LM4550B
AC ’97 Rev 2.1 Multi-Channel Audio Codec with Stereo
Headphone Amplifier, Sample Rate Conversion and
National 3D Sound
LM4550B AC ’97 Rev 2.1 Multi-Channel Audio Codec with Stereo Headphone Amplifier, Sample
Rate Conversion and National 3D Sound
General Description
The LM4550B is an audio codec for PC systems which is
fully PC99 compliant and performs the analog intensive
functions of the AC ’97 Rev 2.1 architecture. Using 18-bit
Sigma-Delta ADCs and DACs, the LM4550B provides 90 dB
of Dynamic Range.
The LM4550B was designed specifically to provide a high
quality audio path and provide all analog functionality in a PC
audio system. It features full duplex stereo ADCs and DACs
and analog mixers with access to 4 stereo and 4 mono
inputs. Each mixer input has separate gain, attenuation and
mute control and the mixers drive 1 mono and 2 stereo
outputs, each with attenuation and mute control. The
LM4550B provides a stereo headphone amplifier as one of
its stereo outputs and also supports National’s 3D Sound
stereo enhancement and a comprehensive sample rate conversion capability. The sample rate for the ADCs and DACs
can be programmed separately with a resolution of 1 Hz to
convert any rate in the range 4 kHz – 48 kHz. Sample timing
from the ADCs and sample request timing for the DACs are
completely deterministic to ease task scheduling and application software development. These features together with
an extended temperature range also make the LM4550B
suitable for non-PC codec applications.
The LM4550B features the ability to connect several codecs
together in a system to provide up to 6 simultaneous channels of streaming data on Output Frames (Controller to
Codec) for surround sound applications. Such systems can
also support up to 8 simultaneous channels of streaming
data on Input Frames (Codec to Controller). Multiple codec
systems can be built either using the standard AC Link
configuration (i.e. of one serial data signal to the Controller
per codec) or using a unique National Semiconductor feature for chaining codecs together. This chain feature shares
only a single data signal to the controller among multiple
codecs.
The AC ’97 architecture separates the analog and digital
functions of the PC audio system allowing both for system
design flexibility and increased performance.
Key Specifications
n Analog Mixer Dynamic Range97 dB (typ)
n DAC Dynamic Range89 dB (typ)
n ADC Dynamic Range90 dB (typ)
n Headphone Amp THD+N at 50 mW0.02% (typ)
into 32Ω
Features
n AC ’97 Rev 2.1 compliant
n High quality Sample Rate Conversion from 4 kHz to 48
kHz in 1 Hz increments
n Supports up to 6 DAC channel systems with multiple
LM4550Bs or with other National LM45xx codecs
n Unique National chaining function shares a single
controller SDATA_IN pin among multiple codecs
n Stereo headphone amp with separate gain control
n National’s 3D Sound stereo enhancement circuitry
n Advanced power management support
n External Amplifier Power Down (EAPD) control
n PC Beep passthrough to Line Out during Initialization or
Cold Reset
n Digital 3.3V and 5V supply options
n Extended Temperature: −40˚C ≤ T
≤ 85˚C
A
Applications
n Desktop PC audio systems on PCI cards, AMR cards, or
with motherboard chips sets featuring AC Link
n Portable PC systems as on MDC cards, or with a
chipset or accelerator featuring AC Link
n General Audio Frequency Systems requiring 2, 4 or 6
If Military/Aerospace specified devices are required,
please contact the National Semiconductor Sales Office/
Distributors for availability and specifications.
Supply Voltage6.0V
Soldering Information
LQFP Package
Vapor Phase (60 sec.)215˚C
Infrared (15 sec.)220˚C
θ
(typ) – VBH48A74˚C/W
JA
Storage Temperature−65˚C to +150˚C
Input Voltage−0.3V to V
DD
+0.3V
Operating Ratings
ESD Susceptibility (Note 2)2000V
pin 3750
ESD Susceptibility (Note 3)200V
pin 3100V
Junction Temperature150˚C
Electrical Characteristics (Notes 1, 5) The following specifications apply for AV
48 kHz, single codec configuration, (primary mode) unless otherwise noted. Limits apply for T
Temperature Range
T
MIN
≤ TA≤ T
(Note 4)−40˚C ≤ TA≤ 85˚C
MAX
Analog Supply Range4.2V ≤ AV
Digital Supply Range3.0V ≤ DV
= 5V, DVDD= 3.3V, Fs =
DD
= 25˚C. The reference for 0 dB
A
DD
DD
≤ 5.5V
≤ 5.5V
is 1 Vrms unless otherwise specified.
Units
(Limits)
SymbolParameterConditions
AV
DD
Analog Supply Range4.2V (min)
LM4550B
Typical
(Note 6)
Limit
(Note 7)
5.5V (max)
DV
DD
Digital Supply Range3.0V (min)
5.5V (max)
= 5 V34mA
D
A
I
I
V
DSD
ASD
IDD
IDD
REF
Digital Quiescent Power Supply
Current
Analog Quiescent Power Supply
Current
Digital Shutdown CurrentPR6543210 = 111111119µA
Analog Shutdown CurrentPR6543210 = 111111170µA
Reference VoltageNo pullup resistor2.16V
DV
DD
DV
= 3.3 V19mA
DD
= 5 V53mA
AV
DD
PSRRPower Supply Rejection Ratio40dB
Analog Loopthrough Mode (Note 8)
Dynamic Range (Note 9)
THDTotal Harmonic DistortionV
CD Input to Line Output, -60 dB Input
THD+N
=-3dB,f=1kHz, RL=10kΩ0.0130.02% (max)
O
9790dB (min)
Analog Input Section
V
IN
V
IN
V
IN
Line Input Voltage
Mic Input with 20 dB Gain0.1Vrms
Mic Input with 0 dB Gain1Vrms
LINE_IN, AUX, CD, VIDEO, PC_BEEP,
PHONE
1Vrms
XtalkCrosstalkCD Left to Right−95dB
Z
IN
C
IN
Input Impedance (Note 9)All Analog Inputs4010kΩ (min)
Input Capacitance(Note 9)3.77pF
Interchannel Gain MismatchCD Left to Right0.10dB
Record Gain Amplifier - ADC
A
S
A
M
Step Size0 dB to 22.5 dB1.5dB
Mute Attenuation (Note 9)86dB
Mixer Section
A
S
A
M
Step Size+12 dB to -34.5 dB1.5dB
Mute Attenuation(Note 9)86dB
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Electrical Characteristics (Notes 1, 5) The following specifications apply for AV
48 kHz, single codec configuration, (primary mode) unless otherwise noted. Limits apply for T
is 1 Vrms unless otherwise specified. (Continued)
LM4550B
= 5V, DVDD= 3.3V, Fs =
DD
= 25˚C. The reference for 0 dB
A
Units
(Limits)
SymbolParameterConditions
LM4550B
Typical
(Note 6)
Limit
(Note 7)
Analog to Digital Converters
Resolution18Bits
Dynamic Range (Note 9)-60 dB Input THD+N, A-Weighted9086dB (min)
Frequency Response-1 dB Bandwidth20kHz
Digital to Analog Converters
Resolution18Bits
Dynamic Range (Note 9)-60 dB Input THD+N, A-Weighted8982dB (min)
THDTotal Harmonic DistortionV
=-3dB,f=1kHz, RL=10kΩ0.01%
IN
Frequency Response20-21 kHz
Group Delay (Note 9)Sample Freq. = 48 kHz0.361
ms
(max)
Out of Band Energy (Note 10)-40dB
Stop Band Rejection70dB
D
T
Discrete Tones-96dB
Analog Output Section
A
S
A
M
THD+N
Z
OUT
Z
OUT
Step Size0 dB to -46.5 dB1.5dB
Mute Attenuation(Note 9)86dB
Headphone Amplifier Total
Harmonic Distortion plus Noise
Setup Time for codec data inputSDATA_OUT to falling edge of BIT_CLK3.510ns (min)
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LM4550B
Electrical Characteristics (Notes 1, 5) The following specifications apply for AV
48 kHz, single codec configuration, (primary mode) unless otherwise noted. Limits apply for T
= 5V, DVDD= 3.3V, Fs =
DD
= 25˚C. The reference for 0 dB
A
is 1 Vrms unless otherwise specified. (Continued)
JMAX
Units
(Limits)
ns (max)
= 150˚C.
SymbolParameterConditions
T
DHOLD
T
SSETUP
T
SHOLD
T
CO
T
RISE
T
FALL
T
CS
T
RST_LOW
T
RST2CLK
T
SH
T
SYNC2CLK
T
S2_PDOWN
T
SUPPLY2RST
T
SU2RST
T
RST2HZ
Note 1: Absolute Maximum Ratings indicate limits beyond which damage to the device may occur. Operating Ratings indicate conditions for which the device is
functional, but do not guarantee specific performance limits. Electrical Characteristics state DC andAC electrical specifications under particular test conditions which
guarantee specific performance limits. This assumes that the device is within the Operating Ratings. Specifications are not guaranteed for parameters where no limit
is given, however, the typical value is a good indication of device performance.
Note 2: Human body model, 100 pF discharged through a 1.5 kΩ resistor.
Note 3: Machine Model, 220 pF – 240 pF discharged through all pins.
Note 4: The maximum power dissipation must be derated at elevated temperatures and is dictated by T
allowable power dissipation is P
The typical junction-to-ambient thermal resistance is 74˚C/W for package number VBH48A.
Note 5: All voltages are measured with respect to the ground pin, unless otherwise specified.
Note 6: Typicals are measured at 25˚C and represent the parametric norm.
Note 7: Limits are guaranteed to National’s AOQL (Average Outgoing Quality Level).
Note 8: Loopthrough Mode describes a path from an analog input through the analog mixers to an analog output.
Note 9: These specifications are guaranteed by design and characterization; they are not production tested.
Note 10: Out of band energy is measured from 28.8 kHz to 100 kHz relative toa1VrmsDACoutput.
Hold Time for codec data input
Setup Time for codec SYNC input
Hold Time for codec SYNC input
Output Valid Delay
Rise Time
Fall Time
Chain Propagation Delay
RESET# active low pulse widthFor Cold Reset1.0µs (min)
RESET# inactive to BIT_CLK start
up
SYNC active high pulse widthFor Warm Reset1.0µs (min)
SYNC inactive to BIT_CLK start upFor Warm Reset162.8ns (min)
AC Link Power Down Delay
Power On Reset
Setup to trailing edge of RESET#For ATE Test Mode15ns (min)
Rising edge of RESET# to Hi-ZFor ATE Test Mode25ns (max)
DMAX
=(T
)/θJAor the number given in Absolute Maximum Ratings, whichever is lower. For the LM4550B, T
JMAX–TA
Hold time of SDATA_OUT from falling
edge of BIT_CLK (Note 9)
SYNC to falling edge of BIT_CLK (Note
9)
Hold time of SYNC from falling edge of
BIT_CLK
Output Delay of SDATA_IN from rising
edge of BIT_CLK (Note 9)
BIT_CLK, SYNC, SDATA_IN or
SDATA_OUT
BIT_CLK, SYNC, SDATA_IN or
SDATA_OUT
Data Delay from CIN to SDATA_IN
when the chain feature is active
For Cold Reset271162.8ns (min)
Delay from end of Slot 2 to BIT_CLK,
SDATA_IN low
Time from minimum valid supply levels
to end of Reset
, θJA, and the ambient temperature TA. The maximum
The LM4550B must be initialized by using RESET# to perform a Power On Reset as shown in the Power On Reset Timing
•
Diagram
Don’t leave unused Analog inputs floating. Tie all unused inputs together and connect to Analog Ground through a capacitor
•
(e.g. 0.1 µF)
Do not leave CD_GND floating when using the CD stereo input. CD_GND is the AC signal reference for the CD channels and
•
should be connected to the CD source ground (Analog Ground may also be acceptable) througha1µFcapacitor
If using a non-standard AC Link controller take care to keep the SYNC and SDATA_OUT signals low during Cold Reset to
•
avoid accidentally activating the ATE or Vendor test modes
The PC_Beep input should be explicitly muted if not used since it defaults to 0 dB gain on reset, unlike the mute default of the
•
other analog inputs
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LM4550B
20123725
Typical Application (Continued)
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FIGURE 2. LM4550B Reference Design, Typical Application, Single Codec, 1 Vrms and 2 Vrms inputs, EMC output filters
Connection Diagram
LM4550B
Pin Descriptions
NamePinI / O
PC_BEEP12I
PHONE13I
Top View
20123702
Order Number LM4550BVH
See NS Package Number VBH48A
ANALOG I/O
Functional Description
Mono Input
This line level (1 Vrms nominal) mono input is mixed equally into both channels of the Stereo
Mix signal at MIX2 under the control of the PC_Beep Volume control register, 0Ah. The
PC_BEEP level can be muted or adjusted from 0 dB to -45 dB in 3 dB steps. The Stereo Mix
signal feeds both the Line Out and Headphone Out analog outputs and is also selectable at
the Record Select Mux. During Initialization or Cold Reset, (reset pin held active low),
PC_BEEP is switched directly to both channels of the Line Out stereo output, bypassing all
volume controls. This allows signals such as PC power-on self-test tones to be heard through
the PC’s audio system before the codec registers are configured.
Mono Input
This line level (1 Vrms nominal) mono input is selectable at the Record Select Mux for
conversion by either or both channels of the stereo ADC. It can also be mixed equally into
both channels of the Stereo Mix signal at MIX2 under the control of the Phone Volume
register, 0Ch. The PHONE level can be muted or adjusted from +12 dB to -34.5 dB in 1.5 dB
steps. The Stereo Mix signal feeds both the Line Out and Headphone Out analog stereo
outputs and is also selectable at the Record Select Mux.
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Pin Descriptions (Continued)
LM4550B
NamePinI / O
AUX_L14I
AUX_R15I
VIDEO_L16I
VIDEO_R17I
CD_L18I
CD_GND19I
CD_R20I
ANALOG I/O (Continued)
Functional Description
Left Stereo Channel Input
This line level input (1 Vrms nominal) is selectable at the left channel of the stereo Record
Select Mux for conversion by the left channel ADC. It can also be mixed into the left channel
of the Stereo Mix 3D signal at MIX1 under the control of the Aux Volume register, 16h. The
AUX_L level can be muted (along with AUX_R) or adjusted from +12 dB to -34.5 dB in 1.5 dB
steps. Stereo Mix 3D is combined into the Stereo Mix signal at MIX2 for access to the stereo
outputs Line Out and Headphone Out.
Right Stereo Channel Input
This line level input (1 Vrms nominal) is selectable at the right channel of the stereo Record
Select Mux for conversion by the right channel ADC. It can also be mixed into the right
channel of the Stereo Mix 3D signal at MIX1 under the control of the Aux Volume register,
16h. The AUX_R level can be muted (along with AUX_L) or adjusted from +12 dB to -34.5 dB
in 1.5 dB steps. Stereo Mix 3D is combined into the Stereo Mix signal at MIX2 for access to
the stereo outputs Line Out and Headphone Out.
Left Stereo Channel Input
This line level input (1 Vrms nominal) is selectable at the left channel of the stereo Record
Select Mux for conversion by the left channel ADC. It can also be mixed into the left channel
of the Stereo Mix 3D signal at MIX1 under the control of the Video Volume register, 14h. The
VIDEO_L level can be muted (along with VIDEO_R) or adjusted from +12 dB to -34.5 dB in
1.5 dB steps. Stereo Mix 3D is combined into the Stereo Mix signal at MIX2 for access to the
stereo outputs Line Out and Headphone Out.
Right Stereo Channel Input
This line level input (1 Vrms nominal) is selectable at the right channel of the stereo Record
Select Mux for conversion by the right channel ADC. It can also be mixed into the right
channel of the Stereo Mix 3D signal at MIX1 under the control of the Video Volume register,
14h. The VIDEO_R level can be muted (along with VIDEO_L) or adjusted from +12 dB to
-34.5 dB in 1.5 dB steps. Stereo Mix 3D is combined into the Stereo Mix signal at MIX2 for
access to the stereo outputs Line Out and Headphone Out.
Left Stereo Channel Input
This line level input (1 Vrms nominal) is selectable at the left channel of the stereo Input Mux
for conversion by the left channel ADC. It can also be mixed into the left channel of the
Stereo Mix 3D signal at MIX1 under the control of the CD Volume register, 12h. The CD_L
level can be muted (along with CD_R) or adjusted from +12 dB to -34.5 dB in 1.5 dB steps.
Stereo Mix 3D is mixed into the Stereo Mix signal at MIX2 for access to the stereo outputs
Line Out and Headphone Out.
AC Ground Reference
This input is the reference for the signals on both CD_L and CD_R. CD_GND is NOT a DC
ground and must be AC-coupled to the stereo source ground common to both CD_L and
CD_R. The three inputs CD_GND, CD_L and CD_R act together as a quasi-differential stereo
input with CD_GND providing AC common-mode feedback to reject ground noise. This can
improve the input SNR for a stereo source with a good common ground but precision
resistors may be needed in any external attenuators to achieve the necessary balance
between the two channels.
Right Stereo Channel Input
This line level input (1 Vrms nominal) is selectable at the right channel of the stereo Input
Mux for conversion by the right channel ADC. It can also be mixed into the right channel of
the Stereo Mix 3D signal at MIX1 under the control of the CD Volume register, 12h. The
CD_R level can be muted (along with CD_L) or adjusted from +12 dB to -34.5 dB in 1.5 dB
steps. Stereo Mix 3D is combined into the Stereo Mix signal at MIX2 for access to the stereo
outputs Line Out and Headphone Out.
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