NEC LCD2180WG-LED
NEC Display Solutions
Technical Background and Feature Overview
Unparalleled display performance for your
COLOR-CRITICAL
applications.
Designed from the ground up with more than 3
years of research and development, and featuring many ground-breaking technologies never
before available on a consumer display, the 21.3”
LCD2180WG-LED represents NEC’s flagship color
reference display. This display is aimed directly
at the professional color market where screen
brightness, color gamut, uniformity, stability and
repeatability are of the utmost importance.
The LCD2180WG-LED is the first commercial
display to feature individual high power red,
green and blue LEDs (Light Emitting Diodes) as a
backlight source for the LCD, instead of the typical CCFL (Cold Cathode Fluorescent Lamp). This
significant change, made possible by the recent
advances in LED light output and efficiency, pro-
vides remarkable increases to the output color
gamut, as well as to the fidelity to which screen
colors can be adjusted.
This increase in displayable color gamut opens up
an entirely new era of color workflow in which the
display screen can be trusted to accurately represent the colors that were captured, edited and
will be output, be it on print, film or other media.
Recent advances in digital image capturing
devices, such as digital cameras, are now capable
of offering expanded color gamuts, such as
AdobeRGB, as a standard color space. At the
same time, ink jet printers are now capable of
reproducing colors from very large color gamuts.
As this technology gets better and becomes more
The need for enhanced color gamut displays
These images were captured on a standard digital camera in AdobeRGB
colorspace. The gray areas in the photographs show the out of gamut
colors when the images are viewed on a typical sRGB display monitor. It
is impossible to display these colors on such a monitor.
accessible, the need for accuracy in viewing and
soft-proofing color is increasing as well.
Whereas traditional displays were typically limited
to a color gamut of sRGB, the color gamut of
the LCD2180WG-LED exceeds that of even the
AdobeRGB colorspace. This means that the display
is no longer the limiting factor for color gamut
within a typical color workflow. The color workflow can be simplified by reducing or even eliminating the need to make color output proofs, as
is typically needed with a traditional display in
order to accurately check colors that are outside
the display’s color gamut. This represents a significant benefit in time and cost savings.
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Color Gamut of a Display
Light Wavelength (nm)
400
700
500
600
Relative Intensity
Light Wavelength (nm)
400
700
500
600
Relative Intensit
y
Color displays are additive color devices. Color
is formed by adding different proportions of
red, green and blue light. These primary colors
are formed by the glow of different types of
phosphors in the case of a CRT display, or by
filtering white light into red, green and blue
on an LCD.
Red + Green = Yellow
Green + Blue = Cyan
Blue + Red = Magenta
Red + Green + Blue = White
The color gamut of a display is limited by how
pure in color the red, green and blue primaries
are.
When viewed on a CIE xy color chart (a 2
dimensional plot of all colors visible to the human eye), the red, green, and blue primary colors together form a triangle. Colors outside
of this triangle are outside of the displayable
color gamut.
The size and position of the triangle are determined by the purity of the primary colors.
The purer the color, the closer it is to the edge
of the CIE horseshoe. Colors along the edge of
the horseshoe are made up of pure monochromatic light.
The largest possible color gamut using 3 colors
would be obtained by using 3 monochromatic
light sources such as LASERs.
When a light source is viewed as a spectrum, it
is possible to see the relationship between it’s
spectrum and position on the CIE color chart.
Relative Intensity
400
500
Light Wavelength (nm)
600
700
Monochromatic Light lies along the
edge of the CIE horseshoe
Relative Intensity
400
500
Light Wavelength (nm)
600
700
Light made up of a broader spectrum
lies inside the CIE horseshoe.
LCD Operation and Color Gamut
With an LCD display, the color gamut is determined by a combination of the light source
used to illuminate the LCD panel (known as the
backlight) and of the LCD panel itself.
Typical LCD monitors use a broad-band light
source such as CCFLs, which radiate a wide
spectrum of colors, including unwanted colors
such as oranges, yellows, cyans. Only the pure red,
green and blue parts of the backlight spectrum
are wanted in order to maximize the color gamut
of the display.
The LCD2180WG-LED avoids the need for narrower
spectrum color filters by fundamentally changing
the spectrum of the backlight source. By using
red, green and blue power LEDs, which output
a very narrow spectrum of light, a huge gain in
displayable color gamut can be achieved without
the need for using narrower color filters on each
sub-pixel.
It is important to understand that the backlight
for the LED based display is still “white” light,
but it is made up of very narrow-band red, green
and blue light, which when combined together, is
LCD Screen Sub-Pixel Structure
Each pixel on the screen is made up of red, green
Typical CCFL Backlight Spectrum
and blue sub-pixels. The colors of these sub-pixels are made by passing the backlight through
a color filter array. The characteristics of these
color filters in part determine the gamut of the
display.
Backlight
TFT Array
Liquid Crystal
Color Filter Array
In order to achieve a larger color gamut, it would
be necessary to filter the backlight into a narrower spectrum of colors thus producing purer
red, green and blue. However, filtering into a narrower spectrum is a technological challenge and
doing so also reduces the total amount of light
that is transmitted through the filter. This means
that the overall screen luminance is reduced or
must be compensated for by using more CCFL
perceived by the human eye as white light. If this
light were to be shown as a rainbow spectrum using a prism, only the red, green and blue portions
of the rainbow would be seen.
Combined LED Backlight Spectrum
backlights.
LCD Color Filter Array
3
The LCD2180WG-LED display further increases the
displayable color gamut by using a custom modified color filter on the blue sub-pixels reducing
the amount of cyan that passes through. This has
the effect of increasing the blue gamut beyond
that which is achievable using a blue LED and
standard blue filter.
See diagram on page 9 for a more detailed explanation of how the wide color gamut is achieved
and how it compares to a typical CCFL display.
AdobeRGB and beyond
Many mainstream output devices
such as ink jet printers can now produce colors that lie outside of even
the AdobeRGB colorspace.
The gamut of LCD2180WG-LED
exceeds AdobeRGB in the red and
magenta areas, making it possible to
view colors beyond AdobeRGB.
LED Backlight
The backlight source for the display is a linear
array of 48 individual red (18), green (20) and blue
(10) power LEDs. The light from these LEDs is
combined together to form white light, which is
the backlight source for the LCD panel.
Red, Green and Blue LED Array
Each LED that is used in the LCD2180WG-LED
display is individually chosen using a rigorous
screening process for color spectrum and luminance output in order to achieve the maximum
possible color gamut and color uniformity across
the display screen. Only a very small fraction
of the LEDs produced by the manufacturer are
deemed acceptable and chosen for use in the
display.
Folded Light Guide Design
In order to allow the light from the individual red,
green and blue LEDs to mix together and appear
as a single white light source, the display features
a folded light guide design. Light from the row
of alternating colored LEDs is fed through a
light guide and curved mirrors at the rear of the
display.
This allows the light from the individual LEDs a
greater distance in which to mix together, thus
giving a much more uniform light source without
significantly increasing the depth of the display.
The LCD2180WG-LED display complies
with the new AdobeRGB (1998) Reference Viewing Environment specification. A preset for matching the
AdobeRGB color gamut is available
via the On Screen Display menu.
Folded Light Guide and LED Array
Luminance
When compared to CRT monitors, the high brightness of the power LED backlight allows for a much
higher screen intensity (brightness) to be used.
A typical intensity of 160 cd/m2, regardless of the
white point setting, allows the display to be used
where traditionally a darkened room was necessary. Also where direct side-by-side comparisons
with print samples in a light box were previously
difficult due to the difference in luminance, the
4
increased intensity of the display makes direct
comparisons a reality.
Display Lifetime
Commercial LEDs have been around since the
early 1960s, however it is only within the last 10
years that blue LEDs have become available, and
only within the last couple of years that ultra
high brightness LEDs capable of replacing CCFLs
have become available with a comparable power
consumption. One of the major benefits of LEDs,
besides the narrow output spectrum, is the long
lifetime of typically 50,000 hours. This compares
to a typical CCFL based display lifetime of 25,000
hours.
Display White Point
The intensity of the red, green and blue LEDs
can be individually controlled, allowing the white
point or color temperature of the resulting white
light to be adjusted. This represents a major advantage over traditional LCD displays that utilize
a CCFL backlight with a fixed color temperature.
In a traditional LCD display, the only way to
adjust the white point of the screen is by using
a look-up-table, which resides either in the host
computer’s video graphics adapter or internally
to the display itself.
Changing the white point from the display’s
native white point means that one or two colors
have to be reduced in luminance using the lookup-table. This means that fewer displayable colors
are possible due to the look-up-table being used
to compensate for the white point. Depending on
the display’s native white point and the desired
white point, a significant number of displayable colors may be lost leading to color banding
issues. This is especially true for displays that
do not feature programmable internal look-uptables with a depth of 10 bits or more.
LUT Output
LUT Input
Typical CCFL Display LUT
However with the LCD2180WG-LED display, the
white point is adjusted by directly varying the
brightness of the red, green and blue LEDs. This
means that the full range of the internal 10
bit look-up-tables is available for performing
response curve and gamma adjustments.
Additionally, with traditional LCD displays, the native white point of the backlight source is fixed,
and the white point is adjusted using look-uptables. Therefore, the greyscale color tracking
of the display is often poor, especially for very
dark colors. This is because for very dark colors
including black, no color corrections are possible
using the look-up-table. The color of black on the
screen will be the color of the backlight source
that leaks through the LCD panel, which may differ from the desired white point.
LED Backlight monitor
e
uminanc
L
CCFL Backlight monitor
1051 2 3 4 6 7 8 9
Delta-E
Typical Color Tracking
Another advantage of the LED Backlight is that
the contrast ratio of the display remains almost
constant as the white point is changed in intensity and color. This is because the intensity and
color of black will also change due to the entire
backlight source being adjusted, rather than
having a fixed backlight and LUT adjustment with
a typical LCD display.
Gamut Mapping / Emulation
While the native color gamut of the display
exceeds that of even AdobeRGB, it is sometimes
necessary to preview images as they would be
seen on a display with a smaller colorspace.
The LCD2180WG-LED has presets for emulating
displays with both sRGB and AdobeRGB gamuts
by using internal color gamut mapping. These
presets can be selected with the touch of a button and will transform the displayed image into
either sRGB or AdobeRGB gamuts.
With the LED backlight, the white point of the
entire backlight source is changed by varying the
LUT Output
intensity of the red, green and blue LEDs. So the
color of absolute black on the screen will be much
closer to the intended white point . This provides
LUT Input
Typical LED Display LUT
vastly improved greyscale color tracking.
10 Bit Look Up Tables
Since the LCD2180WG-LED has internal 10 bit Look Up
Tables (LUTs), that can be programmed by the calibration
software, the 8x8 bit LUT on the Host Computer can be
set to linear. This means that no steps are lost in an 8x8
LUT and subsequent 8 bit DVI bottleneck (assuming 10
bit DVI functionality is not used).
Also, since the white point of the display is controlled
directly by varying the intensity of the Red, Green and
Blue LEDs, the 10 bit LUTs in the display are only used
for gamma / tone response curve corrections. This preserves the maximum number of discrete color levels.
On a traditional CCFL display monitor, the 8x8 LUT on the
host computer is used for both white point and gamma
/ tone response curve corrections. This means a loss in
the total number of discrete color levels which can lead
to color banding issues.
8 bit x 3 colors
Frame Buffer
8 bit x 3 colors
Frame Buffer
HOST COMPUTER
8 bit in x 8 bit out
x 3 colors LUT
(Set to Linear)
8 bit in x 8 bit out
x 3 colors LUT
8 bit DVI
8 bit DVI
OmniColor Hue & Saturation Adjustment
LCD2180WG-LED DISPLAY MONITO
8 bits in x 10 bits out
x 3 colors LUT
DDC/CI Adjustment
TYPICAL CCFL DISPLAY MONITORHOST COMPUTER
8 bits in x 8 bits out
x 3 colors LUT
LCD Panel
with LED Backlight
LCD Panel
with CCFL Backlight
R
5
If necessary, custom gamuts can be achieved by
manual adjustment of the display using its advanced 6-axis color hue and saturation controls.
These controls allow the hue and saturation of
red, yellow, green, cyan, blue and magenta areas
of the color gamut to be manipulated independently.
Color Stability
While LEDs have excellent light output and
lifetime characteristics, they are inherently
unstable devices and have very strong temperature and supply current dependencies. This would
normally make LEDs unsuitable for color critical
applications where a change in luminance of just
a fraction of a percentage would produce an
unacceptable color or luminance shift.
Relative Intensity
-20˚C+25˚C+85˚
While other CCFL based LCD displays may claim to
have similar optical feedback systems, they typically only monitor the luminance of the backlight
source and not its true white point. CCFLs have
an operating temperature vs output color spectrum dependency which can produce a change in
the white point of the display as it warms up to
operating temperature; even if the overall luminance is compensated using a luminance based
optical feedback system.
10
9
8
7
6
5
4
3
2
White Point Deviation (Delta-E)
1
LED Backlight monitor
CCFL Backlight monitor
1051 2 3 4 6 7 8 9
Time after power on (minutes)
Color Stability Comparison
called ColorComp which aims to reduce any
screen uniformity errors to almost unnoticeable
levels. This system works by applying a digital correction to each pixel on the screen to compensate for differences in color and luminance.
Each display is individually characterized during
production using a fully automated system which
measures hundreds of points across the screen
at different grey levels. These measurements
are used to build a three dimensional correction matrix for the display screen which is then
stored inside the display. This data is used to
compensate for the screen uniformity, not only as
a function of position on the display screen, but
also as a function of grey level.
If desired, the ColorComp correction can be
turned off in order to maximize the screen
brightness.
Uncompensated Light Output vs Temperature
Therefore the LCD2180WG-LED display employs a
unique internal optical feedback system which
constantly measures both the luminance and
color of the LED backlight source and automatically corrects for any short or long term changes.
This means that the backlight source is constant
and the screen can be used for critical color work
within a couple of minutes of powering on the
display. Short term changes such as the display
warming up, and longer term changes such as
aging decreasing the efficiency of the LED, are
automatically compensated for.
Temperature
Sensor
Folded Light Guide and LCD Panel
LED Array
LED Power Driver
Microprocessor
Optical Feedback System
Color
Sensor
Temperature Compensation
The LCD2180WG-LED features a unique temperature compensation system that constantly
monitors the internal temperature of the display
and corrects for changes in the LCD panel color
characteristics due to temperature shifts as
well as changes in the sensitivity of the internal
optical feedback sensor. This compensation allows
the display to achieve an unparalleled level of
color stability even as it warms up to full operating temperature. This means that the display
can then be used for color critical work within a
couple of minutes of turning on, compared to up
to 30-60 minutes for conventional displays.
Mura Compensation
All display monitors have some form of screen
uniformity errors, or mura, across the display
area due to a combination of non-uniformities
in the LCD panel itself, and the LCD backlight
system. This non-uniformity can be seen as
combination of shifts in color and/or luminance,
which, depending on the severity, may be very
noticeable and appear as uneven areas of color
across the display.
The LCD2180WG-LED introduces a new screen
uniformity compensation and correction system
Example Uniformity Without Correction
Uniformity With ColorComp Correction
Dual Video Inputs
The LCD2180WG-LED has two DVI video inputs for
connecting to two different host computers. The
input can be switched with the touch of a button.
6
The need for 10 bit color depth
The increased color gamut of the display means that the
overall color “volume” of displayable colors has increased
significantly. However the number of discrete color levels
from the host system has not changed from the standard
16+ million colors, unless video graphics adapters, applications and Operating Systems, that all support 10 bit
graphic processing are used.
This means that there are fewer discrete displayable color
levels per unit of color volume on a wide gamut display
than on a standard gamut display, which can lead to color
banding issues.
Due to the LCD2180WG-LED being able to use the red, green
and blue LED intensity to adjust the white point, rather
than sacrificing displayable color levels using look-up-tables, this loss does not present a significant problem. However the display will be able to take advantage of future
generations of video graphics adapters, applications and
Operating Systems that are capable of outputting video
with the full 10 bit digital video depth that the display is
capable of accepting, thus providing an end-to-end color
palette of up to more than 1,000,000,000 displayable
colors.
Normal color gamut display showing
available discrete colors with 8 bit
video (number of colors reduced for
purposes of explanation)
The same number of discrete colors
on a wide color gamut display occupy
a larger volume.
When 10 bit video is used instead of 8
bit, up to 64 times as many discrete
colors are available.
10 Bit Interface
The LCD2180WG-LED features a video input that
supports 10 bit digital video using a single DualLink DVI cable. This means that the full capabilities of the 10 bit display can be realized without
being restricted to an 8 bit video input source.
While there are not currently any mainstream
video graphics adapters or operating systems
that support full 10 bit video processing and
output, the LCD2180WG-LED display is designed
for future compatibility and leads the way to the
time when 10 bit video will become mainstream.
Advanced FRC
The LCD panel on the LCD2180WG-LED display
achieves an effective output of 10 bits per color
by using an advanced Frame Rate Control dithering algorithm. As with other 10 bit color displays,
the panel supports the most significant 8 bits
of video directly and the 2 least significant bits
are displayed by using a time-domain dithering method known as Frame Rate Control, in
which pixels are changed in intensity according
to the level of the 2 lower bits at a rate that is
faster than the human eye can perceive. This
time-domain dithering is further enhanced by
using a special spatial algorithm that ensures
that adjacent pixels operate at different parts
of the Frame Rate Control cycle thus making
any artifacts of the Frame Rate Control process
imperceptible.
Passive Cooling
The power LEDs used in the display dissipate heat
during operation. The display uses a combination
of a large heat sink with convection cooling to
maintain the temperature of the display. This
eliminates the need for a cooling fan which would
introduce acoustic noise.
Mercury Free Design
Unlike CCFL backlight based displays, which contain mercury vapor inside the florescent lamps,
thereby restricting the usage in certain operating environments, the LCD2180WG-LED display is
mercury free and RoHS compliant.
Color Calibration
The optional SpectraViewII color calibration
package offers further enhancements by providing a wide array of functions and features for
calibrating, profiling and monitoring the status
of the display.
The SpectraViewII software communicates with
the display directly using Display Data Channel
- Command Interface (DDC/CI), which is a two-way
communications link between the video graphics adapter and display monitor that uses the
standard video signal cable. No extra cables are
necessary. All adjustments to monitor settings
are performed automatically using this communications link.
The LCD2180WG-LED features three internal 10
bit LUTs (one for each color) that are programmed
directly by SpectraViewII via DDC/CI. These tables
allow very precise adjustments to be made to the
display’s Tone Response Curve without significantly reducing the number of displayable colors.
Because all of the Tone Response Curve adjustments are done in a 10 bit domain within the
display itself, the host computer ’s video graphics
adapter’s LUTs are set to linear, thus maximizing
the use of the 16+ million color palette in an 8 bit
color system.
The software allows custom target calibrations
to be created with preset or user definable white
points, intensity levels and tone response curves
(gamma curves). Advanced tone response curves
7
such as DICOM, used for medical imaging, are also
available.
Calibration Target Configuration
At the end of each monitor calibration procedure, the display is automatically profiled and
highly accurate ICC/ColorSync color profiles are
generated and automatically registered with the
Color Management System. These profiles use the
Bradford Chromaticity Adaptation matrix.
Target and actual measured results are analyzed
and displayed, showing a wealth of information
about the display such as the measured color
gamut, greyscale color tracking, Delta-E, and luminance values. Additional information about the
display monitor such as the model name, serial
number and the total number of hours that it has
been in use are also displayed.
Once SpectraViewII has calibrated the display, the
OSD (On Screen Display) controls can be locked to
prevent accidental or unauthorized adjustment
which may invalidate the calibrated state of the
monitor.
The software features a Colorimeter function
which allows direct measurements to be taken
by the color sensor and the results displayed in a
variety of different formats.
The SpectraViewII software integrates with the
NEC NaViSet Administrator network software
(Available separately from your NEC representative. Windows platform only) to provide remote
network access and monitoring of display
monitors. NaViSet Administrator is able to read,
display, and log the current calibration settings
and status of displays on a LAN. This feature is
particularly useful for large installations where
central monitoring and asset management is
needed.
Workflow Challenges With
Wide Color Gamut Displays
The use of a wide color gamut display is not without its challenges. Many people who have used
a wide gamut display have come to realize that
while it is now possible to display colors that were
otherwise unable to be previewed on-screen,
challenges in other areas emerge.
Color Measurement
The output color spectrum of the LCD2180WGLED display presents a unique challenge to
the current generation of colorimeter devices
which were never designed to be used on such
a display, just as LCD displays were a challenge
to colorimeters that were only designed for
CRT displays.
To overcome this, the optional SpectraViewII
color calibration package for the LCD2180WGLED display includes a custom calibrated
Gretag iOne Display V2 colorimeter that has
been specifically calibrated for accurate
measurement of the display. The device can
continue to be used to measure standard LCD
displays as well, if a multi-monitor configuration is used.
NEC is actively working with manufacturers of
colorimeter devices to ensure that their future standard products are able to accurately
measure the color characteristics of wide
color gamut displays.
While the LCD2180WG-LED ships with color profiles
for the factory preset color settings, the use of
a color calibration package is normally essential
for accurate custom calibration and profiling of
the display.
Calibration Results Summary
Color Tracking Report
For example, with being able to see colors on the
screen that were never before possible to display,
it is now easy to see problem areas in other parts
of the color workflow such as deficiencies in
printer or separation profiles.
The issue of having to continue to use some
legacy standard color gamut displays and
un-tagged source images in a color workflow is
another challenge.
Also it now becomes essential to utilize a color
management system with the display, by the correct use of ICC/ColorSync display profiles. Without
the use of a color management system, all colors
are mapped to the larger color gamut of the
display. This results in images that appear to be
super-saturated and distorted in color.
Accurate color profiles of the display allow the
color management system to correctly map the
source image gamut into the color gamut of the
display.
Sample Image
Image Displayed Without Color Management
8
White light from
CCFL is filtered
back into Red,
Green and Blue
sub-pixels.
Resulting
spectrums contain
unwanted colors
such as yellow,
700
cyan and orange
which reduces the
color gamut.
700
Filter Transmission
700
600
Light Wavelength (nm)
500
400
Relative Intensity
Filter Transmission
Typical CCFL Backlight
Filter Transmission
600
Light Wavelength (nm)
500
400
700
600
Light Wavelength (nm)
500
400
700
600
Light Wavelength (nm)
500
400
600
Light Wavelength (nm)
500
400
Relative Intensity
700
600
Why not use white LEDs?
White LEDs typically emit white light by using either a blue
LED with a yellow phosphor coating, or an ultra-violet LED with
a mix of red, green and blue phosphor coatings. The spectrum
of the white light has many of the drawbacks of using a CCFL
backlight and does not produce a wide color gamut.
Additionally, the white point, or color temperature, of the
white LED output is fixed. Therefore the advantage of being
able to adjust the white point by varying the individual red,
Light Wavelength (nm)
500
400
Relative Intensity
700
600
Light Wavelength (nm)
500
400
Relative Intensity
green and blue LED intensities would be lost.
Light from Red, Green
and Blue LEDs is
combined in the folded
light guide.
White light is filtered
back into Red, Green
and Blue sub-pixels.
The modified blue filter
further enhances blue
spectrum.
Resulting spectrums
are very pure which
gives a very wide color
700
600
Light Wavelength (nm)
500
400
Relative Intensity
700
600
LED Backlight
Light Wavelength (nm)
500
700
600
Light Wavelength (nm)
500
700
600
Light Wavelength (nm)
500
400
Filter Transmission
700
600
Light Wavelength (nm)
500
gamut.
700
600
Light Wavelength (nm)
500
400
Relative Intensity
700
600
Light Wavelength (nm)
500
Comparison of LED and CCFL Backlight Color Gamuts
400
700
600
Light Wavelength (nm)
500
400
y
Relative Intensity
Relative Intensity
400
Relati
ve Intensit
400
Filter Transmission
Filter Transmission
700
600
Light Wavelength (nm)
500
400
y
400
Relati
ve Intensit
700
600
Light Wavelength (nm)
500
400
Relative Intensity
9
Model
Display
Viewable Size Image
Pixel Pitch
Pixels Per Inch
Brightness (typical)
Contrast Ratio (typical)
Viewing Angle (typical)
Response Time (typical)
Display Colors
Color Chromaticities CIE x,y (typical)
Red
Green
Blue
Color Scale Achievement
NTSC
Adobe RGB
Video Input
Synchronization Range
Horizontal
Vertical
Resolutions Supported
Recommended Resolution
Additional Features
LCD2180WG LED (LCD2180WG-LED-BK-SV)
21.3"/54 cm
0.27mm
94 @ native resolution
200 cd/m2 with ColorComp off
150 cd/m2 with ColorComp on
430:1
176° Vert., 176° Hor. (88U/88D/88L/88R)@ CR>10
Rapid Response (20ms)
Up to more than 16 million with 8 bit video
Up to more than 1 billion with 10 bit video
0.68, 0.31
0.21, 0.71
0.15, 0.07
103%
107%
DVI-D (2). 10 bit video supported on Input 2.
75 kHz
60 Hz
DIGITAL
1600 x 1200 @ 60 Hz
1600 x 1200
Ultra-thin frame (bezel), tilt base, XtraView+
wide-angle viewing technology, cable management, ColorComp screen uniformity correction,
OmniColor 6-axis color control, 10-bit video input
(using DualLink DVI), sRGB and Adobe RGB colorspace emulation, digital controls, vacation switch,
power-off timer, color temperature mode, serial
number display, Rapid Response, ISO 13406-2
SpectraViewII Requirements
Operating System
Video Graphics Card
Video color depth
Supported Color Sensors
USB
Mac OS
Apple Mac OS X v10.2 or higher.
All Apple standard video
graphics cards, including most
newer PowerBooks with a DVI-D
output connector.
At least 24 bit color (Millions
of colors).
GretagMacbeth Eye-One display
V1 and V2, Eye-One Monitor,
Eye-One Pro, Monaco OptixXR
(X-Rite DTP 94).
At least one available USB port
for Color Sensor.
Microsoft Windows
Microsoft Windows 2000, XP, or
Server 2003. 64 bit versions of
Windows XP are not currently
supported.
ATI Radeon, Nvidia, Matrox, 3DLabs
and others. Check website for
further information.
At least 24 bit color.
GretagMacbeth Eye-One display V1
and V2, Eye-One Monitor, Eye-One
Pro, and Spectrolino, Monaco
OptixXR (X-Rite DTP 94).
At least one available USB port for
Color Sensor, or one RS232 port if
using the Spectrolino.
Touch-Capable
Voltage Rating
Power Consumption (typical)
On
Power Savings Mode
Dimensions (WxHxD)
Net (with stand)
Net (without stand)
Net Weight
(with stand)
(without stand)
VESA Hole Configuration Specifications
Environmental Conditions
Operating Temperature
Operating Humidity
Operating Altitude
Storage Temperature
Storage Humidity
Storage Altitude
Regulatory Approvals
RoHS Compliant
Optional Accessories
Limited Warranty
Technical Support
No
100-240V @ 50-60 Hz
100W
7W
18.6 x 18.2 x 8.3 in./473 x 461.7 x 211.9mm
18.6 x 14.6 x 4.9 in./473 x 370.4 x 124.5mm
40.3 lbs./18.3 kg
31.1 lbs./14.1 kg
100 x 100mm
5-35° C/41-95° F
30-80%
3658m/12,001 ft.
-10-60° C/14-140° F
10-85%
12,192m/40,000 ft.
UL/C-UL or CSA, FCC Class B/Canadian DOC, TUV GS,
TUV Ergonomie, CE
Yes
SpectraViewII Color Calibration Kit (custom-calibrated colorimeter and software)*, hood
3 years parts and labor, including backlight
24 hours/7 days
* Monitor available as bundled solution with SpectraViewII Color Calibration Kit, which includes custom calibrated Gretag iOne Display V2.
Advanced No Touch Auto Adjust, Ambix+, AutoBright, GammaComp, NaViSet, Rapid Response, SpectraViewII, TileMatrix and TileComp are trademarks of NEC Display Solutions. All other brand or product
names are trademarks or registered trademarks of their respective holders. Product specifications
subject to change. 12/05 ver. 2.
©2005 NEC Display Solutions of America, Inc.
NEC Display Solutions
500 Park Boulevard, Suite 1100
Itasca, IL 60143
866-NEC-MORE
www.necdisplay.com
All rights reserved.
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