Marshall Electronics LSC-1, LSC-2 User Manual
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Live Series
LSC-1/LSC-2
Hand-held Condenser Microphone
for Live/Stage Performance
User Manual
Live Series
User Manual
ongratulations on your purchase of the MXL LSC-1/2 condenser microphone for live and stage
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performance. The MXL LSC-1/2 is the result of world-class engineering and manufacturing and
is designed to provide you with outstanding performance and exceptional value. Before you get
started, we encourage you to review this manual to familiarize yourself with the key features of this
outstanding microphone.
Unpack Your Microphone
You should have the following components:
1 MXL LSC-1 (nickel) or 1 LSC-2 (black)
25ft Marshall Microphone cable
1 Cardioid capsule (pre-installed)
1 Omni capsule
Power Requirements
The MXL LSC-1/2 requires “phantom power” to operate. Phantom power is DC power, typically in
the form of a 48 volt signal. Although phantom power can range from 9V - 52V, the LSC-1/2 requires
48V (+/-4V) to ensure optimal performance. This power is supplied to condenser microphones from a
dedicated power supply, a preamp, an audio mixer, or PA system.
Connecting Your Microphone
The LSC-1/2 includes a 25ft XLR microphone cable. Before connecting your microphone to a mixer/
PA system or preamp, turn off the speakers or mute the channel you are plugging into in order to
avoid potential speaker damage.
The LSC-1/2 also comes with a standard thread adapter that will attach to most microphone stands.
1 Hyper-cardioid capsule
Mic stand adapter
Cleaning cloth
Plastic road case
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Using the LSC Microphone
The LSC-1/2 is a condenser microphone for live/stage use. Condenser microphones generally
produce a high-quality audio signal but require some careful handling. By following a few basic
handling procedures, you can expect a long and happy relationship with your MXL LSC-1/2:
ALWAYS: Handle the microphone carefully, avoiding sudden shocks such as dropping
or bumping the microphone into other objects.
ALWAYS: Maintain a distance of approximately 3 – 6 inches when speaking or singing
into the microphone.
NEVER: Tap or blow into the microphone to check if it’s working.
Finding the sound you want will involve experimentation. There are unique features of the LSC-1/2,
however, that can help maximize sound quality.
Interchangeable Capsules
Your LSC-1/2 includes three different capsules with three different polar patterns: cardioid,hypercardioid and omni. The capsules can be changed to best suit the performance environment.
A cardioid microphone picks up sound from the front of the microphone, less sound from the
sides, and has good rejection of sound to the back of the microphone. Cardioid microphones are
recommended for vocal applications, live, recording, and in situations where the acoustics are good
but not perfect. The cardioid pattern is also good for vocal and instrument recording in a studio
environment.
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