TABLE OF CONTENTS....................................................................................................................................... I
IMPORTANT NOTICE:.................................................................................................................................... III
STATIC DANGER NOTICE: ........................................................................................................................... III
INFORMATION FOR THE USER: ................................................................................................................. III
CONTACTING MERGING .............................................................................................................................. III
SPHYNX WARRANTY INFORMATION....................................................................................................... IV
CHAPTER 2 – THE FRONT PANEL .................................................................................................................2
YNCHRONIZATION SELECTION AND STATUS
S
AMPLE RATE SELECTION AND STATUS
S
AutoDetect SR mode ....................................................................................................................................3
CHAPTER 3 – THE BACK PANEL....................................................................................................................6
UDIO INPUTS
A
Analog Inputs ...............................................................................................................................................6
Analog Outputs.............................................................................................................................................7
Using the Trim Pots ....................................................................................................................................19
NALOG INPUT DITHER
2 - A
3 - AES-EBU I
Using the Sample Rate Conversion ............................................................................................................19
4 - AES-EBU I/O DUAL M
5 - ODI-B OUT R
6 - STAND ALONE M
7 - WCLK I/O
Please read the following information very carefully before attempting any installation. Failure to comply with
the precise instructions may result in damage to your Merging hardware. Please read this entire section of the
manual carefully before installation.
STATIC DANGER NOTICE:
Please note that the Sphynx Audio Interface and I/O module cards contain delicate electronic components that
can be damaged or even destroyed when exposed to static electricity. Please take all of the necessary
precautions when handling the Sphynx with the cover removed and all other electronic cards such as the I/O
modules. This notice also applies when performing a firmware upgrade. Take all necessary precautions not to
discharge static electricity when touching any of the Sphynx internals.
INFORMATION FOR THE USER:
This device complies with part 15 of FCC rules. Operation is subject to the following two conditions: (1) This device
may not cause harmful interference, and (2) This device must accept any interference received, including interference
that may cause undesired operation.
This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15
of the FCC rules. These limits are designed to provide reasonable protection against harmful interference in a
residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed
and used in accordance with the instructions contained in this manual, may cause harmful interference to radio and
television communications. However, there is no guarantee that interference will not occur in a particular installation.
If this equipment does cause harmful interference to radio and television reception, which can be determined by
turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the
following measures:
Reorient or relocate the receiving antenna
Increase the separation between the equipment and the receiver
Connect the equipment into an outlet on a circuit different from that of the receiver
Consult the dealer or an experienced audio television technician
NOTE: Connecting this device to peripheral devices that do not comply with CLASS A requirements or using an
unshielded peripheral data cable could also result in harmful interference to radio or television reception. The user is
cautioned that any changes or modifications not expressly approved by the party responsible for compliance could
void the user’s authority to operate this equipment. To ensure that the use of this product does not contribute to
interference, it is necessary to use shielded I/O cables.
EMC: The Sphynx complies with the following specifications:
CENELEC EN 55103-1
CENELEC EN 55103-2 (E4 Environment)
Contacting Merging
For all general or sales inquiries:
In Europe, contact our Sales Office: Tel: +41 21 946 04 44 or Fax +41 21 946 04 45
In the U.S., contact our Illinois Office: Tel: +1-847-272-0500 or Fax: +1-847- 272-0597
All documentation inquiries, bug reports or suggestions for improvement can be directed to: info@merging.com
This product is warranted to be free of defects in materials and workmanship for a period of one year from the date of
purchase. This Limited Warranty is extended by Merging Technologies, Inc. to the original purchaser.
In the event of a defect or failure to confirm to this Limited warranty, Merging Technologies, Inc. will repair or
replace the product without charge within sixty (60) days. In order to make a claim under this limited warranty; the
purchaser must notify Merging Technologies, Inc. or their representative in writing, of the product failure. In this
limited warranty the customer must upon Merging Technologies, Inc. request, return the product to the place of
purchase, or other local designation, for the necessary repairs to be performed. If the consumer is not satisfied with
the repair, Merging Technologies, Inc. will have the option to either attempt a further repair, or refund the purchase
price.
This warranty does not cover: (1) Products which have been subject to misuse, abuse, accident, physical damage,
neglect, exposure to fire, water or excessive changes in the climate or temperature, or operation outside maximum
rating. (2) Products on which warranty stickers or product serial numbers have been removed, altered or rendered
illegible. (3) The cost of installations, removal or reinstallation. (4) Damages caused to any other products.
Congratulations on your Sphynx purchase. The Sphynx is a professional high quality, modular audio interface
solution for MERGING® Pyramix users, SOFTIMAGE®|DS users and audio professionals.
Features include:
Modular I/O design. The modularity of this unit allows for custom configurations based on quality and audio
interface requirements.
This extended modularity also offers an easy and low-cost upgrade path as user requirements evolve, new standards
emerge and converter technology progresses.
Up to 8 inputs and 8 outputs, in a single unit, using industry standard audio connections.
The signals from the input modules are also fed to the optical lightpipes in ADAT compatible format. This allows a
direct connection to ADAT compatible multitrack devices and other devices such as digital consoles. These optical
lightpipe connectors support up to 8 channels of 24 bit audio on one single optical fiber with no risk at all of line hum
or any other electromagnetic interference.
Rugged internal power supply. This unit accepts both 110 and 220 voltages for worldwide use.
Fully tested for CE compliance for guaranteed safety and stability.
All I/O modules audio connections are made using high quality balanced XLR type connectors.
Clear and easy to use front panel controls.
Extremely high quality 24 bit A/D and D/A using the latest generation in converter technology.
High common mode rejection balanced input circuitry on all analog input modules for optimum rejection of power
line hum, RF interference, voltage drops and other externally generated noise commonly encountered with long audio
cable runs.
All analog balanced output circuitry incorporates the advanced "Twin Servo Drive" output stage for maximum output
signal balance ratio performance, even under adverse asymmetrical loads.
DVD Ready. Support for high Sample Rates such as 96 kHz at 24-bit resolution.
Fits into standard 2 unit 19” rack.
Local control from the front panel (in stand-alone mode).
Remote control from Pyramix Virtual Studio Software.
The Sphynx can operate in many different synchronization modes. It can synchronize to its internal clock or to a wide
range of industry standard external sources. Pressing the
SELECT
button allows the selection of the desired
Synchronization mode.
INT:
Sphynx synchronizes and locks to its internal calibrated clock.
ODI:
Sphynx synchronizes to the optical input (ADAT). If no valid sync signal is present at the optical input (when the
mode is selected), the
LED will remain lit. If the sample rate of the Sphynx and the ADAT signal are identical, the
ODI
LED will flash. Once a valid sync signal has been detected at the optical input, the
LOCK
LED will light.
ODI
ODI
The Sphynx is now locked and synchronized to the incoming ADAT signal.
AES:
Sphynx synchronizes to an AES-EBU signal. If no valid sync signal is present at the AES-EBU input (when the
mode is selected), the
AES
LED will flash. Once a valid AES-EBU sync signal has been detected, the
remain lit. If the sample rate of the Sphynx and the AES-EBU signal are identical, the
LOCK
LED will light. The
AES
AES
LED will
Sphynx is now locked and synchronized to the incoming AES-EBU signal. If a valid AES-EBU reference signal is
connected to the AES-EBU R
EF
. input it will lock to the “Reference” input. If the Sphynx is equipped with many
AES-EBU input modules, and there is no valid AES-EBU signal connected to the "Reference" input, it will sync to
the first module, based on a priority scheme starting from the first module (input 1-2) to the fourth module (input 7-
VIDEO:
Sphynx synchronizes to a video signal and automatically detects and adapts to either a PAL or NTSC signal. If no
valid sync signal is present at the video input (when the
VIDEO
sync mode is selected), the
Once a valid video signal has been detected at the video input, the
either a NTSC or PAL compliant signal, the
LOCK
LED will light. The Sphynx is now locked and synchronized to
VIDEO
LED will remain lit. If the video signal is
VIDEO
LED will flash.
the incoming video signal.
WCLK:
Sphynx synchronizes to a Wordclock signal (TTL or CMOS level square wave at the sampling rate selected on the
front panel). If no valid sync signal is present at the Wordclock input (when the
WCLK
LED will flash. Once a valid sync signal has been detected at the Wordclock input, the
LOCK
the sample rate of the Sphynx and the Wordclock signal are identical, the
LED will light. The Sphynx is now
mode is selected), the
WCLK
LED will remain lit. If
WCLK
locked and synchronized to the incoming Wordclock signal.
S/PDIF:
Sphynx synchronizes to a S/PDIF signal. If no valid sync signal is present at the S/PDIF input (when the
is selected), the
LED will remain lit. If the sample rate of the Sphynx and the S/PDIF signal are identical, the
S/PDIF
LED will flash. Once a valid sync signal has been detected at the S/PDIF input, the S/
LOCK
S/PDIF
mode
PDIF
LED will light.
The Sphynx is now locked and synchronized to the incoming S/PDIF signal.
Sample Rate Selection and Status
SAMPLE RATE (KHz)
3244.148
x4x2x1
SELECT
Sphynx supports a wide range of sample rates. The desired rate is selected by pressing the
SELECT
button.
There are three possible modes available when selecting sample rates.
Mode x1: In this mode, the available sample rates are: 32 kHz, 44.1 kHz, 48 kHz and AutoDetect.
Mode x2: In this mode, the available sample rates are: 64 kHz, 88.2 kHz, 96 kHz and AutoDetect.
Mode x4: In this mode, the available sample rates are: 128 kHz, 176.4 kHz, 192 kHz and AutoDetect.
Switching between modes is allowed by pressing the
SELECT
button for more than ~2s.
AutoDetect SR mode
In this mode, the sample rate is automatically determined and selected based on the signal present at the selected
synchronization source.
When in AutoDetect SR mode, the
X
1, X2 or X4 LED flashes.
For selected sync sources such as INT, ODI or VIDEO, the analysis of the incoming (and desired) sampling rate is
based on the signal present at the ODI input (usually the return from the Workstation or system to which Sphynx
would be connected to both ways). This allows for completely automatic sample rate detection and switching for
Sphynx when using Merging’s Pyramix Workstation, SOFTIMAGE®|DS, or other external ADAT compatible
devices such as Multitrack Digital Recorders or Digital Mixing Consoles.
For selected sync sources such as AES, WCLK or S/PDIF, the analysis of the incoming (and desired) sampling rate is
based on the actual sampling rate present at the selected sync source (AES-EBU, WCLK or S/PDIF).
These meters provide a very quick and independent state of the current input signals detected on the input modules.
They relay the following information:
LVL - This LED will light if an input signal is detected above –60 dB FS. This is also useful to verify the presence of
any audio at the input.
OVL - This LED will light if an input signal is detected above –0.5 dB FS. This is useful to indicate that the input
audio signal is close to clipping or indeed clipping has occurred. When this occurs, either a reduction of the analog
source level or a decrease in the sensitivity of the analog input of the Sphynx is required (see Chapter 7 for details on
how to calibrate the analog I/O level).
Note: dB FS are referred to Digital Full Scale.
Monitoring Selection
MONITOR
IN
OUT
1/2
1/2
3/4
3/4
5/6
5/6
7/8
7/8
SELECT
VOLUME
PHONES
This section allows for the selection and headphone level control of any of the 8 input or output audio signals in pairs.
The desired monitor source is selected by pressing the
Headphones (stereo ¼ inch plug) are plugged into the P
SELECT
HONES
button.
jack and the V
OLUME
control adjusts the volume level.
Additional Front Panel Controls
REMOTE
POWER
Power Switch
This switch toggles the power source on and off. See Chapter 6 for details on power-up sequence.
Remote indicator
EMOTE
The R
LED type indicator indicates whether the Sphynx unit is in remote or local control. If the R
is lit, the Sphynx is in remote control. In this mode, the Sphynx front panel controls are being controlled via a
software application (such as the Merging Pyramix Workstation).
See the troubleshooting section in Appendix 4 for details on most common sources of warnings.
Synchronization LEDs blinking
If the selected synchronization LED blinks, it indicates that the signal present at the selected synchronization input is
not valid (maybe at a different sample rate than the Sphynx).
While no valid sync signal is detected, the Sphynx is kept in calibrated Internal sync mode.
Sample Rate LEDs blinking
X
The
1 or X2 LED is blinking. This is a warning to remember you that the Sphynx is set in AutoDetect SR mode
In this mode, the Sphynx may change the sampling rate automatically, based on the selected synchronization source
and its status, without any intervention of the user.
Input Level Meters LEDs blinking
The Input Level Meters
OVL
LEDs blink (whith the corresponding
LVL
LEDs turned off) on some channels when the
input module of those channels has a problem.
Here is the cause of this warning for each type of input module:
Analog Input 96KHz:
The module is muted while initialized. A 30s warm up delay is necessary for those modules.
AES-EBU Input:
A simple blink means that a sample has just been dropped or re-read, because the incoming AES-EBU signal is not
synchronized to the Sphynx clock (drift).
A constant blinking means that the incoming AES-EBU signal is not valid (maybe at a wrong sample rate).
Monitor OUT LEDs blinking
If all monitor
OUT
LEDs flash, this is an indication that the ODI-A input can’t be decoded properly. In that event, the
Sphynx software mutes all its outputs.
In ‘x2’ sample rate mode, if monitor LEDs
OUT
5/6 and
OUT
7/8 only flash, this is an indication that the ODI-B input
can’t be decoded properly. In that event, the Sphynx software mutes its output channels 5/6 and 7/8.
MERGING TECHNOLOGIES, Le Verney, CH 1604, Puidoux, Switzerland
VIDEO/WORDCLOCK
INPUTLOOPOUTPUTINPUTINPUTINPUTOUTPUTOUTPUTOUTPUT
Video &
WordClock I/O
S/PDIF
S/PDIF I/O
Power
Connector
SERIAL #
AC 100-250 VAC
50 / 60 Hz
MADE IN UK
ODI
A
B
Optical Digital
Interface I/O
Audio Inputs
The Sphynx unit supports up to eight inputs. The inputs format is determined by the type of input modules installed in
the Sphynx. Currently the Sphynx supports the following input modules:
24 bit analog line inputs (up to 48 kHz)
24 bit analog line inputs (up to 96 kHz)
24 bit AES-EBU inputs (up to 96 kHz)
Sphynx can accommodate up to 4 input modules, each having two discreet inputs.
INPUTS
AES-EBU 1/2AES-EBU 3/4
123
LINELINE
LINE
4
AES-EBU 5/6AES-EBU 7/8
567
LINE
LINELINELINE
8
As mentioned above, the input connectors are mapped in pairs to the corresponding input modules.
See Chapter 5 on how to make audio connections.
Analog Inputs
When using analog input modules, the corresponding input XLR connectors are adjustable, balanced + 4 dBu
nominal line level (headroom 20dB) analog inputs.
AES-EBU Inputs
When using AES-EBU input modules, the corresponding input XLR connectors (only those XLRs corresponding to
odd line inputs should be used) are balanced, AES-EBU inputs.
The Sphynx unit supports up to eight outputs. The outputs format is determined by the type of output modules
installed in the Sphynx. Currently the Sphynx supports the following output modules:
24 bit analog line outputs (up to 48 kHz)
24 bit analog line outputs (up to 96 kHz)
24 bit AES-EBU output (up to 96 kHz)
Sphynx can accommodate up to 4 output modules, each having two discreet outputs.
AES-EBU1/2AES-EBU3/4
123
LINELINE
LINE
OUTPUTS
4
AES-EBU 5/6AES-EBU 7/8
5678
LINE
LINELINELINE
As mentioned above, the output connectors are mapped in pairs to the corresponding output modules.
See Chapter 5 on how to make audio connections.
Analog Outputs
When using analog output modules, the corresponding output XLR connectors are adjustable, balanced + 4 dBu
nominal line level (headroom 20dB) analog outputs.
AES-EBU Outputs
When using AES-EBU output modules, the corresponding output XLR connectors (only those XLRs corresponding
to odd line outputs should be used) are balanced AES-EBU outputs.
AES-EBU Ref. Input
AES-EBU REF
This XLR input accepts any balanced AES-EBU signal up to 48 KHz.
This reference is used primarily when the Sphynx is placed into
When the Sphynx is set in ‘x2’ SR mode, this input will only accept an AES-EBU signal of FS/2 sample rate.
For example, when set to 96 KHz, the Sphynx would lock on a 48 KHz AES-EBU signal present at this input.
This BNC type connector has two functions. It can accept any NTSC (29.97 fps) or PAL (25 fps) video signal or any
Wordclock signals. See Chapter 7 on how to configure the Wordclock input.
When Sphynx is set to
When Sphynx is set to
VIDEO
sync mode, it will resolve the Sphynx clock to the video signal present here.
WCLK
sync mode, it will sync the Sphynx clock to the Wordclock signal present here.
Loop
This BNC connector reflects the video or Wordclock signal present at the V
IDEO/WORDCLOCK
input.
Care should be taken to ensure proper termination if the Loop connector is not used. Placing a 75-Ohm terminator on
the loop output should provide adequate termination in most cases. See your Video Reference Generator User’s
Guide for more information on proper termination techniques.
Output
This BNC connector outputs a Wordclock signal based on the current Sphynx sampling rate. This signal is always
present. See Chapter 7 on how to configure the Wordclock output.
S/PDIF I/O
S/PDIF
INPUTOUTPUT
Input
S/PDIF
The coaxial S/PDIF input is only used when the Sphynx is placed in
sync mode.
In this sync mode, the Sphynx routes the two S/PDIF input channels on the input channels 1-2, in place of input
module 1/2. When using the S/PDIF input, the module present in slot IN1/2 is ignored.
Note that the S/PDIF input is available only when using the Sphynx in ‘x1’ SR mode.
Output
The output signals present on output channels 1-2 are sent in parallel to module in slot OUT1/2 and to the coaxial
S/PDIF output.
Note that the S/PDIF output is available only when using the Sphynx in ‘x1’ SR mode.
ODI (Optical Digital Interface) I/O
ODI
A
INPUTINPUTOUTPUTOUTPUT
B
ODI-A Input
This EIAJ optical connector receives a signal from any ADAT compatible output.
The signal present at this input is conveyed to outputs 1-8 in ‘x1’ SR mode, and to outputs 1-4 in ‘x2’ SR mode.
This EIAJ optical connector receives a signal from any ADAT compatible output.
The signal present at this input is conveyed to outputs 5-8 in ‘x2’ SR mode.
In ‘x1’ SR mode and S/PDIF sync, this input accepts an S/PDIF compatible format signal (the Sphynx detects and
selects automatically between the coaxial and the ODI-B inputs).
ODI-A Output
This EIAJ optical connector transmits a signal to any ADAT compatible input.
This output conveys signals present at inputs 1-8 in ‘x1’ SR mode, and inputs 1-4 in ‘x2’ SR mode.
ODI-B Output
This EIAJ optical connector transmits a signal to any ADAT or S/PDIF compatible input.
In ‘x2’ SR mode, this output conveys signals present at inputs 5-8 in ADAT format.
In ‘x1’ SR mode, the signal routed to this output is selectable via the Settings Menu.
See Chapter 7 on how to set the ODI-B OUT routing.
Auxiliary Modules
AUX1AUX2
The AUX-1 and AUX-2 modules are reserved for future I/O modules that will be developed by Merging
Technologies.
Power Connector
AC 100-250 VAC
50 / 60 Hz
Sphynx uses a variable power supply that accepts AC from 100 to 250 volts. It is designed to be connected to an
outlet that includes three pins (center pin to ground). The ground connection is an important safety feature designed
to keep potentially dangerous voltages away from the chassis. Never defeat the ground safety feature.
Never operate the Sphynx with ungrounded outlets. Plugging the Sphynx into an ungrounded outlet, or
defeating the ground pin, can create a potentially hazardous condition. Merging Technologies cannot be held
responsible for problems caused to Sphynx or any associated equipment with improper AC connections.
In order to add or remove I/O modules, the ten top cover screws need to be removed.
As a safety precaution, the unit must be switched off and the power cable unplugged before opening the top cover.
SPHYNX
Placement of I/O Modules
The Sphynx I/O modules are plugged into the white PCI-type connectors located in the Sphynx.
Align the I/O module to fit properly in the desired slot.
Insert the module firmly into place.
Please note that the output modules are physically longer than the input modules. This reduces the chance of the
output modules being incorrectly inserted into an input slot. The input modules can however be inserted into the
output slots (this will not cause any damage to the I/O module or Sphynx).
Caution: Never try to insert any Sphynx I/O modules into a PC computer PCI slot. This could damage both the
computer and the Sphynx module.
I/O Module Slots
The four input and output slots are displayed here.
Any professional level balanced audio output source can be connected to the analog inputs of the Sphynx. The input
format used is determined by the type of input modules installed in Sphynx. The XLR inputs on the rear of the
Sphynx map to installed analog input modules as shown below.
Analog Input
Module #1
AES-EBU 1/2AES-EBU 3/4
123
LINELINE
Analog Input
Module #2
LINE
INP UTS
4
Analog Input
Module #3
AES-EBU 5/6AES-EBU 7/8
5678
LINE
LINELINELINE
Analog Input
Module #4
Note that the rear panel labeling of the analog XLR inputs is “MIC/LINE”. Currently, the Sphynx only accepts line
analog inputs.
Connecting Analog Outputs
Any professional level balanced audio input sources can be connected to the analog outputs of the Sphynx. The
output format used is determined by the type of output modules installed in Sphynx. The XLR outputs on the rear of
the Sphynx map to installed analog output modules as shown below.
Any professional level balanced digital AES-EBU audio outputs sources can be connected to the AES-EBU inputs of
the Sphynx. The input format used is determined by the type of input modules installed in Sphynx. The XLR inputs
on the rear of the Sphynx map to installed AES-EBU input modules as shown below.
AES-EBU Input
Module #1
AES-EBU 1/2AES-EBU 3/4
123
LINELINE
AES-EBU Input
Module #2
LINE
INP UTS
4
AES-EBU Input
Module #3
AES-EBU 5/6AES-EBU 7/8
5678
LINE
LINELINELINE
AES-EBU Input
Module #4
Connecting AES-EBU Outputs
Any professional level balanced digital AES-EBU audio input sources can be connected to the AES-EBU outputs of
the Sphynx. The output format used is determined by the type of output modules installed in Sphynx. The XLR
outputs on the rear of the Sphynx map to installed AES-EBU output modules as shown below.
This section will display some typical audio connection scenarios for Sphynx.
SOFTIMAGE®|DS
with SONY® Digital BetaCam Users
This example is based on Digital Studio users who are using the Sphynx in conjunction with the Merging Keops
boards and a Digital Betacam video deck.
SONY
Video Ref.
Black Burst
Digital Betacam
Video Deck
Generator
SOFTIMAGE|DS
Computer
MYKERINOS
Card
VIDEO / TC
Bracket
AES-EBU
INPUTS
AES-EBU
OUTPUTS
VIDEO
Sync
ODI-B
I/OADAT
ODI-A
I/OADAT
AES-EBU
OUPUTS
AES-EBU
INPUTS
Audio
Monitoring
ANALOG
OUTPUTS
Sphynx Modular
Audio Interface
Analog
Audio Source
ANALOG
INPUTS
Monitor
Outputs
Monitoring on
Headphones
This example uses the following:
Monitoring is done through the Digital Betacam analog outputs, the Sphynx headphones output, or the Sphynx analog
outputs (if analog output modules are installed).
The Sphynx contains at least 2 AES-EBU input modules (4 mono inputs) and 2 AES-EBU output modules (4 mono
outputs). Analog output modules are optional in this configuration.
All units (Mykerinos card – via TC card, Video Deck and Sphynx) are connected to the video reference generator.
Note that any composite video source can also be used as a video reference for Sphynx.
Note that the video Loop output can be used to supply the video reference to other devices.
Otherwise, a 75-Ohms terminator must be connected to the Loop output.
This example is based on Digital Studio users who are using the Sphynx in conjunction with the Merging Keops
boards and an Analog Betacam video deck.
SONY
Video Ref.
Black Burst
Analog Betacam
Video Deck
Generator
ANALOG
INPUTS
ANALOG
OUTPUTS
AES-EBU
INPUTS
ANALOG
OUTPUTS
Sphynx Modular
Audio Interface
ANALOG
INPUTS
Monitor
Outputs
Monitoring on
Headphones
SOFTIMAGE|DS
Computer
MYKERINOS
Card
VIDEO / TC
Bracket
AES-EBU
OUTPUTS
VIDEO
Sync
ODI-B
I/OADAT
ODI-A
I/OADAT
This example uses the following:
All monitoring is done by the front panel Monitoring selection and output
The Sphynx contains 2 analog input modules (4 inputs) and 2 analog output modules (4 outputs)
AES-EBU output modules are optional in this configuration.
All units (Mykerinos card – via TC bracket, Video Deck and Sphynx) are connected to the Video Sync generator
Note that any composite video source can also be used as a Video Sync reference for Sphynx.
Note that the Video Loop output can be used to supply the video reference to other devices
Otherwise, a 75-Ohms terminator must be connected to the Loop output.
This example is based on a typical Pyramix analog/digital audio studio with both types of devices.
This configuration allows up to 8 inputs and 8 outputs in ‘x2’ SR mode.
Merging Pyramix 3.0
Workstation
4 Channels
Digital OUT
AES-EBU
OUTPUTS
VIDEO
Sync
4 Channels
Digital IN
AES-EBU
INPUTS
4 Channels
Analog OUT
ANALOG
OUTPUTS
4 Channels
Analog IN
ANALOG
INPUTS
Sphynx Modular
ODI-B
MYKERINOS
Card
I/OADAT
ODI-A
I/OADAT
This example uses the following:
All monitoring is done by the front panel monitoring selection and output and/or the analog output modules.
The Sphynx is fitted with analog input modules and AES-EBU output modules.
This example is based on a stand-alone audio converter application.
This configuration allows having 4 ANALOG-to-AES-EBU and 4 AES-EBU-to-ANALOG converters.
4 Channels
Digital OUT
AES-EBU
OUTPUTS
VIDEO
Sync
ODI-B
I/OADAT
ODI-A
I/OADAT
4 Channels
Digital IN
AES-EBU
INPUTS
4 Channels
Analog OUT
ANALOG
OUTPUTS
Sphynx Modular
Audio Interface
4 Channels
Analog IN
ANALOG
INPUTS
Monitor
Outputs
Monitoring on
Headphones
This example uses the following:
All monitoring is done by the front panel monitoring selection and output
The Sphynx contains analog input modules and AES-EBU output modules.
The Sphynx is set to INT Sync Mode.
The parameter 6 in the Settings Menu must be set, to enable the Stand Alone mode. See Chapter 7 on how to use the
Settings Menu.
Once all of the needed audio and power connections have been made, the Sphynx can be safely powered up.
Power-up Sequence
When the Sphynx is powered up, the initialization sequence progress is displayed on the
REMOTE, INT
and
ODI
LEDs.
If the initialization sequence stops with one of those LEDs blinking, it indicates that the Sphynx is not working
properly.
In this case, please contact Merging.
Display of Sphynx Configuration
After a normal initialization sequence, which should takes around 4 seconds, or after having pressed the M
SELECT
button for more than 2s, the M
ONITOR
LEDs will display the current Sphynx configuration for 5 seconds:
Each installed input or output module will light its corresponding LED.
The CPU board version is displayed on the
The firmware version is displayed on the
X
1 and X2 LEDs (see details in Appendix 3).
INPUT LEVEL METERS
LEDs (see details in Appendix 3).
Note that upon power-up, the Sphynx front panel controls are restored to the last settings used before power down.
ONITOR
I/O Modules Placement Mismatch
Please note that if an I/O module is incorrectly inserted into an I/O slot, the corresponding M
flash to indicate the mismatch, and the initialization sequence will stop.
This will occur if an input module is inserted into an output slot, or if an output module is inserted into an input slot.
In this case switch the Sphynx OFF, unplug the power cable, open the Sphynx and check the placement of all
installed modules.
ONITOR
LED on the will
Analog Modules Calibration
In order to guarantee optimum specifications from some of the analog audio converters used in the Sphynx (mainly
the 96kHz analog input modules), there is a "warm-up" time of about 30 seconds after power is switched on before
the software conducts its final calibration procedure. During this "warm-up" time, input signals are muted. It is
therefore recommended to wait for this initialization phase to be complete before attempting to use the Sphynx.
Note: As those thirty seconds were found not to be a sufficient warm-up time for the converters used in Sphynx
modules to yet be at full thermal equilibrium, the Sphynx firmware automatically launches a second re-calibration
process after about 5 minutes. In order to avoid disrupting any recording that may be occurring at that time, the
software checks that all audio levels on input modules are consistently below -60 dB for a minimum duration of 2
seconds before initiating this re-calibration process during which all input audio is fully muted. This second recalibration process gives an additional improvement in the signal/noise specs of about 2-3 dB.
The calibration can still be manually initiated at any time by pushing on the M
simultaneously pushing once the S
This parameter chooses between Calibrated analog I/O level (+24 dBu for 0dBFS) or Custom analog I/O level.
The Custom I/O level allows the analog I/O levels to be set, using the top trimmers, to match any studio needs.
This selection is global to all analog I/O modules. It is not possible to configure each module separately.
By default, the Sphynx unit is set to Custom I/O level. All analog module trim-pots are set at the factory to the
following values:
Input Level = + 18 dBu for 0 dBFS (+4 dBu with +14 dB of headroom).
Output Level = + 18 dBu for 0 dBFS (+4 dBu with +14 dB of headroom).
Using the Trim Pots
The Sphynx top cover has drilled holes, which allow the analog level trimmer pots to be adjusted without the need to
remove the top cover. Any small standard tip screwdriver can be used to adjust the desired trimmer pot. The layout
pictured below is also silk-screened on the Sphynx top cover. The number below corresponds to the associated
module, marked IN for input module and OUT for output module.
2 - Analog Input Dither
When enabled, this provides real-time noise shaped dithering on all S96\IM analog input modules, by adding a
psychoacoustic noise-shaping filter, which subjectively truncates the A/D converter outputs to 16, 18 or 20 bits,
while 24-bit sound quality is preserved.
To remove the distortion associated with the truncation to a word length lower than 24 bits, a noise shaped dither
adds some noise energy to the incoming analog signal. To minimize the audibility of this added noise to the human
ear, a noise shaping filter is used to minimize the noise level where the human ear is most sensitive (500 to 4000 Hz),
and augment it in where the human ear is less sensitive. One side effect of such a process is however to significantly
increase the peak noise level as measured by most digital audio peak meters (as those used in Pyramix).
A peak noise of about -60 dBFS is therefore normal for a 16 bit dithered signal.
This option should only be used when the destination digital format is limited to 16, 18 or 20 bit word length.
3 - AES-EBU Input SRC
This enables or disables the Sample Rate Conversion available on the AES-EBU input modules.
This selection is applied to all the AES-EBU input modules. It is not possible to configure each module separately.
Note that, for obvious reasons, it is not possible to lock to an AES-EBU input module when the SRC is selected.
In the latter case, only locking to an AES REF sync input is supported.
Using the Sample Rate Conversion
The Sample Rate Converter is very easy to use, as you just have to set the parameter 3, and all AES input modules
will be configured in the SRC mode.
Once in this mode, all incoming AES-EBU signals connected at the input modules will be converted to the Sphynx
sample rate.
Example:
The Sphynx working sample rate is set at 48 KHz
Any AES-EBU input signal of 32 KHz, 44.1 KHz or 48 KHz can be used and will be converted to 48 KHz.
Current SRC limitations are:
• The upsampling has a limitation of a sample rate input/output ratio of 1:5. This allows any sample rate five times
lower that the current Sphynx sample rate to be converted.
• The downsampling has a limitation of a sample rate input/output ratio of 1:0.85. This allows 48 KHz material to
The default Sphynx AES-EBU mode in ‘x2’ SR mode is HSR, where both left and right channels are conveyed on the
same single AES-EBU signal.
To provide compatibility with some early digital systems using two separate AES-EBU connections at x2 sampling
rate, we have implemented the following selection:
1) When INPUT Dual AES-EBU mode is selected, all AES-EBU input modules are configured as DUAL whenever
the ‘x2’ SR Mode is selected:
Slot IN1/2 (Dual AES-EBU Mono)
Slot IN3/4 (Dual AES-EBU Mono)
Slot IN5/6 (Dual AES-EBU Mono)
Slot IN7/8 (Dual AES-EBU Mono)
Note: If a non-AES-EBU input module is present, its associated input channels are muted while in this mode.
2) When OUTPUT Dual AES-EBU mode is selected, and when the ‘x2’ SR mode is selected, three different Dual
mode configurations can exist depending on the output modules present in the Sphynx:
a) Dual AES-EBU MIXED 1/2 ( AES-EBU Output modules installed in slots 1/2 and 3/4 ):
CH 1 (ADAT ODI-A IN)
CH 2 (ADAT ODI-A IN)
CH 1/2 (ADAT ODI-A IN)
CH 3/4 (ADAT ODI-A IN)
b) Dual AES-EBU MIXED 3/4 ( AES-EBU Output modules installed in slots 5/6 and 7/8 ):
CH 1/2 (ADAT ODI-A IN)
CH 3/4 (ADAT ODI-A IN)
CH 3 (ADAT ODI-A IN)
CH 4 (ADAT ODI-A IN)
c) Dual AES-EBU FULL ( AES-EBU output modules installed in slots 1/2, 3/4, 5/6 and 7/8 )
This parameter selects the signal to output on ODI-B OUT in ‘x1’ SR mode. Three different configurations are
possible:
ODI-A IN: The signal present at the ODI-A IN connector is routed to ODI-B OUT (loop through).
ODI-A OUT: The signal present at the ODI-A OUT connector is routed to ODI-B OUT (copy).
S/PDIF OUT: The signal present at the S/PDIF OUT coaxial connector is routed to ODI-B OUT (copy).
6 - STAND ALONE Mode
This parameter allows for stand-alone operations, such as AD to AES-EBU, AES-EBU to DA, AES-EBU to AESEBU Sample Rate Conversion, etc…
In the STAND ALONE mode, ADAT outputs are routed internally to ADAT inputs.
The 8 input signals still are conveyed to ODI outputs in ADAT format, but the signals present at the ODI inputs are
ignored.
7 - WCLK I/O in ‘x2’ SR Mode
This parameter selects the WordClock input and output frequency in ‘x2’ sample rate mode.
When this parameter is set, the WCLK Ref. input will only accept an FS/2 frequency.
The WCLK OUT output will provide a FS/2 frequency.
(Example: WCLK I/O = 48KHz while working at 96KHz sampling rate).
When this parameter is cleared, the WCLK Ref. input will only accept an FS frequency.
The WCLK OUT output will provide a FS frequency.
(Example: WCLK I/O = 96KHz while working at 96KHz sampling rate).
All Sphynx users will be contacted by Merging in the event of a Sphynx firmware upgrade. This upgrade can be
performed easily in the field, by using the firmware removal tool included with the unit.
If you are unsure on how to perform this procedure, please contact Merging.
• Disconnect the power supply cable
• Remove the top cover
• Locate the Flash ROM chip (located on the CPU board -is labeled with a sticker “Sphynx V 1.6”. This number
may be different to reflect the current firmware version currently installed in your Sphynx unit.
• Using the removal tool, remove the Flash ROM from the CPU board
• Maintain the tool vertically while removing the Flash ROM chip.
• Take the new Flash ROM chip and plug it into the socket (by hand), in place of the old one.
• Take care to ensure that the firmware chip is inserted in the same orientation as the previous chip.
(Follow the drawing below to make sure that the bevel and the point on the firmware chip are properly
positioned).
• Replace the top cover.
DISPLAYING FIRMWARE AND CPU VERSION
When the Sphynx displays the configuration on the MONITOR LEDs (at startup or when you press the monitor
switch for 2 sec), it also displays the firmware version on the level meters, so you can know your current version
without opening the top cover.
It is displayed as follow:
Sphynx V X.Y
X is displayed on the OVL LEDs (RED) from 1 to 8,
Y is displayed on the LVL LEDs (yellow) from 1 to 8.
The CPU board version is also displayed on the sample rate LEDs as follows:
This problem may happen when the signal present at the
has too much jitter. The most common occurrence for this situation to happen is whenever the Sphynx and the
equipment to which it is connected are both set to slave to each other. This is a pretty common user setup problem.
Care should be taken in any digital audio studio to always set one (and only one) unit as the master while
programming all other units to slave to this “master” clock.
Monitor OUT5/6 and OUT7/8 LEDs only are constantly blinking in ‘x2’ SR Mode:
In ‘x2’ SR mode, this problem may happen when the two signals present at both
ODI-A
same device, or the two optical fibers connected to
and
When using the Sphynx as a stand-alone unit, how do you route audio through the unit?
Can you do it without patching the ADAT INs and OUTs together?
When using the Sphynx as a stand-alone unit, the parameter 6 in the ‘Settings Menu’ should be set to enable the
STAND ALONE mode.
This way all input modules signals are routed internally one-to-one to the output modules. There is no need for an
ADAT external loop.
Three examples will best describe some of the various possible setups:
1) Sphynx is used as a stand alone 8 channels A/D converter.
In that mode, Sphynx would be fitted with 4 stereo analog line input modules and 4 stereo AES-EBU output
modules.
- Analog line signals on inputs 1 and 2 are converted to a digital AES-EBU signal on output 1/2,
- Analog line signals on inputs 3 and 4 are converted to a digital AES-EBU signal on output 3/4,
- and so on…
2) Sphynx is used as a stand alone 8 channels D/A converter.
In that mode, Sphynx would be fitted with 4 stereo AES-EBU input modules and 4 stereo analog line output
modules.
- Digital AES-EBU signal on input 1/2 is converted to two analog line signals on outputs 1 and 2,
- Digital AES-EBU signal on input 3/4 is converted to two analog line signals on outputs 3 and 4,
- and so on...
3) Sphynx is used as a stand-alone mixed setup featuring 4 channels A/D converter and 4 channels D/A converter.
In that mode, Sphynx would be fitted with 2 stereo analog line input modules (say in input slots IN1/2 and IN3/4)
and 2 stereo AES-EBU output modules (in that case in output slots OUT1/2 and OUT3/4).
Further to this A/D section, the Sphynx would further be fitted with 2 stereo AES-EBU input modules (then in
input slots IN5/6 and IN7/8) and 2 stereo analog line output modules (in output slots OUT5/6 and OUT7/8).
In this example, audio signals would be routed in the following way:
- Analog line signals on inputs 1 and 2 are converted to a digital AES-EBU signal on output 1/2,
- Analog line signals on inputs 3 and 4 are converted to a digital AES-EBU signal on output 3/4,
- Digital AES-EBU signal on input 5/6 is converted to two analog line signals on outputs 5 and 6,
- Digital AES-EBU signal on input 7/8 is converted to two analog line signals on outputs 7 and 8,
Due to the highly modular nature of the Sphynx unit, any other combination of input and output modules can be
selected, based on specific user's needs.
input is not synchronous with the Sphynx clock, or
What is the best setup (again, stand-alone-no computer) for measuring and testing the audio coming out AES
and Analog?
The example c) above should be a pretty good example of how to setup a Sphynx for a stand-alone A/D and D/A
quality measurement. This setup allows both a A/D path and a D/A path to be measured, using for example an Audio
Precision equipment which can generate test tones in AES-EBU format, while analyzing the returned analog line
signals or the opposite as well (generating analog line signals and analyzing returned digital AES-EBU signals)
I want to place the Sphynx in a machine room, what is the maximum cable length I can use for the Optical
cables?
When using Keops and the Sphynx for example, we have tested optical runs of up to 10 meters, using standard APF
(All Plastic Fiber) cables without problems. The official maximum length recommended by Alesis (the makers of
ADAT) is 6 meters.
Beyond 10 meters (and up to 1000 meters), the setup requires the addition of two Merging Onouris LDS (Long
Distance System) converters.
Contact Merging if you would like to run optical cables longer than 10 meters.
Can you solve the optical cable distance by simply substituting glass optical cables for the plastic cables?
This is not a recommended practice. If you need length, only switching to glass optical cable is not enough.
You will need to change the optical ‘driver’ and ‘receiver’ as well.
Merging provides the whole system, composed of two glass optical cables and one Onouris LDS at each end.
This system allows a bi-directional link of up to 1000 meters.
Why AutoDetect SR mode doesn't work on incoming AES-EBU signals in Video sync mode?
The AutoDetect SR mode does work based on an AES-EBU signal, but only when the
INT, ODI
In
or
VIDEO
sync mode the sample rate selection is based on the signal present at the
AES
sync mode is selected.
ODI-A
input.
What are the main symptoms of improper video sync setup?
LOCK
The first symptom is the
LED, which could blink or stay off in case of an improper video sync setup.
Check the video connections and make sure that the signal is properly terminated.
It is not recommended to daisy chain devices. The best is to connect each device directly to the video sync generator
and terminate the connection on each device.
A second information is the M
ODI-A
If the M
ODI-B
and
ONITOR OUT
inputs are synchronous with the Sphynx clock or not.
LEDs blink, there must be a problem in your synchronization setup.
ONITOR OUT
LEDs which indicates whether the incoming ADAT signals present on the
What would be a typical use of the AES-EBU reference input on the back of Sphynx?
Some studios are using an AES-EBU reference signal as a house-sync, instead of a Wordclock or a video reference.
How many channels of audio can you get via S/PDIF?
The S/PDIF format allows transmitting up to two audio channels on a single coaxial or plastic optical cable.
Under what circumstances would one want to enable dither?
The dither is disabled by default, which correspond to a use in a 24 bit recording environment.
If your recording system is limited (or that you want to limit it) to 20, 18 or 16 bit, you should set the Sphynx A/D
dither to the corresponding word length.
Under what circumstances would one want to disable SRC?
The SRC on AES-EBU input modules is limited to 20 bit.
So if you do not specifically need specifically a sample rate conversion, you should disable it.
Why does the sync LED not light when locked to incoming AES signals?
When set to AES sync mode with the
AES
LED blinking, it indicates that no valid AES-EBU signal has been detected.
It may be that there is no signal at all, or that this signal is not at the same sample rate than the Sphynx.
It happens also when the Sphynx is set in SRC mode. In this mode, only the AES-EBU Reference input is available
as a valid AES-EBU sync source.
Once a valid AES-EBU signal has been detected, the
LOCK
The
If the
LED should light up, to indicate that the Sphynx is locked to the incoming signal.
LOCK
LED blinks or doesn’t light up, this may be that the incoming signal sample rate is out of the Sphynx
AES
LED is solid.
crystal’s range, or that this signal has too much jitter.
Appendix 5 – Glossary of Terms
Here are some common audio terms used in this document.
ADAT
This is a multichannel optical digital interface. It is a proprietary standard, which is used in the family of Alesis
ADAT digital multitrack recorders and many other professional audio devices such as digital mixing desks,
multitrack recorders and DAWs. The ADAT data stream contains 8-channels of digital audio data through a single
fiber optic cable.
Together with Sonorus, Merging extended this format for ‘x2’ sampling rates where it provides 4 channels of 24 bit
audio in S/MUX format. ADAT is a registered trademark, property of Alesis Corp.
AES-EBU
AES-EBU is a serial transmission format standardized for professional digital audio signals. It is a specification using
time division multiplex for data, and balanced line drivers to transmit two channels of digital audio data on a single
twisted-pair cable using 3-pin (XLR) connectors.
S/PDIF
S/PDIF (Sony/Philips digital interface format) is based on a consumer version of the AES-EBU digital audio
interconnection standard. The Keops and Sphynx can connect to S/PDIF devices via RCA type connectors or via a
TOSLINK (Toshiba link) fiber optic interface. The S/PDIF data stream contains a stereo pair of digital audio. The
S/PDIF input on Keops will also accept an AES-EBU formatted input signal.
WCLK
WCLK (or Wordclock) is a TTL-compatible square wave signal at a specific sampling rate such as 48 kHz.