Product Information Document
Digital
PRO SERIES
PRO1-IP
Live Digital Console with 48 Input Channels,
24 MIDAS Microphone Preampliers,
27 Mix Buses and 96 kHz Sample Rate
Live performance digital console
with up to 48 simultaneous
input channels
24 award-winning MIDAS
microphone preampliers
27 time-aligned and phase-coherent
mix buses
AES50 networking allows up to
172 inputs and 172 outputs @ 96 kHz
sample rate
8 VCA (Variable Control Association)
and 6 POPulation groups
Up to 28 assignable 1/3 octave
KLARK TEKNIK DN370 graphic
equalisers
Up to 6 multi-channel digital signal
processing eects engines
18 MIDAS PRO motorised
100 mm faders
Daylight viewable 15” full colour
TFT display screen
Fully interpolated touch
sensitive controls
Optional wireless remote control
with MIDAS MIXTENDER App
for iPad*
Auto-ranging universal switch-mode
power supply
The ground breaking PRO1 features
48 simultaneous input channels with
24 award-winning MIDAS Microphone
Preampliers and 27 time-aligned
and phase-coherent mix buses in an
all-new lightweight aluminium frame.
Like all PRO Series consoles, the PRO1
features managed latency and 40 bit
oating point processing precision.
Designed for use in high-prole live
sound applications, the PRO1 sets a
new standard of performance and portability in a compact digital console
form factor.
AES50 audio networking technology allows the PRO1 to dynamically
assign up to 172 inputs and 172 outputs at 96 kHz sample rate to any of its
input channels and bus outputs on a scene-by-scene basis. This high level
of connectivity, coupled with the large channel and bus counts, makes the
PRO1 equally at home in theatres and clubs as it is in live concert touring,
outside broadcast and music festivals.
10-Year Warranty Program*
Designed and engineered in the U.K.
*iPad is a trad emark of Apple Inc . All third-par ty trademar ks are the
proper ty of their respe ctive owners . Their use neith er constitutes a
claim of the tr ademark nor ali ation of the trade mark owners with
MUSIC Tribe. Prod uct names are men tioned solely a s a reference for
compatibi lity, eects and /or components. Wa rranty detail s can be
found at musi ctri.be.
Product Information Document
Digital
PRO SERIES
PRO1-IP
Live Digital Console with 48 Input Channels,
24 MIDAS Microphone Preampliers,
27 Mix Buses and 96 kHz Sample Rate
Award-Winning MIDAS Mic Preamplier
The MIDAS microphone preamplier is considered by leading live sound and recording engineers
to be the very essence of the famous MIDAS sound. More than 40 years of design experience paired
with the nest choice of premium-grade components lead to the acclaimed warmth and depth bringing out subtle ambience, maintaining spatial positioning and more eectively capturing a
precise sound image. The acclaimed sound of the award-winning MIDAS microphone preamplier
has inspired generations of live sound engineers to their best work, creating sonic panoramas that
have captivated audiences worldwide.
Since pristine sound always begins with the microphone preamplier, the rst point where the
signal enters the console, PRO1 features the latest generation of MIDAS microphone preampliers,
which faithfully reproduce every sonic detail so no part of a performance will ever be missed.
Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of
this classic design.
Over the years many mix engineers have found this robust and overload-tolerant design takes on a
whole new dimension of sound when driven hard, the crystal-clear audiophile reproduction giving
way to just the right combination of harmonics, a warm and organic sound heard by millions of
concert goers and recorded for posterity on countless live albums over the years.
Digital Audio Networking
SuperMAC (AES50-Compliant) digital audio networking technology from KLARK TEKNIK
simultaneously provides high channel counts, ultra low and deterministic latencies,
sample-synchronous and phase-aligned networked clock distribution, error detection and
correction, network redundancy, and ease of deployment and use – to meet the demanding
requirements of live concert touring.
PRO1 is compatible with all MIDAS PRO Series digital I/O units, as well as with any other 96 kHzenabled AES50-equipped devices. Multiple PRO Series consoles can be connected together to create
either larger mixing systems, or multiple discrete mixing consoles can share a common resource of
networked and distributed I/O interfaces.
2 of 11
Product Information Document
Digital
PRO SERIES
PRO1-IP
Live Digital Console with 48 Input Channels,
24 MIDAS Microphone Preampliers,
27 Mix Buses and 96 kHz Sample Rate
Advanced Navigation Flexibility
At the heart of MIDAS Pro Series console navigation is the VCA and POPulation groups, which mirror
the natural work ow used by mix engineers and encourages the development of a mental picture,
or “Mind Map”, of the whole system. Only the required control elements and associated feedback are
presented, allowing users to adopt structured task-based workows, rather than being presented
with an overwhelming ‘sea of knobs’.
Integrated Eects Processors and Graphic Equalisers
The PRO1 can simultaneously provide up to 6 multi-channel digital signal processing engines for a
wide choice of virtual eect devices, which range from dual-mono delay units, stereo modulation
and numerous diverse reverberation simulations, multi-band compression, dynamic EQ and
multi-channel dual-function dynamics processing. Up to 28 1/3 octave KLARK TEKNIK DN370
Graphic Equalisers (GEQs) are provided, which can be patched into any output.
PRO1 provides comprehensive automatic latency management of all internal routing and processing
delays – and also includes compensation for external analogue inserts. All audio samples are
synchronised before summing, resulting in absolute phase coherence at the outputs, without the
comb ltering eects of many of its Competitor’s products that often result in specic frequencies
being cancelled out completely.
All eects processors and GEQs are custom-designed to function within this automatic latency
compensation system. This ensures a phase-coherent, sample-accurate mix regardless of whether
the devices are used as channel inserts or on auxiliary buses.
3 of 11
Product Information Document
Digital
PRO SERIES
PRO1-IP
Live Digital Console with 48 Input Channels,
24 MIDAS Microphone Preampliers,
27 Mix Buses and 96 kHz Sample Rate
MIDAS PRO Fader
Not satised with the existing motorised fader choices in the marketplace, MIDAS created the
PRO FADER, rated for up to a million cycles – three times that of other leading manufacturers - and
providing high linearity, robustness, and smooth feel during operation. This decision yielded many
other benets, including total quality control over the manufacturing process and lower costs that
could be passed on to customers.
As a digital console manufacturer, MIDAS has a perspective on the actual application of motor
faders that a component manufacturer would not have. The multi-disciplinary development project
combined mechanical design, electronic hardware and software optimisation with a rigorous testing
programme and an investment in material science to produce the best possible performance in
actual operation in MIDAS PRO Series consoles. Semi-precious metals are used for the wiper ngers
for their hard-wearing properties, and precision resistive tracks were created that oer highly linear
positional accuracy, coupled with long-term durability and even response in use.
Highest Quality Display Screen
The PRO1 features a 15" full colour daylight-viewable TFT display for use in all environments,
both inside and outdoors. The display provides visual feedback for the entire system, pressing the
HOME key (just to the left of the assignable controls) instantly navigates to the console overview
page, which keeps all vital information (all metering, all fader positions, mutes and solos) in view at
all times.
Digital Precision, Analogue Response
The oversampled digital signal processing algorithms, combined with the fully interpolated and
touch sensitive user controls, result in the smooth continuous response and immediacy of working
on an analogue console. Parameter adjustment becomes fast and easy and the continuous phase
shift of a swept frequency control is heard without the quantisation artefacts exhibited by competing
digital consoles.
4 of 11
Product Information Document
Digital
PRO SERIES
PRO1-IP
Live Digital Console with 48 Input Channels,
24 MIDAS Microphone Preampliers,
27 Mix Buses and 96 kHz Sample Rate
Wireless Remote Control
Delivering unprecedented control and mobility, the MIXTENDER App for iPad* combines control
of key functions with the highly responsive system metering, allowing users to take control of
PRO1 from an iPad anywhere in a venue. Support for multiple simultaneous iPads allows FOH and
monitor engineers to work collaboratively, enhancing productivity and communication, as well as
saving valuable time during set-up.
The MIXTENDER App for iPad is available as a free download from the Apple App Store.
Auto-Ranging Universal Switch-Mode Power Supply
The PRO1 power supply, which is interchangeable with those in PRO2 and PRO2C, is auto-voltage
sensing for use on a worldwide basis and is externally removable for easy eld service in the unlikely
event of a replacement being required.
You Are Covered
We always strive to provide the best possible Customer Experience. Our products are made in our
own MUSIC Tribe factory using state-of-the-art automation, enhanced production workows and
quality assurance labs with the most sophisticated test equipment available in the world. As a result,
we have one of the lowest product failure rates in the industry, and we condently back it up with a
generous Warranty program.
5 of 11
Product Information Document
Digital
PRO SERIES
PRO1-IP
Live Digital Console with 48 Input Channels,
24 MIDAS Microphone Preampliers,
27 Mix Buses and 96 kHz Sample Rate
Dimensions
685 [27.0]
22°
420 [16.5] 44 [1.7]
722 [28.4]
TOP
CL
584 [23.0]
FRONT
168 [6.6]
SIDE
289 [11.4]
58 [2.3]
6 of 11
Product Information Document
Digital
PRO SERIES
PRO1-IP
Live Digital Console with 48 Input Channels,
24 MIDAS Microphone Preampliers,
27 Mix Buses and 96 kHz Sample Rate
Technical Specications
System Specications
Sampling frequency 96 kHz
Latency <2 ms input to master (no compensation)
Dynamic range 107 dB, 22 Hz to 22 kHz (no pre-emphasis)
Maximum voltage gain 80 dB inputs to subgroups and master s
86 dB inputs to aux and matrix
Crosstalk at 1 kHz -100 dB physically adjacent input channels
Crosstalk at 10 kHz -90 dB physically adjacent input channels
Fader/pan cut off at 1 kHz -10 0 dB
Fader/pan cut off at 10 kHz -10 0 dB
Display screen 1 x 15" daylight-viewable colour screen
Dimensions (W x D x H) 685 x 722 x 288.6 mm
(27.0 x 28.4 x 11.4")
Net weight PRO1 control centre: 21.5 kg
Shipping weight Touring (in ight case): 97.5 kg
Install (in carton): 28.7 kg
Power requirements 100 V to 240 V a.c. ±10%, 50 to 60 Hz
Operating temperature range +5°C to +45°C
Storage temperature range -20°C to +60°C
Gain Error at 1 kHz
Input Output Gain Maximum Minimum
Surface I/O Surface I/O 0 dB +1.0 dB -1.0 dB
Surface I/O Surface I/O 45 dB +1.0 dB -1.0 dB
Input CMRR
Input Output Gain 100 Hz 1 kHz
Surface I/O Surface I/O 0 dB 60 dB 60 dB
Surface I/O Surface I/O 45 dB 90 dB 90 dB
Distortion at 0 dBu
Input Output Gain 1 kHz 10 kHz
Surface I/O Surface I/O 0 dB 0.01% 0.01%
Surface I/O Surface I/O 45 dB 0.03% 0.03%
Distortion at +20 dBu
Input Output Gain 1 kHz 10 kHz
Surface I/O Surface I/O 0 dB 0.03% 0.03%
Surface I/O Surface I/O 45 dB 0.03% 0.03%
Mixing Noise (All Bus Types) 22 Hz to 22 kHz Unweighted
Frequency Response
Input Surface I/O Surface I/O
Output Surface I/O Surface I/O
Gain 0 dB 40 dB
20 Hz 0 dB to -1.0 dB 0 dB to -1.0 dB
20 kHz 0 dB to -1.0 dB 0 dB to -1.0 dB
Number Fader
of inputs Gain position Pan Output noise
12 0 dB -innity Central -91 dBu
12 0 dB 0 dB Central -78 dBu
24 0 dB -innity Central -91 dBu
24 0 dB 0 dB Central -75 dBu
48 0 dB -innity Central -91 dBu
48 0 dB 0 dB Central -72 dBu
7 of 11
Product Information Document
Digital
PRO SERIES
PRO1-IP
Live Digital Console with 48 Input Channels,
24 MIDAS Microphone Preampliers,
27 Mix Buses and 96 kHz Sample Rate
Signal Path Noise 22 Hz to 22 kHz Unweighted
Input Output Gain Output noise EIN
Surface I/O Surface I/O 0 dB -86 dBu -86 dBu
Surface I/O Surface I/O 45 dB -81 dBu -126 dBu
Dynamic Range 22 Hz to 22 kHz Unweighted
Maximum Dynamic
Input Output Gain output range
Surface I/O Surface I/O 0 dB +21 dBu 107 dBu
Surface I/O Surface I/O 45 dB +21 dBu 102 dBu
PRO1 Control Surface - DSP/Router System Inputs and Outputs
System connectors 6 x AES50 (24 channels of bidirectional
digital audio) on etherCon XLR
Word clock IN connector BNC
Word clock OUT connector BNC
Video sync IN connector BNC
AES3 sync IN connector 3-pin XLR
PRO1 Control Surface - Analogue Audio System Outputs
Connector 3-pin XLR balanced
D/A converter 24-bit, 96 kHz with 128 times oversampling
Monitor connector 3-pin XLR balanced line
Talk connector 3-pin XLR balanced line
Headphone connector ¼" Jack (stereo)
PRO1 Control Surface - Digital Audio System Inputs and Outputs
Input connector AES3 (two channels of digital audio)
on 3-pin XLR
Sample rates Accepts any frequency 32 kHz - 96 kHz
Bypass Sample rate converter can be bypassed
Output connector AES3 (two channels of digital audio)
on 3-pin XLR
Sample rate 48 kHz, 96 kHz, or auto-tracking to inputs
Bypass Sample rate converter can be bypassed
AES3 sync OUT connector 3-pin XLR
PRO1 Control Surface - Analogue Audio System Inputs
Connector 3-pin XLR balanced
A/D conver ter 24-bit, 96 kHz with 128 times oversampling
Talkback connector 3-pin XLR balanced line
Talk connector 3-pin XLR balanced mic with
+48 V phantom power
Word length 16, 20 or 24-bit
PRO1 Control Surface - Control Data System Inputs and Outputs
System connector etherCon XLR
PRO1 Control Centre - Miscellaneous Inputs and Outputs
Monitor output connector DVI /DP++
USB host connection USB 2.0 full speed (12.0 Mbs) 5 V,
1A maximum load
Lamp connector 4-pin XLR
MIDI In, Out and Thru on 5-pin DIN
Footswitch connector ¼" J ack
8 of 11
Product Information Document
Digital
PRO SERIES
PRO1-IP
Live Digital Console with 48 Input Channels,
24 MIDAS Microphone Preampliers,
27 Mix Buses and 96 kHz Sample Rate
Analogue Input Characteristics
Maximum
Input type Load Z Gain level Connector
Surface I/O 10 k -22.5 dB to +65 dB +24 dBu XLR
Talk mic 600R +15 dB to +60 dB +6 dB XLR
Monitor 10 k 0 dB +21 dBu XLR
Analogue Output Characteristics
Maximum
Output type Source Z Gain level Connector
Surface I/O 50R 0 dB +21 dBu XLR
Talk Out 50R 0 dB +21 dBu XLR
Monitor 50R 0 dB +21 dBu XLR
Headphones 10R +10 dB +21 dBu ¼" Jack
Digital I/O Characteristics
Data Description
Type Channels length I/O notes Connector
AES3 2 24-bit Input Conforms to XLR
AES3-2003
AES3 2 24-bit Output Conforms to XLR
AES3-2003
AES50 24 24-bit Bidirectional Conforms to etherCon XLR
AES50 -2011
Miscellaneous Digital Characteristics
Type I/O Description notes Connec tor
Word clock IN Accepts TTL level, 96 kHz square wave; BNC
impedance 75 ohms
Word clock OUT Provides TTL level, 96 kHz square wave BNC
AES sync IN Accepts a 96 kHz digital audio signal XLR
conforming to AES3-2003
AES sync OUT Provides a 96 kHz grade II reference XLR
signal conforming to AES3-2003
9 of 11
Product Information Document
Digital
PRO SERIES
PRO1-IP
Live Digital Console with 48 Input Channels,
24 MIDAS Microphone Preampliers,
27 Mix Buses and 96 kHz Sample Rate
Architecture and Engineering Specications
The digital console shall be designed for digital audio mixing applications and be optimised for use in live performance. It shall feature
48 simultaneous input channels with 24 integrated microphone preamplier inputs and 27 time-aligned and phase-coherent output mix buses
and operate at 96 kHz sampling rate.
The digital console shall support 100 Mbit/s Ethernet frame-based digital audio networking, allowing for a total channel count capability of
172 inputs and 172 outputs at 96 kHz sampling rate.
The 100 Megabit Ethernet frame-based digital audio network shall oer N+1 cable redundancy and be compliant with the Audio Engineering
Society AES50-2011 standard.
The digital console shall provide a combination of up to 28 assignable digital audio emulations of industry standard one-third octave
proportional-Q response graphic equalisers and 6 multi-channel digital signal processing eects engines. There shall be automatic latency
management of all internal routing, external analogue insert and digital signal processing delays. This latency management system shall
synchronise audio samples when summing to mix buses to ensure phase alignment of the summed signals.
The digital console shall provide a user navigation system including 8 variable control association (VCA) groups and 6 population (POP) groups.
The digital console shall have 18 motorised 100 mm faders with a rated life time of up to one million cycles and one daylight-viewable 15" full
colour display screen. It shall include software interpolation of physical control elements and associated display feedback to eliminate digital
quantisation artefacts.
The digital console shall have the provision for the optional wireless control using an Apple iPad, with a bespoke software application available
as a free download from the Apple App Store.
The digital console shall include an auto-voltage sensing power supply for use on a worldwide basis, which shall be externally removable.
The digital console shall be 685 mm wide x 722 mm deep x 289 mm high (27.0" x 28.4" x 11.4"), with nominal weight 21.5 kg (47.5 lbs). The digital
console shall be installed on a at horizontal surface capable of safely supporting its weight. Input, output, and power connections shall be made
at the rear panel of the digital console. Installers shall allow adequate space at the rear for connection and disconnection of input, output, and
power connections. The power requirements shall be 100 to 240 VAC, 50 to 60 Hz.
The digital console shall be the MIDAS PRO1-IP and no other alternative shall be acceptable.
10 of 11
Product Information Document
Digital
PRO SERIES
PRO1-IP
Live Digital Console with 48 Input Channels,
24 MIDAS Microphone Preampliers,
27 Mix Buses and 96 kHz Sample Rate
For service, support or more information contact the MIDAS location nearest you:
Europe
MUSIC Tribe Brands UK Ltd.
Tel: +44156 273 2290
Email: CARECrea@music-group.com
CAREEnte@music-group.com
CARELife@music-group.com
MUSIC Tribe accep ts no liability f or any loss which may be su ered by any perso n who relies eithe r wholly or in par t upon any descript ion, photograp h, or statement co ntained herein .
Technical spe cications, ap pearances and oth er information ar e subject to chang e without notice. A ll trademarks a re the propert y of their respe ctive owners. MIDAS, K LARK TEK NIK,
LAB GRUPPEN, LAKE, TANNOY, TURBOSOUND, TC ELECTRONIC, TC HELICON, BEHRINGER, BUGERA an d COOLAUDIO are tra demarks or regi stered tradem arks of MUSIC Tribe Gl obal
Brands Ltd. © MU SIC Tribe Global Bran ds Ltd. 2018 All rights reser ved.
USA/Canada
MUSIC Tribe Commercial NV Inc.
Tel: +1 702 800 8290
Email: CARECrea@music-group.com
CAREEnte@music-group.com
CARELife@music-group.com
Japan
MUSIC Tribe Services JP K.K.
Tel: +81 3 6231 0453
Email: CARECrea@music-group.com
CAREEnte@music-group.com
CARELife@music-group.com
Loading...