100 - 200 - 300 Series
In-Ceiling & In-Wall Speakers
Performance guide
G o o d 100 Series 2-way Loudspeakers
All 100 Series loudspeakers incorporate proprietary technologies and materials found in our
award-winning Bronze and Radius in-room loudspeakers. 100 Series models are 2-way
designs that combine advanced MMP®II bass drivers with Monitor Audio’s trademark
C-CAM® gold dome tweeter to provide high-performance sound, ease of drive, and wide
frequency response and dispersion. Optimum imaging and set-up are established via a
pivoting tweeter and high-frequency (+3dB / 0dB /-3dB) level adjustment.
B e t t e r 200 Series 2-way Loudspeakers
The step to the 200 Series 2-way loudspeakers is dened by upgrades in driver technology
and control features. All 200 Series loudspeakers incorporate proprietary technologies and
materials found in our highly acclaimed Silver in-room loudspeakers. 200 Series models
marry C-CAM® bass drivers with a more highly specied version of the C-CAM® gold
dome tweeter. Optimum imaging and set-up are established via a pivoting tweeter, highfrequency (+3dB / 0dB / -3dB) level adjustment, and Boundary Compensation (on / off)
controls. The Series 200 2-way loudspeakers provide extended high-frequency response
to 30kHz, and higher output and power handling capacity than the 100 Series 2-way
models.
B e s t 200 Series 3-way Loudspeakers with IDC
200 Series 3-way loudspeakers feature our unique Inverted Dual Concentric (IDC®) driver
module. The IDC® driver module houses a 4-inch C-CAM® midrange and 1-inch C-CAM®
gold dome tweeter. 200 Series 3-way models combine C-CAM® bass drivers with an
IDC® driver module to provide rich midrange detail, higher system output, greater power
handling, and superior vocal intelligibility and sound localization than 200 Series 2-way
models. Optimum imaging and set-up are established via the pivoting IDC®, highfrequency (+3dB / 0dB / -3dB) level adjustment, and Boundary Compensation (on / off)
controls.
F l a g s h i p 300 Series 3-way Loudspeakers with IDC
Our agship 300 Series 3-way loudspeakers provide THE BEST Monitor Audio in-wall and
in-ceiling loudspeaker options for music and home theater applications. All 300 Series
loudspeakers incorporate proprietary technologies and materials found in our awardwinning Gold in-room loudspeakers. 300 Series 3-way models marry C-CAM® bass
drivers with RST® cone proles and a cast-aluminum driver chassis with an IDC®
driver module to provide deeper bass, higher system output, and greater power
handling than the 200 Series 3-way models. Like the 200 Series 3-way loudspeakers, the
300 Series models provide rich midrange detail, and superior vocal intelligibility and
sound localization. Optimum imaging and set-up are established via the pivoting IDC®,
high-frequency (+3dB / 0dB / -3dB) level adjustment, and Boundary Compensation (on /
off) controls. The W380LCR in-wall loudspeaker adds a midrange-frequency (+3dB / 0dB
/ -3dB) level adjustment for system tuning and a die-cast aluminum front bafe for added
rigidity resulting in superior bass articulation.
®
®
F X Surround Loudspeakers
The C265FX and C380FX models feature selectable dipole (diffuse sound) or bipole (direct
sound) modes for use as rear surround speakers in discreet home theater applications.
The surround mode can be selected via a front-mounted switch for both models. The
C380FX also features a 12-volt trigger input for automatic surround mode switching. The
C265FX and C380FX models use dual 1-inch C-CAM® gold dome tweeters mounted at a
precise xed-angle for optimized performance. The C265FX has a 6.5-inch C-CAM® bass
driver. The C380FX has an 8-inch C-CAM® bass driver with RST® cone prole and a castaluminum driver chassis.
T 2 Stereo Loudspeakers
Our T2 Stereo models feature dual, independent pivoting 1-inch C-CAM® tweeters, and
6.5 inch (C165T2) or 8-inch (C180T2) MMP®II dual wound voice coil bass drivers for high
performance stereo sound from a single speaker. The T2 models are ideal for bathrooms,
hallways, or any area where space does not allow for stereo pairs.
Performance at a glance
C1 80 In- Cei lin g 2 -Way
C2 80 In- Cei lin g 2 -Way
8˝ In-C eili ng
6. 5˝ In -Cei ling
8˝ In-Wal l
6. 5˝ In -Wall
C2 80L CR In- Cei lin g 3 -Way
C3 80L CR In- Cei lin g 3 -Way
C3 80F X I n-C eil ing Su rro und s
C1 80T 2 I n-C eil ing St ere o
C1 65 In- Cei lin g 2 -Way
C2 65 In- Cei lin g 2 -Way
C2 65L CR In- Cei lin g 3 -Way
C2 65F X I n-C eil ing Su rro und s
C1 65T 2 I n-C eil ing St ere o
W1 80 In- Wa ll 2-Wa y
W2 80 In- Wa ll 2-Wa y
W2 80L CR In- Wa ll 3-Way
W3 80L CR In- Wa ll 3-Way
W1 65 In- Wa ll 2-Wa y
W2 65 In- Wa ll 2-Wa y
Good
•
•
•
•
Better
•
•
•
•
Best
•
•
•
Flagship
FX Surround
•
•
•
•
T2 Stereo
•
•
Technology guide
Features
Adjustable Response Controls
Optimum imaging and set-up is established via pivoting tweeter,
pivoting IDC® driver module, high-frequency, midrange-frequency, and/
or boundary compensation controls (depending on model). The Boundary
Compensation control provides a gentle midrange roll-off response
while preserving the extreme low frequency output when the speaker is
placed close to a corner apex of the ceiling and wall.
Patented Tri-Grip® Fixing Clamps
The Tri-Grip® mounting clamps feature three clamping points per dogleg
providing triple the clamping surface area than conventional single-point
clamping speakers. Our wider three-point clamps provide a better seal
between the speaker and the ceiling maximizing bass response and
midrange clarity.
Easy Handling During Installation
All models feature protective crossover covers designed to prevent the
ingress of loose building materials and dust into the drivers and crossover. The protective covers also make handling easy, and protect the
crossover components from damage during installation.
Ready for Action in Humid Environments
All models will resist high humidity and ultraviolet light and can be placed
in bathrooms, pool areas, and outdoors.
New Construction Brackets
Accessory New Construction Brackets are available for all models to
help mark speaker placement during framing and prior to sheetrock
application. The brackets will span up to 24-inch stud spacing. New
Construction Brackets are not required for retrot applications.
Technology
®
MMP
MMP®II (Metal Matrix Polymer) driver cones have a polypropylene base
loaded with metallic particles for a rigid and responsive structure. A
high-pressure, injection molded process achieves a different cone thickness at critical points to optimize stiffness and consistency resulting in
superior sonic performance.
C-CAM
C-CAM® (Ceramic-Coated Aluminum Magnesium) is an innovative alloy
material originally developed by the aerospace industry for its use as
blades in jet engines where low mass and extreme rigidity are required.
Monitor Audio C-CAM® drivers are formed from an alloy of aluminum
and magnesium, which is made into the cone shape by a two stage high
pressure forming technique. After forming the shape, a layer of pure
ceramic (alumina) is depleted onto the surfaces, to give a completely
rigid exterior. The resulting properties of the C-CAM® material are
lightning-fast response for incredible clarity and extreme rigidity for low
distortion.
RST
The dimpled surface of C-CAM® drivers with the RST® (Rigid Surface
Technology) cone prole provides the conical shape of driver cones with
another degree of resistance to mechanical bending forces. The dimples
signicantly increase cone rigidity and allow us to use thinner and therefore lighter C-CAM® cones. The dimpled RST® pattern also displaces any
standing waves that can propagate across the cone surface. C-CAM®
drivers with the RST® cone prole provide speed and accuracy, while
virtually eliminating distortion caused by cone-ex during operation.
II
®
®
Painting
A paint mask and additional grille scrim are provided for color matching
to any décor.
Technology at a glance
10 0 S eri es
20 0 S eri es
30 0 S eri es
C-CAM Tweeter
MMP II Woofer
C-CAM Woofer
• •
• •
• • •
moni tor aud io. co. uk
RST Technology
Inverted Dual Concentric Driver module
Typical 2-Way Speakers
Vocal-band information
(250Hz to 30KHz) is
produced by the pivoting
High-frequency
control
Boundary
Compensation
control
IDC® midrange/tweeter
driver module
Monitor Audio LCR Speaker with IDC
®
Low-frequency information
radiates from the woofer
At the heart of the new in-ceiling and in-wall LCR models is a unique Inverted
Dual Concentric (IDC®) pivoting midrange/tweeter module with up to 18
degrees of play. Speakers can be discreetly positioned, and then the sound can
be directed into the desired listening zone by pivoting the IDC® driver module to
maximize performance. These models are true 3-way designs and offer superior
performance and exibility over typical 2-way or xed angle speaker designs.
Only Monitor Audio offers the innovative IDC® driver module. Our special
inverted 4” midrange driver provides superior dispersion, while enabling the midrange cone and tweeter dome to be set as far forward as possible, allowing
clear acoustic ‘sighting’ of the desired listening zone and negating undesirable
diffraction effects. It’s impossible to avoid diffraction effects with two-way
designs where signicant vocal band information comes from a bass driver set
3” to 6” back from the speaker grille.
Inverted Dual Concentric Driver module
Our ‘LCR’ models are the best choice as front speakers
in theater and music applications
Two of the most important attributes of front speakers for the reproduction of movies and
music are Vocal Band Intelligibility and Front Sound Localization.
Vocal Band Intelligibility
Is the ability to hear every sound clearly and without strain. This is difcult when dialog is
competing with the lm score and loud sound effects such as explosions and collisions.
When you can’t hear the dialog clearly, it’s difcult to follow the movie or with music, to
understand what the vocalist is singing.
Front Sound Localization
Is the ability to match the “sonic picture” with on-screen action. For example, if an automobile
travels from the left side of the screen to the right side and the sound of the automobile pans
from left to right matching the on-screen action, the scene becomes believable. Likewise
with music, creating an accurate “stereo image” of the band with all instruments placed
properly in space will add realism to your music listening experience.
4˝ Inverted C-CAM® midrange with
®
RST
cone prole
Superior Clarity and Imaging
The IDC® driver module houses a 4-inch C-CAM® midrange and 1-inch C-CAM® dome
tweeter. We selected a 4-inch midrange driver to enable a low crossover point from
the midrange to the bass driver. Directional information radiates from the IDC® driver
module, which covers a wide frequency range from 250Hz to 30KHz. This is of paramount
importance for vocal band intelligibility and accurate sound localization because our
unique IDC® design prevents diffraction effects that can impact midrange clarity and
imaging.
High Power Handling and Output
The 4-inch midrange driver utilizes an over-sized 1.5-inch edge-wound voice coil. Separate
tweeter and midrange Neodymium magnet systems provide high overall power handling
and efciency. The IDC® driver module operates in its own completely sealed chamber to
provide accurate damping and perfect acoustic alignment.
1˝ C-CAM® Tweeter
Midrange Neo magnet structure
with 1.5˝ voice coil
Tweeter Neo magnet structure
Pivoting housing and
midrange chassis
moni tor aud io. co. uk
8˝ In-Ceiling speakers
Good Better Best Flagship T2 Stereo FX Surrounds
C180 C280 C280LCR C380LCR C180T2 C380FX
8˝ Full Range Speakers 8˝ Special Application Speakers
Frequency Response
Impedance (nominal)
Sensitivity (1W@1M)
Power Handling (R.M.S)
Recommended Amp
Driver Conguration
IDC Driver Module
Overall Diameter
Mounting Depth
Cut-out Hole Diameter
H.F. Level Switch (+3db/0dB/-3dB)
Boundary Compensation switch
Di-pole/Bi-pole Switching
Pre-Construction Bracket
Timbre-Matching
50Hz - 25KHz 50Hz - 30KHz 50Hz - 30KHz 45Hz - 30KHz 60Hz - 25KHz 45Hz - 30KHz
6 Ohms 6 Ohms 6 Ohms 6 Ohms 6+6 Ohms 6 Ohms
90dB 90dB 90dB 90dB 89dB 90dB
120 W 120 W 130 W 150 W 120 W 150 W
10 - 120 W 15 - 120 W 20 - 130 W 20 - 150 W 10 - 120 W 20 - 150 W
8˝ MMP II cone bass driver
1˝ C-CAM pivoting tweeter
_ _
11 1/4˝ (286mm) 11 1/4˝ (286mm) 11 1/4˝ (286mm) 11 1/4˝ (286mm) 11 1/4˝ (286mm) 11 1/4˝ (286mm)
4 3/4˝ (121mm) 4 3/4˝ (121mm) 6 1/16˝ (154mm) 6 3/16˝ (157mm) 4 3/4˝ (121mm) 6 3/16˝ (157mm)
9 3/4˝ (247mm) 9 3/4˝ (247mm) 9 3/4˝ (247mm) 9 3/4˝ (247mm) 9 3/4˝ (247mm) 9 3/4˝ (247mm)
a a a a a a
_
_ _ _ _ _
CB8 CB8 CB8 CB8 CB8 CB8
Bronze / Radius Silver Silver Gold All Ranges All Ranges
8˝ C-CAM cone bass driver
1˝ C-CAM pivoting tweeter
a a a
8˝ C-CAM cone bass driver
4˝ C-CAM inverted mid-
range driver
1˝ C-CAM tweeter
a a
8˝ C-CAM cone bass driver
featuring RST
4˝ C-CAM inverted mid-
range driver
1˝ C-CAM tweeter
8˝ MMP II cone bass driver
2 x 1˝ C-CAM pivoting
tweeters
_ _
_ _
8˝ C-CAM cone bass driver
2 x 1˝ C-CAM xed angle
tweeters
a
CB8 construction bracket ts
all 8˝ In-ceiling speakers
6.5˝ In-Ceiling speakers
Good Better Best T2 Stereo FX Surround
C165 C265 C265LCR C165T2 C265FX
6.5” Full Range Speakers 6.5” Special Application Speakers
Frequency Response
Impedance (nominal)
Sensitivity (1W@1M)
Power Handling (R.M.S)
Recommended Amp
Driver Conguration
IDC Driver Module
Overall Diameter
Mounting Depth
Cut-out Hole Diameter
H.F. Level Switch (+3db/0dB/-3dB)
Boundary Compensation switch
Di-pole/Bi-pole Switching
Pre-Construction Bracket
Timbre-Matching
60Hz - 25KHz 60Hz - 30KHz 50Hz - 30KHz 60Hz - 25KHz 60Hz - 30KHz
6 Ohms 6 Ohms 6 Ohms 6+6 Ohms 6 Ohms
88.5dB 88.5dB 90dB 89dB 88.5dB
65 W 75 W 120 W 65 W 120 W
10 - 65 W 15 - 75 W 15 - 120 W 10 - 65 W 15 - 120 W
6.5˝ MMP II cone bass
driver
1˝ C-CAM pivoting
tweeter
_ _
9 13/16˝ (250mm) 9 13/16˝ (250mm) 9 13/16˝ (250mm) 9 13/16˝ (250mm) 9 13/16˝ (250mm)
4 7/16˝ (112mm) 4 7/16˝ (112mm) 5 7/8˝ (149mm) 4 7/16˝ (112mm) 5 7/8˝ (149mm)
8 5/16˝ (211mm) 8 5/16˝ (211mm) 8 5/16˝ (211mm) 8 5/16˝ (211mm) 8 5/16˝ (211mm)
a a a
_
_ _ _ _
CB6 CB6 CB6 CB6 CB6
Bronze / Radius Silver Silver All Ranges All Ranges
6.5˝ C-CAM cone bass
driver
1˝ C-CAM pivoting
tweeter
a a
6.5˝ C-CAM cone bass
driver
4˝ C-CAM inverted mid-
range driver
1˝ C-CAM tweeter
a
6.5˝ MMP II cone bass
driver
2 x 1˝ C-CAM pivoting
tweeters
_ _
_
_ _
6.5˝ C-CAM cone bass
driver
2 x 1˝ C-CAM xed angle
tweeters
a
a
CB6 construction bracket ts all
6.5˝ In-ceiling speakers
moni tor aud io. co. uk
8˝ and 6.5˝ In-Wall speakers
8” Full Range Speakers 6.5” Full Range Speakers
Good Better Best Flagship Good Better
W180 W280 W280LCR W380LCR W165 W265
Frequency Response
Impedance (nominal)
Sensitivity (1W@1M)
Power Handling (R.M.S)
Recommended Amp
Driver Conguration
IDC Driver Module
Overall Diameter
Mounting Depth
Cut-out Hole Diameter
H.F. Level Switch (+3db/0dB/-3dB)
Midrange Level Switch
Boundary Compensation switch
Pre-Construction Bracket
Timbre-Matching
50Hz - 25KHz 45Hz - 30KHz 45Hz - 30KHz 45Hz - 30KHz 60Hz - 25KHz 55Hz -30KHz
6 Ohms 6 Ohms 6 Ohms 6 Ohms 6 Ohms 6 Ohms
90dB 90dB 90dB 90dB 88.5dB 88.5dB
120 W 120 W 130 W 150 W 65 W 75 W
10 - 120 W 15 - 120 W 20 - 130 W 20 - 150 W 10 - 65 W 10 - 75 W
8˝ MMP II cone bass
driver
1˝ C-CAM gold tweeter
_ _
16 5/8 x 10 5/8˝
(423 x 270mm)
3 7/8˝ (99mm) 3 7/8˝ (99mm) 3 7/8˝ (99mm) 3 7/8˝ (99mm) 3 9/16˝ (90mm) 3 9/16˝ (90mm)
15 1/4 x 9 3/16˝
(387 x 234mm )
a a a a a a
_ _ _
_
WB8 WB8 WB8 WB8 WB6 WB6
Bronze / Radius Silver Silver Gold Bronze / Radius Silver
8˝ MMP II cone bass
driver
1˝ C-CAM gold tweeter
16 5/8 x 10 5/8˝
(423 x 270mm)
15 1/4 x 9 3/16˝
(387 x 234mm)
a a a
8˝ C-CAM cone bass driver
4˝ C-CAM inverted mid-
range driver
1˝ C-CAM gold tweeter
a a
16 5/8 x 10 5/8˝
(423 x 270mm)
15 1/4 x 9 3/16˝
(387 x 234mm)
8˝ C-CAM cone bass driver
with RST
4˝ C-CAM inverted mid-
range driver
1˝ C-CAM gold tweeter
16 5/8 x 10 5/8˝
(423 x 270mm)
15 1/4 x 9 3/16˝
(387 x 234mm)
a
6.5˝ MMP II cone bass
driver
1˝ C-CAM gold tweeter
_ _
14 1/2 x 9 13/16˝
(368 x 249mm)
13 1/16 x 8 3/8˝
(332 x 212.5mm)
_ _
_
6.5˝ C-CAM cone bass
1˝ C-CAM gold tweeter
14 1/2 x 9 13/16˝
(368 x 249mm)
13 1/16 x 8 3/8˝
332 x 212.5mm
driver
a
WB8 construction bracket
ts all 8˝ In-wall speakers
WB6 construction bracket
ts all 6.5˝ In-wall speakers
In-Wall speakers
A
D
F
E
B
B
C
A
C
F
E
W380LCR Front
Pivoting IDC® Midrange/Tweeter Driver Module
A
High-Frequency Control
B
Midrange-Frequency Control
C
D
8” C-CAM® Woofer with RST® Cone Prole
Rigid Cast-Aluminum Front Bafe
E
F
Boundary Compensation Control
D
W380LCR Back
IDC® Driver Module Enclosure
A
Rigid Cast-Aluminum Woofer Chassis
B
Sophisticated 4th Order Crossover
C
Protective Crossover Cover
D
Patented Tri-Grip Mounting Clamps
E
F
Gold-plated Cable Terminals
moni tor aud io. co. uk
Theater systems
In-Ceiling 5.1 Theater In-Wall 5.1 Theater
B
A
D
C
A
Front Left-Center-Right main loudspeakers
Rear Left-Right surround loudspeakers
B
Add your choice of Monitor Audio subwoofer to complete the theater
C
You can use in-wall front LCR loudspeakers with in-ceiling left-right surrounds if desired
D
Front
Left - Center - Right
Theater at a glance
8” In -Ce ilin g L oud spea ker s
6. 5” In- Ceil ing Lo udsp eak ers
8” In -Wall Lou dsp eak ers
6. 5” In- Wa ll L oud spe aker s
Be st cho ice spe ake rs a re ind ica ted by Bol d, colo re d ty pe
C180, C280, C280LCR, C380LCR C380FX, or use same as front speaker choice
W180, W280, W280LCR, W380LCR
Speakers
C165, C265, C265LCR C265FX, or use same as front speaker choice
W165, W265 Use same as front speaker choice or C265FX
A
B
C
Rear
Surround
Speakers
Use same as front speaker choice or C380FX
6.1 and 7.1 Theaters:
Use three surround loudspeakers for 6.1 theaters and use four surround loudspeakers for 7.1 theaters
Create your theater
moni tor aud io. co. uk
Monitor Audio Ltd
Unit 2, 24 Brook Road
Rayleigh, Essex
SS6 7XL
England
Tel: 01268 740580
Fax: 01268 740589
Email: info@monitoraudio.co.uk
monitoraudio.co.uk
monitoraudiousa.com
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