7. Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8. Do not install near any heat sources such as
radiators, heat registers, stoves, or other
apparatus (including amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized
or grounding-type plug. A polarized plug has two
blades with one wider than the other. A groundingtype plug has two blades and a third grounding
prong. The wide blade or the third prong are
provided for your safety. If the provided plug does
not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
10. Protect the power cord from being walked on or
pinched particularly at plugs, convenience
receptacles, and the point where they exit from
the apparatus.
11. Only use attachments/accessories specified by
the manufacturer.
12. Use only with a cart, stand, tripod, bracket, or
table specified by the manufacturer, or sold with
the apparatus. When a cart is used, use caution
when moving the cart/apparatus combination to
avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or
when unused for long periods of time.
14. Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has
been damaged in any way, such as power-supply
cord or plug is damaged, liquid has been spilled
or objects have fallen into the apparatus, the
apparatus has been exposed to rain or moisture,
does not operate normally, or has been dropped.
15. This mixer has been designed with Class-I
construction and must be connected to a mains
socket outlet with a protective earthing connection
(the third grounding prong).
16. This mixer has been equipped with an all-pole,
rocker-style AC mains power switch. This switch is
located on the rear panel and should remain
readily accessible to the user.
17. This apparatus does not exceed the Class A/Class
B (whichever is applicable) limits for radio noise
emissions from digital apparatus as set out in the
radio interference regulations of the Canadian
Department of Communications.
ATTENTION — Le présent appareil numérique
n’émet pas de bruits radioélectriques dépassant las
limites applicables aux appareils numériques de
class A/de class B (selon le cas) prescrites dans le
réglement sur le brouillage radioélectrique édicté
par les ministere des communications du Canada.
18. Exposure to extremely high noise levels may
cause permanent hearing loss. Individuals vary
considerably in susceptibility to noise-induced
hearing loss, but nearly everyone will lose some
hearing if exposed to sufficiently intense noise for
a period of time. The U.S. Government’s
Occupational Safety and Health Administration
(OSHA) has specified the permissible noise level
exposures shown in the following chart.
According to OSHA, any exposure in excess of
these permissible limits could result in some
hearing loss. To ensure against potentially
dangerous exposure to high sound pressure
levels, it is recommended that all persons
exposed to equipment capable of producing high
sound pressure levels use hearing protectors
while the equipment is in operation. Ear plugs or
protectors in the ear canals or over the ears must
Appendix D: Warranty Information ............................................................ 111
vii
Mackie TT24 Digital Live Console Owner’s Manual
This manual is based on Build 41 so some screenshots and functions may differ
from the version you are using. Regular updates to the manual will be available
fromwww.mackie.com.
The professional live sound industry has been revolutionized over the past few
years by high-end digital consoles. However, mid-size digital consoles have
tended to emphasize studio applications with user interfaces encumbered by
features (i.e., DAW control) not essential for live applications. Some of these
consoles conceal their real cost by requiring the purchase of additional cards to
supplement their limited physical I/O.
The
TT24 Digital Live Console
terface optimized for live sound applications. We have used our extensive
expertise and experience designing analog mixers to produce a powerful, easy
to-use digital console for a wide range of applications and budgets
is a mid-size digital mixer with an intuitive in-
-
:
•theaters and houses of worship
•permanent concert installations
•professional live music touring companies
TT24 maintains an “analog mentality,” utilizing the engineer’s experience,
while providing all the advantages of digital functionality. With all the features
of high-end consoles, the TT24 is extremely cost effective.
The design mandate for the TT24 console user interface is simply stated
:
Provide quick, intuitive access to any primary live mixing function
with no more than two button presses, both within easy reach of the
engineer’s two hands
Make the Touchscreen menu structure flat
.
no “forward” and “back”
:
buttons or menus to wade through to access the desired function.
9
Mackie TT24 Digital Live Console Owner’s ManualIntroduction
1.2Summary of Features
•24-bit/96 kHz mixing console designed for live applications
•24 mic/line inputs with 4
•Eight line inputs with 4
•Instant recall of 99 snapshots with filtering
•Rear panel connections
x (8 Matrix Outputs, 3 Main Outputs, 3 Monitor Outputs, 12 Aux Sends);
28x28 digital I/O (24 ADAT optical I/O, 2 AES/EBU I/O, 2 S/PDIF I/O)
•QuickMix section with 5.5
buttons
•29 100
•28 multi
•12 Aux sends with 6
•Left
and compressor/limiter
•Aux Mode enables instant monitor mixing
•11x8 Matrix
•Eight user
•Dual
•TT control software to control and view console parameters via PC
mm motorized faders
function V-Pots
-
Right and CTR/Mono outputs with 6-band parametric EQ (includes dual kill filters)
-
Plus with patchable inputs
-
definable flex-groups
-
console linking for a maximum 96 input console (coming soon!)
-
band EQ/comp/gate/HPF/polarity invert (can be stereo linked)
band EQ (can be stereo linked)
-
36x28 analog I/O (24 Mic/Line Inputs, 8 Line Inputs, 4 Tape Inputs)
:
inch touch LCD, 12 push-button rotary encoders, and QuickMix
-
band parametric EQ (includes dual kill filters) and compressor/limiter
-
1.2.1DSP Functionality
The TT24 is loaded with DSP horsepower that is distributed on inputs and
outputs in an optimal manner for live sound. The TT24 design team spent a
great deal of time implementing and allocating the TT24’s DSP to satisfy the
rigorous, real-time demands of live concert applications
24 Mic/Line Inputs
•Polarity invert
•Variable High
•Gate/Expander
•Compressor/Limiter
•4-band parametric EQ
•Stereo linking
Pass Filter
-
:
10
Mackie TT24 Digital Live Console Owner’s ManualIntroduction
Mackie TT24 Digital Live Console Owner’s ManualIntroduction
1.3Terminology and Conventions
The following terms and conventions are used throughout this manual.
•Touchscreen and console controls are represented in bold type using their
exact spelling and capitalization (i.e., press the ANLG bank button).
•Touchscreen and console areas are represented by capital letters in plain
type (i.e., press the PAN button in the V-POT CONTROL area).
•
Activate
means “press the button until it lights.”
•
Deactivate
means “press the button until it is not lit.”
•
ADC
pertains to switches/buttons that toggle between two values and
pertains to switches/buttons that toggle between two values and
means analog-to-digital converter
•
DAC
means digital-to-analog converter
•
Intercancel
and automatically deselects the previously selected button. One button is
always active. For example, the Bank Select buttons intercancel.
button
from the push buttons that selected radio stations in pre-1960s cars.
The Touchscreen is a new interface to most audio engineers that requires some
new terminology.
•
Touch
•
Select
allows a single instruction to describe this action without knowing the
control’s previous state. For example, if the control is
the control once selects it. If it is already selected, no action is required.
means that pushing one button simultaneously selects that button
Radio
is another term often used to describe this behavior, originating
pertains to selection on the Touchscreen (i.e., Touch the EQ button).
describes touching a button or checkbox such that it is
not
activated
selected, touching
. This
12
Mackie TT24 Digital Live Console Owner’s Manual
A
CK
OUT
CTR/MONO
T
OUT
S
S
356
810
C
356
8
Chapter 2: Quickstart Tutorial
This Quickstart Tutorial will help you begin using the TT24 quickly and easily
by providing step-by-step instructions for its most commonly utilized tasks.
Rest assured that our team of design engineers has verified these instructions!
It may be helpful to refer to Appendix B:
Configurations and Block Diagrams
to see how several useful complete systems are interconnected.
2.1Connect Amplifier/Speakers
1.Plug in a pair of amps/speakers into the MAINS OUT LEFT and RIGHT
XLR connectors (Figure 2-1).
2.Connect an amp/speaker to AUX SEND 1.
3.Plug in headphones.
MAINS
RIGH
Main Outputs
TALKBA
CD/Tape A
Inputs/Outputs
CD/TAPE
CD/Tape B
Inputs
Figure 2-1 Mains and Aux Sends Outputs
AUX SEND
LINE INPUT
12 Aux
Sends
MONITOR
2.2Connect a Mic
This section describes how to connect a mic to channel 1, set the gain, route to
groups/auxes, and engage/adjust the variable high
Connect mic to channel 1
1.Plug a mic into channel 1’s XLR input (top
2.Press the ANLG bank select button (right of Figure 2-2).
3.Set the LINE switch to the up (mic) position.
13
pass filter.
-
right of rear panel).
-
Mackie TT24 Digital Live Console Owner’s ManualQuickstart Tutorial
RETURNS
R
OG
L
OT
CO
OL
G
L
S
R
C
R
SOLO
S
5
UX
SEND
UT
SOLO
S
CT
E
Mute
button
Bank/
Channel
description
Select
button
MUT
2
INP
A
ELE
Bank Select
Clear Solo and
PFL buttons
ANAL
LEA
DIGITA
MASTE
ANL
DGT
RTN
MST
Solo
METER
V-P
NTR
button
V-Pot Control
Figure 2-2 Top of channel strip (left); Bank Select, Clear Solo, PFL, V-Pot control (right)
4.Set the 48V switch to the
down
position if the mic uses phantom power;
set it to the up position otherwise.
Set the channel gain
5.Activate the PFL button (right of Figure 2-2).
6.Activate channel 1’s SOLO button (above fader) to solo the channel.
7.Provide a representative signal to the mic, watch the meters to the right
of the Touchscreen, and listen in phones (the phones level is in the
UTILITY area).
The solo level should be between -7 and -10 dBFS.
8.Press channel 1’s SOLO button again or CLEAR SOLO (left of PFL) to
unsolo.
Route channel 1 to Main output, Group 1, and Aux 1
9.Press and hold the L/R button in the GROUP ASSIGN area (Figure 2-3)
and activate channel 1’s SELECT button.
All the channel SELECT buttons light, indicating that all channels are
routed to the Main output. You should hear your mic in the speakers
connected to MAINS OUT via the master fader.
Let's route the mic through Group 1 instead of directly to MAINS OUT
10. Press and hold the L/R button in the GROUP ASSIGN area and deactivate
channel 1’s SELECT button (so it is
not
lit).
:
Channel 1 no longer sends signal to MAINS OUT.
14
Mackie TT24 Digital Live Console Owner’s ManualQuickstart Tutorial
RETURNS
R
OG
L
T
R
OT
CO
OL
UX
S
S
GMUTE
L
S
5
R
S
CT
SOLO
E
6
S
SOLO
E
3
S
CT
SOLO
E
8
S
CT
SOLO
/
O
/
S
CT
UX
E
6
8
0
C
R
SOLO
S
AUX
3
5
11. Press and hold the Group 1 button in the GROUP ASSIGN area and ac-
tivate channel 1’s SELECT button.
The mic is now routed to Group 1.
12. Press and hold the L/R button in the GROUP ASSIGN area and activate
Group 1’s SELECT button.
Group 1 is now assigned to LEFT and RIGHT MAINS OUT.
Use the channel, Group, and Master fader to listen to the mic signal in
the speakers connected to MAINS OUT.
Group Mute buttons
Bank Select
Clear Solo and
PFL buttons
V-Pot Control
Aux Mode
Aux Sends
METER
LEA
ANAL
DIGITA
MASTE
V-P
NTR
A
END
ANL
DGT
RTN
MST
MOD
ELE
A
1
MUT
ELECT
MUT
GROUP ASSIGN/SELEC
ELE
MUT
ELE
Figure 2-3 Aux, Group, and Master areas
CTR
MON
ELE
MASTE
Master Center/Mono Assign button
Group Assign/Select buttons
Master Left/Right Assign button
Master Select button
Group Select buttons
Group Solo buttons
13. Press AUX SENDS 1 in the V-POT CONTROL area (Figure 2-3).
14. Increase the Aux 1 level on channel 1 using the V-Pot.
15. Press the AUX MSTR QuickMix button (Figure 2-4).
16. Adjust Aux 1’s master level with its corresponding QuickMix knob (see
the Aux Master screen in Figure 2-5).
You should hear your mic in the monitor speaker attached to Aux 1.
15
Mackie TT24 Digital Live Console Owner’s ManualQuickstart Tutorial
/
UX
SETUP
CTRL
CO
UTIL
E
STORE
L
SNAP
UX
R
S
S
y
on
Aux Master butt
GRP
A
MST
Figure 2-4 QuickMix area
A
RECAL
NAPSHOT
Utilit
tton
PY
PAST
AUX 1
Master level
Figure 2-5 AUX MASTER Touchscreen
Engage and adjust the variable high-pass filter
17. Press HPF in the V-POT CONTROL area (Figure 2-2).
This assigns the high-pass filter to the channel V-Pots.
18. Engage the high-pass filter for channel 1 by pressing its V-Pot knob so
the bottom red LED lights.
19. Rotate the V
Pot to adjust the filter in the range 20–400 Hz to remove
-
unwanted low frequencies.
20. To view the frequency range, select channel 1 and press the QuickMix
EQ button.
The Touchscreen now displays the HPF frequency range.
16
Mackie TT24 Digital Live Console Owner’s ManualQuickstart Tutorial
2.3Connect a CD/Tape Device
This section illustrates how to connect a CD/tape device to the dedicated CD/
TAPE A or B connectors (A = RCA, B = TRS), and to channels 23/24 to demonstrate stereo linking and channel strip processing.
Connect CD to CD/Tape input
1.Connect the CD player into CD/TAPE A or B (Figure 2-1).
2.Press the UTIL button (Figure 2-4).
Stereo
Input
Assign
Figure 2-6 Stereo Input Assign
3.Touch STEREO INPUT ASSIGN on the Touchscreen (Figure 2-6).
4.Touch TAPE/CD A or TAPE/CD B in the INPUT SELECTION area
(Figure 2-6).
5.Select L/R in the GRP ASSIGN area to route the stereo source to the
LEFT and RIGHT MAINS outputs.
6.Adjust MUTE and SOLO from the Touchscreen.
7.Adjust the stereo input fader to desired level from its QuickMix knob.
Connect CD to channels 23 and 24
1.Move the CD to the channel 23 and 24 LINE connectors.
2.Set the LINE switch to the down position (line level).
3.Press and hold channel 23
Channels dialog appears in the Touchscreen.
4.Touch OK to approve the channel linking.
and
24’s SELECT switches until the Link
5.Press the PAN button in the V-POT CONTROL area (Figure 2-3).
17
Mackie TT24 Digital Live Console Owner’s ManualQuickstart Tutorial
6.Turn channel 23’s V-Pot hard left.
Channel 24 automatically pans in the opposite direction. Pretty cool!
7.Activate the SOLO button above the fader on either channel to solo.
Because PFL is engaged, the linked channel
does not
also solo.
8.Adjust the channel’s GAIN knob and watch the meters to the right of
the Touchscreen.
The level should be between -7 and -10 dBFS.
9.Repeat steps 7 and 8 for the other channel in the linked pair.
NOTE: Stereo linking always operates on a consecutive odd/even channel pair. The odd
channel’s parameters are copied to the even channel except Pan, which is inversely
linked (i.e., hard left on odd channel translates to hard right on even channel).
Adjust EQ, Dynamics, and channel routing
1.With channel 23 and 24 selected, press the EQ button in the QuickMix
area to display the 4-BAND EQ Touchscreen (Figure 2-7).
2.Select the EQ IN toggle switch to enable EQ.
3.Use the 12 QuickMix knobs to adjust the EQ parameters.
Figure 2-7 4-BAND EQ (left) and Dynamics Touchscreens
4.Press the DYN QuickMix button to display the DYNAMICS Touch-
screen (Figure 2-7).
5.Select the GATE IN and COMP IN toggle switches on the Touchscreen
to engage the processors.
18
Mackie TT24 Digital Live Console Owner’s ManualQuickstart Tutorial
6.Use the 12 QuickMix knobs to adjust the dynamics parameters.
Touch the Gate or Compressor Touchscreen graph to display their more
detailed Touchscreen.
7.Press the GRP/AUX QuickMix button to display the GRPS/AUXES
Touchscreen (Figure 2-8).
8.Route the selected channel to Groups 1–8, L/R, and C/Mono by selecting
their buttons from the GROUPS area in the top-half of the Touchscreen.
9.Adjust the selected channel’s Aux send levels using the QuickMix knobs.
Figure 2-8 GRPS/AUXES Touchscreens
10. Push the QuickMix knobs to toggle each Aux send between pre- and
post-fader.
2.4Aux Functions
This section discusses how to setup, route, and mix the Aux buses. Each of the
12 Aux masters have their own EQ and compressor/limiter.
1.Press the AUX MSTR button (Figure 2-4) to display the AUX MASTER
Touchscreen.
2.Select Aux master 1 by pressing the top-left QuickMix knob.
Figure 2-9 (left) shows Aux 1 selected.
3.Touch the EQ graph or press the EQ QuickMix button to display the
6-BAND EQ for the selected Aux send 1 (right of Figure 2-9).
The EQ IN/OUT button is located on the top-right of the Touchscreen.
19
Mackie TT24 Digital Live Console Owner’s ManualQuickstart Tutorial
Figure 2-9 AUX MASTER (left) and 6-BAND EQ (right) Touchscreens
The six bands have the following format
• bands 2 and 3 are full parametric filters (GAIN, FREQ, Q)
• bands 1 and 4 are high- and low-shelf filters, respectively
:
;
;
• bands 5 and 6 are kill filters to remove narrow bands of unwanted
frequencies. Push the kill filter’s QuickMix knob to cycle through
6, -12, or -18 dB settings. As the amount of cut increases, the filter
Q increases (i.e., bandwidth narrows). Turn the knob to adjust the
frequency.
Press the desired Aux number in the V-POT CONTROL area and use the
channel V-Pots to set the channel Aux send levels. All 12 Aux levels for a selected
channel can be set using the Touchscreen and QuickMix knobs by pressing the
GRP/AUX QuickMix button.
Aux Routing Examples
To send mic channel 1 to all monitors:
1.Press channel 1’s SELECT button.
2.Press the GRP/AUX QuickMix button.
3.Adjust the QuickMix knobs to set each Aux level.
To set one monitor mix:
1.Press the desired Aux number button in the AUX SENDS area.
2.Use each channel’s V-Pots to set the mix.
20
Mackie TT24 Digital Live Console Owner’s ManualQuickstart Tutorial
2.5Effects
Four effects processors can each use one of the following effects: reverb, reverb
through gate, mono/stereo/ping pong delay, chorus, and flange. The default
effect sends are Aux sends 9–12 but any Aux or Matrix sends can be used. The
effect returns are on the Returns bank.
1.Press the ANLG bank button.
2.Press AUX SENDS 9 in the V-POT CONTROL area.
3.Turn channel 1’s V-Pot to 3:00 to set channel 1’s level to Aux 9.
4.Press the EFX QuickMix button.
The INTERNAL EFX Touchscreen opens (left of Figure 2-10).
Figure 2-10 Internal Effects and Chorus screens
5.Touch the Edit button next to Chorus to edit its parameters on its own
screen (right of Figure 2-10).
6.Press the RTRNS bank button.
7.Speak into the mic and increase the Returns levels (INT EFX 1L and
INT EFX 1R) to set the desired amount of effect.
21
Mackie TT24 Digital Live Console Owner’s ManualQuickstart Tutorial
22
Mackie TT24 Digital Live Console Owner’s Manual
Chapter 3: Console Surface Controls
The TT24 console surface is organized into the following areas, each of which
is discussed in this chapter
•Channel Strips
•QuickMix
•Bank Select
•V-Pot Control
•Utility
•Flex-Groups and Master
•Solo
:
3.1Channel Strip
The TT24 has 24
top by a LINE switch. Each channel strip can control one input at a time from
one of four banks.
The top section of each channel strip (left of Figure 3-1) has the following analog
controls that apply only to the Analog bank: LINE mic/line input switch, 48V
phantom power switch, GAIN mic/line gain control, and OL (overload) and SIG
signal LEDs.
Below that, each channel has a virtual potentiometer (V
and SOLO buttons, and a 100
The V-Pot knob, which performs multiple channel functions one at a time,
consists of a push-button rotary encoder surrounded by a 15-segment LED
ring (see
V-Pot Control Area
channel strips
bounded at the bottom by a fader and at the
Pot), MUTE, SELECT,
-
mm motorized fader (right of Figure 3-1).
-
on page 29).
23
Mackie TT24 Digital Live Console Owner’s ManualConsole Surface Controls
Push the LINE button
mic input. For permanent installations that require alternate access to mic and
line inputs in the same channel, connect both inputs and toggle between them
via the LINE button.
down
3.1.248 V Phantom Power
Push the 48V button
condenser mics, to the channel’s XLR mic input. The TT24 can provide phantom
power to all 24 mic inputs simultaneously. Push the button up for dynamic
mics that do not require phantom power. The line input is not affected by the
48V phantom power switch.
down
to access the ¼-inch line input and up for the XLR
to supply 48 VDC phantom power, required by most
24
Mackie TT24 Digital Live Console Owner’s ManualConsole Surface Controls
3.1.3GAIN
The GAIN knob controls the analog amplifier that adjusts the input sensitivity
of the mic or line input signal. The gain range of the mic input is 0–60 dB; the
line’s range is -20 to +40 dB. A unity gain indication for the line input appears
at the 10:00 position (unity gain for the mic input is fully counterclockwise).
Dual-concentric labels surround the knob indicating the appropriate levels
(mic outside, line inside).
3.1.4OL and SIG
The green SIG LED lights when the selected mic/line signal exceeds -15 dBu.
The red OL LED lights when the signal is 3 dB below clipping the ADC. The
SIG and OL LEDs remain lit only while the signal level is above their corresponding thresholds.
3.1.5V-Pot
The V-Pot displays and controls one of the following functions at a time: pan,
HPF, Aux send levels, Aux pan (for linked Aux sends), digital trim, and channel
metering. The function is assigned from the V-POT CONTROL area.
The V-Pot has 15 LEDs in a ring from 7:00 to 5:00. They light clockwise as the
signal level increases unless otherwise noted. The V-Pot also has a bottom red
LED used to indicate different functions including meter clip, default settings,
on/off, etc. The 12:00 LED is also sometimes used to indicate a nominal setting
(i.e., pan set to center). Each function’s specific behavior is discussed in
Control Area
V-Pot
on page 29.
12:00 LED
Bottom LED
Figure 3-2 V-Pot
25
Mackie TT24 Digital Live Console Owner’s ManualConsole Surface Controls
3.1.6MUTE
Push the MUTE button to toggle the channel between muted (button lights)
and enabled (not lit).
NOTE:Pre-fader Aux sends can be globally changed to pre- or post-mute from the SETUP-
GENERAL Touchscreen (see page 91).
3.1.7Bank/Channel Description Area
This area indicates the audio signal currently controlled by the channel strip.
Each channel strip can control one channel from one of the four banks at any
given time. For example, Figure 3-1 illustrates channel strip 1. Four channel
names are listed in the Bank/Channel Description Area
:
•If the ANALOG bank is selected, strip 1 controls analog Channel 1.
•If the DIGITAL bank is selected, strip 1 controls digital Channel 25.
•If the RETURNS bank is selected, strip 1 controls Line Input 1.
•If the MASTERS bank is selected, strip 1 controls Aux Send 1.
3.1.8SELECT
When lit, the SELECT button indicates this channel is selected for
•display and control of its parameters on the Touchscreen.
•assignment to groups in conjunction with the GROUP ASSIGN/SELECT
controls (see
Group and Master Controls
on page 40).
:
26
Mackie TT24 Digital Live Console Owner’s ManualConsole Surface Controls
Channel Linking
Pressing and holding the SELECT buttons on an odd/even pair of
channels for two seconds links their functions. A Touchscreen window requests
confirmation: “Link Channel X and Y?” Touch YES to link the channels or
CANCEL to abort the process. To unlink channels, press and hold both SELECT
buttons for two seconds again. A Touchscreen window requests confirmation:
“Unlink Channel X and Y?” Touch YES to unlink them or CANCEL to leave
them linked.
After linking, the odd channel’s settings are copied to the even channel; adjusting
a setting on either channel duplicates the setting on the other. The only exception
to this rule is panning. The pans are
Panning one channel fully left pans the other fully right; panning one channel
to 10:00 pans the other to 2:00.
True stereo compression applies to linked channels so the summed signal is delivered to the stereo compressor.
3.1.9SOLO
Press the SOLO button to solo the channel. This yellow backlit button lights
when the channel is soloed. The PFL/AFL global selection is done in the Solo
master section (see
Solo Area
inversely
on page 41).
adjacent
related between linked channels:
The default Solo behavior is to allow multiple soloed channels. However, enable
EXCLUSIVE SOLO mode (in the SETUP-GENERAL Touchscreen) to have
each Solo selection deactivate the previous one. In EXCLUSIVE SOLO mode,
pressing CTRL+SOLO solos additional channels.
3.1.10Channel Fader
The motorized 100-mm fader controls the channel level. Its function depends
on the selected Bank (see
In Aux Mode (page 32), the fader controls the level of the channel Aux sends
1–12 and depends on the Aux selection in the V-POT CONTROL area (see page
29). It is variable from
Bank Select Area
∞ to +10 dB in logarithmically scaled steps.
-
on page 28).
27
Mackie TT24 Digital Live Console Owner’s ManualConsole Surface Controls
3.2Bank Select Area
The four Bank Select buttons (ANLG, DGTL, RTNS, MSTR) change the
mapping to the 24 channel strips (Figure 3-3). The four buttons intercancel and
one is always active. All channels retain their settings between Bank changes.
3.2.1ANALOG
Press the ANLG button to select the ANALOG bank. The button lights red and
the 24 analog mic/line inputs are assigned to channel strips 1–24.
3.2.2DIGITAL
Press the DGTL button to select the DIGITAL bank. The button lights green
and the DIGITAL inputs are assigned to the channel strips 1–24.
ANALOG
DIGITAL
RETURNS
MASTER
Figure 3-3 Bank Select buttons
ANLG
DGTL
RTNS
MSTR
At 44.1/48 kHz, there are 24 digital inputs from three ADAT optical connectors
on the rear panel. At 96 kHz, there are 12 digital inputs from the three built
in ADAT optical connectors.
3.2.3RETURNS
Press the RTRN button to select the RETURNS bank. The button lights red
and the following inputs are controlled on the channel strips
1–8: Eight analog line inputs (TRS connectors on rear panel)
9–16: Four internal stereo effects returns
17–24: Return channels from expansion cards
-
:
28
Mackie TT24 Digital Live Console Owner’s ManualConsole Surface Controls
3.2.4MASTER
Press the MSTR button to select the MASTERS bank. The button lights green
and the following inputs are controlled on the channel strips
1–12: Twelve Aux send masters
13–20: Eight Group masters
22–24: Left, Right, and Center/Mono Main outputs
NOTE:The Left and Right faders are always linked. The Left-Right and Center/Mono faders
may be linked as needed.
:
3.3V-Pot Control Area
The buttons to the right of the channel faders assign the current function to the
channel V-Pots. These include the four V-POT CONTROL buttons (PAN,
TRIM, METERS, HPF), AUX SENDS 1–12, and AUX PAN (see Figure 3-4).
These buttons all intercancel so only one can be active at a time.
AUX PAN operates for stereo-linked Aux sends only, and does not deselect the
selected Aux send button. When selected, a single LED illuminates around the
V-Pot to indicate the pan position.
The AUX MODE button is discussed in this section because of its relevance to
the other Aux buttons.
3.3.1TRIM
Digital Trim, available only to the ANALOG bank, is used to adjust the input
level just after the ADC, and channel meter, and before the channel DSP. This
allows setting the analog gain for the optimal A/D conversion while still having
an adjustable input level to the channel DSP. This also provides a method to
lower the level of all channel outputs and sends at once: Digital Trim is before
the Aux and Group sends in the signal flow.
However, it does not intercancel with the other buttons
.
The Digital Trim provides ±15 dB of attenuation or gain, adjustable in 0.1 dB
increments and is indicated by a single, lit LED. When the Digital Trim is set to
unity, the top LED (12:00 position) and the bottom V-Pot LED illuminate.
29
Mackie TT24 Digital Live Console Owner’s ManualConsole Surface Controls
OT
OL
UX
S
3
UX
E
0
S
UX
V-P
NTR
METER
A
A
MOD
A
END
FX
FX
1
FX
Figure 3-4 V-Pot Control Area
3.3.2PAN
Pan position is indicated by a single, lit LED. When the pan is exactly centered,
the top LED (12:00 position)
LR or LCR panning is available on the ANALOG, DIGITAL, and RETURNS
banks and the eight groups (mode dependent) of the MASTER bank.
3.3.3HPF
The high-pass filter can remove unwanted low frequencies from an input channel.
The filter cutoff frequency range is 20–400 Hz; the default frequency is 80 Hz.
The HPF has a fixed slope of 18 dB/octave. The approximate frequency is
indicated by a single lit V
V
Pot to toggle the HPF on/off;the bottom red LED lights when the HPF is on.
-
Press the SELECT button on an individual channel, then press the EQ QuickMix button to see the HPF frequency range as you turn the V
and
the bottom V-Pot LED illuminate.
Pot LED (frequency increases clockwise). Push the
-
Pot.
-
30
Loading...
+ 84 hidden pages
You need points to download manuals.
1 point = 1 manual.
You can buy points or you can get point for every manual you upload.