Nady Systems Encore I User Manual
VHF Wireless Microphone System
CONTENTS
CONTENTS ...........................................................................................2
INTRODUCTION ....................................................................................3
USING THIS MANUAL............................................................................3
SYSTEM FEATURES ................................................................................4
ENCORE I RECEIVER ..............................................................................5
WHT-15 HANDHELD MICROPHONE TRANSMITTER .................................8
WLT-15 LAVALIER/LAPEL OR HEADWORN MICROPHONE
BODYPACK TRANSMITTER ...................................................................10
WGT-15 INSTRUMENT BODYPACK TRANSMITTER.................................12
THE LINK 2™ PLUG-IN TRANSMITTER...................................................14
SPECIFICATIONS .................................................................................17
SERVICE ..............................................................................................18
INTRODUCTION
Thank you for purchasing a Nady Encore I Wireless Microphone System and
congratulations on your choice. The Encore I is loaded with top professional operating features and is the best performance and price value available in VHF wireless
systems.
USING THIS MANUAL
This booklet gives instructions for the operation of the Encore I VHF wireless, including
handheld, instrument, lavalier, headmic and plug-in transmitter systems. Please read
the instructions for your system completely before operating unit.
This manual will first list the features of the Encore I and then will take you step by
step to show you how to operate your new system. After reading the receiver
instructions, turn to the section of the booklet that covers the type of transmitter used
with your new system. Each section will give you detailed operating instructions. Also
included in this manual are system specifications and servicing information.
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3
SYSTEM FEATURES
ENCORE I RECEIVER
• Available on selected frequencies in the VHF high band
(171-216 MHz) for interference-free, long-range performance
• Proprietary companding circuitry for an industry-best 120dB Dynamic Range,
and the clearest, most natural sound available
• Operating Range: Up to 250 feet typical (depending on site conditions) – up to
500+ feet line-of-sight
• Noise-free transmitter ON-OFF operation
• Rugged, foam-padded traveling case provides easy, safe transport and storage
ENCORE I RECEIVER
• Half-rack receiver design with retractable front panel antenna
• RF and AF 5-LED displays for monitoring incoming signal strength
and audio level
• Balanced XLR and unbalanced adjustable 1/4" jack outputs
• Mute (squelch) adjust control
• Externally powered by AC/DC power adapter
• Unique snap-out panel locking tabs for single receiver or dual receiver
(side-by-side) optional rack mounting
WHT-15 HANDHELD MIC TRANSMITTER
• Features the Nady DM-10D unidirectional neodymium dynamic cartridge for
optimum true sound, maximum feedback rejection and minimal handling noise
• OFF/STANDBY/ON switch allows convenient audio muting with the
transmitter "ON"
• Low battery LED indicator flashes once for unit "ON"; lights steady for low
battery alert
• Rubber, "easy-mount" mic clip included
WGT-15 & WLT-15 BODYPACK TRANSMITTERS
• Choice of instrument (WGT-15) or headworn/lavalier microphone (WLT-15)
bodypack transmitter
• OFF/STANDBY/ON switch allows convenient audio muting with the
transmitter "ON"
• Low battery LED indicator flashes once for unit "ON"; lights steady for low
battery alert
• Locking 3.5mm mini-jack provides secure connection for removable micro
phone or instrument cable
• Easily accessible input level adjust control for optimum sound
1. Rackmounting the Receiver
There are 2 options available for rackmounting the Encore I receiver: singly or sideby-side with another Encore Series receiver.
a. Single mounting: Remove the receiver SIDE MOUNT CLIP (1) from each side of
the receiver (as shown) and slide in the optional ERM-12 RACK EARS (9).
b. Side-by-side double mounting: After removing the SIDE MOUNT CLIPS (1) from
both Encore receivers, join the two receivers with the EJC-2 JOINING CLIP (10)
and attach the ERM-22 RACK EARS (12) as shown.
(Note: Do not mount the
receiver in a rack directly above an amplifier or other source of high heat – this
could degrade the performance of the Encore I. Always ensure adequate
airflow and heat dissipation in any rack configuration.)
2. Powering the Receiver
Plug the 12V AC/DC ADAPTER (15) provided into the DC INPUT JACK (11) on the
back of the receiver. Then plug the power supply into an AC outlet.
(Note: Any 12V
DC source with 400mA capability can also be used.) Press the POWER SWITCH (8)
once to turn on the receiver. The POWER ON LED (7) will now light and the receiver
is operational.
3. Antenna
The Encore I receiver is supplied with a TELESCOPIC ANTENNA (16). This should be
extended fully to obtain maximum range. Optimal antenna position is vertical. For
maximum range, it is always best to maintain a line of sight (no obstructions)
between the receiver antenna and the transmitter at all times whenever possible.
4. Mute (Squelch) Adjustment
In normal operation, the MUTE CONTROL (2) should be set fully counterclockwise to
the factory preset minimum RF level. However, in areas of high RF activity, the mute
(or squelch, as it is sometimes called) may need to be adjusted to compensate for the
adverse conditions in a particular location. If, with the transmitter off, one or more
LEDs of the 5 LED RF LEVEL DISPLAY (4) flicker or stay on, the squelch control should
be turned clockwise until the LEDs extinguish. When the squelch is properly adjusted,
the RF LEVEL LED displays will only light when the system transmitter is turned on.
Turning the squelch control too far clockwise will reduce the range, but yield a quieter
mute (squelch) function. When the 5 LED RF LEVEL display extinguishes, the transmitter is out of range for that given location, and the user should move closer to the
receiver to re-establish the radio link.
LINK 2™ PLUG-IN TRANSMITTER
• Plug-in transmitter converts your favorite XLR handheld or lavalier micro
phone to wireless instantly
• Rugged construction and positive locking connector for reliable performance
• Selectable phantom power and LO/HI audio input level
• Optional leatherette pouch with clip available for use as bodypack
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5. Connecting the Audio Output
The Encore I receiver provides both a fixed mic level BALANCED AUDIO OUTPUT XLR
(14) and an adjustable line level UNBALANCED AUDIO OUTPUT 1/4" JACK (13).
The level from the UNBALANCED OUTPUT is controlled by the rear panel VOLUME
CONTROL (6).
(Note: As when making any connection, make sure the amplifier or
mixing board volume is at the minimum level before plugging in the receiver to avoid
possible sound system damage. Also make sure that the phantom power on the input
of the mixer is turned OFF before making connection to the receiver.)
a. Instrument Connection (using the WGT-15 instrument transmitter)
Insert an audio cord with a 1/4" mono phone plug in the UNBALANCED
OUTPUT JACK (13) on the rear panel of the receiver. Plug the other end of the
cord into an amplifier, effects, or mixing board. Adjust the VOLUME CON-
TROL (6) on the Encore I receiver clockwise to about 3/4 rotation, until the
volume level is comfortable for your application. This setting is roughly
equivalent to a direct instrument cord connection. Turning the volume up to
maximum will provide 4dB gain over a cord.
b. Microphone Connection (using the WLT-15 transmitter with either a headset
or lavalier microphone or the WHT-15 handheld microphone transmitter)
For microphone use, either the BALANCED MIC AUDIO OUTPUT XLR (14) or
the 1/4" line level UNBALANCED OUTPUT (13) can be used. The XLR output
is set at a non-adjustable microphone level, similar to hardwired mic levels.
Plug an XLR connector into the XLR output jack on the rear of the unit and plug
the other end into your amplifier or mixing board.
(Note: Make sure the
phantom power on your mixing board is turned off and the volume is turned
down when making connections.)
For your convenience, the XLR output level is preset at the factory and is not
adjustable with the receiver volume control. To use the 1/4" UNBALANCED
OUTPUT JACK (13), follow the instructions for the Instrument Connection
(above), except start with the receiver volume at 1/2 MAX and adjust the
volume control until the volume level is optimal. If the volume control is set too
high, you may overload your mixer or amp.
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7
8
12-15V
UNBALANCED OUT
13
9
VOLUME
DC INPUT
11 6 2
4
BALANCED OUT
14
5
MUTE
15
1
9
12
10
12
6
1
7
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