 kHz 20 kHz 20 kHz 20 kHz 20 kHz

.................................... 26 dB .....................27 dB ..................... 25 dB .................... 25 dB .....................25 dB ..................... 26 dB..................... 27 dB

........... 17.5 dB-A............... 16 dB-A ............... 16 d B-A ...............16 dB -A ................ 16 dB-A ............... 17 dB-A ...............18 dB-A

................................... 150 dB ................. 150 dB ................. 150 dB .................148 dB ................. 148 dB ................. 14 8 dB ................. 152 dB

Neumann is a registered trademark of the Georg Neumann GmbH in certain countries.

Product Information

KU 100

Dummy Head

www.neumann.com

Features

• Dummy head for head-related stereophony

• Pressure transducer with flat diffuse-field frequency response

• Loudspeaker compatible

• Transformerless circuitry

• Two-stage switchable low frequency roll-off

• Switchable 10 dB preattenuation

• Balanced and unbalanced outputs (XLR and BNC)

he KU 100 dummy head is a binaural

stereo microphone. It resembles the human

head and has two microphone capsules built

into the ears. When listening through

high-quality headphones it gives the il-

lusion of being right at the scene of

the acoustic events.

When using the KU 100 dummy

head, the binaural stereo experi-

ence moves the listener into the

scene of the original performance, in contrast to other space-related recording techniques, where the acoustic event is moved to the listener.

The dummy head is also used in

many industrial applications as a

measuring device, for example in

acoustic research.

The KU 100 can be operated with typical 48 V phantom powering, or

from an external power supply

unit, or from the built-in battery. At the bottom of the unit is a

switch for the different power

supply modes, as well as connec-

tors for balanced and unbalanced

output signals.

Inside the head are additional switches for 10 dB attenuation and the high-

pass filter.

The Idea

The KU 100 dummy head is a replica of the human head with a microphone built into each ear.

When the recorded audio signal is reproduced through high-quality headphones the listener perceives a sound image almost identical to the one he would have heard at the recording location of the dummy head (head-related stereophony).

When played back through loudspeakers, the sound matches to a high degree that of conventional stereo microphones, placed in the same position. However, a superior quality is added, that of a distinct spatial depth perception.

100

Neumann.Berlin bcm 104 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

Pocket Guide 2008

Table of Contents

Solution-D

Digital Microphones

Why digital signal processing?

A microphone technology milestone

Components and interfaces

Remote control of standard microphone parameters

Integrated digital audio signal processing

Data transmitted by the microphone

A/D conversion

Synchronization

The microphones

The D-01 large-diaphragm digital microphone

The KM D miniature digital microphones

The S/PDIF and AES/EBU Connection Kits

Attractive Starter Sets for an economical entry into the field of digital microphone technology

The DMI digital microphone interface

The RCS remote control software

The Principle

Miniature MicrophonesLarge Diaphragm Microphone

DMI-2

Application Hints

Order Information

Technical Data

Diagrams

M 147 Tube

M 149 Tube

M 150 Tube

TLM 49

TLM 103

TLM 193

TLM 67

TLM 170 R

U87Ai

U89i

KK 104/105 S

KMS 104/105

Series 180

Miniature Microphones

KM 100

KU 100