The Orchid OR-2410 is an 24” fully featured production; directors and video assist monitor
system. The OR-2410 comes with multiple modes of Anaglyph 3D Production Tools, Waveform
Monitor, Vectorscope, Audio Bars, Audio Phase display, Audio Log function, Built-In Speakers,
Audio Output, and several other diagnostic tools. This monitor is ideal for use in OB vans,
Production and Editing rooms. as a camera assist monitor and for the Director in the video village.
The OR-2410 is equipped with two 3G/HD/SD-SDI inputs with switched outputs as well as analog
Composite (CVBS) Component (Y, Pb, Pr) S-Video (Y, C) and DVI-I and HD-VGA inputs.
Diagnostic tools include our exclusive ClipGuide feature, 16 Tri-Color Audio Bar Graph meters
with peak hold and numeric display of headroom and peak levels, and real-time analysis of color
space conversion gamut errors. Other standard features include factory calibrated screen, easyto-navigate onscreen menus with RotoMenu control, 7 assignable function keys, adjustable color
temperature, aspect ratio settings, a variety of screen markers, blue-only mode, monochrome
mode, H/V delay, and 7 assignable GPI inputs.
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Page 6
Features
High Resolution 24” IPS Panel
The OR-2410 features an all-digital 1920 x 1200 resolution, 8-bit (A-FRC) IPS panel that yields
10 bit performance. The LCD panel features a nominal brightness of 320 cd/m2 and a contrast
ratio of 1000:1 making this display ideal in a variety of environments and lighting conditions.
Waveform Monitor Function
The built-in Waveform Monitor (which includes adjustable
white and black clip level indicators) can be displayed in
various aspect ratios, positions, and transparency
options. The Waveform Monitor can display luminance
only or YUV in parade format. It can also warn the user
for out-of-range conditions such as overexposure or
“blacker-than-black” errors with fully user-adjustable
upper and lower limits.
Real-Time Color Vectorscope
The built-in Vectorscope allows users to monitor color
gamut range in real time. It displays in full color and can
also be displayed in various sizes, positions, and
transparency options. The Vectorscope has adjustable
gain from 1x to 5x.
3D Production Tools
The ORCHID series now includes 3D Production Tools
including four Anaglyph 3D modes as well as five 3D
Analytic views. In order to make use of 3D features, the
input source must be formatted as Single Channel, Side by
Side, Half Horizontal view.
3D Side by Side View
3D Luminance Difference View 3D Anaglyph Color
View
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Page 7
Features
ClipGuide
The ClipGuide function operates with both the
Waveform display and Monochrome/Color picture
display. Both the upper and lower ClipGuide levels
are user-adjustable to accurately display over-andunder exposures during different shooting conditions.
For example, the upper ClipGuide limit may be set to
85 IRE and the lower limit to 10 IRE. With these
settings, any exposures over the set limit of 85 IRE
will display red on both the Waveform and picture (if
selected). The same will be true for blacks under 10 IRE.
Precision Audio Level Meters
De-embeds and displays up to 16 channels of audio
using sixteen 64-segment tri-color Audio Meters with
user-adjustable reference levels. The Audio Level
Meters provide numerical indicators and headroom
levels, as well as peak hold function. Audio Channel
Loss Warning prevents errors during monitoring.
Precision White Balance with Color Temperature Adjustment
White balance adjustment is essential in order to render
colors correctly. To display colors correctly, gray scale
should maintain identical color temperature. The white
balance for ORCHID monitors defaults to D65 (6500K)
so the user does not need to adjust white balance.
LCD monitors have color-matching issues because white
balance can be affected by a change in luminance level.
Our unique color management system solves this
problem.
The ORCHID operating system includes an Automatic
White Balance function that allows a “One Button”
calibration procedure when used with a Minolta CA-210
color probe. All Orchid Series LCD panels are calibrated
at the factory to ensure color conformity between
screens.
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Page 8
Features
Select Color Temperature and Gamma Mode
Color temperature presets may be selected between D65 or D93 as well as user-definable
settings. Gamma settings are adjustable from 1.0 to 3.0 in 0.1 steps. The standard setting is 2.2.
Flexible Screen Markers
A variety of screen markers in 4:3, 16:9, and full screen modes allow accurate monitoring of the
different aspect ratios used in broadcast environments.
User-Assignable Function Buttons
Seven user-assignable function buttons and one rotary encoder on the front panel allow quick
access to numerous settings and features including the video Inputs, Waveform, Vectorscope,
Audio Bars, Aspect Ratio, Screen Markers, Monochrome Mode, H/V Delay Mode, and more.
AUDIO Jacks
There are three 3.5mm AUDIO Jacks (one on the front panel for headphones and two on rear
panel. One for an auxiliary audio input and one output to feed an external amplifier). It is possible
to utilize both the front panel headphone connector and rear panel speaker connector
simultaneously with individual volume controls. The Aux audio input may be selected as a source
when the video input is set to SDI.
Installation and Initial Setup
Unpacking
Carefully unpack the OR-2410 monitor and verify that the following items are included:
• OR-2410 Monitor with attached desk stand
• Power cord.
• Operating Instructions (This Manual)
Inspect the unit for any physical damage that may have occurred during shipping. Should there
be any damage, immediately call Marshall Electronics Customer Service at (800) 800-6608. If
you are not located within the continental United States, call +1 (310) 333-0606.
Mounting
The OR-2410 is designed as a tabletop production monitor. It comes complete with tabletop
stand and integrated carry handles.
Connections and Power-On
The OR-2410 can receive power from a standard AC power outlet (100~220VAC) or a 24VDC 4pin XLR power supply.
Connect the required cables for video signal input and output (power must be applied to the OR2410 for the active loop-outputs to be activated). All BNC connectors are rated at 75Ω.
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Page 9
Front Panel Features
Standby Button with Indicator
Press the Standby button to turn the unit ON. The indicator LED will turn green. Press again
to return to the Standby mode. (Note the main power switch is located on the rear of the
unit)
Front Panel Speaker Controls
Push the mute button to mute and un-mute the internal speakers. The led illuminates RED
when muted and Green when Un-Muted. The rotary controls are for Volume and
Balance.
Headphone Jack
3.5mm stereo headphone jack. Left and Right source are selected from the on-screen menu.
User-Assignable Function Keys
Seven user-assignable function buttons can be used for direct access to various settings.
Functions are assigned using the on-screen menu.
Roto Menu Controls
Press the MENU Button to enter the Main Menu. Use the Rotary control to navigate the
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Page 10
menus and press the Rotary control to select menu items. Pressing the MENU button will
return the screen to its previous state.
Rotary Encoders
When not in the MENU mode these four encoders control:
BRIGHTNESS
CONTRAST
CHROMA
SHARPNESS
Front Panel Speakers
Tri-Color Tally Light
60mm Tri-Color Tally Lamp controlled via the remote connector on the rear of the unit.
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Page 11
Rear Panel Features
AC Power Input and On/Off switch
Connect to 100 ~ 220 VAC power source. The switch will turn the internal power supply on
and off. When using an external 24vDC supply this switch will have no effect.
24VDC Power Input
Connect 24VDC to the 4-pin XLR power input connector. Power can be supplied a variety of
DC sources supplying at least 1.7 Amp at 24 Volts.
IMPORTANT: When using a 24VDC supply be sure that the polarity of the DC input is
correct:
Pin 1: GND
Pin 2: N/C
Pin 3: N/C
Pin 4: +24VDC
Main Power Switch
This switch is the Main power switch. When using the internal supply or an external DC
supply, this switch will control the On/Off status of the monitor. When using the internal
power supply both switches must be on.
GPI Input
RJ-45 connector for 7 user-assignable GPI inputs. Assignable using the on-screen menu.
Audio Input and Output Jacks
3.5mm stereo line level input and outputs for monitoring analog or embedded audio
channels. The desired audio channels are selected in the audio onscreen menu. The output
level is also controlled through the audio onscreen menu.
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Page 12
Rear Panel Features
3G-HD-SDI Digital Video Input Connectors
Dual auto-sensing HDSDI BNC video inputs. Each input auto-detects 3G, HD and SD-SDI
video signals.
11
Analog Video Input Connectors
Analog BNC video inputs. These three connectors can be used to connect Composite
(CVBS), S-Video (Y,C), or Component (Y,PB,PR) Analog video signals.
DVI-I Input
VGA HD15 Video Input
Service Port
Proprietary connection used for firmware upgrades and LCD color balance calibration. An
optional service module is required. (Part number OR-SM)
MODEL NAME OR-2410
INPUT SDI 1
VIDEO FORMAT 1080i / 60
COLOR MATRIX 709
COLOR TEMP D65
3D REVIEW OFF
INFO
INPUT
PICTURE
COLOR
ANAGLYPH OFF
AUDIO PEAK LOG OFF
AUDIO PHASE MONITO OFF
SDI ERROR COUNT 0
SDI LEVEL
UNKNOWN
VERSION 1.7.11
RETURN
INPUT SELECT
Analog Calibrate >
RETURN
BRIGHT 0~100 [50] is Calibrated setting
CONTRAST 0~100 [80] is Calibrated setting
CHROMA 0~100 [50] is Calibrated setting
SHARPNESS 0~100 [50] is Calibrated setting
GAMMA 1.0 to 3.0 in 0.1 steps [2.2] is Calibrated Setting
RESET TO DEFAULT CANCEL / RESET NOW
RETURN
COLOR MATRIX
COLOR TEMP
RED BIAS -128 to 127 [0] is Calibrated Setting
GREEN BIAS -128 to 127 [0] is Calibrated Setting
BLUE BIAS -128 to 127 [0] is Calibrated Setting
RED GAIN 0.500 to 1.992 [x1.00] is Calibrated setting
GREEN GAIN 0.500 to 1.992 [x1.00] is Calibrated setting
BLUE GAIN 0.500 to 1.992 [x1.00] is Calibrated setting
SDI 1
SDI 2
CVBS
Y-C
COMP
DVI-D
DVI-A
HD-15
AUTO
RGB
BT. 601
BT. 709
FALSE COLOR MTF
FALSE COLOR TG
CIE D65
JP D93
USER
CAL D65 & D93
CAL D65
CAL D93
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Page 15
Menu Contents Continued
RETURN
SCAN NORMAL, OVERSCAN, ZOOM
ASPECT
MONO / COLOR
H/V DELAY ON / OFF
SCREEN
SHIFT H -128 to 127 [0] is Calibrated Setting (- = Right)
SHIFT V -128 to 127 [0] is Calibrated Setting (- = Down)
3D REVIEW
ANAGLYPH
RETURN
MARKER ON / OFF
CENTER ON / OFF
ASPECT RATIO
MARKER
SAFETY ZONE 80% to 100% (OFF) [95%] is normal setting
CROSS HATCH
MARKER MAT CLEAR, HALFTONE, BLACK
LINE THICKNESS 1, 2, 3
LINE LEVEL GRAY, HALFTONE, WHITE, INVERT
AUTO
4:3
16:9
PAYLOAD
RGB
MONO
RED
GREEN
BLUE
OFF
LEFT EYE
RIGHT EYE
BLENDING
LUMINANCE DIFF.
CHROMA DIFF.
OFF
COLOR
HALF COLOR
OPTIMIZED
GRAY
OFF
4:3
16:9
1.85 :1
2.35 :1
4:3 & 1.85
4:3 & 2.35
OFF
SMALL
MEDIUM
LARGE
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Page 16
Menu Contents Continued
RETURN
FRONT VOLUME 0 TO 40
HEADROOM START -6 to -60 [-20] is SMPTE Standard
HEADROOM END 0 to -20 [-6] is Normal setting
LEFT CHANNEL CHANNEL1 TO CHANNEL 16
AUDIO
RIGHT CHANNEL CHANNEL1 TO CHANNEL 16
LOAD CH PRESET FROM > PRESET 1 to PRESET 8
SAVE CH PRESET TO > PRESET 1 to PRESET 8
CH PRESET LOCK / UNLOCK
SOURCE EMBEDDED / AUDIO IN
RETURN
LEVEL METER
METER BACKGROUND ON / OFF
DECAY FAST / MEDIUM / SLOW
DISPLAY CHANNELS 1~16
DISPLAY FILTER ACTIVE / ALL
COLUMNS DUAL / QUAD / VERTICAL
DISP TYPE OVERLAP / OVERLAY
AUDIO PEAK LOG
LOG SPEED
SIZE LARGE / SMALL
POSITION
AUDIO
UTIL
AUDIO PHASE MON
DISP PERSISTENCY
SIZE SMALL / MEDIUM / LARGE
POSITION
AUDIO SPECTRUM
DECAY FAST / MEDIUM / SLOW
SIZE SMALL / MEDIUM / LARGE
POSITION
DISP TYPE OVERLAP / OVERLAY
Menu Contents Continued
ON / OFF
ON / OFF
4S
8S
20S
60S
120S
300S
LEFT TOP
LEFT BOT
RIGHT TOP
RIGHT BOT
OFF
ON x1
ON x2
ON x4
ON x8
1 FRAME
4 FRAME
8 FRAME
16 FRAME
LEFT TOP
LEFT BOT
RIGHT TOP
RIGHT BOT
ON / OFF
LEFT TOP
LEFT BOT
RIGHT TOP
RIGHT BOT
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Page 17
RETURN
SIZE SMALL, MEDIUM, LARGE
WAVEFORM
TYPE OVERLAY / OVERLAP
Y OVER LIMIT [100.0%] % IRE 0% to 109.1%
Y UNDER LIMIT [100.0%] % IRE -7.3% to 109.1%
HISTOGRAM ON / OFF
RETURN
VECTORSCOPE
VectorScope ON / OFF
SIZE SMALL, MEDIUM, LARGE
TYPE OVERLAY / OVERLAP
GAIN X1.00 to X1.91 in .01 steps
RETURN
ClipGuide ON / OFF
ClipGuide
DISPLAY TYPE ZEBRA / FILL
Y UPPER LIMIT [100.0%] % IRE -7.3% to 109.1%
Y UNDER LIMIT [0.0%] % IRE -7.3% to 109.1%
C UPPER LIMIT 0~255 [016 = 7.5 IRE, 235 = 100 IRE]
C LOWER LIMIT 0~255 [016 = 7.5 IRE, 235 = 100 IRE]
Menu Contents Continued
LAYOUT
WAVEFORM
POSITION
POSITION
LAYOUT
POSITION
MODE
NORMAL
DECK
QUAD
OFF
WHITE
PARADE
LEFT TOP
LEFT BOT
RIGHT TOP
RIGHT BOT
LEFT TOP
LEFT BOT
RIGHT TOP
RIGHT BOT
NORMAL
DECK
QUAD
LEFT TOP
LEFT BOT
RIGHT TOP
RIGHT BOT
LUMA (Y)
LUMA (Y) ON MONO
CHROMA (C)
CHROMA (C) ON MONO
Y & C
Y & C ON MONO
WAVEFORM MON
VECTORSCOPE
CLIPGUIDE
TIMECODE
HISTOGRAM
FALSE COLOR TG
FALSE COLOR MTF
3D REVIEW
ANAGLYPH
FAN STOP
HIDE ALL UTIL
3D LEFT EYE
3D RIGHT EYE
3D BLENDING
3D LUMA DIFF
3D CHROMA DIFF
GLYPH COLOR
GLYPH 1/2 COLOR
GLYPH OPTIMIZED
GLYPH GRAY
WAVEFORM MON
VECTORSCOPE
CLIPGUIDE
TIMECODE LTC
TIMECODE VITC 1
TIMECODE VITC 2
HISTOGRAM
FALSE COLOR TG
FALSE COLOR MTF
3D LEFT EYE
3D RIGHT EYE
3D BLENDING
3D LUMA DIFF
3D CHROMA DIFF
GLYPH COLOR
GLYPH 1/2 COLOR
GLYPH OPTIMIZED
GLYPH GRAY
HIDE ALL UTIL
R TALLY
G TALLY
B TALLY
LEFT R TALLY
LEFT G TALLY
LEFT B TALLY
RIGHT R TALLY
RIGHT G TALLY
RIGHT B TALLY
POWER SAVE
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Page 21
Menu Contents Continued
RETURN
SDI
STATUS
SETUP
ERROR COUNT 0 - 9999
RESET COUNTER
DISPLAY OFF / ON / AUTO
RETURN
FORMAT DISPLAY AUTO / ON / OFF
TIMECODE
USERBIT ON / OFF
POWER SAVE
KEY LOCK LOCK / UNLOCK
PICTURE DELAY NORMAL / FAST / FASTEST
BACKLIGHT MIN (25) TO 100
RESET TO MFG DEFAULT > RESET NOW / CANCEL
BACKUP USER CONFIG > BACKUP NOW / CANCEL
RESTORE USER CONFIG RESTORE NOW / CANCEL
FAN CONTROL AUTO, MAX, OFF
OFF
LTC
VITC 1
VITC 2
ALWAYS ON
2 MIN
5 MIN
10 MIN
30 MIN
1 HOUR
2 HOUR
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Page 22
Menus and Navigation
To access the menu system Press the MENU Button located next to
F7.
Step through menu items by using the RotoMenu (Brightness) control.
Choose a submenu or select a menu item by pushing the RotoMenu control.
Return to the previous menu by pressing the Menu button.
Exit the main menu by again pressing the Menu button.
INFO SUBMENU
The INFO Submenu is a read-only display that gives the user
information about the current status of the monitor and selected
input signal being viewed.
No adjustment can be made from this submenu.
INPUT SUBMENU
The Input submenu allows the user to select the input
from any of the available sources:
PICTURE SUBMENU
The Picture submenu allows the user to make
adjustments to Brightness, Contrast, Saturation,
Sharpness and Gamma.
Brightness
o Varies between 0 and 100 (50 is
standard).
o 50 is default value with standard
black level.
o Increasing brightness level allows user to see BTB (Blacker-than-Black).
Contrast
o Varies between 0 and 100 (80 is standard).
o 80 is default value with 100% gain of video signal.
Saturation
o Varies between 0 and 100 (50 is standard).
o 50 is default value with nominal color saturation.
o Setting to 0 should display as monochrome.
o Increasing the value will increase color saturation.
Sharpness
o Varies between 0 and 100 (50 is standard).
o 0 is default value with no scaling artifact.
Gamma
o Varies between 1.0 and 3.0 with 0.1 steps.
o If White Balance is set to User Mode, changing gamma will have no effect.
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COLOR SUBMENU
The Color submenu allows the user to access to the Color Management Controls.
■Color Matrix Auto
o System automatically selects correct
matrix.
o Typically, 601 for SD Formats, 709 for HD
Formats.
RGB
User can manually set to RGB.
o RGB should be used with GBR422 systems.
601
o Conforms to ITU-R BT.601 matrix.
709
o Conforms to ITU-R BT.709 matrix.
■Color Temp
Use this setting to choose between color temperature
presets and the two available False Color Filters:
False Color MTF
o False Color Filter based on Flesh Tone
Values.
False Color TG
o False Color Filter based on Color
Temperature Gradient.
D65 (6500K). Conforms to CIE D65 White Point. x = 0.3127, y = 0.3290
D93 (9300K). Conforms to Japanese D93 White Point. x = 0.2830 y = 0.2980
USER (Adjustable Color Bias and Gain)
CAL D65/D93
o Used to activate the built in Automatic Color Calibration Program for both D65
and D93.
CAL D65
o Used to activate the built in Automatic Color Calibration Program for D65 only.
CAL D93
o Used to activate the built in Automatic Color Calibration Program for D93 only.
NOTE: When using the built in Color Calibration Program an optional OR-SM service
module is required along with a Minolta
■ RGB Bias and Gain
Select this submenu to fine-tune the monitor’s color balance (R, G, B). This should
only be done by someone experienced with video engineering, as this will alter the
overall color shading of the screen. The purpose is to allow color matching to other
types of monitors and/or displays. NOTE: The Color Temperature preset will
automatically switch to CUSTOM when Color Bias or Gain settings are adjusted. It is
normal for color bias adjustments to be very subtle. When selecting the RGB Bias
and Gain submenus, changes to Gain and Bias will be seen in real time. Once the
proper level is achieved, the user must save this setting by pressing the Menu Rotary
Encoder. If the user leaves the setting menu before saving, the value will return to the
original setting.
®
CA-310 color probe.
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Page 24
SCREEN SUBMENU
■ Scan
Normal (Zero Scan)
The whole picture should be visible
without any cropping. When in normal mode
you should not see non-active areas such as
SAV, EAV.
Over (End-User TV Production Scan)
5% of the picture is cropped and zoomed
to fill the screen. After cropping, it will
maintain correct aspect ratio and center.
Zoom
When in zoom mode, the center portion
of the picture is magnified to fill the screen by
approximately 4x.
■Aspect Ratio Settings
Use to switch between Full Screen, 4:3 and 16:9 aspect ratios.
The 960 x 540 resolution panel was chosen to allow monitoring of HD 1920 x 1080 video
■ Mono / Color
■ H/V Delay
■ Shift H
■ Shift V
■ 3D Review
Use this to control the 3D monitoring modes.
■Anaglyph
Use this for monitoring the 3D image using Anaglyph Glasses.
formats without scaling artifacts.
Use the Mono / Color modes for monitor calibration or to analyze individual color
components of an image.
RGB = displays all three colors (Normal display)
Mono = displays as monochrome
Red Channel = displays red channel only
Green Channel = displays green channel only
Blue Channel = displays blue channel only
Use this setting to enable H & V Delay.
In H & V Delay mode, both horizontal sync and vertical sync are delayed, resulting in
both horizontal and vertical blanking periods being shown at the center of the screen.
Use the RotoMenu control to change the value of this setting which will shift the picture
horizontally. Negative values will move the picture RIGHT, while Positive values will
move the picture LEFT. [0] is center value.
Use the RotoMenu control to change the value of this setting, which will shift the picture
Vertically. Negative values will move the picture DOWN, while Positive values will move
the picture UP.
OFF
LEFT EYE
RIGHT EYE
BLENDING
LUMINANCE DIFF
CHROMA DIFF
OFF
COLOR
HALF COLOR
OPTIMIZED
GRAY
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Page 25
MARKER CONFIGURATION SUBMENU
Marker:
Use this setting to enable or disable all on-screen
markers. This setting affects the Center marker,
Aspect markers, and Safety marker.
Center Marker:
Use this setting to display a center marker on the
screen.
Aspect Markers:
Use these settings to superimpose one of 6 markers on the screen when in 16:9 mode.
4:3
16:9
1.85:1
2.35:1
4:3 and 1.85:1
Safety Marker:
USER.
User Marker
To configure a user marker, you must have User Marker assigned to one of the
seven Function Keys
1. Press the assigned Function key to display the User Marker.
2. The prompts will ask you to make size and placement adjustments in the following order:
3. You can use any of the four rotary encoders to make these adjustments.
4. When the User Marker is in the proper location simply stop making any changes and the
Cross Hatch:
Uses this to select one of the following grid patterns:
Marker Mat:
Black.
Line Thickness:
Use this setting to choose the line thickness of the markers from 1, 2, or 3 pixels thick.
Line Type:
Invert.
4:3 and 2.35:1
Use this setting to adjust the safety marker from 80% to 100% (Off) in 1% steps and
Selecting USER will display the last defined user configured marker when Marker
is ON.
a. You will see prompts in the upper left corner of the screen.
b. If no action is taken within 5 seconds the prompt will disappear and no
modifications can be made.
a. Width X
b. Height Y
c. Move X (left or right)
d. Move Y (up or down)
prompts will disappear after 5 seconds.
OFF
SMALL
MEDIUM
LARGE
Use this setting to change the format of the marker curtains between Clear, Halftone, or
Use this setting to select the style of line used for markers between White, Halftone, and
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AUDIO CONFIGURATION SUBMENU
■ Front Volume
Adjusts headphone and speaker volume on the front
panel. This value is adjustable from 0 to 40. Setting to
0 will mute the output.
■ Headroom Start
Adjusts the point at which the level meters will change
color from Green to Yellow. This is normally the level
used for alignment. For digital audio in the US, the
SMPTE standard is -20dBFS = 0VU = +4dBu. The European EBU standard is -18dBFS = 0VU.
Other Alignment standards can be set using this menu.
■ Headroom End
Adjusts the point at which the level meters will change color from Yellow to Red. There is no
official standard to where this point should occur. This is an arbitrary setting to give visual warning
that the program level is peaking near the 0dBFS point at which there are no more bits and
clipping will occur.
■ Left Channel / Right Channel
These menus are used to designate which one of the available 16 audio channels will be
assigned to the Left, Right, or both outputs for listening. For example, the user can choose to
send CH 1 to the left output and CH 2 to the Right output, or the user can assign CH 1 to both
Left and Right for a mono feed.
■ Load CH Preset From >
Use this menu to recall one of the 8 possible memory locations where the user previously stored
channel output assignments. Use of this Load command will override the current channel output
assignments.
■ Save CH Preset To >
Use this menu to select which one of 8 memory locations where the user wants to store the
current channel output assignments.
■ CH Preset
Use this menu to Lock or Unlock the ability to save to the Ch Preset memory locations. This helps
to prevent accidental overwriting of stored presets. When Locked, Ch Presets may still be
recalled.
■ SOURCE
Use this menu to select the source of audio being monitored when the input is selected to SDI1 or
SDI2. The default setting is EMBEDDED but there are times when you might want to listen to
audio connected to the Aux Audio Input on the rear panel.
AUDIO UTILITY SUBMENU
The Audio Utility Submenu contains a subset of
control submenus for the various audio monitoring
tools available.
Please refer to the Audio Utility section of the On
Screen Menu Contents section of this manual for
details.
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WAVEFORM SUBMENU
■ Layout:
Use this menu to choose from several available
preset screen layouts. Choosing any of the available
preset layouts will override the settings in the
Waveform, Size and Position menus.
■ Waveform:
Use this menu to turn the Waveform display On or
Off and select between White or Parade modes.
■ Size:
Use this menu to choose the size of the Waveform display in Normal mode. Choices are Small,
Medium, and Large.
■ Position:
Use this menu to select the position you want the Waveform display to occupy on the screen
when in the Normal mode. Choices are Left Top, Left Bottom, Right Top, and Right Bottom.
■ Display Type:
Use this menu to choose how to display the waveform. The choices are Overlay or Overlap. In
the Overlay mode, the waveform will be semi-transparent and the user will be able to see the
source video through the waveform. In the Overlap mode, the waveform will be Opaque and will
block the source video.
■ Y Over Limit:
Use this menu to set where you want the waveform to display Red when the video source
exceeds the limit set. This value is adjustable from -7.3% to 109.1% IRE. This setting is shared
with the ClipGuide Menu.
■ Y Under Limit:
Use this menu to set where you want the waveform to display Red when the video source below
the limit set. This value is adjustable from -7.3% to 109.1% IRE. This setting is shared with the
ClipGuide Menu.
Limits
o Internally, Y values ranges from 0 to 255.
o -7.3 IRE is equal to 0 in digital.
o 0 IRE is equal to 16 in digital.
o 100 IRE is equal to 235 in digital.
o 109.1 IRE is equal to 255 in digital
■ HISTOGRAM:
Use this menu to turn the Histogram function ON or OFF as well as set the Histogram display
position.
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VECTORSCOPE SUBMENU
■Layout
Use this menu to choose from several
available preset screen layouts. Choosing
any of the preset layouts will override the
settings in the Vectorscope, Size, and
Position menus.
■Vectorscope
Use this menu to turn the Vectorscope
display On or Off when in the Normal
mode.
■Size
Use this menu to choose the size of the Vectorscope display in Normal mode. Choices are Small,
Medium, and Large.
■Position
Use this menu to select the position you want the Vectorscope display to occupy on the screen
when in the Normal mode. Choices are Left Top, Left Bottom, Right Top, and Right Bottom.
■Display Type
Use this menu to choose how to display the Vectorscope. The choices are Overlay or Overlap. In
the Overlay mode, the Vectorscope will be semi-transparent and the user will be able to see the
source video through the Vectorscope. In the Overlap mode, the Vectorscope will be Opaque and
will block the source video.
■Gain
Use this menu to change the gain of the Vectorscope display. Normally, the Vectorscope displays
x1.00. In order to allow a magnified view, the gain is adjustable from x1.00 to x4.98 in .01 steps.
Changing this value has no effect on the source material.
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Page 29
LAYOUTS
LAYOUT QUAD
LAYOUT DECK
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Page 30
CLIPGUIDE SUBMENU
■CLIPGUIDE
Use this menu to turn the ClipGuide function On or
Off.
■Mode
Allows the choice of which ClipGuide function you
want to display. There are 6 modes to choose
from:
• Luma (Y) displayed over Color Video
• Luma (Y) displayed over Mono Video
• Chroma (C) displayed over Color Video
• Chroma (C) displayed over Mono Video
• Luma (Y) and Chroma (C) displayed over Color Video
• Luma (Y) and Chroma (C) displayed over Mono Video
■Display Type
ClipGuide will display over and under values in two ways when monitoring the video signal. In the
Zebra mode, over and under conditions are indicated in a Zebra (diagonal stripe) pattern. In the
Fill mode, over and under conditions are indicated by a solid fill. In either Zebra or Fill mode, Red
is the indication for Luma and Yellow is the indication for Chroma.
■Y and C LIMITS
These values are shared with WFM settings
Y Limits:
Set luminance upper and lower limits to be monitored.
Limits are displayed in IRE unit
Varies between -7.3 IRE and 109.1 IRE
This value will be shown in WFM window as red line
Any data exceeding these values will be displayed as red on the picture
These values are shared with WFM settings
Internally, Y values ranges from 0 to 255
-7.3 IRE equals to 0 in digital
0 IRE equals to 16 in digital
100 IRE equals to 235 in digital
109.1 IRE equals to 255 in digital
C Limits:
Sets the chrominance levels to be monitored.
Displayed in 8-bit digital video representation
Any data exceeding these values will be displayed as Yellow in the picture
The factory preset for C limits are 16 and 240 according to ITU-R BT.709
Typically these values should not be exceeded during normal video production
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Page 31
USER ASSIGN SUBMENU
■F-1 thru F-7
There are Seven Function Keys and One
Rotary Encoder on the front panel of the OR-
2410. Each of these F-keys may be assigned
to any one of 31 different functions as
required by the job or individual user.
These functions are listed in the USER
ASSIGN section of the Menu Overview
section of this manual.
There are three types of User Assigned Functions:
One-Way Functions
Pressing the assigned key will activate the feature
o When it is enabled, the indicator of the key will illuminate
o Pressing again will have no effect
FOR EXAMPLE: Selecting an Input, Selecting Audio Preset, Selecting White Balance
Two-Way Functions
Pressing the assigned key will active the feature
o When it is enabled, the indicator of the key will illuminate.
o Pressing again will deactivate the feature and the indicator will go out.
FOR EXAMPLE: Scan, WFM, ALM, Layout, HV Delay
Sequential Functions
Pressing the assigned key will rotate features in sequence.
FOR EXAMPLE: Timecode, Color Channel
o TimeCode will change its state for OFF->LTC->VITC1->VITC2->OFF
o Color Channel will change its state for RGB->R Only->G Only … -> RGB
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Page 32
REMOTE SUBMENU
■Pin 1 through Pin 8
The RJ-45 Remote connector on the rear panel
has 8 pins. Pin 5 is Ground, while the remaining 7
pins are pulled high to 3.3VDC and may be used
for Tally or other Remote Commands. A list of
available Commands and Tally configurations can
be found in the REMOTE section of the Menu
Overview section of this manual. The command or
Tally is activated by connecting the corresponding
Pin (1-4 and 6-8) to Pin 5 (Ground).
Event Triggers
Two types of events are allowed: Falling and Rising Events
The Falling Event is when you pull down to ground, and the rising event is when you
remove the
ground and the pin returns to the normal high state.
Falling Events occur only once and on the event of power up sequence.
o This means a falling event will occur only once regardless of whether its pin is
repeatedly grounded such as when selecting an input source.
The Rising Event can only occur once a pin has been pulled down to ground to activate
the command such as turning on a tally and then releasing ground (open circuit) to turn
off.
Priority
o The lower pin numbers have higher priorities over higher pin numbers during the
power up sequence.
Tally System
The Tally System can be used in a non-separated mode and separated mode.
Non-Separated Mode
o Supports R/G/B tallies.
o Can mix any channels. FOR EXAMPLE: Mix Red and Green for Amber.
o Cannot mix R/G/B for White (it will be pink due to white balance).
o Cannot be assigned with separated tallies.
Left/Right Separated Mode
o Supports R/G/B tallies on each Left and Right.
o Can mix any channels for each Left and Right.
o Cannot mix R/G/B for White (it will be pink due to white balance).
o Cannot be assigned with non-separated tallies.
SDI STATUS SUBMENU
• ANC data checksum error
The SDI submenu shows the SDI Error
Count, allows you to reset the counter
and sets up how you would like to
display the SDI Error counter. The
Choices are OFF – ON – AUTO.
The SDI Error Counter will count the
following types of errors:
• Line-based CRC error
• Line number error
• TRS error
• EDH CRC error
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Page 33
An error count of more than 1 could be considered as abnormal. There is no particular scale to
the number of errors counted. The max number of errors displayed is 9999. For example assume
that there is a problem with a source and it is outputting a SDI signal with invalid CRC for each
line. The Orchid Error counter will result in a count of 9999 within 9 frames (150ms). However, if
the source is not bad and the Error counter occasionally counts up these are mostly caused by
poor connections or bad SDI cables.
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Page 34
SETUP SUBMENU
■ Format Display
- Auto - This mode will display the video format
information for about 8 seconds whenever video
format is changed.
- Off - This mode will not display any video format
information.
- On - This mode will always display current video
format information.
■Timecode
Selects among to following options: OFF / LTC /
VITC1 / VITC2. In the most cases, the value of LTC
and VITC1 will be identical to each other.
■Power Save
• When enabled, the monitor will go to sleep when the selected amount of time has passed
after a loss of picture occurs.
• When a valid video format is detected, the monitor will wake up from the sleep state.
• Pressing any front panel keys will wake up the monitor.
• In the sleep state, all lights (including the backlight and front key indicators) are turned off.
• Any change in parallel remote status will wake up the monitor.
• Tally status is not affected by sleep mode.
■Key Lock
In the locked mode all front panel keys are disabled except for accessing the menu.
■Picture Delay
Allows the user to select the processing delay time:
Normal Typically 3 frame delay with best picture quality
Fast Typically 1.5 frame delay at good picture quality
Fastest Typically 0.5 frame delay with some picture artifacts
■Backlight
Allows user to dim the backlight from 100% to 25% in order to compensate for ambient lighting
conditions or to extend the life of the BLU.
■ Reset to MFG Default
• This will restore all configuration values and functions to the default factory state.
• This will not change Model Name, Serial Number, or White Balance Data.
• Requires Confirm action by selecting Confirm again.
(Select Reset -> Press Enter -> Select Confirm -> Press Enter)
• Resetting default will not effect backed up data.
■ Backup User Configuration
• This command backs up all user information to the secondary EEPROM (User settings)
• Requires action by selecting Confirm again.
(Select Backup -> Press Enter -> Select Confirm -> Press Enter)
■Restore User Configuration
This will restore all information previously stored to the secondary EEPROM (User settings)
and overwrites all Current settings. Requires Confirm action by selecting Confirm twice. (Select
Restore -> Press Enter -> Select Confirm -> Press Enter). After restoration, the system exits
the OSD menu.
■ Fan Control
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Page 35
Allows the user to select the status of the cooling fan from three options:
OFF Turns fan off for quiet operation while shooting a scene
AUTO The fan will operate only when the internal temperature requires cooling
MAX The fan will operate continuously at Max speed
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Page 36
Specifications
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Page 37
Maintenance / Color Calibration / Upgrade Procedure
■ Screen Cleaning
Periodically clean the screen surface using ammonia-free cleaning wipes (Marshall Part No. V-HWPK). A clean micro-fiber cloth can also be used using only non-abrasive and ammonia-free cleaning
agents. Do not use paper towels. Paper towel fibers are coarse and may scratch the surface of the
polycarbonate faceplate or leave streaks on the surface. Antistatic and fingerprint resistant cleaning
agents are recommended. Do not apply excessive pressure to the screen to avoid damaging the LCD.
■ Faceplate Dusting
Dust the unit with a soft, damp cloth or chamois. Dry or abrasive cloths may cause electrostatic
charge on the surface, attracting dust particles. Neutralize static electricity effects by using the
recommended cleaning and polishing practice.
■ Color Calibration
An optional OR-SM Service Module is required for this procedure.
Allow the unit you want to calibrate and the Minolta® CA-310 to warm up for a minimum of 20
minutes.
• Attach the CA-310 color probe to the update dongle.
• With the unit still turned on, insert the update dongle into the service port at the rear of the screen
you wish to calibrate.
• Use the menu navigation Rotary encoder and go to:
- Color Menu
- Color Temp
• Cal D65/D93 to calibrate both
• Cal D65 to calibrate only D65
• Cal D93 to calibrate only D93
Press the Rotary encoder to select and again to confirm.
• Follow the on-screen instructions
Notes:
1. If there is no color probe attached or you make a mistake and try to calibrate the incorrect screen,
you will get an error message and the screen will default to previous settings.
2. If the calibration process is interrupted while in progress, the current screen settings will be
corrupted and the calibration process will have to be repeated.
Firmware Update
An optional OR-SM Service Module and connection to the internet is required for this
procedure.
1. Download the Orchid updater software package from the Marshall web site
2. Unzip the included files from the zip folder to a known location on your computer
3. Double-click the un-zipped Orchid updater program and the firmware package to install on your
computer
4. Turn on the Orchid unit to be upgraded
5. Connect the OR-SM module to your computer
6. Insert the OR-SM module into the service port
7. Run the Orchid update program
8. Click Update
• The Updater will check for available software
• Compare it to the current version
• Perform the update.
Notes:
• The update process will take approximately 8 minutes.
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Page 38
• If the update program does not automatically detect your Orchid model you will be asked to
choose the appropriate model from a drop down list then click update again.
• Clicking on details allows you to monitor the update process
Page 38 of 39
Page 39
Warranty
Marshall Electronics warranties to the first consumer that this OR-2410 LCD monitor will (under
normal use) be free from defects in workmanship and materials, when received in its original
container, for a period of one year from the purchase date. This warranty is extended to the first
consumer only, and proof of purchase is necessary to honor the warranty. If there is no proof of
purchase provided with a warranty claim, Marshall Electronics reserves the right not to honor the
warranty set forth above. Therefore, labor and parts may be charged to the consumer. This warranty
does not apply to the product exterior or cosmetics. Misuse, abnormal handling, alterations or
modifications in design or construction void this warranty. It is considered normal for a minimal
amount of pixels, not to exceed three, to fail on the periphery of the display active viewing area.
Marshall Electronics reserves the option to refuse service for display pixel failure if deemed
unobtrusive to effective use of the monitor by our technicians. No sales personnel of the seller or any
other person is authorized to make any warranties other than those described above, or to extend the
duration of any warranties on behalf of Marshall Electronics, beyond the time period described above.
Due to constant effort to improve products and product features, specifications may change without
notice.
Marshall Electronics, Inc.
1910 East Maple Avenue
El Segundo, CA 90245
Tel.: (800) 800-6608 / (310) 333-0606
Fax: (310)333-0688
www.LCDracks.com / sales@lcdracks.com
20111208 v-1.0.6
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