ENTRETIEN DE PIECES INTERIEURES PAR L’USAGER. CONFIER
L’ENTRETIEN AU PERSONNEL QUALIFIE.
SDR 24/96
AVIS: POUR EVITER LES RISQUES D’INCENDIE OU
D’ELECTROCUTION, N’EXPOSEZ PAS CET ARTICLE
A LA PLUIE OU A L’HUMIDITE
The lightning flash with arrowhead symbol within an equilateral
triangle is intended to alert the user to the presence of uninsulated
"dangerous voltage" within the product’s enclosure, that may be
of sufficient magnitude to constitute a risk of electric shock to persons.
Le symbole clair avec point de fl che l’int rieur d’un triangle
quilat ral est utilis pour alerter l’utilisateur de la pr sence
l’int rieur du coffret de "voltage dangereux" non isol d’ampleur
suffisante pour constituer un risque d’ l ctrocution.
The exclamation point within an equilateral triangle is intended to
alert the user of the presence of important operating and maintenance
(servicing) instructions in the literature accompanying the appliance.
Le point d’exclamation l’int rieur d’un triangle quilat ral est
employ pour alerter les utilisateurs de la pr sence d’instructions
importantes pour le fonctionnement et l’entretien (service) dans le
livret d’instruction accompagnant l’appareil.
Important Safety Instructions
12. Servicing — Do not attempt to service the SDR24/96. All servicing
should be referred to the Mackie Service Department.
13. Lightning — Unplug the SDR 24/96 during lightning storms or when
unused for long periods of time. Note that this Mackie product is not
completely disconnected from the AC mains service when the power switch
is in the OFF position.
14. Grounding and Polarization — To prevent electric shock, do not use the
SDR24/96 polarized plug with an extension cord, receptacle or other
outlet unless the blades can be fully inserted to prevent blade exposure.
Do not defeat the SDR24/96 grounding by plugging into an ungrounded
receptacle or ground lift adapter.
This apparatus does not exceed the Class A/Class B (whichever is applicable)
limits for radio noise emissions from digital apparatus as set out in the radio
interference regulations of the Canadian Department of Communications.
ATTENTION — Le présent appareil numérique n’émet pas de bruits
radioélectriques dépassant las limites applicables aux appareils numériques de
class A/de class B (selon le cas) prescrites dans le réglement sur le brouillage
radioélectrique édicté par les ministere des communications du Canada.
1. Read instuctions — Read, understand and follow all safety and operating
instructions before using the SDR24/96.
2. Retain Instructions — Keep these safety and operating instructions for future
reference.
3. Heed Warnings — Follow all warnings on the SDR24/96 and in these
operating instructions.
4. Water and Moisture — Do not use the SDR24/96 near water – for example,
near a bathtub, kitchen sink, garden hose, incontinent poodle, sweaty
drummer, etc. – or when condensation has formed on the unit.
5. Cleaning — Clean only with a dry cloth.
6. Heat and Ventilation — Locate the SDR24/96 away from heat sources such
as radiators, campfires, compost pits, heliarc welders, magma flows, etc. Do
not block SDR24/96 ventilation openings or install in spaces that prevent
adequate air circulation to the unit.
7. Power Sources — Connect the SDR24/96 only to a power source of the type
described in these operating instructions or as marked on the SDR24/96.
8. Power Cord Protection — Route power supply cords so that they are not likely
to be walked upon, tripped over, or abraded by items placed upon or against
them. Pay particular attention to cords at plugs, convenience receptacles, and
the point where they exit the SDR24/96.
9. Object and Liquid Entry — Do not drop objects or spill liquids into the
SDR24/96. Clean only with a damp cloth; do not clean with liquid or aerosol
cleaners.
10. Attachments — Use the SDR24/96 with only the accessories specified in this
manual.
11. Damage Requiring Service — The SDR24/96 should be serviced only by
qualified service personnel when:
A. The power supply cord or the plug has been damaged; or
B. Objects have fallen onto, or liquid has spilled into the unit; or
C. The unit has been exposed to rain or water; or
D. The unit does not appear to operate normally or exhibits a marked
change in performance; or
E. The unit has been dropped, or its chassis damaged.
FCC Information
NOTE: This equipment has been tested and found to comply
with the limits for Class B digital devices, pursuant to Part 15 of
the FCC Rules. These limits are designed to provide reasonable
protection against harmful interference when the equipment is
operated in a commercial installation. This equipment generates,
uses, and can radiate radio frequency energy and, if not installed
and used in accordance with the instruction manual, may cause
harmful interference to radio communications. Operation of this
equipment in a residential area is likely to cause harmful
interference in which case the user will be required to correct
the interference at his own expense.
This product has been tested and complies with the
following standards and directives as set forth by the
European Union:
* EN 55103-1 E1-E3 Radiated and Conducted Emissions
* EN 55103-2 E1-E3 Immunity
* EN 60950/IEC 950 Electrical Safety Requirements
WARNING — To reduce the risk of fire or electric shock, do not expose this
appliance to rain or moisture.
2
SDR24/96
Contents
Operation Guide
Introduction ----------------------------4
Save your Box!-------------------------------- 4
How To Use This Guide --------------------- 4
Conventions ---------------------------------- 5
About “Tape” --------------------------------- 5
Overview -------------------------------------- 6
Creating a New Project -------------------------- 21
Opening a Project -------------------------------- 22
Saving a Project ----------------------------------- 22
Deleting a Project -------------------------------- 23
Copying a Project--------------------------------- 24
Renaming a Project ------------------------------ 25
Purging a Project --------------------------------- 25
Basic Transport Operations ----------------26
Fast Wind------------------------------------------- 26
Stop ------------------------------------------------- 26
Scrub ------------------------------------------------ 27
Play -------------------------------------------------- 27
Record ---------------------------------------------- 27
Serial 9-Pin----------------------------------------- 27
Time Display--------------------------------------- 27
Transport Menu ----------------------------------- 27
Locate Points and Looping --------------------- 30
Disk Menu ------------------------------------------ 44
Mount Drive---------------------------------------- 44
Format Drive --------------------------------------- 44
Defrag Drive---------------------------------------- 45
System Menu -------------------------------------- 45
USB Mass Storage --------------------------------- 45
SDR Footswitch------------------------------------ 46
Remote Footswitch ------------------------------- 46
Load Meter ----------------------------------------- 46
Date -------------------------------------------------- 47
Time ------------------------------------------------- 47
About ------------------------------------------------ 47
Appendix A: Troubleshooting and Service ---- 48
Appendix B: Technical Info ----------------------- 50
Appendix C: Upgrading the System Software - 51
Appendix D: Analog I/O Pinout ------------------51
9. It’s actually a time capsule, packed with a biological code that can’t be
decrypted until 2043.
8. Its festive graphics will cheer up those other boxes forgotten in your
attic.
7. Impress your friends: tape it up and pretend that you actually have two
SDR24/96s.
6. If you throw it away, bad people will know you have a studio in your
house.
5. Someday, when paper costs more than steel, it could net you a fortune.
4. The SDR24/96 itself only costs $47.95. The balance is what you paid for
the box.
3. Properly sealed, it can be used as a flotation device in the unlikely event
of a water landing.
2. It’s a great place to hide your old digital 8-track recorder.
1. If you collect ten SDR24/96 boxes, Greg will come over for dinner (this
offer does not apply to dealers or distributors).
In the unlikely event that you should need to send the SDR24/96 back to Mackie
for service, please use the shipping box it came in. This box has been specially
designed to minimize damage to the SDR24/96 during shipping, so that it won’t
end up more broken than when you sent it.
How To Use This Guide
Welcome to the cutting edge of affordable multitrack recording and editing! The
first part of this guide explains how to setup and connect the SDR24/96 to an
analog or digital console. The second part describes how to start a session,
operate the basic transport and monitoring controls, and explains the terms and
conventions used to name, store, and retrieve projects on disk.
To get the most out of this guide, you’ll need to be familiar with the basic
multitrack recording process. Updated manuals and the latest software releases
can be obtained via Mackie’s website at:
Please write your serial number here for future
reference:
www.mackie.com.
Purchased at:
Date Of Purchase:
4
SDR24/96
Conventions
The SDR24/96 Operation Guide uses the following conventions to help you find
information quickly:
Text Conventions
a) Text referring to the LCD display use medium weight
(example: SETUP MENU)
b) Text referring to hardware controls or connectors use heavy weight
(example: STOP)
Icons
This icon identifies in-depth explanations of features and practical tips. Though
not required reading, they do offer some choice tidbits of knowledge that will
leave you wiser for the reading.
This icon identifies information that is critically important to the operation of the
SDR24/96. So for your own sake, please read these sections.
Operation Guide
About “Tape”
No, you’re not reading the wrong manual. Our goal was to build a hard disk
recorder that is comfortable for someone familiar with tape recording, but that
doesn’t require you to get a brain transplant from a computer geek to use. When
familiar terms such as Tape Inputs, Tape Returns, Transport, and the like are
applied to the SDR24/96, they mean exactly what you expect them to mean.
Where the well-worn shoe fits, we continue to wear it.
Operation Guide
5
Overview
By combining traditional multitrack tape recording features with the power and
flexibility of non-linear editing, the Mackie Designs SDR24/96 takes multitrack
recording to a level never before achieved by a product in its price range. In
addition to the standard battery of traditional tape-based features, the SDR24/96:
• Combines the familiarity of a multitrack tape machine with the security of
non-destructive recording and non-degrading recording media.
SDR 24/96
• Records simultaneously on all 24 tracks at 44.1 kHz, 48 kHz, 88.2 kHz, or
96 kHz (12 tracks at 88.2 and 96 kHz when using Digital Optical inputs).
At 48 kHz the internal hard drive stores over 2200 track-minutes of 24-bit
audio (90 minutes of 24 full tracks). That’s more than six reels of 2" tape
at 30 inches per second! At 96 kHz the drive stores over 1100 trackminutes of 24-bit audio (45 minutes of 24 full tracks).
• Has eight Virtual Takes per track, allowing you to record multiple passes
without having to change routing and busing assignments or use
additional tracks.
• Projects and Tracks are compatible with the HDR24/96 and the MDR24/96.
• Audio files are saved in native Wave file format (.WAV).
• Interfaces with any analog or digital console with ADAT™ optical I/O or
analog I/O (uses 24-bit A/D and D/A converters).
• Provides three convenient methods of backup: Mackie Media M•90, a
removable hard drive (also capable of 24-track recording and playback),
Mackie Media PROJECT, a removable drive using inexpensive, removable
2.2 GB ORB™ cartridges; and data transfer to another computer through
the SDR24/96’s USB port.
• Offers two optional remote control devices – the compact Remote 24 and
the Micro Remote for smaller project studios.
Record Ready
POWER
• Other remote control interfaces include ADAT Sync, Serial 9-Pin, and MIDI
I/O for MMC (MIDI Machine Control).
Meter Display
24 TRACK/24 BIT DIGITAL AUDIO RECORDER
Media TraySetupLocate &
Loop
DELETE
LAST
TRACK PROJECT
Status Display
21
2019181716151413121110987654321
AUTO
EDIT
SETUP
TAKE
ALL
PUNCH REHRSELOOPLOCATE STORE
INPUT
Auto Take &
Time code
Chase
T-CODE
CHASE
AUTO
INPUT
Current
Time Display
SDR
44.1k
48k
X2
ERROR
VARI
24 BIT16 BIT
TC
PROJECT: Feel the Love
AVAIL: 02:27:26 on EXT
242322
REWIND
FAST FWD
Transport
HIGH RESOLUTION
96
NON-LINEAR RECORDER
MINUTESHOURSSECONDS FRAMES
PLAY
STOP
LCD Control
SELECTSELECTSELECTSELECT
RECORD
LCD Display
EXT
CLOCK
6
SDR24/96
Setup & Configuration
This chapter explains how to set up and configure the SDR24/96 for use in your
studio. Two application examples show how to interface the SDR24/96 with
analog and digital recording consoles.
Required Equipment
Of course, there’s more to a studio than a recorder and some musicians. At a
minimum, you’ll need the following to make the SDR24/96 feel at home:
• A console with a minimum of 24 tape sends (buses or direct outputs) and
returns (line inputs or monitor returns). If your analog console has only 8
tape sends, use Y-cord splitters to send tape out 1 to SDR24/96 Inputs 1,
9 and 17; tape out 2 to SDR24/96 Inputs 2, 10, and 18, and so forth.
• Cables to connect the SDR24/96 to the console: Up to six DB25 break-out
cables or fiber optic cables, depending on your I/O setup.
• All the stuff that typically connects to a console: microphones,
instruments, outboard equipment, control room monitors, and so on.
Installation
This section describes how to connect the SDR24/96 to your console. Before you
begin, you should choose a location for your SDR24/96 considering the following:
Operation Guide
• If you’re not using the Remote 24 or Micro Remote, position the front
panel within convenient reach of your normal recording/mixing position. If
you are using a remote controller, you might want to get the SDR24/96
out of the way. Be aware that although analog cables can be fairly long,
Remote 24 and Micro Remote cables are limited to about 10 meters.
ADAT Optical cables can reach up to about 15 meters.
• The SDR24/96 requires a reliable AC power source with a good ground.
Do not use a ground lift adapter or plug the SDR24/96 into an ungrounded
receptacle. Remember, this is a computer. Using an uninterruptible power
supply (UPS) to power the SDR24/96 is a good idea to avoid an
unexpected shutdown and protect it from transient line voltages.
Note!
The SDR24/96 has a universal-input switching power supply, so you can plug
the AC linecord into any AC outlet with a voltage between 100 and 240 VAC
without having to worry about setting any switches or using a step-up or stepdown voltage transformer.
Operation Guide
7
SDR 24/96
,
I/O Connections and Cables
I/O connections are available in either analog or digital and can be used in any
combination:
Analog
• Each 25-pin D-subminiature (DB25) connector provides eight balanced
analog line-level inputs or outputs. These connectors are pin-for-pin
compatible with the analog (not TDIF) DB25 connectors found on the
TASCAM DTRS recorders (see Appendix D: Analog I/O Pinout). DB25
cables that break out to XLR or 1/4" TRS connectors for mating with your
console are readily available (see Appendix E: Compatible Cables).
Digital
• The digital outputs are ADAT optical connections, and provide eight digital
inputs or outputs per connector (four if using 96 kHz sample rate).
Note: Different manufacturers use different wiring standards for DB25 interface cables that otherwise look the same. Make sure the cable you are
using is the correct one.
See Appendix E for a list of compatible SDR24/96 Analog I/O cables.
Word Clock and Digital Synchronization
Various methods are provided to synchronize the SDR24/96’s sample clock and
time/transport position to other equipment. The functions and connections for
each of the sync connections are as follows:
•SMPTE IN — This 1/4" jack serves as an input when slaved to incoming
SMPTE time code. Use a shielded 2-conductor cable with a 1/4" TS plug.
•SMPTE OUT — This 1/4" jack serves as an output when generating
SMPTE time code to synchronize other devices with the SDR24/96. Use a
shielded 2-conductor cable with a 1/4" TS plug.
•WORD CLOCK IN — This BNC jack receives word clock from another
device when the SDR24/96 Sample Clock is set to Word Clock. Use this
input when the SDR24/96 is operating as a word clock slave. Use 75-ohm
coaxial cable with a BNC connector.
•WORD CLOCK OUT — This BNC jack transmits word clock to other
devices in the system when the SDR24/96 is configured as the clock
master (Sample Clock set to Internal). Use 75-ohm coaxial cable with a
BNC connector.
REPLACE WITH THE SAME TYPE FUSE AND RATING.
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE
OUT
DO NOT OPEN
SMPTE
OUT
IN
WARNING:
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT
EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER.
NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS :
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE.
DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
MIDI
IN
OUT
SERIAL NUMBER
FOOT
SWITCH
MANUFACTURING DATE
MICRO/
REMOTE 24
CNTRL
ADAT SYNC
OUT
ADAT SYNC
IN
SERIAL
9-PIN
8
SDR24/96
•MIDI IN/OUT — These standard MIDI connectors (female 5-pin DIN) can
be used to send or receive MIDI Time Code (MTC) and MIDI Machine
Control (MMC) when connecting to equipment with transport controls and
a position display.
•ADAT SYNC OUT — This 9-pin D-subminature connector connects to the
SYNC IN connector on an ADAT multitrack recorder when the SDR24/96
is providing the master sample clock. Use male-to-male 9-pin D-sub (DB9)
cable.
•ADAT SYNC IN — This 9-pin D-subminature connector connects to the
SYNC OUT connector on an ADAT multitrack recorder when the
SDR24/96 is the slave. Use male-to-male 9-pin D-sub (DB9) cable.
Whenever digital audio connections are made between devices, the sample clock
of every device must run at exactly the same rate. This is usually accomplished by
selecting one device as the “master” clock source and distributing its word clock
signal to all the “slave” devices in the system. The master is configured to run
from its internal clock, and the slaves from external word clock. Some digital
interfaces are self-clocking (such as the AES input on many DAT machines) and
do not require a separate word clock connection. Others simply cannot be
configured as slaves. The master/slave designation must be correctly made for
each device to avoid the clicks and pops associated with asynchronous clocks.
Generally it doesn’t matter which device in a system serves as the word clock
master. For example, if your SDR24/96 Inputs and Outputs are connected to the
Tape Inputs and Outputs of a Mackie Digital 8
either the SDR24/96 or D8B can be the word clock master. (Note: The D8B must
have the Apogee Word Clock Card installed for this application.)
•Bus console using ADAT optical,
Operation Guide
Operation Guide
9
SDR 24/96
The following is the recommended setup for establishing proper sample clock
synchronization with the devices connected to the SDR24/96.
ADAT Optical
With the SDR24/96 as a master, set the receiving device(s) to derive sample
clock from their ADAT optical ports if the ports are self-clocking. In this
case, no word clock connection is necessary. If the ADAT optical ports on the
receiving devices are not self-clocking, connect WORD CLOCK OUT of the
SDR24/96 to Word Clock In on the receiving device(s). If the receiving device
is an ADAT multitrack recorder, use ADAT SYNC OUT of the SDR24/96 to
the SYNC IN on the ADAT.
With the SDR24/96 configured as a slave, there is no need to connect the
word clock connection on the SDR24/96 (the SDR can derive its word clock
from the Digital Optical input). Make sure the sample clock
(SETUP:Sync:SClk) is set to ADAT A, ADAT B, or ADAT C (whichever is the
master ADAT).
Word Clock to
other Slaves
Note:Note:
Note: Use 75 W coaxial cables when con-
Note:Note:
necting word clock to the Word Clock
input jack. If there are more devices to connect to the Word Clock, use a BNC Tee
BNC-Tee
adaptor
WORD CLOCK I/O
INOUT
adapter to feed the signal on to the next
device in the chain.
Word Clock
From Master
Word clock
input jack
10
SDR24/96
Note:Note:
Note: If you are using an SDR24/96 with the Mackie Digital
Note:Note:
8•Bus console, you may need to turn on the Digital 8•Bus first.
The Apogee Clock I/O on the D8B prefers not to see an active
signal at its Word Clock input when it powers up.
Mackie Media (Optional)
PROJECT: Feel the Love
AVAIL: 02:27:26 on EXT
44.1k
VARI
48k
24 BIT16 BIT
TC
ERROR
MINUTESHOURS SECONDS FRAMES
EXT
CLOCK
SELECTSELECTSELECTSELECT
POWER
24 TRACK/24 BIT DIGITAL AUDIO RECORDER
ALL
INPUT
AUTO
INPUT
PUNCH REHRSELOOPLOCATESTORE
DELETE
LAST
SETUP
EDIT
T-CODE
CHASE
AUTO
TAKE
TRACK PROJECT
242322212019181716151413121110987654321
HIGH RESOLUTION
NON-LINEAR RECORDER
X2
96
SDR
REWIND
FAST FWD
PLAY
STOP
RECORD
The SDR24/96 emulates the tape library tradition with Mackie Media M•90 and
Mackie Media PROJECT drives. Both drives come complete with a plug-in tray for
quick removal and a nifty storage case for shelving and transporting the drives.
The SDR24/96 can record or play directly off the M
as quickly as changing tape on a 24-track—no backup time required. PROJECT
drives are for backup only and use removable 2.2GB ORB cartridges that fit in your
pocket. Each can hold a couple of 5-minute 24-track masters.
Mackie Media Tray
Mackie Media
Receiver
To install or remove a Mackie Media tray:
1. Power the SDR24/96 off whenever inserting or removing media trays.
If you have an active project, don’t forget to save it first!
•90 so you can change sessions
Operation Guide
2. To remove a drive, first unlock it by inserting the key and turning it a
quarter-turn counterclockwise. Two keys are packed with the recorder, and
one with each M•90 drive.
3. Lift the bail handle to release the drive, and pull it out of the drive bay.
4. To install a new M•90 or PROJECT drive, slide the media tray into the
front panel drive bay. Press it firmly into place, and latch it by pressing the
bail handle downward until it’s fully seated.
5. Insert the key into the lock and turn it a quarter-turn clockwise. The key
locks the drive into place and powers the tray.
6. The SDR24/96 will automatically detect the Mackie Media drive when you
next power it up.
Note: Note:
Note: Mackie Media are hard drives, and as we all know, hard drives
Note: Note:
involve some pretty intricate technology. So don’t shake the little
darlin’, and if a tray has just come in from a freezing car or airplane
cargo hold, do not install it until it has reached room temperature.
Operation Guide
11
SDR 24/96
Hookups
This section shows how the SDR24/96 is typically connected to both analog and
digital consoles (using the Mackie Analog and Digital 8•Bus consoles as
examples). These examples assume that the rest of your studio equipment
(monitors, sound sources, outboard processing, etc.) is already connected, or that
you know how to connect it.
Before you begin, note how the three analog eight-channel I/O connectors are
arranged on the SDR24/96 rear panel: 1-8 is on the left, 9-16 is in the center, and
17-24 is on the right. Labeling each cable before you begin will make connecting
the SDR24/96 to your console easier.
Analog Hookup
This example describes the hookup for the 24•8 analog console.
Cables & Hardware
(6) Analog break-out cables, DB25 to eight 1/4" TRS phone plugs
Hookup
1. Connect three break-out cables to the SDR24/96 Inputs (bottom
connectors). If you want to have the ability to route any console input to
any recorder track, then connect the 1/4" plugs on each of the three breakout cables to the like-numbered Submaster/Tape Output jacks on the
8•Bus console. This works as long as you don’t record more than 8channels at a time, since the Submaster Outputs 9-16 and 17-24 are the
same as outputs 1-8.
Alternately, you can connect the console’s direct outputs to the recorder’s
inputs, so that each console channel feeds the like-numbered recorder
track. Or, you can use a combination of direct and subgroup outs. The
hookup diagram below shows the SDR24/96 inputs connected to the
Submaster Outputs.
ANALOG OUT 1 - 8ANALOG OUT 9 - 16ANALOG OUT 17 - 24
ANALOG IN 1 - 8ANALOG IN 9 - 16ANALOG IN 17 - 24
POWER
100 - 240V 250mA
50/60Hz
DIGITALWORD CLOCK I/OMIDI
1 - 8
USB
IN OUT
X2
1-4X25-8X29-12
CONCEIVED, DESIGNED, AND MANUFACTURED BY MACKIE DESIGNS INC • WOODINVILLE • WA 98072 • USA
REGISTERED TRADEMARKS OF MACKIE DESIGNS INC.: "MACKIE.", MACKIE DIGITAL SYSTEMS AND THE "RUNNING MAN" FIGURE.
DIGITAL
9 - 16
IN OUT
DIGITAL
17 - 24
IN OUT
OUT
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
REPLACE WITH THE SAME TYPE FUSE AND RATING.
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE
SMPTE
OUT
IN
WARNING:
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT
EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER.
NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE.
DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
ININOUT
24•8 TAPE RETURNS 1-8
7531
6428
24•8 TAPE RETURNS 9-16
13 119
15
16141210
24•8 TAPE RETURNS 17-24
23
24
SDR
24 TRACK/24 BIT DIGITAL
MICRO/
FOOT
REMOTE 24
SWITCH
CNTRL
MANUFACTURING DATE
SERIAL NUMBER
AUDIO RECORDER
21
22
96
HIGH RESOLUTION
NON-LINEAR RECORDER
ADAT SYNC
OUT
ADAT SYNC
SERIAL
9-PIN
19
20
IN
17
18
12
SDR24/96
87156145
16
4123112101
13
24•8 SUBMASTER/TAPE OUTPUTS
9
1718201921222324
2. Connect three break-out cables to the SDR24/96 Outputs (top connectors).
Connect the plug end of the cables to the like-numbered Tape Return jacks
on the 24•8 console.
SDR24/96 Settings
1. Set the Sample Clock (SETUP:Sync:SClk) to Internal.
2. Set the Sample Rate and Sample Size according to your preference.
Console Settings
Set the 24•8 console to the nominal +4 dBu operating level by setting the five
Operating Level switches in the Sub Out and Tape Return sections to the ‘out’
position.
This example describes the hookup for the D8B console equipped for analog I/O.
SDR 24/96
Operation Guide
POWER
100 - 240V 250mA
50/60Hz
REGISTERED TRADEMARKS OF MACKIE DESIGNS INC.: "MACKIE.", MACKIE DIGITAL SYSTEMS AND THE "RUNNING MAN" FIGURE.
(6) DB25 to
DB25 Analog
Cables
Cables & Hardware
ANALOG OUT 1 - 8ANALOG OUT 9 - 16ANALOG OUT 17 - 24
ANALOG IN 1 - 8ANALOG IN 9 - 16ANALOG IN 17 - 24
DIGITALWORD CLOCK I/OMIDI
DIGITAL
IN OUT
DIGITAL
9 - 16
17 - 24
IN OUT
1 - 8
USB
IN OUT
X2
1-4X25-8X29-12
CONCEIVED, DESIGNED, AND MANUFACTURED BY MACKIE DESIGNS INC • WOODINVILLE • WA 98072 • USA
REPLACE WITH THE SAME TYPE FUSE AND RATING.
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE
INPUTOUTPUT
TAPE IN/OUTS
SMPTE
OUT
IN
WARNING:
EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER.
NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
INPUTOUTPUT
Digital 8•Bus
ININOUT
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE.
DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
INPUTOUTPUT
FOOT
SWITCH
MANUFACTURING DATE
SERIAL NUMBER
AIO•8 Cards
SDR
24 TRACK/24 BIT DIGITAL
AUDIO RECORDER
MICRO/
REMOTE 24
CNTRL
96
HIGH RESOLUTION
NON-LINEAR RECORDER
ADAT SYNC
OUT
ADAT SYNC
SERIAL
9-PIN
IN
(3) AIO•8 cards for D8B
(6) DB25 to DB25 analog cables
Hookup
1. Connect three DB25 analog cables between the SDR24/96 Inputs (bottom
connector) and the corresponding D8B Tape Outputs (top connector).
2. Connect three DB25 analog cables between the SDR24/96 Outputs (top
connector) and the corresponding D8B Tape Inputs (bottom connector).
SDR24/96 Settings
1. Set the Input Type (SETUP:I/O:INPUT TYPE SELECT) to Analog for
Inputs 1-8, 9-16, and 17-24.
2. Set the Sample Clock(SETUP:Sync:SClk) to Internal.
3. Set the Sample Rate and Sample Size according to your preference. It is
not necessary to set the D8B and SDR24/96 to the same Sample Rate,
since with analog connections, the sample clocks on the two units are not
synchronized
Console Settings
1. Set the D8B Sample Clock to 44.1 k Internal or 48 k Internal according
to your preference.
Operation Guide
13
SDR 24/96
Note: If you are using a D8B console
with OPT•8 cards
installed and the
SDR24/96 is the
clock master, then a
Clock I/O card must
also be installed in
the D8B to properly
synchronize its word
clock with the
SDR24/96.
Digital Hookup
This example describes the hookup for the D8B console equipped for digital I/O
(DIO•8 or OPT•8).
Cables & Hardware
(3) DIO•8 or OPT•8 cards for D8B
(1) Apogee Clock I/O card for D8B (if D8B is the slave)
(6) ADAT optical cables
(1) 75Ω BNC word clock cable
Hookup
1. Connect three ADAT optical cables from the SDR24/96 DIGITAL optical
outputs to the optical inputs on the corresponding D8B I/O cards.
2. Connect three ADAT optical cables from the SDR24/96 DIGITAL optical
inputs to the optical outputs on the corresponding D8B I/O cards.
3. When the D8B is the clock master, the SDR24/96 can derive its clock from
the Digital Optical input. When the SDR24/96 is the clock master, connect
the WORD CLOCK OUT on the SDR24/96 to the WORD CLOCK IN on
the D8B (the D8B must have an Apogee Clock I/O card installed).
SDR24/96 Settings
1. Set the Input Type (SETUP:I/O:INPUT TYPE SELECT) to ADAT for
Inputs 1-8, 9-16, and 17-24.
2. If the SDR24/96 is the clock master, set the Sample Clock to Internal. If
the SDR24/96 is a clock slave, set the Sample Clock to ADAT A (or B or C).
(SETUP:Sync:SClk:ADAT A).
3. Set the Sample Rate to 44.1 kHz or 48 kHz according to your preference.
Console Settings
1. If you have DIO•8 cards installed, set the Tape Input and Tape Output
format for each card to ADAT. OPT
2. If the D8B is the clock master, set the Sample Clock to either 44.1 kInternal or 48 k Internal. If it is a clock slave, then set the Sample Clock
to either 44.1 kHz or 48 kHz to match the Sample Rate selected on the
SDR24/96. Set the Apogee Clock to Word Clock.
•8 cards need no configuration.
14
SDR24/96
ADAT Optical Hookup with DIO•8
ANALOG OUT 1 - 8ANALOG OUT 9 - 16ANALOG OUT 17 - 24
ANALOG IN 1 - 8ANALOG IN 9 - 16ANALOG IN 17 - 24
96
SDR
24 TRACK/24 BIT DIGITAL
AUDIO RECORDER
HIGH RESOLUTION
NON-LINEAR RECORDER
Operation Guide
POWER
100 - 240V 250mA
50/60Hz
USB
CONCEIVED, DESIGNED, AND MANUFACTURED BY MACKIE DESIGNS INC • WOODINVILLE • WA 98072 • USA
REGISTERED TRADEMARKS OF MACKIE DESIGNS INC.: "MACKIE.", MACKIE DIGITAL SYSTEMS AND THE "RUNNING MAN" FIGURE.
When the SDR24/96 is
Master, connect SDR24/96
WORD CLOCK OUT to D8B
WORD CLOCK IN.
When the D8B is Master,
the SDR24/96 can derive its clock
from the Digital Optical Input.
DIGITALWORD CLOCK I/O
DIGITAL
9 - 16
IN OUT
X2
5-8
DIGITAL
17 - 24
IN OUT
9-12
APOGEE
CLOCK I/O
WORD
CLOCK
WORD
CLOCK
X2
DIGITAL I/O
OUT
IN
1 - 8
IN OUT
X2
1-4
Clock I/O
Card
SYNC ALT I/O TAPE IN/OUTS
Digital 8•Bus
OUT
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
REPLACE WITH THE SAME TYPE FUSE AND RATING.
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE
APOGEE
APOGEE
DIGITAL I/O
TDIF
IN OUT
ADAT OPTICAL
SYNC
SMPTE
OUT
IN
WARNING:
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT
EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER.
NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE.
DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
APOGEE
DIGITAL I/O
TDIF
IN OUT
ADAT OPTICAL
ADAT OPTICAL
SYNC
MIDI
ININOUT
TDIF
IN OUT
SYNC
SERIAL NUMBER
DIO•8
Cards
FOOT
SWITCH
MANUFACTURING DATE
MICRO/
REMOTE 24
CNTRL
ADAT SYNC
OUT
ADAT SYNC
IN
SERIAL
9-PIN
ADAT Optical Hookup with OPT•8
ANALOG OUT 1 - 8ANALOG OUT 9 - 16ANALOG OUT 17 - 24
ANALOG IN 1 - 8ANALOG IN 9 - 16ANALOG IN 17 - 24
POWER
100 - 240V 250mA
50/60Hz
REGISTERED TRADEMARKS OF MACKIE DESIGNS INC.: "MACKIE.", MACKIE DIGITAL SYSTEMS AND THE "RUNNING MAN" FIGURE.
When the SDR24/96 is
Master, connect SDR24/96
WORD CLOCK OUT to D8B
WORD CLOCK IN.
When the D8B is Master,
the SDR24/96 can derive its clock
from the Digital Optical Input.
DIGITALWORD CLOCK I/O
DIGITAL
9 - 16
IN OUT
X2
5-8
DIGITAL
17 - 24
IN OUT
9-12
APOGEE
CLOCK I/O
WORD
CLOCK
WORD
CLOCK
X2
OUT
IN
1 - 8
USB
IN OUT
X2
1-4
CONCEIVED, DESIGNED, AND MANUFACTURED BY MACKIE DESIGNS INC • WOODINVILLE • WA 98072 • USA
REPLACE WITH THE SAME TYPE FUSE AND RATING.
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE
INPUTOUTPUT
INPUTOUTPUT
OPT•8
OPT•8
Digital 8•Bus
SMPTE
OUT
WARNING:
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT
EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER.
NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE.
DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
INPUTOUTPUT
OPT•8
MIDI
ININOUT
SERIAL NUMBER
OPT•8
Cards
FOOT
SWITCH
MANUFACTURING DATE
SDR
24 TRACK/24 BIT DIGITAL
AUDIO RECORDER
MICRO/
REMOTE 24
CNTRL
96
HIGH RESOLUTION
NON-LINEAR RECORDER
ADAT SYNC
OUT
ADAT SYNC
IN
SERIAL
9-PIN
Operation Guide
15
Note:Note:
Note: The Remotes
Note:Note:
duplicate nearly all
of the front panel
operating controls.
SDR 24/96
When we describe a
front panel operation,
you’ll probably find
it available on the
Remote also. If you
have a Remote, try it
both ways. If you don’t
have a Remote yet,
think of how convenient it would be.
Remote 24/Micro Remote (Optional)
Installing either remote is as simple as plugging in a telephone. Connect one end
of the cable (supplied with the Remote) to the MICRO/REMOTE 24 CNTRL jack
on SDR24/96 rear panel, and the other end to the TO HDR REMOTE JACK on the
Remote 24, or to the TO SDR REMOTE JACK on the Micro Remote. It’s OK to
plug or unplug either remote with the SDR24/96 powered on.
MICRO REMOTE
Back panel of the
TO SDR REMOTE JACK
FOOT
REMOTE 24
ANALOG OUT 1 - 8ANALOG OUT 9 - 16ANALOG OUT 17 - 24
ANALOG IN 1 - 8ANALOG IN 9 - 16ANALOG IN 17 - 24
WARNING
DO NOT PLUG INTO
ETHERNET
Remote
connection
TO HDR
REMOTE JACK
SWITCH
Mackie Micro Remote
Back panel of the
Mackie Remote 24
Footswitch
Footswitch
HIGH RESOLUTION
96
SDR
NON-LINEAR RECORDER
24 TRACK/24 BIT DIGITAL
AUDIO RECORDER
Note:Note:
Note: If you are
Note:Note:
using an SDR24/96
with the Mackie
Digital 8•Bus console,
you may need to
turn on the Digital
8•Bus first. The
Clock I/O on the
D8B prefers not to
see an active signal
at its Word Clock
input when it powers up.
POWER
100 - 240V 250mA
50/60Hz
DIGITALWORD CLOCK I/O
DIGITAL
9 - 16
IN OUT
X2
5-8
DIGITAL
17 - 24
IN OUT
X2
9-12
1 - 8
USB
IN OUT
X2
1-4
CONCEIVED, DESIGNED, AND MANUFACTURED BY MACKIE DESIGNS INC • WOODINVILLE • WA 98072 • USA
REGISTERED TRADEMARKS OF MACKIE DESIGNS INC.: "MACKIE.", MACKIE DIGITAL SYSTEMS AND THE "RUNNING MAN" FIGURE.
OUT
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
REPLACE WITH THE SAME TYPE FUSE AND RATING.
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE
SMPTE
OUT
IN
WARNING:
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT
EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER.
NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE.
DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
MIDI
ININOUT
SERIAL NUMBER
FOOT
SWITCH
MANUFACTURING DATE
MICRO/
REMOTE 24
CNTRL
ADAT SYNC
ADAT SYNC
SERIAL
Footswitch (Optional)
For hands-free do-it-yourself punches and Play/Stop operations, connect the cable
of a momentary, normally open footswitch to the FOOT SWITCH 1/4" TS jack on
the rear panel of the SDR24/96 or the Remote 24. If you have a Remote installed
you can connect two foot switches, one to the SDR24/96 and one to the Remote.
Each footswitch functions independently of the other. Footswitch functionality is
assigned in the front panel SETUP:System menu.
Power-Up
OK, NOW you can turn it on. Assuming you have already connected the SDR24/96
to your console, power up the SDR24/96 first, then the outboard equipment and
console, and finally the power amplifiers or powered monitors. Audio equipment
tends to generate unexpected clicks and pops when you power it up, so by
powering up your monitoring system last, you’ll save your speakers and your ears.
Before you read the next section, take a quick, self-guided tour of the front panel
display and controls to get a sense of where they are.
OUT
IN
9-PIN
16
SDR24/96
Note: When 88.2
kHz or 96 kHz sampling rate is selected
(X2 mode), each digital optical port carries
only 4 tracks instead
of 8, due to a limitation in the ADAT
Optical specification. Tracks 1-12 are
used, and tracks
13-24 are unavailable
in X2 mode. The analog inputs continue
to operate with 24
tracks in X2 mode.
Configuration
Before starting a Project, you will need to configure the SDR24/96 I/O options
and synchronization parameters. These parameters determine where the input
signal is coming from, where the sample clock is coming from, how fast the
sample clock runs, and how many bits are recorded in every sample. Some
options, like sample rate and bit depth, will become “standards” that you won’t
need to change very often. Others, like input-to-track assignments, you may
need to change frequently.
Track I/O Setup
By default, each of the physical inputs and outputs on the SDR24/96
corresponds to their track numbers when recording and playing back audio. You
can customize the inputs and outputs to go to any of the tracks using the
TRACK INPUT SELECT and TRACK OUTPUT SELECT menus. These settings
apply to both the analog and digital inputs and outputs, and are saved with the
project file.
To configure the track input mapping:
1. Press SETUP to enter the
SETUP MENU.
2. Select I/O to enter the TRACKINPUT SELECT menu.
SETUP MENU >
Record I/O Sync Transp
TRACK INPUT SELECT >
TRK: 1-8 9-16 17-24
3. Select 1-8. The LCD display
shows you the current setting
for inputs 1-8, either Direct or
Custom.
4. Select Direct for direct input-to-track recording (i.e., Input 1 to Track 1,
Input 2 to Track 2, etc.).
5. Select Custom to route inputs to different track numbers.
♦
You can assign an input to more than one track.
♦
If an input is routed to an alternate track (i.e., Input 1 to Track 9),
the Input Type assignment doesn’t change (see “Input Type Setup” on
the next page).
6. Press the Inc (increment) and
Dec (decrement) select buttons
to change the input number
that is assigned to Track 1.
Select Apply to save the change.
TRK 1- 8 INP: Direct
Direct Custom Exit
New
Track
Setting
Current
Setting
TRK 1 INP: 1 ( 1) >
Inc Dec Apply Exit
Operation Guide
SETUP
7. Press the Page Right
for Track 2, and so on.
8. Select Exit when finished with Tracks 1-8 to return to the previous
menu. Press the Page Left
SELECT menu to edit tracks 9-16 and 17-24.
9. Select Exit when finished to exit.
To configure the track output mapping:
1. Press SETUP to enter the
SETUP MENU.
2. Select I/O. Press the Page
Right
TRACK OUTPUT SELECT menu.
button to enter the
button to scroll to the next track. Repeat step 6
button to return to the TRACK INPUT
SETUP MENU >
Record I/O Sync Transp
< TRACK OUTPUT SELECT >
TRK: 1-8 9-16 17-24
Operation Guide
17
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