Musical Fidelity M8xi Instruction Manual

M8xi Integrated Amplifier

Super Integrated Amplifier

Design Background

General Description

In 1990, Musical Fidelity made the first ever Super Integrated amplifier: the A 1000. lt received a rapturous welcome and, even today, second hand, is selling at high prices.

The A1000 was the first of a long line of Super Integrated Amplifiers from Musical Fidelity. Its children: the NuVista M3, Tri Vista 300, kW500, M6/500i, NuVista 800 and NuVista 600 all were equally enthusiastically welcomed to the audiophile world ..

The M8xi is the latest and the best of the breed.

The M8xi is a separate preamp with two monobloc power amps sharing a common chassis. Each has its own heat sink and separate transforrner.

Genuinely dual mono.

The preamp has its own separate power supply and is mounted close to the input sockets.

Consequently, PCB tracks are very short. This elegant idea ensures that both channels signals are ultra low impedance from the instant they get into the amplifier. This is a significant detail.

Each channel has twelve big bipolar transistors - 200 amps peak to peak is easily available.

The metalwork is high quality. The front panel is a custom made fine line extrusion of milspec aluminium. The custom made heat sinks have outstanding dissipation characteristic and finish.

The M8xi construction has the feeling of solidity and quality.

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New Circuitry

Over the last 5 years our power amp circuitry has reached a high state of development. In our never ending quest for improving performance and customer value we have been looking for ways to improve our designs. One of the prime directives was to keep the low feedback configuration unchanged .. continue with low feedback! The problern was how to improve efficiency and performance without affecting the sound quality.

If I say so myself, I think we have come up with a brilliant solution. Our new M8xi power amp design gives higher power, lower distortion and better sound quality. Incredible but true.

The output stage efficiency has been increased thus yielding about 10% more power for similar power supply voltage. More importantly the whole driver stage is pure Class A. We believe that this innovative approach has a substantial effect on the sound quality.

The sound stage appears wider whilst the micro and macro dynamics have more impact. This effect is particularly noticeable on well recorded piano. I am sure you all know the piano is a percussive instrument but in truth this is rarely audible on most Hi Fi systems.

Using an M8xi a piano‘s percussive nature becomes instantly obviously and jumps out of the loudspeaker. lt is a surprising and satisfying improvement to the sound quality.

Vocals have more subtly, detail and presence. Large scale music has a depth, width and incredibly dynamic presentation.

All in all the M8xi is a consummate all-rounder. Mostly it sounds like a small Class A amplifier with huge power.

Technical Performance

The M8xi delivers 550 + 550wpc into 8 ohms. It is extremely stable and very linear.

The distortion is low too; lower than 0.005% in the audible frequency range of 20 Hz to 20 kHz. The M8xi has remarkable linearity and consistency. lt is unconditionally stable and will drive any loudspeaker in existence easily with ample power reserve.

Our Approach to Technical Measurements

In our view an amplifier should be completely neutral. lt is ‚a straight wire with gain‘. Easy to say but hard and complex to do. We want to stress that we do not believe that the technical performance is an end in itself. lt is a method of validating the total amplifier system concept. The aim of our circuit/PCB designs is to have low feedback and achieve complete neutrality, transparency and great technical performance. The proof that we are on the right track is the technical performance. We think that technical performance cannot be summed up by the distortion at 1 kHz. Our view is that an amplifier has to be able to satisfy a wide range of technical requirements before it can be neutral.

Linearity

Almost all loudspeakers have complex impedance and Ioading curves. An amplifier must be able to maintain its voltage virtually, regardless of loading. If an amplifier cannot maintain its voltage across the spectrum, then the ultimate frequency response and distortion will be non linear. This is not neutrality.

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