Monitor Audio Silver RS1, Silver RS5, Silver RS6, Silver RS8, Silver RS LCR User Manual

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Page 1

Contents

Page Introduction 2 Safety Instructions 3 SilverRS1 4 SilverRS5 5 SilverRS6 6 SilverRS8 7 SilverRSLCR 8 SilverRSFX 9 ConnectingYourRSFX 10 FixingYour RS FX to the Wall 11 Plinth& SpikeFixing (RS5, RS6 & RS8 only) 12 ConnectingYour Loudspeakers 13 Positioning 15 GuaranteeandService 16 Claims underthis guarantee 16 Data Protection 17 OwnerInformation 17 WarrantyCard–Fold out section in back cover

Page 2

Introduction

Thank you for purchasing Monitor Audio Silver RS loudspeakers, which have been designed and constructed using quality systems and materials to provide years of enjoyment,reliability and prideof ownership.

Our speakers are hand crafted from top to bottom using traditional woodworking skills for our sumptuous cabinets, married with the state of the arttechnology of our renowneddrive units.

Music is and should be a natural enhancement of life. It stimulates the imagination, changes your mood, helps you relax, and provides endless hours of entertainment.

At Monitor Audio we pride ourselves in attempting to make the listening experience as close as possibleto the original ‘music’ production, or as we say at MonitorAudio our aim is to make the music experience “Ascloseas it gets”.

Please read through this manual to familiarize yourself with any safety advice and how best to set up your speakers to achieve the very best listening experience.

Your Silver RS loudspeakers come complete with grilles (all products), plinths and spikes (RS5, RS6 and RS8 only). In with the RS LCR, you will find four self adhesiverubberpads that can be placed on the bottom of thecabinet to protect it against scratches and also to prevent vibrations moving it. There are also foam port bungs with each speaker. Suggestions on use can be found below. TheRS FX comes with a wall fixingkitincluding all of thepartsto secure them to a wall.

TheRS1, RS5 and RSLCR are rear ported cabinet designs. Because of this design,we recommend thatwhen fixing the loudspeakerstoa wallthat theport bungsareused. Thismay also apply when they are positionedvery close toa rear/sidewall.

The RS6 and RS8 are both designed using two port tubes (per loudspeaker). One is on the front of the cabinet; the other is on the rear. These ports should not need to be blocked if you are using your loudspeakerin a roomgreater than about 9m2. However, if you cannot implement the ideal speaker positioning, then experiment using the port bungs. First start by fitting them in the rear port, then the front, and then both to see which configuration is best suited to yourpersonaltastes and room constraints.

Theport bungs are anotherway of fine-tuning the loudspeakerto fit in sonically in your homeenvironment.

WARNING: Care must be taken not to insert the port bungs too far into the port as thismay resultin the foam bung being lost insidethecabinet.

Page 3

Safety Instructions

1. Read Instructions

Please read and follow all of the instructions in this manual before enjoyingyouloudspeakers. Any instructions proceeded by this warning triangle MUST be followed. Failuretodo so may causepersonalinjury or damagethespeakers

2. Water & Moisture

The loudspeakers should not be used near water - for example, bathtub, washbowl, kitchen sink, washing machine, in a wet basement or near a swimming pool. Under no circumstance should plants or fish bowlsbe placed on the products.

3. Heat

The speaker/s should not be placed near any heat source such as radiators, open fires, stoves, direct sunlight and any other appliance thatproduces heat.

These speakers are designed for use within the home environment. Exposure to extreme temperatures & humidity when placed on patios oropen conditions could adverselyaffect thewooden cabinet.

4. Cleaning

Great care and attention has gone into thematerials chosento produce the Silver RS loudspeakers. It is our intention that they should provide a lifetime of musical pleasure. A gentle wipe with a dry, clean cloth is all that is required to remove any dust. Treat them as you would a fine pieceof furniture because that is how theyhave been designed. Avoid touching the loudspeaker’s drive units whilst cleaning, as any damagewill impair their performance.

5. Re-cycling

When it is time to replace this product please help us protect the environment by disposing of it in an appropriate and responsible manner. Furtherdetails are available from www.monitoraudio.co.uk

6. Natural wood veneers.

MonitorAudio takes greatpridein providing a high quality product. We use only hand selected natural wood veneers, which are carefully matched and hand finished to the highest standard possible. The unique nature of each veneer may result in natural colour variation and grain from samples you may have seen in photos or at the dealer’s showroom. This is what makes the producta special piece of furniture. If your speaker is finished in a Cherry veneer please be aware that it willnaturallydarkenwith age more sothan othertypesof wood veneer.

Please retainthis manual for future reference.

Page 4

Your Silver RS1

Don't be fooled by the size. The most compact loudspeaker of the Silver RS range delivers a sound that's anything but small, rivalling far more costly 'compact monitors' for bass extension, mid-range resolution and precise imaging within a stunningly open soundstage. Allied with ‘figure 8’ crossbracing to reduce cabinet resonance an excellentstandmount loudspeakerhas beencreated.

Because the RS1 offers great performance from a small speaker, it lends itself to a wide range of positioning options. The RS1 will perform equally well no matterhow it is positioned. The RS1 can be placed ona stand, or a bookshelf.

To remove the grille, carefully prise it away from each cabinet section at a time. There are two sets of fixing points on this product. One above the drive unit, the other below it. Refitting is the opposite of removing. Ensure it is correctly orientated.

For information on wiring and system configurations, please refer to pages 13, 14 and 15.

Frequency

Response (Crossover Frequency)

Sensitivity

(1W@1m)

Nominal Impedance

(Ohms)

Power

Handling RMS

(W)

Recommended

Amplifier power

output.

(W)RMS

43Hz –30KHz)

(3.3KHz)

90dB 6 80 25– 100

DriveUnit

Complement

Cabinet

Design

Product External

Dimensions Inc Grille

and Terminals.

cm(inch)

Weight

Kg (lb)

Finishes

1 x 6" C-CAM®Bass

mid-range. 1 x 25mm

Gold Dome C-CAM

tweeter.

Rear ported,

bass reflex

31H x 18.5W x 28D

(123/16" x 7 1/4"

x 11")

(13.2)

Black Oak,

Rosenut, Walnut,

Natural Oak or

Cherry real wood

veneer. All fitted

with Black Grille

Page 5

Your Silver RS5

Thenew Silver RS5 is thesmallest floor stander in thenew Silver RS Series, and the classically simple two-way layout ensures a beautifully clean appearance. It’s slim cabinet design and resulting small footprint ensue versatility for any environment. The RS5 fuses elegant, space efficient design with a powerful sonicperformance.

To remove the grille, carefully prise it away from each cabinet section at a time. Thereare two sets of fixing points on this product; one above the drive unit, the other below it. Refitting is the opposite of removing. Ensure it is correctly orientated.

Tosafely fit theplinth and spikes please refertopages12 and 13. For information on wiring and system configurations, please refer to pages 13,

14 and 15.

Frequency

Response (Cross over Frequency)

Sensitivity

(1W@1m)

Nominal Impedance

(Ohms)

Power Handling

(W) RMS

Recommended

Amplifier power

output.

(W)RMS

40Hz –30KHz

(3.3KHz)

90dB 6 100 40 – 100

DriveUnit

Complement

Cabinet

Design

Product External

Dimensions.

cm(inch)

Plinth

Dimensions

(foot print)

cm(inch)

Weight

Kg (lb)

Finishes

1 x 6" C-CAM

Bass/ mid-

range.

1 x 25mm Gold

DomeC-CAM

tweeter.

Rear ported,

bass reflex

80H x 18.5W x 22D

(31 ½ "x 7¼ "

x 811/16")

2.5Hx 25.5W x 27D

(1" x 10" x 10

/8")

11.7Kg

(25.7lb)

Black Oak,

Rosenut, Walnut,

Natural Oak or Cherry real wood veneer. All fitted

with Black Grille

Page 6

Your Silver RS6

A svelte 2 ½ way floor-stander, the RS6 builds on the considerable musical strengths of the RS1 and RS5 by providing greater bass extension and weight. Rigid construction is again key to achieving the clean, un-boxy sound. The RS6 employsmultiplebracing positionedat criticalresonancenodes. The two 6 inch C-CAM®drivers have been designed specifically for the RS6. The lower unit handles bass only, the other provides punchy upper bass and a clear, natural mid-band right up to the crossover point with the tweeter at 3KHz. The RS6 has a reflex port at the rear as well as the front. This is to provide maximum airflow at low frequencies and reduces air pressure that can lead to bass compression effects.

To remove the grille, carefully prise it away from the cabinet sections at a time. There are three sets of fixing points on this product. One above the mid-bass drive unit, one below it and the third below the bass drive unit. Refitting is the oppositeof removing. Ensure itiscorrectlyorientated.

Tosafely fit theplinth and spikes please refertopages12 and 13. For information on wiring and system configurations, please refer to pages 13,

14 and 15.

Frequency

Response (Cross over Frequency)

Sensitivity

(1W@1m)

Nominal Impedance

(Ohms)

Power Handling

(W) RMS

Recommended

Amplifier power

output.

(W)RMS

38Hz –30KHz

(3KHz)

91dB 6 120 40 – 120

DriveUnit

Complement

Cabinet

Design

Product External

Dimensions.

cm(inch)

Plinth

Dimensions

(foot print)

cm(inch)

Weight

Kg (lb)

Finishes

1 x 6" C-CAM

Bass, 1 x 6" C-

CAM®Bass/ mid-

range. 1 x 25mm

Gold Dome C-

CAM®tweeter.

Front & rear

ported, bass

reflex

85H x 18.5W x 25D

(337/16" x 7 ¼ "

x 913/16")

2.5Hx 25.5W x

30.5D

(1" x 10" x 12")

18Kg

(40)

Black Oak,

Rosenut, Walnut,

Natural Oak or Cherry real wood veneer. All fitted

with Black Grille

Page 7

Your Silver RS8

Silver RS8 is the new 2 ½ way floor-standing flagship model of the range and builds on the considerable musical strengths of the smaller Silver RS6 by providing a still wider bandwidth, high power handling, greater efficiency and moreeffortlessly realiseddynamics.

Rigid construction achieves a clean, un-boxy sound. The RS8 employs multiple bracing positioned at critical resonance nodes. Its slim proportions and detailingpositivelycontributeto sound quality by reducingdiffractioneffects.

The Silver RS8 utilises three 6 inch C-CAM®drivers. The lower two units handle bass only, the upper unit provides punchy upper bass and a clear, natural midband rightup to the crossover pointwith the tweeterat3KHz.

To remove the grille, carefully prise it away from the cabinet sections at a time. There are four sets of fixing points on this product. One above the mid-bass drive unit, one below it, the third is above the bass drive unit, with the fourth being below it. Refitting is the opposite of removing. Ensure it is correctly orientated.

Tosafely fit theplinth and spikes please refertopages12 and 13. For information on wiring and system configurations, please refer to pages 13,

14 and 15.

Frequency

Response (cross over Frequency)

Sensitivity

(1W@1m)

Nominal

Impedance

(Ohms)

Power Handling RMS (W)

Recommended

Amplifier power

output.

(W) RMS

33Hz – 30KHz

(3 KHz)

91dB 6 175 40 - 175

DriveUnit

Complement

Cabinet

Design

Product External

Dimensions.

cm(inch)

Plinth

Dimensions

(foot print)

cm(inch)

Weight

Kg (lb)

Finishes

2 x 6" C-CAM

Bass Drivers, 1x 6"

C-CAM®Mid-range

Driver. 1 x 25mm C-

CAM®Gold Dome

tweeter.

Balanced velocity

twin reflex ported.

90H x 18.5W x

27D

(357/16" x 7 ¼"

x 105/8")

2.5Hx 25.5W x

32.5D

(1" x 10" x

1213/16")

(46.2)

Black Oak, Rosenut, Walnut, Natural Oak

or Cherry real wood

veneer. All fitted with

Black Grille

Page 8

Your Silver RS LCR

The Silver RS LCR is the vital aesthetic and sonic link in any Silver RS home cinema or multi-channel music system, bringing extra solidity, depth and realism to the front soundstage, especially with dialogue. It can be used as a centrespeaker or as a traditional left orrightspeaker whenplacedupright. Due to the design of the crossover, if using your RS LCR as a left or right main speaker, we would recommendorientatingit so that theporttube is upper most on the crossover panel. This ensures that the lower bass unit handles all of the bass, and the upper bass unit handles the mid-bass. For information on wiring and systemconfigurations, please referto pages 13, 14 and 15.

Recognising that the centre is often the hardest working speaker in an A/V system, it needs to handle every kind of situation within a movie soundtrack, from a big explosion, to a detailed piece of vocals. With this in mind, the new Silver RS LCR has been designed with two 6inch C-CAM®bass/mid drivers that handoverto the C-CAM®tweeterat 2.9 KHz.

A special crossover networkensuresan excellent verticaland horizontal offaxis frequency response, eliminating the need for a 'hot seat' listening position and integrating smoothly with the rest of the Silver RS range in a home theatre setup.

To remove the grille, carefully prise it away from the cabinet sections at a time. There are two sets of fixing points on this product. One at each end of the cabinet. Refittingis the opposite of removing.

Frequency

Response

(Crossover

Frequency)

Sensitivity

(1W@1m)

Nominal Impedance

(Ohms)

Power

Handling RMS

(W)

Recommended

Amplifier power

output.

(W)RMS

45Hz-30KHz

(2.9KHz)

91dB 6 120 40-120

DriveUnit

Complement

Cabinet

Design

Product External

Dimensions Inc Grille

and Terminals.

cm(inch)

Weight

(packed)

Kg (lb)

Finishes

2 x 6" C-CAM

Bass mid-range,

1 x 25mm Gold

DomeC-CAM

tweeter.

Reflex Ported

18.5Hx 50W x 24D

(7 9/32" x 19 11/16" x

97/16")

8.5(18.7)

Black Oak,

Rosenut, Walnut,

Natural Oak or

Cherry real wood

veneer, also video

silver. Allfitted

with Black Grille

Page 9

Your Silver RS FX

Designed as part of the Silver RS home theatre system, the RS FX surround speaker combines amazing performance with modern, discreet design that can be flush mounted on a wall using the enclosed wall brackets. The attractive curved grille and end caps conceal a rigid angular cabinet construction along with Monitor Audio’s renowned and highly acclaimedC-CAM®driver technology and C-CAM®tweeters.

By using low slope linear phase crossover design, Monitor Audio has engineered the Silver RS FX to have seamless integration and almost perfect 180-degreedispersion characteristics.Whilst thebass driveralways operatesin phase, the tweeter section can be configured to operate as a bi-pole or di-pole, which means the Silver RS FX, can just as easily be used on sidewalls in a more advanced7.1 system.

Please note, if used in a 7.1 channel system, the RS FX’s are left and right handed. This is indicated on the terminalpanelontheback of the product.

To remove the grille, carefully slide it around the cabinet. Refitting is the opposite of removal. The grille cannot be removed with the cabinet secured to thewall.

Frequency Response

(Crossover

Frequency)

Sensitivity

(1W@1m)

Nominal Impedance

(Ohms)

Power Handling

RMS (W)

Recommended

Amplifier power

output.

60 Hz-30 KHz

(2.2KHz)

89dB 6 100 10-100W

DriveUnit

Complement

Cabinet

Design

Product External

Dimensions Inc Grille

and Terminals.

cm(inch)

Weight

Kg (lb)

Finishes

1 x 6" C-CAM

bass/midrange

driver, 2 x 25mm

Gold dome C-CAM

tweeters.

Sealed

Cabinet

28.5Hx 29W x 13D

(11 1/4" x 11 7/16" x

57/32")

4(8.8)

Black Oak,

Rosenut, Walnut,

Natural Oak or

Cherry real wood

veneer, end caps.

All fitted with

Black Grille

Page 10

Connecting your Silver RS FX

The Silver RS FX’s are supplied as right hand or left hand units and both can be configured to either bi-pole or di-pole. The factory setting is bi-pole as illustratedin fig. 1 below.

In bi-pole mode, all speaker units (mid/bass unit and tweeters) are in phase. This feature is for when the RS FX is set up as a rear/surround speaker in a typical 5.1 channel system. In di-pole mode, one of the HF units (tweeter) is out of phase with the other tweeter and mid/bass unit. It is best to implement this configuration when using the RS FX as part of a 7.1 channel system, with the RS FX’s taking up positions on the sidewalls. Please note that the RS FX’s are left and right handed. This is not an issue when used in bi-pole mode as a rear surround speaker. It is essential that they are positioned correctly if used in a

7.1 channel system. Please refer to the positioning section on page 15, or go to our web site at www.monitoraudio.co.uk. Alternative suggestions may also be found in your AV amplifier/receivermanual.

Before changing your RS FX’s from bi-pole modetodi-pole mode, please ensure that the speaker wires are disconnected from your loudspeakers. This helps to protectyour amplifier.

To change from bi-pole, to di-pole mode, the toggle switch on the crossover panel needs to be moved from its factory set position (fig. 1) to the di-pole position(fig. 2).

Please note that it is not possible to connect these speakers

independentlyby bi-amping.

Di-Pole Mode

Bi-Pole Mode

Fig. 1

Fig. 2

Bi-Pole

Di-Pole

Bi-Pole

Di-Pole

Page 11

Fixing Your RS FX to a Wall

CAUTION: You will need to determine where the RS FX will be fixed and the

structure of the wall. For safety reasons, if you are unsure of your ability to provide a secure and safe fixing, do not attempt to fix these speakers to your wall, pleaseobtainthe servicesof a competentqualified tradesperson.

CAUTION: Ensure that there are no water pipes or electricity cables running behind where the wall brackets are going to be secured. Work from secure stepsandavoidtrailing wires.

Tofix yourRSFX’s tothewall, followthese simple instructions. We would recommendusing the wall fixing templateenclosed within thepackaging carton:

1. When you are sure of the location of your RS FX, mark on the wall the centresof the securing screws. Theseshould be 220mm(811/16")apart.

2a. For fixing to plasterboard (sheet-rock) or a solid wall use a suitable

6.5mm (1/4") drill bit. Drill the two positions (each speaker) deep enough to accept the enclosed wall plugs. This should be 30mm (13/16"). Insert thewall plugs and screw the provided 33mm (15/16") screws into the wall. Remember to leave the screws protruding approximately 1mm (1/32") (excludingthe head of thescrew) to hang theRS FX on.

2b. For fixing to a timber wall, drill a pilot hole (approx 2mm or1/16") and

screw the 33mm (15/16") screws into the pilot hole. Remember to leave the screws protruding approximately 1mm (1/32") (excluding the head of thescrew) to hang the RS FX on.

Boththe key-hole bracket and the rubber adhesive pads can be seen in the photograph to the right.

3. Hang your RS FX on to the screws and sit

backand enjoy.

For recommendations on where to hang your RS FX please refer to the FAQ’s on our web site: www.monitoraudio.co.uk

Key holebrackets

AdhesiveRubberPads

Page 12

Plinth Fixing (SilverRS5, RS6 & RS8 only)

The Silver RS5, RS6 & RS8’s have been fitted with M10 threaded inserts in the bottom of the cabinet. These will accept the enclosed cabinet specific plinths. Theycan befitted using the enclosedM10 bolts.

Before you fit the plinth ensure the floor area is clear of any hard/sharp objects. To fit the plinth all you need to do is turn the cabinet over so that the bottom is facing up. Then, place your plinth onto the cabinet ensuring that plinth is orientated correctly and line up the bolt holes in the plinth with the inserts in the cabinet. Then take your M10 bolts and secure the plinth to the cabinet. Tighten them up gradually and ensure the plinth is fitted securely to the cabinet. Fit the feet to the cabinet before turning the loudspeaker back over. Please read the instructions below. The spikes are used to improve sound quality andbass performance

Spiked Foot Fixing For Carpeted Floors

(SilverRS5, RS6 & RS8 only)

Theamazingly engineeredcomposite Silver RS spikedfootencorporates a spike for use on carpeted floors and also, a soft polymer pad (for use on wooden or tiledfloors).

Please ensure there are no hidden wires under the carpet that could bedamaged by the spikes.

The foot comes fully assembled for use on carpetedfloors. All that is requiredis fixing into the plinth. This is achieved by simply screwing the feet fully into the 4-threaded insert in the underside of the plinth. If your carpet has a very thick pile, remove the soft polymer pad from the foot to ensure the spike goes right through the carpet into the floor. With great care turn your cabinet the right way up. Place the cabinet in your desired location, and check that it is level on all sides. If it is slightly off level, unscrew the spike at the lowest point and check again. Continue this process until the cabinet is fully level. Use the locking nut on the foottofix the foot in place and to stopany unwantedvibrations.

Locking Nut

Main Threaded

Assembly

Soft Polymer

Spike

Page 13

Spiked Foot Fixing For Wooden/Hard Floors

(SilverRS5, RS6 & RS8 only)

For use on solid floors or where spikes are inappropriate, it is possible to use the foot without the spike insert. To use the foot in this manner carefully grip the knurled portion of the spike and rotate anti clockwiseto unscrew the spikefully.

You may find it easier to first remove the polymer pad so as to gain more purchase onthespike.

Thepad should be replaced before carrying out the levelling operation previously described.

Connecting Your Silver RS Loudspeakers

You will notice that when you unpack your loudspeakers, there are plastic terminal caps in the terminals where the speaker cable connectors should go. Thesecan be simply removed by placing a thin,flat objectunderneaththemand carefullylevering themfree.

All of the Silver RS Series loudspeakers (except the RS FX, see page 9) can be either single or bi-wired/bi-amp. Monitor Audio always recommends bi-wiring your loudspeakers for improved sound quality. You will also need to run your speakers in for approximately 60 hours before they perform at their optimum capability.

If you are going to be connecting your speakers in a bi-wire, or bi amp format, please remove the terminal links. Do this by unscrewing the red and black terminals slightly and removing the link. Connect the speaker as in the illustrationson page 14.

You can also bi-amp your loudspeakers. This is carried out in the same way as bi-wiring except instead of using one amplifier to power all of the drive units/tweeter in the speaker; you are using one amplifier to drive the treble (tweeter) and the other amplifier to drive the mid/bass sections. If you are intending to do this, please consult your local hi-fi dealer for their recommendationsforamplifierrating.

We recommendthe use of our Pureflow®loudspeakercableto get the best from yourspeakers. Further informationcan befoundatwww.monitoraudio.co.uk

Page 14

Page 15

Positioning

The positioning of your loudspeakers for a two channel, stereo system very much depends on your listening environment. Ideally you would place your speakers 2 – 3m (6 – 10 ft) apart in the middle of your back wall and you would sit approximately 2m away. Howeverif this is not possiblethere are some other simplerecommendationsthat we would suggest.

Start by playing some different pieces of music that are familiar to you. If you have a rear ported speaker (RS1/6/8 & LCR) try not to place them too close to the wall. If they are too close you will find that the bass is very prominent. Start by placing them about 20cm (8") from the wall. If you find there is too much bass place them further away from the wall. If, on the other hand, you find there isn’t enough bass for your liking, place them slightly closer to the wall. The same applies with placing you loudspeakers next to a side-wall. If possible do not place your loudspeakers any closer than 50cm (20") to your side-wall.

Try varying the distance that your loudspeakers are apart from each other. If they are placed too close together, this will result in poor stereo imaging. This is when sound moves from left to right or right to left. For example a car in a movie sound track. Equally, if they are placed too far apart, there may be a large gap in the sound reproduction/stereo imaging. When listening to music through your speakers, if you have them set up correctly, you shouldn’t notice that the speakers are even there, the music should sound as if it is coming from thecentre of the two speakers.

Forthe positioning of a multi channel homecinema system, please refer to your AV amplifier/receivermanual.

RS LCR

RS 6/8 RS LCR RS1+ Stand *

RS FX

RS 6/8 RS LCR RS1+ Stand *

Note to scale* Not supplied

Subwoofer. Please refer to

subwoofer owners ma

nual.

Page 16

Guarantee and Service

Valid upon completion of the incorporated warranty card and its return within 30 days of purchase.

This equipment has been fully tested prior to dispatch from the factory. Both the craftsmanship and the performance of this product is guaranteed against manufacturing defects for the period of three years from the date of purchase (see conditions below), provided that the product was supplied by an authorised Monitor Audio retailer under the consumer sale agreement. (The words ‘consumer sale’ shall be construed in accordance with section 15 of the supply of goods act 1973). Monitor Audio accepts no responsibility for defects arising from accident, misuse, abuse, wear and tear, modification or operation outside of that specified within this instruction manual. Neither will responsibility beacceptedfor damageor loss occurring during transit to or from theparties claiming underthisguarantee.

This guarantee covers both labour and parts. The liability of Monitor Audio is limited to the cost of repair or replacement of the defective parts (at the discretion of Monitor Audio) and under no circumstances extends to consequentiallosses or damage.

Claims under this Guarantee

The equipment should be returned in its original packaging to the original supplier wherepossible,or to any otherauthorisedMonitor Audio dealer. If it is not possible to return the equipment by hand, then it should be sent carriage prepaid via a reputable carrier. If the original packing is not available replacement packaging can be purchased from Monitor Audio. If you have any difficulties complying with these requirements please contact us at the followingaddress:

CustomerService Tel: 44(0) 1268 740580 MonitorAudio Ltd. Fax: 44(0) 1268 740589 Unit2,24BrookRoad Internet:www.monitoraudio.co.uk Rayleigh Email: info@monitoraudio.co.uk Essex SS67XL England

This guarantee does not affect the statutory rights of the consumer under UK law.

Page 17

Data Protection

WeatMonitorAudio are committedtorespectingthe wishes and privacy of our customers. Any informationyou providewillbe heldin the strictestconfidence and only used withinthe MonitorAudio organisationforthe provision of servicessuch as warrantyclaims or spare parts.

We may wish to contact you in the future to ensure you are happy with the products and standards of service we provide and to keep you up-to-date with thelatest products and promotionswe have to offer.

Should you wish not to be contacted by us either by post, e-mail or phone, please tick the box on the warranty card. Alternatively you can request not to be contacted in future by writing to Customer Service, at the address on the previouspage.

Owner Information

Product Details

Model ………………………………………………………….. Serial No …………………………… DateofPurchase …………………………………………..

Dealer Details

DealerName ………………………………………………………………………………………………. Address ……………………………………………………………………………………………………… Town,Post code, Country ……………………………………………………………………………. e-mailaddress ……………………………………………………………………………………………

MonitorAudio reservesthe rightto alter specificationswithoutnotice.