Thank you for purchasing a Martin Audio AQ Series system. Every Martin Audio loudspeaker is
built to the highest standard and thoroughly inspected before it leaves the factory. After unpacking
the system, examine it carefully for any signs of transit damage and inform your dealer if any such
damage is found. It is suggested that you retain the original packaging so that the system can be
repacked at a future date if necessary. Please note that Martin Audio and its distributors cannot
accept any responsibility for damage to any returned product through the use of non-approved
packaging.
2. Warranty
Martin Audio AQ Series products are warranted against manufacturing defects in materials or
craftsmanship over a period of 5 years from the date of original purchase.
During the warranty period Martin Audio will, at its discretion, either repair or replace products
which prove to be defective provided that the product is returned in its original packaging, shipping
prepaid, to an authorised Martin Audio service agent or distributor. Martin Audio Ltd. cannot be
held responsible for defects caused by unauthorised modifications, improper use, negligence,
exposure to inclement weather conditions, act of God or accident, or any use of this product that is
not in accordance with the instructions provided by Martin Audio. Martin Audio is not liable for
consequential damages.
This warranty is exclusive and no other warranty is expressed or implied. This warranty does not
affect your statutory rights.
3. Introduction
The Martin Audio AQ Series has been designed to fulfil the need for high performance sound in
pubs, bars, restaurants, retail premises, nightclubs, conference facilities, post production suites,
theatres, educational institutions, places of worship, museums, exhibition centres and cruise ships,
in an ultra-compact package.
The series has been conservatively styled to be architecturally unobtrusive. The smaller AQ Series
loudspeakers have thick-walled structural ABS foam enclosures with flush, acoustically transparent
steel grilles. Larger AQ Series loudspeakers have heavily braced MDF enclosures with tough,
acoustically transparent steel grilles. The series comes as standard in RAL7030, textured light grey
finish, with other RAL colours available to order.
Six full range enclosures are available to suit a wide range of applications. Ranging from the ultracompact dual 5.25” (130mm) ICT™ AQ5 to the very high power AQ15 with its 400W AES (1600W
peak) 15” (380mm) direct radiator and high efficiency HF compression driver, AQ Series products
may be used individually, in multiples or in distributed systems to cover an incredible variety of
applications.
AQ Series loudspeakers are equipped with high current, low profile input and link connectors and
supplied with easy-to-fit mating plugs for ease of installation. Specially designed wall, ceiling and
barrel clamp brackets are available for AQ5, AQ6, AQ8, AQ10 and AQ12 loudspeakers to cater for
construction industry standard 1
st
and 2nd fix installation methods. This allows installers to pull
cables and prefix wall or ceiling mounts during building construction without having to bring the
loudspeakers to site until the more secure pre-opening phase of a project.
In true Martin Audio fashion, AQ Series loudspeakers are designed to be acoustically correct. All
AQ Series loudspeakers are powerful, efficient and easy to drive.
Horn loaded AQ Series loudspeakers feature generously sized high frequency horns and high
order crossovers for superior pattern control down into the low midrange and smooth off-axis
characteristics. Passive crossovers feature air-cored inductors and high quality capacitors for
exceptional precision and low distortion. The precise acoustical performance of these loudspeakers
makes them equally at home as signal quality control monitors in sound studios and post
production suites.
AQ Series low frequency sections feature efficient, wide bandwidth, high excursion drivers with
generously proportioned voice coils for high power handling. The smaller AQ Series loudspeakers
feature acoustically stiff industrial foam enclosures whilst the larger enclosures in the series are
well damped for accurate, non-resonant operation.
The six full range AQ Series loudspeakers are complemented by four dedicated, high power subbass enclosures ranging from the ultra-compact, 400W AES (1600W peak) single 12” (300mm)
AQ112 to the very high power, 1000W AES (4000W peak) dual 15” (380mm) AQ215.
A high performance AQX controller has been specially designed to manage AQ Series
loudspeakers. The controller is housed in a single rack unit and provides user-selectable active
crossover, limiter and trim functions for all AQ system combinations.
Very wide 120° x 60° dispersion
120Hz – 20kHz
75W AES (300W peak)
4 ohms or 16 ohms (low profile switch on rear)
Dual 5.25” (130mm) ICT™
The ultra-compact Martin Audio AQ5 is equipped with two 5.25” (130mm) ICT™ - Inductively
Coupled Transducer - drivers optimally splayed for smooth, very wide coverage. The AQ5’s HF
diaphragms are driven via inductive coupling, avoiding the tweeter burn-out commonly associated
with miniature loudspeakers. ICT™ technology also obviates the need for a crossover as the
inductive coupling provides a complementary transfer function for the tweeter.
AQ6 (standard)
AQ6 (16 ohm version)
AQ6TX30 (100V or 70V line version)
Main features
Wide 90° conical dispersion
80Hz – 20kHz
100W AES (400W peak)
Two-way 8 ohm passive (16 ohm to special order)
6.5” (165mm) direct radiating LF cone + 1” (25mm) horn-loaded dome tweeter
The Martin Audio AQ6 is a two-way passive loudspeaker designed to fulfil the requirement for
dynamic performance from a very small, architecturally friendly, vented enclosure. It features a 6.5”
direct radiating, long-throw bass unit and a 1” doped fabric dome driver coupled to a constant
directivity square coverage HF horn.
The Martin Audio AQ8 is a two-way passive loudspeaker designed to give excellent sonic
performance from a compact and architecturally neutral, vented enclosure. It features an 8”
(200mm) long-throw, direct radiating bass unit with a 2” (50mm) voice coil and a 1” (25mm)
diaphragm, 1” (25mm) exit compression driver coupled to a constant directivity HF horn.
AQ10 (standard)
AQ10TX150 (100V or 70V line version)
The Martin Audio AQ10 is a two-way passive loudspeaker designed to provide high sound
pressure levels from a compact, architecturally friendly, heavily braced, vented enclosure. It
features a 10” (250mm) long-throw, direct radiating bass driver with a 2.5” (63mm) voice coil and a
1.4” (35mm) diaphragm, 1” (25mm) exit compression driver coupled to a true constant directivity
HF horn.
AQ12 (standard)
AQ12TX150 (100V or 70V line version)
The Martin Audio AQ12 is a two-way passive loudspeaker designed to provide high sound
pressure levels from an architecturally friendly, heavily braced, vented enclosure. It features a 12”
(300mm) long-throw, direct radiating bass driver with a 2.5” (63mm) voice coil and a 1.7” (43mm)
diaphragm, 1” (25mm) exit compression driver coupled to a true constant directivity HF horn.
The Martin Audio AQ15 is a two-way passive loudspeaker designed to provide very high sound
pressure levels from an architecturally friendly, heavily braced, vented enclosure. It features a 15”
(380mm) long-throw, direct radiating bass driver with a 3” (75mm) voice coil and a 2.5” (63mm)
diaphragm, 1.4” (35mm) exit compression driver coupled to a true constant directivity HF horn.
The Martin Audio AQ112 is a direct radiating subwoofer in an ultra-compact heavily braced, vented
enclosure. It features a very efficient 12” (300mm) long-throw bass driver with a high power 3”
(75mm) voice coil and generously sized low frequency ports for low noise, high power operation.
The Martin Audio AQ210 is a dual driver, direct radiating subwoofer in an ultra-compact heavily
braced, vented enclosure. It features two very efficient 10” (250mm) long-throw bass drivers with
high power 3” (75mm) voice coils and generously sized low frequency ports for low noise, high
power operation.
The Martin Audio AQ212 is a dual driver, direct radiating subwoofer in a heavily braced, vented
enclosure. It features two very efficient 12” (300mm) long-throw bass drivers with high power 3”
(75mm) voice coils and generously sized low frequency ports for low noise, high power operation.
The Martin Audio AQ215 is a dual driver, direct radiating subwoofer in a heavily braced, vented
enclosure. It features two very efficient 15” (380mm) long-throw bass drivers with high power 4”
(100mm) voice coils and generously sized low frequency ports for low noise, high power operation.
AQFB
Flying Bracket – allows AQ8, AQ10, AQ12 to be flown at a choice of vertical angles depending on
which pair of pick-up holes are used
6. Installing with AQ Series brackets
Consult a qualified structural engineer with a full knowledge of the building, its load ratings
and your intended loudspeaker installation plans before commencing any installation.
All AQ Series wall and ceiling brackets are mounted and adjusted in a similar manner. The
brackets are designed for 1
st
1
fit: Wall bracket or ceiling bracket
2nd fit: Speaker bracket if the system is to be wall mounted or ceiling mounted on an AQCB6
–or-
Speaker bracket/tube assembly if the system is to be ceiling mounted using AQCS or
AQCL.
Important note:
To avoid excessive leverage, ceiling brackets should never be used for wall mounting!
st
Fit the fixed wall or ceiling bracket before loudspeakers are brought to site. Cables
1
(not shown) may be pulled and terminated at this stage. Loudspeaker/bracket/tube
assemblies may be fitted later.
st
& 2nd fit installation.
Wall bracket Ceiling bracket
nd
2
Fit the loudspeaker brackets to the loudspeakers (not shown).
If the loudspeakers are to be ceiling mounted, attach the tube to the
loudspeaker/bracket assembly. Vertical loudspeaker angles may be preset at this
stage if required.
The complete installation should be checked and approved by a qualified structural
engineer and a qualified electrical safety consultant before being signed off.
7. Vertical aiming
AQ Series loudspeakers should be mounted above head height – high enough to clear peoples’
heads for clean coverage but low enough to avoid over-exciting room resonances.
Tilt angles should be set so that the loudspeaker’s maximum output (usually on-axis of the
loudspeaker centre) is aimed at the furthest listener across the room.
Horizontal angles should be set so that the loudspeaker’s main horizontal coverage is directed
towards the main listening area. Avoid excessive reflections from nearby side walls.
The following example shows AQ Series loudspeakers with 80 - 90
except AQ5) toed in 40 - 45° from the side walls
° horizontal dispersion (all
AQ6, AQ8, AQ10, AQ12, AQ15 aiming
AQ5 placement
For the cleanest coverage, AQ5 dual-driver loudspeakers are best kept away from tight corners
that open to less than
100°.
The AQ5 is not recommended for use in tight corners
AQ Series loudspeakers are ideal for distributed sound systems in places like sports stadium
concourses, exhibition centre walkways etc…
Distributed systems can provide superb sonic results as long as the following simple steps are
taken in the system design process:
1) Choose the AQ Series loudspeaker to suit the maximum distance to be covered. The
chart below indicates the maximum distance covered by AQ Series loudspeaker pairs:
AQ Series loudspeaker Open space projection (throw)
Open space projection (throw) vs peak sound pressure level
for a loudspeaker pair
2) Choose the loudspeaker-to-loudspeaker spacing for smooth coverage. This spacing will
depend on the distance to the nearest listener. Loudspeakers spaced too far apart may
leave coverage gaps.
The following chart will help you to work out loudspeaker-to-loudspeaker spacing for very
smooth coverage as a function of the minimum listener distance.
Example 1: Horizontally distributed AQ5 loudspeakers are required to cover smoothly
from a minimum listener distance of 3m. The spacing required is 1.73 x 3m = 5.19m
for very smooth coverage.
Example 2: Horizontally distributed AQ12 loudspeakers are required to cover smoothly
from a minimum listener distance of 6m. The spacing required is 0.84 x 6m = 5.04m
for very smooth coverage.
The above calculations will provide very smooth coverage with approximately 3dB midband sound pressure level summation. Wider spacing (up to 2 x the above figures) may
be acceptable where budgets are tight… but with slight tonal inconsistencies and less
useable summation.
10. AQ Series arrays
AQ Series loudspeakers may be arrayed to increase coverage or sound pressure level.
When arraying AQ8, AQ10 or AQ12 loudspeakers from ceiling brackets, allow approximately
100mm behind each loudspeaker for loudspeaker bracket clearance.
2 x AQ10 array viewed from above
Recommended maximum and minimum AQ Series loudspeaker centre-to-centre splay angles are
shown in the following table. Maximum splay angles will provide maximum coverage. Minimum
splay angles provide an element of summation – typically 3dB between loudspeaker centres.
(*Note that the AQ5 is a wide coverage, dual driver system. Each AQ5 has two full-range ICT™
devices horizontally arrayed at 50
°. A 100° horizontal splay angle between AQ5 cabinet
centres continues the array and provides very smooth coverage)
Useful high frequency coverage for pairs of AQ Series loudspeakers
Horizontally arrayed pair
(minimum – maximum centre-to-centre splay)
2 x AQ5 (100 - 120°) 220 - 240°
2 x AQ6 (45 - 90°) 135 - 180°
2 x AQ8 (45 - 90°)
2 x AQ10 (45 - 90°)
2 x AQ12 (45 - 80°)
2 x AQ15 (45 - 80°)
Vertically arrayed pair
(minimum – maximum centre-to-centre splay)
2 x AQ5 (50 - 60°) 110 - 120°
2 x AQ6 (45 - 90°) 135 - 180°
2 x AQ8 (25 - 50°)
2 x AQ10 (25 - 50°)
2 x AQ12 (25 - 50°)
2 x AQ15 (25 - 50°)
Total horizontal coverage
135 - 180°
135 - 180°
125 - 160°
125 - 160°
Total vertical coverage
75 - 100°
75 - 100°
75 - 100°
75 - 100°
11. Choosing a power amplifier
The high efficiency and impressive power handling of AQ series loudspeakers combine to produce
a system capable of very high sound pressure levels and impact.
To realise full AQ Series performance use a power amplifier capable of delivering Peak Power*
without excessive clipping. Power amplifier clipping should be avoided. A heavily clipped amplifier
will deliver twice its rated power to the loudspeaker. Much of this excess power will be dissipated in
the HF section causing premature ageing and, possibly, driver failure.
AES Power
This is the long-term power capacity of the loudspeaker taking into account the loudspeaker’s bandwidth and minimum
impedance. It is measured to Audio Engineering Society standards using band-limited pink noise as the test source
and is regarded as a reliable indication of the loudspeaker’s long-term power handling before thermal damage is
caused.
*Peak Power
This is the short-term power capacity of the loudspeaker and is typically 4x (6dB) higher than the quoted AES power.
Martin Audio loudspeakers are designed to handle this short-term peak power. This allows speech and percussion
transients to be produced without hindrance whilst a correctly configured AQX controller protects the loudspeaker from
accidental long-term overload (e.g. howl-round).
AQX limiter time constants are optimized to permit the faithful production of short-term transients at
peak power whilst protecting the system from long-term thermal damage.
Suggested amplifiers for the AQ Series to ensure peak output without excessive clipping
(MA and E Series power amplifiers will comfortably drive parallel AQ Series loudspeakers and subwoofers.
See Section 15 for further information)
Important note! Always set the AQX limiters to suit the power amplifier gain. This will ensure that
the AQX controller protects the loudspeaker against long term overload whilst allowing full power
amplifier performance on transients.
(Martin Audio MA and E Series amplifiers are supplied set to 32dB as standard).
12. AQX System Controller
AQ Series loudspeakers have passive crossovers and are designed to be acoustically correct
without excessive equalization. We do, however, recommend that you use the Martin Audio AQX
analogue 2-input/ 4-output system controller to provide “with sub”/”full range” switching, system
limiting and fine frequency response alignment.
The Martin Audio AQX is a versatile analogue system controller, housed in a single 1.75” x 19” rack
unit, which has been specifically designed to enhance the performance of AQ Series loudspeakers.
It provides stereo 2-way active crossover functions for integrating AQ5, AQ6, AQ8, AQ10, AQ12
and AQ15 full range loudspeakers with AQ112, AQ210, AQ212 and AQ215 subwoofers. The
controller also acts as an advanced system limiter to protect AQ Series loudspeakers and
subwoofers from accidental damage or premature ageing. Limiter thresholds may be user-selected
to cater for a wide range of amplifier topologies.
The AQX’s 20kohm balanced input impedance is suitable for both professional and music industry
signal sources whilst its low 62ohm output impedance makes it suitable for driving long cables or
multiple amplifier inputs in distributed system designs.
AQX features
Dedicated AQ Series System Controller
User configurable for specific AQ Series combinations
2-way stereo operation
2 electronically balanced XLR inputs
4 electronically balanced low impedance XLR line driver outputs
Individual +/-6dB subwoofer level trims on outputs 1 and 3
Low distortion (better than 0.01% THD ref 2Vrms output)
Low noise (better than -100dB ref 2Vrms output)
Advanced limiter design
Captive mains lead
100-120Vac and 220-240Vac mains operation, 50/60Hz
19” 1U (1.75”) standard rack-mount
AQX controllers must be configured by qualified technicians. Switch off the AQX controller
and ensure that the mains plug is removed from the power socket.
The AQX controller contains internal jumpers to cater for all common AQ Series configurations.
(AQX limiter settings are shown later in this section. Limiter settings will vary depending on the
voltage gain of the power amplifier to be used – see table at the end of this section. The 32dB line
is highlighted for Martin Audio power amplifiers)
Remove the lid to locate the jumper positions on the upper pcb (printed circuit board) – J1, J2, J5 &
J6 to configure the AQX for AQ5, AQ6, AQ8, AQ10, AQ12 and AQ15 loudspeakers and J3, J4, J7
and J8 to configure the AQX for AQ112, AQ210, AQ212 and AQ215 subwoofers.
Configure the AQX System Controller as indicated in the table and illustrations below – or refer to
the appropriate illustration over the next few pages.
There are two HPFs (High Pass Filters) in the signal path – one on the mother board and one on
the top pcb.
The HPF on the top pcb sets the lowest operating frequency for the AQ5, AQ6, AQ8, AQ10, AQ12
or AQ15 loudspeaker in “Full Range” mode. The motherboard HPF operates in “With Sub” mode to
provide a main loudspeaker-to-subwoofer crossover function. The top pcb HPF should be disabled
in “With Sub” mode as the lowest operating frequency for the main AQ5, AQ6, AQ8, AQ10, AQ12
or AQ15 loudspeaker is set by the main-to-sub crossover function.
Mono Subwoofer
Move the mother board jumper J17 to the B position for mono subwoofer operation.
**HF boost
Simply move the J2 and J6 jumpers to the C position if HF boost is required.
Limiter configuration
Motherboard jumpers J11, J12, J13 & J14 must be set for safe operation – see end of this manual
section for details.
See the main AQX System Controller User Guide (on Martin Audio User Guides CD – May 2005
or later) for input & output pin 1 links, limiter in/out links and Ch2 & 4 polarity links.
Remember to select “Full range” mode on the front panel
Reminder:
AQX controllers must only be configured by fully qualified electro-acoustics technicians as
mistakes could prove costly. Switch off the AQX controller and ensure that the mains plug
is removed from the power socket.
To set AQX limiters correctly:
1) Remove the AQX controller lid
2) Unplug and temporarily remove the AQX top pcb (printed circuit board). You will need to
squeeze the nylon pillar latches gently with a small pair of pliers taking care not to
damage adjacent components
Configure the 4-way links J11, J12, J13 & J14 on the AQX motherboard - one 4-way link
for each output. Configured the links to suit the relevant power amplifier gain – see the
table overleaf.
For your convenience, Martin Audio power amplifiers are supplied set to 32dB
gain. See the 32dB line on the following table for suitable limiter settings.
Click here
gain based on its maximum output and sensitivity figures. This spreadsheet also includes a handy
table for converting rms voltages to dBu or dBV.
for the original spreadsheet that also includes a page for working out your amplifier’s
3) Replace the top pcb making sure that it is properly latched onto all four pillars
4) Replace the AQX lid making sure all four screws are in place and properly tightened.
Notes:
The above table includes limiter settings for systems driven via 70V & 100V line transformers.
See Section 15 for typical loudspeaker wiring schemes.
13. DX1 Speaker Management System
For convenience, the general use DX1 Speaker Management System is supplied ready-loaded
with presets for all common AQ Series configurations starting at preset position 75.
These presets will also be included as binary files on the new Martin Audio User Guides CD (May
2005 or later). They may be transferred to Martin Audio DX1 or XTA DP226 controllers via a 9-pin
serial cable from a pc running Microsoft Windows™ - simple click through the following links:
Note: If you are reading this manual from the Martin Audio User Guides Supplement CD (April 2005):
Click here to locate the AQpresets.zip folder on the CD Extract the contents of the AQpresets.zip folder to a suitable place on your hard drive
Use the MarLoad.exe software to “Load a Preset File” and select MARR0005. MARR0005 contains
all non-W8L Series presets – including the following for AQ Series:
Preset Name Output allocation
75 AQ5 (L = o/p1, R = o/p3)
76 AQ5 + AQ Sub (AQ112/AQ210/AQ212 on o/ps 1&3, AQ5s on o/ps 2&4)
77 AQ5 + AQ215 (AQ215s on o/ps 1&3, AQ5s on o/ps 2&4)
78 AQ6/8/10 (L = o/p1, R = o/p3)
79 AQ6/8/10 + AQ Sub (AQ112/AQ210/AQ212 on o/ps 1&3, AQ6/8/10s on o/ps 2&4)
80 AQ6/8/10 + AQ215 (AQ215s on o/ps 1&3, AQ6/8/10s on o/ps 2&4)
81 AQ12 (L = o/p1, R = o/p3)
82 AQ12 + AQ Sub (AQ112/AQ210/AQ212 on o/ps 1&3, AQ12s on o/ps 2&4)
83 AQ12 + AQ215 (AQ215s on o/ps 1&3, AQ12s on o/ps 2&4)
84 AQ15 (L = o/p1, R = o/p3)
85 AQ15 + AQ Sub (AQ112/AQ210/AQ212 on o/ps 1&3, AQ15s on o/ps 2&4)
86 AQ15 + AQ215 (AQ215s on o/ps 1&3, AQ15s on o/ps 2&4)
Please note: DX1 output limiters will need to be fine adjusted for safe operation with your
particular choice of power amplifier. See the AQX limiter chart towards the end of Section 12 and
transpose the appropriate setting to your DX1 to suit your amplifier gain. Use the automatic
attack/release timings.
14. Using alternative controllers
Alternative high quality digital controller may be used by entering these spreadsheet settings:
Binary preset files and a full .xbl library file will be found on the latest User Guides CD for XTA
DP226 Loudspeaker Management Systems. Please see the Martin Audio User Guides CD (May
2005 or later) for further details.
Please note: Output limiters will need to be fine adjusted for safe operation with your particular
choice of power amplifier. See the AQX limiter chart towards the end of Section 12 and transpose
the appropriate setting to your DX1 to suit your amplifier gain. Use the automatic attack/release
timings.
15. AQ Series system wiring
A high current, low profile, 2-part Input and Link connector will also be found on the rear panel
(see AQ5 rear panel illustration below). The input and link positions are parallel-connected inside
the cabinet for easy parallel speaker wiring. Convention dictates that the incoming signal cable is
connected to the Input + & - and that the Link + & - is used as the output to the next loudspeaker
in the system. The loudspeaker pinout is printed near the rear connector. Remove the plug to see it!
AQ5
AQ5s are dual-driver systems for wide coverage. The two 8 ohm drivers are identical and may be
driven in series (16 ohm) or parallel (4 ohm).
AQ5 rear panel
(4 ohm operation selected)
There is an impedance selector switch (circled) on the rear panel to enable 4 or 16 ohm operation.
The above illustration shows the switch in the 4 ohm position.
Typical AQ5 wiring scheme
Simple full range AQ5 system using AQX controller and MA900 power amplifier
Note:
Always make sure that the AQX internal jumpers are set for the proposed system and that the
appropriate mode (Full range – blue indicator, With Sub – orange indicator) is selected on the
AQX front panel.
AQ Series powering recommendations (See later for line transformer versions)
AQ Series Loudspeaker Quantity Recommended ampNominal impedance Minimum impedance
AQ5 (set for 4 ohms)
AQ5 (set for 16 ohms)
AQ6 (standard)
AQ6 (16ohm version)
AQ8
AQ10, AQ12
AQ15
AQ210 subwoofer
AQ112 subwoofer
AQ212, AQ215 subwoofer
For best performance, configurations shown in red should be avoided unless a strict budget dictates otherwise.
Although Martin Audio MA and E Series power amplifiers work well down to 2 ohms, other power
amplifiers often suffer sonic degradation or, worse still, shut down into low impedances. Always
check your intended power amplifier’s specifications and conduct listening tests before committing
to a very low impedance system design.
1 MA200Q or MA900 4 ohms 3.2 ohms
2 in parallel MA200Q or MA900 2 ohms 1.6 ohms
1 MA2.8s 16 ohms 12.8 ohms
2 in parallel MA2.8s 8 ohms 6.4 ohms
3 in parallel MA2.8s 5.3 ohms 4.2 ohms
4 in parallel MA2.8s 4 ohms 3.2 ohms
5 in parallel MA2.8s 3.2 ohms 2.6 ohms
6 in parallel MA2.8s 2.67 ohms 2.1 ohms
7 in parallel MA2.8s 2.29 ohms 1.8 ohms
8 in parallel MA2.8s 2 ohms 1.6 ohms
1 E1300 or MA1400 8 ohms 6.4 ohms
2 in parallel E1300 or MA1400 4 ohms 3.2 ohms
3 in parallel E1300 or MA1400 2.67 ohms 2.1 ohms
4 in parallel E1300 or MA1400 2 ohms 1.6 ohms
1 MA2.8s 16 ohms 12.8 ohms
2 in parallel MA2.8s 8 ohms 6.4 ohms
3 in parallel MA2.8s 5.3 ohms 4.2 ohms
4 in parallel MA2.8s 4 ohms 3.2 ohms
5 in parallel MA2.8s 3.2 ohms 2.6 ohms
6 in parallel MA2.8s 2.67 ohms 2.1 ohms
7 in parallel MA2.8s 2.29 ohms 1.8 ohms
8 in parallel MA2.8s 2 ohms 1.6 ohms
1 MA1400 or MA1.6s 8 ohms 6.4 ohms
2 in parallel MA1400 or MA1.6s 4 ohms 3.2 ohms
3 in parallel MA1400 or MA1.6s 2.67 ohms 2.1 ohms
AQ5TX30, AQ6TX30 and AQ8TX30 loudspeakers are supplied with integral 30W line matching
transformers.
AQ10TX150, AQ12TX150, AQ15TX150 loudspeakers are supplied with integral 150W line
matching transformers.
TX30 or TX150 loudspeakers are supplied pre-wired, to customer order, for 70V or 100V operation.
Please note:
70V loudspeaker systems should not be connected to 100V line amplifiers as this could cause their
transformers to saturate resulting in gross distortion and possible line amplifier damage.
The line voltage for your TX30 or TX150 loudspeaker is clearly marked on the loudspeaker
connector panel.
Power taps
Various power taps are available via a rear screwdriver access hole as follows:
AQ Series loudspeaker Line voltageTransformerAvailable taps
AQ5TX30, AQ6TX30, AQ8TX30
AQ10TX150, AQ12TX150, AQ15TX150
AQ10TX150, AQ12TX150, AQ15TX150
70V, 100V 30W 3.7W, 7.5W, 15W, 30W
70V 150W 37W, 75W, 150W
100V 150W 75W, 150W
AQ5TX30, AQ6TX30 tap settings AQ8TX30 tap settings
AQ10TX150, AQ12TX150,
AQ15TX150 tap settings
(1/8 power position not connected for 70V operation.
1/8 and 1/4 power positions not connected for 100V operation)
Note that each channel of the line amplifier should be capable of delivering power equal to the sum
of all loudspeaker transformers connected to that channel.
In the above example, there are ten 100V, 30W AQ5TX30s connected to each channel so the
amplifier must be capable of delivering 10 x 30W per channel = 300W per channel in 100V line
operation mode.
If the loudspeakers there were ten AQ10TX150s connected to each channel, the amplifier would
need to be capable of delivering 10 x 150W per channel = 1500W per channel in 100V line
operation mode.