Marani CLP-160 User Manual

19"
482mm
DIGITAL
USB
Index
index..................................................... ..................Page 1
Controls and Parameters.......................... ................Page 3
RMS Compressor Notes............................ ............... Page 4
Sub Harmonic Synthesizer Notes.............. ................ Page 5
Input and Output Level Considerations.... .................. Page 6-8
RMS Compressor...................................... ...............Page 9-14
Sub Harmonic Synthesizer........................ ................Page 15-17
1
IMPORTANT SAFETY INSTRUCTIONS
Ventilation
1
Overload
5
Heat sources
3
Power cord proctecion
4
2
Maintenance
8
7
Humidity
Cleaning
Note: inordertoensuresafety,pleasereadtheseinstructionscarefully
Attention:To reduce the riskoffireorelectricshock,donotexpose this apparatus
torainormoisture!
All safety and operating instructions should be read before the product is operated.
6
Objects or liquid entry inside the unit
Refer all servicing to qualified service personnel. To prevent the risk of shock, do not attempt to service this equipment yourself because opening or removing covers may expose you to dangerous voltage or other hazards.
The unit should far away form water.
Be careful tha t no objects fall or liquid is spilled inside the unit th r o ug h vent i l ati o n openings.
Do not block any ventilation openings.
Clean only with dry cloth.
Do not install near any heat sources such as radiators, stoves, or other apparatus that produce heat.
Protect the power cord from being walked on or pinched particularly at plugs.
Power plug should not overload.
2
1
CLP-160
RMS StereoCompressor
CONTROLS
Pot Thr/Var Adjust Threshold and Parameter ValueKey Atk/Rel Select Parameter Selection 1Key atk/Rel Confirm Parameter Selection 2Led Clip Input/Process OverflowEnc Ratio/Knee Compressor's Ratio and Knee selectionButton Process On/Off RMS Compressor Active/BypassPot Input Level Analog Input Gain Left/RightPot Output Level Analog Output Volume Left/Right
TECHNICAL DATA
Inputs Balanced 2 TRS/2 XLROutputs Balanced 2 TRS/2 XLRInput Max Level +15dBuOutput Max Level +9.8dBuTHD+N <0.01% @ -6dBFS (Bypass)S/N Ratio >100dBu (Processes in Bypass)Frequency Response 20Hz – 20kHz +/-0.5dBA/D and D/A Resolution 24bitProcess Resolution 24x48 bitProcesses RMS Stereo CompressorPower Supply 110V/220V (Switchable)
3
The CLP160 is a Stereo RMS Compressor with the addition of a Sub Harmonic Synthes izer. With reference to the following RMS Co mpres sion p rocess representation
The CLP160 is implementing a REAL RMS Compressor, so compressing at the same threshold a pure sinusoidal signal as a squared wave. Particularly, the RMS Compressor is a Compression process applied with fast
slow Attack and Release times to the INPUT signal of a Unit, in order to maintain the amplitude of the OUTPUT signal at a defined level, when input level is exceeding a defined intervention Threshold.
The Compressor implemented in the CLP160 is acting on the evaluation of an input signal which is an averaged one on a 50ms time frame, and representing actually the RMS value of the input signal itself, so to make more “Musical” the Compressors action. The RMS Compressor, it is so maintaining constant the output energy and not the Output peak, so to have for the different inputs, independently from their harmonic content, a constant output RMS level.
4
More, for the CLP160 Compressor is also available a Ratio and a Hard/Soft Knee parameters. The Ratio parameter is allowing to get a compressed output maintaining a constant dB ratio with the input. This feature is got in the CLP160 with a precise Look Up Table Log Computation process, allowing int the ratio maintenance a precision of 0.1dBu. The Hard and Soft knee feature is allowing the user to select between a sudden compression intervention when the input signal it is just above the Threshold (Hard Knee) or a smoother one starting the compression smoothly before the Threshold.,
In addition to the RMS Compression process, in the CLP160 is also available a powerful Sub Harmonic synthesizer.
The Sub Harmonic Synthesizer is working generating sub Harmonics on the base on the Harmonic content of the original signal. Particularly, the amplitude distribution of the generated Sub Harmonics is following the shape of a band pass filter set on the low part of the band. The peak of this “band pass” filter, is centered on 65Hz. This means that the Sub Harmonics added to the original sound, and being at one octave below the harmonics detected in the original signal itself, will bring a “deep” and very low extra body to the original sound.
The CLP160 has a bypass control in the analog domain.
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