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AS50R
ACOUSTIC SOLOIST COMBO
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ENGLISH
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From Jim Marshall
I would like to thank you personally for
selecting the AS50R, Acoustic Soloist combo.
The Marshall name has been associated with
many fine products over the years and our
commitment to quality remains as constant
today as it did right back at the birth of Marshall
Amplification back in 1962.
In the case of the Acoustic Soloist, much time
and research has gone into making the sound as
natural as possible. As all of my designers are
also guitarists, they fully understand the needs
of the player and bring their expertise to bear on
all our products. You can also rest assured that
every Marshall amplifier has been designed and
engineered to the highest possible standards, so
as a result will stand the test of time and
constant use.
I strongly suggest that you read this handbook
carefully before using your AS50R and then
keep it on hand for future reference.
I am certain that you will get great enjoyment
from your Marshall Acoustic Soloist combo and
wish you every success with it.
Yours Sincerely,
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Channel 1 - Acoustic Instrument Channel
1. Input Jack
Plug the lead from your guitar in here. The high
impedance of this input will help you to get the
best from the passive or active piezo or magnetic
pick-ups.
2. Volume Control
Controls the volume level of the Acoustic
Instrument channel. A good place to start with this
control is the half way, or 12 o clock position, then
adjust according to the sensitivity of your pick-up.
3. Bass Control
Adjusts the amount of bass, or bottom end of the
instrument’s tone. Care should be taken when
setting this control as adding excessive bass can
cause unnatural howling. Again, the half way
position is the best place to start.
4. Treble Control
Adjusts the treble, or top end of your sound.
Careful adjustment will make your high notes lively
but not too harsh. It is worth noting that set in
higher positions, this control will induce a certain
amount of noise.
Channel 2 - Microphone Channel
5. Phono Inputs
Inputs to take connection from a tape or CD player.
6. Microphone Input
Balanced XLR type input for connection of a
microphone and suitable for vocal or instrument
applications.
7. Jack Input
Input to take any source, such as drum machine,
keyboard etc.
8. Volume Control
Controls the volume level of the Microphone Aux
channel. A good place to start with this control is
the half way, or 12 o clock position, then adjust
according to the sensitivity of your pick-up
9. Bass Control
Adjusts the amount of bass, or bottom end of your
sound. Care should be taken when setting this
control as adding excessive bass can cause
unnatural howling. Again, the half way position is
probably the best place to start.
18.
Treble Control
Adjusts the treble, or top end of your sound.
Careful adjustment will make your high notes lively
but not too harsh. It is worth noting that set in
higher positions, this control will induce a certain
amount of noise.
Master Section
11.
Chorus Assign Switches
Allows the built in chorus effect to be selected on
either channel individually or both channels
together.
12.
Chorus Speed Control
Controls the speed of change of frequency for the
built-in chorus effect.
13.
Chorus Depth Control
Controls the amount of change of the frequency
shift for the built-in chorus effect.
Note: When using the chorus, higher speed
settings usually sound better with lower depth
settings and vice versa. Experiment to find which
selection suits you best.
14.
Reverb Balance Control
Controls the balance of the Reverb effect and the
parallel effects loop between channel 1 and
channel 2.
15.
Reverb Level Control
Controls the overall level of the reverb effect.
16.
Phase Switch
Switching the phase can considerably reduce the
amount of low frequency acoustic feedback.
17.
Notch Filter Switch
Further feedback reduction can be achieved using
the selectable frequency notch filter. When
activated, the filter cuts by 10dB the frequency
selected using the rotary control (item 18).
18.
Frequency Control
If feedback occurs when the Master Volume is set
to the desired performance level, select the switch
(item 17) and rotate this control until the offending
frequency is eliminated.
19.
Master Volume
Controls the overall volume output from the
amplifier.
20.
Power switch
Turns the amplifier on/off, with neon indicator to
show the ‘on’ position.
AS50R Front Panel Features
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ENGLISH
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Introduction
The AS50R is a compact and portable 50 watt combo amplifier specially designed for use with
acoustic instruments. Between its two channels, this combo has the flexibility to handle instruments
with transducers, such as piezo or magnetic pick-ups (channel 1), or microphone for either vocal or
instrument reproduction (channel 2).
The built-in Chorus effect is assignable to either or both channels and the reverb can be controlled
and balanced between the channels to create just the right ambience. If you want to add further
effects, then there is an on-board parallel effects loop which can be balanced between the channels in
the same way as the reverb.
One of the most difficult aspects of amplifying some acoustic instruments is feedback. To help you
eliminate this, the AS50R features several ‘anti-feedback’ controls, including a Phase switch and a
frequency controllable Notch Filter. The combination of these two elements will give you precise
control of the frequencies where feedback is likely to occur and help you to eliminate them.
For clear and detailed performance, the AS50R is loaded with two 8” speakers and a high efficiency
piezo tweeter. There is also an internal limiter which allows you to push the maximum level from the
50 Watt output, whilst remaining distortion free.
Neat and compact, flexible and portable, the AS50R is the ideal amplifier for the acoustic player who
wants a system as suitable for small gigs as it is at home.
WARNING! - Important safety instructions
A. ALWAYS fit a good quality mains plug conforming to the latest B.S.I. standards where necessary (UK only).
B. NEVER attempt to by-pass the fuses or fit ones of the incorrect value.
C. NEVER attempt to replace fuses or valves with the amplifier connected to the mains.
D. DO NOT attempt to remove the amplifier chassis, there are no user serviceable parts.
E. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been
damaged in any way, such as the power supply cord or plug is damaged, liquid has been spilled or objects
have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally
or has been dropped.
F. NEVER use an amplifier in damp or wet conditions.
G. ALWAYS unplug this apparatus during lightning storms or when unused for long periods of time.
H. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles and at
the point where they exit from the apparatus.
I. DO NOT switch the amplifier on without the loudspeaker connected.
J. ENSURE that any extension cabinets used are of the correct impedance.
K. PLEASE read this instruction manual carefully before switching on.
Follow all instructions and heed all warnings.
WARNING : This apparatus must be earthed!
WARNING : Do not obstruct ventilation grille and always ensure free movement of air around the amplifier!
USA ONLY - DO NOT defeat the purpose of the polarised or grounding type plug. A polarised plug has two blades
with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. When the provided plug does not fit into your outlet,
consult an electrician for replacement of the obsolete outlet.
KEEP THESE INSTRUCTIONS
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1. Mains Input
Plug your mains lead in here.
2. Footswitch Jack
Jack socket for connection of the optional
footswitch (model PEDL-10029) for switching the
Reverb and Chorus functions on and off.
3. Line Out Jack
Jack socket for connection to home recording or
other external equipment with jack inputs.
4. DI Out
XLR type output for connection to PA or similar
external equipment.
Note: Both the Line Out and DI out carry exactly
the same signal at different levels and both are
placed before the Master Volume so changing the
overall level of the amplifier will not affect the
signal from the DI or Line Output.
5. Effects Send Jack
Jack socket to connect to the input of an external
effects processor.
6. Effects Return Jack
Jack socket to connect to the output of an external
effects processor.
AS50R Rear Panel Features
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Microphone / Aux
Channel 1 Channel 2
Notch
Chorus
Master Section
Anti-Feedback Master
Ch2
R
L
Acoustic Instrument
Ch1 Phase
AS50R
Acoustic
Soloist
AS50R
O
I
Reverb
/ Loop
Reverb
0
VolumeInput
10
Bass
-
Treble Aux Microphone Input
+-+ 0
Volume
10 -
Bass
+-
Treble
+0
Speed
10 0
Depth
10 Ch1
Balance
Ch2 0
Level
10 80Hz
Frequency
1kHz 0
Volume Power
10
!
AS50R Front Panel
AS50R Rear Panel
1 2 3 4 5 6
2 3 4 5 6 7 8 9 101
22
11 17
16
12 13 14 15 18 19 20
INSTRUMENT
VOL
VOL
LOW
BALANCE
HIGH
LOW HIGH
REVERB
LEVEL
NOTCH
PHASE
LINE OUT
PA
D.I.
MASTER
CROSSOVER
DRIVER
TWEETER
LIMITER
-1
DEPTH
FOOTSWITCH
FOOTSWITCH
SEND RETURN
FREQUENCY
CH 2
CH 1
TAPE IN
MIC
AUX
SPEED
CHORUS
AS50R Flow Diagram
Designed, Engineered and Quality
Controlled by Marshall Amplification plc UK
Made under licence in China
Mains Input
120V ~ 60Hz
130 Watts
Footswitch D.I. OutLine Out
Effects Loop
ReturnSend
WARNING!: SHOCK HAZARD. DO NOT OPEN. TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS
EQUIPMENT TO RAIN OR MOISTURE. THIS APPARATUS MUST BE EARTHED.
AVIS!:RISQUE DE CHOC ELECTRIQUE. NE PAS OUVRIR. POUR EVITER LES RISQUES D’INCENDIE ET DE DECHARGES
ELECTRIQUES, N’EXPOSEZ JAMAIS CET APPAREILA L’HUMIDITE OU A LA PLUIE. CONNECTER CET APPAREIL A LA TERRE.
CAUTION!: TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER.
NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
ATTENTION!:POUR EVITER LES RISQUES DE DECHARGES ELECTRIQUES, NE PAS OUVRIR LE COUVERCLE. CET APPARRIL
NE COMPORTE AUCUNE PIECE SUSCEPTIBLE D’ETRE REPAREE PAR VOS SOINS. FAITES TOUJOURS APPEL A UN TECHNICIEN
QUALIFIE POUR TOUTE REPARATION.
Output 50 Watts RMS 4 Ω
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