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Professional Portable Solid Recorder
PMD671
The PMD671 can record 24-bit, 96 kHz audio for
the highest sound quality available in the field or
even in the studio.
The ability to read-after-write offers completely
new levels of functionality never before available
in a field recorder.
Even the mic preamps have been dramati cally improved.
Then add programmable presets, and changing formats on the fly is as easy as pressing a button.
Serious professionals n eed serious tools.
・24-bit, 96 kHz PCM capable for unrivaled fidelity
・“Virtual Third Head” for confidence monitoring (Read After Write)
・Time-Shift Playback capability for random access playback while recording
・No moving parts- no maintenance
・Built-in USB 2.0 port for ultra-fast, easy file transfer to PC
・Records uncompressed 16 and 24 bit PCM .wav files at 8, 11.025, 12, 16, 22.05,
24, 32, 44.1, 48, 82 or 96 kHz
・Records .mp2 mono (32-192kbps)
・Records .mp2 stereo (64-384 kbps)
・Records .mono .mp3 files (16-160 kbps)
・Records stereo .mp3 files (32-320 kbps)
・A 1 GB CF card can hold almost 30 minutes of uncompressed stereo
(24 bit, 96 kHz) PCM audio
・A 1 GB CF card can hold just over 90 minutes of uncompressed stereo
(16 bit, 44.1 kHz) PCM audio
・A 1 GB CF card can hold over 35 hours (stereo) or 70 hours (mono) .mp3 audio
・4 to 6 hour audio life with standard AA alkaline batteries
・Optional rechargeable NiCd or NiMH batteries
・Built-in condenser mic for easy, true recordings
・Two XLR mic connections with +48v phantom power
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・Dramatically upgraded microphone preamps
・RCA line I/O
・Built-in monitor speaker
・Optional RC600 wired remote control with
peak indicator
・Unparalleled 24/96 Audio
Recording PCM audio at 24-bit resolution and 96 kHz
sampling frequency is the absolute state of the art for
digital audio applications.
It offers 256 times the amplitude resolution, and more
than twice the frequency resolution of compact discs.
・RAW (VTH-Virtual Third Head)
Professional analog recorders had a dedicated
“third head” to monitor recorded signals after they
were printed to tape.
It was called, “confidence monitoring”, because it
allowed engineers to be 100% confident about what
they had recorded as it was happening.
The PMD671 is unique in offering the 21st century
version of this same functionality, by playing back the
recorded data simultaneously, rather than simply
monitoring the input source.
RB1100 Ni-Cd battery pack
RB1650 Ni-MH battery pack
CLC670 Vinyl Carrying Case
System
Number of Channels
Usable Media
Recording and Media
Methods
.mp2
.mp3
.mp3
*for all half sample rates
PCM
Power Consumption
Recording/Playback
Charging
Standby (Battery Driven)
Headphone Output Power
Speaker Output Power
Phantom Power
Dimensions (Maximum)
Width
Height
Depth
Weight
Audio
Recording Bit rate
(Selectable)
MP2 Stereo
MP2 Mono
MP3 Stereo
MP3 Mono
Sampling Frequency
Analog
Digital
Frequency Response
(PCM 44.1 kHz)
Signal-to-Noise Ratio
IEC-A Weighted
Dynamic Range
Solid-state recorder
2 (stereo), 1 (mono)
CF memory cards, microdrives
MPEG1 layer II compression
MEG1 layer III compression
MPEG2 layer III compression*
16-bit linear PCM
Recording/Playback
5.2 W
12 W
2.2 mW
20 mW/32 ohms
100 mW
48 V, 10 mA
10.4 in. (264 mm)
2 in. (55 mm)
7.3 in. (185 mm)
2 lbs., 14 oz. (1.3 kg)
384, 256, 192, 128, 96, 64 kbps
192, 128, 96, 64, 48, 32 kbps
320, 256, 160, 128, 80, 64 kbps
160, 128, 80, 64, 40, 32 kbps
48, 44.1, 32, 24*, 22.050*, 16* kHz
*except MP2
48, 44.1 kHz
20,000 Hz (-0.5dB)
Signal-to-Noise Ratio IEC-A
Weighted
LINE 86 dB
MIC 65 dB
86 dB
Design and specifications are subject to change without notice.
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