Marantz SR-9600 Service Manual

Service

SR9600

MULTI

SPEAKER

F/P

BAND

THX

PURE DIRECT

UP

DOWN

TUNING

AUX 1 INPUT

AUDIO

DIGITAL

SV DEO

VDEO

POWER ON/OFF

VOLUME

UP

DOWN

NPUT SELECTOR

PHONES

STANDBY

AV SURROUND RECEVER SR9600

SURROUND

MIC

ENTER

MENU

PURE DIRECT

THX

7.1CH NPUT

MODE

AUTO

MULTI

A/B

T-MODE

MEMORY

CLEAR

DISPLAY

EXIT

SPEAKERS

MRAC

AUTO TUNE

SR9600 /

N1B/N1G/N1S/U1G/U1B

Manual

NPUT SELECTOR

STANDBY

POWER ON/OFF

SECTION PAGE

1. TECH NI CAL SPEC I FI CA TIONS ........................................................................................... 1

2. TECHNICAL DESCRIPTION AND SERVICE HINTS ........................................................... 4

3. POWER AMPLIFIER AD JUST MENT ................................................................................. 10

4. SERVICE MODE................................................................................................................. 11

5. SYSTEM ERROR ...............................................................................................................13

6. UPDATE FIRMWARE.......................................................................................................... 15

[A] DOWNLOAD AND INSTALL UPDATING SOFTWARE FOR MICROPROCESSOR ..... 15

[B] UPDATE MAIN AND SUB MICROPROCESSOR PROCEDURE .................................. 30

[C] UPDATE DSP FLASH MICROPROCESSOR PROCEDURE........................................ 44

[D] UPDATE MRAC MICROPROCESSOR PROCEDURE ................................................. 48

7. WIRING DI A GRAM ............................................................................................................. 55

8. BLOCK DIAGRAM ..............................................................................................................57

9. SCHEMATIC DIAGRAM...................................................................................................... 59

10. PARTS LOCATION ............................................................................................................ 117

11. MICROPROCESSOR AND IC DATA................................................................................. 163

12. EXPLODED VIEW AND PARTS LIST ............................................................................... 205

13. ELECTRICAL PARTS LIST............................................................................................... 213

Please use this service manual with referring to the user guide ( D.F.U. ) without fail.

AV SURROUND RECEVER SR9600

PHONES

Multichannel AV Amplifi er

THX

PURE DIRECT

SURROUND

PURE DIRECT

MODE

MULTI

SPEAKER

AUTO

MULTI

7.1CH NPUT

THX

MENU

TABLE OF CONTENTS

UP

DOWN

TUNING

AUTO TUNE

T-MODE

DISPLAY

ENTER

EXIT

AV Surround Receiver

SR9600 /

VOLUME

DOWN

F/P

BAND

MEMORY

CLEAR

SPEAKERS

A/B

MRAC

MIC

AUX 1 INPUT

DIGITAL

SV DEO

UP

RRAUDIO

LLVDEO

F N

SR9600

Part no. 90M11AJ855010

First Issue 2005.05

MZ

MARANTZ DESIGN AND SERVICE

Using superior design and selected high grade components,
Only original

MARANTZ

parts can insure that your

MARANTZ

MARANTZ

product will continue to perform to the specifi cations for which

company has created the ultimate in stereo sound.

it is famous.
Parts for your

MARANTZ

ORDERING PARTS :

equipment are generally available to our National Marantz Subsidiary or Agent.

Parts can be ordered either by mail or by Fax.. In both cases, the correct part number has to be specifi ed.
The following information must be supplied to eliminate delays in processing your order :

1. Complete address

2. Complete part numbers and quantities required

3. Description of parts

4. Model number for which part is required

5. Way of shipment

6. Signature : any order form or Fax. must be signed, otherwise such part order will be considered as null and void.

USA

MARANTZ AMERICA, INC

1100 MAPLEWOOD DRIVE
ITASCA, IL. 60143
USA
PHONE : 630 - 741 - 0300
FAX : 630 - 741 - 0301

AUSTRALIA

QualiFi Pty Ltd,

24 LIONEL ROAD,
MT. WAVERLEY VIC 3149
AUSTRALIA
PHONE : +61 - (0)3 - 9543 - 1522
FAX : +61 - (0)3 - 9543 - 3677

EUROPE / TRADING

MARANTZ EUROPE B.V.

P. O. BOX 8744, BUILDING SILVERPOINT
BEEMDSTRAAT 11, 5653 MA EINDHOVEN
THE NETHERLANDS
PHONE : +31 - 40 - 2507844
FAX : +31 - 40 - 2507860

THAILAND

MRZ STANDARD CO., LTD

746 - 754 MAHACHAI ROAD.,
WANGBURAPAPIROM, PHRANAKORN,
BANGKOK, 10200 THAILAND
PHONE : +66 - 2 - 222 9181
FAX : +66 - 2 - 224 6795

CANADA

MARANTZ CANADA INC.

5-505 APPLE CREEK BLVD.
MARKHAM, ONTARIO L3R 5B1
CANADA
PHONE : 905 - 415 - 9292
FAX : 905 - 475 - 4159

SINGAPORE

WO KEE HONG DISTRIBUTION PTE LTD

No.1 JALAN KILANG TIMOR
#08-03 PACIFIC TECH CENTRE
SINGAPORE 159303
PHONE : [phone]
FAX : [phone]

NEW ZEALAND

WILDASH AUDIO SYSTEMS NZ

14 MALVERN ROAD MT ALBERT
AUCKLAND NEW ZEALAND
PHONE : +64 - 9 - 8451958
FAX : +64 - 9 - 8463554

JAPAN

D&M Holdings, Inc.

35- 1, 7- CHOME, SAGAMIONO
SAGAMIHARA - SHI, KANAGAWA
JAPAN 228-8505
PHONE : [phone]
FAX : [phone]

Technical

TAIWAN

PAI- YUING CO., LTD.

6 TH FL NO, 148 SUNG KIANG ROAD,
TAIPEI, 10429, TAIWAN R.O.C.
PHONE : +886 - 2 - 25221304
FAX : +886 - 2 - 25630415

SHOCK, FIRE HAZARD SERVICE TEST :

MALAYSIA

WO KEE HONG ELECTRONICS SDN. BHD.

2ND FLOOR BANGUNAN INFINITE CENTRE
LOT 1, JALAN 13/6, 46200 PETALING JAYA
SELANGOR DARUL EHSAN, MALAYSIA
PHONE : +60 - 3 - 7954 8088
FAX : +60 - 3 - 7954 7088

KOREA

MK ENTERPRISES LTD.

ROOM 604/605, ELECTRO-OFFICETEL, 16-58,
3GA, HANGANG-RO, YONGSAN-KU, SEOUL
KOREA
PHONE : +822 - 3232 - 155
FAX : +822 - 3232 - 154

CAUTION : After servicing this appliance and prior to returning to customer, measure the resistance between either primary AC
cord connector pins ( with unit NOT connected to AC mains and its Power switch ON ), and the face or Front Panel of product and
controls and chassis bottom.
Any resistance measurement less than 1 Megohms should cause unit to be repaired or corrected before AC power is applied, and
verifi ed before it is return to the user/customer.
Ref. UL Standard No. 6500.

In case of diffi culties, do not hesitate to contact the Technical

Department at above mentioned address.

050517MZ

SEA ER

BND

UR DR CT

UI G

U 1 NP T

ADO

D AL

SV EO

VDO

OWR ONO F

OLME

UP

DWN

NUT E ECOR

PON S

SA DBY

V SRR UN RE EV R S9 00

U D

MC

NTR

MEU

PUE DR CT

THX

.CH N UT

MOE

AUTO

MLTI

AB

TMOE

MMORY

LEAR

DSL Y

ET

PAK RS

MAC

UO T NE

1. TECHNICAL SPECIFICATIONS

FM TUNER SECTION

Frequency Range ..............................76.0 - 90.0 MHz[/F]

........................87.5 - 108.0 MHz[/N/U]

Usable Sensitivity..............................IHF 1.8 µV/16.4 dBf

Signal to Noise Ratio ................... Mono/Stereo 75/70 dB

Distortion......................................Mono/Stereo 0.2/0.3 %

Stereo Separation.........................................1 kHz 45 dB

Alternate Channel Selectivity.................± 300 kHz 60 dB

Image Rejection.........................................98 MHz 70 dB

Tuner Output Level............. 1 kHz, ± 75 kHz Dev 800 mV

AM TUNER SECTION

Frequency Range .......................... 531 - 1602 kHz [/F/N]

............................. 520 - 1710 kHz [/U]

Signal to Noise Ratio .............................................. 50 dB

Usable Sensitivity.......................................... Loop 400µV

Distortion.................................. 400 Hz, 30 % Mod. 0.5 %

Selectivity.................................................± 20 kHz 70 dB

AUDIO SECTION

Power Output (20 Hz - 20 kHz/THD=0.08%)

Front L&R.....................................8 ohms 140 W / Ch

Center ..........................................8 ohms 140 W / Ch

Surround L&R ..............................8 ohms 140 W / Ch

Surround Back L&R .....................8 ohms 140 W / Ch

GENERAL

Power Requirement .....................AC 100 V 50/60 Hz [/F]

......................... AC 230 V 50 Hz [/N]

......................... AC 120 V 60 Hz [/U]

Power Consumption................................... 600 W (6.5 A)

Weight .................................................... 26 kg (57.3 Ibs)

ACCESSORIES

Remote Control Unit RC3200B...................................... 1

AA-size batteries........................................................... 3

Microphone MC-10 ....................................................... 1

Front AUX Jack Cover................................................... 1

AC Cable....................................................................... 1

FM Antenna ................................................................... 2

FM Antenna Adaptor...................................................... 2

AM Loop Antenna .......................................................... 2

RS232C Cable.............................................................. 1

23 mm

(15/16 ins.)

Front L&R.....................................6 ohms 170 W / Ch

Center ..........................................6 ohms 170 W / Ch

Surround L&R ..............................6 ohms 170 W / Ch

Surround Back L&R .....................6 ohms 170 W / Ch

Input Sensitivity/Impedance................200 mV/ 47 kohms

Signal to Noise Ratio

Analog Input / Pure Direct ................................. 105 dB

Frequency Response

Analog Input / Pure Direct ..... 8 Hz - 100 kHz (± 3 dB)

Digital Input / 96 kHz PCM ..... 8 Hz - 45 kHz (± 3 dB)

VIDEO

Television Format ............................................ NTSC/PAL

Input Level/Impedance............................ 1 Vp-p/75 ohms

Output Level/Impedance......................... 1 Vp-p/75 ohms

Video Frequency Response .........5 Hz to 8 MHz (- 1 dB)

Video Frequency (Component) ...5 Hz to 80 MHz (- 1 dB)

S/N.......................................................................... 60 dB

HDMI

Version Format............................................................ 1.1

440 mm (17-5/16 ins.)

V SRR UN RE EV R S9 00

NUT E ECOR

TXTXUR DR CT

U D

MOE

SA DBY

OWR ONO F

PUE DR CT

PON S

483 mm

440 mm

(19-1/16 ins.)

(17-5/16 ins.)

20 mm

(13/16 ins.)

OLME

UP

DWN

FPFPBND

PPWNWNUI G

SEA ER

AUTO

MLTI

THX

MMORY

LEAR

UO T NE

TMOE

.CH N UT

DSL Y

PAK RS

AB

MAC

NTR

MEU

ET

MC

U 1 NP T

D AL

SV EO

200 mm

RRADO

LLVDO

218 mm

(7-7/8 ins.)

18 mm

(3/4 ins.)

(8-5/8 ins.)

1

The relation between the selected surround mode and the input signal

The surround mode is selected with the surround mode buttons on SR9600 or the remote control unit. However, the sound

you hear is subject to the relationship between the selected surround mode and input signal. That relationship is as follows;

Surround Mode Input Signal Decoding

AUTO Dolby Surr.EX Dolby Digital EX

PURE DIRECT Dolby Surr.EX Dolby Digital EX

EX/ES Dolby Surr.EX Dolby Digital EX

DOLBY Dolby Surr.EX Dolby Digital 5.1
(PLIIx movie) Dolby D (5.1ch) Dolby Digital 5.1
(PLIIx music) Dolby D (5.1ch) Dolby Digital 5.1 + PLIIx
(PLIIx game) Dolby D (2ch) Pro Logic IIx

DTS DTS-ES DTS 5.1
(Neo:6 Cinema) DTS 96/24 DTS-96/24
(Neo:6 Music) DTS (5.1ch) DTS 5.1

CSII Cinema Dolby D (2ch) CS
CSII Music Dolby D (2ch Surr) CS
CSII Mono AAC (2ch) CS

STEREO Dolby Surr.EX Stereo

Dolby D (5.1ch) Dolby Digital 5.1
Dolby D (2ch) Dolby Digital 2.0
Dolby D (2ch Surr) Pro Logic IIx movie
DTS-ES DTS-ES
DTS 96/24 DTS-96/24
DTS (5.1ch) DTS 5.1
AAC (5.1ch) AAC 5.1
AAC (2ch) AAC 2.0
Multich-PCM Multich-PCM
Multich-PCM 96kHz Multich-PCM 96kHz
SA-CD (5.1ch) Multich-PCM
SA-CD (2ch) PCM (Stereo)
PCM (Audio) PCM (Stereo)
PCM 96kHz PCM (Stereo 96kHz)
HDCD HDCD
Analog Stereo

7.1ch input Multich

Dolby D (5.1ch) Dolby Digital 5.1
Dolby D (2ch) Dolby Digital 2.0
Dolby D (2ch Surr) Pro Logic IIx movie
DTS-ES DTS-ES
DTS 96/24 DTS-96/24
DTS (5.1ch) DTS 5.1
AAC (5.1ch) AAC 5.1
AAC (2ch) AAC 2.0
Multich-PCM Multich-PCM
Multich-PCM 96kHz Multich-PCM 96kHz
SA-CD (5.1ch) SA-CD (5.1ch)
SA-CD (2ch) SA-CD (2ch)
PCM (Audio) PCM (Stereo)
PCM 96kHz PCM (Stereo 96kHz)
HDCD HDCD
Analog Stereo

7.1ch input Multich

Dolby D (5.1ch) Dolby Digital EX
DTS-ES DTS-ES
DTS (5.1ch) DTS-ES
AAC (5.1ch) AAC + Dolby EX
Multi-PCM Multich-PCM + Dolby EX
SA-CD (5.1ch) Multich-PCM + Dolby EX

Dolby D (2ch Surr) Pro Logic IIx
AAC (5.1ch) AAC + PLIIx
AAC (2ch) Pro Logic IIx
Multich-PCM Multich-PCM + PLIIx
SA-CD (5.1ch) Multich-PCM + PLIIx
SA-CD (2ch) Pro Logic IIx
PCM (Audio) Pro Logic IIx
HDCD Pro Logic IIx
Analog Pro Logic IIx

7.1ch input Multich-PCM + PLIIx

Dolby D (2ch) Neo:6
Dolby D (2ch Surr) Neo:6
AAC (2ch) Neo:6
SA-CD (2ch) Neo:6
PCM(Audio) Neo:6
HDCD Neo:6
Analog Neo:6

SA-CD (2ch) CS
PCM(Audio) CS
HDCD CS
Analog CS

Dolby D (5.1ch) Stereo
Dolby D (2ch) Stereo
Dolby D (2ch Surr) Stereo
DTS-ES Stereo
DTS 96/24 Stereo
DTS (5.1ch) Stereo
AAC (5.1ch) Stereo
AAC (2ch) Stereo
Multich-PCM Stereo
Multich-PCM 96kHz Stereo

II OOOOO2
II OOOOO2
II OOOOO
II OOOOO
II OOOOO
II OOOOO
II OOOOO

Output Channel Front Information Display

SL SBL

SubW

L/R C

SR SBR

OOOOO2
OOO-O 2
O

-- -

OOOOO2
OOOOO
OOO-O
OOO-O
OOO-O
O

-- -OAAC L, R
OOO-O
OOO-O
OOO-O
O

-- -OSA-CD L, R
O

-- -OPCM L, R
O

-- -OPCM L, R
O

-- -OPCM, HDCD L, R
O

-- -OANALOG ­OOOOO
OOOOO2
OOO-O 2
O

-- ­OOOOO2
OOOOO
OOO-O
OOO-O
OOO-O
O

-- -OAAC L, R
OOO-O
OOO-O
OOO-O
O

-- -OSA-CD L, R
O

- - - - PCM L, R
O

- - - - PCM L, R
O

- - - - PCM, HDCD L, R
O

- - - - ANALOG ­OOOOO
OOOOO2
OOOOO2
OOOOO
OOOOO
OOOOO
OOOOO
OOOOO
OOO-O 2
OOO-O 2
OOOOO2
OOOOO2
OOOOO2
OOOOO
OOOOO
OOOOO
OOOOO
OOOOO
OOOOO
OOOOO
OOOOO
OOOOO
OOO-O
OOO-O
OOO-O
OOOOO2
OOOOO2
OOOOO
OOOOO
OOOOO
OOOOO
OOOOO

O

-- ­O

-- ­O

-- ­O

-- ­O

-- -Odts, ES L, C, R, SL, SR, S, LFE
O

-- -Odts 96/24 L, C, R, SL, SR, LFE
O

-- -Odts L, C, R, SL, SR, LFE
O

-- -OAAC L, C, R, SL, SR, LFE
O

-- -OAAC L, R
O

-- -OM-PCM L, C, R, SL, SR, LFE
O

-- -OM-PCM L, C, R, SL, SR, LFE

Signal Format Indicators Channel Status

DIGITAL EX L, C, R, SL, SR, S, LFE
DIGITAL L, C, R, SL, SR, LFE

O 2

DIGITAL L, R

DIGITAL DD SURROUND L, R, S
dts, ES L, C, R, SL, SR, S, LFE
dts 96/24 L, C, R, SL, SR, LFE
dts L, C, R, SL, SR, LFE
AAC L, C, R, SL, SR, LFE

M-PCM L, C, R, SL, SR, LFE
M-PCM L, C, R, SL, SR, LFE
SA-CD L, C, R, SL, SR, LFE

ANALOG -

DIGITAL EX L, C, R, SL, SR, S, LFE

DIGITAL L, C, R, SL, SR, LFE

O 2

DIGITAL L, R

DIGITAL2 SURROUND L, R, S
dts, ES L, C, R, SL, SR, S, LFE
dts 96/24 L, C, R, SL, SR, LFE
dts L, C, R, SL, SR, LFE
AAC L, C, R, SL, SR, LFE

M-PCM L, C, R, SL, SR, LFE
M-PCM L, C, R, SL, SR, LFE
SA-CD L, C, R, SL, SR, LFE

ANALOG -

DIGITAL EX L, C, R, SL, SR, S, LFE

DIGITAL L, C, R, SL, SR, LFE
dts, ES L, C, R, SL, SR, S, LFE
dts L, C, R, SL, SR, LFE
AAC L, C, R, SL, SR, LFE
M-PCM L, C, R, SL, SR, LFE
SA-CD L, C, R, SL, SR, LFE

DIGITAL EX L, C, R, SL, SR, S, LFE

DIGITAL L, C, R, SL, SR, LFE

DIGITAL L, C, R, SL, SR, LFE

DIGITAL L, R

DIGITAL2 SURROUND L, R, S
AAC L, C, R, SL, SR, LFE
AAC L, R
M-PCM L, C, R, SL, SR, LFE
SA-CD L, C, R, SL, SR, LFE
SA-CD L, R
PCM L, R
PCM, HDCD L, R
ANALOG ­ANALOG ­dts, ES L, C, R, SL, SR, S, LFE
dts 96/24 L, C, R, SL, SR, LFE
dts L, C, R, SL, SR, LFE

DIGITAL L, R, S

DIGITAL2 SURROUND L, C, R, SL, SR, S, LFE
AAC L, R
SA-CD L, R
PCM L, R
PCM, HDCD L, R
ANALOG -

DIGITAL L, R, S

DIGITAL2 SURROUND L, C, R, SL, SR, S, LFE
AAC L, R
SA-CD L, R
PCM L, R
PCM, HDCD L, R
ANALOG -

O 2

DIGITAL EX L, C, R, SL, SR, S, LFE

O 2

DIGITAL L, C, R, SL, SR, LFE

O 2

DIGITAL L, R

O 2

DIGITAL2 SURROUND L, R, S

AAC (Advanced Audio Coding) : Japan only

BS ȇǸǿȫ્ᡛƓǑƼעɥඬȇǸǿȫ્ᡛƕဇƠƯƍǔ

᪦٣૾ࡸưŴMPEG2 ᙹ఍ƷƻƱƭưƢŵ᭗ן጑ྙƱ᭗᪦ឋ
ƕཎᧈưŴ2CH ǹȆȬǪ᪦٣ƴьƑŴ5.1CH ǵȩǦȳȉ᪦
٣Ǎٶᚕᛖ્ᡛǛӧᏡƴƠƯƍLJƢŵ

2

Output Channel Front Information Display

Surround Mode Input Signal Decoding

L/R C

SL SBL

SubW

Signal Format Indicators Channel Status

SR SBR

STEREO SA-CD (5.1ch) Stereo

O

-- -OSA-CD L, C, R, SL, SR, LFE

SA-CD (2ch) Stereo

O

-- -OSA-CD L, R

PCM (Audio) Stereo

O

-- -OPCM L, R

PCM 96kHz Stereo

O

-- -OPCM L, R

HDCD Stereo

O

-- -OPCM, HDCD L, R

Analog Stereo

O

-- -OANALOG -

Virtual Dolby Surr.EX Virtual

O

-- - -2 DIGITAL EX L, C, R, SL, SR, S, LFE

Dolby D (5.1ch) Virtual

O

-- - -2 DIGITAL L, C, R, SL, SR, LFE

Dolby D (2ch) Virtual

O

-- - -2 DIGITAL L, R

Dolby D (2ch Surr) Virtual

O

-- - -2 DIGITAL2 SURROUND L, R, S

DTS-ES Virtual

O

- - - - dts, ES L, C, R, SL, SR, S, LFE

DTS 96/24 Virtual

O

- - - - dts 96/24 L, C, R, SL, SR, LFE

DTS (5.1ch) Virtual

O

- - - - dts L, C, R, SL, SR, LFE

AAC (5.1ch) Virtual

O

- - - - AAC L, C, R, SL, SR, LFE

AAC (2ch) Virtual

O

- - - - AAC L, R

Multich-PCM Virtual

O

- - - - M-PCM L, C, R, SL, SR, LFE

SA-CD (5.1ch) Virtual

O

- - - - SA-CD L, C, R, SL, SR, LFE

SA-CD (2ch) Virtual

O

-- - -SA-CD L, R

PCM (Audio) Virtual

O

- - - - PCM L, R

HDCD Virtual

O

- - - - PCM, HDCD L, R

Analog Virtual

O

- - - - ANALOG -

Multi Ch. Dolby Surr.EX Dolby Digital EX

OOOOO2

DIGITAL EX L, C, R, SL, SR, S, LFE

Stereo Dolby D (5.1ch) Dolby Digital 5.1

OOO-O 2

DIGITAL L, C, R, SL, SR, LFE

Dolby D (2ch) Multi Channel Stereo

OOOOO2

DIGITAL L, R

Dolby D (2ch Surr) Multi Channel Stereo

OOOOO2

DIGITAL2 SURROUND L, R, S

DTS-ES DTS-ES

OOOOO

dts, ES L, C, R, SL, SR, S, LFE

DTS 96/24 DTS-96/24

OOO-O

dts 96/24 L, C, R, SL, SR, LFE

DTS (5.1ch) DTS 5.1

OOO-O

dts L, C, R, SL, SR, LFE

AAC (5.1ch) AAC 5.1

OOO-O

AAC L, C, R, SL, SR, LFE

AAC (2ch) Multi Channel Stereo

OOOOO

AAC L, R

Multich-PCM Multich-PCM

OOO-O

M-PCM L, C, R, SL, SR, LFE

Multich-PCM 96kHz Multich-PCM 96kHz

OOO-O

M-PCM L, C, R, SL, SR, LFE

SA-CD (5.1ch) Multich-PCM

OOO-O

SA-CD L, C, R, SL, SR, LFE

SA-CD (2ch) Multi Channel Stereo

OOOOO

SA-CD L, R

PCM (Audio) Multi Channel Stereo

OOOOO

PCM L, R

HDCD Multi Channel Stereo

OOOOO

PCM, HDCD L, R

Analog Multi Channel Stereo

OOOOO

ANALOG -

Dolby H.P Dolby Surr.EX Dolby H.P

O

-- - -2 DIGITAL EX L, C, R, SL, SR, S, LFE

Dolby D (5.1ch) Dolby H.P

O

-- - -2 DIGITAL L, C, R, SL, SR, LFE

Dolby D (2ch) Dolby H.P

O

-- - -2 DIGITAL L, R

Dolby D (2ch Surr) Dolby H.P

O

-- - -2 DIGITAL2 SURROUND L, R, S

DTS-ES Dolby H.P

O

- - - - dts, ES L, C, R, SL, SR, S, LFE

DTS 96/24 Dolby H.P

O

- - - - dts 96/24 L, C, R, SL, SR, LFE

DTS (5.1ch) Dolby H.P

O

- - - - dts L, C, R, SL, SR, LFE

AAC (5.1ch) Dolby H.P

O

- - - - AAC L, C, R, SL, SR, LFE

AAC (2ch) Dolby H.P

O

- - - - AAC L, R

Multich-PCM Dolby H.P

O

- - - - M-PCM L, C, R, SL, SR, LFE

SA-CD (5.1ch) Dolby H.P

O

- - - - SA-CD L, C, R, SL, SR, LFE

SA-CD (2ch) Dolby H.P

O

-- - -SA-CD L, R

PCM (Audio) Dolby H.P

O

- - - - PCM L, R

HDCD Dolby H.P

O

- - - - PCM, HDCD L, R

Analog Dolby H.P

O

- - - - ANALOG -

THX Dolby Surr.EX Dolby Digital + THX Surround EX

OOOOO2

DIGITAL EX L, C, R, SL, SR, S, LFE

(THX Games) Dolby D (5.1ch) Dolby Digital 5.1+ THX 5.1

OOO-O 2

DIGITAL L, C, R, SL, SR, LFE

Dolby D (2ch) Pro Logic IIx movie + THX

OOOOO2

DIGITAL L, R

Dolby D (2ch Surr) Pro Logic IIx movie + THX

OOOOO2

DIGITAL2 SURROUND L, R, S

DTS-ES DTS-ES + THX

OOOOO

dts, ES L, C, R, SL, SR, S, LFE

DTS (5.1ch) DTS + THX 5.1

OOO-O

dts L, C, R, SL, SR, LFE

AAC (5.1ch) AAC + THX5.1

OOO-O

AAC L, C, R, SL, SR, LFE

AAC (2ch) Pro Logic IIx movie + THX

OOOOO

AAC L, R

Multich-PCM Multich-PCM + THX5.1

OOO-O

M-PCM L, C, R, SL, SR, LFE

SA-CD (5.1ch) Multich-PCM + THX5.1

OOO-O

SA-CD L, C, R, SL, SR, LFE

SA-CD (2ch) Pro Logic IIx movie + THX

OOOOO

SA-CD L, R

PCM (Audio) Pro Logic IIx movie + THX

OOOOO

PCM L, R

HDCD Pro Logic IIx movie + THX

OOOOO

PCM, HDCD L, R

Analog Pro Logic IIx movie + THX

OOOOO

ANALOG -

THX Ultra2 Dolby Surr.EX Dolby Digital + THX Surround EX

OOOOO2

DIGITAL EX L, C, R, SL, SR, S, LFE

(THX EX) Dolby D (5.1ch) Dolby Digital 5.1+ THX Ultra2 Cinema

OOOOO2

DIGITAL L, C, R, SL, SR, LFE

(THX Music) Dolby D (2ch) Pro Logic IIx movie + THX

OOOOO2

DIGITAL L, R

(THX Games) Dolby D (2ch Surr) Pro Logic IIx movie + THX

OOOOO2

DIGITAL2 SURROUND L, R, S

DTS-ES DTS-ES + THX

OOOOO

dts, ES L, C, R, SL, SR, S, LFE

DTS (5.1ch) DTS + THX Ultra2 Cinema

OOOOO

dts L, C, R, SL, SR, LFE

AAC (5.1ch) AAC+ THX Ultra2 Cinema

OOOOO

AAC L, C, R, SL, SR, LFE

AAC (2ch) Pro Logic IIx movie + THX

OOOOO

AAC L, R

Multich-PCM Multich-PCM + THX Ultra2 Cinema

OOOOO

M-PCM L, C, R, SL, SR, LFE

SA-CD (5.1ch) Multich-PCM + THX Ultra2 Cinema

OOOOO

SA-CD L, C, R, SL, SR, LFE

SA-CD (2ch) Pro Logic IIx movie + THX

OOOOO

SA-CD L, R

PCM (Audio) Pro Logic IIx movie + THX

OOOOO

PCM L, R

HDCD Pro Logic IIx movie + THX

OOOOO

PCM, HDCD L, R

Analog Pro Logic IIx movie + THX

OOOOO

ANALOG -

Notes:

• Dolby Digital (2 channel L/R): Speakers for signal
with Dolby Surround are fully equipped.

• No sound is outputs from the surround speaker,
center speaker and subwoofer if the DVD disc has
no surround data.

Abbreviations

L/R : Front speakers

C : Center speaker

SL/SR : Surround speakers

SBL/SBR : Surround back speakers

SubW : Subwoofer

ご注意

●

DolbyDigital（左右の2チャンネル）:ドルビー
サラウンド処理されたドルビーデジタル2ch
信号。

●

DVDディスクにサラウンドデータがない場
合、サラウンドスピーカー、センタースピー
カー、サブウーファーから音声は出力されま
せん。

略語

3

L/R: フロント左/右スピーカー

C: センタースピーカー

SL/SR: サラウンド左/右スピーカー

SBL/SBR: サラウンドバック左/右スピーカー

SubW: サブウーファー

2. TECHNICAL DESCRIPTION AND SERVICE HINTS

THX® is an exclusive set of standards and
technologies established by the world-renowned
film production company, Lucasfilm Ltd. THX
resulted from George Lucas’ desire to reproduce
the movie soundtrack as faithfully as possible both
in the movie theater and in the home theater.
THX engineers developed patented technologies
to accurately translate the sound from a movie
theater environment into the home, correcting the
tonal and spatial errors that occur.
When the THX mode of the SR9600 is on, three
distinct THX technologies are automatically
added:
Re-Equalization-restores the correct tonal balance
for watching a movie in a home environment.
These sounds are otherwise mixed to be brighter
for a large movie theater. Re-EQ compensates for
this and prevents the soundtracks from being
overly bright and harsh when played in a home
theater.
Timbre Matching-filters the information going to
the surround speakers so they more closely match
the tonal characteristics of the sound coming from
the front speakers.
This ensures seamless panning between the front and
surround speakers.
Adaptive Decorrelation-slightly changes one
surround channel’s time and phase relationship
with respect to the other surround channel.
This expands the listening position and creates
with only two surround speakers the same
spacious surround experience as in a movie
theater with multiple surround speakers.
The Marantz SR9600 was required to pass a
rigorous series of quality and performance tests, in
addition to incorporating the technologies
explained above, in order to be THX Ultra certified
by Lucasfilm Ltd.
THX Ultra requirements cover every aspect of
performance including pre-amplifier and power
amplifier performance and operation, and
hundreds of other parameters in both the digital
and analog domain.
Movies which have been encoded in Dolby Digital,
DTS, Dolby Pro Logic, stereo and Mono will all
benefit from the THX mode when being viewed.
The THX mode should only be activated when
watching movies which were originally produced
for a movie theater environment.

THX need not be activated for music, movies made
especially for TV, or shows such as sports
programming, talk shows, etc.
This is because they were originally mixed for a
small room environment.

THX and Ultra 2 are trademarks or registered
trademarks of THX Ltd. Surround EX is a jointly
developed technology of THX and Dolby
Laboratories, Inc. and is a trademark of Dolby
Laboratories, Inc. Used under authorization. All
rights reserved.

The THX Ultra2 specification provides
uncompromised 7.1 channel playback of any multi­channel program, whether movie soundtracks or
music over the widest possible seating area.
There are an additional two processing’s for THX
Ultra2 as bellow.

A.S.A. (Advanced Speaker Array)

“ASA” is a proprietary THX technology which
processes the sound fed to 2 surround and 2
surround back speakers to provide the optimal
surround sound experience. When you set up your
home theater system using all eight speaker
outputs (Left, Center, Right, Surround Right,
Surround Back Right, Surround Back Left,
Surround Left and Subwoofer), placing the two
Surround Back speakers close together facing the
front of the room as shown in the diagram will
provide the largest sweet spot. If for practical
reasons you have to place the Surround Back
speakers apart, you will need to go to the THX
Audio Set-up screen and choose the setting that
most closely corresponds to the speaker distance,
which will re-optimize the surround sound-field.
ASA is used in two new surround modes; THX
Ultra2 Cinema, THX Music Mode and THX Games
mode.

B.G.C. (Boundary Gain Compensation)

If your chosen listening room layout (for practical or
aesthetic reasons) results in most of the listeners
being close to the rear wall, the resulting bass level
can be sufficiently reinforced by the boundary that
the overall sound quality becomes “boomy”. THX
Ultra2 receivers contain the BGC (Boundary Gain
Compensation) feature to provide an improved
bass balance. BGC can be selected by choosing
“THX Ultra2 Subwoofer-Yes” from the “Boundary
Gain Compensation” section of the “THX Audio
setup menu”.

4

THX Surround EX—Dolby DIgital Surround EX is a

y

joint development of Dolby Laboratories and THX
Ltd.

In a movie theater, film soundtracks that have
been encoded with Dolby Digital Surround EX
technology are able to reproduce an extra channel
which has been added during the mixing of the
program. This channel, called Surround Back,
places sounds behind the listener in addition to the
currently available front left, front center, front
right, surround right, surround left and subwoofer
channels. This additional channel provides the
opportunity for more detailed imaging behind the
listener and brings more depth, spacious
ambience and sound localization than ever before.
Movies that were created using the Dolby Digital
Surround EX technology, when released into the
home consumer market may exhibit wording to
that effect on the packaging. A list of movies
created using this technology can be found on the
Dolby web site at www.dolby.com. A list of
available DVD software titles encoded with this
technology an be found at www.thx.com.
Only receiver and controller products bearing the
THX Surround EX logo, when in the THX Surround
EX mode, faithfully reproduce this new technology
in the home. This product may also engage the
THX Surround EX mode during the playback of 5.1
channel material that is not Dolby Digital Surround
EX eocnded. In such case, the information
delivered to the Surround Back channel will be
program dependent and may or may not be very
pleasing depending on the particular soundtrack
and the tastes of the individual listener.

“SURROUND EX™” is a trademark of Dolby
Laboratories. Used under authorization.

DTS was introduced in 1994 to provide 5.1 channels
of discrete digital audio into home theater systems.
DTS brings you premium quality discrete
multichannel digital sound to both movies and
music.
DTS is a multichannel sound system designed to
create full range digital sound reproduction.
The no compromise DTS digital process sets the
standard of quality for cinema sound by delivering
an exact copy of the studio master recordings to
neighborhood and home theaters.
Now, every moviegoer can hear the sound exactly
as the moviemaker intended.
DTS can be enjoyed in the home for either movies
or music on of DVD’s, LD’s, and CD’s.

“DTS” and “DTS Digital Surround” are registered
trademarks of Digital Theater Systems, Inc.

The advantages of discrete multichannel systems
over matrix are well known.
But even in homes equipped for discrete
multichannel, there remains a need for high-quality
matrix decoding. This is because of the large
library of matrix surround motion pictures available
on disc and on VHS tape; and analog television
broadcasts.
The typical matrix decoder of today derives a
center channel and a mono surround channel from
two-channel matrix stereo material. It is better than
a simple matrix in that it includes steering logic to
improve separation, but because of its mono,
band-limited surround it can be disappointing to
users accustomed to discrete multichannel.

Neo:6 offers several important improvements as
follow,

• Neo:6 provides up to six full-band channels of
matrix decoding from stereo matrix material.
Users with 6.1 and 5.1 systems will derive six
and five separate channels, respectively,
corresponding to the standard home-theater
speaker layouts.

• Neo:6 technology allows various sound
elements within a channel or channels to be
steered separately, and in a way which follows
naturally from the original presentation.

• Neo:6 offers a music mode to expand stereo
nonmatrix recordings into the five- or six­channel la

5

out, in a way which does not diminish

DTS-ES Extended Surround is a new multichannel
digital signal format developed by Digital Theater
Systems Inc. While offering high compatibility with
the conventional DTS Digital Surround format,
DTS-ES Extended Surround greatly improves the
360-degree surround impression and space
expression thanks to further expanded surround
signals. This format has been used professionally
in movie theaters since 1999.
In addition to the 5.1 surround channels (FL, FR, C,
SL, SR and LFE), DTS-ES Extended Surround also
offers the SB (Surround Back) channel for surround
playback with a total of 6.1 channels. DTS-ES
Extended Surround includes two signal formats
with different surround signal recording methods,
as DTS-ES Discrete 6.1 and DTS-ES Matrix 6.1.

“DTS”, “DTS-ES and “Neo:6” are trademarks of
Digital Theater Systems, Inc.

The stereo CD is a 16-bit medium with sampling at

44.1 kHz. Professional audio has been 20- or 24­bit for some time, and there is increasing interest in
higher sampling rates both for recording and for
delivery into the home. Greater bit depths provide
extended dynamic range. Higher sampling rates
allow wider frequency response and the use of
anti-alias and reconstruction filters with more
favorable aural characteristics.

DTS 96/24 allows for 5.1channel sound tracks to
be encoded at a rate of 96kHz/24bits on DVD­Video titles.
When DVD-video appeared, it became possible to
deliver 24-bit, 96 kHz audio into the home, but only
in two channels, and with serious limitations on
picture. This capability has had little use.
DVD-audio allows 96/24 in six channels, but a new
player is needed, and only analog outputs are
provided, necessitating the use of the D/A
converters and analog electronics provided in the
player.

DTS 96/24 offers the following:

1. Sound quality transparent to the original 96/24
master.

2. Full backward compatibility with all existing
decoders. (Existing decoders will output a 48
kHz signal)

3. No new player required: DTS 96/24 can be
carried on DVD-video, or in the video zone of
DVD-audio, accessible to all DVD players.

4. 96/24 5.1-channel sound with full-quality full­motion video, for music programs and motion
picture soundtracks on DVD-video.

“DTS” and “DTS 96/24” are trademarks of Digital
Theater Systems, Inc.

Dolby Digital identifies the use of Dolby Digital
audio coding for such consumer formats as DVD
and DTV. As with film sound, Dolby Digital can
provide up to five full-range channels for left,
center, and right screen channels, independent left
and right surround channels, and a sixth (“.1”)
channel for low-frequency effects.

Dolby Surround Pro Logic II is an improved matrix
decoding technology that provides better spatiality
and directionality on Dolby Surround program
material; provides a convincing three-dimensional
soundfield on conventional stereo music
recordings; and is ideally suited to bring the
surround experience to automotive sound. While
conventional surround programming is fully
compatible with Dolby Surround Pro Logic II
decoders, soundtracks will be able to be encoded
specifically to take full advantage of Pro Logic II
playback, including separate left and right surround
channels. (Such material is also compatible with
conventional Pro Logic decoders.)

Dolby Digital EX creates six full-bandwidth output
channels from 5.1-channel sources. This is done
using a matrix decoder that derives three surround
channels from the two in the original recording.
For best results, Dolby Digital EX should be used
with movies soundtracks recorded with Dolby
Digital Surround EX.

About Dolby Pro Logic IIx

Dolby Pro Logic IIx technology delivers a natural
and immersing 7.1-channel listening experience to
the home theater environment. A product of
Dolby's expertise in surround sound and matrix
decoding technologies, Dolby Pro Logic IIx is a
complete surround sound solution that maximizes
the entertainment experience from stereo as well
as 5.1-channel encoded sources.

Dolby Pro Logic IIx is fully compatible with Dolby
Surround Pro Logic technology and can optimally
decode the thousands of commercially available

6

Dolby Surround encoded video cassettes and
television programs with enhanced depth and
spatiality. It can also process any high-quality
stereo or Advanced Resolution 5.1-channel music
content into a seamless 6.1- or 7.1-channel
listening experience.

Circle Surround II , TruSurround XT, Dialog Clarity,
TruBass, SRS, and symbol are trademarks
of SRS Labs, Inc.
Circle Surround II , TruSurround XT, Dialog Clarity
and TruBass technologies are incorporated under
license from SRS Labs, Inc.

The Dolby Headphone technology provides a
surround sound listening experience over headphones.
When listening to multichannel content such as
DVD movies over headphones, the listening
experience is fundamentally different than
listening to speakers. Since the headphone
speaker drivers are covering the pinna of the ear,
the listening experience differs greatly from
traditional speaker playback. Dolby utilizes
patented headphone perspective curves to solve
this problem and provides a non-fatiguing,
immersive, home theater listening experience.
Dolby Headphone also delivers exceptional 3D
audio from stereo material.

Manufactured under license from Dolby
Laboratories. “Dolby”, “Pro Logic”, and the double­D symbol are trademarks of Dolby Laboratories.

Circle Surround II (CS-II ) is a powerful and
versatile multichannel technology. CS-II is
designed to enable up to 6.1 multichannel surround
sound playback from mono, stereo, CS encoded
sources and other matrix encoded sources. In all
cases the decoder extends it into 6 channels of
surround audio and a LFE/subwoofer signal. The
CS-II decoder creates a listening environment that
places the listener “inside” music performances
and dramatically improves both hi-fi audio
conventional surround-encoded video material.
CS-II provides composite stereo rear channels to
greatly improve separation and image positioning–
adding a heightened sense of realism to both audio
and A/V productions.
CS-II is packed with other useful feature like dialog
clarity (SRS Dialog) for movies and cinema-like
bass enrichment (TruBass). CS-II can enable the
dialog to become clearer and more discernable in
movies and it enables the bass frequencies
contained in the original programming to more
closely achieve low frequencies–overcoming the
low frequency limitations of the speakers by full
octave.

HDCD® (High Definition Compatible Digital ®) is a
patented process for delivering on Compact Disc
the full richness and details of the original
microphone feed.
HDCD encoded CDs sound better because they
are encoded with 20-bits of real musical
information as compared to 16-bits for all other
CDs.
HDCD overcomes the limitation of the 16-bit CD
format by using a sophisticated system to encode
the additional four bits onto the CD while remaining
completely compatible with the CD format.
When listening to HDCD recordings, you hear
more dynamic range, a focused 3-D sound stage,
and extremely natural vocal and musical timbre.
With HDCD, you get the body, depth and emotion
of the original performance not a flat, digital
imitation.

HDCD system manufactured under license from
Microsoft. This product is covered by one or more
of the following: In the United States 5,479,168
5,638,074 5,640,161 5,808,574 5,838,274
5,854,600 5,864,311 5,872,531 and in Australia
669,114 with other patents pending.

7

SERVICE HINTS

AVSS Function Check (P314 PWB)

AVSS is the function that switches B voltage automatically

depending on the volume of the input signal.

To check whether B voltage is switched or not, follow the

procedure below.

1. Check if B voltage is switched to High.

If maximum power (or +/-51V to +/-65V) can be output,

it is OK. IF wave form is clipped and maximum power is

not output, it is NG.

2. Check if B voltage is switched to Low.

If B voltage can be output to +/-33-40v, it is OK.

Note: Once B voltage is switched to High, it is kept High for

1 minute. B voltage is Low upon turning on the power

(initial status) if there is no signal input.

Cooling Fan Check (P254 PWB)

There is three speeds for the cooling fan, stop, Low Speed

and High Speed, depending on the temperature of the heat

sink.

Heat sink temperature is monitored with RN67, RN68,

thermo sensors for cooling fan.

If heat sink temperature becomes higher, resistance of the

sensors also becomes higher.

To check the cooling fan, connect test resisters to pin 1 - 5

(JN08) or pin 2 - 5 (JN08) where the thermo sensors are

connected.

Two sensors are in the both sides of a heat sink.

There are two ways of checking.

One of way, Remove either sensor and connect the test

resister. Other one, remove both sensors. And one connects

0 ohm and another connects test resistor.

The check of the thermo sensors RN67 and RN68 for Fan

uses a drier etc.

And check the resistance of a sensor. (RN67 and RN68)

Ambient temperature 20 to 30 degrees centigrade: Over 50

ohm

Fan Speed Test Resister Value Temperature

1 Stop 0 - 220 (0 ohm) Under 60 °C

2 Low Speed 470 - 2.2 k (1.0 k ohm) 60 - 80 °C

3 High Speed Over 4.7k ohm (10 k ohm) Over 80 °C

AVSS Function Check (P314 PWB)

ೞᏡƸЈщӭƷٻƖƞƴࣖơƯȑȯȸǢȳȗƷBᩓן

AVSS

ǛЏǓஆƑǔೞᏡưƢŵ

ᩓןƷЏǓஆƑѣ˺ᄩᛐƸŴˌɦƷ૾ඥưᘍƍLJƢŵ

B

ᩓן

1. B

ᩓןƕ

B

ඬ࢟ƕǯȪȃȗƠƯܭ఍ЈщƕЈƳƍئӳƸ
Ƣŵ

ᩓן

2. B

ᩓןƕ

B

ͳᎋᲴ ࡇŴ

ᩓן
ȋǷȣȫ଺ᲣƴŴ໯ӭλщưƋǕƹŴ
ѣ˺ƠLJƢŵ

Џȁǧȃǯ

High

±51V᳸±65V

Џȁǧȃǯ

Low

±33V᳸±40V

ᩓןƕ

B

ƷཞǛ1Ў᧓ƠLJƢŵᩓเON଺ᲢǤ

High

LJƨƸܭ఍ЈщƕЈǕƹOKưƢŵ

ЈщƞǕǕƹOKưƢŵ

ƴƳƬƨࢸƴ໯ӭλщƴƠƯNjŴ

High

ᩓןƸ

B

NG

ƱƳǓLJ

ư

Low

Cooling Fan Check (P254 PWB)

Cooling Fan Ʒѣ˺ƸȒȸȈǷȳǯƷภࡇƴᡲѣƠƯ 1 STOP Ŵ
2 Low Speed Ŵ3 High Speed Ʒɤѣ˺ƕƋǓLJƢŵ

ȒȸȈǷȳǯƷภࡇƸ
ЈƠƯƍLJƢŵ
ภࡇƕ᭗ƘƳǔƱŴǻȳǵȸƷ৽৴ƕ᭗ƘƳǓLJƢŵ

Fan ဇภࡇǻȳǵȸ RN67 ŴRN68 ư౨

Fan ဇภࡇǻȳǵȸƕዓƞǕƯƍǔŴJN08 Ʒ 1 ȔȳƱ 5 Ȕ

ȳӏƼ

2 ȔȳƱ 5 Ȕȳƴ౨௹ဇƷ৽৴ǛዓƠƯ Cooling Fan

Ʒѣ˺ȁǧȃǯǛᘍƍLJƢŵ
ǻȳǵȸƸȒȸȈǷȳǯɲ
౨௹ƴƸʚᡫǓƷ૾ඥƕƋǓLJƢŵ
ƻƱƭƸŴǻȳǵȸǛ༾૾ƣƭƸƣƠƯ౨௹৽৴ǛዓƢǔ૾
ඥŴNjƏƻƱƭƸ
ǛٳƠ༾ƴ˯৽৴
ዓƢǔ૾ඥƕƋǓLJƢŵ

2 Ʒ౨௹৽৴ǛဇƠƯŴɲ૾Ʒǻȳǵȸ

(0) ǛӕǓ˄ƚNjƏ༾૾ƴ౨௹৽৴Ǜ

2 ሖ৑ƴƋǓLJƢŵ

Fan ဇภࡇǻȳǵȸ RN67 ŴRN68 ƷȁǧȃǯƸภࡇǻȳǵȸ

ƴȉȩǤȤȸƳƲư༏ǛɨƑƯᘍƍLJƢŵ

RN67 ŴRN68 ƷǷȧȸȈƷȁǧȃǯƸ RN67 ŴRN68 Ʒ৽৴

ǛยǓLJƢŵᲢࠝภᲢ

25éᲣư 50 ˌɥᲣ

Overheat Protection Check (P254 PWB)

If monitored temperature of the heat sink goes overheat,

microcomputer shuts down the unit to stand-by mode.

Heat sink temperature is monitored with RN69, RN70,

thermo sensors for overheat.

To check the overheat protection function.

Connect test resisters to pin 3 - 5 (JN08) or pin 4 - 5 (JN08)

where the thermo sensors are connected.

Overheat Protection Check (P254 PWB)

ȒȸȈǷȳǯƷᢅ༏Ǜ౨ЈƠƯŴȞǤdzȳưǹǿȳȐǤȢȸȉ
ƴλǓLJƢŵ
ȒȸȈǷȳǯƷภࡇƸ
౨ЈƠƯƍLJƢŵ
ภࡇƕ᭗ƘƳǔƱŴǻȳǵȸƷ৽৴ƕ᭗ƘƳǓLJƢŵ

Heat ဇภࡇǻȳǵȸŴRN69 ŴRN70 ư

Heat ဇภࡇǻȳǵȸƕዓƞǕƯƍǔŴJN08 Ʒ 3 ȔȳƱ 5 Ȕ

ȳӏƼ

4 ȔȳƱ 5 Ȕȳƴ౨௹ဇƷ৽৴ǛዓƠƯȁǧȃǯƠLJ

Ƣŵ

8

Two sensors are in the both sides of a heat sink.

There are two ways of checking.

One of way, Remove either sensor and connect the test

resister. Other one, remove both sensors. And one connects

0 ohm and another connects test resistor.

The check of the thermo sensors RN69 and RN70 for Fan

uses a drier etc.

And check the resistance of a sensor. (RN69 and RN70)

Ambient temperature 20 to 30 degrees centigrade: Over 50

ohm

Function Test Resister Value Temperature

1 Normal 0 - 220 ohm (0 ohm) Under 110 °C

2 Heat Protection (Stand-by) Over 4.7k ohm (10k ohm) Over 110 °C

ǻȳǵȸƸȒȸȈǷȳǯɲ 2 ሖ৑ƴƋǓLJƢŵ
౨௹ƴƸʚᡫǓƷ૾ඥƕƋǓLJƢŵ
ƻƱƭƸŴǻȳǵȸǛ༾૾ƣƭƸƣƠƯ౨௹৽৴ǛዓƢǔ૾
ඥŴNjƏƻƱƭƸ
ǛٳƠ༾ƴ˯৽৴
ዓƢǔ૾ඥƕƋǓLJƢŵ

2 Ʒ౨௹৽৴ǛဇƠƯŴɲ૾Ʒǻȳǵȸ

(0) ǛӕǓ˄ƚNjƏ༾૾ƴ౨௹৽৴Ǜ

Heat ဇภࡇǻȳǵȸ RN69 ŴRN70 ƷȁǧȃǯƸภࡇǻȳǵȸ

ƴȉȩǤȤȸƳƲư༏ǛɨƑƯᘍƍLJƢŵ

RN69 ŴRN70 ƷǷȧȸȈƷȁǧȃǯƸ RN69 ŴRN70 Ʒ৽৴

ǛยǓLJƢŵᲢࠝภᲢ

25éᲣư 50 ˌɥᲣ

If overheat is detected, 2nd pin of J124 (_HEAT_DET) is led

to GND by a transistor.

Normally, it is high impedance (open-collector).

Heat Protect Ǜ౨ЈƢǔƱŴJ124 Ʒ 2 ဪȔȳ (_HEAT_DET)

ƕȈȩȳǸǹǿư GND ƴࡽƔǕLJƢŵ
ᡫࠝ଺ƸȏǤǤȳȔȸȀȳǹ  ǪȸȗȳdzȬǯǿȸЈщ  ưƢŵ

9

3. POWER AMPLIFIER ADJUSTMENT

ǢǤȉȪȳǰᩓ්ɥଞᘙ

Idling Current Alignment

1. Each of the measurement points are provided with the

two test points. Set a digital Voltage meter to DC voltage

input. Connect the meter to the test points at both

contact points.

2. After the setup above, turn on the main switch.

3. Adjust variable resistors (R123, R223…R423) according

to the digital voltmeter readings. The target setting value

is the following table for each channel.

Settings: Mode —7.1ch Auto

Master Volume — Minimum

Speaker out — No Load

Top lid — OPEN

Power Channel (PWB) Alignment Point Measurement Point

Front L (P114) R123 J132

Front R (P114) R223 J232

Center (P214) R373 J382

Power ON after

Surround L (P114) R323 J332

Surround R (P114) R423 J432

Surround Back L (P214) R273 J282

Surround Back R (P214) R173 J182

Idling Current Alignment

ӲȁȣȳȍȫƴᛦૢဇȆǹȈȝǤȳȈƕဇƞǕƯƍLJ

1.

ƢŵȆǹȈȝǤȳȈƴȇǸǿȫȞȫȁȡȸǿȸƳƲƷႺ්
ᩓןᚘǛዓƠLJƢŵ
ɥᚡᚨܭࢸŴஜೞƷᩓเǛλǕLJƢŵ

2.

Ⴚ්ᩓןᚘƷǛᙸƳƕǒᛦૢဇƷ৽৴

3.

R423)

ᛦૢƠLJƢŵ

ǛׅƠLJƢŵӲȁȣȳȍȫƕɦᚡᛦૢƴƳǔǑƏ

(R123, R223…

Settings: Mode — 7.1ch Auto

Master Volume — Minimum

Speaker out — No Load

Top lid — OPEN

Time Table of Idling Current Rise

Ambient temperature 20 to 30 degrees centigrade

After Turning ON Measurement Voltage (Jxxx) Idling Current

10 min. 1.59mV 15.9mA

15 min. 1.58mV 15.8mA

20 min. 1.51mV 15.1mA

25 min. 1.51mV 15.1mA

30 min. 1.50mV 15.0mA

40 min. 1.50mV 15.0mA

The above table is actual survey of Idling Current versus

TIME of this unit.

As for the adjustment, Idling Current becomes 15.0mA in

stable state (it passes more than 30 minutes).

ǢǤȉȪȳǰᩓ්ɥଞᘙ
ԗ׊ภࡇ

ɥƷᘙƸŴஜೞƷ଺᧓ ݣ ǢǤȉȪȳǰᩓ්ǛܱยƠƨᘙưƢŵ
ܤܭƠƨཞ

15.0mA

20᳸30°C

(30 Ўˌɥኺᢅ )

ƴƳǔಮƴᛦૢƠLJƢŵ

ưƸŴǢǤȉȪȳǰᩓ්ƕ

10

4. SERVICE MODE

Microprocessor, DSP Version and FLD Segment Check

Mode.

1. While the power is on, THX,

(Cursor) and BAND

buttons simultaneously more than 3 seconds.

The FL display shows "FACTORY MODE" for 2 seconds

then shows below.

DVD : AT - HDM I 1
AUTO : STEREO

2. Press ENTER button, The model name is displayed.

SR9600 N

3. Press ENTER button, The software version of the

microprocessor (QW01) is displayed.

MAIN Bui l d001

4. Press ENTER button, The software version of the

microprocessor (QU01) is displayed.

Microprocessor

ƢǔȢȸȉưƢŵ

ǻȃȈƷᩓเǛλǕLJƢŵ

1.

ƷȜǿȳǛӷ଺ƴኖ3ᅺˌɥƠLJƢ

"FACTORY MODE"

ƷᘙᅆƱƳǓLJƢŵ

ӏƼ

DSPƷVersion

THXƱ (Cursor)

ƱᘙᅆƞǕLJƢŵ୼ƴኖ2ᅺࢸƴɦᚡ

DVD : AT - HDM I 1
AUTO : STEREO

2. ENTER

ȜǿȳǛƠLJƢŵೞᆔӸƕᘙᅆƞǕLJƢŵ

SR9600 N

3. ENTER

ƕᘙᅆƞǕLJƢŵ

ȜǿȳǛƠLJƢŵȞǤdzȳ

MAIN Bui l d001

4. ENTER

ƕᘙᅆƞǕLJƢŵ

ȜǿȳǛƠLJƢŵȞǤdzȳ

ᘙᅆӏƼFLໜ໊Ǜᄩᛐ

ƓǑƼ

BAND

(QW01)

(QU01)

ƷȐȸǸȧȳ

ƷȐȸǸȧȳ

SUB Bu i l d001

5. Press ENTER button, The software version of the

microprocessor (Q608) is displayed.

MRAC Bu i l d001

6. Press ENTER button, The software Serial Number that is

wirtten in the factory is displayed.

SN :MZXXXXXXXXXXXX

7. Press ENTER button, The software Type Number is

displayed.

SOFT TYPE 0 0

8. Press ENTER button, The Code Group Type Number is

displayed.

CODE TYPE0003

SUB Bu i l d 00 1

5. ENTER

ƕᘙᅆƞǕLJƢŵ

ȜǿȳǛƠLJƢŵȞǤdzȳ

(Q608)

MRAC Bu i l d 0 0 1

6. ENTER

Software Serial No.

ȜǿȳǛƠLJƢŵ߻ئư୿ƖᡂLjฎLjƷ

ƕᘙᅆƞǕLJƢŵ

SN :MZXXXXXXXXXXXX

7. ENTER

ᘙᅆƞǕLJƢ

ȜǿȳǛƠLJƢŵȞǤdzȳƷ

Software Type

SOF T TYPE 0 0

8. ENTER

LJƢŵ

ȜǿȳǛƠLJƢŵ

Code Group Type

CODE TYPE0003

ƷȐȸǸȧȳ

ƕ

ƕᘙᅆƞǕ

9. Press ENTER button, All the FL segments light on.

10. Press ENTER button, The segments of the odd number

lines of vertical in the FL light on.

11. Press ENTER button, The segments of the even number

lines of vertical in the FL light on.

9. ENTER

10. ENTER

11. ENTER

12. ENTER

11

ȜǿȳǛƠLJƢŵFLƕμໜ໊ƠLJƢŵ

ȜǿȳǛƠLJƢŵFLƷጏڈૠᘍƕໜ໊ƠLJƢŵ

ȜǿȳǛƠLJƢŵFLƷጏૠᘍƕໜ໊ƠLJƢŵ

ȜǿȳǛƠLJƢŵFLƷ್ڈૠᘍƕໜ໊ƠLJƢŵ

12. Press ENTER button, The segments of the odd number

lines of horizontal in the FL light on.

13. Press ENTER button, The segments of the even number

lines of horizontal in the FL light on.

14. Press ENTER button, All the FL segments turns off.

15. Press ENTER button, Every time ENTER button is

pressed, DSP code is indicated in turn from NO.1 to

NO.28.

DSP CODE 01 03090103

13. ENTER

14. ENTER

15. ENTER

DSP Code IDƕNO.1

ȜǿȳǛƠLJƢŵFLƷ್ૠᘍƕໜ໊ƠLJƢŵ

ȜǿȳǛƠLJƢŵFLƕμෞ໊ƠLJƢŵ

ȜǿȳǛƠLJƢŵ

Ɣǒ

NO.28

ENTER

ȜǿȳǛƢࡇƴ

LJư᪯ƴᘙᅆƞǕLJƢŵ

DSP CODE 01 03090103

No. Dev. SIG TYP Ver.

No. : DISP CODE ID Dev. : Device ID

SIG. : CODE SIG ID TYP. : CODE TYPE ID

Ver. : Version

No. Dev. SIG TYP Ver.

No. : DISP CODE ID Dev. : Device ID

SIG. : CODE SIG ID TYP. : CODE TYPE ID

Ver. : Version

16. Turn off the power to quit Service Mode.(Disconnect

mains cord from SR9600)

Note: When the unit is once turned into Service Mode, the

unit keeps this mode until the main power is turned

off. (Turning into stand-by mode does not make it quit

from Service Mode.) When the unit quits from Service

Mode, Information in the memory is also cleared and

the unit returns to the status when it is out from the

factory.

Product Reset

To reset the back up memory of the unit into the default

status,

follow the procedure below.

1. Turn on the unit and press MRAC and PURE DIRECT

button simultaneously more than 3 seconds.

2. After "DEFAULT" is displayed on FLD, then "CLEAR

MEMORY" is displayed on FLD, EEPROM is cleared to

the default status, µ-Pro. is reset and the unit returns to

the normal status. (Software Serial Number will not be

cleared.)

ᩓเǛЏǓLJƢŵᲢᩓเdzȸȉǛǻȃȈƔǒٳƠLJƢŵᲣǵ ȸ

16.

ȓǹȢȸȉƸᚐᨊƞǕLJƢŵ

Note: When the unit is shipped from the factory, the

procedure above must be done to set the unit to initial

status.

12

5. SYSTEM ERROR

ီࠝ౨Јᘙᅆŵ

ီࠝ౨Јᘙᅆŵ

ီࠝ౨Јᘙᅆŵ

ီࠝ౨Јᘙᅆŵ

ီࠝ౨Јᘙᅆŵ

ӭီࠝ౨Јᘙᅆŵ

Ʊ

᧓Ʒီࠝ౨Јᘙᅆ

Ʊ

᧓Ʒီࠝ౨Јᘙᅆ

Ʊ

᧓Ʒီࠝ౨Јᘙᅆ

When the microprocessor detects a trouble, the following

information is displayed on the FLD.

• After the ERROR contents indication, Surround Mode is

initialized and returned Factory mode.

• The contents of the ERROR indication are the followings.

1. Trouble in DSP

If communication with DSP is troubled more than 2

seconds.

CHECK DSP

Indication is keep and sound is mute.

2. Trouble in EEP-ROM

If data from EEPROM does not match.

CHECK E2P

3. Trouble in EEP-ROM IF

If communication with EEPROM is troubled more than 2

seconds.

CHECK E2P I F

ᙌԼϋᢿưƷီࠝႆဃ଺ƴȞǤǯȭȗȭǻȃǵƕŴϼྸƠᘙᅆ
ǛᘍƍLJƢŵɼƴӲ

• ERROR

ཞƴ৏ǓLJƢŵ

• ERROR

1. DSP

DSP

ᘙᅆࢸŴ

ᘙᅆƷϋܾƸɦᚡưƢŵ

ီࠝ౨Јᘙᅆŵ
ƱƷᡫɥƷɧφӳǛኖ  ᅺ౨ЈƠƨ଺ŵ

ƱƷᡫီࠝǛ౨ЈƠLJƢŵ

Device

Surround Mode

ƸИ஖҄ƞǕ߻ئЈᒵƷ

CHECK DSP

ᘙᅆཞƸƦƷLJLJư᪦٣Ƹ Mute ཞ

2. EEP-ROM

EEP ROM Data

ီࠝ౨Јᘙᅆŵ

ƷɧૢӳǛ౨ЈƠƨ଺ŵ

CHECK E2P

3. EEP-ROM IF

EEP ROM

ီࠝ౨Јᘙᅆŵ

ƱƷᡫɧφӳƕኖ2ᅺˌɥဃơƨ଺ŵ

CHECK E2P I F

4. Trouble in RS-232C

If communication of RS232C with RS232C is troubled

more than 2 seconds.

CHECK 2 3 2C

5. Trouble in 5V Supply

If 5V supply to DATA DIR is troubled.

CHECK POWER 5 V

6. Trouble in Protection

CPU turns off the speaker output.

PROTECT

7.Trouble in between Main CPU and Sub CPU

The trouble between Main CPU and Sub CPU was found.

CHECK MA I N< - >SUB

8. Trouble in between Main CPU and FL CPU

The trouble between Main CPU and FL CPU was found.

4. RS-232C

RS232C

ЈƠƨ଺ŵ

ီࠝ౨Јᘙᅆŵ

ᡫ଺ƴ

RS232C

CHECK 2 3 2 C

ီࠝ౨Јᘙᅆŵ

5. 5V

DATA DIR

 ƷီࠝǛ౨ЈƠƨ଺ŵ

CHECK POWER 5 V

6. Protection

Speaker

ӭီࠝ౨Јᘙᅆŵ

ƔǒЈщǛഥNJLJƢŵ

PROTECT

7. Main CPU

Sub CPU

Main CPUƱSub CPU

CHECK MAIN<->SUB

8. Main CPU

FL CPU

Main CPUƱFL CPU

ƱƷᡫɧφӳǛኖ2ᅺˌɥ౨

᧓Ʒီࠝ౨Јᘙᅆ

᧓ƷီࠝǛ౨ЈƠƨ଺ŵ

᧓Ʒီࠝ౨Јᘙᅆ

᧓ƷီࠝǛ౨ЈƠƨ଺ŵ

CHECK MA I N< - >FL

9. Trouble in between Sub CPU and MRAC CPU.

The trouble between Sub CPU and MRAC CPU was

found.

CHECK SUB < - >MRAC

CHECK MA I N< - >FL

9. Sub CPU

MRAC CPU

Sub CPUƱMRAC CPU

CHECK SUB < - >MRAC

13

᧓Ʒီࠝ౨Јᘙᅆ

᧓ƷီࠝǛ౨ЈƠƨ଺ŵ

10. Trouble in between Sub CPU and 1394 CPU

Ʊ

᧓Ʒီࠝ౨Јᘙᅆ

ီࠝ౨Јᘙᅆ

ီࠝ౨Јᘙᅆ

The trouble between Sub CPU and 1394 CPU was found.

10. Sub CPU

1394 CPU

Sub CPUƱ1394 CPU

᧓Ʒီࠝ౨Јᘙᅆ

᧓ƷီࠝǛ౨ЈƠƨ଺ŵ

CHECK SUB < - > 13 94

11. Trouble in FUJITSU DSP

If communication with FUJITSU DSP is troubled more than

2 seconds.

CHECK FUJ I TSU DS

P

12. Trouble in DSP

If communication with DSP is troubled more than 2 seconds.

CHECK T I DSP

CHECK SUB < - > 13 94

11. FUJITSU DSP

FUJITSU DSP

଺ŵ

CHECK FUJ I T SU DSP

12. DSP

DSP

ီࠝ౨Јᘙᅆ

ƱƷᡫɧφӳǛኖ2ᅺˌɥ౨ЈƠƨ଺ŵ

CHECK T I DSP

ီࠝ౨Јᘙᅆ

ƱƷᡫɧφӳǛኖ2ᅺˌɥ౨ЈƠƨ

14

6. UPDATE FIRMWARE
[A] DOWNLOAD AND INSTALL UPDATING SOFTWARE FOR MICROPROCESSOR

DOWNLOADS OF THE SOFTWARE

Download the software for update of the MAIN, SUB and

MRAC microprocessor.

Launch up the browser. Type http://www.renesas.com/ into

an address. And press Enter.

(When site of Renesas is modified, please search "Flash

Development Toolkit", or type http://download.renesas.com/e

ng/mpumcu/index.html into an address.)

DOWNLOADS OF THE SOFTWARE

MAIN ŴSUB ŴMRACȞǤdzȳƷǢȃȗȇȸȈဇǽȕȈǦǧǢǛ

ȀǦȳȭȸȉƠLJƢŵ

Browser ǛឪѣƠŴAddress ǁ http://www.renesas.com/ Ʊλ

щƠŴ

Enter ǛƠLJƢŵ

(Renasas ƷǵǤȈƕ٭୼ƴƳƬƨئӳƸŴFlash

Development Toolkit Ǜ౨ኧƢǔƔŴAddress ǁ http://downl

oad.renesas.com/eng/mpumcu/index.html ǛλщƠƯƘƩƞ

ƍŵ

)

Click the SUPORT on the site of Renesas.

Renesas ƷțȸȠȚȸǸƕ᧏ƖLJƢƷưŴƜƜƔǒ

SUPPORT ǛǯȪȃǯƠLJƢŵ

15

Click the Software download for tools on Support.

Support ƷȚȸǸƔǒ Software download for tools ǛǯȪ

ȃǯƠLJƢŵ

16

Check the Agree on AGREEMENT. And click Submit.

AGREEMENT Ɣǒ Agree ƴȁǧȃǯǛλǕ Submit ǛǯȪ

ȃǯƠLJƢŵ

17

Click Evaluation Software.

Evaluation Software ǛǯȪȃǯƠLJƢŵ

18

Click Flash and PROM Programming.

Flash and PROM Programming ǛǯȪȃǯƠLJƢŵ

19

Click Flash Development Toolkit.

Flash Development Toolkit ǛǯȪȃǯƠLJƢŵ

20

Click Download.

Page Down ǛƠŴDownload ǛǯȪȃǯƠLJƢŵ

Save the fdtv30300.exe on your PC’s hard disc.

(A file name is changed by improvement.)

fdtv30300.exe Ǜ˓ƷȕǩȫȀƴ܍ƠLJƢŵ

( ȕǡǤȫӸƸȴǡȸǸȧȳǢȃȗƴǑǓ٭୼ƴƳǔئӳƕƋ

ǓLJƢŵ

)

21

INSTALLS OF THE SOFTWARE (FLASH DEVELOPMENT

TOOLKIT VER.3.3)

Open the folder with the downloaded file. And double click

the fdtv30300.exe.

INSTALLS OF THE SOFTWARE (FLASH DEVELOPMENT

TOOLKIT VER.3.3)

ȀǦȳȭȸȉƠƨȕǡǤȫǛ܍ƠƯƍǔȕǩȫȀǛ᧏ƖLJ

fdtv30300.exe ȕǡǤȫǛȀȖȫǯȪȃǯƠLJƢŵ

Ƣŵ

22

Click Next >.

Next > ǛǯȪȃǯƠLJƢŵ

Choose the language. And click Next >.

ᚕᛖǛᢠǜư

Next > ǛǯȪȃǯƠLJƢŵ

23

Click Yes .

Yes ǛǯȪȃǯƠLJƢŵ

Click Next >.

Next > ǛǯȪȃǯƠLJƢŵ

24

Click Customise.

Customise ǛǯȪȃǯƠLJƢŵ

Check to the all check box. And click OK.

Click Next >.

μƯƷȁǧȃǯȜȃǯǹƴȁǧȃǯƕλƬƯƍǔƜƱǛᄩᛐ

ƠŴ

OK ǛǯȪȃǯƠLJƢŵ

Next > ǛǯȪȃǯƠLJƢŵ

25

Check to the all check box. And click Next >.

μƯƷȁǧȃǯȜȃǯǹƴȁǧȃǯƕλƬƯƍǔƜƱǛᄩᛐ

Next > ǛǯȪȃǯƠLJƢŵ

ƠŴ

Click Next >.

Next > ǛǯȪȃǯƠLJƢŵ

26

Click Next >.

Next > ǛǯȪȃǯƠLJƢŵ

Click Next >.

Next > ǛǯȪȃǯƠLJƢŵ

27

Click Next >.

Next > ǛǯȪȃǯƠLJƢŵ

Click Install.

Install ǛǯȪȃǯƠLJƢŵ

28