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OWNER'S MANUAL
Archival Phono Preamplifier
Millennia Music & Media Systems
A r c h i v a l
P l a y b a c k
E q u a l i z e r
LOC
Millennia
Media & Music Systems
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READ THIS FIRST!
Any changes or modications not expressly approved by MILLENNIA MEDIA, INC. could
void your authority to operate this equipment under the EC or FCC rules.
1. Copyright: You acknowledge that no title to the intellectual property in the LOC is transferred to you.
2. Inspection: Inspect packing box(es), LOC, and cable(s) for damage, unusual marks, or
shortages. It is your responsibility to report damage, shortage, or misshipments in a timely
manner. Millennia Media and/or its dealers will not be responsible for claims arising from
damage in shipping, nor will claims for shortage or misshipments be honored, more than 10
days after ship date.
3. Read this manual carefully and completely before attempting to use the LOC. Improper operation could result in damage to product. It is the user's responsibility to understand the safe
use and operation of this device.
4. The shipping box of the LOC system will include (1) Owner's Manual, (2) LOC, (3) a UL
approved power cord (Canada and US units only), (4) Owner's Registration Card. Fill out the
Owner's Registration Card and return to Millennia Media at your earliest ability.
The material contained in this manual consists of information that is property of Millennia Media, Inc. and is intended solely for use by the purchasers of the equipment described in this
manual. Millennia Media, Inc. expressly prohibits the duplication of any portion of this manual
or the use thereof for any purpose other than the operation and/or maintenance of the equipment described in this manual without the express written permission of Millennia Media,
Inc.. Under copyright laws, this manual may not be duplicated in whole or in part without the
written consent of Millennia Media, Inc..
LOC and Analog Legacy are trademarks of Millennia Media, Inc. with all rights reserved. All
other trademarks herein are property of their respective holders. Serial numbers are located
on the left side of each unit. We suggest that you record the serial numbers in the space provided below. Refer to it whenever you call an authorized Millennia Media repair facility or the
manufacturer. Make sure that you return your completed warranty card immediately.
Features and specications subject to change without notice.
© 2007 Millennia Media, Inc., All rights reserved
Serial Nos. ______________________________________________________________
Purchase Date ___________________________________________________________
Where Purchased _________________________________________________________
SAFETY PRECAUTIONS
For your safety and the safety of others, be sure to read and understand all safety and opera-
tional instructions before attempting to use the LOC. WARNING: The LOC internal circuitry
carries lethal voltages. Carefully observe all warnings, precautions, and instructions on the
LOC and as described in the instructions supplied with the unit.
1. WATER, MOISTURE, AND SPILLAGE
Do not attempt to use the LOC in, near, or around water or in unusually moist environments,
such as near a sink or swimming pool. Prevent liquids or any other materials or objects from
spilling or falling into the LOC unit.
2. HEAT AND VENTILATION
Be sure to allow adequate ventilation to LOC and avoid using or installing unit in close proximity
to heat sources, such as heaters, stoves, radiators, power ampliers, spotlights, or other heatproducing appliances or equipment.
3. POWER SOURCES AND POWER CORD PROTECTION
The LOC Power Supply should be connected to a power source only of the type described in
the operating instructions or as marked on the Power Supply. Route the power cord so that it
is not likely to be walked on or pinched by having objects placed on it. Pay particular attention
to plugs, receptacles, and the point where the AC power cord exits the LOC.
4. GROUNDING
For your safety, it is extremely important that the grounding pin of the 3-wire power cable (included with unit) be inserted into a grounding type 3-pin power outlet. If you are unable to insert
the plug into an existing outlet, contact an electrician to install a properly grounded 3-pin power
outlet, preferably that with OFI protection, if available.
5. DAMAGE REQUIRING SERVICE
This unit should be repaired or serviced by qualied personnel whenever:
· The AC power cord has been damaged, or
· An audio cable has been damaged, or
· Objects have fallen or liquid has spilled into any LOC unit, or
· The unit does not function properly or exhibits a marked change in performance, or
· The unit has been abused, dropped, or damaged, or
· The unit has been exposed to rain or moisture
6. SERVICING
Deadly voltages are found inside the LOC chassis. The user should not attempt to repair or
service this unit. All servicing and/or repairs should be referred to Millennia Media.
If, after reading all instructions, precautions, and warnings, you have remaining questions, please
contact Millennia Media directly before attempting to use your LOC. Retain this owner’s manual
as a record of your purchase to aid positive identication in the event of loss.
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QUICK START
READ THIS!! For your protection, never under any circum-
stances remove the top cover. Refer to a qualied electronics
technician any and all servicing and other operations which
require the top cover to be removed.
Congratulations on your purchase of the Millennia Media LOC Analog Legacy archive refer-
ence system. The LOC is the culmination of meticulous listening tests on innumerable circuit,
topology, and packaging designs over many years of product design and development. Your
LOC is a nely tuned instrument intended for critical professional applications — we feel it
offers the world's most sonically invisible and versatile phonographic front-end.
Before connecting power to the LOC, assure that the rear panel voltage selection fuse block
switch is set correctly. In the USA and Canada, the LOC is shipped with the voltage selection
block set to 100-120 VAC. If you change the voltage selection block to 200-240 VAC usage,
be sure to change both fuses to the correct types. See "Rear Panel" instructions for proper
fuse requirements.
The LOC enclosure measures approximately 19" wide x 3.5" high x 15" deep and is designed
for mounting into a standard 2U, 19" equipment rack. If the LOC is mounted in a road case
or other rack which is prone to strong vibration or shock, it is highly recommended that the
rear of the LOC be supported or otherwise reinforced to withstand such conditions. The LOC
Analog Legacy runs warm and should be mounted with at least one rack screw space open
above and below the unit.
INTRODUCTION
The LOC Analog Legacy is a hand-crafted collection of Millennia's essential preamplier and equalizer circuitry tailored specically for the needs of archiving and mastering professionals, and serious audiophiles requiring a sonically uncompromised analog front-end. The LOC is a selectable mono or stereo processing chain which can
be used with virtually any modern or legacy phonograph cartridge. Any known type of
legacy record pressing (78, 45, 33, etc.) can be compensated perfectly with the LOC,
including vertical groove processes.
When the LOC does not offer a precise preset compensation point or loading characteristic, the user may dene virtually any custom parameter via plug-in passive components. The LOC offers a discrete-hybrid signal path from input to output, employing
both bipolar and eld-effect transistors where they are best applied for Millennia's
hallmark sonic invisibility and dynamic uniformity. The LOC accepts balanced line
level or phono level input via gold XLR connectors. Outputs are both XLR and RCA
phono. Mains powering is worldwide, universal.
The LOC is designed on a common ground topology. For high quality operation, and for your
own safety and the safety of others, do not defeat the purpose of the AC plug earth ground-
ing pin.
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LOC REAR PANEL
PUSH PUSH
PUSH PUSH
Chassis/Audio
Ground Strap
100 / 115 / 230 Selection
115
UNBAL UNBAL
UNBAL UNBAL
LOC REAR PANEL
(1) Inputs:
Bal Phono Input 1 Conventional 3-pin female XLR input connectors for use with differential-balanced phono
cartridges. Can also be used with certain line-level sources. Standard input load resistance is 47,000 ohms. This
resistance ( R1 and R2 on each phono preamp PCB) can be changed by the user to facilitate different phono cartridge load requirements. See phono preamp PCB illustration on page 11. Standard input load capacitance is 470
pF. This capacitance (C1 on each phono preamp PCB) can be changed by the user if necessary, but should not
be lower than 270pF. XLR pin 2 is positive polarity. XLR pin 3 is negative polarity. Connector contacts are Neutrik
gold plated. It is suggested that XLR cable connectors used with the LOC employ identical plating.
Bal Phono Input 2, Conventional 3-pin female XLR input connectors for use with all standard phono cartridges.
Can also be used with certain line-level sources. Inputs 2 and 3 connect to an input transformer.
Unbal Phono In 3 Unbalanced RCA input. To use the RCA input connections, select “RCA IN” on the front panel
Use your cartridge manufacturers recommended R/C loading. The cartridge loading can be modied by changing
resistors R2 and R4 and capacitors C1 and C2 on the Input Transformer PCB. See illustration on page 13. J3 and
J6 are normally open. If you are only using this unbalanced in, you can jumper it if necessary for hum problems.
(2) Phono Pre Dir Out
Buffered Direct output from the pre amp card. Post polarity and mono switching. This is the same signal fed into
the compensation and lter circuits.
(3) Phono Pre Trim Out
Adjustable, buffered signal derived from the Direct out.
(4) Unbal EQ Out Pre Trim
Post lter and compensation circuit unbalanced signal. Available in both RCA and XLR connections. Output RCA
connections are independent of input switching.
(5) Bal EQ Out Post Trim
Balanced output from the compensation and lter circuits.
(6) Earth/audio Ground Jumper Strap
A barrier terminal which ties earth ground to audio ground. If ground “hum” loops are experienced when using
the LOC, removing this jumper may help. Using this jumper to lift ground, the integrity of the chassis/earth safety
ground connection is never compromised.
(7) AC Voltage Mains Selection “100-120” or “200-240”
A power entry module with a removable fuse holder block. This fuse holder block is selectable for 100 - 120 Volt
or 200 - 240 Volt worldwide mains powering. The fuse block contains two fuses one fuse is in series with the hot
power line while the other fuse is in series with the neutral power line. Both fuses must be installed. To change the
mains voltage selection, remove IEC power connector and assure that the LOC is not connected to mains power.
With a non-conductive tool, gently pry the fuse block away from the power entry module. Remove the two fuses
and replace both with type as shown below. Slide out the internal PC Board, turn it over, and reinsert the PCB so
that the desired AC mains voltage appears in the viewing window. Double check that the fuses installed correspond to the AC mains voltage range which appears in the viewing window. Gently push the fuse block back until
ush and snug.
FUSES:
For 100-120 VAC mains, use two 5 x 20 mm, 1A, slow blow, 250 V, Littelfuse 218 or equiv.
For 200-240 VAC mains, use two 5 x 20 mm, 500 mA, slow blow, 250 V, Littelfuse 218 or equiv.
Use only the power cord provided with the LOC unit or equivalent U/L approved type SV, SVT
power supply cord. Do not defeat the third pin earth ground. If ground lifting is desired, remove the Earth/Audio
Ground Jumper Strap (topic #6, above).
, SJ, or SJT AC
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LOC FRONT PANEL
(1) MONO SELECT SWITCH "MONO (L+R)"
Pushbutton switch (German ITT) which combines left and right inputs into a summed mono signal.
When this switch is depressed and illuminated, left and right input signals are combined into a single
mono signal on both left and right compensation and lter paths.
(2) POLARITY REVERSE SWITCH "POL REV"
Pushbutton switch (German ITT) which, when depressed and illuminated, reverses the polarity
(180 degree inversion) of the right channel input signal. Use with vertical groove recordings or stereo
sources which are in reversed polarity relative to each other.
(3) RCA Input Select Pushbutton Switches (L&R)
Push in to select the rear panel RCA input jacks.
(4) SIGNAL PRESENT & OVERLOAD INDICATORS "SP" & "OL"
Green and Yellow LEDs (light emitting diodes) which show signal activity (green) and high-level (yellow). The green Signal Present LED illuminates with an audio signal level of approximately -50 dBu,
and should illuminate with any normal phono input signal. The yellow high-level LED illuminates with
an audio signal level of approximately +20 dBu and should only illuminate on the very highest peak
levels.
(5) HIGH RESOLUTION PHONO GAIN CONTROL
Detented, 36-position gain control employing a Grayhill mil-spec gold plated rotary switch. Switch gain
is approximately 1.5 dB per step and is inter-channel matched to better than 0.08 dB at all settings.
After a brief warm-up period, adjustment of this switch is virtually silent. Two illuminating pushbutton
switches ("A" = Green and "B" = Amber) determine the gain "range" of the rotary switch. When the
pushbutton switches are not depressed and non-illuminated, the phono preamplier gain is as printed
on the front panel (9.0 dB, 10.5 dB, 12.0 dB, etc..). When the green "A" pushbutton switch (only) is
depressed and illuminated, add 18 dB to the gain settings as printed on the front panel. When the
green "A" and amber "B" switches are both depressed and illuminated, add 36 dB to the gain settings
as printed on the front panel. For example, with both pushbutton switches depressed and the rotary
switch at 1:00 o'clock position, the preamp gain would be 55.5dB (19.5 + 36). Maximum gain can be
customized up to 90 dB if required. Contact factory for more information
(6) Pre Eq Output Trim
Variable output from the input to the lter and compensation circuits. A setting of '0' is unity gain. This
is post preamp/switching circuits, pre compensation/lter circuits.
(7) Post EQ Output Trim
Variable balanced output post compensation/lter circuits. A setting of '0' is unity gain.
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(8) BAND IN/OUT SWITCH "IN"
Pushbutton switch which places its associated EQ band in circuit or out of circuit. There are
eight bands of equalization on the LOC Analog Legacy. Four bands provide precise phono
compensation, including RIAA and an unlimited number of legacy curves. Four additional
bands (marked "FILTER") provide additional sculpting and repair tools. An EQ band is incircuit when its associated band switch is depressed and LED is illuminated. Band In/Out
switches are provided both for comparing a single EQ band setting versus at-band response, and for bypassing any band entirely, such as with at acoustic recordings.
(9) FREQUENCY SELECT ROTARY SWITCH
Six position rotary switch (Grayhill, gold contacts, military spec) which selects xed high and
low band frequency points. LF compensation frequencies are preset to 200, 250, 300, 400,
500/RIAA, and 700/USER (in Hz). HF compensation frequencies are preset at 10 kHz to -5.0,
-7.0, -9.5, -11.5, -13.7/RIAA, and -16.0/USER (in dB). Where a switch is marked "USER",
the user may change the value of a xed capacitor to allow for virtually any compensation
frequencies not preset on the factory stock rotary switch points. See printed circuit board
diagram on page 12 for capacitor socket location (C14 on LF board and C8 on HF board).
The LOC compensation and lter circuits are based upon a unique shunt topology. This
topology is unlike conventional "state variable" lters in that only one signal path amplier is
employed. Compare this with conventional lter designs employing upwards of four to seven
signal path ampliers. Fewer ampliers means greatly improved sonic integrity.
LF lter points are preset to 20, 35, 60, 100, 180, and 260 Hertz. High frequency lter points
are preset to 1, 2, 3, 5, 8, and 12 kHz.
(10) PEAK/SHELF SELECT
Pushbutton switch which selects LF and HF lter curve shape. When switch is depressed
and LED is illuminated, EQ is shelving at 6 dB per octave. When switch is not depressed, EQ
is peaking with a xed "Q" of 1.0 about the center frequency selected.
(11) BOOST/CUT CONTROL
Four conductive plastic rotary potentiometers (French Vishay) offering up to +10 dB of boost
and -10 dB of cut. Boost/Cut potentiometer has 21 detented positions for accurate repeatability and session logging.
(12) POWER SWITCH "POWER"
Rocker switch for switching AC line power on and off.
SWITCH
LOC Phono Preamp - User Selectable Components
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User Low
C14
User High
C8
LOC Compensation — User Selectable Components
Input Transformer Board
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LEGACY RECORDINGS
The 78 RPM record was a standard format for decades, followed by 33-1/3 RPM. While
33 RPM “LP” records produced after 1954 almost universally follow the EMI or RIAA
standards, compensation curves used for 78 RPM records varied signicantly between
manufacturers and era. Via historical research and empirical testing, audio engineers
have attempted to classify the myriad of legacy equalization formats. The following
chart lists a small sampling of various EQ curves which have been derived from papers,
audio journals, jacket information on early LPs, experimentation, and other sources for
records made generally between 1925 and 1955. The audio engineer should use these
numbers as a guide only. Ultimately, use your ears as the nal reference for correct
compensation on legacy formats.
SOURCE SERIES TURNOVER (Hz) ROLLOFF (dB @ 10 kHz)
Acoustic Recording (such as
cylinders, etc..) 0 (or as required) 0 (or as required)
“AES” standard 400 -12
AFRS Transcriptions 500 0 or -5
Allegro 750 -16
Allied 500 -16
American Recording Society 500 -12 or –13.7
Angel 500 -12
Arizona 400 -12
Artist 500 -16
Atlantic 500 -16
Audiophile 300 -8
BBC Transcriptions 1949 500 -5
BBC Transcriptions most 250-300 0 to -5
Bach Guild 501-529 500-750 -16
Banner adjust as required 500 -16
Bartok 629 -16
Bartok 301-304, 309, 906-920 700 -16
Berliner speed = 71.29 RPM 0 0
Blue Bird 800 -10
Blue Note Jazz 400 -12
Boston COL* -16
Brunswick rare 1000 -8.5
Brunswick from 1946 300 -16
Brunswick early 300-500 0 or -16
BSI 353 -10.5
Caedmon 629 -11
Caedmon 1001-1022 700 -12
Cameo inconsistent, adjust as required
Canyon 400 -12
Capitol FDS 400 -12
Capitol-Telefunken 500 0
Capitol 500 -12
SOURCE SERIES TURNOVER (Hz) ROLLOFF (dB @ 10 kHz)
Cetra Soria 400 -12 or -16
Cetra 400 -11
Colosseum 400 -12
Columbia* 1925 200 -7
1926 250 -5
1938-most 300 -16
various COL* -16
European 300 -5
Concert Hall 400 -12
Contemporary 400 -11
Cook Laboratories 500 -11
Cook Laboratories binaural inside band 500 0
Coral 400 or 750 -12 or -16
Decca early 150 or 300 0 or -6
1946- 400 or 500 -12
Decca FFRR 1949 250 -5
Decca FFRR 1951 300 -14
Deutsch-Grammophone 300 -5
Dial 500 or 750 -16
Disc 300 -16
Ducretet-Thomson 450 -11
EMI 1931 250 0
33LP 500 -12
EMS 375 -12
Edison 0 0
Electrola 800 -10
Elektra 629 -16
Epic thru 1954 COL* or 750 -16
Esoteric 400 or 500 -12
European 280 0
Festival 750 -16
Folkways 629 -16
Good Time Jazz 400 -12
Gramophone 300 -10
HMV 1925-1946 250 0
HMV 1946 400 -10
HMV 1946-1954 500 or 800 -16
HMV american 400 -12
Handel Society 750 -16 or -17
Haydn Society 750 -16 or -17
Harmony Acoustics thru 8/29 300 -16
Hit of the Week 500 -5
Kapp 700 -16
Kendall 629 -16
King 500 -16
Linguaphone 300 0
L’Oiseau-Lyre 500 -10
London early 300 0
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SOURCE SERIES TURNOVER (Hz) ROLLOFF (dB @ 10 kHz)
London up to LL846 500 or 750 -10.5
London FFRR 1949- 250 or 280 -5
Lyrichord early 400 or COL* -16
newer 629 -16
Mercury thru 10/54 400 -12
MGM 500 0 or -12
Montilla 500 -12
Musicraft 750 -14
“NAB” standard 500 -16
New Records 750 -16
Nocturne 400 -12
Oceanic COL* or 750 -16
Odeon early electricals 700 0
Odeon pre-1947 300 -8.5
Oiseau-Lyre thru 1954 COL* -8.5
Okeh electricals 300 0 or -8.5
Oriole inconsistent, adjust as required
Orthoacoustic Transcriptions 500 -16
Overtone 400 or 500 -16
Oxford 750 -16
Pacic Jazz 400 -12
Parlophone varies with era 300 or 500 0 or –8.5
Pathe inconsistent, adjust as required
Period 500 -16
Polydor 300 -8.5
Philharmonia 400 -12
Polymusic 500 -16
Polymusic binaural inside band 500 0
RCA Victor early acoustics 71.29 RPM 0 0
later acoustics 76.59 RPM 0 0
1925 78 RPM 250 or 300 0 or -5
1931 LP only 700 or 800 0 to –10.5
1933 375 -8.5
1935 300 or 500 0
1938 500 -5
1938 – 1948 500 0 to -12
1948 500 -10.5
1949- 500 -12 or -13
Rachmoninoff Society 750 -16
Radiofunken 400 0
Remington 500 -16
Renaissance 750 -12
“RIAA” standard 500 -13.7
Riverside 400 -12
Romeo inconsistent, adjust as required
Schirmer 1000 -24
Stradivari 750 -16
Supraphone 400 0
SOURCE SERIES TURNOVER (Hz) ROLLOFF (dB @ 10 kHz)
Technicord 800 -12
Telefunken 400 0
Transcriptions various, typical 500 -16
Ultraphone 400 0
Urania most COL* or 750 -16
Urania newer 400 -12
Vanguard 411-22, 6000-18, 7001-7011,
8000-8004 COL* or 750 -16
Velvet Tone acoustics to 8/29 300 -16
Vitaphone 950 -18.5
Vitaphone motion picture 300 0
Vocalion electricals 300 0
VOX 500 or 750 -16
War Department 12” Special Services 700 -5
Western Electric early transcriptions 300 0
Westminster pre-1956 500 or 750 -16
Westminster “AES” printed on jacket 400 -12
Westrex 200 0
Zonophone early 71.29 RPM 0 0
most 300 0
Per NAB standards, the nominal speed of a 78 RPM record is precisely 78.26 RPM +/- 0.5%.
*COL — Some recordings were compensated with a rolloff of -16 dB @ 10 kHz and a modied 500 Hz turnover that requires an additional VLF boost using a 100 Hz shelving lter @
+3.0 dB. Often referred to as a "Columbia curve," some sources list this at 300 Hz turnover
with similar HF and VLF characteristics. Better advice: trust your ears.
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PREAMP & SYSTEM SPECIFICATIONS
ITHD + Noise, 20 Hz - 30 kHz Less than <.01% typical, RIAA in, lters out
Frequency Response -3 dB points 3 Hz to 200 kHz, typical, at
Frequency Response, +/- 0.5 dB 10 Hz to 100 kHz typical, at
Maximum Input Level +23 dBu
Maximum Output Level +26 dBu
Maximum System Gain 60 dB Nominal. Higher on requist. (Preamp +
EQ)
Input Impedance User selectable (resistor/capacitor)
Factory Stock: 47.5k ohms & 270 pF
Output Impedance 49.9 ohms, unbalanced
Noise Better than -125 dB EIN, at
Better than -98 dB EIN, RIAA in
Three-pin XLR Polarity Pin 2 = positive polarity, Pin 1 = ground
EQUALIZER SPECIFICATIONS
WARRANTY
Millennia Media will repair this product, free of charge, in the USA, in the event of defect of
materials or workmanship for one (1) year following date of purchase. This warranty is extended only to the original LOC purchaser. This limited warranty covers failures due only to
defects in materials and workmanship which occur during normal, intended use and does
not cover damage which occurs in shipment or failures which are caused by products not
supplied by Millennia Media. This limited warranty does not cover failures which arise from
accident, misuse, abuse, neglect, mishandling, misapplication, faulty installation, improper
adjustment, alteration or modication of product, incompatibilities, line-power surges, acts of
God, or service performed by anyone other than Millennia Media or its authorized agent.
LIMITS AND EXCLUSIONS
There are no express warranties except as listed above. Millennia Media shall not be liable
for special, subsequent, incidental, consequential, or punitive damages, including, but not
limited to: damage to recordings, archives, broadcasts, mixing consoles, or any associated
equipment, downtime costs, loss of goodwill, or claims of any party dealing with purchaser
for such damages resulting from the use of this product. All warranties, express and implied,
including the warranties of merchantability and tness for a particular purpose are limited to
the applicable warranty period set forth above.
Maximum Filter Boost & Cut +/- 10 dB (21 step detent)
Notch Filter "Q" (Quality Factor) Q = 1.0
Low Frequency Comp Points 200, 250, 300, 400, 500/RIAA, 700/USER
High Frequency Comp Points (@ 10 kHz) -5.0, -7.0, -9.5, -11.5, -13.7/RIAA, -16.0/USER
Low Filter Fixed Frequencies 20, 35, 60, 100, 180, 260 Hz
High Filter Fixed Frequencies 1.0, 2.0, 3.0, 5.0, 8.0, 12.0 kHz
Peak/Shelf Selection on all Filters? Yes
Bypass Selection on all Bands? Yes
v
ELECTRO-MECHANICAL
Power Consumption 50 Watts, nominal
Power Requirements 100VAC to 240VAC, 50/60Hz, selectable
Fuses (2 required) 2 ea 1A with 100-120VAC mains (5x20mm,
slow-blow, 250V)
2 ea 500mA with 200-240V mains (5x20mm,
slow-blow, 250V)
Dimensions 19" W x 15.0" D x 3.5" H
Net Weight approximately 26 pounds
Millennia Media reserves the right to change specications, delivery, and pricing without notice.
Some states do not allow the exclusion or limitation of incidental or consequential damages,
or length of time an implied warranty remains in effect. As such, the above exclusions may
not apply. This warranty gives you specic legal rights and you may also have other rights
which can vary from state to state.
MILLENNIA MUSIC & MEDIA SYSTEMS
Millennia Media, Inc.
4200-B Day Spring Court
Placerville, CA 95667-9500
T 530-647-0750 F 530-647-9921
info@mil-media.com http://www.mil-media.com
The LOC Analog Legacy is hand-crafted in the USA
Manual printed in USA. Copyright 2007 Millennia Media, Inc.
All rights reserved.
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