MXR M300 Users Manual

M300 REVERB
M300 REVERB
DESCRIPTION
• Six meticulously crafted reverbs
in one pedal
Audiophile quality analog and digital audio paths
• Dry path is 100% analog
• Studio-grade low noise oor
• Trails Bypass mode lets eect ring out after turning the pedal o
• Expression pedal jack for foot control of all knob settings
• Stereo In/Out capability when
using TRS cables
CONTROLS
EXP output allows blending
1
of two setting congurations with an expression pedal
FOOTSWITCH toggles eect on/
2
bypass (blue LED indicates on)
LED column indicates selected
3
reverb style
DECAY knob sets length of
4
reverb decay
TONE knob shapes EQ of eect
5
(or octave blend for PAD setting) and selects reverb style
MIX knob sets reverb signal level
6
POWER
The MXR Reverb requires 9 volts (240mA) and can be powered
by the included Dunlop
ECB003/ECB003EU adapter or the Iso-Brick™ Power Supply. This pedal cannot be powered by a battery.
DIRECTIONS
• Run a standard instrument cable from your guitar to the M300’s INPUT jack and another cable from the M300’s OUTPUT jack to your amplier. If using an expres­sion pedal, run a TRS cable from the M300’s EXP jack to your expression pedal.
• Start with all controls at 12 o’clock.
• Turn the eect on by depressing the footswitch.
• Push in the TONE control to
6
cycle through reverb styles, indicated by red or green LEDs in the LED column. See REVERB STYLES section for a description of each style.
SAMPLE SETTINGS
MEMPHIS GRITS TRANCE SYLVANIABIG KAHUNA
• Rotate DECAY control clock­wise to increase length of reverb decay or counterclockwise to decrease it.
• Rotate TONE control clockwise for a brighter reverb sound or counterclockwise for a warmer reverb sound.
• Rotate the MIX control clockwise to increase reverb signal level or counterclockwise to decrease it. Fully clockwise results in an equal 50/50 mix of reverb and dry signals.
NOTE :
You may notice that the M300’s housing warms up while on. This is completely normal. Take care when operating in extremely high ambient temperatures or direct sunlight.
REVERB STYLES
PLATE: Classic studio plate reverb. Indicated by green LED.
• SPRING: Classic guitar amp reverb. Indicated by red LED.
• EPIC: Multiple interconnected modulated delays. Indicated by green LED.
MOD: Modulated studio plate reverb. Indicated by red LED.
• ROOM: Simulates small room, early reection slap-back sound. Indicated by green LED.
• PAD: Blend of octave down and octave up synth sounds with reverb eect. Indicated by red LED. Use TONE control to blend—fully counterclockwise provides one octave down and fully clockwise provides one octave up. The 12 o’clock position provides both an octave up and an octave down. Use DECAY control to set synth pad and reverb decay.
DIAGRAM A
MONOSTEREO
USING AN EXPRESSION PEDAL
An expression pedal such as the DVP4 Volume (XL) the DVP3 Volume (X)™ Pedal can be
used to toggle and sweep between
two dierent setting congurations:
• Connect an expression pedal to M300’s EXP jack using a TRS cable, and set rocker to its heel­down position. Adjust knobs as desired. Note: Expression pedal cannot be used to change reverb style.
• Move rocker to its toe-down position. Adjust knobs as desired to a dierent setting conguration.
• Moving rocker back and forth will move eect sound smoothly between those two settings.
STEREO MODE
The M300 can be run in either Mono (default) or Stereo modes, selectable via internal switch, which determines tip/ring input connection. For a stereo setup, run a TRS splitter cable to the M300’s INPUT jack and another from the M300’s OUTPUT jack to your amplier. Next, set internal STEREO/MONO switch to its LEFT position (see Diagram A). Note: When M300 is bypassed, output ring connection will only receive
Mini Pedal or
signal if M300 is set to Trails Bypass mode (see below).
ADVANCED FUNCTIONS – STARTUP MODE
Additional functions can be
accessed by entering Startup Mode. Advanced function settings will remain in selected state, even after pedal is powered o. Re-enter Startup Mode and follow relevant steps to change settings again.
1. Disconnect M300 from power
supply and set DECAY and MIX
controls to 12 o’clock.
2. Enter Startup Mode by pushing
down and holding TONE knob
while connecting M300 to its power source.
TRAILS BYPASS MODE
The M300 uses a “true bypass” relay by default, shutting o eect and hardwire bypassing the tip
connection signal as soon as you
turn the pedal o (ring connec­tion uses buered bypass). The M300 can also be operated using Trails Bypass mode, which uses a buered bypass and allows the reverb eect to ring out even after you turn the pedal o.
1. After entering Startup Mode, release TONE knob. LED column will now reect bypass mode
status. Green LEDs indicate factory-set True Relay Bypass mode, while red LEDs indicate Trails Bypass mode.
2. Press TONE knob to toggle between modes.
3. Depress footswitch to exit Startup Mode and resume normal operation.
WET MODE
The M300 can be set so that only the wet signal is sent to
your amplier.
1. After entering Startup Mode, observe LED column for mode status. Green LEDs indicate factory-set Dry mode. Red LEDs indicate Wet mode.
2. While still pushing down on TONE knob, rotate DECAY or MIX knob clockwise past 12 o’clock to select Wet mode, indicated by red LEDs. To return to Dry mode, rotate DECAY or MIX knob counterclockwise past 12 o’clock. Green LEDs will light up and red LEDs will turn o.
3. Release TONE knob to save your selection and depress footswitch to exit Startup Mode and resume normal operation.
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SPECIFICATIONS
Input Impedance 1 MΩ Output Impedance 100 Ω
Max Input +5 dBV Max Output Level +5 dBV
Noise Floor -107 dBV Sampling Rate 96 kHz
Current Draw 240 mA Power Supply 9 volts DC
Note: This equipment has been tested and found to comply with
the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interfer­ence in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio commu­nications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment o and on, the user is encouraged to try to correct the interference by one or more of the following measures:
• Reorient or relocate the
receiving antenna.
• Increase the separation between
the equipment and receiver.
Connect the equipment into
an outlet on a circuit dierent from that to which the receiver is connected.
• Consult the dealer or an experi-
enced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two condi­tions: (1) This device may not cause harmful interference, and (2) this device must accept any interfer­ence received, including interfer­ence that may cause undesired operation.
Unauthorized changes or modica­tions to this product could void the user’s authority to operate the equipment.
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