Messiah
polyphonic Synthesizer
messiah
file:///C:/Documents and Settings/gunnare/Mine dokumenter/mo...
User Guide
Version 2.0
Version 1.0
http://www.memorymoon.com
Messiah version 2 - User Guide
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Index
Chapter 1 - General 4!
1.1 - About Messiah 4!
1.2 - Credits 4!
1.3 - Install 4!
Chapter 2 - Presets 5!
2.1 - Preset manager 5!
Chapter 3 - Controls 6!
3.1 - SD selector 6!
3.2 - MPE selector 6!
3.3 - Performance settings 7!
3.4 - Mono/Poly parameters 8!
3.5 - Card Drift parameters 8!
3.6 - Mod Wheel parameters 9!
3.7 - Pitch-Bend parameters 9!
Chapter 4 - Oscillators 10!
4.1 - Oscillator A 10!
4.2 - Oscillator B 11!
4.3 - Mixer 11!
4.4 - Oscillators - Advanced parameters 12!
4.5 - Morph oscillators A and B 12!
4.6 - Unison B oscillator 13!
4.7 - Flexi oscillators A and B 14!
Chapter 5 - Filter 16!
5.1 - Filter settings 16!
Chapter 6 - Envelope Generators 17!
6.1 - Filter envelope generator 17!
6.2 - Amplifier envelope generator 17!
6.3 - Graphic envelopes 18!
Chapter 7 - Modulation 19!
7.1 - Poly-Mod 19!
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7.2 - LFO 1 19!
7.3 - Additional LFO’s 20!
7.4 - LFO 2 and LFO 3 20!
7.5 - LFO 4 20!
7.6 - OSC Fiss option 21!
7.7 - LFO 1 Phase Start option 21!
Chapter 8 - Arpeggiator and Gate 22!
8.1 - Tempo control 22!
8.2 - Arpeggiator 22!
8.3 - Gate 23!
Chapter 9 - Effects 24!
9.1 - Overdrive 24!
9.2 - Delay 24!
9.3 - Chorus 25!
9.4 - Ensemble 25!
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Chapter 1 - General
1.1 - About Messiah
Messiah design is inspired by Prophet5. P5 filter modelled after Prophet5 Rev.3.
But instead of saw, tri and pulse oscillators it has 3 innovative oscillators:
• Morph oscillator with 4 waveforms.
• Unison oscillator with 7 voices (and you can put this oscillator into 8 voice
unison for 56 voices).
• Flexi oscillator that consist of 2 seperate waves that can perform PWM, ring
mod. and phase distortion with very low CPU.
1.2 - Credits
• Design: Gunnare Ekornäs.
• Programming: Chris Kerry.
• Skin: Scott Kane.
• English user manual rebuild: Laurent Bergman.
• VST is a trademark of Steinberg Media Technologies GmbH. Windows is a
registered trademark of Microsoft Corporation. MacOSX and Audio Unit Logo
is a registered trademark of Apple Computer Inc.
1.3 - Install
Uninstall old version.
Run .exe or .pkg file for your system.
PC users: Please browse to your VST plugins folder while running the installer. There
is a big chance that the default folder is wrong.
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Chapter 2 - Presets
2.1 - Preset manager
file:///C:/Documents and Settings/gunnare/Mine dokumenter/mo...
• GRAPHIC ENV: Envelope graphics.
• Preset Name: Preset name. You can right-click on text to rename it.
• File Button:
• Load preset.
• Save preset.
• Copy current preset.
• Paste to this preset.
• Load Bank (Load & import bank will automatically recognize Messiah 1.3
banks and convert them to messiah 2.0 banks).
• Save Bank.
• Load Midi CC Map.
• Save Midi CC Map.
• Bank button: Here you have direct access to all 7 pre-installed banks, and the
factory bank with less effects in the patches. You can save your own patches to
the same folder, and they will appear from the "Bank" button.
• Program Arrows: Previous/Next preset.
• KBD: Keyboard (default).
• GATE: Control, Card-Drift, Gate and Arpeggiator
• LFO FX: LFO’s, FX units, individual panning of voices and osc fizz.
• OSC: Advanced oscillators parameters.
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Chapter 3 - Controls
3.1 - SD selector
messiah
SD selector
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• SD: Standard display.
• HD: 200% GUI size.
3.2 - MPE selector
messiah
SD selector
SD - HD selector in the upper left corner. SD Standard display - standard GUI size.
HD is 200% GUI size.
MPE
file:///C:/Documents and Settings/gunnare/Mine dokumenter/mo...
MPE mode (Bottom switch right corner on the GUI) and option to reverse aftertouch
and slide (CC74) operation for Roli keyboards. Recommended settings Roli Seaboard
and Block:
• Pitch: 1 octave.
• Slide: CC 74.
• Slide mode: Relative Unipolar.
• Glide Rate: 0.
• Strike Sensitivity: 100 %.
• Glide Sensitivity: 50 %.
• Slide Sensitivity: 100 %.
• Pressure Sensitivity: 50 %.
• Lift Sensitivity: 50 %.
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3.3 - Performance settings
Go to "GATE" page:
"Control" panel:
Page 1 Keyboard.
Page 2 Gate. Control and Card-Drift
Page 3 LFO/FX. Also individual panning of voices and osc fizz (noise to pitch
modulation to mimic minimoog oscillators).
Page4 Osc= Oscillator settings
File: Load/save presets. Copy/paste. Load (and import)/save banks. (Load&import
bank will automatically recognize Messiah 1.3 banks and convert them to messiah
2.0 banks) Load/save MIDI CC map. Banks: Here you have direct access to all 7
pre-installed banks, and the factory bank with less effects in the patches. You can
save your own patches to the same folder, and they will appear from the "Bank"
button.
file:///C:/Documents and Settings/gunnare/Mine dokumenter/mo...
• Hold: The synth will continue to play all notes you play.
• Wheel LFO Rate: Modwheel increases LFO rate.
• Wheel Morph: You can morph from wave 1 to wave 4 with the mod wheel
when morph oscillator is set to manual morph mode l.
• Octave Shift: At strong velocity the osc pitch is one octave higher.
• Wheel Osc B: This is a weird control intended for distortion. OscB is 5
semitones lower when mod wheel is at zero position (for power chords). 'When
modwheel is at max oscB pitch is normal.
• LFO Reset Sync Mode: On- reset when fresh notes are played.
• Wheel Filter/LFO: LFO level controlled from modwheel.You can touch the text
below the knob to select pitch/filter control.
• Foot Polym: Polymod voltage is controlled from foot pedal. With this control
you can use polymod even when oscB and envelope is turned down in the
polymod section. The foot pedal will provide the control voltage.
• After Filter: Aftertouch increases filter cutoff frequency.
• After LFO: Aftertouch increases LFO amount.
• Amp Velocity: Velocity controls output level and envelope speed.
• Filter Velocity: Velocity controls filter cotoff frequency.
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3.4 - Mono/Poly parameters
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• Glide: glide time.
• Mono: Only one voice. Will not be retriggered unless you lift all hands from the
keyboard.
• Unison: 8 voicecards assigned to a single key. Used for fat sounds. Set
detuning in "card-drift" section. The unison oscillator can also be in unison
mode. Thenit can play 56 voices!
• Poly Mode: Switch off mono and unison buttons. Polyphony: 8 voices.
3.5 - Card Drift parameters
Go to "GATE" page:
AMP velocity: Velocit y controls output level and envelope speed.
FILTER velocity: Velocity controls filter cotoff frequency.
OSCILLATOR SETTINGS
Freq= Pitch in half-steps. Range: 5 octaves.
Shape=Oscillators off/on switches. Select the waveform and oscillator mode in the
oscillator page. Most patches in the factory bank is set up like the Prophet5. A: saw -
square. B: saw - triangle - square.
Pulse=Pulsewidth. This is sent to flexi oscillator and can do more than pulse wave
modulation depending on the oscillator mode.
Sync A to B. The pitch of osc A is hardsynced to osc B. (Flexi B must be on,
because it controls the pitch.)
Osc sync in oscB= sync to host clock.
Low: Osc B in low mode. Used when oscB is modulation signal in the Poly-mod
section. The pitch is 5 octaves lower in low mode.
Keyboard control: When on, incoming midi messages will control the pitch of oscB,
and it will track the keyboard. When off oscB is free running. When on in low mode
each voicecard will have different pitch in Poly-mod.
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• Detune: Each voicecard has different pitch.
• Pulse: Each voicecard has different pulse.
• VCA: Each voicecard has different level.
• Filter: Each voicecard has different cutoff frequency.
• Flexi Detune: Detuning of the flexi-oscillator.
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3.6 - Mod Wheel parameters
• LFO/Noise Source Mix: Balance of LFO or noise.
• Destinations:
• Freq A: Oscillator A pitch.
• Freq B: Oscillator B pitch.
• PW A: Oscillator A pulse wave modulation (Pulse length).
• PW B: Oscillator B pulse wave modulation (Pulse length).
• Filter: Filter cutoff frequency.
• Amp: Amplitude. Volume. Used with phase start set to 50% to do
sidechain effect (see chapter 7.7).
3.7 - Pitch-Bend parameters
• Pitch-Bend Range:
• 2nd: +/- 2 demi-tons.
• 5th: +/- 5 demi-tons.
• Oct: +/- 1 Octave.
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Chapter 4 - Oscillators
4.1 - Oscillator A
• Freq: Pitch in half-steps. Range: 5 octaves.
• Shape: Oscillators off/on switches. Select the waveform and oscillator mode in
the oscillator page. Most patches in the factory bank is set up like the
Prophet5: saw - square.
• Pulse: Pulsewidth. This is sent to flexi oscillator and can do more than pulse
wave modulation depending on the oscillator mode.
• Sync A=>B: The pitch of osc A is hardsynced to osc B (Flexi B must be on,
because it controls the pitch):
OscA = OscA level 0-10.
OscB = OscB level 0-10.
Noise = noise level 0-10.
SYNC
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This button forces the pich of oscillator A to follow the pitch of oscillator B. So you set
the pitch for OSC A in the OSC B section. The trick is to sweep the pitch of OSC A
with the LFO, so that the sync gets some pitch-variations to work with.
Note: Only works if oscillator FlexiB is on (Because it is sync source).
Tip: You can control the pitch of oscA with foot pedal to make wah-wah effects.
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4.2 - Oscillator B
• Freq: Pitch in half-steps. Range: 5 octaves.
• Sync: sync to host clock.
• Fine: Fine.
• Shape: Oscillators off/on switches. Select the waveform and oscillator mode in
the oscillator page. Most patches in the factory bank is set up like the
Prophet5: saw - triangle - square.
• Pulse: Pulsewidth. This is sent to flexi oscillator and can do more than pulse
wave modulation depending on the oscillator mode.
• Low: Osc B in low mode. Used when oscB is modulation signal in the Poly-
mod section. The pitch is 5 octaves lower in low mode.
• Keyboard: When on, incoming midi messages will control the pitch of oscB,
and it will track the keyboard. When off oscB is free running. When on in low
mode each voicecard will have different pitch in Poly-mod.
4.3 - Mixer
• Osc A: OscA level 0-10.
• Osc B: OscB level 0-10.
• Noise: Noise level 0-10.
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4.4 - Oscillators - Advanced parameters
Go to "OSC" page:
4.5 - Morph oscillators A and B
Common for all oscillators:
• Drift Depth: The level of the oscillator`s pitch LFO.
• Drift Rate: The speed of the oscillator`s pitch LFO.
• Osc Mode:
• Wavetrain: All waves played in fast sequence after each other. Will create
noisy sounds.
• Morph: Use man morph knob or "wheel morph" in control section to
morph between the 4 waves.
• Morph2: Same as Morph.
• AutoMorph: A built-in LFO in the oscillator will morph between the 4
waves with the speed set in the "auto morph time" knob.
• AutoMorph2: Same as AutoMorph.
• Step: Same as Morph2, but with no blending between the waves.
• Wave1: Wave1 only is played. This mode saves CPU.
• Wave 1 - Wave 4: Wave selectors.
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4.6 - Unison B oscillator
• Drift Depth: The level of the voices drift.
• Drift Rate: The speed of the voices drift.
• Wave: Wave selector:
• Sine
• Saw
• Ramp
• Soft
• Peak
• Square
• Triangle
• Peak
• Octava
• Cluster 1
• Cluster 2
• Cluster 3
• Cluster 4
• Bell
• Pulse
• Unison Voices: 1-7 voices. In addition, the whole synth can be in unison mode
(8 voices) - so this oscillator can play 7 X8 voices = 56 voices unison if the
whole synth is in unison mode.
• Detune: Makes each voice out of tune.
• Detune Stretch: Makes the detuning less linear between the voices.
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4.7 - Flexi oscillators A and B
Common for all oscillators:
• Drift Depth: The level of the oscillator`s pitch LFO.
• Drift Rate: The speed of the oscillator`s pitch LFO.
• Osc Mode:
• Single: Only wave A. This saves CPU. PWM= Phasemodulation.
• Shaped Env A: Wave A is shaped by the envelope. PWM= Balance between
the shaped and unshaped waveform.
• Shaped Env B: Wave A is shaped by the envelope. PWM=
Phasemodulation of wave A.
• Biwave : WaveA is played first, then waveB. PWM= Phasemodulation.
B/Env offset has no function in this mode.
• Pulse: WaveA saw and WaveB saw is used to produce pulse wave with
pulse width modulation. PWM is pulse width modulation. (This is the
original Prophet5 mode.) Both waves must be saw to produce traditional
PWM.
• Dual A + B: The 2 waves are added. PWM= Phasemodulation.
• Dual A - B: The 2 waves are subtracted. PWM= Phasemodulation.
• Dual Mix: Both waves are played. PWM= Balancebetween the 2 waves.
• Ring Depth: The waves performs ring modulation. PWM= Ring-
modulationdepth.
• Ring-Width + A: The waves performs ring modulation. PWM=
Phasewidth/gap between the waves.
• Phz Dist Wave: The 2 waves performs phase distortion. PWM= The depth
of phase modulation.
• Phz Dist Env A: Envelope distorts the phase of wave A. PWM= The depth
of phase modulation.
• Phz Dist Env B: Envelope directly drives the phase of wave A. PWM=
Phasemodulation of wave A.
• Env: Only the envelope is output. This will not make any sound, but can be
used as modulator signal.
• Ext.Indexing: PWM directly drives the phase of waveA.
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• Wave B/Env Offset: Pitch of waveB or depth of envelope.
• Phase Dist Mode: You can select the mode that sounds best for the phase Phz
dist modes.
• Wave A - Wave B: Waveform selectors.
• Curved Env: Changes ENV curve.
• Level 1-9: Level for 9 stages in the built-in envelope. The times are fixed.
• Harmonics A: Set the overtones from 0-256. It is like a built in filter.
Harmonics A for the FlexiA oscillator controls the harmonics of all the other
oscillators in the synth, except the flexi oscillators.
• Harmonics B: Set the overtones from 0-1024. Like a built in filter.
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Chapter 5 - Filter
5.1 - Filter settings
Filter parameters:
Slide mode: Relative Unipolar.
Glide rate: 0
Strike sensitivity: 100%
Glide sensitivity: 50%
Slide sensitivity: 100%
Pressure sensitivity: 50%
Lift Sensitivity: 50%
FILTER
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• Cutoff: Frequencies lower than this setting will pass the filter. (Low-pass
filter).
• Res: Resonance. Gives more emphasis to the frequency set as cutoff frequency.
• Filt Env: The level of the filter envelope.
• KB Track: Makes the highest notes brighter. It is a cutoff frequency
compensation.
• Mode: Filter can be in lowpass, bandpass, highpass or notch mode:
• Low-pass: Only sound lower that cutoff will pass.
• High-pass: Only sound higher than cutoff will pass.
• Band-pass: Only sound in a band around cutoff will pass. Res sets
bandwidth.
• Notch: Only sound over and under the band will pass. Res is bandwidth.
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Chapter 6 - Envelope Generators
6.1 - Filter envelope generator
Filter envelope. Affects how the sound develop over time:
Slide mode: Relative Unipolar.
Glide rate: 0
Strike sensitivity: 100%
Glide sensitivity: 50%
Slide sensitivity: 100%
Pressure sensitivity: 50%
Lift Sensitivity: 50%
FILTER
Cutoff: Frequencies lower than this setting will pass the filter. (Lowpassfilter). Res=
Resonance. Gives more emphasis to the frequency set as cutoff frequency. Filter
envelope: The level of the filter envelope.
KB track: Makes the highest notes brighter. It is a cutoff frequency compensation.
Mode: Filter can be in lowpass, bandpass, highpass or notch mode.
Lowpass: Only sound lower that cutoff will pass.
Highpass: Only sound higher than cutoff will pass.
Bandpass: Only sound in a band around cutoff will pass. Res sets bandwidth.
Notch: Only sound over and under the band will pass. Res is bandwidth
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• Attack: Start time. Time from zero level to full level.
• Decay: Time from full level to sustain level.
• Sustain: The level when the envelope is finished and you still hold you hand on
the keys.
• Release: Fade out time after you lift your hands from the keyboard.
• 12 dB: Switch to 12dB/Octave.
6.2 - Amplifier envelope generator
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• Attack: Start time. Time from zero level to full level.
• Decay: Time from full level to sustain level.
• Sustain: The level when the envelope is finished and you still hold you hand on
the keys.
• Release: Fade out time after you lift your hands from the keyboard.
The Amplifier envelope has 2 options:
• Keyb. Follow: Shorter sounds in the highest ranges. (Like a piano).
• Release: Release stage off/on.
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6.3 - Graphic envelopes
You can make the graphic envelopes visible with "GRAPHIC ENV":
file:///C:/Documents and Settings/gunnare/Mine dokumenter/mo...
You can select the curve for each stage.
To change curve: Left-click on the stage. The upper is filter envelope, the lower is amp
envelope.
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Chapter 7 - Modulation
7.1 - Poly-Mod
The levels of filter envelope and oscillator B is mixed and used as modulation signal.
• Filt Env Source: Filter envelope level.
• Osc B Amount: oscillator B level.
• Destination:
• Freq A: Oscillator A pitch.
• PW A: Oscillator A pulse width length.
• Filter: Filter Cutoff.
• Pan: Pan.
Note that the foot-pedal can also be used as modulation signal in polymod. It is
selected in the control section "foot polymod".
7.2 - LFO 1
• Rate: Speed from 0.04 to 20 Hz.
• Sync: Sync to host clock. Overrides rate knob when on.
• Level: Level is also available in control section: "Wheel LFO".
• Shape: LFO shape selector:
• Saw Up (Ramp).
• Triangle.
• Square.
• Sinus.
• Saw Down.
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7.3 - Additional LFO’s
Messiah has 3 additional LFO’s and some extra’s modulation functions. Go to "LFOFX" page:
7.4 - LFO 2 and LFO 3
LFO2 and LFO3 are now full LFOs.
Note that pulse width modulation is sent to flexi-oscillator only and it can perform a
lot more than pulse-width modulation depending on the oscillator mode.
7.5 - LFO 4
LFO4 is hardwired to pitch modulation from modulation wheel.
• Rate: Speed.
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7.6 - OSC Fiss option
Go to "LFO-FX" page:
• OSC Fiss: Noise to pitch modulation to mimic minimoog oscillators.
7.7 - LFO 1 Phase Start option
Go to "LFO-FX" page:
• Phase Start: Changes phase start of LFO 1.
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Chapter 8 - Arpeggiator and Gate
Go to "GATE" page:
8.1 - Tempo control
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Tempo control is also sent to LFO sync, OscB sync and Delay sync. Independent
division of step tempo, cutoff tempo and harmonics tempo. The LFO, OscB and delay
has its own divide controls. The tempo control is master for all the divisions.
• Sync: Use this setting when you compose songs. Off mode is intended for live
use.
The other controls is for live use:
• Tap 4 Times: The tap tempo button.
• BPM: Actual speed display.
• Tempo: You can use this instead of the tap button when sync is off.
8.2 - Arpeggiator
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• Length: Note length. Full is 100%.
• Oct: The arpeggiator will work with 1-4 octaves.
• Hold: Will hold all notes you play.
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8.3 - Gate
The gate has off/on switches for each row Première rangée :
• First row: Step off/on. Gate sustain button: Steps next to each other will
be tied.
• Second row: Pitch. Sent to oscillator pitch. (-12-12) is half-steps from -1
octave to +1 octave.
• Second row: Sent to filter cutoff.
• Speed: Vitesse d’exécution des pas du gate de filtre.
• Third row: Sent to oscillator harmonics. This is a kind of built in filter in
the oscillator. Filter and Harmonics gate has glide knobs.
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Chapter 9 - Effects
Go to "LFO-FX" page:
9.1 - Overdrive
of wave A.
Envelope: Only the envelope is output. This will not make any sound, but can be
used as modulator signal.
Ext. indexing: PWM directly drives the phase of waveA
WaveB/env offset: Pitch of waveB or depth of envelope.
Phase dist mode: You can select the mode that sounds best for the phase Phz dist
modes.
Level 1-9: Level for 9 stages in the built-in envelope. The times are fixed.
HarmonicsA: Set the overtones from 0-256. It is like a built in filter. Harmonics A for
the FlexiA oscillator controls the harmonics of all the other oscillators in the synth,
except the flexi oscillators.
HarmonicsB: Set the overtones from 0-1024. Like a built in filter.
OVERDRIVE
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This is distortion. When set to off, the signal is bypassed, and that will reduce CPUload.
• High Cut: Will remove frequencies above 5 Khz. Like a guitar cabinet.
• Gain: When you increase this knob, the sound will become more and more like
a square wave.
• EQ: You can set the level and frequency for each band. I tried to emulate the
Marshall JCM 800 eq when I designed it. (But of course the JCM 800 has
fixed bands).
You can use the EQ without distortion. Just set the gain to 0V.
9.2 - Delay
of wave A.
Envelope: Only the envelope is output. This will not make any sound, but can be
used as modulator signal.
Ext. indexing: PWM directly drives the phase of waveA
WaveB/env offset: Pitch of waveB or depth of envelope.
Phase dist mode: You can select the mode that sounds best for the phase Phz dist
modes.
Level 1-9: Level for 9 stages in the built-in envelope. The times are fixed.
HarmonicsA: Set the overtones from 0-256. It is like a built in filter. Harmonics A for
the FlexiA oscillator controls the harmonics of all the other oscillators in the synth,
except the flexi oscillators.
HarmonicsB: Set the overtones from 0-1024. Like a built in filter.
OVERDRIVE
This is distortion. When set to off, the signal is bypassed, and that will reduce
CPU-load.
High cut: Will remove frequencies above 5 Khz. Like a guitar cabinet.
When you increase the gain knob, the sound will become more and more like a
square wave.
EQ: You can set the level and frequency for each band. I tried to emulate the
Marshall JCM 800 eq when I designed it. (But of course the JCM 800 has fixed
bands.)
You can use th e EQ w ithout d istort ion. Ju st s et t he gain to 0V.
DELAY
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• Speed: Delay time when sync is not selected.
• Sync: Syncronization with host clock.
• Fdbck: Number of repetitions.
• Right 2x: Double delay time for right output. If you increase feedback the
result will be ping-pong delay.
• Quality: As you increase the knob value the quality will get worse, and the
effect is bucket brigade delay.
• Wheel: Increase in delay level with the mod-wheel.
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9.3 - Chorus
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• Level: Level of the chorus signal in the mix.
• Speed: Rate for the first chorus LFO.
• Speed 2: Rate for the second chorus LFO.
• Depth: Depth of the modulation signal. At lowest settings the result is flanging.
At higher settings the result is chorus.
• Feedb: Level ofthe feedback signal. Should be set to zero when used as a
chorus. Increase feedback to do a flanger sound.
9.4 - Ensemble
Chorus:
Level: Level of the chorus signal in the mix
Speed1=rate for the first chorus LFO. Speed2= Rate for the second chorus LFO.
Depth=Depth of the modulation signal. At lowest settings the result is flanging. At
higher settings the result is chorus.
Feedback=Level ofthe feedback signal. Should be set to zero when used as a
chorus. Increase feedback to do a flanger sound.
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The ensemble effect is similar to the ensemble effect in Polysix.
Have fun!
Gunnare.
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