MK Sound LCD-25, LCD-35 User Manual

Miller & Kreisel Sound, Inc.
9351 Deering Avenue
Chatsworth, CA 91311-5858 USA
[phone] fax [phone]
www.mksound.com

©2002 Miller & Kreisel Sound, Inc.

satellite speaker

operation manual

XENON LCR-35
XENON LCR-25
XENON Surround-25

TABLE OF CONTENTS

1. INTRODUCTION........................................................................................................3

2. PLACEMENT OF YOUR SPEAKERS..........................................................................3

3. SPEAKER HOOK-UP......................................................................................................3

4. OPTIMIZING SPEAKER PLACEMENT...........................................................................5

5. THE TRIPOLE

®

SURROUND 25 SPEAKER..................................................................6

6. PLACEMENT OF THE TRIPOLE®SURROUND SPEAKER..........................................6

7. HOME THEATRE USAGE................................................................................................7

CENTER CHANNEL.............................................................................................8

SURROUND CHANNEL.......................................................................................9

8. USE WITH M&K STBT5 WALL BRACKET.................................................................10

9. SATELLITE/SUBWOOFER PHASING TEST...............................................................10

10. SPEAKER DAMAGE & HOW TO AVOID IT................................................................11

11. M&K 5.1 MULTICHANNEL & PRO-LOGIC SYSTEM SETUP GUIDE.......................12

12. IF YOU NEED SERVICE......................................................................................14

13 . M&K 10 YEAR WARRANTY...........................................................................................15

14. CABINET MAINTENANCE.............................................................................................15

15. SPECIFICATIONS..................................................................................................15

DIAGRAMS

FIGURE 1 SPEAKER WIRING............................................................................................4

FIGURE 2 SEPARATION BETWEEN LEFT & RIGHT SPEAKERS..................................5

FIGURE 3 SURROUND SPEAKERS:ONE RO W OF LISTENER,SIDE LOCATION............6

FIGURE 4 SURROUND SPEAKERS:TWO ROWS OF LISTENERS,SIDE LOCATION.......7

FIGURE 5 SURROUND SPEAKERS:REAR WALL LOCATION...........................................7

FIGURE 6 MULTIPLE SURROUND SPEAKERS..................................................................7

SATELLITE SPEAKER

2

Please record the following information for your records:
Serial Number:

Date of Purchase:
Dealer Name:
Dealer Address:

City/State/Zip:
Country:

Invoice Number:

1. INTRODUCTION

Congratulations! Your new M&K speaker system will give you years of unmatched enjoyment and
excitement while listening to your favorite musical and audio/video sources. We encourage you to read
this owner’s manual, as there is a great deal of information provided here to help you achieve the best
possible performance.

If you have an y questions about y our speaker system, please contact y our M&K dealer or call the M&K
factory directly at [phone], from 8:30 AM to 5:00 PM Pacific Time, Monday through Friday.
Additional information may also be obtained on our web site: www

.mksound.com or you may send us an

e-mail at [e-mail].

This manual gives you basic hook-up instructions first, followed by more detailed technical,
installation, and service information.

2. PLACEMENT OF YOUR SPEAKERS

Your M&K speakers can be installed in a wide variety of locations. Their compact size gives you great
flexibility in installation. They can be placed on shelves, bookcases, or more permanently mounted using
brackets, through direct attachment to a wall, or with a ceiling suspension system.

You can place the left and r ight speakers vir tually anywhere in the room, but certain locations are
better than others. In general, locate them away from obstructions that would interfere with the direct path
from the speakers to your ears (such as walls, furniture, lighting, plants, etc.). Center channel speakers
should be located close to the television screen (see Home Theater Usage on page 7). Your speakers will
sound better when they are around ear height, or when angled towards y our listening location. They sound
better when they are not sitting on the floor.

For more detailed information on placement of your speakers, see Section 4 (page 4).

SPECIAL NOTE - The Xenon LCR45, LCR35, LCR25 ARE TV SHIELDED

This means that you can locate them close to a television set or even directly on top of the set.

In some rare instances, a small amount of residual magnetism at a specific angle to your TV set may
cause a slight geometric or color distortion of the picture on your television set. If you do get this
distortion, tr y moving the speaker slightly until the distortion is reduced or disappears. Then turn the set
off and wait 10 minutes before turning it back on to trigger the set's degaussing circuitry.

3. SPEAKER HOOK-UP

Please follow these instructions carefully, to avoid any possible damage to the speakers or your
amplifier, and to get the best possible sound.

The sound quality of your speakers can be affected by the type of speaker wire that you use to
connect them. While it is possible to use speaker wire as thin as 22 gauge to hook your speakers up, we
recommend using the largest diameter wire that you can. This means a minimum of 18 gauge wire. Over
10 feet, you should use 16 gauge, and for more than 30 feet, we recommend using 14 gauge or heavier.
The smaller the number, the thicker the wire.

There is a wide variety of premium speaker cables available from a number of specialist
manufacturers. We do not endorse any specific brand of premium cable, but we do recommend using as
high quality a cable that fits your budget. Using better quality cables will improve the sound of your
speakers.

SATELLITE SPEAKER

3

HOOKUP

For each speaker, connect the Positive (+) lead from your amplifier or receiver to the RED (+) INPUT
terminal and connect the Negative (-) lead from your amplifier or receiver to the BLACK (-) INPUT
terminal. See Figure 1.

4. OPTIMIZING SPEAKER PLACEMENT

The sound quality produced by your speakers can be significantly enhanced by careful attention to
their placement. While we understand that you may not redesign your room to accommodate your
speakers, coming as close as possible to the ideal placement will give you much better sound.

The left and right channel speakers can be oriented either horizontally or vertically. The center
channel speaker is designed for horizontal orientation (tweeter and woofer drivers next to each other), and
may be angled (vertically) towards your listening position.

Three factors are important in getting the best sound. They are:

A. Height (or angle).

B. Location away from room walls or reflecting surfaces.

C. Separation between Left and Right speakers.

A. HEIGHT (OR ANGLE)

Your M&K speakers will always deliver sound superior to conventional speakers, regardless of where
you locate them. However, because they are designed for very fast and accurate transient response, they
achieve even better sound quality, and the flattest frequency response when properly oriented relative to
your ear.

Ideally, the tweeters should be at the same height from the floor as your ears, when you are sitting in
your main listening position.

If you have the speakers mounted above or below this height, they sound their best when you angle
the speakers so that the speakers are aimed at your ears when you are in the main listening position.

SATELLITE SPEAKER

4

FIGURE 1

+

SATELLITE SPEAKERS

+

RIGHT LEFT

+

+

AMPLIFIER OR RECEIVER

B. LOCATION AWAY FROM REFLECTING SURFACES

Your speakers should be located, whenever practical, away from walls, the floor , furniture, or any other
reflecting surfaces. Do the best you can. Objects close to the speaker will reflect sound, and this
reflected sound arrives at your ear slightly later than the direct sound.This delay is very slight, so instead
of hearing an echo, you hear a "blurred" sound with less clarity that is not as sharp and distinct as it should
be. This time delay also affects frequency response and sonic imaging.

If the speakers are on a television set or shelves, locate them on the front edge, so there is no flat
surface directly in front of them. If the speakers will sit close to walls or other large objects, lea ve as much
space as possible between the speaker and the object. Ideally, your speakers will be several feet from the
nearest surface, but in most rooms compromise is necessary.

C. SEPARATION BETWEEN LEFT AND RIGHT SPEAKERS

Here is a formula for achieving the ideal left to right stereo imaging. Think of a triangle formed by the
locations of the Left and Right speakers and your listening position. Ideally, the subtended angle formed
should be between 45 and 50 degrees. Roughly, this means that the Left and Right speakers should be
separated by about the same distance that you are sitting back from the speakers. In other words, if the
distance from your listening position to the point directly between the speakers is 10 feet, place the
speakers so their centers are 10 feet apart. See Figure 2, above.

On Figure 2, the length of line A - B should be about the same as the length of line X - Y. (They may
not seem to be the same in this diagram due to an optical illusion).

SATELLITE SPEAKER

5

FIGURE 2

LEFT SPEAKER

RIGHT SPEAKER

CENTER SPEAKER

X

A

B

Y

Aim the speakers
at the primary listener.

Line X - Y should equal
line A - B.
(Line A - B appears longer
in this diagram due to an
optical illusion).

Try to follow the formula as close as you can. You can fine tune the placement by listening to a source
with an image (such as a vocalist) centered between the speakers. When listening in stereo (no Center
Channel speaker), move the speakers closer together or farther apar t in small increments until you hear
the sharpest and most cohesive image, especially in the phantom center. You may also want to angle (or
"toe-in") the speakers slightly. This often improves the sharpness of the stereo image, reduces room
colorations, and provides a wider seating area.

5. THE TRIPOLE®SURROUND 25 SPEAKER

M&K’s e xclusive Tripole®design is a new concept in surround channel speaker design, off ering a new level
of performance not possible with conventional speakers by combining the performance advantages of two
different types of speakers. Think of it as a dipole surround speaker that includes a very high quality direct
radiating speaker in the same cabinet.

As a Tripole

®

, the front baffle drivers (direct radiator) operate full range. The side Dipole drivers also
operate, so sound is radiated on three axis.This means that the speaker can simultaneously produce a
directional stereo image in the surround channels and an enveloping sound that wraps around the
listeners. The directional qualities and stereo imaging may be preferred for playing back the "split" (stereo)
surrounds of 5.1 channel discrete digital recordings.

The Tripole

®

design is also ideal for the back surround channel of a Surround-EX 6.1 channel system. If

you have such a system, we recommend using two Tripole®surround speakers to reproduce this channel.

6. PLACEMENT OF THE TRIPOLE®SURROUND SPEAKER

This speaker is designed to be oriented with the front tweeter closest to the listeners. When the speaker
is mounted above the listeners' heads, make cer tain that the tweeter on the front baffle is at the bottom.
If the speaker is mounted below listeners' heads, the tweeter should be at the top.

Your surround speakers are designed to be used as surround
channel speakers, playing Dolby Digital, DTS, DVD-A and
other discrete digital, or Pro-Logic sources. The Tripole

®

surrounds will achieve excellent results in THX systems as
well. While not specifically designed to be used as front
channel or as stand-alone stereo speakers, feel free to
experiment with them. As some listeners actually prefer
them to conventional front speakers. The instructions given
here apply to surround channel applications (including use
for multi-channel music modes such as ambience recovery
or acoustical environment synthesis).

Due to the Tripole

®

design, the Surround 25 is less critical of placement than most speakers. They should
be located high on the wall, to the sides or behind the listening position.They can be mounted on the back
wall of the room. The Tripole®design radiates sound to the front and the rear of the room in addition to
directly at the listeners. The usual installation will be mounted flush on the side or back wall of the room.
When wall mounting is impractical or impossible, mounting the speakers on the ceiling can be an
excellent solution.

a. POSITION RELATIVE TO SEATING

The surround speakers can be located either adjacent to or behind the seating position. For maximum
enveloping quality, the preferred seating position, the surround speakers should be located directly to the
left and to the preferred seating position See FIGURE 3 above. If there are multiple rows of seats, then
the surround speakers would then be located directly to the left and right of the geometric center of the
listening area. See FIGURE 4, on page 7.

SATELLITE SPEAKER

6

FIGURE 3

Surround

Left

Left

Center

Right

Right
Surround

If they cannot be located exactly adjacent to the seating area,
it is better for them to be located slightly towards the back of
the room, or on the back/rear wall behind the listening
position, rather than in the front of the room. See FIGURE 5.

b. HEIGHT

The surround speakers should be located relatively close to
the ceiling. Placement above the listeners' heads is important,
preferably with the cabinet's bottom at least two feet above a
seated listener's head. In fact, it is even better if the speakers
are located above standing listeners' heads, about 6-7 feet
above the floor for times when listeners are standing or
walking around the room.

c.WALL LOCATION

The surround speaker can be mounted on either the side walls
or on the back wall, or even directly in a corner. They can be
flush on the wall, on shelves, on brackets, etc. The Tripole's

®

great flexibility makes it very forgiving of room placement that
is less than optimum.

The Tripole

®

will give you a combination of an enveloping
sound with directionality. You will hear directional effects, and
even imaging when the recording has these qualities. Yet at
the same time you will also hear a diffuse sound from the
Dipole drivers mounted on the left and right cabinet baffles.

If the sound lacks the directionality you desire, point the front baffles directly at the main listening position.
The M&K STBT5 wall bracket is very useful for this. If the sound is too directional, angle the speakers
towards the back wall or the side wall surface directly behind them. By reflecting sound behind the
listening position, you may increase the sense of envelopment in the sound.

d. USE OF MULTIPLE PAIRS OF SURROUNDS

Some listeners prefer multiple pairs of surround speakers. In
very large rooms, this may even be necessary. Also, some
surround processors and receivers have both side and rear
surround channel outputs. Multiple speakers can make a
dramatic improvement and provide a broader and deeper
surround effect. When using multiple pairs of surround
speakers, a symmetrical installation pattern works best. For
example, one pair could be mounted on the back wall of the
room, mounted equidistant from the back corners, with the
other pair mounted on the side walls of the room, equidistant
from the same back corners. See FIGURE 6.

When using two pairs of Tripoles

®

, make sure that the
speakers on the back wall have their arrows labeled "Point
Arrow At Screen" pointed towards the center of the back wall.

SATELLITE SPEAKER

7

FIGURE 4

FIGURE 5

FIGURE 6

Right

Right
Surround

Left

Surround

Left

Center

Center

Left

Surround

Left

Right

Right
Surround

Left

Center

Right

Left

Surround #1

30°-45°

Left

Surround #2

Listener

30°-45°

Right

Surround #2

Right
Surround #1

e. USE WITH SURROUND-EX AND OTHER 6.1 CHANNEL SYSTEMS

When using the Surround-25 speaker with a 6.1 channel system, we strongly recommend using two
speakers to reproduce the back surround channel.These speakers should be mounted on the center area
of the back wall of the room, symmetrical to the wall’s center line.See FIGURE 6, page 7. Follow your
processor or receiver’s instructions for proper calibration.

7. HOME THEA TRE USAGE

LEVEL-MATCHING

The factor most critical to achieving excellent Home Theatre performance is level-matching the three
front and two surround channels. This is even more important than timbre-matching. We strongly
recommend that you purchase a Radio Shack Sound Level Meter which is available for less than about
$50, (get the analog meter, not the digital) and use it to measure the output of the speakers when playing
the test tones generated by your processor or receiver.

Set the meter to the "C" weighting scale and “SLOW” response, using your amplifier or receiver's
internal noise calibration test, set the levels so that all channels measure the same level. WHENEVER
POSSIBLE, DO NOT CALIBRATE LEVELS BY EAR! Using a meter is an inexpensive way to be certain
that your system is calibrated properly.

TIMBRE-MATCHING

One of the most important factors in achieving excellent Home Theatre performance is timbre­matching. On film soundtracks, specific sounds are often moved from left to right or from front to back in
the room. When the speakers reproducing these sounds have dissimilar characteristics, there will be an
audible discontinuity when the sound shifts from one speaker to another.

Timbre-matched speakers have very similar tonal characteristics and sound, which come from three
critical elements: similar or identical drivers; similar or identical crossovers; and similar or identical
frequency response.In full M&K systems, these elements have been addressed. You can be assured that
the system can achieve the full potential of multichannel sound.

When you have a multichannel system, speaker placement becomes extremely important, as you will
be balancing four or five (or more) speakers rather than two. The following guidelines are for a 5.1
channel system, but if you do not have a Center channel, the instructions for the other four channels still
apply.

CENTER CHANNEL

The Center channel speaker in a multichannel system is the most important speaker in the system.
This speaker often produces more output than the left and right speakers combined. This speaker should
be of the highest possible quality, and as similar as possible in response and radiation pattern to the left
and right speakers. Three identical speakers are best, unless the center channel is designed to work with
a set of left and right speakers.

It is also important to have as much amplifier power as possible for the Center channel. As a
minimum, the three front channels should be identical in power output, but it is better if the Center
channel has more. If you have less power in the Center channel, this will be the limiting factor in the total
output capability of the system when watching and listening to video sources.

The Center channel speaker should be located as close as physically possible to the television or
projection screen, preferably just above or below the screen. If that is not possible, then just to the left or
the right of the screen may be acceptable.

SATELLITE SPEAKER

8

If the television is not in the center of the room (or not centered between the Left and Right speakers),
the Center channel speaker should still be as close as possible to the screen -- even if it is outside the left
and right speakers (such as a TV located in a corner of the room outside the stereo spread of the left and
right speakers). Good results can be achieved in unusual configurations when the Center speaker is as
close as possible to the screen.

The Left and Right front channel speakers in a Home Theatre system should be placed the same as
the left and right speakers in a stereo setup. Some listeners, however, may prefer to reduce the distance
between the left and right speakers to bring the size of the acoustic image closer to the size of the screen
image.

For example, with a 25" direct-view television, you would want the speakers closer together than you
would with a 100" projector. One recommendation is to separate the speakers by 1.5 times the diagonal
screen size; another is to place the left and r ight speakers to create a 45 degree angle with the main
listening position.

There is a great deal of latitude in this area, as it is one of personal preference (especially if you will
listen to music without video).

It is also preferred that the speakers be equidistant from the listening position. Equidistant usually
means that when the center speaker is on top of the television, the left and right speakers will sit in front
of the set (they will be farther from the wall behind the TV than the center speaker). Ideally, the speakers
should be at the same height as the screen, but it is much more important that all three speakers be at as
close to each other's height as possible. If the center is much higher or lower than the other speakers, the
effect can be distracting. Angling, or toeing-in the speakers, to aim at the listening position often improves
imaging.

When using a Center channel speaker, you have extra flexibility in placing the left and right speakers,
as the Center channel speaker will tie most dialog and effects directly to the screen.

SURROUND CHANNELS

You can achieve good performance with your surround speakers placed in a wide variety of room
locations. In general, they should be either adjacent to or behind the main listening position, located
higher than the listener's heads. They can be mounted on either the side walls or on the back wall, flush
to the wall, on shelves, on brackets, etc.

The goal is to achieve an enveloping sound. The surround channels should seem to come from all

around you, rather than seeming to come from behind you only or directly from a speaker.

For non-THX surrounds, we recommend starting with speakers on the side walls of the room, two to
three feet above the listeners' heads, either directly adjacent to the listening position or behind it. You can
aim the speakers to fire towards each other (across the listening area), or y ou can aim them to fire tow ards
the back wall at an angle. The surround speakers should not be in front of the main listening position if
possible.

If you mount the surrounds on the side wall behind the listening position, they can be aimed towards
each other or angled towards the back wall or the side wall surface directly behind them. By reflecting
sound behind the listening position, you may increase the sense of envelopment in the sound.

If you want or need to mount speakers on the back wall of the room, there are several options. You
can aim them so that they fire towards each other (so they fire along the back wall); you can aim them
towards the front wall of the room;or you can angle them so they fire toward the side walls. Symmetrical
arrangements work best.

SATELLITE SPEAKER

9

The speakers should be a minimum of a few feet away from the nearest listener. If the speaker is
located too close to a listener, its sound will become too directional and may distract that listener. Ideally,
the surround speakers should not call attention to themselves and should not be audible as separate
sources of sound.

If the surrounds must be located close to the listeners, aiming them at the room walls or even the
ceiling can help to reduce any directional effect. As descr ibed above, this can produce a desirable result
even in rooms where the surround speakers are an adequate distance from the listeners' heads.

If the surrounds cannot be placed on a wall, try placement on tables or the floor to the sides of the
main listening position, firing up towards the ceiling. This can work very well in environments that do not
allow permanent attachment of speakers to the walls.

Some listeners prefer to use multiple pairs of surround speakers. While this is not necessary, it can
provide a broader and deeper surround effect, with better coverage in very large rooms. When using
multiple pairs of surround speakers, a symmetrical installation pattern works best. For example, if you are
using two pairs of Surround 25 speakers for the surround channel, one pair could be mounted on the back
wall of the room, mounted equidistant from the back corners, with the other pair mounted on the side walls
of the room, equidistant from the same back corners.

The surround channels can be installed in a wide variety of locations, but because they are usually
mounted on the walls of the room, they can be a challenge to successfully install. If you have fur ther
questions, please call us at the M&K factory, and we will be happy to discuss them with you in detail.

SUBWOOFER

Subwoofer location for Home Theatre systems is essentially the same as for music systems. See our
Subwoofer operation manual for more details. Remember to leave 2 - 3 feet of clearance between any
television and subwoofer, unless the subwoofer is magnetically shielded.

The preferred connection for the subw oofer is a subwoofer output from the amplifier or controller. This
insures that a full bass signal is being fed to the subwoofer. If you do not have such a subwoofer output
jack, connect the subwoofer to the front Left and Right channel amplifier outputs (do not use the Center
channel).

When the Subwoofer is connected to the Left and Right amplifier outputs, and the controller is in Pro­Logic mode, the switch on the Pro-Logic control unit labeled Center channel WIDE/NORMAL must be set
to the NORMAL mode. If the switch is set to the WIDE mode, the bass content of the Center channel will
not be fed to the Subwoofer, and you will lose a significant amount of bass.

8. USE WITH M&K STBT5 WALL BRACKET

For wall mounting of the Xenon LCR45, LCR35, LCR25 and Surround 25,
M&K makes available the ST-BT5 bracket. These M&K brackets offer
tremendous flexibility for installation in a wide variety of environments,
including both horizontal and vertical adjustment. These brackets mount
easily to the speaker using the integral hardware found on the speakers’back
baffle. They are available in either a black or a white finish.

9. SATELLITE/SUBWOOFER PHASING TEST

In any system using a subwoofer separate from Main speakers, a phasing test must be performed to
insure good bass blending. This test insures optimum sound in the critical bass frequencies where your
Subwoofer and Main speakers overlap.

SATELLITE SPEAKER

10

Play a familiar CD or DVD with steady, consistent bass content through your system. Listen carefully
to the "mid-bass" region of 75 - 125 Hz. This is the part of the spectr um where electric or string basses
and drums predominate. Then reverse the phase of either the subwoofer or BOTH Main speakers.

If your Subwoofer has a PHASE switch on its back panel, move it either from (+) to (—) or vice versa.

If your Subwoofer does not have a PHASE switch, it takes a bit more work. You will have to change
the Positive and Negative speaker inputs on the back of BOTH Main speakers.

You can do this at the back of both Main speakers, or at the Subwoofer's TO SPEAKERS terminals,
but never at both locations. The lead that was on the Positive (+) terminal should be switched to the
Negative (—) terminal, and vice versa. When switching speaker wires, take care to protect your amplifier.
Make sure that the wires do not touch each other when you are making the switch. As a safety measure,
we suggest that you turn the amplifier off before making the switch.

Now listen to the same musical passage as you did earlier, concentrating on the mid-bass region. If
you hear less bass, the original connection (or switch position) was correct. If you hear more bass, the
new connection (or switch) is correct.

You need to perform this test because when Main speakers are located separate from a Subwoofer,
each speaker is at a different distance from your ear. In some cases, the difference will be just enough so
that the output from the Subwoofer arrives out of phase with the output of the Satellites. When this
happens, that critical mid-bass is actually cancelled. You should re-do this test any time you move your
speakers.

If you want to experiment further, move the Main speakers either towards or away from your listening
position, making changes in small increments. This will "focus" the system's sound to its optimum. When
you hear the best combination of stereo image localization and maximum impact and output in the
mid-bass, you have the ideal location.

10. SPEAKER DAMAGE & HOW TO AVOID IT

An important factor to consider with any loudspeaker system is the potential for speaker damage.
Even though your M&K speakers have extremely high power handling ability (especially for Main
speakers), they still can be damaged by relatively low powered amplifiers.

While very few M&K speakers are actually returned f or service, the v ast majority of those returned are
not for manufacturing defects. Instead, they are returned because they have been over driven, almost
always because the amplifier or receiver used was driven into clipping distortion. This damage is

considered abuse, and is not necessarily covered under warranty.

This clipping distortion occurs when the demands of the music are greater than the amplifier's
available po wer. It can occur at 20 watts with a small amplifier , or at 400 w atts with a large amplifier. When
this happens, the amplifier's output waveform (which should look like a smooth arc) is "clipped" off,
exhibiting a flat top instead of the arc.

This "clipped" waveform contains multiples of the original amplified frequencies, sometimes at higher
levels than the original signal itself . For tweeters, this can be very damaging, as this distortion is well above
the audible range (where you are unable to hear it), and where the tweeter is most vulnerable to damage.

When an amplifier "clips", it generates a high level of high frequency energy (much higher than
normal program material) which passes through the crossover to the tweeter. This energy can overheat
the tweeter in a matter of seconds and destroy it.

SATELLITE SPEAKER

11

When this happens, the sound becomes harsh and grating, and a break-up is often audible in the bass
frequencies. It will become uncomfortable to listen to, especially when compared to a slightly lower
volume level. When you are listening at high volume levels, be aware of the onset of clipping distortion,
and turn the volume down slightly if the sound takes on the character described above.

When tone controls or equalizers are used to boost frequencies, the problem occurs much more
rapidly. Even a small boost of low or high frequencies can easily double the power requirement and lead
to amplifier clipping at moderate levels. Therefore, you should use your tone controls judiciously,
avoiding extreme boosts of the bass and treble controls, especially when you are listening at high volume
levels.

The best way to avoid speaker damage is to use common sense. Use moderate boosts of tone
controls or equalizers, at the very most. Listen carefully for any harshness and break-up, especially at high
volume levels, and turn down the volume when needed. If you cannot get enough volume, you may need
to consider a higher-powered amplifier . If you have any questions about this, please contact M&K, and we
will be happy to discuss it with you.

11. M&K 5.1 MULTICHANNEL & PRO-LOGIC SYSTEM SETUP GUIDE

The 5 Most Important Items In System Setup:

1. Find the best location for the subwoofer for maximum output and flattest response
(usually the corner closest to the listening position)

2. Aim the front speakers (and the surrounds,if possible) for the flattest response and
the best imaging

3. Set all speakers to the Small setting for proper High-Pass and Low-Pass Filter
operation to get the lowest distortion and maximum dynamic range

4. Calibrate all speakers and the subwoofer to the identical level for proper imaging
and balance

5. Make sure all speakers are in phase for proper imaging and impact

These instructions will help you make sure that you cover all steps in setting up a 5.1 multichannel or
Pro-Logic surround sound system. In addition to following this list, make certain that you study and
understand the owner’s manual for each and every component used in the system, especially the
processor/receiver’s manual. Have fun and good luck!

A useful tool for system setup is the DVD called Video Essentials.If you don’t have one , you can order
it by visit the web site at www

.videoessentials.com.

Here are the instructions for speaker setup.

1. Locate the front speakers. The left, right, and center speakers should be equidistant from the main
listening position. Try to set up the speakers so that they are reasonably symmetrical to room surfaces. A
tape measure may be very helpful.

2. Locate the subwoofer

A. The best place for the subwoofer is the corner with the best structural strength. If the

corners are roughly equal in construction, use the corner nearest the listening position. If
the listening position is in the front half of the room, place the subwoofer in a front corner.

SATELLITE SPEAKER

12

If it is in the back of the room, place the subwoofer in a back corner.

If possible, avoid corners near doorways or openings.

B. If you are willing to experiment, another option is to place the subwoofer at the listening

position and walk around the room. Stand in and near each cor ner. The location where
you hear the tightest bass with the most impact is probably the best location in the room
for the subwoofer.

C. If multiple subwoofers are used, place them in the same location. Stacking is best, but

you can also put them side by side.

Another option for multiple subwoof ers is to place them in different locations. This is appropriate when
you have limited choices in locating the subwoofer and none of the available locations work well. Try to
place multiple subwoofers at equal distances from the listening position to avoid phase cancellation.

3. Locate the surrounds. Determine the best position in the room. It will probably be the position
used for THX speakers, directly to the right and left of the main listening position on the side walls (so that
a listener in the center seat is directly between the speakers). If that doesn’t work or is not practical
because of the room, try these locations: on the ceiling; on the back wall.

4. Install all wir ing and interconnects.

5. Connect the subwoofer. Always use the processor/receiver’s subwoofer output.

6. Aim the front left and r ight speakers in both the horizontal and vertical planes. Horizontal toe-in
helps to get the best possible imaging.

7. If you have a Dolby Digital or DTS processor/receiver, follow these instructions. If you have a
Pro-Logic processor/receiver, go to item 8 below.

SPECIAL NOTE: Always check the processor/receiver’s owner’s manual. Different manuf acturers use
different descriptions for the same function, and sometimes the same description for different functions!
Your component may use terminology different from that used below.

A. High-Pass Filters: All Dolby Digital processor/receivers have built-in high-pass filters for

the Left, Center, Right, Left Surround, and Right Surround channels. Always turn these
filters ON by using the SMALL setting. If you have a THX component, use the THX
setting. See the owner’s manual of the processor/receiver for instructions.

B. Bass Management: If the processor/receiver has a setting to turn the Subwoofer off or on,

make sure that it is set to SUBWOOFER YES or ON.

C. Dialog Normalization: If your component has this function, turn it off to avoid any possible

effect on sound quality.

D. THX Dolby Digital units have an adjustable limiter for the subwoofer feed, called “Bass

Peak Level Management”. Turn it off, or set it for the highest possible level. M&K
subwoofers do not need this limiter.

8. If you have a Pro-Logic only processor/receiver, follow these instructions.

SPECIAL NOTE: Always check the processor/receiver/receiver’s owner’s manual. Different
manufacturers use different descriptions for the same function, and sometimes the same description for
different functions! Your component may use terminology different from that used below.

SATELLITE SPEAKER

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A. If the component has high-pass filters for the Left, Center, and Right channels (usually

only THX components have these filters), they should be turned on or set to THX (if you
have a choice, use the frequency closest to 100Hz - 120 Hz for Xenon series speakers.
The surround channels in a Pro-Logic only system do not have switchable filters.

B. Set the center channel to Normal, unless you have a THX controller. With a THX

controller, set the center channel to the THX setting.
C. Turn off all limiters and compressors, auto azimuth controls, auto balance controls, etc.
D. If the processor/receiver/receiver has an input level control, calibrate it per the

manufacturer’s instructions.
E. If the component has a digital input, and you are using a source component with a digital

output, always use the digital input, not the analog input.

9. Set levels for each channel. Take the measurement at the listening position to establish the

reference level. Set all channels to exactly the same level.

Use a Sound Level Meter. Point it directly at the speaker being measured. Set all channels to the
same level, using the processor/receiver/receiver’s internal test signal. Set the meter to “C” weighting and
“Slow” response. Set the levels to 75 dB if you have a THX processor/receiver/receiver or are using the
Video Essentials disc as a source for setting levels.

NOTE: If you using identical speakers anywhere in your system (e.g., S-150THX speakers for the left,
center, and right channels), all of those channels should be set to the same level. If your meter measures
a different level, it is probably a limitation of this type of meter measurement method and not an actual
audible level difference. Set the channels using identical speakers to the same level, unless you actually
hear a difference later when you are doing listening to verify the system setup.

10. Check phase. Make sure that all five main channel speakers are wired in phase. The Video

Essentials disc has tests for main speaker phase.

11. Make sure that the subwoofer and main speakers are in phase at the 80 Hz crossov er point. Listen
to something with a consistent bass line around 80 Hz while a partner switches the “Phase” control on the
subwoofer from “+” to “-”. The switch position that results in the greatest bass at the listening position is
the correct setting.

12. Play something that is familiar to you through the system to verify the system’s overall
performance. If something does no sound right, recheck your connections and settings. Re-measure,
re-check, re-align.

13. Switch the processor/receiver to each input that you will use. Check your settings for each input
and each mode. Some processor/receivers require that you enter settings separately for each mode
and/or input.

14. Before playing the system, check levels and speaker alignment one last time. Make sure that you
write down all processor settings for future reference.

12. IF YOU NEED SERVICE

Contact your dealer or M&K with a complete description of the problem. Please have the unit's model
and serial numbers (found on the back of the cabinet), date of purchase, and your dealer's name. You can
call M&K between 8:30 AM and 5:00 PM Pacific Time, Monday through Friday, at [phone].
Alternatively, an email can be sent to [e-mail].

SATELLITE SPEAKER

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DO NOT RETURN YOUR SPEAKERS TO THE FACTORY FOR

SERVICE WITHOUT OBTAINING PRIOR AUTHORIZATION

13. M&K 10 YEAR WARRANTY

All M&K Satellite speakers carry a ten year limited parts and labor warranty. This warranty is
transferable to new owners up to ten years from the date of original purchase. It does not cover abuse,
misuse, repairs by unauthorized service stations, speakers without M&K serial numbers, speak ers not sold
by authorized M&K dealers, and those damages in shipping or by accident. If you have any questions
about the warranty, please contact M&K.

14. CABINET MAINTENANCE

Treat the cabinet as you would any piece of fine furniture. Its black or white vinyl finish does not require
any special maintenance; regular dusting with a lint-free cloth and periodic cleaning is all that is required.
Do not use any solvent based cleaners, as they may damage the cabinet surface.

15. SPECIFICATIONS

XENON LCR45:

IMPEDANCE: 8 ohms

MINIMUM POWER: 20 watts RMS

RECOMMENDED POWER: amplifiers with between 25 and 200 watts

MAXIMUM POWER: 200 watts max unclipped peaks

FREQUENCY RESPONSE: “80 - 120” Hz - 23 KHz ± 3 dB

DIMENSIONS (H x W x D): 7 7/8" x 4 7/8" x 5 3/4" (HWD)

WEIGHT: 5.3 lbs.

XENON LCR35:

IMPEDANCE: 4 ohms

MINIMUM POWER: 20 watts RMS

RECOMMENDED POWER: amplifiers with between 25 and 200 watts

MAXIMUM POWER: 200 watts max unclipped peaks

FREQUENCY RESPONSE: “80 to 120” Hz - 23 KHz ± 3 dB

DIMENSIONS (H x W x D): 9 1/2” x 3 7/8” x 5 3/4” (HWD)

WEIGHT: 5 lbs.

XENON LCR25:

IMPEDANCE: 8 ohms

MINIMUM POWER: 20 watts RMS

RECOMMENDED POWER: amplifiers with between 25 and 200 watts

MAXIMUM POWER: 200 watts max unclipped peaks

FREQUENCY RESPONSE: “80 to 120” Hz - 23 KHz ± 3 dB

DIMENSIONS (H x W x D): 6 3/16” x 3 7/8” x 5 3/4” (HWD)

WEIGHT: 4 lbs.

XENON Surround 25

IMPEDANCE: 8 ohms

MINIMUM POWER: 20 watts RMS

RECOMMENDED POWER: amplifiers with between 25 and 200 watts

MAXIMUM POWER: 200 watts max unclipped peaks

FREQUENCY RESPONSE: “80 to 120” Hz - 23 KHz ± 3 dB

DIMENSIONS: 6 3/16” x 3 7/8” x 6 1/2”(HWD)

WEIGHT: 4.5 lbs.

SATELLITE SPEAKER

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XENON LCR45/LCR35/LCR25/Surround25 manual.qrk

04/15/02 rev.2 pt/qrk

PN: 70028