MXL MICMATE Users Guide

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Mic Mate
User Manual
Pro
ongratulations and thank you for purchasing the MXL® Mic Mate™ Pro. This device is designed to minimize your
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setup for recording and allow for professional quality recording on-the-go. The latest advances in digital technology, along with years of research, have enabled MXL®’s engineering team to produce the audio quality normally found in expensive, high-end multi-channel computer interfaces within the small body of the Mic Mate™ Pro. We used feedback from our customers to include the features you wanted in the Mic Mate Pro. This expanded upon the already popular Mic Mate by adding a variable gain knob (with plenty of gain), headphone jack for direct zero-latency monitoring, and a volume control for the headphone output.
Please review the follow material to get started with
Mic Mate™ Pro and ensure the best sound quality possible.
series
Mic Mate Pro Features
• Supplies 48V phantom power
• Studio-quality microphone preamp
• Zero latency monitoring
• 1/8-inch Stereo headphone jack
• Fully balanced low-noise analog front-end
• Gain and headphone controls
• 44.1 kHz and 48 kHz/16-bit
• USB Powered
• Less than 6 inches long
• USB 1.1 and 2.0 Compatible
Mic Mate Pro Features
XLR Connector: Plug the Mic Mate™ Pro directly into the bottom of your mic or attach an XLR microphone cable here.
USB
Cable
Microphone
Gain
USB Jack
XLR
Connector
Headphone
Volume
1/8” Headphone
Jack
LED
LED: When the red LED is illuminated it indicates that the Mic Mate USB power and functioning correctly.
Microphone Gain: Use this variable knob to control the record level of the microphone into the computer. This control changes the analog microphone signal before the A/D converter.
Headphone Volume: A variable knob provides an overall volume control for stereo headphones. Always turn this knob all the way counterclockwise before using the Mic Mate Pro. Slowly bring the volume up while listening to yourself and/or recorded material
to nd the correct level. (Note that the output volume control in the computer is separate from
this volume control. Both volumes need to be adjusted for proper monitoring. To learn how to adjust the computer audio playback level, go to the initial setup instructions for your computer operating system.)
USB Jack: The small end of the supplied USB cable plugs in here. The microphone is set up to be compatible with USB 1.1 and 2.0. It is not recommended to plug the Mic Mate into a hub, as this could potentially limit the power and audio bandwidth the Mic Mate needs to operate.
Headphone Jack: 1/8-inch stereo headphone jack accepts most headphones. The maximum headphone volume will vary by manufacturer and model, so care should always be exercised when plugging in different headphones.
Pro is connected to
Pro
Pro
Setup
Connecting the Mic Mate™ Pro to your computer:
®
The MXL
Mic Mate™ Pro will operate with both USB 2.0 (high speed USB) and USB 1.1 data buses. We recommend you connect your microphone directly to the computer’s USB port as opposed to using a USB hub. USB hubs have been known to interfere with the performance of various USB devices.
PLEASE NOTE: Audio and video recording can be very taxing to a computer’s resources. For this reason, you should close any and all running applications that are non-essential. Please take the following steps to get connected:
1. If open, close your audio recording application. You will open it after the Mic Mate
Pro is connected
and operational.
2. Connect the corresponding ends of the supplied USB cable to the Mic Mate
Pro and the computer’s
USB port.
3. The red LED on top of the Mic Mate
4. Connect your microphone of choice* directly to the XLR connector on the Mic Mate
Pro will illuminate indicating it is receiving power from the computer.
Pro or use an XLR microphone cable to facilitate placement farther away from the computer. *Please note that 48V phantom power is on all of the time and can potentially harm some ribbon microphones. If you are unsure of how phantom power affects your microphone, please consult with your microphone manufacturer prior to use.
Initial setup with Windows XP:
1. To select the Mic Mate
Pro microphone as the default audio device, go to the Start Menu and select
Control Panel.
2. Select Sounds and Audio Devices.
3. Click on the Audio tab and select USB Audio Codec as the default device for Sound playback and Sound Recording.
4. To adjust the output volume from the computer, click on the Volume button under Sound playback.
5. The master volume output can be changed by moving the Speaker fader up or down. You can adjust this
volume in conjunction with the headphone volume knob on the Mic Mate
Pro to create the perfect monitor
mix between music playback and the direct signal from your microphone.
* You will notice the volume control under sound recording is grayed out. This is because the input gain control is found on the Mic Mate
Pro.
Your Windows XP computer is now set up to use the Mic Mate™ Pro USB interface with most recording applications. Some applications will require additional settings be changed within the program. Please see your recording software manual for proper setup.
Initial setup with Windows Vista:
1. To select the Mic Mate
Pro as the default audio device, go to the Start Menu and select Control Panel.
2. Double click the Sound icon.
3. Select the Playback tab. Highlight the speaker icon labeled as USB Audio Device and click the Set Default
button. To make further adjustments to the playback volume and settings, double-click on the speaker icon labeled USB Audio Device.
4. To adjust the volume from the computer, click on the tab labeled Levels. The master volume output can be changed by moving the Speaker fader left or right. You can adjust this volume in conjunction with the headphone volume knob on the Mic Mate
Pro to create the perfect monitor mix between music playback
and the direct signal from your microphone.
5. To change the sample rate and bit depth, click on the tab labeled Advanced. From the drop down menu you
can change the sample rate and bit-depth for audio playback. When you are nished making changes, click the
OK button. Please note that you should verify these settings match the settings in your recording application.
6. To set the Mic Mate
Pro as the default audio input, select the Recording tab back in the Sound window.
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Setup
Highlight the microphone icon labeled USB Audio Device and click Set Default. To make further adjustments to the recording settings, double-click on the microphone icon labeled USB Audio Device.
7. Click on the tab labeled Advanced. From the drop down menu you can change the sample rate and bit-depth for audio recording. Please note that you should verify these settings match the settings in your recording application.
Your Wondows Vista computer is now set up to use the Mic Mate applications. Some applications will require additional settings be changed within the program. Please see your recording software manual for proper setup.
Initial setup with OSX (up to version 10.4):
1. To select the Mic Mate then select the System Preferences.
2. Click on the speaker icon labeled Sound.
3. Click on the Input tab, then select the device named USB Audio Codec. You will notice there are no input
level controls for this device. This is because the input gain control is found on the Mic Mate
4. Next, click on the Output tab and select the device named USB Audio Codec. The master volume output can be changed by adjusting the “output volume fader” left or right. You can adjust this volume in
conjunction with the headphone volume knob on the Mic Mate between music playback and the direct signal from your microphone.
5. Further adjustments to the sample rate and bit-depths can be found in the Audio Midi Setup (Macintosh HD > Applications > Utilities > Audio Midi Setup.) You should, however, check the settings in the recording
program you are using as they may override or conict with these settings.
Pro as the default audio device, click on the Apple icon at the top of the screen
Pro USB interface with most recording
Pro.
Pro to create the perfect monitor mix
A. By selecting the USB
Audio Codec as the “Default
Input,” the Mic Mate automatically be selected as the audio input device the next time it is plugged in.
Pro will
B. By selecting the USB
Audio Codec as the “Default
Output” the Mic Mate automatically be selected as the audio output device the next time it is plugged in. By selecting the USB Audio Codec as the “System Output,” the microphone will be used as the output device for any system sounds.
Pro will
C. Select the USB Audio Codec to make adjustments to the sample rate and bit-depth. You will see the
sections D and E appear in the lower portion of the window.
D. Here you can make adjustments to the sample rate and bit-depth for the input (the microphone signal). E. Here you can make adjustments to the sample rate and bit-depth for the output (the signal to the
headphones).
Your computer is now set up to use the Mic Mate settings you should still check the settings in your recording software. If the sample rate and/or bit-depth in the recording software do not match your hardware, you will most likely hear clicks and pops, or the audio will be the wrong pitch.
Pro USB interface. However, after changing these
Using the MicMate™ Pro
Windows:
To get started multi-tracking and overdubbing, we recommend the free 30 day trial shareware version of Reaper. Go here to download Reaper: http://www.reaper.fm.
Macintosh:
Garage Band is the easiest way to get started if you are using a Macintosh computer. Since it’s included on most Macintosh computers, you probably have it installed and ready to go!
Using the Mic Mate
Pro:
After you have connected your microphone and set up your computer, plug a set of headphones into the 1/8-inch stereo jack located on the end of the Mic Mate™ Pro.
Important Note:
The headphone amplier can produce very loud sound levels that, when exposed to over a period of time,
can cause irreparable hearing damage. Please adjust the headphone level carefully!
You should now be able to hear your computer audio playback as well as the live microphone. When you’re ready to begin tracking, open your favorite recording software and make sure it’s set up for use
with the Mic Mate
Pro according to the software manufacturer recommendations.
With everything set up, and your software application running, snap your ngers in front of the grill, looking for a signal on your software’s VU meters. Never “tap” on the grill to test for a signal present as this could
cause peaking if the microphone gain is set too high.
With the signal present, simply position the microphone to best capture the performance. Begin testing the sound source with the microphone and watch the software VU meters for clipping. Clipping is usually represented by a red bar in your software and should be avoided at all times for a recording free of poor sounding digital distortion. Use the gain control knob on the Mic Mate
Pro to set the input level to best
capture the sound source without clipping.
Recording Tips
While it is important to record at a loud enough volume to hear the performance over any background noise, keep in mind that with multitrack recording, each track will eventually be added together (summed) into a nal Left and Right stereo mix. Since this summing increases the level of the nal signal, tracks should be recorded with a fair amount of space between your maximum signal level and the OdB clipping level (this is called headroom). In addition, this will greatly benet the use of any effects or other signal processing you wish to add later.
If you would like to listen to computer playback while recording or practicing, use the volume control in the computer in combination with the headphone volume on the Mic Mate
Pro to create a balance between computer playback and the live microphone input. The live microphone is mixed to the headphones before any digital conversion to provide the highest audio quality without sound delay (latency), often associated with computer recording. While there is no right or wrong way to record a
performance, you can nd our Getting the Best Results with Your MXL
®
Microphone Recording Guide at www.mxlmics.com to help you with the basic techniques. Remember, recording is a creative process, so experimentation is the key for the best results.
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Marshall Electronics, Inc. Professional Audio Division, El Segundo, CA
Phone: (310) 333-0606 (800) 800-6608 Fax: (310) 333-0688
www.mxlmics.com sales@mxlmics.com
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