MIDI BK-7m User Manual

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MIDI Implementation

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1. Received data

Channel Voice Messages

Note off

Status
8nH kkH ccH

9nH kkH 00H
n= MIDI channel number: 0H~FH (Ch.1~16)

kk= note number: 00H~7FH (0~127)
vv= note off velocity: 00H~7FH (0~127)

Note on

Status
9nH kkH vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
kk= note number: 00H~7FH (0~127)
vv= note on velocity: 01H~7FH (1~127)

•Not received when RX= OFF. (Initial value is ON)

Polyphonic Key Pressure

Status
AnH kkH vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
kk= note number: 00H~7FH (0~127)
vv= key pressure: 00H~7FH (0~127)

• The resulting effect is determined by System Exclusive messages. With
the initial settings, there will be no effect.

Control Change

• The value specified by a Control Change message will not be reset even
by a ProgramChange, etc.

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Bank Select (Controller number 0, 32)

Status
BnH 00H mmH

BnH 20H llH
n= MIDI channel number: 0H~FH (Ch.1~16)

mm= Bank number MSB: 00H~7FH

ll= Bank number LSB: 00H~7FH

•Bank Select processing is suspended until a program change is received.

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Modulation (Controller number 1)

Status 2nd byte 3rd byte
BnH 01H vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Modulation depth: 00H~7FH (0~127)

•Not received when Rx.MODULATION= OFF (Initial value is ON).

• The resulting effect is determined by System Exclusive messages. With
the initial settings, this is Pitch Modulation Depth.

Portamento Time (Controller number 5)

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Status
BnH 05H vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Portamento Time: 00H~7FH (0~127),

• This adjusts the rate of pitch change when Portamento is ON or when
using thePortamento Control. Avalue of 0 results in the fastest change.

2nd byte 3rd byte

2nd byte 3rd byte

2nd byte 3rd byte

2nd byte 3rd byte

Initial value= 00H

2nd byte 3rd byte

Initial value= 00H (0)

Data Entry (Controller number 6, 38)

Status
BnH 06H mmH

BnH 26H llH
n= MIDI channel number: 0H~FH (Ch.1~16)

mm, ll= the value of the parameter specified by RPN/NRPN
mm= MSB, ll= LSB

Volume (Controller number 7)

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Status
BnH 07H vvH

n= MIDI channel number 0H~FH (Ch.1~16)
vv= Volume: 00H~7FH (0~127),

•Volume messages are used to adjust the volume balance of each Part.

•Not recevied when “Volume” RX Event is off.

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Pan (Controller number 10)

Status
BnH 0AH vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= pan: 00H~40H~7FH (Left~Center~Right),

•Not received when “PanPot” RX Event is Off

Expression (Controller number 11)

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Status
BnH 0BH vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Expression: 00H~7FH (0~127), Initial value= 7FH (127)

•Not received when "Expression" RX Event is Off.

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Noise Level (SuperNATURAL, Controller number 16)

Status
BnH 10H vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Control value: 00H~7FH (0~127)

•Not received when “CC16” RX Event is Off.

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Play Stability (SuperNATURAL, Controller number 17)

Status 2nd byte 3rd byte
BnH 11H vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Control value: 00H~7FH (0~127)

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Growl Sens (SuperNATURAL, Controller number 18)

Status
BnH 12H vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Control value: 00H~7FH (0~127)

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Hold 1 (Controller number 64)

Status
BnH 40H vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Control value: 00H~7FH (0~127)

•Not received when “Hold” RX Event is Off.

2nd byte 3rd byte

2nd byte 3rd byte

Initial value= 64H (100)

2nd byte 3rd byte

Initial value= 40H (Center)

2nd byte 3rd byte

2nd byte 3rd byte

2nd byte 3rd byte

2nd byte 3rd byte

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BK-7m MIDI Implementation

Portamento (Controller number 65)

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Status

2nd byte 3rd byte

BnH 41H vvH
n= MIDI channel number: 0H~FH (Ch.1~16)

vv= Control value: 00H~7FH (0~127) 0~63= OFF, 64~127=

ON

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Sostenuto (Controller number 66)

Status 2nd byte 3rd byte
BnH 42H vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Control value: 00H~7FH (0~127) 0~63= OFF, 64~127= ON

•Not received when “Sostenuto” RX Event is Off.

Soft (Controller number 67)

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Status

2nd byte 3rd byte

BnH 43H vvH
n= MIDI channel number: 0H~FH (Ch.1~16)

vv= Control value: 00H~7FH (0~127) 0~63= OFF, 64~127= ON

•Not received when “Soft” RX Event is Off.

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Hold 2 (Controller number 69)

Status

2nd byte 3rd byte

BnH 45H vvH
n= MIDI channel number: 0H~FH (Ch.1~16)

vv= Control value: 00H~7FH (0~127) 0~63= OFF, 64~127= ON

•Not received when “Hold” RX Event is Off.

Filter Resonance (Timbre/Harmonic Intensity) (Controller number 71)

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Status

2nd byte 3rd byte

BnH 47H vvH
n= MIDI channel number: 0H~FH(Ch.1~16)

vv= Resonance value
(relative change):

Release Time (Controller number 72)

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00H~7FH(-64~0~+63),
Initial value= 40H (no change)

Status 2nd byte 3rd byte
BnH 48H vvH

n= MIDI channel number: 0H~FH(Ch.1~16)
vv= Release Time value

(relative change):

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Attack time (Controller number 73)

00H~7FH (-64~0~+63),
Initial value= 40H (no change)

Status 2nd byte 3rd byte
BnH 49H vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Attack time value (relative

change):

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Cutoff (Controller number 74)

00H~7FH (-64~0~+63),
Initial value=40H (no change)

Status 2nd byte 3rd byte
BnH 4AH vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Cutoff value (relative

change):

Decay Time (Controller number 75)

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00H~7FH(-64~0~+63),
Initial value= 40H (no change)

Status 2nd byte 3rd byte
BnH 4BH vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Decay Time value

(relative change):

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Vibrato Rate (Controller number 76)

00H~7FH (-64~0~+63),
Initial value= 40H (no change)

Status 2nd byte 3rd byte
BnH 4CH vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Vibrato Rate value

(relative change):

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Vibrato Depth (Controller number 77)

00H~7FH (-64~0~+63),
Initial value= 40H (no change)

Status 2nd byte 3rd byte
BnH 4DH vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Vibrato Depth Value

(relative change):

00H~7FH (-64~0~+63),
Initial Value= 40H (no change)

Vibrato Delay (Controller number 78)

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Status

2nd byte 3rd byte

BnH 4EH vvH
n= MIDI channel number: 0H~FH (Ch.1~16)

vv= Vibrato Delay value
(relative change):

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Staccato (SuperNATURAL, Controller number 80)

00H~7FH (-64~0~+63),
Initial value=40H (no change)

Status 2nd byte 3rd byte
BnH 50H vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Control value: 00H~7FH (0~127)

Fall (SuperNATURAL, Controller number 81)

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Status

2nd byte 3rd byte

BnH 51H vvH
n= MIDI channel number: 0H~FH (Ch.1~16)

vv= Control value: 00H~7FH (0~127)

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Portamento control (Controller number 84)

Status

2nd byte 3rd byte

BnH 54H kkH
n= MIDI channel number: 0H~FH (Ch.1~16)

kk= source note number: 00H~7FH (0~127)

•A Note-on received immediately after a Portamento Control message will
change continuously in pitch, starting from the pitch of the Source Note
Number.

• If a voice is already sounding for a note number identical to the Source
Note Number, this voice will continue sounding (i.e., legato) and will,
when the next Note-on is received, smoothly change to the pitch of that
Note-on.

• The rate of the pitch change caused by Portamento Control is determined
by the Portamento Time value.

Example 1

On MIDI Description Result
90 3C 40 Note on C4 C4 on

B0 54 3C Portamento Control from C4 no change
90 40 40 Note on E4 glide from C4 to E4
80 3C 40 Note off C4 no change
80 40 40 Note off E4 E4 off

Example 2

On MIDI

Description Result

B0 54 3C Portamento Control from C4 no change
90 40 40 Note on E4 E4 is played with glide from

C4 to E4

80 40 40 Note off E4 E4 off

Effect 1 (Reverb Send Level) (Controller number 91)

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Status

2nd byte 3rd byte

BnH 5BH vvH
n= MIDI channel number: 0H~FH (Ch.1~16)

vv= Reverb Send Level: 00H~7FH (0~127)

• This message adjusts the Reverb Send Level of each Part.

•Not received when “Reverb” RX Event is Off.

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Effect 3 (Chorus Send Level) (Controller number 93)

Status

2nd byte 3rd byte

BnH 5DH vvH
n= MIDI channel number: 0H~FH (Ch.1~16)

vv= Chorus Send Level: 00H~7FH (0~127)

• This message adjusts the Chorus Send Level of each Part.

•Not received when “Chorus” RX Event is Off.

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NRPN MSB/LSB (Controller number 99, 98)

Status

2nd byte 3rd byte

BnH 63H mmH
BnH 62H llH

n= MIDI channel number: 0H~FH (Ch.1~16)
mm= upper byte (MSB) of the parameter number specified by NRPN
ll= lower byte (LSB) of the parameter number specified by NRPN

• The value set by NRPN will not be reset even if Program Change or Reset
All Controllers is received.

•Not received when “NRPN” RX Event is Off.

**NRPN**
The NRPN (Non Registered Parameter Number) message allows an extended
range of control changes to be used. On the BK-7m, NRPN messages can be
used to modify sound parameters, etc.

2

BK-7m MIDI Implementation

To use these messages, you must first use NRPN messages (Controller num­ber 98 and 99, their order does not matter) to specify the parameter to be con­trolled, and then use Data Entry messages (Controller number 6) to specify the
value of the specified parameter.
Once an NRPN parameter has been specified, all Data Entry messages
received on that channel will modify the value of that parameter. To prevent
accidents, it is recommended that you set RPN Null (RPN Number= 7FH 7FH)
when you have finished setting the value of the desired parameter. Refer to
“[Example 4]” on page 16.
On the BK-7m, Data entry LSB (Controller number 38) of NRPN is ignored, so
it is no problem to send Data entry MSB (Controller number 6) only (without
Data entry LSB).
On the BK-7m, NRPN can be used to modify the following parameters:

NRPN Data entry
MSB LSB

MSB Function and range

01H 08H mmH Vibrato Rate (relative change)

mm: 00H~40H~7FH (-64~0~+63)

01H 09H mmH Vibrato Depth (relative change)

mm: 00H~40H~7FH (-64~0~+63)

01H 0AH mmH Vibrato Delay (relative change)

mm: 00H~40H~7FH (-64~0~+63)

01H 20H mmH TVF Cutoff Frequency (relative change)

mm: 00H~40H~7FH (-64~0~+63)

01H 21H mmH TVF Resonance (relative change)

mm: 00H~40H~7FH (-64~0~+63)

01H 63H mmH TVF&TVA Envelope Attack Time (rel. change)

mm: 00H~40H~7FH (-64~0~+63)

01H 64H mmH TVF&TVA Envelope Decay Time (rel. change)

mm: 00H~40H~7FH (-64~0~+63)

01H 66H mmH TVF&TVA Env. Release Time (relative change)

mm: 00H~40H~7FH (-64~0~+63)

18H rrH mmH Drum Instrument Pitch Coarse (relative change)

rr: Drum Instrument note number
mm: 00H~40H~7FH (-64~0~+63 semitone)

1AH rrH mmH Drum Instrument TVA Level (absolute change)

rr: Drum Instrument note number
mm: 00H~7FH (0~max)

1CH rrH mmH Drum Instrument Panpot (absolute change)

rr: Drum Instrument note number
mm: 00H, 01H~40H~7FH (random, left~center~
right)

1DH rrH mmH Drum Instr. Reverb Send (absolute change)

rr: Drum Instrument note number
mm: 00H~7FH (0~max)

1EH rrH mmH Drum Instr. Chorus Send (absolute change)

rr: Drum Instrument note number
mm: 00H~7FH (0~max)

60H rrH mmH Equalizer Switch

rr: Drum Instrument note number
mm: 00H~02H (Global, Instrument, Off)

61H rrH mmH Equalizer Low Frequency

rr: Drum Instrument note number
mm: 00H~05H (90, 150, 180, 300, 360, 600Hz)

62H rrH mmH Equalizer Low Gain

rr: Drum Instrument note number
mm: 00H~1EH (–15~0~+15dB)

63H rrH mmH Equalizer Mid Frequency

rr: Drum Instrument note number
mm: 00H~10H (200, 250, 315, 400, 500, 630,
800, 1000, 1250, 1600, 2000, 2500, 3150, 4000,
5000, 6300, 8000Hz)

64H rrH mmH Equalizer Mid Gain

rr: Drum Instrument note number
mm: 00H~1EH (–15~0~+15dB)

65H rrH mmH Equalizer Mid Gain

rr: Drum Instrument note number
mm: 00H~04H (0.5, 1.0, 2.0, 4.0, 8.0)

66H rrH mmH Equalizer High Frequency

rr: Drum Instrument note number
mm: 00H~06H (1500, 2000, 3000, 4000, 6000,
8000, 12000Hz)

67H rrH mmH Equalizer High Gain

rr: Drum Instrument note number
mm: 00H~1EH (–15~0~+15dB)

4FH 10H mmH Part 4 On / Off ( Upper 1)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 11H mmH Part 11 On / Off (Lower1)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 12H mmH Part 12 On / Off ( Man Bass)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 13H mmH Part 6 On / Off ( Upper 2)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 25H mmH Part 13 On / Off ( Upper 3)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 27H mmH Part 14 On / Off ( Lower 2)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 26H mmH Part 15 On / Off ( Melody Int.)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 18H mmH Part 8 On / Off ( Acc 5)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 19H mmH Part 9 On / Off ( Acc 6)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 1AH mmH Part 10 On / Off ( Acc Drums )

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 1BH mmH Part 2 On / Off ( Acc Bass)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 1CH mmH Part 1 On / Off ( Acc 1)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 1DH mmH Part 3 On / Off (Acc2)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 1EH mmH Part 5 On / Off ( Acc3)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 1FH mmH Part 7 On / Off ( Acc 4 )

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 20H mmH Master Accompaniment On / Off

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 21H mmH Master Volume Upper (1-2-3) On / Off

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 22H mmH Master Volume Lower (1-2) On / Off

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 23H mmH Master Volume Bass (Acc./Man.Bass) On / Off

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 24H mmH Master Volume Acc.Drum On / Off

•Part On/Off NRPN messages are received on the Basic MIDI Channel.

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RPN MSB/LSB (Controller number 101, 100)

Status

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

2nd byte 3rd byte

BnH 65H mmH
BnH 64H llH

n= MIDI channel number: 0H~FH (Ch.1~16)
mm= upper byte (MSB)of parameter number specified by RPN
ll= lower byte (LSB) of parameter number specified by RPN

•Not received when "RPN" RX Event is Off.

•The value specified by RPN will not be reset even by messages such as
Program Change or Reset All Controller.

**RPN**
The RPN (Registered Parameter Number) messages are expanded control
changes, and each function of an RPN is described by the MIDI Standard.
To use these messages, you must first use RPN (Controller number 101 and
100, their order does not matter) to specify the parameter to be controlled, and
then use Data Entry messages (Controller number 6, 38) to specify the value
of the specified parameter. Once an RPN parameter has been specified, all
Data Entry messages received on that channel will modify the value of that
parameter.
To prevent accidents, it is recommended that you set RPN to Null (RPN Num­ber= 7FH 7FH) when you have finished setting the value of the desired param­eter. Refer to “[Example 4]” on page 16.
On the BK-7m, RPN can be used to modify the following parameters.

RPN Data entry
MSB LSB

MSB LSB Explanation

00H 00H mmH —- Pitch Bend Sensitivity

mm: 00H~18H (0~24 semitones)
Initial value= 02H (2 semitones)
ll: ignored (processed as 00H)
Up to 2 octaves can be specified in semi­tone steps.

00H 01H mmH llH Channel Fine Tuning

mm, ll: 00 00H~40 00H~7F 7FH (–100~0~
+99.99 cents),
Initial value= 40 00H (+/- 0 cent)
Refer to “About the Tuning” on page 16.

00H 02H mmH —- Master Coarse Tuning

mm: 28H~40H~58H (-24~0~+24 semi­tones),
Initial value= 40H (+/-0 semitone)
ll: ignored (processed as 00H)

00H 05H mmH llH Modulation Depth Range

mm: 00H~04H (0~4 semitones)
ll: 00H~7FH (0~100 cents) 100/128 Cent/
Value

7FH 7FH —- —- RPN null

Set condition where RPN and NRPN are
unspecified. The data entry messages after
set RPN null will be ignored. (No Data entry
messages are required after RPN null).
Settings already made will not change.
mm, ll: ignored

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BK-7m MIDI Implementation

Program Change

Status
CnH ppH

n= MIDI channel number: 0H~FH (Ch.1~16)
pp= Program number: 00H~7FH (prog.1~prog.128)

•Not received when “Program Change” RX Event is Off.

•After a Program Change message is received, the sound will change
beginning with the next Note-on. Voices already sounding when the Pro­gram Change message was received will not be affected.

2nd byte

Channel Pressure

Status
DnH vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Channel Pressure: 00H~7FH (0~127)

•Not received when “Channel Pressure” RX Event is Off.

• The resulting effect is determined by System Exclusive messages. With
the initial settings there will be no effect.

2nd byte

Pitch Bend Change

Status
EnH llH mmH

n= MIDI channel number: 0H~FH (Ch.1~16)
mm, ll= Pitch Bend value: 00 00H~40 00H~7F 7FH (–8192~0~+8191)

•Not received when “Pitch Bender ” RX Event is Off.

• The resulting effect is determined by System Exclusive messages. With
the initial settings the effect is Pitch Bend.

2nd byte 3rd byte

Channel Mode Messages

All Sounds Off (Controller number 120)

Status
BnH 78H 00H

n= MIDI channel number: 0H~FH (Ch.1~16)

•When the message is received, all notes currently sounding on the corre­sponding channel will be turned Off.

Reset All Controllers (Controller number 121)

Status
BnH 79H 00H

n= MIDI channel number: 0H~FH (Ch.1~16)

•When this message is received, the following controllers will be set to
their reset values.

Controller
Pitch Bend Change +/-0 (center)

Polyphonic Key Pressure 0 (off)
Channel Pressure 0 (off)
Modulation 0 (off)
Expression 127 (max)
Hold 1 0 (off)
Portamento 0 (off)
Sostenuto 0 (off)
Soft 0 (off)
RPN unset; previously set data do not change
NRPN unset; previously set data do not change

All Notes Off (Controller number 123)

Status
BnH 7BH 00H

n= MIDI channel number: 0H~FH (Ch.1~16)

•When All Notes Off is received, all notes on the corresponding channel
will be turned off. However, if Hold 1 or Sostenuto is ON, the sound will
be continued until these are turned off.

OMNI OFF (Controller number 124)

Status
BnH 7CH 00H

n= MIDI channel number: 0H~FH (Ch.1~16)

• The same processing will be carried out as when All Notes Off is received.

2nd byte 3rd byte

2nd byte 3rd byte

Reset value

2nd byte 3rd byte

2nd byte 3rd byte

OMNI ON (Controller number 125)

Status 2nd byte 3rd byte
BnH 7DH 00H

n= MIDI channel number: 0H~FH (Ch.1~16)

• The same processing will be carried out as when All Notes Off is
received.OMNI ON will not be turned on.

MONO (Controller number 126)

Status
BnH 7EH mmH

n= MIDI channel number: 0H~FH (Ch.1~16)
mm= mono number: 00H~10H (0~16)

• The same processing will be carried out as when All Sounds Off and All
Notes Off is received, and the corresponding channel will be set to Mode
4 (M= 1) regardless of the value of “mm (mono number).”

2nd byte 3rd byte

POLY (Controller number 127)

Status
BnH 7FH 00H

n= MIDI channel number: 0H~FH (Ch.1~16)

• The same processing will be carried out as when All Sounds Off and All
Notes Off is received, and the corresponding channel will be set to
Mode 3.

2nd byte 3rd byte

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BK-7m MIDI Implementation

System Realtime Messages

Active Sensing

Status
FEH

•When Active Sensing is received, the unit will begin monitoring the inter­vals of all further messages. While monitoring, if the interval between
messages exceeds 420 ms, the same processing will be carried out as
when All Sounds Off, All Notes Off and Reset All Controllers are received,
and message interval monitoring will be halted.

Timing Clock

Status
F8H

* STYLE: Received when Sync RX is On and the Sync Mode Style RX

* SONG: Received when Sync RX is On and the Sync Mode Song RX

•When “Timing Clock” message is received, the Style or Song is synchro-

Song/Style Sync RX Response
Internal A Style/Song will neither start/stop nor follow the tem-

Auto If a Style/Song receives MIDI “Start/Stop” (FA/FC), it

MIDI If a Style/Song receives MIDI “Start/Stop” (FA/FC) it

Remote If a Style/Song receives MIDI “Start/Stop” (FA/FC) it

parameter (MIDI\Edit\System) is set to AUTO or MIDI.

parameter (MIDI\Edit\System) is set to AUTO or MIDI.

nized to an external clock according to the following table.

po of the external Timing Clock (F8) and “Start /Stop”
(FA/FC) messages.

will follow Internal or External clock, depending on
whether “MIDI Clock” (F8) messages are received.

will follow External “MIDI Clock” (F8) messages and
herefore wait until they are received.

will follow only Internal tempo and thus ignore incom­ing “MIDI Clock” (F8) messages.

Start

Status
FAH

* STYLE: Received when Sync RX is On and the Sync Mode Style RX

* SONG: Received when Sync RX is On and the Sync Mode Song RX

parameter (MIDI\Edit\System) is set to AUTO, MIDI or REMOTE.

parameter (MIDI\Edit\System) is set to AUTO, MIDI or REMOTE.

Continue (Song playback only)

Status
FBH

•Received when Sync RX is On and the Sync Mode Song RX parameter
(MIDI\Edit\System) is set to AUTO, MIDI or REMOTE.

•When a “Continue” message is received, the Song continues playing from
the current position.

Stop

Status
FCH

* STYLE: Received when Sync RX is On and the Sync Mode Style RX

* SONG: Received when Sync RX is On and the Sync Mode Song RX

•When a “Stop” message is received, the Style or Song stops playing.

parameter (MIDI\Edit\System) is set to AUTO, MIDI or REMOTE.

parameter (MIDI\Edit\System) is set to AUTO, MIDI or REMOTE.

System Common Messages

Song Position Pointer

Status
F2H XXH YYH

XX= Song Position ( Bar ) LSB
YY= Song Position ( Bar ) MSB

2nd byte 3rd byte

System Exclusive Messages

Status Data byte Status

F0H iiH, ddH, ......,eeH F7H

F0H: System Exclusive Message status

F7H: EOX (End Of Exclusive)

❍

GM1 System On

This message resets the internal settings of the unit to the General MIDI 1 initial
state.

Status
F0H 7EH, 7FH, 09H, 01H F7H

Byte
F0H Exclusive status

7EH ID number (Universal Non-realtime Message)
7FH Device ID (Broadcast)
09H Sub ID#1 (General MIDI Message)
01H Sub ID#2 (General MIDI 1 On)
F7H EOX (End Of Exclusive)

•When this message is received, Rx.BANK SELECT will be OFF and
Rx.NRPN will be OFF.

•There must be an interval of at least 50 ms between this message and the
next message.

•Not received when RX SYSEX parameter (MENU/MIDI/EDIT/System/
Param) is OFF.

•Only for the Song parts.

GM2 System On

❍

Status
F0H 7EH 7FH 09H 03H

Byte Explanation
F0H Exclusive status

7EH ID number (Universal Non-realtime Message)
7FH Device ID (Broadcast)
09H Sub ID#1 (General MIDI Message)
03H Sub ID#2 (General MIDI 2 On)
F7H EOX (End Of Exclusive)

•When this message is received, the BK-7m will be able to receive the
messages specified by General MIDI 2, and use the General MIDI 2
sound map.

•Not received when RX SYSEX parameter (MENU/MIDI/EDIT/System/
Param) is OFF.

•Only for the Song parts.

GM System Off

❍

GM System Off is a command message that resets the internal state of the
BK-7m from the GM state to its native condition. The BK-7m will reset to the GS
default state.

Status
F0H F0H 7EH 7FH 09H 02H F7H

Byte
F0H Exclusive status

7EH ID number (Universal Non-realtime Message)
7FH Device ID (Broadcast)
09H Sub ID#1 (General MIDI Message)
02H Sub ID#2 (General MIDI Off)
F7H EOX (End Of Exclusive)

•When this message is received, the BK-7m will reset to the GS default
state.

•Not received when RX SYSEX parameter (MENU/MIDI/EDIT/System/
Param) is OFF.

•Only for the Song parts.

ii= ID number: an ID number (manufacturer ID) to indi­cate the manufacturer whose Exclusive message this
is. Roland 's manufacturer ID is 41H.
ID numbers 7EH and 7FH are extensions of the MIDI
standard; Universal Non-realtime Messages (7EH) and
Universal Realtime Messages (7FH).

dd,...,ee= data: 00H~7FH (0~127)

Data byte Status

Explanation

Data byte Status

F7H

Data byte Status

Explanation

5

BK-7m MIDI Implementation

●

●

GS reset

❍

GS Reset is a command message that resets the internal settings of a device
to the GS initial state. This message appears at the beginning of GS music
data, and a GS device that receives this message will automatically be set to
the proper state to correctly play back GS music data.

Status

Data byte Status

F0H 41H, dev, 42H, 12H, 40H, 00H, 7FH, 00H, 41HF7H
Byte

Explanation

F0H Exclusive status
41H ID number (Roland)
dev Device ID (dev: 00H~1FH (1~32),

Initial value is 10H (17))
42H Model ID (GS)
12H Command ID (DT1)
40H Address MSB
00H Address
7FH Address LSB
00H Data (GS reset)
41H Checksum
F7H EOX (End Of Exclusive)

•When this message is received, Rx.NRPN will be ON.

• There must be an interval of at least 50 ms between this message and the

next.

•Not received when RX SYSEX parameter (MENU/MIDI/EDIT/System/

Param) is OFF.

•Only for the Song parts.

Exit GS Mode

❍

“Exit GS Mode” resets the internal settings of the unit to Arranger Mode I initial
state .

Status
F0H 41H, dev, 42H, 12H, 40H, 00H, 7FH, 7FH,

Data byte Status

F7H

42H
Byte

Explanation
F0H Exclusive status

41H ID number (Roland)
dev Device ID (dev: 00H~1FH (1~32) Initial value is

10H(17))
42H Model ID (GS)
12H Command ID (DT1)
40H Address MSB
00H Address
7FH AddressLSB
7FH Data (Exit GS Mode)
42H Checksum
F7H EOX (End Of Exclusive)

• There must be an interval of at least 100 ms between this message and

the next message.

•Not received when RX SYSEX parameter (MENU/MIDI/EDIT/System/

Param) is OFF.

•Only for the Song parts.

Universal Realtime System Exclusive Messages

Master Volume

❍

Status
F0H 7FH, 7FH, 04H, 01H, llH, mmH F7H

Byte
F0H Exclusive status

7FH ID number (universal realtime message)
7FH Device ID (Broadcast)
04H Sub ID#1 (Device Control messages)
01H Sub ID#2 (Master Volume)
llH Master Volume lower byte
mmH Master Volume upper byte
F7H EOX (End Of Exclusive)

• The lower byte (llH) of Master Volume will be handled as 00H.

•Not received when RX SYSEX parameter (MENU/MIDI/EDIT/System/

Data byte Status

Explanation

Param) is OFF.

Master Fine Tuning

❍

Status

Data byte Status

F0H 7FH,7FH,04H,03H,llH,mmH F7H
Byte

Explanation

F0H Exclusive status
7FH ID number (universal realtime message)
7FH Device ID (Broadcast)
04H Sub ID#1 (Device Control)
03H Sub ID#2 (Master Fine Tuning)
llH Master Fine Tuning LSB
mmH Master Fine Tuning MSB
F7H EOX (End Of Exclusive)
mm, ll : 00 00H~40 00H~7F 7FH (-100~0~+99.9 [cents])

•Not received when RX SYSEX parameter (MENU/MIDI/EDIT/System/
Param) is OFF.

Master Coarse Tuning

❍

Status

Data byte Status

F0H 7FH,7FH,04H,04H,llH,mmH F7
Byte

Explanation

F0H Exclusive status
7FH ID number (universal realtime message)
7FH Device ID (Broadcast)
04H Sub ID#1 (Device Control)
04H Sub ID#2 (Master Coarse Tuning)
llH Master Coarse Tuning LSB
mmH Master Coarse Tuning MSB
F7H EOX (End Of Exclusive)

llH: ignored (processed as 00H)
mmH: 28H~40H~58H (-24~0~+24 [semitones])

•Not received when RX SYSEX parameter (MENU/MIDI/EDIT/System/
Param) is OFF.

Global Parameter Control (Song parts)

Global Parameter Control messages are newly provided for General MIDI 2.

❍

Reverb Parameters

Status
F0H 7FH, 7FH, 04H, 05H, 01H, 01H, 01H, 01H,

Byte
F0H Exclusive status

7FH ID number (universal realtime message)
7FH Device ID (Broadcast)
04H Sub ID#1 (Device Control)
05H Sub ID#2 (Global Parameter Control)
01H Slot path length
01H Parameter ID width
01H Value width
01H Slot path MSB
01H Slot path LSB (Effect 0101: Reverb)
ppH Parameter to be controlled.
vvH Value for the parameter.
F7H EOX (End Of Exclusive)

pp=0 Reverb Type

pp=1 Reverb Time

❍

Chorus Parameters

Status
F0H 7FH, 7FH, 04H, 05H, 01H, 01H, 01H, 01H,

Byte
F0H Exclusive status

7FH ID number (universal realtime message)
7FH Device ID (Broadcast)
04H Sub ID#1 (Device Control)
05H Sub ID#2 (Global Parameter Control)
01H Slot path length
01H Parameter width
01H Value width
01H Slot path MSB

Data byte Status

F7H

01H, ppH, vvH
Explanation

vv= 00H Small Room (Room1)
vv= 01H Medium Room (Room2)
vv= 02H Large Room (Room3)
vv= 03H Medium Hall (Hall1)
vv= 04H Large Hall (Hall2)
vv= 08H Plate (Plate)

vv= 00H~7FH0~127

Data byte Status

F7H

02H, ppH, vvH
Explanation

6

02H Slot path LSB (Effect 0102: Chorus)
ppH Parameter to be controlled.
vvH Value for the parameter.
F7H EOX (End Of Exclusive)
pp=0 Chorus Type

vv=0 Chorus1
vv=1 Chorus2
vv=2 Chorus3
vv=3 Chorus4
vv=4 FB Chorus
vv=5 Flanger

pp=1 Mod Rate

vv= 00H~7FH 0~127

pp=2 Mod Depth

vv= 00H~7FH 0~127

pp=3 Feedback

vv= 00H~7FH 0~127

pp=4 Send To Reverb

vv= 00H~7FH 0~127

❍

Channel Pressure

Status

Data byte Status

F0H 7FH, 7FH, 09H, 01H, 0nH, ppH, rrH F7H
Byte

Explanation

F0H Exclusive status
7FH ID number (universal realtime message)

7FH Device ID (Broadcast)
09H Sub ID#1 (Controller Destination Setting)
01H Sub ID#2 (Channel Pressure)
0nH MIDI Channel (00~0F)
ppH Controlled parameter
rrH Controlled range
F7H EOX (End Of Exclusive)

BK-7m MIDI Implementation

Scale/Octave Tuning Adjust

❍

Status
F0H 7EH, 7FH, 08H, 08H, ffH, ggH, hhH, ssH… F7

Byte
F0H Exclusive status

7EH ID number (Universal Non-realtime Message)
7FH Device ID (Broadcast)
08H Sub ID#1 (MIDI Tuning Standard)
08H Sub ID#2 (scale/octave tuning 1-byte form)
ffH Channel/Option byte1

ggH Channel byte2

hhH Channel byte3

ssH 12 byte tuning offset of 12 semitones from C to

F7H EOX (End Of Exclusive)

Data byte Status

Explanation

bits 0~1= channel 15 to 16
bit 2 to 6= Undefined

bits 0~6= channel 8 to 14

bits 0~6= channel 1 to 7

B
00H= –64 [cents]
40H= 0 [cents] (equal temperament)
7FH= +63 [cents]

pp=0 Pitch Control

rr= 28H~58H -24~+24 [semitones]

pp=1 Filter Cutoff Control

rr= 00H~7FH -9600~+9450 [cents]

pp=2 Amplitude Control

rr= 00H~7FH 0~200%

pp=3 LFO Pitch Depth

rr= 00H~7FH 0~600 [cents]

pp=4 LFO Filter Depth

rr= 00H~7FH 0~2400 [cents]

pp=5 LFO Amplitude Depth

rr= 00H~7FH 0~100%

Controller

❍

Status

Data byte Status

F0H 7FH, 7FH, 09H, 03H, 0nH, ccH, ppH, rrH F7H
Byte

Explanation

F0H Exclusive status
7FH ID number (universal realtime message)
7FH Device ID (Broadcast)
09H Sub ID#1 (Controller Destination Setting)
03H Sub ID#2 (Control Change)
0nH MIDI Channel (00~0F)
ccH Controller number (01~1F, 40~5F)
ppH Controlled parameter
rrH Controlled range
F7H EOX (End Of Exclusive)

pp=0 Pitch Control

rr= 28H~58H -24~+24 [semitones]

pp=1 Filter Cutoff Control

rr= 00H~7FH -9600~+9450 [cents]

pp=2 Amplitude Control

rr= 00H~7FH 0~200%

pp=3 LFO Pitch Depth

rr= 00H~7FH 0~600 [cents]

pp=4 LFO Filter Depth

rr= 00H~7FH 0~2400 [cents]

pp=5 LFO Amplitude Depth

rr= 00H~7FH 0~100%

7

2. Transmitted data

Channel Voice Messages (Style parts & Song parts)

Note off

Status
9nH kkH 00H

n= MIDI channel number: 0H~FH (Ch.1~16)
kk= note number: 00H~7FH (0~127)
vv= note off velocity: 00H~7FH (0~127)

Note on

Status
9nH kkH vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
kk= note number: 00H~7FH (0~127)
vv= note on velocity: 01H~7FH (1~127)

Control Change

• The value specified by a Control Change message will not be reset even
by a ProgramChange, etc.

Bank Select (Controller number 0, 32)

❍

Status
BnH 00H mmH

BnH 20H llH
n= MIDI channel number: 0H~FH (Ch.1~16)

mm= Bank number MSB: 00H~7FH
ll= Bank number LSB: 00H~7FH

•Not transmitted when “Program Change” Tx Event is Off.

Modulation (Controller number 1)

❍

Status
BnH 01H vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Modulation depth: 00H~7FH (0~127)

•Not transmitted when “Modulation” TX Event= OFF.

Portamento Time (Controller number 5)

❍

Status
BnH 05H vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Portamento Time: 00H~7FH (0~127),

• This adjusts the rate of pitch change when Portamento is ON or when
using thePortamento Control. A value of 0 results in the fastest change.

❍

Data Entry (Controller number 6, 38)

Status
BnH 06H mmH

BnH 26H llH
n= MIDI channel number: 0H~FH (Ch.1~16)

mm, ll= the value of the parameter specified by RPN/NRPN
mm= MSB, ll= LSB

❍

Volume (Controller number 7)

Status
BnH 07H vvH

n= MIDI channel number 0H~FH (Ch.1~16)
vv= Volume: 00H~7FH (0~127), Initial value= 64H (100)

•Volume messages are used to adjust the volume balance of each Part.

•Not transmitted when “Volume” TX Event is off.

❍

Pan (Controller number 10)

Status
BnH 0AH vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= pan: 00H~40H~7FH (Left~Center~Right),

• The stereo position can be adhusted in 127 steps.

•Not transmitted when “PanPot” TX Event is Off

2nd byte 3rd byte

2nd byte 3rd byte

2nd byte 3rd byte

2nd byte 3rd byte

2nd byte 3rd byte

Initial value= 00H (0)

2nd byte 3rd byte

2nd byte 3rd byte

2nd byte 3rd byte

Initial value= 40H (Center)

BK-7m MIDI Implementation

Expression (Controller number 11)

❍

Status 2nd byte 3rd byte
BnH 0BH vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Expression: 00H~7FH (0~127), Initial value= 7FH (127)

• This adjusts the volume of a Part. It can be used independently from Vol-

•Not transmitted when "Expression" TX Event is Off.

Noise Level (SuperNATURAL, Controller number 16)

❍

Status
BnH 10H vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Control value: 00H~7FH (0~127)

•Not transmitted when “CC16” RX Event is Off.

❍

Play Stability (SuperNATURAL, Controller number 17)

Status
BnH 11H vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Control value: 00H~7FH (0~127)

❍

Growl Sens (SuperNATURAL, Controller number 18)

Status 2nd byte 3rd byte
BnH 12H vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Control value: 00H~7FH (0~127)

❍

Hold 1 (Controller number 64)

Status
BnH 40H vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Control value: 00H~7FH (0~127)

•Not transmitted when “Hold” TX Event is Off.

❍

Portamento (Controller number 65)

Status
BnH 41H vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Control value: 00H~7FH (0~127) 0~63= OFF, 64~127=

Sostenuto (Controller number 66)

❍

Status 2nd byte 3rd byte
BnH 42H vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Control value: 00H~7FH (0~127) 0~63= OFF, 64~127= ON

•Not transmitted when “Sostenuto” TX Event is Off.

❍

Soft (Controller number 67)

Status
BnH 43H vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Control value: 00H~7FH (0~127) 0~63= OFF, 64~127= ON

•Not transmitted when “Soft” TX Event is Off.

❍

Hold 2 (Controller number 69)

Status
BnH 45H vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Control value: 00H~7FH (0~127) 0~63= OFF, 64~127= ON

•Not transmitted when “Hold” TX Event is Off.

❍

Filter Resonance (Timbre/Harmonic Intensity) (Controller number 71)

Status
BnH 47H vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Resonance value

(relative change):

■

●

●

●

ume messages. Expression messages are used for musical expression
within a performance, e.g., expression pedal movements, crescendo and
decrescendo.

2nd byte 3rd byte

2nd byte 3rd byte

2nd byte 3rd byte

2nd byte 3rd byte

ON

2nd byte 3rd byte

2nd byte 3rd byte

2nd byte 3rd byte

00H~7FH (-64~0~+63),
Initial value= 40H (no change)

8

BK-7m MIDI Implementation

Release Time (Controller number 72)

❍

Status

2nd byte 3rd byte

BnH 48H vvH
n= MIDI channel number: 0H~FH(Ch.1~16)

vv= Release Time value
(relative change):

❍

Attack time (Controller number 73)

00H~7FH (-64~0~+63),
Initial value= 40H (no change)

Status 2nd byte 3rd byte
BnH 49H vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Attack time value

(relative change):

❍

Cutoff (Controller number 74)

Status

00H~7FH (-64~0~+63),
Initial value=40H (no change)

2nd byte 3rd byte

BnH 4AH vvH
n= MIDI channel number: 0H~FH (Ch.1~16)

vv= Cutoff value
(relative change):

❍

Decay Time (Controller number 75)

00H~7FH(-64~0~+63),
Initial value= 40H (no change)

Status 2nd byte 3rd byte
BnH 4BH vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Decay Time value

(relative change):

❍

Vibrato Rate (Controller number 76)

00H~7FH (-64~0~+63),
Initial value= 40H (no change)

Status 2nd byte 3rd byte
BnH 4CH vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Vibrato Rate value

(relative change):

❍

Vibrato Depth (Controller number 77)

00H~7FH (-64~0~+63),
Initial value= 40H (no change)

Status 2nd byte 3rd byte
BnH 4DH vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Vibrato Depth Value

(relative change):

Vibrato Delay (Controller number 78)

❍

00H~7FH (-64~0~+63),
Initial Value= 40H (no change)

Status 2nd byte 3rd byte
BnH 4EH vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Vibrato Delay value

(relative change):

❍

Staccato (SuperNATURAL, Controller number 80)

00H~7FH (-64~0~+63),
Initial value=40H (no change)

Status 2nd byte 3rd byte
BnH 50H vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Control value: 00H~7FH (0~127)

Fall (SuperNATURAL, Controller number 81)

❍

Status

2nd byte 3rd byte

BnH 51H vvH
n= MIDI channel number: 0H~FH (Ch.1~16)

vv= Control value: 00H~7FH (0~127)

Portamento control (Controller number 84)

❍

Status

2nd byte 3rd byte

BnH 54H kkH
n= MIDI channel number: 0H~FH (Ch.1~16)

kk= source note number: 00H~7FH (0~127)

❍

Effect 1 (Reverb Send Level) (Controller number 91)

Status

2nd byte 3rd byte

BnH 5BH vvH
n= MIDI channel number: 0H~FH (Ch.1~16)

vv= Reverb Send Level: 00H~7FH (0~127)

• This message adjusts the Reverb Send Level of each Part.

•Not transmitted when “Reverb” TX Event is Off.

Effect 3 (Chorus Send Level) (Controller number 93)

❍

Status 2nd byte 3rd byte
BnH 5DH vvH

n= MIDI channel number: 0H~FH (Ch.1~16)
vv= Chorus Send Level: 00H~7FH (0~127)

•This message adjusts the Chorus Send Level of each Part.

•Not transmitted when “Chorus” TX Event is Off.

NRPN MSB/LSB (Controller number 99, 98)

❍

Status

2nd byte 3rd byte

BnH 63H mmH
BnH 62H llH

n= MIDI channel number: 0H~FH (Ch.1~16)
mm= upper byte (MSB) of the parameter number specified by NRPN
ll= lower byte (LSB) of the parameter number specified by NRPN

•Not transmitted when “NRPN” TX Event is Off.

**NRPN**
The NRPN (Non Registered Parameter Number) message allows you to use
an extended range of control changes, which are not defined by the MIDI spec­ification. NRPNs provide a great deal of freedom, and can be used with any
manufacturer’s devices. As a result, any particular parameter number can eas­ily mean one thing when used for a certain device, and mean something com­pletely different on another device.
Note that RPNs and NRPNs require that a multiple number of messages be
processed in the correct order. However, a majority of the sequencers currently
on the market cannot always be relied on to consistently send messages in the
proper order if the messages are located at almost exactly the same point in
time.
On GS instruments, NRPN can be used to modify the following parameters.
The range of values for relative change parameters will be different with certain
models. Please see the explanation that follows the chart.:

NRPN Data entry
MSB LSB

MSB Function and range

01H 08H mmH Vibrato Rate (relative change)

mm: 00H~40H~7FH (-64~0~+63)

01H 09H mmH Vibrato Depth (relative change)

mm: 00H~40H~7FH (-64~0~+63)

01H 0AH mmH Vibrato Delay (relative change)

mm: 00H~40H~7FH (-64~0~+63)

01H 20H mmH TVF Cutoff Frequency (relative change)

mm: 00H~40H~7FH (-64~0~+63)

01H 21H mmH TVF Resonance (relative change)

mm: 00H~40H~7FH (-64~0~+63)

01H 63H mmH TVF&TVA Envelope Attack Time (rel. change)

mm: 00H~40H~7FH (-64~0~+63)

01H 64H mmH TVF&TVA Envelope Decay Time (rel. change)

mm: 00H~40H~7FH (-64~0~+63)

01H 66H mmH TVF&TVA Env. Release Time (relative change)

mm: 00H~40H~7FH (-64~0~+63)

18H rrH mmH Drum Instrument Pitch Coarse (relative change)

rr: Drum Instrument note number
mm: 00H~40H~7FH (-64~0~+63 semitone)

1AH rrH mmH Drum Instrument TVA Level (absolute change)

rr: Drum Instrument note number
mm: 00H~7FH (0~max)

1CH rrH mmH Drum Instrument Panpot (absolute change)

rr: Drum Instrument note number
mm: 00H, 01H~40H~7FH (random, left~center~
right)

1DH rrH mmH Drum Instr. Reverb Send (absolute change)

rr: Drum Instrument note number
mm: 00H~7FH (0~max)

1EH rrH mmH Drum Instr. Chorus Send (absolute change)

rr: Drum Instrument note number
mm: 00H~7FH (0~max)

60H rrH mmH Equalizer Switch

rr: Drum Instrument note number
mm: 00H~02H (Global, Instrument, Off)

61H rrH mmH Equalizer Low Frequency

rr: Drum Instrument note number
mm: 00H~05H (90, 150, 180, 300, 360, 600Hz)

62H rrH mmH Equalizer Low Gain

rr: Drum Instrument note number
mm: 00H~1EH (–15~0~+15dB)

63H rrH mmH Equalizer Mid Frequency

rr: Drum Instrument note number
mm: 00H~10H (200, 250, 315, 400, 500, 630,
800, 1000, 1250, 1600, 2000, 2500, 3150, 4000,
5000, 6300, 8000Hz)

64H rrH mmH Equalizer Mid Gain

rr: Drum Instrument note number
mm: 00H~1EH (–15~0~+15dB)

9

BK-7m MIDI Implementation

●

●

■

65H rrH mmH Equalizer Mid Gain

66H rrH mmH Equalizer High Frequency

67H rrH mmH Equalizer High Gain

4FH 10H mmH Part 4 On / Off ( Upper 1)

4FH 11H mmH Part 11 On / Off (Lower1)

4FH 12H mmH Part 12 On / Off ( Man Bass)

4FH 13H mmH Part 6 On / Off ( Upper 2)

4FH 25H mmH Part 13 On / Off ( Upper 3)

4FH 27H mmH Part 14 On / Off ( Lower 2)

4FH 26H mmH Part 15 On / Off ( Melody Int.)

4FH 18H mmH Part 8 On / Off ( Acc 5)

4FH 19H mmH Part 9 On / Off ( Acc 6)

4FH 1AH mmH Part 10 On / Off ( Acc Drums )

4FH 1BH mmH Part 2 On / Off ( Acc Bass)

4FH 1CH mmH Part 1 On / Off ( Acc 1)

4FH 1DH mmH Part 3 On / Off (Acc2)

4FH 1EH mmH Part 5 On / Off ( Acc3)

4FH 1FH mmH Part 7 On / Off ( Acc 4 )

❍

RPN MSB/LSB (Controller number 101, 100)

Status
BnH 65H mmH
BnH 64H llH

n= MIDI channel number: 0H~FH (Ch.1~16)
mm= upper byte (MSB)of parameter number specified by RPN
ll= lower byte (LSB) of parameter number specified by RPN

•Not transmitted when "RPN" TX Event is Off.

**RPN**
The RPN (Registered Parameter Number) messages are expanded control
changes, and each function of an RPN is described by the MIDI Standard.
On the BK-7m, RPN can be used to modify the following parameters.

RPN Data entry
MSB LSB

00H 00H mmH —- Pitch Bend Sensitivity

00H 01H mmH llH Channel Fine Tuning

00H 02H mmH —- Master Coarse Tuning

7FH 7FH —- —- RPN null

MSB LSB Explanation

rr: Drum Instrument note number
mm: 00H~04H (0.5, 1.0, 2.0, 4.0, 8.0)

rr: Drum Instrument note number
mm: 00H~06H (1500, 2000, 3000, 4000, 6000,
8000, 12000Hz)

rr: Drum Instrument note number
mm: 00H~1EH (–15~0~+15dB)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

2nd byte 3rd byte

mm: 00H~18H (0~24 semitones)
Initial value= 02H (2 semitones)
ll: ignored (processed as 00H)
Up to 2 octaves can be specified in semi­tone steps.

• Only for Upper2

mm, ll: 00 00H~40 00H~7F 7FH (–100~0~
+99.99 cents),
Initial value= 40 00H (+/- 0 cent)
Refer to “About the Tuning” on page 16.

• Only for Upper2

mm: 28H~40H~58H (-24~0~+24 semi­tones),
Initial value= 40H (+/-0 semitone)
ll: ignored (processed as 00H)

Set condition where RPN and NRPN are
unspecified. The data entry messages after
set RPN null will be ignored. (No Data entry
messages are required after RPN null).
Settings already made will not change.
mm, ll: ignored

Program Change

Status
CnH ppH

n= MIDI channel number: 0H~FH (Ch.1~16)
pp= Program number: 00H~7FH (prog.1~prog.128)

•Not transmitted when “Program Change” TX Event is Off.

2nd byte

Pitch Bend Change

Status
EnH llH mmH

n= MIDI channel number: 0H~FH (Ch.1~16)
mm, ll= Pitch Bend value: 00 00H~40 00H~7F 7FH (–8192~0~+8191)

•Not transmitted when “Pitch Bender ” TX Event is Off.

2nd byte 3rd byte

Channel Mode Messages

● MONO (Controller number 126)

Status
BnH 7EH mmH

n= MIDI channel number: 0H~FH (Ch.1~16)
mm= mono number: 00H~10H (0~16)

• The corresponding channel is set to Mode 4 (M= 1).

2nd byte 3rd byte

● POLY (Controller number 127)

Status
BnH 7FH 00H

n= MIDI channel number: 0H~FH (Ch.1~16)

• The corresponding channel is set to Mode 3.

2nd byte 3rd byte

■ System Realtime Messages

● Active Sensing

Status
FEH

• This message is transmitted at intervals of approximately 250 ms.

● Timing Clock

Status
F8H

● Start

Status
FAH

* STYLE: Transmitted when MIDI/Edit/System/SyncTX/StyleTX/Start-Stop

* SONG: Transmitted when MIDI/Edit/System/SyncTX/SongTX/Start-Stop

parameter is “On”.

parameter is “On”.

● Continue (Song playback only)

Status
FBH

• Transmitted when MIDI/Edit/System/SyncTX/SongTX/Start-Stop param­eter is “On”.

• This message is transmitted when the sequencer is not started from the
beginning.

● Stop

Status
FCH

* STYLE: Transmitted when MIDI/Edit/System/SyncTX/StyleTX/Start-Stop

* SONG: Transmitted when MIDI/Edit/System/SyncTX/StongTX/Start-

parameter is “On”.

Stop parameter is “On”.

■ System Common Messages

● Song Position Pointer

Status 2nd byte 3rd byte
F2H XXH YYH

XX= Song Position ( Bar ) LSB
YY= Song Position ( Bar ) MSB

• Transmitted when MIDI/Edit/System/SyncTX/SongTX/SongPosition
parameter is On.

10

BK-7m MIDI Implementation

■ System Exclusive Messages

Status

F0H iiH, ddH, ......,eeH F7H

F0H: System Exclusive Message status

F7H: EOX (End Of Exclusive)

•Not transmitted when TX SYSEX parameter (MENU/MIDI/EDIT/System/
Param) is OFF.

GS reset

❍

GS Reset is a message that resets the internal settings of a device to the GS
initial state. This message appears at the beginning of GS music data, and a
GS device that receives this message will automatically be set to the proper
state to correctly play back GS music data.

Status
F0H 41H, dev, 42H, 12H, 40H, 00H, 7FH, 00H, 41HF7H

Byte
F0H Exclusive status

41H ID number (Roland)
dev Device ID (dev: 00H~1FH (1~32),

42H Model ID (GS)
12H Command ID (DT1)
40H Address MSB
00H Address
7FH Address LSB
00H Data (GS reset)
41H Checksum
F7H EOX (End Of Exclusive)

•Not transmitted when TX SYSEX parameter (MENU/MIDI/EDIT/System/
Param) is OFF.

Data byte Status

ii= ID number: an ID number (manufacturer ID) to indicate the
manufacturer whose Exclusive message this is. Roland 's man­ufacturer ID is 41H.
ID numbers 7EH and 7FH are extensions of the MIDI standard;
Universal Non-realtime Messages (7EH) and Universal Real­time Messages (7FH).

dd,...,ee= data: 00H~7FH (0~127)

Data byte Status

Explanation

Initial value is 10H (17))

3. Individual parameter transmission

Individual Parameter Transmission transmits data (or requests data) for one

parameter as one exclusive message (one packet of “F0 ..... F7”).

In Individual Parameter Transmission, you must use the Address and Size list­ed in the following "Parameter Address Map". Addresses marked at "#" cannot
be used as starting addresses.

■ System Exclusive messages

Data Set 1 (DT1) is the only System Exclusive messages transmitted by the
BK-7m.

● Data set 1 DT1 (12H)

Status
F0H 41H, dev, 42H, 12H, aaH, bbH, ccH, ddH, ... eeH, sumF7H

Byte
F0H Exclusive status

41H ID number (Roland)
dev Device ID (dev: 00H~1FH, Initial value is 10H)
42H Model ID (GS)
12H Command ID (DT1)
aaH Address MSB: upper byte of the starting address of the

bbH Address: middle byte of the starting address of the data

ccH Address LSB: lower byte of the starting address of the

ddH Data: the actual data to be sent. Multiple bytes of data

: :
eeH Data
sum Checksum
F7H EOX (End Of Exclusive)

•The amount of data that can be transmitted at one time depends on the

•Data larger than 128 bytes will be divided into packets of 128 bytes or

•Regarding the checksum, please refer to “Example of an Exclusive mes-

Data byte Status

Explanation

data to be sent

to be sent

data to be sent.

are transmitted in order starting from the address.

type of data, and data will be transmitted from the specified starting
address and size.

less, and each packet will be sent at an interval of about 40 ms.

sage checksum calculation” on page 16.

11

BK-7m MIDI Implementation

● Patch parameters

❍

Patch common parameters

Parameters that apply to all Parts of each module are called “Patch Common” parameters.

Address(H)

Size(H) Data (H) Parameter Description Default Value (H) Description

40 00 00 00 00 04 0018~07E8 MASTER TUNE -100.0~+100.0 [cents] 00 04 00 00 0 [cents]
40 00 01# Use nibblized data.
40 00 02#
40 00 03#

•Refer to “About the Tuning” on page 16.

40 00 04 00 00 01 00~7F MASTER VOLUME 0~127 7F 127

(= F0 7F 7F 04 01 00 vv F7)
40 00 05 00 00 01 28~58 MASTER KEY-SHIFT -24~+24 [semitones] 40 0 [semitones]
40 00 06 00 00 01 01~7F MASTER PAN -63 (LEFT)~+63 (RIGHT) 40 0 (CENTER)
40 00 7F 00 00 01 00 MODE SET 00 = GS Reset (Rx. only)
40 01 30 00 00 01 00~07 REVERB MACRO 00: Room 1

01: Room 2

04 Hall 2

02: Room 3

03: Hall 1

04: Hall 2

05: Plate

06: Delay

07: Panning Delay
40 01 31 00 00 01 00~07 REVERB CHARACTER 0~7 04 4
40 01 32 00 00 01 00~07 REVERB PRE-LPF 0~7 00 0
40 01 33 00 00 01 00~7F REVERB LEVEL 0~127 40 64
40 01 34 00 00 01 00~7F REVERB TIME 0~127 40 64
40 01 35 00 00 01 00~7F REVERB DELAY FEEDBACK 0~127 00 0
40 01 37 00 00 01 00~7F REVERB PREDELAY TIME 0~127 [ms] 00 0

• REVERB MACRO is a macro parameter that allows global setting of reverb parameters. When you select the reverb type with REVERB MACRO, each
reverb parameter will be set to their most suitable value.

• REVERB CHARACTER is a parameter that changes the reverb algorithm. The value of REVERB CHARACTER corresponds to the REVERB MACRO of
the same number.

Address(H)
40 01 38 00 00 01 00~07 CHORUS MACRO 00: Chorus 1

Size(H) Data (H) Parameter Description Default Value (H) Description

01: Chorus 2

02 Chorus 3

02: Chorus 3
03: Chorus 4
04: Feedback Chorus
05: Flanger
06: Short Delay

07: Short Delay(FB)
40 01 39 00 00 01 00~07 CHORUS PRE-LPF 0~7 00 0
40 01 3A 00 00 01 00~7F CHORUS LEVEL 0-127 40 64
40 01 3B 00 00 01 00~7F CHORUS FEEDBACK 0-127 08 8
40 01 3C 00 00 01 00~7F CHORUS DELAY 0-127 50 80
40 01 3D 00 00 01 00~7F CHORUS RATE 0-127 03 3
40 01 3E 00 00 01 00~7F CHORUS DEPTH 0-127 13 19
40 01 3F 00 00 01 00~7F CHORUS SEND LEVEL TO

0-127 00 0

REVERB

40 01 40 00 00 01 00~7F CHORUS SEND LEVEL TO

0-127 00 0

DELAY

• CHORUS MACRO is a macro parameter that allows global setting of chorus parameters. When you select the chorus type with CHORUS MACRO, each
chorus parameter will be set to their most suitable value.

12

BK-7m MIDI Implementation

❍

Patch Part parameters

The BK-7m has 21 Parts: 5 parts assigned to the Keyboard, and 16 parts for Songs.
For Keyboard part control, use the address [50 xx xx]
For Song part control, use the address [40 xx xx]
The 21 Parts are:

Track Name MIDI channel Track Name MIDI channel SysEx X=

1— —1Part 1 1 X= 1
2— —2Part 2 2 X= 2
3— —3Part 3 3 X= 3
4Upper1 4 4 Part 4 UP1 4 X= 4
5— —5Part 5 5 X= 5
6Upper 2 6 6 Part 6 UP2 6 X= 6
7— —7Part 7 7 X= 7
8— —8Part 8 8 X= 8

9— —9Part 9 9 X= 9
10 — — 10 Part 10 10 X= 0
11 Lower1 11 11 Part 11 LW1 11 X= A
12 M.Bass 12 12 Part 12 MBS 12 X= B
13 — — 13 — 13 X= C
14 — — 14 — 14 X= D
15 Melody Intell 15 15 Part 15 MI 15 X= E
16 — — 16 Part 16 16 X= F

The relation between Part number and Block number is as follows.

x...BLOCK NUMBER (0~F) Part 1 (default MIDIch = 1) x=1

• n... MIDI channel number (0~F) of the BLOCK.

In the following map, the control numbers of the control changes are indicated as CC#.

Address(H)
40 1x 00 00 00 02 00~7F TONE NUMBER CC#00 VALUE 0~127 00 0

40 1x 01# 00~7F P.C. VALUE 1~128 00 1
40 1x 02 00 00 01 00~10 Rx. CHANNEL 1~16, OFF Same as the Part Number
40 1x 03 00 00 01 00~01 Rx. PITCH BEND OFF/ON 01 ON
40 1x 04 00 00 01 00~01 Rx. CH PRESSURE (CAf) OFF/ON 01 ON
40 1x 05 00 00 01 00~01 Rx. PROGRAM CHANGE OFF/ON 01 ON
40 1x 06 00 00 01 00~01 Rx. CONTROL CHANGE OFF/ON 01 ON
40 1x 07 00 00 01 00~01 Rx. POLY PRESSURE(PAf) OFF/ON 01 ON
40 1x 08 00 00 01 00~01 Rx. NOTE MESSAGE OFF/ON 01 ON
40 1x 09 00 00 01 00~01 Rx. RPN OFF/ON 01 ON
40 1x 0A 00 00 01 00~01 Rx. NRPN OFF/ON 00 (01*) OFF (ON*)
40 1x 0B 00 00 01 00~01 Rx. MODULATION OFF/ON 01 ON
40 1x 0C 00 00 01 00~01 Rx. VOLUME OFF/ON 01 ON
40 1x 0D 00 00 01 00~01 Rx. PANPOT OFF/ON 01 ON
40 1x 0E 00 00 01 00~01 Rx. EXPRESSION OFF/ON 01 ON
40 1x 0F 00 00 01 00~01 Rx. HOLD1 OFF/ON 01 ON
40 1x 10 00 00 01 00~01 Rx. PORTAMENTO OFF/ON 01 ON
40 1x 11 00 00 01 00~01 Rx. SOSTENUTO OFF/ON 01 ON
40 1x 12 00 00 01 00~01 Rx. SOFT OFF/ON 01 ON
40 1x 13 00 00 01 00~01 MONO/POLY MODE Mono/Poly 01 Poly

40 1x 15 00 00 01 00~02 USE FOR RHYTHM PART 0 = OFF

• This parameter sets the Drum Map of the Part used as the Drum Part. The BK-7m can simultaneously (in different Parts) use up to two Drum Maps (MAP1,
MAP2). With the initial settings, Part10 (MIDI CH=10, x=0) is set to MAP1 (1), and other Parts are set to normal instrumental Parts (OFF(0)).

•Only for Song parts.

Size(H) Data (H) Parameter Description Default Value (H) Description

Keyboard parts Song parts

Part 2 (default MIDIch = 2) x=2
:: :
Part 9 (default MIDIch = 9) x=9
Part10 (default MIDIch =10) x=0
Part11 (default MIDIch =11) x=A
Part12 (default MIDIch =12) x=B
:: :
Part16 (default MIDIch =16) x=F

(=CC# 126 01/CC# 127 00)

1 = MAP1
2 = MAP2

00 atı 0
01 at x=0

OFF (Normal Part)
MAP1 (Drum Part)

Address(H)
40 1x 16 00 00 01 28~58 PITCH KEY SHIFT -24~+24 [semitones] 40 0 [semitones]

40 1x 17 00 00 02 08~F8 PITCH OFFSET FINE -12.0~+12.0 [Hz] 08 00 0 [Hz]
40 1x 18# Use nibblized data.

• PITCH OFFSET FINE allows you to alter, by a specified frequency amount, the pitch at which notes will sound. This parameter differs from the conventional
Fine Tuning (RPN #1) parameter in that the amount of frequency alteration (in Hertz) will be identical no matter which note is played. When a multiple number
of Parts, each of which has been given a different setting for PITCH OFFSET FINE, are sounded by means of an identical note number, you can obtain a
Celeste effect.

•Only for Song parts.

40 1x 19 00 00 01 00~7F PART LEVEL 0~127 64 100

40 1x 1A 00 00 01 00~7F VELOCITY SENSE DEPTH 0~127 40 64
40 1x 1B 00 00 01 00~7F VELOCITY SENSE OFFSET 0~127 40 64
40 1x 1C 00 00 01 00~7F PART PANPOT -64 (Left)~+63 (Right) 40 0 (CENTER)
40 1x 1D 00 00 01 00~7F KEYBOARD RANGE LOW (C-1)~(G9) 00 C-1

Size(H) Data (H) Parameter Description Default Value (H) Description

(=CC# 7)

13

BK-7m MIDI Implementation

40 1x 1E 00 00 01 00~7F KEYBOARD RANGE HIGH (C-1)~(G9) 7F G9
40 1x 1F 00 00 01 00~5F CC1 CONTROLLER NUMBER 0~95 10 16
40 1x 20 00 00 01 00~5F CC2 CONTROLLER NUMBER 0~95 11 17
40 1x 21 00 00 01 00~7F CHORUS SEND LEVEL 0~127 00 0

40 1x 22 00 00 01 00~7F REVERB SEND LEVEL 0~127 28 40

40 1x 23 00 00 01 00~01 Rx.BANK SELECT OFF/ON 01 ON
40 1x 24 00 00 01 00~01 RX BANK SELECT LSB OFF/ON 01 ON
40 1x 2A 00 00 02 00 00~40

00~7F 7F
40 1x 2B#
40 1x 30 00 00 01 00~7F TONE MODIFY 1 -64~+63 40 0

40 1x 31 00 00 01 00~7F TONE MODIFY2 -64~+63 40 0

40 1x 32 00 00 01 00~7F TONE MODIFY3 -64~+63 40 0

40 1x 33 00 00 01 00~7F TONE MODIFY4 -64~+63 40 0

40 1x 34 00 00 01 00~7F TONE MODIFY5 -64~+63 40 0

40 1x 35 00 00 01 00~7F TONE MODIFY6 -64~+63 40 0

40 1x 36 00 00 01 00~7F TONE MODIFY7 -64~+63 40 0

40 1x 37 00 00 01 00~7F TONE MODIFY8 -64~+63 40 0

40 1x 40 00 00 0C 00~7F SCALE TUNING C -64~+63 [cents] 40 0 [cents]
40 1x 41# 00~7F SCALE TUNING C# -64~+63 [cents] 40 0 [cents]
40 1x 42# 00~7F SCALE TUNING D -64~+63 [cents] 40 0 [cents]
40 1x 43# 00~7F SCALE TUNING D# -64~+63 [cents] 40 0 [cents]
40 1x 44# 00~7F SCALE TUNING E -64~+63 [cents] 40 0 [cents]
40 1x 45# 00~7F SCALE TUNING F -64~+63 [cents] 40 0 [cents]
40 1x 46# 00~7F SCALE TUNING F# -64~+63 [cents] 40 0 [cents]
40 1x 47# 00~7F SCALE TUNING G -64~+63 [cents] 40 0 [cents]
40 1x 48# 00~7F SCALE TUNING G# -64~+63 [cents] 40 0 [cents]
40 1x 49# 00~7F SCALE TUNING A -64~+63 [cents] 40 0 [cents]
40 1x 4A# 00~7F SCALE TUNING A# -64~+63 [cents] 40 0 [cents]
40 1x 4B# 00~7F SCALE TUNING B -64~+63 [cents] 40 0 [cents]

• SCALE TUNING is a function that allows fine adjustment to the pitch of each note in the octave. The pitch of each identically-named note in all octaves will
change simultaneously. A setting of +/–0 cents (40H) is equal temperament (page 17).

PITCH FINE TUNE -100~0~+100 [cents]

Vibrato Rate (=NRPN# 8/CC#76)

Vibrato Depth (=NRPN# 9/CC#77)

TVF Cutoff Freq (=NRPN# 32/CC#74)

TVF Resonance (=NRPN# 33/CC#71)

TVF&TVA Env.attack (=NRPN# 99/CC#73)

TVF&TVA Env.decay (=NRPN# 100/CC#75)

TVF&TVA Env.release (=NRPN# 102/CC#72)

Vibrato Delay (=NRPN# 10/CC#78)

(=CC# 93)

(=CC# 91)

40 00 0

(= RPN#1)

Address(H)
40 2x 00 00 00 01 28~58 MOD PITCH CONTROL -24~+24 [semitones] 40 0 [semitones]

40 2x 01 00 00 01 00~7F MOD TVF CUTOFF CONTROL-9600~+9600 [cents] 40 0 [cents]
40 2x 02 00 00 01 00~7F MOD AMPLITUDE CONTROL -100.0~+100.0 [%] 40 0 [%]
40 2x 03 00 00 01 00~7F MOD LFO1 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]
40 2x 04 00 00 01 00~7F MOD LFO1 PITCH DEPTH 0~600 [cents] 0A 10 [cents]
40 2x 05 00 00 01 00~7F MOD LFO1 TVF DEPTH 0~2400 [cents] 00 0 [cents]
40 2x 06 00 00 01 00~7F MOD LFO1 TVA DEPTH 0~100.0 [%] 00 0 [%]
40 2x 07 00 00 01 00~7F MOD LFO2 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]
40 2x 08 00 00 01 00~7F MOD LFO2 PITCH DEPTH 0~600 [cents] 00 0 [cents]
40 2x 09 00 00 01 00~7F MOD LFO2 TVF DEPTH 0~2400 [cents] 00 0 [cents]
40 2x 0A 00 00 01 00~7F MOD LFO2 TVA DEPTH 0~100.0 [%] 00 0 [%]

• All MOD control parameters are ignored whenever you use sounds (XV patches) with CC00 values ranging from 80 to 91.

Address(H)
40 2x 10 00 00 01 40~58 BEND PITCH CONTROL 0~24 [semitones] 42 2 [semitones]

40 2x 11 00 00 01 00~7F BEND TVF CUTOFF CON-

40 2x 12 00 00 01 00~7F BEND AMPLITUDE CONTROL-100.0~+100.0 [%] 40 0 [%]
40 2x 13 00 00 01 00~7F BEND LFO1 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]
40 2x 14 00 00 01 00~7F BEND LFO1 PITCH DEPTH 0~600 [cents] 00 0 [cents]
40 2x 15 00 00 01 00~7F BEND LFO1 TVF DEPTH 0~2400 [cents] 00 0 [cents]
40 2x 16 00 00 01 00~7F BEND LFO1 TVA DEPTH 0~100.0 [%] 00 0 [%]
40 2x 17 00 00 01 00~7F BEND LFO2 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]
40 2x 18 00 00 01 00~7F BEND LFO2 PITCH DEPTH 0~600 [cents] 00 0 [cents]
40 2x 19 00 00 01 00~7F BEND LFO2 TVF DEPTH 0~2400 [cents] 00 0 [cents]
40 2x 1A 00 00 01 00~7F BEND LFO2 TVA DEPTH 0~100.0 [%] 00 0 [%]

•All BEND control parameters are ignored whenever you use sounds (XV patches) with CC00 values ranging from 80 to 91.

40 2x 20 00 00 01 28~58 CAf PITCH CONTROL -24~+24 [semitones] 40 0 [semitones]
40 2x 21 00 00 01 00~7F CAf TVF CUTOFF CONTROL -9600~+9600 [cents] 40 0 [cents]
40 2x 22 00 00 01 00~7F CAf AMPLITUDE CONTROL -100.0~+100.0 [%] 40 0 [%]
40 2x 23 00 00 01 00~7F CAf LFO1 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]
40 2x 24 00 00 01 00~7F CAf LFO1 PITCH DEPTH 0~600 [cents] 00 0 [cents]
40 2x 25 00 00 01 00~7F CAf LFO1 TVF DEPTH 0~2400 [cents] 00 0 [cents]
40 2x 26 00 00 01 00~7F CAf LFO1 TVA DEPTH 0~100.0 [%] 00 0 [%]
40 2x 27 00 00 01 00~7F CAf LFO2 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]

Size(H) Data (H) Parameter Description Default Value (H) Description

Size(H) Data (H) Parameter Description Default Value (H) Description

-9600~+9600 [cents] 40 0 [cents]

TROL

14

BK-7m MIDI Implementation

40 2x 28 00 00 01 00~7F CAf LFO2 PITCH DEPTH 0~600 [cents] 00 0 [cents]
40 2x 29 00 00 01 00~7F CAf LFO2 TVF DEPTH 0~2400 [cents] 00 0 [cents]
40 2x 2A 00 00 01 00~7F CAf LFO2 TVA DEPTH 0~100.0 [%] 00 0 [%]
40 2x 30 00 00 01 28~58 PAf PITCH CONTROL -24~+24 [semitones] 40 0 [semitones]
40 2x 31 00 00 01 00~7F PAf TVF CUTOFF CONTROL -9600~+9600 [cents] 40 0 [cents]
40 2x 32 00 00 01 00~7F PAf AMPLITUDE CONTROL -100.0~+100.0 [%] 40 0 [%]
40 2x 33 00 00 01 00~7F PAf LFO1 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]
40 2x 34 00 00 01 00~7F PAf LFO1 PITCH DEPTH 0~600 [cents] 00 0 [cents]
40 2x 35 00 00 01 00~7F PAf LFO1 TVF DEPTH 0~2400 [cents] 00 0 [cents]
40 2x 36 00 00 01 00~7F PAf LFO1 TVA DEPTH 0~100.0 [%] 00 0 [%]
40 2x 37 00 00 01 00~7F PAf LFO2 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]
40 2x 38 00 00 01 00~7F PAf LFO2 PITCH DEPTH 0~600 [cents] 00 0 [cents]
40 2x 39 00 00 01 00~7F PAf LFO2 TVF DEPTH 0~2400 [cents] 00 0 [cents]
40 2x 3A 00 00 01 00~7F PAf LFO2 TVA DEPTH 0~100.0 [%] 00 0 [%]

•All PAf control parameters are ignored whenever you use sounds (XV patches) with CC 00 values ranging from 80 to 91.

40 2x 40 00 00 01 28~58 CC1 PITCH CONTROL -24~+24 [semitones] 40 0 [semitones]
40 2x 41 00 00 01 00~7F CC1 TVF CUTOFF CONTROL -9600~+9600 [cents] 40 0 [cents]
40 2x 42 00 00 01 00~7F CC1 AMPLITUDE CONTROL -100.0~+100.0 [%] 40 0 [%]
40 2x 43 00 00 01 00~7F CC1 LFO1 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]
40 2x 44 00 00 01 00~7F CC1 LFO1 PITCH DEPTH 0~600 [cents] 00 0 [cents]
40 2x 45 00 00 01 00~7F CC1 LFO1 TVF DEPTH 0~2400 [cents] 00 0 [cents]
40 2x 46 00 00 01 00~7F CC1 LFO1 TVA DEPTH 0~100.0 [%] 00 0 [%]
40 2x 47 00 00 01 00~7F CC1 LFO2 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]
40 2x 48 00 00 01 00~7F CC1 LFO2 PITCH DEPTH 0~600 [cents] 00 0 [cents]
40 2x 49 00 00 01 00~7F CC1 LFO2 TVF DEPTH 0~2400 [cents] 00 0 [cents]
40 2x 4A 00 00 01 00~7F CC1 LFO2 TVA DEPTH 0~100.0 [%] 00 0 [%]

•All CC01 control parameters are ignored whenever you use sounds (XV patches) with CC 00 values ranging from 80 to 91.

40 2x 50 00 00 01 28~58 CC2 PITCH CONTROL -24~+24 [semitones] 40 0 [semitones]
40 2x 51 00 00 01 00~7F CC2 TVF CUTOFF CONTROL -9600~+9600 [cents] 40 0 [cents]
40 2x 52 00 00 01 00~7F CC2 AMPLITUDE CONTROL -100.0~+100.0 [%] 40 0 [%]
40 2x 53 00 00 01 00~7F CC2 LFO1 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]
40 2x 54 00 00 01 00~7F CC2 LFO1 PITCH DEPTH 0~600 [cents] 00 0 [cents]
40 2x 55 00 00 01 00~7F CC2 LFO1 TVF DEPTH 0~2400 [cents] 00 0 [cents]
40 2x 56 00 00 01 00~7F CC2 LFO1 TVA DEPTH 0~100.0 [%] 00 0 [%]
40 2x 57 00 00 01 00~7F CC2 LFO2 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]
40 2x 58 00 00 01 00~7F CC2 LFO2 PITCH DEPTH 0~600 [cents] 00 0 [cents]
40 2x 59 00 00 01 00~7F CC2 LFO2 TVF DEPTH 0~2400 [cents] 00 0 [cents]
40 2x 5A 00 00 01 00~7F CC2 LFO2 TVA DEPTH 0~100.0 [%] 00 0 [%]

•All CC02 control parameters are ignored whenever you use sounds (XV patches) with CC 00 values ranging from 80 to 91.

•You may not always be able to obtain the desired effect by modifying the LFO 1 and LFO 2 parameters.

4. Supplementary material

● Decimal and Hexadecimal table

(An “H” is appended to the end of numbers in hexadecimal notation.)
In MIDI documentation, data values and addresses/sizes of Exclusive messag­es, etc. are expressed as hexadecimal values for each 7 bits.
The following table shows how these correspond to decimal numbers.

Dec. Hex. Dec. Hex. Dec. Hex. Dec. Hex.

0

00H

32

20H

64

40H

96

100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127

60H

97

61H

98

62H

99

63H
64H
65H
66H
67H
68H
69H
6AH
6BH
6CH
6DH
6EH
6FH
70H
71H
72H
73H
74H
75H
76H
77H
78H
79H
7AH
7BH
7CH
7DH
7EH
7FH

1

01H

33

21H

65

2

02H

34

3

03H

4

04H

5

05H

6

06H

7

07H

8

08H

9

09H

10

0AH

11

0BH

12

0CH

13

0DH

14

0EH

15

0FH

16

10H

17

11H

18

12H

19

13H

20

14H

21

15H

22

16H

23

17H

24

18H

25

19H

26

1AH

27

1BH

28

1CH

29

1DH

30

1EH

31

1FH

22H

35

23H

36

24H

37

25H

38

26H

39

27H

40

28H

41

29H

42

2AH

43

2BH

44

2CH

45

2DH

46

2EH

47

2FH

48

30H

49

31H

50

32H

51

33H

52

34H

53

35H

54

36H

55

37H

56

38H

57

39H

58

3AH

59

3BH

60

3CH

61

3DH

62

3EH

63

3FH

41H

66

42H

67

43H

68

44H

69

45H

70

46H

71

47H

72

48H

73

49H

74

4AH

75

4BH

76

4CH

77

4DH

78

4EH

79

4FH

80

50H

81

51H

82

52H

83

53H

84

54H

85

55H

86

56H

87

57H

88

58H

89

59H

90

5AH

91

5BH

92

5CH

93

5DH

94

5EH

95

5FH

•Decimal values such as MIDI channel, bank select, and program change
are listed as one greater than the values given in the above table.

•A 7-bit byte can express data in the range of 128 steps. For data where
greater precision is required, we must use two or more bytes. For exam­ple, two hexadecimal numbers aa bbH expressing two 7-bit bytes would
indicate a value of aa x 128+bb.

• In the case of values which have a +/– sign, 00H = –64, 40H = +/–0, and
7FH = +63, so that the decimal expression would be 64 less than the
value given in the above chart.
In the case of two types, 00 00H = –8192, 40 00H = +/–0, and 7F 7FH =
+8191. For example, if aa bbH were expressed as decimal, this would be
aa bbH - 40 00H = aa x 128+bb –64 x 128.

•Data marked “Use nibbled data” is expressed in hexadecimal in 4-bit
units. A value expressed as a 2-byte nibble 0a 0bH has the value of a x
16+b.

[Example 1]

What is the decimal expression of 5AH ?

From the preceding table, 5AH = 90

[Example 2]

What is the decimal expression of the value 12 34H given as
hexadecimal for each 7 bits?
From the preceding table, since 12H = 18 and 34H = 52
18 x 128+52 = 2356

[Example 3]

What is the decimal expression of the nibbled value 0A 03 09
0D ?
From the preceding table, since 0AH = 10, 03H = 3, 09H = 9, 0DH = 13
((10 x 16+3) x 16+9) x 16+13 = 41885

[Example 4]

What is the nibbled expression of the decimal value 1258?

16) 1258

16) 78 ... 10

16) 4 ... 14
0 … 4
Since from the preceding table, 0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH,
the result is: 00 04 0E 0AH.

● Examples of actual MIDI messages

[Example 1]

9n is the Note-on status, and n is the MIDI channel number. Since 2H = 2, 3EH=
62, and 5FH = 95, this is a Note-on message with MIDI CH = 3, note number
62 (note name is D4), and velocity 95.

[Example 2]

CnH is the Program Change status, and n is the MIDI channel number. Since

92 3E 5F

CE 49

15

BK-7m MIDI Implementation

EH = 14 and 49H = 73, this is a Program Change message with MIDI CH = 15,
program number 74 (Flute in GS).

[Example 3]

EnH is the Pitch Bend Change status, and n is the MIDI channel number. The
2nd byte (00H = 0) is the LSB and the 3rd byte (28H = 40) is the MSB, but Pitch
Bend Value is a signed number in which 40 00H (= 64 x 12+80 = 8192) is 0, so
this Pitch Bend Value is 28 00H - 40 00H = 40 x 12+80 - (64 x 12+80) = 5120
–8192 = –3072 If the Pitch Bend Sensitivity is set to 2 semitones, -8192 (00
00H) will cause the pitch to change -200 cents, so in this case -200 x (-3072) ÷
(-8192) = -75 cents of Pitch Bend is being applied to MIDI channel 11.

[Example 4]

BnH is the Control Change status, and n is the MIDI channel number. For Con­trol Changes, the 2nd byte is the control number, and the 3rd byte is the value.
In a case in which two or more messages consecutive messages have the
same status, MIDI has a provision called “running status” which allows the sta­tus byte of the second and following messages to be omitted. Thus, the above
messages have the following meaning.

B3 64 00 MIDI ch.4, lower byte of RPN parameter number: 00H
(B3) 65 00 (MIDI ch.4) upper byte of RPN parameter number: 0 0H
(B3) 06 0C (MIDI ch.4) upper byte of parameter value: 0CH
(B3) 26 00 (MIDI ch.4) lower byte of parameter value: 00H
(B3) 64 7F (MIDI ch.4) lower byte of RPN parameter number: 7FH
(B3) 65 7F (MIDI ch.4) upper byte of RPN parameter number: 7FH

In other words, the above messages specify a value of 0C 00H for RPN param­eter number 00 00H on MIDI channel 4, and then set the RPN parameter num­ber to 7F 7FH.

RPN parameter number 00 00H is Pitch Bend Sensitivity, and the MSB of the
value indicates semitone units, so a value of 0CH = 12 sets the maximum pitch
bend range to ±12 semitones (1 octave). (On GS sound generators the LSB of
Pitch Bend Sensitivity is ignored, but the LSB should be transmitted anyway
(with a value of 0) so that operation will be correct on any device.)
Once the parameter number has been specified for RPN or NRPN, all Data
Entry messages transmitted on that same channel will be valid, so after the
desired value has been transmitted, it is a good idea to set the parameter num­ber to 7F 7FH to prevent accidents.
This is the reason for the (B3) 64 7F (B3) 65 7F at the end. It is not desirable
for performance data (such as Standard MIDI File data) to contain many events
with running status as given in [Example 4]. This is because if playback is halt­ed during the song and then rewound or fast-forwarded, the sequencer may not
be able to transmit the correct status, and the sound generator will then misin­terpret the data. Take care to give each event its own status.
It is also necessary that the RPN or NRPN parameter number setting and the
value setting be done in the proper order. On some sequencers, events occur­ring in the same (or consecutive) clock may be transmitted in an order different
than the order in which they were received. For this reason it is a good idea to
slightly skew the time of each event (about 1 tick for TPQN = 96, and about 5
ticks for TPQN = 480).
* TPQN: Ticks Per Quarter Note

EA 00 28

B3 64 00 65 00 06 0C 26 00 64 7F 65 7F

● Example of an Exclusive message checksum calculation

Roland Exclusive messages (RQ1, DT1) are transmitted with a checksum at
the end (before F7) to make sure that the message was correctly received. The
value of the checksum is determined by the address and data (or size) of the
transmitted Exclusive message.

How to calculate the checksum (hexadecimal numbers are indicated by “H”)

❍

The checksum is a value derived by adding the address, size, and checksum
itself and inverting the lower 7 bits.
Here’s an example of how the checksum is calculated. We will assume that in
the exclusive (SysEx) message we are transmitting, the address is aa bb ccH
and the data or size is “dd ee ffH”.

aa+bb+cc+dd+ee+ff = sum
sum ÷ 128 = quotient ... remainder
128 – remainder = checksum

[Example 1]

According to the “Patch parameters” on page 12, the REVERB MACRO
Address is “40 01 30H”, and ROOM 3 corresponds to “02H”. Thus…

Next, we calculate the checksum.

This means that F0 41 10 42 12 40 01 30 02 0D F7 is the message we need to
transmit.

Setting REVERB MACRO to “ROOM 3”

F0 41 10 42 12 40 01 30 02 ?? F7
(1) (2) (3) (4) (5) address data checksum (6)

(1) Exclusive Status (2) ID (Roland) (3) Device ID (17)
(4) Model ID (GS) (5) Command ID (DT1) (6) End of Exclusive

40H+01H+30H+02H = 64+1+48+2 = 115 (sum)
115 (sum) ÷ 128 = 0 (quotient) ... 115 (remainder)
checksum = 128 - 115 (remainder) = 13 = 0DH

[Example 2]

According to the “Patch parameters” on page 12, the REVERB LEVEL Address
is “40 01 33H”, and the parameter value is “0CH”. Thus,

F0 41 10 42 12 40 01 33 0C ?? F7
(1) (2) (3) (4) (5) address data checksum (6)

(1) Exclusive Status (2) ID (Roland) (3) Device ID (17)
(4) Model ID (GS) (5) Command ID (DT1) (6) EOX

Next we calculate the checksum.

40H + 01H + 33H + 0CH=64 + 1 + 51 + 12=128 (sum)
128 (sum) ÷ 128 = 0 (quotient) ... 0 (remainder)

checksum = 128 - 0 (remainder) = 128 = 80H
In this case, however, the checksum value should be 00H, not 80H. You should
use 00H if the remainder is 0. This means that F0 41 10 42 12 40 01 33 0C 00
F7 is the message we transmit.

Setting REVERB LEVEL to “12”

● About the Tuning

In MIDI, individual Parts are tuned by sending RPN #1 (Master Fine Tuning) to
the appropriate MIDI channel.
In MIDI, an entire device is tuned by either sending RPN #1 to all MIDI channels
being used, or by sending a System Exclusive MASTER TUNE (address 40 00
00H).
RPN #1 allows tuning to be specified in steps of approximately 0.012 cents (to
be precise, 100/8192 cent), and System Exclusive MASTER TUNE allows tun­ing in steps of 0.1 cent. One cent is 1/100th of a semitone.
The values of RPN #1 (Master Fine Tuning) and System Exclusive MASTER
TUNE are added together to determine the actual pitch sounded by each Part.
Frequently used tuning values are given in the following table for your refer­ence. Values are in hexadecimal (decimal in parentheses).

Hz at A4 cents RPN #1 Sys.Ex. 40 00 00

445.0 +19.56 4C 43 ([phone]C 04 (+196)

444.0 +15.67 4A 03 ([phone]D (+157)

443.0 +11.76 47 44 (+ 964) 00 04 07 06 (+118)

442.0 + 7.85 45 03 (+ 643) 00 04 04 0F (+79)

441.0 + 3.93 42 42 (+ 322) 00 04 02 07 (+39)

440.0 0 40 00 (0) 00 04 00 00 (0)

439.0 - 3.94 3D 3D (- 323) 00 03 0D 09 (–39)

438.0 - 7.89 3A 7A (- 646) 00 03 0B 01 (–79)

[Example]

Send RPN#1 to MIDI channel 3. From the above table, the value is 45 03H.

Setting the tuning of MIDI channel 3 to A4 = 442.0 Hz

B2 64 00 MIDI ch.3, lower byte of RPN parameter number: 00H

(B2) 65 01 (MIDI ch.3) upper byte of RPN parameter number: 01H

(B2) 06 45 (MIDI ch.3) upper byte of parameter value: 45H

(B2) 26 03 (MIDI ch.3) lower byte of parameter value: 03H

(B2) 64 7F (MIDI ch.3) lower byte of RPN parameter number: 7FH

(B2) 65 7F (MIDI ch.3) upper byte of RPN parameter number: 7FH

● The Scale Tune Feature (address: 40 1x 40 or 50 1X 40)

The scale Tune feature allows you to finely adjust the individual pitch of the
notes from C through B. Though the settings are made while working with one
octave, the fine adjustments will affect all octaves. By making the appropriate
Scale Tune settings, you can obtain a complete variety of tuning methods other
than equal temperament. As examples, three possible types of scale setting
are explained below.

Equal Temperament

❍

This method of tuning divides the octave into 12 equal parts. It is currently the
most widely used form of tuning, especially in occidental music. On the BK-7m,
the default settings for the Scale Tune feature produce equal temperament.

Just Temperament (Tonic of C)

❍

The principal triads resound much more beautifully than with equal tempera­ment, but this benefit can only be obtained in one key. If transposed, the chords
tend to become ambiguous. The example given involves settings for a key in
which C is the keynote.

Arabic Scale

❍

By altering the setting for Scale Tune, you can obtain a variety of other tunings
suited for ethnic music. For example, the settings introduced below will set the
unit to use the Arabic scale.

16

BK-7m MIDI Implementation

Example Settings

Note name Equal Temperament

C# 0 –8 +45

D# 0 +16 -12

F# 0 –10 +43

G# 0 +14 +47

A# 0 +14 –10

The values in the table are given in cents. Refer to the explanation of Scale
Tuning on page 14 to convert these values to hexadecimal, and transmit them
as Exclusive data. For example, to set the tune (C-B) of the Part1 Arabian
Scale, send the following data:
F0 41 10 42 12 40 11 40 3A 6D 3E 34 0D 38 6B 3C 6F 40 36 0F 76 F70

Just Temperament

(Keytone C)

C0 0–6

D0 +4–2

E0 –14 –51
F0 –2–8

G0 +2–4

A0 –16 0

B0 –12 –49

Arabic Scale

INDIVIDUAL PARAMETER
TRANSMISSION XV GENERATION
(Model ID BK-7m= 00H, 00H, 54H)

Individual Parameter Transmission transmits data (or requests data) for one
parameter as one exclusive message (one packet of “F0…F7”).
In Individual Parameter Transmission, you must use the Address and Size list­ed in the following “Parameter Address Map”. Addresses marked at "#" cannot
be used as starting addresses.

■ System Exclusive messages

Data Set 1 (DT1) is the only System Exclusive messages transmitted by the
BK-7m.

● Data set 1 DT1 (12H)

Status
F0H 41H, dev, 00H, 00H, 54H, 12H, aaH, bbH, ccH, ddH,

Byte
F0H Exclusive status

41H ID number (Roland)
dev Device ID (dev: 00H ~ 1FH, Initial value is 10H)

12H Command ID (DT1)
aaH Address MSB: upper byte of the starting address of the

bbH Address: middle 1 byte of the starting address of the

ccH Address: middle 2 byte of the starting address of the

ddH Address LSB: lower byte of the starting address of the

eeH Data: the actual data to be sent. Multiple bytes of data

: :
ffH Data
sum Checksum
F7H EOX (End Of Exclusive)

• The amount of data that can be transmitted at one time depends on the

•Data larger than 128 bytes will be divided into packets of 128 bytes or

•Regarding the checksum, please refer to page 16.

Setup

❍

Offset Address Description

01 00 00 33 0000 000a MFX Switch (0 - 1) BYPASS, ON
01 00 00 3C 0000 000a MFX A Switch (0 - 1) OFF, ON
01 00 00 3D 0000 000a MFX B Switch (0 - 1) OFF, ON

01 00 00 3E 0000 000a MFX C Switch (0 - 1) OFF, ON
01 00 00 36 0000 000a Chorus Switch (0 - 1) OFF, ON
01 00 00 37 0000 000a Reverb Switch (0 - 1) OFF, ON

Data byte Status

F7H

eeH, ... ffH, sum
Explanation

00H, 00H, 54H Model ID (BK-7m)

data to be sent

data to be sent

data to be sent

data to be sent.

are transmitted in order starting from the address.

type of data, and data will be transmitted from the specified starting
address and size.

less, and each packet will be sent at an interval of about 40 ms.

❍

Common MFX (Tone part effects)

Offset Address Description

18 00 02 00 0aaa aaaa MFX Type (0 - 83)
18 00 02 01 0aaa aaaa MFX Dry Send Level (0 - 127)
18 00 02 02 0aaa aaaa MFX Chorus Send Level (0 - 127)
18 00 02 03 0aaa aaaa MFX Reverb Send Level (0 - 127)
18 00 02 05 0aaa aaaa MFX Control 1 Source (0 - 101)

18 00 02 06 0aaa aaaa MFX Control 1 Sens (1 - 127)

18 00 02 07 0aaa aaaa MFX Control 2 Source (0 - 101)

18 00 02 08 0aaa aaaa MFX Control 2 Sens (1 - 127)

18 00 02 09 0aaa aaaa MFX Control 3 Source (0 - 101)

18 00 02 0A 0aaa aaaa MFX Control 3 Sens (1 - 127)

18 00 02 0B 0aaa aaaa MFX Control 4 Source (0 - 101)

18 00 02 0C 0aaa aaaa MFX Control 4 Sens (1 - 127)

18 00 02 0D 000a aaaa MFX Control Assign 1 (0 - 16) OFF, 1 - 16
18 00 02 0E 000a aaaa MFX Control Assign 2 (0 - 16) OFF, 1 - 16
18 00 02 0F 000a aaaa MFX Control Assign 3 (0 - 16) OFF, 1 - 16
18 00 02 10 000a aaaa MFX Control Assign 4 (0 - 16) OFF, 1 - 16

#18 00 02 11 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 1 (12768~52768)

#18 00 02 15 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 2 (12768~52768)

#18 00 02 19 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 3 (12768~52768)

#18 00 02 1D 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 4 (12768~52768)

#18 00 02 21 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 5 (12768~52768)

#18 00 02 25 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 6 (12768~52768)

#18 00 02 29 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 7 (12768~52768)

#18 00 02 2D 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 8 (12768~52768)

#18 00 02 31 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 9 (12768~52768)

#18 00 02 35 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 10 (12768~52768)

#18 00 02 39 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 11 (12768~52768)

OFF, CC01 - CC31, CC33 - CC95, BEND,

AFT, SYS1 - SYS4

–63~+63

OFF, CC01 - CC31, CC33 - CC95, BEND,

AFT, SYS1 - SYS4

-63 - +63

OFF, CC01 - CC31, CC33 - CC95, BEND,

AFT, SYS1 - SYS4

-63 - +63

OFF, CC01 - CC31, CC33 - CC95, BEND,

AFT, SYS1 - SYS4

-63 - +63

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

17

BK-7m MIDI Implementation

#18 00 02 3D 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 12 (12768~52768)

#18 00 02 41 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 13 (12768~52768)

#18 00 02 45 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 14 (12768~52768)

#18 00 02 49 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 15 (12768~52768)

#18 00 02 4D 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 16 (12768~52768)

#18 00 02 51 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 17 (12768~52768)

#18 00 02 55 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 18 (12768~52768)

#18 00 02 59 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 19 (12768~52768)

#18 00 02 5D 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 20 (12768~52768)

#18 00 02 61 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 21 (12768~52768)

#18 00 02 65 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 22 (12768~52768)

#18 00 02 69 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 23 (12768~52768)

#18 00 02 6D 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 24 (12768~52768)

#18 00 02 71 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 25 (12768~52768)

#18 00 02 75 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 26 (12768~52768)

#18 00 02 79 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 27 (12768~52768)

#18 00 02 7D 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 28 (12768~52768)

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

#18 00 03 01 0000 aaaa

#18 00 03 05 0000 aaaa

#18 00 03 09 0000 aaaa

#18 00 03 0D 0000 aaaa

❍

Common MFX A (Makeup Tools)

Offset Address Description

18 00 72 00 0aaa aaaa MFX A Type (0 - 83)
18 00 72 01 0aaa aaaa MFX A Dry Send Level (0 - 127)
18 00 72 02 0aaa aaaa MFX A Chorus Send Level (0 - 127)
18 00 72 03 0aaa aaaa MFX A Reverb Send Level (0 - 127)
18 00 72 05 0aaa aaaa MFX A Control 1 Source (0 - 101)

18 00 72 06 0aaa aaaa MFX A Control 1 Sens (1 - 127)

18 00 72 07 0aaa aaaa MFX A Control 2 Source (0 - 101)

18 00 72 08 0aaa aaaa MFX A Control 2 Sens (1 - 127)

18 00 72 09 0aaa aaaa MFX A Control 3 Source (0 - 101)

18 00 72 0A 0aaa aaaa MFX A Control 3 Sens (1 - 127)

18 00 72 0B 0aaa aaaa MFX A Control 4 Source (0 - 101)

18 00 72 0C 0aaa aaaa MFX A Control 4 Sens (1 - 127)

18 00 72 0D 000a aaaa MFX A Control Assign 1(0 - 16) OFF, 1 - 16
18 00 72 0E 000a aaaa MFX A Control Assign 2(0 - 16) OFF, 1 - 16
18 00 72 0F 000a aaaa MFX A Control Assign 3 (0 - 16) OFF, 1 - 16
18 00 72 10 000a aaaa MFX A Control Assign 4(0 - 16) OFF, 1 - 16

#18 00 72 11 0000 aaaa

#18 00 72 15 0000 aaaa

#18 00 72 19 0000 aaaa

#18 00 72 1D 0000 aaaa

#18 00 72 21 0000 aaaa

#18 00 72 25 0000 aaaa

#18 00 72 29 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 29 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 30 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 31 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 32 (12768~52768)

–20000~+20000

OFF, CC01 - CC31, CC33 - CC95, BEND,

AFT, SYS1 - SYS4

–63~+63

OFF, CC01 - CC31, CC33 - CC95, BEND,

AFT, SYS1 - SYS4

-63 - +63

OFF, CC01 - CC31, CC33 - CC95, BEND,

AFT, SYS1 - SYS4

-63 - +63

OFF, CC01 - CC31, CC33 - CC95, BEND,

AFT, SYS1 - SYS4

-63 - +63

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 1 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 2 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 3 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 4 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 5 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 6 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 7 (12768~52768)

–20000~+20000

18

BK-7m MIDI Implementation

#18 00 72 2D 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 8 (12768~52768)

#18 00 72 31 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 9 (12768~52768)

#18 00 72 35 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 10 (12768~52768)

#18 00 72 39 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 11 (12768~52768)

#18 00 72 3D 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 12 (12768~52768)

#18 00 72 41 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 13 (12768~52768)

#18 00 72 45 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 14 (12768~52768)

#18 00 72 49 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 15 (12768~52768)

#18 00 72 4D 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 16 (12768~52768)

#18 00 72 51 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 17 (12768~52768)

#18 00 72 55 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 18 (12768~52768)

#18 00 72 59 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 19 (12768~52768)

#18 00 72 5D 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 20 (12768~52768)

#18 00 72 61 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 21 (12768~52768)

#18 00 72 65 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 22 (12768~52768)

#18 00 72 69 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 23 (12768~52768)

#18 00 72 6D 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 24 (12768~52768)

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

#18 00 72 71 0000 aaaa

#18 00 72 75 0000 aaaa

#18 00 72 79 0000 aaaa

#18 00 72 7D 0000 aaaa

#18 00 73 01 0000 aaaa

#18 00 73 05 0000 aaaa

#18 00 73 09 0000 aaaa

#18 00 73 0D 0000 aaaa

❍

Common MFX B (Makeup Tools)

Offset Address Description

18 00 74 00 0aaa aaaa MFX B Type (0 - 83)
18 00 74 01 0aaa aaaa MFX B Dry Send Level (0 - 127)
18 00 74 02 0aaa aaaa MFX B Chorus Send Level (0 - 127)
18 00 74 03 0aaa aaaa MFX B Reverb Send Level (0 - 127)
18 00 74 05 0aaa aaaa MFX B Control 1 Source (0 - 101)

18 00 74 06 0aaa aaaa MFX B Control 1 Sens (1 - 127)

18 00 74 07 0aaa aaaa MFX B Control 2 Source (0 - 101)

18 00 74 08 0aaa aaaa MFX B Control 2 Sens (1 - 127)

18 00 74 09 0aaa aaaa MFX B Control 3 Source (0 - 101)

18 00 74 0A 0aaa aaaa MFX B Control 3 Sens (1 - 127)

18 00 74 0B 0aaa aaaa MFX B Control 4 Source (0 - 101)

18 00 74 0C 0aaa aaaa MFX B Control 4 Sens (1 - 127)

18 00 74 0D 000a aaaa MFX B Control Assign 1(0 - 16) OFF, 1 - 16
18 00 74 0E 000a aaaa MFX B Control Assign 2(0 - 16) OFF, 1 - 16
18 00 74 0F 000a aaaa MFX B Control Assign 3 (0 - 16) OFF, 1 - 16
18 00 74 10 000a aaaa MFX B Control Assign 4(0 - 16) OFF, 1 - 16

#18 00 74 11 0000 aaaa

#18 00 74 15 0000 aaaa

#18 00 74 19 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 25 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 26 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 27 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 28 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 29 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 30 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 31 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 32 (12768~52768)

–20000~+20000

OFF, CC01 - CC31, CC33 - CC95, BEND,

AFT, SYS1 - SYS4

–63~+63

OFF, CC01 - CC31, CC33 - CC95, BEND,

AFT, SYS1 - SYS4

-63 - +63

OFF, CC01 - CC31, CC33 - CC95, BEND,

AFT, SYS1 - SYS4

-63 - +63

OFF, CC01 - CC31, CC33 - CC95, BEND,

AFT, SYS1 - SYS4

-63 - +63

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 1 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 2 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 3 (12768~52768)

–20000~+20000

19

BK-7m MIDI Implementation

#18 00 74 1D 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 4 (12768~52768)

#18 00 74 21 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 5 (12768~52768)

#18 00 74 25 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 6 (12768~52768)

#18 00 74 29 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 7 (12768~52768)

#18 00 74 2D 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 8 (12768~52768)

#18 00 74 31 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 9 (12768~52768)

#18 00 74 35 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 10 (12768~52768)

#18 00 74 39 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 11 (12768~52768)

#18 00 74 3D 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 12 (12768~52768)

#18 00 74 41 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 13 (12768~52768)

#18 00 74 45 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 14 (12768~52768)

#18 00 74 49 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 15 (12768~52768)

#18 00 74 4D 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 16 (12768~52768)

#18 00 74 51 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 17 (12768~52768)

#18 00 74 55 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 18 (12768~52768)

#18 00 74 59 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 19 (12768~52768)

#18 00 74 5D 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 20 (12768~52768)

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

#18 00 74 61 0000 aaaa

#18 00 74 65 0000 aaaa

#18 00 74 69 0000 aaaa

#18 00 74 6D 0000 aaaa

#18 00 74 71 0000 aaaa

#18 00 74 75 0000 aaaa

#18 00 74 79 0000 aaaa

#18 00 74 7D 0000 aaaa

#18 00 75 01 0000 aaaa

#18 00 75 05 0000 aaaa

#18 00 75 09 0000 aaaa

#18 00 75 0D 0000 aaaa

❍

Common MFX C (Makeup Tools)

Offset Address Description

18 00 76 00 0aaa aaaa MFX C Type (0 - 83)
18 00 76 01 0aaa aaaa MFX C Dry Send Level (0 - 127)
18 00 76 02 0aaa aaaa MFX C Chorus Send Level (0 - 127)
18 00 76 03 0aaa aaaa MFX C Reverb Send Level (0 - 127)
18 00 76 05 0aaa aaaa MFX C Control 1 Source (0 - 101)

18 00 76 06 0aaa aaaa MFX C Control 1 Sens (1 - 127)

18 00 76 07 0aaa aaaa MFX C Control 2 Source (0 - 101)

18 00 76 08 0aaa aaaa MFX C Control 2 Sens (1 - 127)

18 00 76 09 0aaa aaaa MFX C Control 3 Source (0 - 101)

18 00 76 0A 0aaa aaaa MFX C Control 3 Sens (1 - 127)

18 00 76 0B 0aaa aaaa MFX C Control 4 Source (0 - 101)

18 00 76 0C 0aaa aaaa MFX C Control 4 Sens (1 - 127)

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 21 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 22 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 23 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 24 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 25 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 26 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 27 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 28 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 29 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 30 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 31 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 32 (12768~52768)

–20000~+20000

OFF, CC01 - CC31, CC33 - CC95, BEND,

AFT, SYS1 - SYS4

–63~+63

OFF, CC01 - CC31, CC33 - CC95, BEND,

AFT, SYS1 - SYS4

-63 - +63

OFF, CC01 - CC31, CC33 - CC95, BEND,

AFT, SYS1 - SYS4

-63 - +63

OFF, CC01 - CC31, CC33 - CC95, BEND,

AFT, SYS1 - SYS4

-63 - +63

20

BK-7m MIDI Implementation

18 00 76 0D 000a aaaa MFX C Control Assign 1(0 - 16) OFF, 1 - 16

18 00 76 0E 000a aaaa MFX C Control Assign 2(0 - 16) OFF, 1 - 16
18 00 76 0F 000a aaaa MFX C Control Assign 3(0 - 16) OFF, 1 - 16
18 00 76 10 000a aaaa MFX C Control Assign 4(0 - 16) OFF, 1 - 16

#18 00 76 11 0000 aaaa

#18 00 76 15 0000 aaaa

#18 00 76 19 0000 aaaa

#18 00 76 1D 0000 aaaa

#18 00 76 21 0000 aaaa

#18 00 76 25 0000 aaaa

#18 00 76 29 0000 aaaa

#18 00 76 2D 0000 aaaa

#18 00 76 31 0000 aaaa

#18 00 76 35 0000 aaaa

#18 00 76 39 0000 aaaa

#18 00 76 3D 0000 aaaa

#18 00 76 41 0000 aaaa

#18 00 76 45 0000 aaaa

#18 00 76 49 0000 aaaa

#18 00 76 4D 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 1 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 2 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 3 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 4 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 5 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 6 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 7 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 8 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 9 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 10 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 11 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 12 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 13 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 14 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 15 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 16 (12768~52768)

–20000~+20000

#18 00 76 51 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 17 (12768~52768)

–20000~+20000

#18 00 76 55 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 18 (12768~52768)

–20000~+20000

#18 00 76 59 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 19 (12768~52768)

–20000~+20000

#18 00 76 5D 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 20 (12768~52768)

–20000~+20000

#18 00 76 61 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 21 (12768~52768)

–20000~+20000

#18 00 76 65 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 22 (12768~52768)

–20000~+20000

#18 00 76 69 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 23 (12768~52768)

–20000~+20000

#18 00 76 6D 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 24 (12768~52768)

–20000~+20000

#18 00 76 71 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 25 (12768~52768)

–20000~+20000

#18 00 76 75 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 26 (12768~52768)

–20000~+20000

#18 00 76 79 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 27 (12768~52768)

–20000~+20000

#18 00 76 7D 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 28 (12768~52768)

–20000~+20000

#18 00 77 01 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 29 (12768~52768)

–20000~+20000

#18 00 77 05 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 30 (12768~52768)

–20000~+20000

#18 00 77 09 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 31 (12768~52768)

–20000~+20000

#18 00 77 0D 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX C Parameter 32 (12768~52768)

–20000~+20000

•See the table on page 13 for the “X” value.

21

❍

Style/Song Part Equalizer

Offset Address Description

18 00 2x 44 0000 000a Equalizer Switch (0~1)

18 00 2x 45 0000 0aaa Equalizer Low Freq (0~5)

18 00 2x 46 000a aaaa Equalizer Low Gain (0~30)

18 00 2x 47 000a aaaa Equalizer Mid Freq (0~16)

1250, 1600, 2000, 2500, 3150, 4000, 5000,

18 00 2x 48 000a aaaa Equalizer Mid Gain (0~30)

18 00 2x 49 0000 0aaa Equalizer Mid Q (0~4)

18 00 2x 4A 0000 0aaa Equalizer Hi Freq (0~6)

18 00 2x 4B 000a aaaa Equalizer High Gain (0~30)

❍

Keyboard Part Equalizer

Offset Address Description

18 00 2x 44 0000 000a Equalizer Switch (0~1)

18 00 2x 45 0000 0aaa Equalizer Low Freq (0~5)

18 00 2x 46 000a aaaa Equalizer Low Gain (0~30)

18 00 2x 47 000a aaaa Equalizer Mid Freq (0~16)

18 00 2x 48 000a aaaa Equalizer Mid Gain (0~30)

18 00 2x 49 0000 0aaa Equalizer Mid Q (0~4)

18 00 2x 4A 0000 0aaa Equalizer Hi Freq (0~6)

18 00 2x 4B 000a aaaa Equalizer High Gain (0~30)

❍

Common Chorus

Offset Address Description

18 00 04 00 0000 aaaa Chorus Type (0~3)
18 00 04 01 0aaa aaaa Chorus Level (0~127)
18 00 04 03 0000 00aa Chorus Output Select (0~2)

#18 00 04 04 0000 aaaa

#18 00 04 08 0000 aaaa

#18 00 04 0C 0000 aaaa

#18 00 04 10 0000 aaaa

#18 00 04 14 0000 aaaa

#18 00 04 18 0000 aaaa

#18 00 04 1C 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd Chorus Parameter 1 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd Chorus Parameter 2 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd Chorus Parameter 3 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd Chorus Parameter 4 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd Chorus Parameter 5 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd Chorus Parameter 6 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd Chorus Parameter 7 (12768~52768)

1500, 2000, 3000, 4000, 6000, 8000, 12000

1250, 1600, 2000, 2500, 3150, 4000, 5000,

1500, 2000, 3000, 4000, 6000, 8000, 12000

90, 150, 180, 300, 360, 600 [Hz]

200, 250, 315, 400, 500, 630, 800, 1000,

0.5, 1.0, 2.0, 4.0, 8.0

90, 150, 180, 300, 360, 600 [Hz]

200, 250, 315, 400, 500, 630, 800, 1000,

0.5, 1.0, 2.0, 4.0, 8.0

MAIN, REV, MAIN+REV

OFF, ON

–15~+15 [dB]

6300, 8000 [Hz]

–15~+15 [dB]

–15~+15 [dB]

OFF, ON

–15~+15 [dB]

6300, 8000 [Hz]

–15~+15 [dB]

–15~+15 [dB]

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

BK-7m MIDI Implementation

#18 00 04 20 0000 aaaa

#18 00 04 24 0000 aaaa

#18 00 04 28 0000 aaaa

#18 00 04 2C 0000 aaaa

[Hz]

#18 00 04 30 0000 aaaa

#18 00 04 34 0000 aaaa

#18 00 04 38 0000 aaaa

#18 00 04 3C 0000 aaaa

[Hz]

#18 00 04 40 0000 aaaa

#18 00 04 44 0000 aaaa

#18 00 04 48 0000 aaaa

#18 00 04 4C 0000 aaaa

#18 00 04 50 0000 aaaa

❍

Common Reverb

Offset Address Description

18 00 06 00 0000 aaaa Reverb Type (0~5)
18 00 06 01 0aaa aaaa Reverb Level (0~127)

#18 00 06 03 0000 aaaa

#18 00 06 07 0000 aaaa

#18 00 06 0B 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd Chorus Parameter 8 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd Chorus Parameter 9 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd Chorus Parameter 10 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd Chorus Parameter 11 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd Chorus Parameter 12 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd Chorus Parameter 13 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd Chorus Parameter 14 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd Chorus Parameter 15 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd Chorus Parameter 16 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd Chorus Parameter 17 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd Chorus Parameter 18 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd Chorus Parameter 19 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd Chorus Parameter 20 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 1 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 2 (12768~52768)

–20000~+20000

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 3 (12768~52768)

–20000~+20000

22

BK-7m MIDI Implementation

#18 00 06 0F 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 4 (12768~52768)

#18 00 06 13 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 5 (12768~52768)

#18 00 06 17 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 6 (12768~52768)

#18 00 06 1B 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 7 (12768~52768)

#18 00 06 1F 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 8 (12768~52768)

#18 00 06 23 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 9 (12768~52768)

#18 00 06 27 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 10 (12768~52768)

#18 00 06 2B 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 11 (12768~52768)

#18 00 06 2F 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 12 (12768~52768)

#18 00 06 33 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 13 (12768~52768)

#18 00 06 37 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 14 (12768~52768)

#18 00 06 3B 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 15 (12768~52768)

#18 00 06 3F 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 16 (12768~52768)

#18 00 06 43 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 17 (12768~52768)

#18 00 06 47 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 18 (12768~52768)

#18 00 06 4B 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 19 (12768~52768)

#18 00 06 4F 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 20 (12768~52768)

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

–20000~+20000

23

BK-7m MIDI Implementation

MIDI Implementation Chart

[Backing Module] Date: July 2011
Model: BK-7m Version: 1.00

Function... Transmitted Recognized Remarks

Basic
Channel

Mode

Note
Number True Voice

Vel ocity

After
Touch

Pitch Bend O *1 O *1

Control
Change

Program
Change True #

System Exclusive O *1 O *1

System
Common

System
Real Time

Aux
Messages

Notes

Mode 1: OMNI ON, POLY
Mode 3: OMNI OFF, POLY

Default
Changed

Default
Message
Altered

Note ON
Note OFF

Key’s
Ch’s

100, 101

Song Position Pointer
Song Sel
Tune

Clock
Commands

All Sounds Off
Reset All Controllers
Local On/Off
All Notes Off
Active Sensing
Reset

0,32

6, 38

10
11
16
17
18
64
65
66
67
69
71
72
73
74
75
76
77
78
80
81
84
91
93

98, 99

1~16
1~16, Off

Mode 3
Mode 3, 4 (M=1)
*****

0~127
*****

O
X

O
O

O*1

1

O*1

5

O
O

7

O*1
O*1
O*1
O
O
O
O*1
O
O*1
O*1
O
O
O
O
O
O
O
O
O
O
O
O
O*1
O*1
O*1
O*1

O*1
*****

O*1
X
X

O*1
O*1

X
X
O*1
X
O
X

*1 O X is selectable
*2 Recognized as M= 1 even if M≠ 1

Mode 2: OMNI ON, MONO
Mode 4: OMNI OFF, MONO

1~16
1~16, Off

Mode 3
Mode 3, 4 (M=1) *2

0~127
0~127

O
X

O*1
O*1

O *1
O*1
O
O*1
O*1
O*1
O*1
O
O
O
O*1
O*1
O*1
O*1
O
O
O
O
O
O
O
O
O
O
O
O
O (Reverb) *1
O (Chorus) *1
O*1
O*1

O*1
0~127

O
X
X

O
O

O (120, 126, 127)
O (121)
O (Song parts)
O (123-125)
O
X

Bank Select
Modulation
Portamento Time
Data Entry
Vol um e
Panpot
Expression
Noise Level
Play Stability
Growl Sens
Hold 1
Portamento
Sostenuto
Soft
Hold 2
Resonance
Realease Time
Attack Time
Cutoff
Decay Time
Vibrato Rate
Vibrato Depth
Vibrato Delay
Staccato
Fall
Portamento Control
Effect 1 Depth
Effect 3 Depth
NRPN LSB, MSB
RPN LSB, MSB

Program Number 1~128

O: Yes
X: No

24