Greetings from the Home of Tone
Congratulations on your choice of the ROADKING as your Guitar amplifier and
welcome to the MESA/Boogie family! As a discriminating player you probably know
that you have purchased the most comprehensive instrument for amplifying Guitar
that is available. What you might not realize is that this entitles you to all the
experience, resources and commitment our twenty-five years of service to musicians
world wide has to offer. Our responsibility is to help you sound great! So, if at any
time you feel you need help or direction, we are here for you...a phone call away.
___________________________________________________________________________________
____________________________________________________________________________________
________________________________________________________________________________
________________________________________________________________________________
_________________________________________________________________________
___________________________________________________________________________
____________________________________________________________________________
______________________________________________________________________________
__________________________________________________________________________
_______________________________________________________________________
_______________________________________________________________________
_________________________________________________________________________________________
______________________________________________________________________________________
________________________________________________________________________________________
_________________________________________________________________________________________
____________________________________________________________________________________
_____________________________________________________________________________________
_________________________________________________________________________
______________________________________________________________________________
________________________________________________________________
_______________________________________________________________________________________
_________________________________________________
_____________________________________________________________________________________
_____________________________________________________________________________
_______________________________________________________________________
____________________________________________________________
________________________________________________________
___________________________________________________________
______________________________________________________________
__________________________________________________________________________
______________________________________________
_____________________________________________________________________
_____________________________________________________________________
________________________________________________________________
___________________________________________________
___________________________________________
________________________________
______________________________________________________________
FRONT PANEL:
REAR PANEL:
PRECAUTIONS & WARNINGS
Your MESA/Boogie Amplifier is a professional instrument. Please treat it with respect and operate it properly.
USE COMMON SENSE AND ALWAYS OBSERVE THESE PRECAUTIONS:
READ AND FOLLOW INSTRUCTIONS OF PROPER USAGE.
YOUR AMPLIFIER IS LOUD! EXPOSURE TO HIGH SOUND VOLUMES MAY CAUSE PERMANENT HEARING DAMAGE !
No user serviceable parts inside. Refer service to qualified personnel. Always unplug AC power before removing chassis.
EXPORT MODELS: Always insure that unit is wired for proper voltage. Make certain grounding conforms with local standards.
WARNING: EU: permission from the Supply Authority is needed before connection.
WARNING: Vacuum tube amplifiers generate heat. To insure proper ventilation always make
certain there is at least four inches (100mm) of space behind the rear of the amplifier cabinet.
Keep away from curtains or any flammable objects.
WARNING: Do not block any ventilation openings on the rear or top of the amplifier. Do not
impede ventilation by placing objects on top of the amplifier which extend past the rear edge of
its cabinet.
WARNING: Do not expose the amplifier to rain, moisture, dripping or splashing water. Do not
place objects filled with liquids on or nearby the amplifier.
WARNING: Always make certain proper load is connected before operating the amplifier.
Failure to do so could pose a shock hazard and may result in damage to the amplifier.
Do not expose amplifier to direct sunlight or extremely high temperatures.
Always insure that amplifier is properly grounded. Always unplug AC power cord before changing
fuse or any tubes. When replacing fuse, use only same type and rating.
Avoid direct contact with heated tubes.
Keep amplifier away from children.
Be sure to connect to an AC power supply that meets the power supply specifications listed on
the rear of the unit. Remove the power plug from the AC mains socket if the unit is to be stored
for an extended period of time. If there is any danger of lightning occurring nearby, remove the
power plug from the wall socket in advance.
To
avoid damaging your speakers and other playback equipment, turn off the power of all related
equipment before making the connections.
Do not use excessive force in handling control buttons, switches and controls. Do not use
solvents such as benzene or paint thinner to clean the unit. Wipe off the exterior with soft cloth.
Overview:
Mesa Dual Rectifi er Road King
as your amplifi er and welcome to the
is more than just an amp. It’s a
housed in one chassis that we refer to as an Advanced Amplifi er
combine and dedicate them, you will fi nd the
and though they may each be used for any sound,
OUTPUT SOLO
CH1 CH3
FX
LOOPS
GAIN TREBLE MID BASS PRESENCE MASTER
RAW
MODERN
VINTAGE
RAW
MODERN
VINTAGE
AC MAINS
ON
HI VOLTS
ON
2xEL342x6L6
2x6L6
PROGRESSIVE LINKAGE
RECTIFIER TRACKING
DIODES5U4
5U4
CLEAN
TWEED
FA
T
CLEAN
BRIT
FAT
GAIN TREBLE MID BASS PRESENCE MASTER
FRONT VIEW : COMBO
Road King
FOOT
CONTROLLER
CH 2
CH
1
CH 3
FT
SW
CHANNEL
BOLD SPONGY
POWER FUSE
120 V~
60 Hz
4 A
4 A
SLO
BLO
FUSE
HANDBUILT
IN PETALUMA
CALIFORNIA, USA
SEND 1
ROAD
KING
CH4 CH3
EXT.
SWITCH
CH2 CH1
SOLO REVERB LOOP 1 LOOP 2
WARNING:
To reduce risk of fire or
electric shock, replace fuse with
same type and rating only. Do not
expose this unit to rain or moisture.
WARNING:
To reduce risk of fire or electric
shock,
Do not remove cover. No userserviceable parts inside. Refer
servicing to qualified personnel.
LOOP SYSTEM
ACTIV
E
BYPASS
LOOPS, SOLO
& MASTER
CONTROLS
RETURN 1
NORMAL NORMAL
10%
90%
SEND LEVEL
FTSW MIX
SEND 2 RETURN 2
EXT. TRIGGERS
L
A
T
C
H
I
N
G
P
U
L
S
E
2x
EL34
2x
6L6
2x6L6
2xEL34
4x
6L6
2xEL+
4x6L6
NORMAL
10% 90%
LOOP 2
MI
X
PROGRESSIVE
LINKAGE
CH 4
DIODE
TUBE-TRACKING
RECTO
A
B
SPK
R
ON
OFF
LOOP
1
ON
OFF
LOOP
2
A
+
B
2x
EL34
2x
6L6
2x6L6
2xEL34
4x
6L6
2xEL+
4x6L6
NORMAL
10% 90%
LOOP 2
MI
X
PROGRESSIVE
LINKAGE
CH 3
DIODE
TUBE-TRACKING
RECTO
A
B
SPKR
ON
OFF
LOOP
1
ON
OFF
LOOP
2
A
+
B
2x
EL34
2x
6L6
2x6L6
2xEL34
4x
6L6
2xEL+
4x6L6
NORMAL
10% 90%
LOOP 2
MIX
PROGRESSIVE
LINKAGE
CH 2
DIODE
TUBE-TRACKING
RECTO
A
B
SPKR
ON
OFF
LOOP
1
ON
OFF
LOOP
2
A
+
B
2x
EL34
2x
6L6
2x6L6
2xEL34
4x
6L6
2xEL+
4x6L6
NORMAL
10% 90%
LOOP 2
MIX
PROGRESSIVE
LINKAGE
CH 1
DIODE
TUBE-TRACKING
RECTO
A
B
SPKR
ON
OFF
LOOP
1
ON
OFF
LOOP
2
A
+
B
LEVEL
OUT
SLAVE
CAUTION:
USE SHORTING PLUG IF NO SPKRS IN B
4 OHM4 OHM8 OHM
COMBO
SPEAKERS
USE WITH TWO 8 OHM CABS
A
B
CH 3 CH 1
CH
2CH 4
REVERB
OOGIE
B
M
ESA
REAR VIEW : COMBO
Road King
to be many amps to many players and roam confi dently between extremely
Effects Loop section and we have provided two Series Loops to assure
is just that…our patented Progressive Linkage
also features Rectifi er Tracking, a feature which automatically matches the type
incorporates a rich, all tube analog Reverb. Controlled per channel with the Rear Panel Reverb controls, it may be
sound that has the elusive sag.
behind us, let’s get ready to play.
Overview: (Continued)
After unpacking the amplifi er remove the plastic webbing from all of the tubes (including the preamp tubes behind the row of
Install the 5U4 Rectifi er tubes (if they are not already in place) by bending back the spring steel tube clamps just enough so that
Connect the 8 Pin DIN Footcontroller Cable to the female DIN connector located on the Rear Panel just under the Rotary Mode
Connect your speaker enclosure(s) to the proper impedance SPEAKER OUTPUT jacks “A & B”. If only one speaker cabinet is
Connect the A.C. Power Cable to a grounded A.C. outlet.
Flip the A.C. Mains switch to the ON position and wait at least 30 seconds for the power tube fi laments to warm up with the HI
Turn the Front Panel OUTPUT control to zero before fl ipping the HI VOLTS switch to the ON position. This will prevent accidental
Flip the HI VOLTS to the ON position and enjoy your new realm.
The Rear Panel CHANNEL SELECT Rotary switch must be set to FOOTSWITCH to access either Channels or features via the
Switch out of the LOOP BYPASS position in the
Should you select a Channel when the Cabinet Switching Feature is
The SOLO Control is activated when the Footcontroller is connected to the FOOTSWITCH jack on the Rear Panel and the Ef-
The SOLO feature can be used to set a volume level above that of the OUTPUT control setting. It will not allow a setting below
The GAIN and TREBLE controls are the most powerful controls in all four channels. They should be used with taste and you will
The PRESENCE control determines alot about the voicing of gain sounds. Set lower it will fatten and compress single note
when you are not using two sets of
Should you fi nd that you favor RAW and VINTAGE and never need the aggressiveness of MODERN. Or
When switching Channels with Reverb applied or switching the Reverb itself in and out of the signal path with the Footcontroller, it
Helpful Hints:
(Continued)
CHANNELS 1 & 2: CLEAN
This is the lowest gain circuit of the
twelve modes and is optimized for producing bal-
This mode comes from our original
and puts emphasis on the low mid and bottom end
This mode appears in CHANNEL 1 only and is a variation on the CLEAN that appears in both channels.
mode enhancing what is already a rubber band joy-ride to achieve one of our favorite
CLEAN
TWEED
FAT
BRIT
FAT
CLEAN
CLEAN
TWEED
FAT
BRIT
FAT
CLEAN
CLEAN
TWEED
FA
T
BRIT
FA
T
CLEAN
CHANNELS 1 & 2: FAT
CHANNEL 1: TWEED
CHANNEL 2: BRIT
This mode appears in CHANNEL 2 only and, as the name implies, was inspired by the great sounding
mode an awesome addition to your bevy of sounds.
offers in CHANNELS 3 & 4 where, because of the PRESENCE controls more
This high gain mode is the famous liquid
voice and it can be found in its original state in
black magic, tube-rectifi ed power section creates colors in gain that most players fi nd truly
is set in its lower range and RAW is set in its
sound and no matter which
CHANNEL MODES:
(Continued)
RAW
MODERN
VINTAGE
RAW
MODERN
VINTAGE
MASTER
RAW
MODERN
VINTAGE
RAW
MODERN
VINTAGE
MASTER
CHANNEL 3 & 4: RAW
CHANNEL 3 & 4: VINTAGE
CHANNEL 3 & 4: MODERN
Aggressive. This is the word that best describes the menacing power of the
mode tracking accurately even at extreme gain settings. Keep in mind that when using
in CHANNEL 3 you will have to run the PRESENCE control almost all the way up to ap-
mode as the more compressed nature of this tamer presence range in CHANNEL 3 tends
This control adjusts the predominant gain stage in each channels’ circuit with the function and taper being optimized for each
is really three separate multi-mode amplifi ers built onto one chassis, so though
control for each channel comes in a different place and
control is the most powerful
controls’ role in shaping the overall tone of the sound we will look at it in two
in conjunction with the tone controls.
enhances the saturation and replaces some of the upper harmonics with a richer, warmer quality and a fuller
saturates the signal and enhances low and low mid frequencies. While this region provides the maximum satura-
control sparingly and only when maximum sustain is needed.
CHANNEL MODES:
(Continued)
RAW
MODERN
VINTAGE
RAW
MODERN
VINTAGE
MASTER
GAIN
CLEAN
TWEED
FAT
CLEAN
BRIT
FAT
GAIN:
extreme gain potential, the highest regions of the
Basically, a simple rule applies...as the Gain is increased the Tone control string
control in its middle region. Here the Tone control string is very active and provides
TREBLE:
As in most tube guitar amplifi ers, the
control ( in all four channels of your
control where ample top end is mixed in and yet enough signal is still
control in Channel 1 TWEED should not be set much above 2:30 to avoid unwanted microphonic tube problems.
control is responsible for the blend of midrange frequencies in the mix and though its effect is not as dramatic as
control settings ( 7:00 - 11:00 ) where a scoop in this region produces
control is increased, ( 11:30 - 1:30 ) the sound is rounded-out and
GAIN
CLEAN
TWEED
FAT
CLEAN
BRIT
FAT
TREBLE
MID:
control settings ( 2:00 - 5:00 ) can introduce added gain and create enhanced focus, the trade-off will be a stiffer, more
control in CHANNELS 1 & 2 are swept past 1:00, it quickly starts to add gain in these
capable of taking both CLEAN and TWEED modes to extremes.
This control works similarly in all four channels in that it determines the amount of low frequencies present in a sound.
it mixes in changes from channel to channel. Like the MIDDLE control, it falls in line
the TREBLE control and the same scheme applies. When the TREBLE control is set
control is a high frequency attentuator that is placed at the end of each channels pre-amp stage
control settings darken and, in fact, compress the signal which works well to fatten single
control in its lower regions, where a balanced, vocal response is achieved.
and this can be great for sparkling clean
MID: (Continued)
BASS:
PRESENCE:
MASTER:
This control is the master feed from the end of the pre-amp to the driver stage and the Effects Loop. As you can see
control, enabling the four channels relative volumes to be matched regardless of their
sounds at low volumes and everywhere between.
ranges ( 9:00 - 2:00 ). Here,
control creates the send to the Effects Loop, extreme
control for the entire amplifi er. It is located at the input to the power section
receives its signal from the EFFECTS RETURN jacks of both LOOP 1 and LOOP 2 and therefor this
power section as a stand alone power amp for use
in larger venues. Here’s how;
Connect your preamp signal to the EFFECTS RETURN jack of LOOP 1.
Select LOOP ACTIVE on the Rear Panel
Use the OUTPUT control as your power amp level control.
Adjust the PRESENCE control of the Channel you are using to taste.
Select a Channel and a power setting in that Channel.
actually fi t your needs and can be used to create some interesting power possibilities…especially
or another parallel with another
using the MODERN mode of CHANNELS 3 & 4 for this application as the increased power sensitivity of this mode
OUTPUT SOLO
2xEL342x6L6
2x6L6
OUTPUT CONTROL:
This control is an additional output control wired in parallel with the main OUTPUT that you can pre-set to a higher level
gets its signal from the EFFECTS RETURN jacks of
control can be used to provide a footswitchable volume boost for the
Perfect for set breaks... this toggle switch also serves an even more important purpose. In the Standby position the
switch is in the Standby position. Wait at least
switch to the ON position. This prevents tube problems
This switch delivers the A.C. power to your new
OUTPUT CONTROL: (Continued)
OUTPUT SOLO
2xEL342x6L6
2x6L6
PROGRESSIVE LINKAGE
SOLO:
HI VOLTS:
A.C. MAINS: (POWER ON)