CONCEIVED, DESIGNED, AND MANUFACTURED BY MACKIE DESIGNS INC. • WOODINVILLE • WA • MADE IN USA • FABRIQUE AU USA
MIC/LINE INPUT BPROGRAM EQ
LOWGAIN
+
3
–
2
1
G
U
-
+
AMBIENT
MIC
OFF
DIRECT
L
R
OUTPUT
ZONE A
OUTPUT SUITABLE
+
–
12345678
AMP ADDRESS RS485 REMOTE
MASTER
VOLUME
3
0
3
6
9
15
30
55
PROGRAM INPUTS
1234
1
PRIORITY
G
AMBIENT
LOWGAIN
+
–
-
+
MIC
3
2
SP2400 MUSIC CONTROLLER
A
B
OVERLOAD
ON
STATUS
MIC/LINE INPUT APROGRAM EQ
GAIN +40dB
PHANTOM
HIGH
U
1234
+12–12U+12–12
PARALLEL
G
GROUND
ALL CALL
INPUTS
G
+
COMM PORT
PAGING MIC
ZONE
ZONE
CONTROL
+
–
PAGING
MIC
VOX
PRE OUT
–
-
+
AMP IN
A
B
1234
GAIN +40dBPHANTOM
ON
U
+15–15U+15–15
POWER
-
+
HIGH
LOWGAIN
U
+12–12U+12–12
HIGH 12kFREQMIDLOW 80Hz
1K
U
3K400
8k
250
+15–15
Page 2
CAUTION AVIS
RISK OF ELECTRIC SHOCK
RISQUE DE CHOC ELECTRIQUE
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK
NO USER-SERVICEABLE PARTS INSIDE
REFER SERVICING TO QUALIFIED PERSONNEL
ATTENTION: POUR EVITER LES RISQUES DE CHOC
ELECTRIQUE, NE PAS ENLEVER LE COUVERCLE. AUCUN
ENTRETIEN DE PIECES INTERIEURES PAR L'USAGER. CONFIER
L'ENTRETIEN AU PERSONNEL QUALIFIE.
AVIS: POUR EVITER LES RISQUES D'INCENDIE OU
D'ELECTROCUTION, N'EXPOSEZ PAS CET ARTICLE
The lightning flash with arrowhead symbol within an equilateral
triangle is intended to alert the user to the presence of uninsulated
"dangerous voltage" within the product's enclosure, that may be
of sufficient magnitude to constitute a risk of electric shock to persons.
Le symbole éclair avec point de flèche à l'intérieur d'un triangle
équilatéral est utilisé pour alerter l'utilisateur de la présence à
l'intérieur du coffret de "voltage dangereux" non isolé d'ampleur
suffisante pour constituer un risque d'éléctrocution.
The exclamation point within an equilateral triangle is intended to
alert the user of the presence of important operating and maintenance
(servicing) instructions in the literature accompanying the appliance.
Le point d'exclamation à l'intérieur d'un triangle équilatéral est
employé pour alerter les utilisateurs de la présence d'instructions
importantes pour le fonctionnement et l'entretien (service) dans le
livret d'instruction accompagnant l'appareil.
DO NOT OPEN
NE PAS OUVRIR
DO NOT REMOVE COVER (OR BACK)
A LA PLUIE OU A L'HUMIDITE
1. SAFETY INSTRUCTIONS
1. Read Instructions — Read all the safety and operation instructions before
operating the SP2400.
2. Retain Instructions — The safety and operating instructions should be kept for
future reference.
3. Heed Warnings — Follow all warnings on the SP2400 and in these operating
instructions.
4. Follow Instructions — Follow all operating and other instructions.
5. Water and Moisture — Do not use the SP2400 near water – for example, near a
bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, near a swimming
pool, etc.
6. Ventilation — This SP2400 should be situated so that its location or position
does not interfere with its proper ventilation. For example, it should not be
situated on a bed, sofa, rug, or similar surface that may block any ventilation
openings, or placed in a built-in installation such as a bookcase or cabinet that
may impede the flow of air through ventilation openings.
7. Heat — Locate the SP2400 away from heat sources such as radiators, or other
devices which produce heat.
8. Power Sources — Connect the SP2400 to a power supply only of the type
described in these operation instructions or as marked on the rear panel.
9. Power Cord Protection — Route power supply cords so that they are not likely to be
walked upon or pinched by items placed upon or against them, paying particular attention
to cords at plugs, convenience receptacles, and the point where they exit the SP2400.
10. Object and Liquid Entry — Do not drop objects into or spill liquids into the inside
of the SP2400.
11. Damage Requiring Service — The SP2400 should be serviced only by qualified
service personnel when:
A. The power-supply cord or the plug has been damaged; or
B. Objects have fallen, or liquid has spilled into the SP2400; or
C. The SP2400 has been exposed to rain; or
D. The SP2400 does not appear to operate normally or exhibits a marked
change in performance; or
E. The SP2400 has been dropped, or its chassis damaged.
12. Servicing — The user should not attempt to service the SP2400 beyond those
means described in this operating manual. All other servicing should be referred to the
Mackie Service Department.
13. To prevent electric shock, do not use this polarized plug with an extension cord,
receptacle or other outlet unless the blades can be fully inserted to prevent blade
exposure.
Pour prévenir les chocs électriques ne pas utiliser cette fiche polariseé avec un
prolongateur, un prise de courant ou une autre sortie de courant, sauf si les lames
peuvent être insérées à fond sans laisser aucune pariie à découvert.
14. Grounding or Polarization — Precautions should be taken so that the grounding or
polarization means of the SP2400 is not defeated.
15. This apparatus does not exceed the Class A/Class B (whichever is applicable)
limits for radio noise emissions from digital apparatus as set out in the radio
interference regulations of the Canadian Department of Communications.
ATTENTION—Le présent appareil numérique n’émet pas de bruits radioélectriques
dépassant las limites applicables aux appareils numériques de class A/de class B (selon
le cas) prescrites dans le règlement sur le brouillage radioélectrique édicté par les
ministere des communications du Canada.
WARNING— To reduce the risk of fire or electric
shock, do not expose this appliance to rain or moisture.
APPENDIX C: Voltage Conversion ............................. 27
Page 3
2.INTRODUCTION
The SP2400 is a microprocessor-based dualchannel music controller with two built-in power
amplifiers designed for use in a variety of installations
requiring high performance, flexible features, and
ease of use, such as retail stores, restaurants, bars,
and theme venues. It provides two outputs that can
be used for either stereo operation or two-zone
coverage. Four stereo line-level inputs are provided
on the rear panel, along with a paging mic input and
two local mic/line inputs.
The program input sources can be independently
assigned to each zone with the Input Select
switches on the front panel. The boxes under the
Input Select buttons on the front panel are sized to
accept Brother P-Touch® labels. Each of the four
inputs has an integral AGC circuit to automatically
compensate for level differences between the input
sources. Input 1 has a buffered line-level output that
may be used for music-on-hold or other external
applications. Program Priority can be assigned to
Input 4 for use with a jukebox or alternative paging
configurations. When a signal is detected at Input 4,
it overrides any other program source assigned to
that channel or zone.
Each of the four input sources can be operated
in either stereo or mono mode. Each zone has a 3band EQ with sweepable mid for tuning the four
program sources.
Each mic input has a 40 dB gain switch for use
with either mic or line-level signals as well as a
variable gain trim, phantom power switch, and a twoband EQ.
In addition, each zone has a variable
for adjusting the trigger threshold of the paging mic's
ducking circuit. The paging mic operates in both
zones when voice-activated, but can be assigned to
operate in either Zone A or Zone B, or over the entire
system when manually operated with a switch
connected to the
PAGING MIC CONTROL
Each zone is equipped with an input for an
optional ambient microphone that can sample the
ambient noise level in the room. The microprocessor
then adjusts the paging mic gain in each zone to
compensate for increased or decreased noise levels
so that the paging mic is always audible above the
background noise.
The Master Volume Up/Down buttons adjust the
overall level that is routed to the
connector (and the
AMP IN
PRE OUT
connector when the
jumper is installed). Internal jumpers are provided
for configuring the amplifier outputs for 70V, 100V,
or 8-ohm operation.
Audio expansion connectors are provided on the
rear panel for connecting multiple SP2400s, with
shared audio via balanced busing. Each of the four
program input signals are internally balanced and
can be independently assigned to the balanced bus
with internal assignment switches. The
REMOTE
switches on the rear panel are provided for
LOCAL/
selecting either local or bus operation for each
input. The paging mic and paging control signal are
also carried over the expansion bus.
A wired remote control is available that can be
used to select input sources and adjust volume levels
for each zone. Each amplifier can be programmed
with a unique address, and two amplifiers with the
same address can be controlled by a single remote
when interconnected by means of the RS485 port.
The remote control fits into a double-gang electrical
box with a Decora®-style faceplate.
In addition, the RS485 port can interface with thirdparty control systems, or a PC-compatible computer
loaded with the SPLinker software application for
computer control of up to 32 zones in a system.
An internal option slot is provided on each of the
two channels for installing an optional DSP card (SPDSP). It provides additional ambient noise sensing
for the Program Inputs using the optional ambient
microphone. As the noise level in the room increases,
the gain on the selected source gradually increases
to keep the music audible above the background noise.
An RS232 port (
COMM PORT
) is provided on the
front panel for connecting a Palm™ Handheld or
PC-compatible laptop computer for configuring the
optional DSP card.
KEY FEATURES
•Two Channel Controller/Amplifier
•4 Stereo, Line-Level Program Inputs
•1 Page Mic Input
•1 Local Mic Input per Channel
•Digital Cross-Fade between Input Sources
•200 Watts/Channel at 70V and 100V
•200 Watts/Channel at 8 Ohms
•Transformerless Amplifier Outputs
•Ambient Noise Sensing for Page Mic
•AGC for Music Sources
•3-Band Sweepable EQ for Music Sources
•2-Band EQ on each Mic Input
•Dual-Zone or Stereo Operation
•Each Zone Addressable (0-31)
•REMOTE connection for optional Remote Control
•RS485 Port for Third-Party Control Systems
SP2400 – 3
Page 4
FRONT PANEL FEATURES
REAR PANEL FEATURES
INPUTS
select buttons are used to choose the
program source for its respective zone. Only one
source may be selected at a time. These are nonpriority inputs. However, Input 4 can become a
Program Priority Input by setting the
ADDRESS
switch #7 UP. In this mode, when a
AMP
signal is present on Input 4, it automatically
overrides whatever input source is selected for that
zone. This is useful for jukeboxes or alternative
paging configurations.
INPUT OFF
the
MIC/LINE INPUT
MASTER VOLUME
deselects Inputs 1-4 and activates
.
is used to adjust the overall
volume level for Inputs 1-4.
When
OFF
is selected, the Up/Down
VOLUME
buttons adjust the output level for the
MIC/LINE INPUT
. The Master Volume setting for
MASTER
Inputs 1-4 is retained in memory, and is recalled
when a program source is selected.
The
Meter
indicates the level at the
PRE OUT
jack. Normally, it operates as a peak program meter
(PPM). When adjusting the
MASTER VOLUME
level, the meter changes from level indication to
level setting indication. After five seconds, the
meters switch back to normal peak program
metering.
There are three
OVERLOAD
LEDs indicate when one of the
amplifiers is beginning to current limit. The
STATUS
indicators. The
ON
LED indicates when the SP2400 is operating.
The
COMM PORT
is used to connect to the
optional DSP card with a Palm™ Handheld or PCcompatible laptop computer for configuration.
Turning the
POWER
switch on activates the soft-
start circuit in the power supply. The soft-start
circuit impedes in-rush current from the AC supply.
PROGRAM INPUTS 1-4
are stereo RCA
unbalanced inputs that accept line-level signals. The
LOCAL/REMOTE
switches on the rear panel select
either the local program input signal connected here
or the program signal on the expansion bus. See
"Expansion In/Out" on page 18 for more information.
DIRECT OUTPUT
is a buffered line-level output
providing the stereo signal from the program source
connected to
the
DIRECT OUTPUT
INPUT 1
, regardless of whether
. Signal is always present at
INPUT 1
is selected as the source. This is useful for musicon-hold and other external applications.
PAGING MIC
is the connection for the paging
microphone. There are two connectors available: a
3-pin XLR and a 3-pin Phoenix-type connector. In
both cases, pin 1 is ground, pin 2 is signal high (+),
and pin 3 is signal low (–).
CONTROL
is a Phoenix-type connector for
connecting external normally-open switches for
remote paging. Three options are available: page to
Zone A, page to Zone B, and page to the entire
system (
GROUND
ALL CALL
). Connect the switches between
and the option of choice.
PHANTOM
applies phantom power (+24VDC) to
pins 2 and 3 of the microphone input. Move both
switches to the down position to turn on phantom
power.
The
GAIN +40 dB
DIP switch is used to set the
gain for use with either a mic-level or a line-level
signal. Move both switches to the down position for
mic-level signals, and up for line-level signals.
The
GAIN
variable control is used to trim the mic
preamp gain for the best signal-to-noise ratio.
The
LOW
variable control is a shelving filter that
provides 12 dB of boost and cut below 100Hz.
The
HIGH
variable control is a shelving filter that
provides 12 dB of boost and cut above 12kHz.
SP2400 – 4
OFF
MASTER
VOLUME
ZONE B
3
0
3
6
9
15
30
55
ZONE A
INPUTSINPUTS
12341234
The
PAGING MIC VOX
variable control adjusts
the ducking threshold for the paging mic. Rotate the
control clockwise to reduce the threshold. Rotate the
control counterclockwise to increase the threshold.
MASTER
VOLUME
3
0
OFF
3
6
9
15
30
55
SP2400 MUSIC CONTROLLER
A
B
OVERLOAD
ON
STATUS
COMM PORT
POWER
Page 5
MIC/LINE INPUT
is provided to connect a local
microphone in each zone. This is a 3-pin Phoenixtype connector where pin 1 is ground, pin 2 is signal
high (+), and pin 3 is signal low (–).
AMBIENT MIC
is a 3-pin Phoenix-type connector
used to connect the optional MT-3100 ambient
microphone, one for each zone. This microphone is
used to detect the ambient noise level in the room.
The microprocessor uses this information to adjust
the paging mic level above the ambient noise. The
ambient mic also provides an input for the optional
DSP card when it is installed.
EQ
is a 3-band equalizer with a sweepable
midrange that only affects Inputs 1-4.
LOW
is a
shelving filter that provides 15 dB of boost and cut
below 80Hz.
MID
is a peaking filter that provides
15 dB of boost and cut at the selected frequency
between 250Hz and 8kHz.
HIGH
is a shelving filter
that provides 15 dB of boost and cut above 12kHz.
AMP ADDRESS
is used to assign a unique
address to each amplifier, as well as to enable or
disable features. Switches 1-5 provide 32 separate
addresses, switch 6 determines Master/Slave
status, switch 7 enables Input 4 Priority, and switch
8 enables the optional ambient mic. Any two
amplifiers assigned to the same address can be
controlled by a single remote control when
connected together via the RS485 ports.
RS485
is a 3-pin Phoenix-type connector in each
zone that provides an interface for the SPLinker
Sound Palette Control PC application software for
centralized computer control of up to 32 zones, as
well as communication between SP2400s.
The RS485 interface is internally connected
between the two amplifiers, so if both amplifiers are
assigned the same zone with the
AMP ADDRESS
switch, the front panel controls and remote controls
operate both sides, ideal for stereo operation.
REMOTE
is a 3-pin Phoenix-type connector for
the optional wired remote control (SP-41R), which
provides Input Select and Master Volume control.
EXPANSION IN/OUT
consists of two parallel 25-
pin D-Sub connectors for connecting multiple
SP2400s together in a serial fashion. Any of the four
program sources from any SP2400 can be used as
the source for any of the zones in the system by
assigning it to the expansion bus with the internal
Bus Assign switches. This is a balanced bus for the
four stereo input sources. In addition, the paging
mic and paging control signal are also provided on
the
EXPANSION
LOCAL/REMOTE
bus.
is a set of eight DIP switches
used to select the input source for the channel.
Each program input has two switches, one to select
the left signal source (odd-numbered switches) and
one to select the right signal source (evennumbered switches). Move the switches up to
select the local program source, and down to select
the remote (external) program source from the
EXPANSION
STEREO/MONO
bus.
switches configure each input
source for either stereo or mono operation. If the
SP2400 is being used in a stereo configuration,
leave the switches up. If it’s being used in a zone
configuration, move the switches down to combine
the left and right channels for mono operation.
PRE OUT
is an unbalanced RCA jack that
provides a line-level signal from the preamplifier
stage of the SP2400. This provides a method for
inserting an external signal processor into the signal
chain prior to the amplifier stage. The U-shaped
jumper wire should remain installed between the
PRE OUT
a line-level signal. See
and
AMP IN
AMP IN
is an unbalanced RCA jack that accepts
jacks for normal operation.
PRE OUT
ZONE A/ZONE B OUTPUTS
above.
are 2-pin Phoenix-
type connectors that provide speaker-level signals.
The SP2400 is shipped with the outputs configured
for 70-volt operation in U.S. versions, and 100-volt
operation in European versions.
Internal jumpers are
provided to configure the amplifier for 8 ohm
systems as well. See page 14 for more information.
Connect the supplied AC linecord to the IEC AC
Socket. The AC line fuse is contained in the socket,
behind the cover located at the bottom of the
socket. Use replacement fuses only as indicated on
the rear panel.
CONCEIVED, DESIGNED, AND MANUFACTURED BY MACKIE DESIGNS INC. • WOODINVILLE • WA • MADE IN USA • FABRIQUE AU USA
MIC/LINE INPUT BPROGRAM EQ
PHANTOM
HIGH
LOWGAIN
+
–
2
1
G
3
U
-
+
+12–12U+12–12
AMBIENT
MIC
Ambient Mic
Digital Satellite Service
To Telephone System
Music-On-Hold
SP2400
MUSIC CONTROLLER
PAGING
MIC
GAIN +40dB
VOX
+
–
G
1234
-
(MT-3100)
PREOUT
+
AMP IN
12345678
U
+15–15U+15–15
SERIAL NUMBER
LOCAL
1234
1234
REMOTE
STEREO
1234
MONO
1K
8k
250
MANUFACTURING DATE
HIGH 12kFREQMIDLOW 80Hz
U
3K400
+15–15
CD Player
DIRECT
L
L
R
OUTPUT
ZONE A
STEREO LEFT
OUTPUT
100/70V/8
+
–
A
G
I
12345678
0
AMP ADDRESS RS485 REMOTE
1
B
1
PROGRAM INPUTS
23
+
2
G
3
AMBIENT
MIC
+ 3
0
– 3
– 6
– 9
– 15
– 30
– 55
Cassette or DAT Recorder
PAGING MIC
GROUND
ALL CALL
PARALLEL
INPUTS
CONTROL
+
–
PRIORITY
4
MIC/LINE INPUT APROGRAM EQ
LOWGAIN
–
U
-
+
G
PAGING
MIC
VOX
GAIN +40dB
PHANTOM
HIGH
+12–12U+12–12
1234
PREOUT
+
–
G
-
+
AMP IN
Left Loudspeaker
ZONE A
ZONEB
GAIN +40dBPHANTOM
1234
ON
U
+15–15U+15–15
Ambient Mic
(MT-3100)
Paging Mic
HIGH
LOWGAIN
U
-
+
+12–12U+12–12
HIGH 12kFREQMIDLOW 80Hz
1K
U
3K400
8k
250
+15–15
Remote Control
Note: This illustration demonstrates a typical stereo application using a single SP2400. Each
channel is assigned the same address with the AMP ADDRESS switches (Zone A is Master and
Zone B is Slave). This allows the front panel buttons, and connected remote controls, to control
both sides. Input 4 Priority is turned on to allow the Jukebox to override the other Program Inputs,
and the optional ambient microphones allow the SP2400 to adjust the paging microphone volume
to changing ambient noise levels.
A: Typical Stereo Application
SP2400 – 6
Page 7
Jukebox
SP2400-1 SWITCH SETTINGS
UP
1234
DOWN
INPUT 4 PRIORITY OFF/ON
MASTER/SLAVE
ZONE A
I
0
I
0
LOCAL
1234
12345678
1234
REMOTE
INTERNAL BUS ASSIGN
AMBIENT MIC OFF/ON
12345678
ZONE B
12345678
AMP ADDRESS
STEREO
1234
MONO
S1
S5
12345678ON12345678
ON
SWITCHES
OFF ON
OFF ON
Ambient Mic
(MT-3100)
Remote Control
230/115V 50/60 Hz FUSE 115/T8A
CAUTION:
TO REDUCE THE RISK OF FIRE
REPLACE WITH SAME TYPE FUSE AND RATING
ZONE B
STEREO RIGHT
OUTPUT
100/70V/8
+
–
A
G
I
12345678
0
AMP ADDRESS RS485 REMOTE
Local Mic
Zone B
70V Loudspeakers
Remote Control
Zone B
To Telephone System
SP2400
MUSIC CONTROLLER
GAIN +40dB
PHANTOM
HIGH
+
–
G
1234
Digital Satellite Service
Music-On-Hold
PAGING
MIC
VOX
PREOUT
-
+
AMP IN
+ 3
0
– 3
– 6
– 9
– 15
– 30
– 55
THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGNS INC
CONCEIVED, DESIGNED, AND MANUFACTURED BY MACKIE DESIGNS INC. • WOODINVILLE • WA • MADE IN USA • FABRIQUE AU USA
+
–
B
2
1
G
A
3
G
-
AMBIENT
MIC
Local Mic
Zone D
70V Loudspeakers
SP2400
MUSIC CONTROLLER
12345678
MIC/LINE INPUT BPROGRAM EQ
LOWGAIN
U
+
+12–12U+12–12
PHANTOM
HIGH
PAGING
MIC
GAIN +40dB
VOX
U
PREOUT
+
–
G
1234
+15–15U+15–15
-
+
AMP IN
SERIAL NUMBER
LOCAL
1234
1234
REMOTE
MANUFACTURING DATE
STEREO
1234
MONO
1K
3K400
8k
250
HIGH 12kFREQMIDLOW 80Hz
U
+15–15
DIRECT
L
L
R
OUTPUT
ZONE A
STEREO LEFT
OUTPUT
100/70V/8
+
–
A
G
I
12345678
0
AMP ADDRESS RS485 REMOTE
Remote Control
1
B
1
Zone C
PROGRAM INPUTS
PRIORITY
23
4
MIC/LINE INPUT APROGRAM EQ
GAIN +40dB
PHANTOM
HIGH
LOWGAIN
+
–
2
G
3
U
1234
-
+
+12–12U+12–12
AMBIENT
MIC
+ 3
0
– 3
– 6
– 9
– 15
– 30
– 55
PAGING MIC
ZONE A
GROUND
ZONEB
ALL CALL
PARALLEL
INPUTS
+
G
+
–
G
CONTROL
–
PAGING
MIC
VOX
-
+
1234
PREOUT
AMP IN
70V Loudspeakers
ON
U
GAIN +40dBPHANTOM
-
+15–15U+15–15
Zone C
Note: This application uses the Expansion Bus to share audio sources between two SP2400s.
The Digital Satellite Service (Input 1) and the Jukebox (Input 4) connected to Unit 1 are assigned to
the Expansion Bus with the internal Bus Assign switches (on the Input Board). On Unit 2, Inputs 1
and 4 are set to the REMOTE setting, and Inputs 2 and 3 are set to the LOCAL setting.
+
250
HIGH
LOWGAIN
U
+12–12U+12–12
HIGH 12kFREQMIDLOW 80Hz
1K
3K400
8k
Ambient Mic
(MT-3100)
U
+15–15
Local Mic
B: Multiple SP2400s—Multiple Zones—Shared Sources
SP2400 – 7
Page 8
Digital Satellite Service
CD Player
Cassette or DAT Recorder
Jukebox
Zone A
Remote Control
+ 3
0
– 3
– 6
– 9
– 15
– 30
– 55
SP2400-1 SWITCH SETTINGS
UP
1234
DOWN
ZONE A
AMBIENT MIC OFF/ON
INPUT 4 PRIORITY OFF/ON
MASTER/SLAVE
I
12345678
0
I
12345678
0
AMP ADDRESS
LOCAL
1234
12345678
1234
REMOTE
INTERNAL BUS ASSIGN
SWITCHES
OFF ON
ZONE B
OFF ON
STEREO
1234
MONO
S1
S5
12345678ON12345678
ON
SP2400-2 SWITCH SETTINGS
UP
1234
DOWN
ZONE A
AMBIENT MIC OFF/ON
INPUT 4 PRIORITY OFF/ON
MASTER/SLAVE
I
12345678
0
I
12345678
0
AMP ADDRESS
LOCAL
1234
12345678
1234
REMOTE
ZONE B
OFF ON
OFF ON
STEREO
1234
MONO
S1
S5
230/115V 50/60 Hz FUSE 115/T8A
THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGNS INC
CONCEIVED, DESIGNED, AND MANUFACTURED BY MACKIE DESIGNS INC. • WOODINVILLE • WA • MADE IN USA • FABRIQUE AU USA
+
–
B
2
1
G
A
3
G
-
AMBIENT
MIC
Zone D
70V Loudspeakers
SP2400
MUSIC CONTROLLER
MIC/LINE INPUT BPROGRAM EQ
LOWGAIN
U
+
+12–12U+12–12
MIC/LINE INPUT BPROGRAM EQ
LOWGAIN
U
+
+12–12U+12–12
GAIN +40dB
PHANTOM
HIGH
+
–
G
1234
SP2400
MUSIC CONTROLLER
GAIN +40dB
PHANTOM
HIGH
+
–
G
1234
PAGING
MIC
VOX
U
PREOUT
+15–15U+15–15
-
+
AMP IN
PAGING
MIC
VOX
U
PREOUT
+15–15U+15–15
-
+
AMP IN
SERIAL NUMBER
LOCAL
1234
12345678
1234
REMOTE
SERIAL NUMBER
LOCAL
1234
12345678
1234
REMOTE
STEREO
1234
MONO
1K
250
STEREO
1234
MONO
1K
250
MANUFACTURING DATE
HIGH 12kFREQMIDLOW 80Hz
U
3K400
8k
MANUFACTURING DATE
HIGH 12kFREQMIDLOW 80Hz
U
3K400
8k
ZONE A
STEREO LEFT
OUTPUT
100/70V/8
+
I
+15–15
12345678
0
AMP ADDRESS RS485REMOTE
ZONE A
STEREO LEFT
OUTPUT
100/70V/8
+
I
+15–15
12345678
0
AMP ADDRESS RS485REMOTE
Paging Mic
Zone A
Local Mic
Remote Control
+ 3
0
– 3
– 6
– 9
– 15
– 30
– 55
Zone C
Remote Control
+ 3
0
– 3
– 6
– 9
– 15
– 30
– 55
DIRECT
PROGRAM INPUTS
L
L
R
OUTPUT
–
A
G
DIRECT
L
L
R
OUTPUT
–
A
G
1
B
1
B
23
2
1
3
PROGRAM INPUTS
23
2
1
3
PRIORITY
4
MIC/LINE INPUT APROGRAM EQ
PHANTOM
HIGH
LOWGAIN
+
–
G
U
-
+
+12–12U+12–12
AMBIENT
MIC
PRIORITY
4
MIC/LINE INPUT APROGRAM EQ
PHANTOM
HIGH
LOWGAIN
+
–
G
U
-
+
+12–12U+12–12
AMBIENT
MIC
GROUND
ALL CALL
PARALLEL
INPUTS
+
–
G
PAGING
MIC
VOX
GAIN +40dB
+
–
G
1234
-
Zone A
70V Loudspeakers
GROUND
ALL CALL
PARALLEL
INPUTS
+
–
G
PAGING
MIC
VOX
GAIN +40dB
+
–
G
1234
-
Zone C
70V Loudspeakers
CONTROL
+
CONTROL
+
PRE OUT
AMP IN
PREOUT
AMP IN
PAGING MIC
PAGING MIC
ZONE
A
ZONE
B
GAIN +40dBPHANTOM
HIGH
LOWGAIN
U
1234
-
+
+12–12U+12–12
ON
HIGH 12kFREQMIDLOW 80Hz
1K
U
+15–15U+15–15
ZONE
A
ZONE
B
GAIN +40dBPHANTOM
1234
ON
U
+15–15U+15–15
U
3K400
8k
250
+15–15
HIGH
LOWGAIN
U
-
+
+12–12U+12–12
HIGH 12kFREQMIDLOW 80Hz
1K
U
3K400
8k
250
+15–15
12345678ON12345678
ON
INTERNAL BUS ASSIGN
SWITCHES
Note: This application makes the Local Mic/Line Input available to both Zones A and C. When
the OFF button is pressed, the Local Mic is heard in both zones. When Inputs 1-4 are pressed, the
selected input is heard in both zones. Zones A and C are assigned the same AMP ADDRESS, and
connecting the RS485 terminals between the two zones allows the front panel buttons and the
remote controls to affect both zones.
C: Expansion with Local Mic
SP2400 – 8
+ 3
0
– 3
– 6
– 9
– 15
– 30
– 55
Zone C
Remote Control
Page 9
L
CAUTION:
230/115V 50/60 Hz FUSE 115/T8A
TO REDUCE THE RISK OF FIRE
REPLACE WITH SAME TYPE FUSE AND RATING
12345678
1234
1
2
3
G
+
–
G
+
–
A
G
B
0
I
PHANTOM
GAIN +40dB
MIC/LINE INPUT BPROGRAM EQ
1234
12345678
1
2
3
G
+
–
G
+
–
G
+
–
A
G
B
0
I
PHANTOM
GAIN +40dB
MIC/LINE INPUT APROGRAM EQ
1234
PARALLEL
INPUTS
CONTROL
ZONE AZONE
B
GROUND
ALL CALL
GAIN +40dBPHANTOM
DIRECT
L
R
OUTPUT
PROGRAM INPUTS
1
23
4
PRIORITY
SP2400
MUSICCONTROLLER
HIGH
U
+12–12
U
+12–12
LOWGAIN
+
-
SERIAL NUMBER
MANUFACTURING DATE
HIGH 12kFREQMIDLOW 80Hz
U
+15–15
U
+15–15
U
+15–15
1K
3K400
8k
250
HIGH
U
+12–12
U
+12–12
LOWGAIN
+
-
+
-
AMP ADDRESS RS485 REMOTE
AMBIENT
MIC
MIC
VOX
AMP IN
PREOUT
HIGH 12kFREQMIDLOW 80Hz
U
+15–15
U
+15–15
U
+15–15
1K
3K400
8k
250
HIGH
U
+12–12
U
+12–12
LOWGAIN
+
-
+
-
AMP IN
PREOUT
PAGING MIC
EXPANSION INEXPANSION OUT
THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGNS INC
Note: This application provides independent source selection for each zone, or common input
source selection for both zones (room combining). Both DX8 Selection Remote Controls are used
to select Presets 1 and 2.
For example, Preset 1 might route the CD Player and the Zone A microphone to Zone A, and the
Cassette Player and the Zone B microphone to Zone B, to be used when the divider is in place
between the two zones. Preset 2 might route both microphones and the audio signal from the
laptop to both Zones A and B, to be used when the divider is removed between the two zones.
Both Zones on the SP2400 are assigned the same AMP ADDRESS, so when “OFF” is selected on
the SP2400, the DX8 signal at the Mic/Line Input is routed to the SP2400 outputs. The local input
sources (Tuner and CD 5-Disc Changer) or the Global Background Music via the Expansion I/O can
be routed to the SP2400 outputs by selecting 1, 2, or 4 on the SP2400 front panel.
D: Room Combining—Zones
SP2400 – 9
Page 10
Application Diagrams
A: Typical Stereo Application
This diagram depicts a typical setup, using the
SP2400 in a stereo application. A Digital Satellite
Service (DSS) is connected to Input 1, which also
serves as the music-on-hold for the telephone
system. A CD player and cassette deck are connected to Inputs 2 and 3 for general purpose music
playback. A jukebox is connected to Input 4, which is
configured for priority playback via
switch #7.
Both sides are assigned the same
with the left channel assigned Master status and
the right channel assigned Slave status via
ADDRESS
buttons and both remote controls to operate both
sides simultaneously.
An ambient mic is connected to each side to
provide paging level compensation for varying
ambient noise levels in the room. Both amplifiers
have been configured for 8-ohm operation.
switch #6. This allows the front panel
AMP ADDRESS
AMP ADDRESS
AMP
B: Multiple SP2400s: Multiple Zones
In this example, two SP2400s are used in a
system with four separate zones configured for 70V
operation (default configuration for U.S. versions).
Four program sources are connected to Unit 1. Of
these, only the DSS and Jukebox signals are shared
with Unit 2 by means of the Expansion Bus (Inputs
1 and 4 are assigned to the Expansion Bus via the
internal Bus Assign switches). Both units have
sources connected to Inputs 2 and 3 that are
exclusive and not shared between units. Each zone
has a different
remote control exclusively operates its own zone.
The Paging Mic can be manually operated with
the Paging Mic Control Switch, and the Paging Mic
and
ALL CALL
via the Expansion bus.
Each ambient mic and local mic operates
independently in their own zones.
AMP ADDRESS
control signal is transferred to Unit 2
assigned, and each
C: Expansion with Local Mic
This example shows how to share the Local Mic/
Line input with another zone, along with the remote
Expansion Bus signals.
Zone A and Zone C are assigned the same
ADDRESS
Zone C assigned Slave status via
switch #6. This allows the front panel buttons for
both zones, and all the remote controls, to operate
both zones simultaneously.
When an input is selected, it is heard in both
zones because Zone A is set to
, with Zone A assigned Master status and
AMP ADDRESS
LOCAL
input
AMP
source, and Zone C is set to
over the Expansion Bus. When
Local Mic connected to Zone A is heard in both
zones because the
connected to the
Zones B and D can select their own input
sources independently.
PRE OUT
MIC/LINE
REMOTE
from Zone A is
input on Zone C.
input source
OFF
is pressed, the
D: Room Combining—Zones
In this example, a dividing wall can be extended
,
to divide the room into two. The Mackie Industrial
DX8 is used to route independent source selections
to each zone (Preset 1 on the Remote Controls), or
common input source selections for both zones
(Preset 2 on the Remote Controls).
For example, Preset 1 might route the CD Player
and the Zone A microphone to Zone A, and the
Cassette Player and the Zone B microphone to
Zone B, to be used when the divider is in place
between the two zones. Preset 2 might route both
microphones and the audio signal from the laptop
to both Zones A and B, to be used when the divider
is removed between the two zones.
Both Zones on the SP2400 are assigned the same
AMP ADDRESS, so when “OFF” is selected on the
SP2400, the DX8 signal at the Mic/Line Input is routed
to the SP2400 outputs. The local input sources (Tuner
and CD 5-Disc Changer) or the Global Background
Music via the Expansion I/O can be routed to the
SP2400 outputs by selecting 1 (global remote), 2 (tuner),
or 4 (CD) on the SP2400 front panel.
Tips on Installing and Using the
SP2400—Plan Ahead!
The key to any successful installation is planning
your system well in advance. Know which
components are going to be used in the system,
their locations, and how they will interface with
each other. Plan the wire routing and AC power
requirements.
Here are some steps to follow to help insure a
smooth installation of the SP2400:
1.
How many zones require coverage in the
system?
you need in the system.
2.
zone (mono) configuration?
determine the number of SP2400s you need. One
SP2400 will cover two zones in mono or one zone
This will determine how many SP2400s
Is the SP2400 going to be used in a stereo or
This will also
SP2400 – 10
Page 11
in stereo. The answer to this question will also
affect the location of the speakers in the room and
the settings for the
the input sources.
3.
How many program sources are going to be
used?
If the number of program sources is four or
less, they can be centralized at one SP2400 and
distributed via the Expansion Bus. If there are more
than four program sources, they must be
distributed among the SP2400s. Determine the
number and location of the program sources that
are going to be used.
Determine which program sources are going to
be used for each zone, and set the
and internal
BUS ASSIGN
STEREO/MONO
LOCAL/REMOTE
switches appropriately.
switches for
Mic and Mic/Line Inputs. Make sure the
switch is set to the down position as well (+40).
Note: The Paging Mic has priority over the system,
including Input 4.
5.
Is there a manual switch for paging?
three switches can be connected to the SP2400
PAGING MIC CONTROL
paging microphone. Otherwise, the paging mic is
voice-activated. Adjust the
described on page 19.
to manually engage the
VOX
control as
GAIN +40dB
Up to
Connections
CAUTION: Never assign more than one
program source to the same channel on
the Expansion Bus.
If there is a requirement for music-on-hold, use
Input 1 for the continuous music source (i.e.,
satellite feed, prerecorded background music, multidisc CD player). Then use the
jacks to route the signal to the telephone system.
If there is a jukebox, use Input 4 in Program
Priority mode (set the
to activate). When a signal appears at Input 4 it
overrides the selected Input source.
Using a chart similar to the one below can be
very helpful in organizing the various components
of the system:
Source
Zone
SAT
AMP ADDRESS
Cassette
CD
DIRECT OUTPUT
Tuner
Jukebox
switch #7 UP
AXXXXX
XXXXX
B
C
D
E
F
G
4.
Is there a paging microphone? Is there a
XXX
XXX
XXX
XXXX
XXX
requirement for a local microphone for a guest
speaker?
are going to be located. Avoid placing a microphone
near a speaker, to increase gain before feedback. If
the mics require phantom power, set the
power switches to the down position for the Paging
You must decide where the microphones
PHANTOM
Connecting the Program Sources
All four Program Inputs use unbalanced RCA
connectors. They accept line-level signals (–10
dBV). Each of the Program Inputs is equipped with
an AGC circuit instead of input trim controls. These
circuits automatically adjust the gain for the best
signal-to-noise ratio according to the strength of the
input signal. It also ensures that the relative volume
level remains the same when switching between
input sources.
Use high-quality, two-conductor shielded cable
to make these connections.
Connecting the Microphones
If using the XLR input for the paging microphone,
wire it per AES standard where pin 1 is ground
(shield), pin 2 is signal high (+), and pin 3 is signal
low (–). If using the Phoenix-type connector, strip
the wire back about 1/4" inch, insert the wire as far
as it will go into the appropriate hole in the
connector, and tighten down the screw with a small
slot-head screwdriver. It is recommended that you
use 20 or 22 gauge wire with the Phoenix-type
connectors, where pin 1 (the left-most pin) is
ground (shield), pin 2 is signal high (+), and pin 3 is
signal low (–).
The
MIC/LINE INPUT A and B
microphone. This is a Phoenix-type connector, and
is wired as described in the previous paragraph for
the paging microphone.
All microphone inputs are equipped with a pad
switch for use with line-level signals. When connecting a line-level signal to these inputs, make sure the
GAIN +40dB switches are in the up position.
are for a local
Connecting the Speakers
The speaker output connectors are twoconductor Phoenix-type, with a position-locking
mechanism. Use 16 or 18 gauge wire for
connecting the amplifier outputs to the speakers. If
SP2400 – 11
Page 12
the amplifier output is configured for 8-ohm
operation, connect the speaker output directly to an
8-ohm load. The amplifier will deliver up to 250
watts to each speaker. If the amplifier is configured
for either 70V or 100V operation, connect the
speaker output directly to the distributed system.
No output transformer is required. Make sure that
the taps on the speakers add up to 200 watts or
less per amplifier for 70V or 100V systems.
Connecting the Expansion Bus
These are 25-pin D-Sub connectors (DB25F). The
two connectors are wired in parallel, so it doesn’t
matter which one you use as an input or output.
The signals on the
balanced so they can be transmitted down long
lines. The limiting factor is the capacitance of the
cable, which causes the higher frequencies to rolloff as the capacitance increases (see chart below).
The chart indicates the lengths of cable at which
the high-frequencies are 1 dB down and 3 dB, using
cable rated at 20pf/ft and 30pf/ft.
Use shielded twisted pairs for the
cable to ensure the best rejection of external noise
(EMI and RFI).
Maximum Feet of Cable vs. High-Frequency Roll-Off
20K
16K
12.5k
10K
8K
6.3K
5K
–1 dB point–3 dB point
4K
3.15K
High-Frequency Rolloff
1.6K
0
0
100
EXPANSION IN/OUT
Expansion Bus Output Impedance = 220Ω
Expansion Bus Input Impedance = 200KΩ
200
300
400
500
600
700
800
20pf/ft
30pf/ft
Feet of Cable (24AWG)
900
1000
1100
1200
1300
are
EXPANSION
1400
1500
1600
1700
1800
1900
2000
EXPANSION I/O
13
–15VDC (w/J2 INSTALLED)
PAGING MIC (+)
INPUT 4 RIGHT (+)
INPUT 4 LEFT (+)
INPUT 3 RIGHT (–)
INPUT 3 LEFT (–)
GROUND
INPUT 2 RIGHT (+)
INPUT 2 LEFT (+)
INPUT 1 RIGHT (–)
INPUT 1 LEFT (–)
N/C
25
14
1
+15VDC (w/J3 INSTALLED)
PAGING MIC CONTROL
PAGING MIC (–)
INPUT 4 RIGHT (–)
INPUT 4 LEFT (–)
GROUND
INPUT 3 RIGHT (+)
INPUT 3 LEFT (+)
INPUT 2 RIGHT (–)
INPUT 2 LEFT (–)
GROUND
INPUT 1 RIGHT (+)
INPUT 1 LEFT (+)
SignalPin No.
Input 1 Left (+)Pin 1
Input 1 Left (–)Pin 14
Input 1 Right (+)Pin 2
Input 1 Right (–)Pin 15
GroundPin 3
Input 2 Left (+)Pin 16
Input 2 Left (–)Pin 4
Input 2 Right (+)Pin 17
Input 2 Right (–)Pin 5
GroundPin 18
Input 3 Left (+)Pin 6
Input 3 Left (–)Pin 19
Input 3 Right (+)Pin 7
Input 3 Right (–)Pin 20
GroundPin 8
Input 4 Left (+)Pin 21
Input 4 Left (–)Pin 9
Input 4 Right (+)Pin 22
Input 4 Right (–)Pin 10
Paging Mic (+)Pin 23
Paging Mic (–)Pin 11
N/CPin 24
Paging Mic ControlPin 12
–15VDC (w/J2 Installed)
+15VDC (w/J3 Installed)
Pin 25
Pin 13
Note: There is a 0.5 amp limit on
the ±15VDC supply.
Expansion Bus Connection Chart
Distance Chart for SP2400 Expansion Bus Cable
For local interconnection of the Expansion Bus,
the use of standard computer cable with an overall
shield is acceptable, such as Belkin Pro Series 25Conductor Straight-Through Cable Assembly (Part
Number F3D111-06) or equivalent. Ensure that the
cable is wired straight-through and terminated to
DB25M connectors on each end.
Note: The use of ribbon cable is permissible for
these connections, only where the total length of
each cable is 12" (30cm) or less.
SP2400 – 12
Connecting the REMOTE Bus
This is a 3-pin Phoenix-type connector
specifically for connecting the optional remote
control. Use a high-quality three-conductor shielded
cable to make this connection, such as Belden
8451, 9451, or equivalent. The lower the nominal
capacitance of the wire, the more distance you can
have between the remote control and the SP2400
before suffering transmission losses.
Strip the wire back about 1/4 inch, insert the
wire as far as it will go into the appropriate hole in
the supplied Phoenix-type connector, and tighten
down the screw with a small slot-head screwdriver.
It is recommended that you use 18 to 24 gauge
wire for the remote control connections, depending
on the distance between the SP2400 and the
remote control.
Page 13
The
REMOTE
connector is wired as follows:
Pin 1 = Ground (Shield)
Pin 2 = Data + (with +24V DC power)
Pin 3 = Data – (with +24V DC power)
Note: See the instructions with the remote
control for more information.
Connecting the RS485 Serial Port
This is a 3-pin Phoenix-type connector that
follows standard RS485 protocol. Select either a
data-grade shielded twisted pair cable or a standard
3-conductor microphone cable for this connection.
The
RS485
port is wired as follows:
Pin 1 = A (non-inverting I/O)
Pin 2 = G (Ground)
Pin 3 = B (inverting I/O)
The SPLinker Sound Palette Control PC
application uses the
between a computer and the SP2400. Connect the
PC RS485 port to the first SP2400, and then interconnect up to 16 SP2400s in the system using their
RS485
connections.
Note: It may be necessary to install an RS485
interface card in the PC, or to use an RS232 to
RS485 converter.
Since the two
connected in the SP2400, one can be used as an
input from the previous SP2400, and the other as
an output to the next SP2400.
Up to 16 SP2400s can be connected together
with 32 independent zones (each zone assigned a
unique
AMP ADDRESS
stereo operation (each SP2400 assigned the same
AMP ADDRESS
assigned Master and the other side Slave).
RS485
serial port to connect
RS485
ports are internally
), or up to 32 SP2400s in
on both sides, with one side
Internal Settings
Note: There are several settings that can be
changed inside the SP2400. These settings should
be made prior to installing the SP2400.
CAUTION: These servicing instructions
are for use by qualified personnel only. To
avoid electric shock, do not perform any
servicing other than that contained in the Operating
Instructions unless you are qualified to do so.
Refer all servicing to qualified service personnel.
Make sure the power is off and the power cord
disconnected
access to the inside of the SP2400.
Bus Assign
There are two 8-position DIP switches on the
Input Board that allow you to assign a Program
Input source to the balanced expansion bus. Each
Program Input Source has four corresponding
switches: Left (+), Left (–), Right (+), and Right (–).
Typically, you would move all four switches either
down (off) or up (assign to expansion bus).
from more than one SP2400 onto the same bus
may damage the unit.
before removing the top cover to gain
CAUTION: Never assign more than one
program source to the same channel on
the Expansion Bus. Assigning sources
SP2400 INPUT BOARD
Laptop with
SPLinker PC Application
RS485
RS485
RS485
To Next SP2400
RS485
RS485
RS485
S3S4J8 J9 J10 J11 J12
REAR PANEL
SignalSwitch No.
Input 1 Left (+)S1-1
Input 1 Left (–)S1-2
Input 1 Right (+)S1-3
Input 1 Right (–)S1-4
Input 2 Left (+)S1-5
Input 2 Left (–)S1-6
Input 2 Right (+)S1-7
Input 2 Right (–)S1-8
Bus Assign Switch Chart
S1
S2
12345678ON12345678
ON
SignalSwitch No.
Input 3 Left (+)S2-1
Input 3 Left (–)S2-2
Input 3 Right (+)S2-3
Input 3 Right (–)S2-4
Input 4 Left (+)S2-5
Input 4 Left (–)S2-6
Input 4 Right (+)S2-7
Input 4 Right (–)S2-8
SP2400 – 13
Page 14
EQ Bypass
Jumper J6, located on each Filter Board, allows
you to bypass the 3-band EQ for the four Program
Inputs.
configuration than the default settings. Refer to the
following illustration for the locations of the jumpers.
Note: Each amplifier board must be configured
separately.
Jumper pins 1 and 2 to bypass the EQ.
Jumper pins 2 and 3 to engage the EQ (default).
Note: The top Input Board must be removed in
order to access Jumper J6 on the Filter Board.
J1
J2
D22
C40
Q1
S1
D3
C23
U25
SP2400 FILTER BOARD
C54
EQ ENGAGE
EQ BYPASS
L6
L3
L2
L5
L4
3
2
R96
1
J6
R121 R97
R143
R145
C94 C95 C96
C92C93
R146
C91
L10
L7
L9
C89
R132
R142
J9J8J7
R147
R134
R137
R133
R136
R149R148
S2
EQ Bypass Internal Jumper
70V/100V/8 Ohm Settings
There are several jumpers on the Amplifier
Boards that are used to configure the amplifiers for
use with a 70V distributed system, a 100V
distributed system, or an 8-ohm load.
The SP2400 is shipped with the jumpers set for
70 Volt operation in U.S. versions, and 100 Volt
operation in European versions.
change these jumpers only if you require a different
You will need to
On the Amplifier Boards
J1
Jumper pins 1 and 2 for 8-ohm operation
Jumper pins 2 and 3 for 70V or 100V operation
J2
Jumper pins 1 and 2 for 100V or 8Ω/250W operation
Jumper pins 2 and 3 for 70V or 8Ω/150W operation
J3
Jumper pins 1 and 2 for 70V or 8Ω/150W operation
Jumper pins 2 and 3 for 100V or 8Ω/250W operation
J4
Jumper pins 1 and 2 for 70V or 8 ohm operation
Jumper pins 2 and 3 for 100V operation
J9
Jumper pins 1 and 2 for 8-ohm operation
Jumper pins 2 and 3 for 70V or 100V operation
J10
Jumper pins 1 and 2 for 8-ohm operation
Jumper pins 2 and 3 for 70V or 100V operation
J11
Jumper pins 1 and 2 for 8-ohm operation
Jumper pins 2 and 3 for 70V or 100V operation
J15
Jumper pins 1 and 2 for 8-ohm operation
Jumper pins 2 and 3 for 70V or 100V operation
SP2400 – 14
SP2400 AMP BOARD
C15
JP1
C9
J5
R110R67
3
3
2
2
1
1
J11 J15 J10
3
70V/100V
2
8Ω
1
C7
J2
100V or 8Ω/250W
70V or 8Ω/150W
Amplifier Configuration Internal Jumpers
C1 C2 C3 C4 C5 C6
1
2
3
JP2
C8C10
J6
100V
70V or 8Ω
C17C18
J3
3
100V or 8Ω/250W
2
70V or 8Ω/150W
1
R68
3
2
C62
1
J4
3
J9
J1
C11
70V/100V
2
8Ω
1
3
70V/100V
2
8Ω
1
Page 15
AC Power Considerations
Each SP2400 draws an average of 6 amps of AC
line current (@ 120VAC) when fully loaded and
playing music with a relatively high crest factor.
Voltage Conversion
The SP2400 can be configured to operate at
115V AC or 230V AC. See Appendix C for instructions
on how to change the operating voltage configuration.
Thermal Considerations
IMPORTANT: The SP2400 is convection
cooled rather than fan cooled. This design
was chosen to avoid the requirement for
periodic air filter maintenance, and to keep the
insides of the SP2400 clean in dirty environments
(rather than blowing dirty, smoky air into it). Heat is
drawn away from the amplifiers by the heatsinks
and radiated through the cooling vents in the top
cover. When installing the SP2400, be sure to allow
sufficient air space around the top and rear of the
amplifier to allow adequate cooling for the
heatsinks. If installing in a rack,
rack space above and below the SP2400 for a vent,
and at least 6 inches behind the chassis to allow
proper ventilation.
leave at least one
If installing three or more SP2400s in a rack, use a
fan in the rack to move cool air in and warm air out of
the rack's enclosure. It may be necessary to provide
a cool air intake fan at the bottom of the rack, and a
warm air exhaust fan at the top (see Figure below).
Note: Though it is not required, it is
recommended that a warm air exhaust fan be used
when two SP2400s are installed in the same rack.
If the amplifier should overheat, a thermal switch
is activated that disengages the speaker outputs,
allowing the heatsinks to cool down. The
OVERLOAD
indicator on the front panel will also
light to show that a protection circuit has been
activated. Once the amplifier has cooled to a safe
operating temperature, the thermal switch resets
and reactivates the speaker outputs. If this should
occur, identify the cause of the problem and take
corrective action (i.e., provide better ventilation,
install a fan in the rack to move more air, make sure
the amplifier is not overloaded with too low of a
load impedance).
2U Exhaust Fan Panel
1U Vent Panel
1U Vent Panel
2U Vent Panel
(or Optional Intake Fan)
Cool Air
Intake
Cool Air
Intake
Cool Air
Intake
Cool Air
Intake
Cool Air
Intake
Hot Air
Exhaust
SP2400 – 15
Page 16
4.Operation
SP2400 Quick Start
This isn’t a substitute for reading the entire
instruction manual, which is the only way to fully
understand how the SP2400 works. However, the
Quick Start provides a quick overview so you can
get the SP2400 set up and working right away.
Make sure the power switch is off while
setting up and making connections to the
SP2400.
External Switch Settings
• The Paging Mic and the Local Mic have +24 VDC
PHANTOM
down to activate the phantom power if you are
using condenser microphones.
• The Paging Mic and Local Mic also have
+40dB
position when microphones are connected to these
inputs.
• If you plan on connecting two or more SP2400s
together in a system with the
bus, use the
either the local Program Input source (switches up)
or a remote program source from the
IN/OUT
switches (1, 3, 5, 7) select the left inputs, and the
even-numbered switches (2, 4, 6, 8) select the right
inputs.
• If you’re using the SP2400 in a stereo configuration,
move the
a zone configuration planned, leave the
MONO
and right channels into a mono signal.
• For stereo operation, assign the same
ADDRESS
ADDRESS
one channel and to the Slave position on the other
channel). The front panel and remote control panels
will operate both amplifiers when they are assigned
to the same
select Program Input 1 with the Zone A control,
Program Input 1 is also selected in Zone B, routing
the Program Input 1 left signal to the Zone A
(Stereo Left) amplifier, and the Program Input 1
right signal to the Zone B (Stereo Right) amplifier.
• For zone operation, assign different
ADDRESS
panel and remote control panels will operate
independently for each amplifier and zone.
power switches. Move the switches
GAIN
switches. Leave the switches in the down
EXPANSION IN/OUT
LOCAL/REMOTE
bus (switches down). The odd-numbered
STEREO/MONO
switches down (default) to combine the left
setting to both amplifiers (set the
DIP switch #6 to the Master position on
AMP ADDRESS
settings to each amplifier. The front
switches to select
EXPANSION
switches up. If you have
STEREO/
AMP
AMP
. For example, if you
AMP
Internal Switch and Jumper Settings
Refer to “Internal Settings” on page 13 for more
information.
• Bus Assign switches are used to assign a
program input source to the balanced expansion
bus. There are four switches for each program input
source: Left (+), Left (–), Right (+), and Right (–).
CAUTION : Never assign more than one
program source to each of the four
expansion bus outputs.
• EQ Bypass allows you to bypass the 3-band EQ,
which is in the Input 1-4 signal path. EQ engaged is
the default setting.
• The amplifier can be configured for 8-ohm, 70V
(default), or 100V operation via eight jumpers on the
amplifier board.
Program Inputs
Connect any stereo line-level signal source to
the Program Inputs 1-4. If you have a music-on-hold
requirement, connect a continuous music source to
INPUT 1
can feed the signal connected to
telephone system.
(e.g., a jukebox), connect it to
AMP ADDRESS
priority.
for now (1K for the
adjusted later, if necessary.
. The
DIRECT OUTPUT
If you have a need for a priority Program Input
switch #7 UP to enable
Set the 3-band EQ controls to the “U” position
FREQ
jacks next to
INPUT 1
INPUT 4
control). These can be
INPUT 1
to the
. Move the
INPUT 4
Paging Mic Input
Connect a microphone to the
Use either the XLR connector, or the supplied
Phoenix-type connector. Set the
GAIN +40dB
Adjust the
the meter level is at the “0” mark. Set the
control so the meter indication is near the “0” mark
when speaking at an average level into the
microphone. See “Setting The Vox Threshold” on
page 19 for more information.
Set the 2-band EQ (
position. This can be adjusted later, if necessary.
switches to their appropriate positions.
MASTER VOLUME
LOW
PAGING MIC
PHANTOM
up/down buttons so
and
HIGH
and
GAIN
) to the “U”
input.
SP2400 – 16
Page 17
Paging Mic Control
The
PAGING MIC CONTROL
provided to connect a manual paging switch.
Connect a normally-open switch between
ZONE A
(to page in Zone B only), or
(to page over the entire system). The voiceactivated (
operates in both zones when the switch is off.
(to page in Zone A only),
VOX
) control for the Paging Mic still
connector is
GND
GND
and
GND
and
ZONE B
ALL CALL
and
Local Mic/Line Inputs
Connect a microphone to
(one for each zone), using the supplied Phoenix-type
connector, to use for a meeting room or other local
speaking requirements. Set the
GAIN +40dB
Select the
disengages the selected Program Source and
engages the
VOLUME
the “0” mark.
Note: The
MIC/LINE INPUTS
VOLUME
VOLUME
memory when the
OFF button is engaged). When an
selected, the
MIC/LINE INPUT
Set the
near the “0” mark when speaking at an average
level into the microphone.
Set the 2-band EQ (
position. These can be adjusted later, if necessary.
switches to their appropriate positions.
OFF
button on the front panel. This
MIC/LINE INPUT
up/down buttons so the meter level is at
MASTER VOLUME
is independent of the
setting for
setting for
MASTER VOLUME
GAIN
INPUTS 1-4
INPUTS 1-4
MIC/LINE INPUT
is stored in memory.
control so the meter indication is
MIC/LINE INPUT A or B
PHANTOM
. Adjust the
setting for the
. The
MASTER
is stored in
is selected (the
INPUT 1-4
setting for the
LOW
and
HIGH
) to the “U“
and
MASTER
MASTER
is
Ambient Mic Inputs
This is an optional connection, but can greatly
enhance the performance of the Paging Mic.
Connect the optional MT-3100 mic to the
MIC
input (one for each zone). This provides an
“ear” for the microprocessor to adjust the Paging
Mic gain to compensate for the ambient noise level
in the room. Use the supplied Phoenix-type
connectors to make these connections.
Note: Move the
enable the ambient mic. See page 20 for more
information on "Using the Ambient Mic."
AMP ADDRESS
AMBIENT
switch #8 UP to
Expansion In/Out
If you are connecting two or more SP2400s in a
system, use the
to distribute the Program Input sources assigned to
the Expansion Bus between SP2400s. The two 25pin D-Sub connectors are in parallel (use one to
connect to the previous SP2400 and one to connect
to the next SP2400 in the chain).
EXPANSION IN/OUT
connections
REMOTE
You can connect one or more optional remote
controls (up to 10) to each zone on the SP2400 to
provide wall-mounted input select, program signal
volume control, and local mic volume control.
RS485
A PC can be connected to the RS485 port to
provide computer control for up to 16 SP2400s,
interconnected via their RS485 ports, using the
SPLinker Sound Palette Control software application.
If the PC doesn't have an RS485 serial port, you can
either install an RS485 interface card, or use an
RS232 serial port with an RS232-to-RS485 converter.
Two zones can be controlled with one wired
remote control by connecting the RS485 ports
between the two zones. (The RS485 ports are
connected internally, so an external connection
between the RS485 ports on a single SP2400 is not
necessary.) Each amplifier must have the same
AMP ADDRESS
control is connected, with one assigned as Master
and the other as Slave. Use the supplied Phoenixtype connectors to make these connections.
Note: Move the
DOWN for Master and UP for Slave.
as the amp to which the remote
AMP ADDRESS
switch #6
PRE OUT/AMP IN
These connections can be used to insert a signal
processor (i.e., graphic equalizer, compressor, etc.)
into the signal chain, or to feed the signal to additional
power amplifiers. If no external processor or external
amplifier is to be used, leave the U-shaped jumper in
place between the
PRE OUT
and
AMP IN
connectors.
OUTPUTS
Use the supplied two-conductor Phoenix-type
connectors with appropriate speaker wiring to
connect to the speaker or distributed speaker
system.
SP2400 – 17
Page 18
Using INPUTS 1-4
Connect the program sources to Inputs 1-4.
These could include a CD player, tape deck, tuner,
satellite feed, TV audio, jukebox, or an audio feed
from a live band. All four program inputs use
unbalanced RCA connectors and accept stereo linelevel signals.
Note: The Input Select buttons are labeled 1
through 4 on the front panel. The spaces below the
buttons are sized to accept 1/4" labels from the
Brother P-Touch Electronic Labeling System.
Professional-looking labels can be made to clearly
identify the program source connected to each
input (visit www.brother.com).
There are no individual volume controls for
Inputs 1-4. The SP2400 automatically adjusts the
volume for each input using an AGC circuit
(Automatic Gain Control). This provides the best
signal-to-noise ratio and insures that the volume
remains the same when you switch from one
source to another.
Only one Input source can be selected at a time.
When switching from one source to another, the
previous source fades out while the new source
fades in (digital crossfade), rather than abruptly
switching between the two.
In a zone configuration, move the
MONO
into a mono signal for each program source. Set the
AMP ADDRESS
allow independent control over each zone.
switches down to combine the stereo signal
switches to different addresses to
STEREO/
LOCAL or REMOTE
These switches are used to select the input
source for each of the four Program Inputs. Leave
the switches up to select the local input source
connected to the
Move the switches down to select the remote
signal coming from the
Each Program Input has two switches, one for the
left input and one for the right input.
PROGRAM INPUT
EXPANSION IN
connector.
connector.
Bus Assign
These internal switches are used if you have two
or more SP2400s connected together in a system
using the
the four program inputs can be individually assigned
to the
switches associated with each Program Input source
(see the Bus Assign Switch chart on page 13).
Caution: Never assign more than one program
source to each of the four expansion bus outputs.
EXPANSION IN/OUT
EXPANSION
balanced bus. There are four
connectors. Each of
INPUT 1 and the Direct OUTPUT
Input 1 provides a direct line-level output that
can be used for music-on-hold or other external
applications. Connect a continuous music source
(i.e., satellite feed, prerecorded background music,
multi-disc CD player) to Input 1 and connect the
DIRECT OUTPUT
jacks to the external destination.
INPUT 4 Priority
Normally, the four program inputs are nonpriority inputs. However, if there is a jukebox or
other priority program source in the system,
Program Priority can be activated on Input 4 by
setting
signal appears at Input 4, it overrides the other
three inputs. When the signal stops, the SP2400
switches back to the previously selected input
source, fading it in smoothly.
AMP ADDRESS
switch #7 UP. When a
STEREO or MONO
The four program inputs accept stereo signals.
The SP2400 can be operated in a stereo configuration or a zone configuration. The
switches should be set to the up position for stereo
operation. Set the
same address to allow the front panel and remote
control panels to operate both amplifiers.
AMP ADDRESS
STEREO/MONO
switches to the
EXPANSION IN/OUT
These two 25-pin D-Sub connectors are used to
connect two or more SP2400s together so they can
share program sources. This is a true balanced bus
and transmits the left and right signal from each of
the four inputs over balanced lines. Refer to the
“Connections” section on page 12 for information
on wiring these connectors.
These connections allow a common program
source to be available to all the SP2400s in a
system. For example, prerecorded music that is
used for music-on-hold can also serve as background
music for an entire office building by setting the
internal bus assign switches for Input 1 to the up
position on the first SP2400. The music is then
available to Input 1 on all the SP2400s connected
via the
LOCAL/REMOTE
position (down).
REMOTE
different program source is connected locally to
Input 1 on one of the SP2400s in the above
example, both the common program source (the
remote prerecorded music) and the local program
source will be combined on Input 1 and can be
played simultaneously. Typically, a local program
source would not be connected to an Input which
has
EXPANSION IN/OUT
switches are set to the
Note: Switching the
doesn't disconnect the local input. If a
REMOTE
selected as the source.
connectors when their
LOCAL/REMOTE
REMOTE
switch to
SP2400 – 18
Page 19
Using the 3-Band EQ
This equalizer is applied to the selected program
source from Inputs 1-4, whether it is a local source
or remote source (via the
This equalizer does not affect the paging mic or
the local
own 2-band EQ controls.
MIC/LINE INPUTS
EXPANSION IN/OUT
, which each have their
bus).
Using the Paging Mic
The paging mic is used to make announcements
over the system. If the paging mic is a condenser
mic or other type of mic that requires phantom
power, move the
position. Otherwise, leave them switched up.
The paging mic can be voice-activated and is
routed to both channels or zones. However, you have
the option of activating it manually with an external
switch. If you choose to use a switch for the paging
mic, you have the additional option of assigning the
paging mic to either Zone A or Zone B, or to both zones.
• For Zone A only, connect a (normally-open)
switch between the
the
PAGING MIC CONTROL
• For Zone B only, connect a switch between the
ZONE B
CONTROL
• For all zones in a system interconnected via the
EXPANSION
ALL CALL
CONTROL
• For maximum flexibility, connect three switches
to the
all three selections available.
turn down (duck, or attenuate) the music that is
playing over the system so the announcement can
be heard when using the VOX circuit. When an
announcement is over, the music gradually returns
to its original volume.
music 20 dB within 300 ms (milliseconds) of
detecting a signal on the paging mic. When the
signal on the paging mic stops, there is a 1500 ms
(1.5 second) timeout period to make sure the
announcement is over, and then the music ramps
up to its original volume over the next 2.5 seconds.
there is no timeout period after the announcement
ends. The moment you let go of the switch, the
music begins to ramp up to its original volume.
and
connector.
and
connector.
PAGING MIC CONTROL
The paging mic can be configured to automatically
The music ducks fairly rapidly, attenuating the
Note 1: When manually activating the paging mic,
PHANTOM
ZONE A
GROUND
bus, connect a switch between the
GROUND
switches to the down
and
GROUND
connector.
pins on the
pins on the
PAGING MIC
PAGING MIC
connector and have
pins on
Note 2: When the manual switch is off, the
voice-activated (
still operational. Ensure that the
threshold is set accordingly to prevent false
triggering of the paging mic input when using
PAGING MIC CONTROL
turn the
(fully clockwise) to defeat the VOX circuit. Note that
each zone has its own
PAGING MIC VOX
VOX
) control for the paging mic is
PAGING MIC VOX
switching. Alternatively,
control all the way up
PAGING MIC VOX
control.
Setting the GAIN
When a microphone is connected directly to the
paging mic input, the
set in the down position (for a mic-level signal). When
the paging mic is going through an external mixer,
sending a line-level signal to the paging mic input,
move the
a line-level signal only).
pressing the up/down buttons so the meter
indicates a level at the “0” mark. With all music
sources off, speak into the paging mic with a
normal voice. Adjust the
with a non-conductive alignment tool so that the
meter indication is near the “0” mark. This provides
the best signal-to-noise ratio for the mic, and
insures that the signal from the paging mic is strong
enough to trigger the
GAIN +40dB
Adjust the
MASTER VOLUME
GAIN +40dB
switch to the up position (for
PAGING MIC GAIN
VOX
circuit.
switch should be
control by
control
Setting the VOX Threshold
This control determines how strong the signal
from the paging mic must be to trigger the
circuit, which ducks the program source when an
announcement is made. Ideally, the threshold
should be set so it is sensitive enough to trigger the
VOX
circuit as soon as you begin speaking, but not
so sensitive as to be triggered by ambient sounds
around the microphone. Set the
control to the center position with a non-conductive
alignment tool to start. Turn the control counterclockwise to lower the threshold (increase the
sensitivity) if the beginning of announcements are
getting clipped off. Turn the control clockwise to
increase the threshold (decrease the sensitivity)
should you experience false triggering due to
ambient noise around the microphone.
PAGING MIC VOX
VOX
Using the EQ
The paging mic has a 2-band equalizer for
adjusting the lows or highs on the microphone
signal. When the controls are set to “U” (unity), the
EQ has no effect on the signal.
SP2400 – 19
Page 20
Using the AMBIENT MIC
The ambient mic is an optional accessory (MT-
3100) that is available for the SP2400, which is used
to sense the ambient noise level in the room. Set
the
AMP ADDRESS
ambient mic, otherwise leave the switch down.
The ambient mic provides an “ear” for the microprocessor to gauge the ambient noise in the room and
adjust the gain of the paging mic accordingly. When
the background noise is relatively quiet, the paging
mic gain is at its lowest level. If the background
noise is relatively loud, the paging mic gain is at its
highest level. If the background noise is somewhere in between, the paging mic gain is midway
between its lowest and highest preset levels.
Ambient Mic Calibration and Placement
1. Connect the MT-3100 (or other microphone) to the
AMBIENT MIC
the ambient mic switch is on (
#8 up). Locate the ambient mic in an appropriate
position to pick up the ambient noise in the room. It
can be mounted on the ceiling or on a wall. Avoid
placing the ambient mic close to the speaker over
which the announcement is being made. Keep the
ambient mic away from a constant noise source, such
as a refrigerator or other mechanical device that emits
a continuous noise. The best placement is where the
mic can pick up an average representation of the
ambient noise level in the room.
Note: Each zone or channel must be calibrated
individually.
2. Turn off the SP2400, then turn it back on again while
pressing and holding the Input 2 button. This causes
the ambient mic preamp level to appear on the meter.
3. Establish the highest noise level that you would
expect to have in the room using a pink or white noise
source, or a music source. Input 1 is operational in this
mode to use as a music source, if desired.
4. Adjust the ambient mic preamp gain trim (located just
above the ambient mic connector on the rear panel,
through the unmarked hole) with a non-conductive
alignment tool until all the green LEDs on the meter are
lit. Insure that no yellow or red LEDs are lit, which runs
the risk of clipping the ambient mic preamp or ADC.
5. Press the “OFF” button when finished to return to
normal operation.
Paging Microphone Calibration Proce-
dure (when used with Ambient Mic)
1. Perform the “Ambient Microphone Calibration
Procedure” described above.
2. Switch the ambient mic OFF (
#8 down).
SP2400 – 20
switch #8 up to enable the
connector on the rear panel. Make sure
AMP ADDRESS
AMP ADDRESS
switch
switch
3. Adjust the
Up/Down buttons so the meter indicates a level at the
“0” mark.
4. Adjust the
go before feedback occurs while speaking into the
paging microphone.
5. Switch the ambient mic on (
#8 up).
6. Turn off the SP2400, then turn it back on again while
pressing and holding the “3” button.
7. Release the Input 3 button after a few seconds and
the third LED starts flashing slowly.
8. Use the front panel Up/Down buttons to set the lower
level of the paging mic (how loud it is with very quiet
background noise). It should be loud enough to be
heard clearly throughout the coverage area.
9. Press the “OFF” button and the level is stored. The
third LED starts flashing faster.
10.Use the front panel Up/Down buttons to set the upper
level of the paging mic (how loud it is with very loud
background noise). As a general rule, set this level as
high as it will go before feedback (at the "0" mark if
steps 3-4 above were followed).
11.Press the Input 3 button when finished to store the
level and return to normal operation.
12.Verify that the paging microphone’s volume is sufficient
to be heard over the background noise in the room.
Note: For best results, with the background noise
level at a minimum, the paging mic volume should be
approximately the same as the music volume.
13.If the paging microphone is not loud enough to be
heard over the background noise, verify that the
ambient mic is properly placed to pick up an accurate
representation of the background noise. If it is, it may
be necessary to readjust the lower and upper levels
for the paging mic gain (steps 6-11).
MASTER VOLUME
PAGING MIC GAIN
control by pressing the
control as high as it will
AMP ADDRESS
switch
Using the Local Mic/LINE INPUT
The
MIC/LINE INPUT A
each zone to connect a microphone for a speaker in
a conference room, or similar sound reinforcement
applications. If the local mic is a condenser mic,
move the
PHANTOM
Setting the GAIN
When a microphone is connected directly to the
MIC/LINE INPUT
set in the down position (for a mic-level signal).
When the mic is going through an external mixer,
sending a line-level signal to the input, move the
GAIN +40dB switch to the up position (for a linelevel signal only).
, the
and B is provided for
switches to the down position.
GAIN +40dB
switch should be
Page 21
Press the
INPUT
OFF
. Adjust the
button to select the
MASTER VOLUME
MIC/LINE
control by
pressing the up/down buttons so the meter
indicates a level at the “0” mark. With all music
sources off, speak into the mic with a normal voice.
Adjust the
MIC/LINE INPUT GAIN
control with a
non-conductive alignment tool so that the meter
indication is near the "0" mark. This provides the
best signal-to-noise ratio for the mic and insures
that its relative volume will be equivalent to the
program sources.
Distributed Speaker System
When using the SP2400 in a 70V or 100V
system, connect the speaker outputs directly to the
distributed system. The SP2400 can directly drive a
distributed system's speaker line without the need
for an output transformer. The SP2400 can supply
up to 200 watts into a 70V or 100V distributed
system. Make sure the taps on the speakers in
the system do not exceed a total of 200 watts.
Using the REMOTE Connection
Using the EQ
Each local
equalizer for adjusting the lows or highs on the
microphone signal. When the controls are set to
“U” (unity), the EQ has no effect on the signal.
MIC/LINE INPUT
has a 2-band
Using the PRE OUT/AMP IN Connections
The
PRE OUT
and
AMP IN
connectors are
provided to give you more flexibility in your system
design. The SP2400 is shipped with U-shaped
jumpers installed between the
IN
jacks. This routes the signal from the output of
PRE OUT
and
AMP
the preamplifier stage to the input of the amplifier
stage.
This also provides a point in the signal chain to
insert an external signal processor. Simply connect
the line-level signal from the
PRE OUT
jack to the
input of the processor, and connect the line-level
output from the processor to the
AMP IN
jack on
the SP2400.
Another option that is available is to connect
another amplifier into the system. Simply use a
Y-cord at the
between the
PRE OUT
AMP IN
jack and the input jack on an
jack to split the signal
external amplifier.
LEFT and RIGHT OUTPUTs
The amplifier outputs on the SP2400 can be
used with an 8-ohm impedance load, or to directly
drive a 70V or 100V distributed system (also called
constant-voltage systems).
Direct Speaker Connection
If the SP2400 is not being used in a distributed
speaker system, you can reconfigure the amplifiers
to drive an 8-ohm load. Each amplifier can provide
up to 250 watts into an 8-ohm load. See the
"Internal Settings" section on page 14 for
instructions on how to reconfigure the amplifiers.
The optional SP2400 Remote Control (SP-41R)
provides Input Selection and Master Volume control
for each amplifier or zone. The Remote Control can
be mounted in a standard double-gang electrical
box and covered with a Decora®-style faceplate.
3
0
3
6
9
15
30
55
Connecting One or More Remote Controls
Each Remote Control affects only the zone to
which it is connected. Up to ten remote controls
may be connected to each zone simultaneously.
This allows controls to be conveniently placed.
Each control will interact with the SP2400, and all
controls will reflect the current source and level
settings. Note that the remote control indicates the
gain setting and not the actual signal level in real
time. In addition, the SP2400 provides a method for
controlling two independent zones using a single
Remote Control by assigning them to the same
AMP ADDRESS
The maximum distance between the remotes
and the SP2400 varies, depending on the type of
cable selected and the number of remote controls
used. Typically, a lower wire gauge and cable
capacitance allow longer distances. See the instructions with the remote control for more information.
(see next section).
SP2400 – 21
Page 22
Using the RS485 Connection
Each amplifier is equipped with an
connection. These connectors are linked internally,
so if both amplifiers have the same
assignment, the Input Selection and
VOLUME
assigned to the same zone. One side must have
AMP ADDRESS
(up), and the other side in the Slave position (down).
two SP2400s by connecting the amplifiers together
with the
both amplifiers are assigned to the same zone
(
AMP ADDRESS
Master and the other Slave, and that no other
amplifiers are connected via the
the same
operate both amplifiers that are assigned to the
same zone.
ADDRESS
change is made to the
the SP2400 off for five seconds, then turn it back
on again for the new settings to take effect.
buttons track each other, since they are
switch #6 in the Master position
The same thing can be accomplished between
RS485
connection. Again, be sure that
switches 1-5), one is configured as
AMP ADDRESS
In this way, you can have one Remote control
Note: The microprocessor polls the
switch when it initializes at power-up. If a
.
AMP ADDRESS
Using the SPLinker Sound Palette
Controller
The RS485 connection can also be used to
connect the SP2400 to a computer loaded with the
SPLinker software application. The PC-compatible
computer must have an RS485 port to properly
connect to the SP2400. It may be necessary to
install an RS485 interface card, or use an RS232
port with an RS232-to-RS485 converter.
RS485
AMP ADDRESS
MASTER
RS485
port with
AMP
switch, turn
The SPLinker is a PC-based graphical interface to
provide real-time monitoring and control for up to 32
zones. It provides individual program source
selection and volume control for each zone. Select
boxes are located at the bottom of each zone for
selecting multiple zones. All selected zones can
then be modified at the same time in the Multiple
settings box located on the right-hand side of the
screen.
Using a 3rd Party Control System
The
RS485
connection can also be used to
interface with common third-party control systems.
Contact the third-party provider or Mackie Industrial
Technical Support to determine if your control
system is compatible with the SP2400.
Upgrading the Software
From time to time, Mackie Industrial will release
upgrades for the internal operating software in the
SP2400. This can be downloaded from our website
(www.mackieindustrial.com) to a PC-compatible
computer. Use the serial port on the computer to
connect to internal connectors on the SP2400's
CPU boards to transfer the data to the on-board
flash memory. Instructions will be provided when
upgrades are available.
+15VDC (w/J3 INSTALLED)
PAGING MIC CONTROL
PAGING MIC (–)
INPUT 4 RIGHT (–)
INPUT 4 LEFT (–)
GROUND
INPUT 3 RIGHT (+)
INPUT 3 LEFT (+)
INPUT 2 RIGHT (–)
INPUT 2 LEFT (–)
GROUND
INPUT 1 RIGHT (+)
INPUT 1 LEFT (+)
+15VDC (w/J3 INSTALLED)
PAGING MIC CONTROL
PAGING MIC (–)
INPUT 4 RIGHT (–)
INPUT 4 LEFT (–)
GROUND
INPUT 3 RIGHT (+)
INPUT 3 LEFT (+)
INPUT 2 RIGHT (–)
INPUT 2 LEFT (–)
GROUND
INPUT 1 RIGHT (+)
INPUT 1 LEFT (+)
TO µP
ZONE A
PRE OUT
LEFT/ZONE A
OUTPUT
+
—
SP2400 – 23
Page 24
SP2400 Specifications
Power Amplifier Section
Continuous Sine Wave Average Output Power, both channels
driven:
200 watts per channel into 8 ohms from 20Hz to 20kHz, with no
more than 0.01% THD
100V rms per channel into 50 ohms from 20Hz to 20kHz, with no
more than 0.1% THD (J2/J3 in 100V position)
70V rms per channel into 25 ohms from 20Hz to 20kHz, with no
more than 0.1% THD (J2/J3 in 70V position)
Frequency Response
20Hz to 20kHz (+0, –0.5 dB)
Distortion
THD: < 0.01% @ rated output into 8 ohms
Signal-To-Noise Ratio
> 90 dB below rated power into 8 ohms
> 100 dB (A-weighted) below rated power into 8 ohms
Channel Separation
> 80 dB @ 1kHz
Amp Input Impedance
20K ohms
Input Sensitivity
+5 dBu (1.37V rms) for rated power into 8 ohms
Gain
27 dB (8-ohm position)
27 dB (70V position)
30 dB (100V position)
Maximum Input Level
12 volts P-P (+15 dBu)
Rise Time
< 5 µS
Slew Rate
> 17 V/µS
EQ
3-Band Program EQ:
High Shelving:±15 dB @ 12kHz
Mid Peaking:± 15 dB with sweepable frequency
(250Hz to 8kHz)
Low Shelving:± 15 dB @ 80Hz
2-Band Mic EQ:
High Shelving:±12 dB @ 12kHz
Low Shelving:± 12 dB @ 100Hz
General
Power Consumption
700 watts with musical program, 8 ohms per side
800 watts maximum
MT-3100Ambient Noise Sensing Microphone
SP-41RRemote Control
Preamplifier Section
Input Levels
Program Inputs:–10 dBu to +10 dBu for
Paging Mic Input:–52 dBu to +4 dBu
Local Mic Input:–52 dBu to +4 dBu
Maximum Input
Program Inputs:+15 dBu
Mic Inputs:+15 dBu
Maximum Output at Pre Out
+10 dBu
Stereo Separation
> 45 dB at 1kHz
SP2400 – 24
maximum output level
with internal AGC
Page 25
Disclaimer
Mackie Industrial continually engages in research
related to product improvement, new materials, and
production methods. Design refinements are
introduced into existing products without notice as
a routine expression of that philosophy. For this
reason, any current Mackie Industrial product may
differ in some respect from its published description,
but will always equal or exceed the original design
specifications unless otherwise stated.
Mackie Industrial and Sound Palette are
trademarks or registered trademarks of Mackie
Designs Inc.
All other brand names mentioned are trademarks
or registered trademarks of their respective holders,
and are hereby acknowledged.
1. Call Mackie Industrial Tech Support at 1-888-3377404, 8 am to 5 pm PST (Monday-Friday), to verify
the problem and obtain a Return Authorization (RA)
Number. Be sure to have the serial number of the
unit when you call. You must have a Return
Authorization Number in order to obtain warranty
service at the factory or at an authorized service
center.
2. Pack the unit in its original packaging. This is very
important. Mackie Industrial is not responsible for
any damage that occurs during shipping due to
non-conventional packaging. Original packaging
helps to minimize the possibility of shipping
damage.
3. Include a legible note stating your name, return
shipping address, (no P.O. boxes), daytime phone
number, Return Authorization Number, and a
detailed description of the problem, including how
we can duplicate it.
APPENDIX A: Default Settings
ControlSetting
LOCAL/REMOTEUP (LOCAL)
STEREO/MONODOWN (MONO)
PAGING MIC
PHANTOMUP (OFF)
GAIN +40dBUP (0dB)
GAINCENTER
LOWCENTER (FLAT)
HIGHCENTER (FLAT)
ZONE AZONE B
AMP ADDRESS1000000001000000
MIC/LINE INPUT
GAINCENTERCENTER
LOWCENTER (FLAT)CENTER (FLAT)
HIGHCENTER (FLAT)CENTER (FLAT)
PHANTOMUP (OFF)UP (OFF)
GAIN +40dBUP (0dB)UP (0dB)
MIC VOXDOWN (OFF)DOWN (OFF)
PROGRAM EQ
LOWCENTER (FLAT)CENTER (FLAT)
MIDCENTER (FLAT)CENTER (FLAT)
FREQCENTER (1kHz)CENTER (1kHz)
HIGHCENTER (FLAT)CENTER (FLAT)
INTERNAL BUS
ASSIGN (S1/S2)OFF
NOTE: All SP2400s sold in the U.S. and Canada
are configured for 115V AC line input and 70V
speaker output. All units sold outside the U.S. and
Canada are configured for 230V AC and 100V
speaker outputs. Please confirm your configuration
prior to installation.
4. Write the Return Authorization Number in BIG
BOLD PRINT on the top of the box.
5. Ship the unit to us. We suggest insurance for all
forms of cartage. Ship to this address:
Mackie Industrial
Service Department
16140 Wood-Red Road NE, Suite 5
Woodinville, WA 98072
SP2400 – 25
Page 26
APPENDIX B: Button Modes
SP2400 Button Modes
Press 1 on Power Up:
• Press and hold the Input 1 button while powering up the SP2400.
• Release the Input 1 button and the Input 1 LED blinks. This resets the AGC for all four inputs to the default setting (–5 dBu).
• Press the Input 1 button again and the OFF LED lights. This indicates that the
AGC circuit is turned off.
• Press the Input 1 button again and the OFF LED turns off. This indicates that the
AGC circuit is turned on.
• Press the OFF button to save the settings and return to normal operation.
Press 2 on Power Up:
• Press and hold the Input 2 button while powering up the SP2400.
• Release the Input 2 button. The Ambient Mic Preamp gain is indicated on the LED meter.
• Use this mode to calibrate the ambient mic (see procedure on page 20).
• Press the OFF button to return to normal operation.
Press 3 on Power Up:
• Press and hold the Input 3 button while powering up the SP2400.
• Release the Input 3 button. The lowest Paging Mic level is indicated on the LED meter.
• Use the Up/Down buttons to adjust the lowest Paging Mic level.
• Press the OFF button. The highest Paging Mic level is indicated on the LED meter.
• Use the Up/Down buttons to adjust the highest Paging Mic level (see procedure on page 20).
• Press the Input 3 button to save the settings and return to normal operation.
AGC Reset
Ambient Mic Preamp Metering
Paging Mic Level Adjustment
Press 4 on Power Up:
• Press and hold the Input 4 button while powering up the SP2400.
• Release the Input 4 button. The LEDs on the front panel indicate the firmware version in binary.
• The Input 1-4 LEDs indicate the digit to the left of the decimal point, and the LED meter indicates
the digit to the right of the decimal point.
• For example, the following illustration indicates version 1.7.
• Press the OFF button to return to normal operation.
Firmware Version
3 LED pairs lit
111 (in binary) = 7 (in decimal)
Version 1.7
SP2400 – 26
Page 27
Y
Y
APPENDIX C: Voltage Conversion
CAUTION: These servicing instructions are for use by qualified personnel only. To avoid electric
shock, do not perform any servicing other than that contained in the Operating Instructions
unless you are qualified to do so. Refer all servicing to qualified service personnel.
the power is off and the power cord disconnected
inside of the SP2400.
before removing the top cover to gain access to the