Meyer Sound CP-10 User Manual

Complementary phase Symmetrical boost/cut
Calibrated controls
Automatic bypass switch-
ing
Gold-socketed p.c. boards
Ease of service
Long-term reliability
Applications
Sound system equalization
Recording studio tuning
Resonance elimination
Early echo suppression
Outboard recording EQ
The Meyer Sound CP-10 Comple­mentary Phase Parametric Equalizer is a two-channel unit, each channel comprising five bands of fully paramet­ric equalization and individual high­and low-cut shelving filters.
The CP-10 is designed for precision room equalization in sound reinforce­ment or studio monitoring, and features Meyer Sound’s exclusive Complementary Phase circuitry. Capable of matching exactly the properties of typical acoustic reso­nances and reflections, this unique circuitry makes possible simultaneous improvements to an installed system’s amplitude and phase response.
The CP-10 equalizer is an integral component of Meyer Sound’s propri­etary SIM® (Source Independent Measurement) system. Coupling high­resolution, in-concert, multiple-point measurement with Complementary Phase equalization, this revolutionary technology assures unprecedented sound system performance — even in
the most difficult acoustical environ­ments. (For more information on SIM, contact Meyer Sound.)
The CP-10 also serves as a very effective, high-quality outboard equal­izer for music recording. Its graceful, symmetrical parametric filters and natural phase characteristics ensure maximum flexibility with minimum sonic perturbation. Coupled with very low harmonic distortion and a 110 dB dynamic range, these attributes place the CP-10 in a class with the finest outboard equalizers available.
With specifications to meet the most demanding professional requirements, the Meyer Sound CP-10 offers uncom­promised performance in recording and reinforcement applications. Individually socketed, field-replaceable circuit cards and automatic bypass switching ensure maximum reliability with extended use.
CP-10
Complementary Phase Parametric Equalizer
Meyer Sound Laboratories, Inc. 2832 San Pablo Avenue Berkeley, CA 94702 (510) 486-1166 FAX (510) 486-8356
CP-10 Specifications
Frequency Response Total Harmonic Distortion Hum and Noise -90 dBV “A” weighted, unbalanced Dynamic Range Inputs
Type Balanced active Impedance 20k ohms balanced
4
Level
Outputs
Type Balanced active push-pull Impedance 300 ohms, 150 ohms per branch unbalanced Level +4 dBu nominal, +26 dBu maximum
Controls
Front Panel EQ In/Out, Center Frequency, Bandwidth,
Rear Panel Ground Lift switch, Gain switch,
Indicators
Power Green LED Ready Green LED
Clip (Input and Output) Red LEDs Connectors 3-pin XLR male (outputs) and female (inputs) Power 120/240V AC, 50/60 Hz, rear-panel switchable Physical
Dimensions 19" W x 3 1/2" H x 7 1/2" D standard rack mount
Weight 13 lbs (5.9 kg)
1
2
3
20 Hz – 20 kHz ±0.5 dB < 0.01%
110 dB
+4 dBu nominal, +20 dBu maximum
Boost/Cut, Lo and Hi Shelving Cut
AC Voltage switch
Notes:
1. All equalization circuits out.
2. 1 kHz input at +4 dBu
3. “A” weighted noise floor to maximum RMS output
4. Within the operating band of each channel, maxi­mum input level is the minimum worst-case level achieved before clipping.
The clearly marked front panel includes individual in/out switches for each equal­ization band, with separate, calibrated frequency, bandwidth and boost/cut controls. LEDs indicate power status and signal clipping.
Signal flow through the device is controlled by a delayed relay which allows the CP-10 circuitry to stabilize before it is engaged. When power to the CP-10 is
interrupted, input signals are bypassed directly to the corresponding outputs.
The front panel may be removed without affecting control settings, and each equalization stage resides on a separate, gold-socketed circuit card for ease of service. An optional smoked plastic security cover discourages tampering in fixed installations.
Individual In/Out switches for each frequency band
Center frequency selection (10:1 range) Bandwidth control (0.1 octave to 1.1 octaves, continuously variable) Boost or cut (± 15 dB) High and low shelving cut filter controls LEDs indicate power status and
A ground lift switch floats audio common (XLR connector pin 1) from the chassis. (Earth and chassis are always connected for safety.)
A gain switch adjusts for unity gain with either balanced or unbalanced input signal connections. (Outputs remain balanced at all times.)
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