For the applicable warranty terms and conditions and additional information regarding MUSIC
Group’s Limited Warranty, please see complete details online at www.music-group.com/warranty
.
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EUROPORT PPA2000BT/PPA500BT
Set-up
Step 1: Hook-Up
Debate Centre de débat Podiumsdiskussion
Page 6
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Step 2: Set-up
1,Release the top latch beneath the carrying handle
2,Release the side latches by pressing and then lifting them.
3,Remove the speakers and place them in appropriate locations.
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4,Stand the mixer upright.(Make sure the include speaker cables can reach both
speakers)
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Step 3: Controls.
FXknob determines how much of each
channel’s signal goes to the DIGITAL
EFFECTS PROCESSOR.
EQ KNOBS adjust the high and low
frequencies for each channel.
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PAN knob positions
each channel in the
stereo field.
PROGRAM[PUSH]
knob controls the effects
settings. Rotate this knob
to scroll through the effect
patches, and push to
select a patch.
LEVEL knob adjusts the
volume of the individual
channel in the overall mix.
MULTI-FX PROCESSOR unit
adds a selected sound effect to
any channels which have their
EFFECTS knob turned up.
Effects include reverb, chorus,
delay, and pitch shifter.
CLIP LED lights when the
input signals overloads the
channel.
FX[LEVEL] knob
controls the amount of
effects added to the
main mix.
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GRAPHIC EQ
adjusts specific
frequencies in the
sound spectrum.
LINE IN jack
connects, CD players,
sub-mixers, or other
line-level source
using cables with ¼"
plugs. These jacks
accept both
balanced and
EQ button
activates the
GRAPHIC EQ.
PAD function reduces the
channel input signal by 20dB.
Engage this button if the CLIP
LED lights up on a channel.
FBQ button
activates the FBQ
detection system.
The EQ IN button
must also be
activated for this
feature to work.
STEREO CHANNELS accept and right
sends from a single sound source using
either RCA cables or14’’ TS plugs.
MAIN LEVEL CONTROL
adjusts the overall volume of
the main mix. The MODE
switch selects stereo or mono
operation.
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DIGITAL WEIRELESS USB
input accepts the optional
BEHRINGER wireless
microphone receiver. The LEDs
indicate wireless microphone
signal input, connecting the
wireless microphone system
disables the MIC 1 and MIC 2
FX
FOOTSW
jack connects
an optional
footswitch
using a 14’’
MIC INPUT
jacks accept
dynamic(hand
held)or
condenser
microphones
using XLR
cables.
PHANTOM button
sends 48V of
phantom power to
power condenser
microphones.
SUB OUT
jack sends the
low
frequencies of
the main mono
signal to an
active
subwoofer ot
BLUETOOTH PATRING
button and indicator connect
your Bluetooth device.
AUX IN inputs
route stereo signals
directly into the main
mix through either a
sginle1/8’’TRS
stereo plug or left
and right
’’
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STEREO AUX IN
inputs route stereo
signals directly into the
main mix through either
a signal’s 1/8’’ TRS
stereo plug or left and
right 1/4’’plugs.
SPEAKER OUTPUTS connect to the
speakers using speaker cables with 1/4;;plugs.DO
NOT USE INTRUMENT CABLES AND ONLY USE
THE INCLUDED SPEAKERS.
RECORDING OUT jacks
send the main mix signal out to
an external recording device or
another mixer.
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POWER switch turns
the power to the unit
on and off
.
POWER SOURCE
accepts the included
IEC power cable into
this jack.
Step 4: Getting started
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1,Connect the included speaker cables to the speakers and to the rear SPEAKER
OUTPUTS on the mixer.
2, Make all the appropriate audio connections to the mixer. Power down all external
devices.
3, Set all the channel controls as shown (TREBLE, BASS, and BAL centered; EFFECTS
and LEVEL down/off).
4,Center the GRAPHIC EQ faders.
5, Set the MAIN LEVEL CONTROL knobs all the way down.
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6,Power up all external devices.
Power up the PPA2000BT/PPA500BT by pressing the POWER button.
7,
8,If you are using BEHRINGER wireless microphones, plug the wireless dongle into the
DIGITAL WIRELESS USB input, The DIGITAL WIRELESS LEDs will light up when the
wireless microphones become active.
9, Slowly turn the MAIN LEVEL CONTROL knobs up 1/3 of the way.
10, Adjust the relative levels of microphones
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11, If a channel’s CLIP LED lights, press the PAD button. If the PAD button is
engaged, turn the LEVEL knob down. Always use the pad button with line level inputs.
already
Adjust the left-right position of a channel in the stereo field by turning the
12,
channel’s PAN knob.
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13, Make final volume adjustments using the MAIN LEVEL CONTROL knobs.
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Step 5: Adding Effects
1,Set the FX [LEVEL] knob on the DIGITAL EFFECTS PROCESSOR to approximately a
75% setting.
Scroll through the available effects by turning the PROGRAM [PUSH] knob.
2,
The number in the display will flash.
3, Press the PROGRAM [PUSH] knob to select the effect. The number will stop flashing.
4,
While speaking, singing, or playing, turn the channel FX knob up to the desired level
on each channel to which you wish to add effects.
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5,
Adjust the FX [LEVEL] knob on the DIGITAL EFFECTS PROCESSOR up or down from
the initial 75% setting to achieve your desired overall effects level in the main mix.
Step 6: Feedback Detection
“Feedback” is the undesirable high-pitched sound created by sound waves looping
between the speakers and the microphones.
If feedback occurs, press the EQ and FBQ ON buttons.
1,
An LED will light on the EQ slider that corresponds with the specific sound frequency
2,
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feeding back.
3,
Lower the lit EQ slider until feedback stops.
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Specifications
INPUTS 1-4
4xXLR,electronically balanced Type
4x1/4’’TRS jack, electronically balanced
Approx2.2 kohm, balanced Impedance
Approx 1.1 kohm, unbalanced
Input -21 dBu @PAD/OFF
Max.gain +30dB to +10dB
Phantom power supply +48V
Signal-to-noise ratio -90dB, A-weighted
Channel separation 70dB
INPUTS 5-8
4x1/4’’TS jack, unbalanced Type
4xRCA jack, unbalanced
Impedance Approx,20ohm, unbalanced
Input sensitivity -15dBu
Max.gain +20dB
Signal-to-noise ratio -85dB,A-weighted
STEREO AUXIN
Type
Impedance 100Kohm, unbalanced
Input sensitivity -8dBu
Signal-to-noise ratio -90dB,A-weighted
TAPE OUT
Type 2x RCA , unbalanced
Impedance Approx 1Kohm
Max.output level +17dB, unbalanced
Channel separation >70 dB
SUB OUT
Type 1x1/4 mono jack, unbalanced
Impedance Approx 1Kohm
Max.output level +21dBu, unbalanced
CHANNEL EQ
1x1/4’’TS jack, unbalanced
1x stereo minijack, unbalanced
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BASS
TREBLE
EFFECTS
Converter 24-bit delta-sigma
Sampling frequency 40kHz
Display 2-digit, 7-segment
EQ
Type 7-band
LOUDSPEAKER OUTPUTS
Type 2x1/4’’ TS jack
Load impedance 8ohm
OUTPUT POWER
RMS(@8ohm) 2x160 Watts
RMS(@4ohm) 2x300 Watts
PEAK power(@8ohm) 2x500 Watts
PEAK power(@4ohm) 2x1000 Watts
SYSTEM SPECIFICATIONS
Frequency response
Distortion 0.32%@1W
POWER SUPPLY
Power consumption 2000W
Fuse T 10A H250V(100-120V~,50/60Hz)
Power input AC 100-240V,50/60Hz
DIMENSIONS/WEIGHT
Dimensions(HxWxD) Approx.26.0x13.9x34.8’’
Weight Approx.68.34 Ibs/approx.31 kg
WIRELESS SYSTEM
Connector USB
Frequency response 20Hz-15kHz,+0/-3dB
Weight Approx.68.34 Ibs/approx.31 kg
Range Max 120m
±15dB @80Hz
±15dB @12kHz
50Hz to 20kHz, ±3dB
T 5A H250V(220-240V~,50/60Hz)
Approx.660x354x883mm
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BLUETOOTH
Frequency Range 2402~2480 MHz
Channel Number 79
Version Bluetooth spec V2.1+EDR compliant
Output power 4dBm
Modulation Type GFSK ,π/4- DQPSK, 8DPSK
Date Rate 3 Mb/s
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FCC Statement
This equipment has been tested and found to comply with the limits for a Class B digital device,
pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection
against harmful interference in a residential installation. This equipment generates, uses and can
radiate radio frequency energy and, if not installed and used in accordance with the instructions,
may cause harmful interference to radio communications. However, there is no guarantee that
interference will not occur in a particular installation. If this equipment does cause harmful
interference to radio or television reception, which can be determined by turning the equipment off
and on, the user is encouraged to try to correct the interference by one or more of the following
measures:
—Reorient or relocate the receiving antenna.
—Increase the separation between the equipment and receiver.
—Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
—Consult the dealer or an experienced radio/TV technician for help.
This transmitter must not be co-located or operating in conjunction with any other antenna or
transmitter.
This equipment complies with Part 15 of the FCC Rules. Operation is subject to the following two
conditions:
(1) This device may not cause harmful interference, and
(2) This device must accept any interference received, including interference that may cause
undesired operation.
Caution!
The manufacturer is not responsible for any radio or TV interference caused by unauthorized
modifications to this equipment. Such modifications could void the user authority to operate the
equipment.
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