Mackie ProFX8, ProFX12 User Manual
ProFX8 and ProFX12
Professional Mic/Line Mixers with FX and USB I/O
OWNER’S MANUAL
POWER
ON
MAIN
RIGHT
(BALANCED)
~100-240V 50/60 Hz 25W
FUSE: T1.6AL AC250V
LINE
HI-Z
1 5/6 7/8 9/10 11/12
BAL/
BAL/
UNBAL
UNBAL
LINE/HI-Z IN 1
-20dB
dB
10
5
U
5
10
20
30
40
50
60
LINE IN 2
INSERT
INSERT
U
U
G
G
A
A
C
C
I
M
U
GAIN
LOW CUT
100 Hz
U
U
U
U
OO
U
OO
OL OL OL OL OL OL OL OL OL
OO
I
I
N
N
I
M
LEVEL
SET
U
+50
+50
+15-15
+15-15
+15-15
+15
+15
RL
+30dB
+30dB
-20dB
GAIN
LOW CUT
100 Hz
U
HI
12kHz
12kHz
+15-15
U
MID
2.5kHz
2.5kHz
+15-15
U
LOW
80Hz
+15-15
U
AUX
AUX
MON
MON
+15
OO
U
FX
+15
OO
PAN
PAN
RL
MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE
1
dB
10
5
U
5
10
20
30
40
50
60
OO
3
2
BAL/
UNBAL
LINE IN 4
LINE IN 3
INSERT
INSERT
U
G
A
C
I
N
I
M
M
LEVEL
LEVEL
SET
SET
-20dB
HI
MID
LOW
80Hz
FX
2
dB
10
5
U
5
10
20
30
40
50
60
U
U
+50
+30dB
-20dB
GAIN
GAIN
LOW CUT
100 Hz
U
HI
12kHz
+15-15
U
MID
2.5kHz
+15-15
U
LOW
80Hz
+15-15
U
AUX
MON
+15
OO
OO
U
FX
+15
OO
OO
PAN
RL
3
dB
10
5
U
5
10
20
30
40
50
60
OO
OO
MAIN
LEFT
(BALANCED)
4
BAL/
UNBAL
LINE IN 5
LINE IN 6
U
C
I
G
A
C
I
N
I
M
LEVEL
SET
+50
U +50
+30dB
GAIN
LOW CUT
LOW CUT
100 Hz
U
EQEQEQEQ EQ EQ EQ EQ
HI
12kHz
+15-15
U
MID
2.5kHz
+15-15
U
LOW
80Hz
+15-15
U
AUX
MON
+15
OO
U
FX
+15
OO
PAN
RL
4
dB
10
5
U
5
10
20
30
40
50
60
OO
(MONO)
BAL/
UNBAL
G
A
I
N
LEVEL
100 Hz
U
12kHz
+15-15
U
MID
2.5kHz
+15-15
U
LOW
80Hz
+15-15
U
AUX
MON
+15
U
FX
+15
PAN
RL
PROFESSIONAL MIC/LINE MIXER WITH FX
USB
MIC MIC MIC MIC MIC MIC
L
LINE IN 7
R
LINE IN 8
G
A
C
I
N
I
M
SET
U +50
GAIN
LOW CUT
100 Hz
U
HI
+15-15
U
+15-15
U
+15-15
U
+15
OO
U
+15
OO
RL
dB
10
5
U
5
10
20
30
40
50
60
OO
(UNBALANCED)
L
TAPE
IN
R
(MONO) (MONO) (MONO) (MONO)
UNBAL
12kHz
2.5kHz
AUX
MON
PAN
7/85/6
L
L
BAL/
BAL/
LINE IN 9
UNBAL
R
R
LINE IN 10
U
LEVEL
SET
+20-20
GAIN
U
HI
HI
12kHz
+15-15
U
MID
MID
2.5kHz
+15-15
U
LOW
LOW
80Hz
80Hz
+15-15
U
AUX
MON
+15
OO
U
FX
FX
+15
OO
PAN
RL
9/10
dB
10
5
U
5
10
20
30
40
50
60
OO
L
TAPE
OUT
R
LINE IN 11
UNBAL
LINE IN 12
U
+20-20
GAIN
U
12kHz
+15-15
U
2.5kHz
+15-15
U
+15-15
U
AUX
MON
+15
OO
U
+15
OO
PAN
RL
11/12 ST RTN FX RTN
dB
10
5
U
5
10
20
30
40
50
60
OO
WARNING:
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
SERIAL NUMBER
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES AND THE ICES-003 FOR
CANADA. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS
DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST
ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY
CAUSE UNDESIRED OPERATION.
DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • MANUFACTURED IN CHINA
FABRIQUE EN CHINE • COPYRIGHT ©2008 • "MACKIE" AND THE RUNNING MAN FIGURE
ARE TRADEMARKS OF LOUD TECHNOLOGIES, INC. • PATENT PENDING.
PROFESSIONAL MIC/LINE MIXER WITH FX
L
L
BAL/
BAL/
UNBAL
MON SEND
R
R
ST RETURN MAIN OUT PHONES
FX SEND
MANUFACTURING DATE
BAL/
UNBAL
BAL/
UNBAL
STEREO GRAPHIC EQ
15
10
5
0
5
10
15
HI
MID
LOW
80Hz
FX
FX PRESETS
01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
08 CATHEDRAL
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP
13 DELAY 1 (300ms)
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)
U
+15
OO
FX MASTER
MUTE
dB
10
5
U
5
10
20
30
40
50
60
OO
MAIN MIX
MON
OL
PRESETS
MUTE
U
OO
+15
FX TO MON
dB
10
5
U
5
10
20
30
40
50
60
OO
BYPASS
EQ IN
USB
U
OO
+20
INPUT LEVEL
USB THRU
OO
MAX
PHONES
MON
dB
10
5
U
5
10
20
30
40
50
60
OO
TO REDUCE THE RISK OF FIRE OR ELECTRIC
L
BAL/
UNBAL
FOOTSWITCH
R
15
10
5
0
5
10
15
8K4K2K1K500250125
(MUTES ALL CHANNELS)
48V
PHANTOM
POWER
POWER
MAIN
METERS
0dB=0dBu
OL
15
10
10
20
30
BREAK
OO
TAPE LEVEL
MAIN
dB
10
5
U
5
10
20
30
40
50
60
OO
6
3
0
2
4
7
RL
U
+20
Important Safety Instructions
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any ventilation openings. Install in accordance with the
manufacturer’s instructions.
8. Do not install near any heat sources such as radiators, heat registers,
stoves, or other apparatus (including amplifi ers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding-type
plug. A polarized plug has two blades with one wider than the other.
A grounding-type plug has two blades and a third grounding prong.
ProFX8 and ProFX12
The wide blade or the third prong are provided for your safety. If the
provided plug does not fi t into your outlet, consult an electrician for
replacement of the obsolete outlet.
10.
Do not overload wall outlets and extension cords as this can result in a
risk of fi re or electric shock.
11.
Protect the power cord from being walked on or pinched particularly at
plugs, convenience receptacles, and the point where they exit from the
apparatus.
12.
Only use attachments/accessories specifi ed by the manufacturer.
13.
Use only with a cart,
stand, tripod, bracket,
or table specifi ed
by the manufacturer, or sold with
the apparatus. When
a cart is used, use
caution when moving
the cart/apparatus
PORTABLE CART WARNING
Carts and stands - The
Component should be used
only with a cart or stand
that is recommended by
the manufacturer.
A Component and cart
combination should be
moved with care. Quick
stops, excessive force, and
uneven surfaces may cause
the Component and cart
combination to overturn.
combination to avoid
injury from tip-over.
14.
Unplug this apparatus during lightning storms or when unused for long
periods of time.
15.
Refer all servicing to qualifi ed service personnel. Servicing is required
when the apparatus has been damaged in any way, such as powersupply cord or plug is damaged, liquid has been spilled or objects have
fallen into the apparatus, the apparatus has been exposed to rain or
moisture, does not operate normally, or has been dropped.
16.
This apparatus shall not be exposed to dripping or splashing, and no
object fi lled with liquids, such as vases or beer glasses, shall be placed
on the apparatus.
17.
This apparatus has been designed with Class-I construction and must
be connected to a mains socket outlet with a protective earthing connection (the third grounding prong).
18.
This apparatus has been equipped with an all-pole, rocker-style AC
mains power switch. This switch is located on the rear panel and
should remain readily accessible to the user.
CAUTION AVIS
RISK OF ELECTRIC SHOCK. DO NOT OPEN
RISQUE DE CHOC ELECTRIQUE. NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER (OR BACK)
NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL
ATTENTION: POUR EVITER LES RISQUES DE CHOC ELECTRIQUE, NE PAS ENLEVER LE COUVERCLE.
AVIS: POUR EVITER LES RISQUES D'INCENDIE OU D'ELECTROCUTION, N'EXPOSEZ PAS CET ARTICLE
2
ProFX8 and ProFX12
AUCUN ENTRETIEN DE PIECES INTERIEURES PAR L'USAGER.
CONFIER L'ENTRETIEN AU PERSONNEL QUALIFIE.
A LA PLUIE OU A L'HUMIDITE
The lightning flash with arrowhead symbol within an equilateral triangle is
intended to alert the user to the presence of uninsulated "dangerous
voltage" within the product's enclosure, that may be of sufficient magnitude
to constitute a risk of electric shock to persons.
Le symbole éclair avec point de flèche à l'intérieur d'un triangle équilatéral
est utilisé pour alerter l'utilisateur de la présence à l'intérieur du coffret de
"voltage dangereux" non isolé d'ampleur suffisante pour constituer un risque
d'éléctrocution.
The exclamation point within an equilateral triangle is intended to alert the
user of the presence of important operating and maintenance (servicing)
instructions in the literature accompanying the appliance.
Le point d'exclamation à l'intérieur d'un triangle équilatéral est employé
pour alerter les utilisateurs de la présence d'instructions importantes pour le
fonctionnement et l'entretien (service) dans le livret d'instruction
accompagnant l'appareil.
19.
The MAINS plug or an appliance coupler is used as the disconnect
device, so the disconnect device shall remain readily operable.
20. NOTE: This equipment has been tested and found to comply with
the limits for a Class B digital device, pursuant to part 15 of the FCC
Rules. These limits are designed to provide reasonable protection
against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if
not installed and used in accordance with the instructions, may cause
harmful interference to radio communications. However, there is no
guarantee that interference will not occur in a particular installation. If
this equipment does cause harmful interference to radio or television
reception, which can be determined by turning the equipment off and
on, the user is encouraged to try to correct the interference by one or
more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and the
receiver.
• Connect the equipment into an outlet on a circuit different from
that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for
help.
CAUTION: Changes or modifi cations to this device not expressly
approved by LOUD Technologies Inc. could void the user's authority to
operate the equipment under FCC rules.
21. This apparatus does not exceed the Class A/Class B (whichever is
applicable)
limits for radio noise emissions from digital apparatus as
set out in the radio interference regulations of the Canadian Department
of Com mu ni ca tions.
ATTENTION — Le présent appareil numérique n’émet pas de bruits
radioélectriques dépassant las limites applicables aux appareils
numériques de class A/de class B (selon le cas) prescrites dans le
réglement sur le brouillage radioélectrique édicté par les ministere des
com mu ni ca tions du Canada.
22.
Exposure to extremely high noise levels may cause permanent hearing
loss. Individuals vary considerably in susceptibility to noise-induced
hearing loss, but nearly everyone will lose some hearing if exposed to
suffi ciently intense noise for a period of time. The U.S. Government’s
Occupational Safety and Health Administration (OSHA) has specifi ed
the permissible noise level exposures shown in the following chart.
According to OSHA, any exposure in excess of these permissible limits
could result in some hearing loss. To ensure against potentially dangerous exposure to high sound pressure levels, it is recommended that all
persons exposed to equipment capable of producing high sound pressure levels use hearing protectors while the equipment is in operation.
Ear plugs or protectors in the ear canals or over the ears must be worn
when operating the equipment in order to prevent permanent hearing
loss if exposure is in excess of the limits set forth here:
Duration,
per day in
hours
8 90 Duo in small club
692
4 95 Subway Train
397
2 100 Very loud classical music
1.5 102
1 105 Dave screaming at Steve about
0.5 110
0.25 or less 115 Loudest parts at a rock concert
Sound Level
dBA, Slow
Response
Typical Example
deadlines
WARNING — To reduce the risk of fi re or electric shock, do not
expose this apparatus to rain or moisture.
Read This Page!
You probably want to try out your new
mixer right away. Before you do, please
read the safety instructions on page 2,
then read this page, and the rest later.
Zero the Mixer
1. Turn down all knobs except the channel EQ and
pan knobs, and set all the faders fully down.
2. Set all channel EQ knobs, pan knobs, and the
graphic EQ sliders at their center detent.
3. Set all buttons to the "out" position.
4. Whistle a popular show tune.
Connections
If you already know how you want to connect the
mixer, go ahead and connect the inputs and outputs
the way you want them. If you just want to get sound
through the mixer, follow these steps:
Plug signal sources into the mixer, such as:
1.
• Microphones plugged into the mic inputs.
Engage phantom power if your mics need
it. Check the mic's user manual to be sure.
• Line-level sources such as keyboards, drum
machines, or CD players plugged into the
line-level inputs.
• A guitar plugged into channel 1, with the
line/hi-z switch pressed in.
2
. Connect cords from the main outs to your pow-
ered speakers or amplifi er.
3. Plug in the mixer’s power cord to a live AC
outlet and turn on the mixer.
4. If you have powered speakers, turn them on.
Otherwise, hook up your passive speakers to
your amp with speaker cables, and turn it on.
Adjust your powered speaker or amplifi er level
controls to however the
mends. (This is usually all the way up.)
Set the Gain
manufacturer recom-
2. For mono channels, adjust the gain control so
the level set LED just comes on occasionally
during the loudest parts of your performance.
The mono channel gain affects the mic and the
line inputs. The hybrid channel gain affects the
mic input only, not the stereo line inputs.
The stereo channel gain adjusts the stereo line
inputs. Adjust as desired, and check the OL
LED does not come on during the loudest passages.
3. Repeat steps 1 to 2 for your other channels.
Instant Mixing
1.
To get sound out of the speakers and into a
waiting world, turn up the channel’s fader to the
U (unity gain) position,
main fader
2. Sing and play. You’re a star! Bring in the other
channels, and adjust their faders to make a
nice mix and generally have fun.
to a comfortable listening level.
and slowly bring up the
USB
The USB connection allows you to play 2 channels of
audio from your computer, and to record the main mix
to your computer. See Appendix D on page 32 for details
of getting started with the USB.
Notes
For optimum sonic performance, the channel faders
and main fader should be set near the “U” (unity gain)
markings.
Turn down all faders before making connections to
and from your ProFX mixer.
When you shut down your system, turn off your amplifi ers or powered speakers fi rst. When powering up, turn
them on last. This will prevent the possibility of turn-on
and turn-off thumps heard in your speakers.
Save the shipping box! You may need it someday.
Please write your serial number here for future
reference (i.e., insurance claims, tech support,
return authorization, make dad proud, etc.)
Owner’s Manual
1. Play something into an input. This could be an
instrument, you singing or speaking, or a line
level source such as a keyboard or CD player.
Be sure that the volume of the input is the
same as it would be during normal use, or you
may have to readjust the gain in the middle of a
set. You can listen with headphones if you carefully turn up the channel fader and headphones
level a little.
Part No. SW0713 Rev. A
©2008 LOUD Technologies Inc. All Rights Reserved,
No electrons were harmed during the production of this PDF.
Purchased at:
Date of purchase:
Owner’s Manual
3
Introduction
Thank you for choosing a Mackie professional ProFX
mixer. It is equipped with our rather lovely microphone
preamps, an internal FX processor, and a USB port for
playing and recording 2 channels of audio using a computer. The ProFX8 has 8 channels and the ProFX12 has
12 channels. Apart from this difference, the mixers are
identical and this manual covers both models.
At Mackie, we know what it takes to be roadworthy.
After all, our mixers have traveled all over the world,
often under the worst of conditions, and we’ve applied
what we’ve learned to the mechanical design of our
ProFX mixers.
ProFX8 and ProFX12
Reliability is paramount to sound reinforcement.
That’s why our engineers have subjected our mixers to
the most rigorous and fi endish tests imaginable to fi netune the design, and extend its limits beyond those of
ordinary mixers.
Features
• The ProFX8 mixer has 8 channels (2 mono, 2
hybrid, 1 stereo)
• The ProFX12 mixer has 12 channels (4 mono, 2
hybrid, 2 stereo)
• Mono channels have a mic input and a mono
line-level input, with a gain control and level
set LED for adjustment of mic and line gain
• Hybrid channels have a mic input and stereo
line-level inputs, with a gain control and level
set LED for adjustment of mic gain
• Stereo channels have stereo line-level inputs,
with a gain control to adjust the line gain
• +48V phantom power can be applied to all mics
• Tape/CD stereo RCA inputs and outputs
• 1/4" TRS insert jacks on mono channels
• Channel 1 hi-z switch allows direct connection
of a guitar or bass without a DI box
• Low cut switch on mono and hybrid channels
• 3-band EQ on each channel
• Aux monitor control on each channel
• Aux FX control on each channel
• Each channel has a pan control, mute switch,
overload (OL) LED, and fader
• Stereo return has mute, OL LED and fader
• XLR and 1/4" TRS main stereo line outputs
• 1/4" TRS stereo return
• 1/4" TRS FX send and monitor send
• 1/4" TRS stereo headphones output
• Headphones level control
• Tape input level control
• 16 built-in Running Man effects with input
level, OL LED, preset display, FX to monitor
level, and footswitchable mute/unmute
• 7-band graphic EQ can be used for main mix, or
monitor mix, or bypassed
• 12-segment stereo output meters on main mix
• Break switch mutes all channels except tape
input and USB input
• Faders for stereo return, FX return, monitor
and main
• USB connection allows 2-channel computer
recording and 2-channel computer playback
• USB thru switch and input level
How To Use This Manual
The fi rst pages after the table of contents are the
hookup diagrams. These show typical setups for fun
times with your ProFX8 or ProFX12 mixer.
Next is a detailed tour of the entire mixer. The descriptions are divided into sections, just as your mixer is
organized into distinct zones:
• Rear Panel: The AC input, power switch, XLR
line-level outputs and USB I/O
• Connection Section: The upper section, where
you connect microphones and guitars etc.
• Channel Controls: The channel strips where
you adjust and control each channel
• Master Controls: The section on the right, with
graphic EQ and main level controls
• Stereo Effect Processor
Throughout these sections you’ll fi nd illustrations
with each feature numbered and described in the
nearby paragraphs.
This icon marks infor mation that is critically
important or unique to the mixer. For your own
good, read them and remember them.
This icon will lead you to some explanations of
features and practical tips. Go ahead and skip
these if you really need to go.
Appendix A: Service information.
Appendix B: Connectors.
Appendix C: Technical information.
Appendix D: USB information.
4
ProFX8 and ProFX12
Contents
Owner’s Manual
IMPORTANT SAFETY INSTRUCTIONS ........................2
READ THIS PAGE! .................................................... 3
INTRODUCTION ...................................................... 4
CONTENTS ............................................................. 5
HOOKUP DIAGRAMS...............................................6
REAR PANEL FEATURES .........................................12
1. POWER CONNECTION .............................12
2. FUSE ......................................................12
3. POWER SWITCH .....................................12
4. XLR MAIN OUTS ...................................12
5. USB PORT .............................................12
FRONT PANEL FEATURES ....................................... 13
CONNECTION SECTION ....................................... 13
6. MIC INPUTS ........................................... 13
7. LINE/HI-Z SWITCH .................................13
8. LINE/HI-Z INPUT (CHANNEL 1 ONLY) ...... 13
9. MONO LINE INPUTS ............................... 14
10. STEREO LINE INPUTS .............................. 14
11. CHANNEL INSERT ................................... 14
12. STEREO RETURN ....................................14
13. MON SEND ............................................ 15
14. FX SEND ................................................ 15
15. 1⁄4" MAIN OUTS .................................... 15
16. FX FOOTSWITCH .................................... 15
17. PHONES ................................................15
18. TAPE INPUT ........................................... 16
19. TAPE OUTPUTS ......................................16
CHANNEL CONTROLS .........................................17
20. GAIN ....................................................18
21. LEVEL SET LED ........................................18
22. LOW CUT ...............................................18
23. HI EQ .....................................................19
24. MID EQ .................................................. 19
25. LOW EQ ................................................. 19
26. AUX MON ............................................... 19
27. AUX FX ................................................... 20
28. PAN ........................................................ 20
29. OL LED .................................................... 20
30. MUTE ....................................................20
31. CHANNEL FADER ..................................... 20
MASTER CONTROLS ...........................................21
32. PHANTOM POWER SWITCH .....................21
33. POWER LED ............................................. 21
34. METERS ................................................. 21
35. BREAK SWITCH .....................................22
36. TAPE LEVEL ........................................... 22
37. STEREO GRAPHIC EQ ............................... 22
38. MAIN MIX/MON ..................................... 22
39. EQ IN/BYPASS ........................................ 22
40. USB INPUT LEVEL ....................................22
41. USB THRU.............................................. 23
42. PHONES LEVEL .......................................23
43. OL LED (FOR STEREO RETURNS) .............. 23
44. MUTE (FOR STEREO RETURNS) ................ 23
45. STEREO RETURN FADER .......................... 23
46. FX RETURN FADER ................................. 23
47. MONITOR FADER ................................... 23
48. MAIN FADER .......................................... 23
STEREO EFFECTS PROCESSOR .............................24
49. PRESET DISPLAY ...................................... 24
50. PRESET SELECTOR .................................... 24
51. INTERNAL FX MUTE ................................. 24
52. FX MASTER ............................................. 24
53. OL LED ................................................... 24
54. FX TO MON ........................................... 24
APPENDIX A: SERVICE INFORMATION ....................26
APPENDIX B: CONNECTIONS..................................27
APPENDIX C: TECHNICAL INFORMATION ................ 29
APPENDIX D: USB INTERFACE ................................ 32
PROFX8 AND PROFX12 LIMITED WARRANTY ........35
Need help with your new mixer?
• Visit www.mackie.com and click Support to fi nd:
FAQs (Frequently Asked Questions), manuals, addendums, and
user forums.
• Email us at: techmail@mackie.com.
• Telephone 1-800-898-3211 to speak with one of our splendid
technical support representatives, (Monday through Friday,
from 7 a.m. to 5 p.m. PST).
Owner’s Manual
5
HOOKUP DIAGRAMS
Acoustic
Guitar with
pickup
ProFX8 and ProFX12
Microphones
Mono Effects
press HI-Z
button
MIC MIC MIC MIC MIC MIC
TAPE
IN
LINE
HI-Z
2
1 5/6 7/8 9/10 11/12
BAL/
BAL/
UNBAL
UNBAL
LINE IN 3
LINE IN 2
LINE/HI-Z IN 1
INSERT
INSERT
U
U
G
G
A
A
C
C
I
I
I
N
N
I
M
M
LEVEL
LEVEL
SET
SET
U
U
+50
+50
+30dB
+30dB
-20dB
-20dB
-20dB
GAIN
GAIN
LOW CUT
LOW CUT
100 Hz
100 Hz
U
U
HI
HI
12kHz
12kHz
+15-15
+15-15
U
U
MID
MID
2.5kHz
2.5kHz
+15-15
+15-15
U
U
LOW
LOW
80Hz
80Hz
+15-15
+15-15
U
U
AUX
AUX
MON
MON
+15
+15
OO
OO
U
U
FX
FX
+15
OO
+15
OO
PAN
PAN
RL
RL
Keyboard
MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE
OL OL OL OL OL OL OL OL OL
dB
10
5
U
5
10
20
30
40
50
60
OO
2
1
dB
dB
10
10
5
5
U
U
5
5
10
10
20
20
30
30
40
40
50
50
60
60
OO
OO
4
3
BAL/
BAL/
UNBAL
UNBAL
LINE IN 4
LINE IN 5
INSERT
INSERT
LINE IN 6
U
U
G
A
C
I
N
I
M
LEVEL
U
+50
+30dB
GAIN
LOW CUT
100 Hz
U
12kHz
+15-15
U
MID
2.5kHz
+15-15
U
LOW
80Hz
+15-15
U
AUX
MON
+15
OO
U
FX
+15
OO
PAN
RL
G
A
C
I
I
N
G
A
C
I
I
N
M
M
LEVEL
SET
SET
U
+50
U+50
+30dB
-20dB
GAIN
GAIN
LOW CUT
LOW CUT
100 Hz
100 Hz
U
U
EQEQEQEQ EQ EQ EQ EQ
HI
HI
12kHz
+15-15
+15-15
U
U
MID
2.5kHz
+15-15
+15-15
U
U
LOW
80Hz
+15-15
+15-15
U
U
AUX
MON
+15
+15
OO
OO
U
U
FX
+15
OO
+15
OO
PAN
RL
RL
4
3
dB
dB
10
10
5
5
U
U
5
5
10
10
20
20
30
30
40
40
50
50
60
60
OO
OO
(MONO) (MONO) (MONO) (MONO)
(MONO)
L
L
BAL/
BAL/
LINE IN 7
LINE IN 9
UNBAL
UNBAL
R
R
LINE IN 10
LINE IN 8
G
A
U
C
I
I
N
M
LEVEL
LEVEL
SET
SET
U+50
GAIN
GAIN
LOW CUT
100 Hz
U
U
HI
HI
12kHz
12kHz
+15-15
U
U
MID
MID
2.5kHz
2.5kHz
+15-15
U
U
LOW
LOW
80Hz
80Hz
+15-15
U
+15
OO
U
FX
+15
OO
RL
dB
10
5
U
5
10
Drum
20
30
Machine
40
50
60
OO
U
AUX
MON
OO
U
FX
OO
PAN
7/85/6
dB
10
5
U
5
10
20
30
40
50
60
OO
AUX
MON
PAN
Electric
Guitar
(UNBALANCED)
L
L
TAPE
OUT
R
R
+20-20
+15-15
+15-15
+15-15
+15
+15
RL
PROFESSIONAL MIC/LINE MIXER WITH FX
L
L
BAL/
LINE IN 11
UNBAL
R
LINE IN 12
HI
12kHz
MID
2.5kHz
LOW
80Hz
AUX
MON
FX
PAN
9/10
dB
10
5
U
5
10
20
30
40
50
60
OO
L
BAL/
BAL/
UNBAL
UNBAL
R
R
ST RETURN MAIN OUT PHONES
STEREO GRAPHIC EQ
U
15
10
+20-20
5
GAIN
0
5
U
10
15
HI
12kHz
+15-15
U
MAIN MIX
MON
MID
2.5kHz
+15-15
U
LOW
FX PRESETS
80Hz
01 BRIGHT ROOM
02 WARM LOUNGE
+15-15
03 SMALL STAGE
04 WARM THEATER
U
AUX
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
MON
08 CATHEDRAL
09 CHORUS
+15
OO
10 CHORUS + REV
U
11 DOUBLER
12 TAPE SLAP
Effects P rocessor
13 DELAY 1 (300ms)
FX
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)
+15
OO
Mono in, Stereo out
U
PAN
OL
+15
OO
RL
FX MASTER
MUTE
11/12 ST RTN FX RTN
dB
10
5
U
5
10
20
30
40
50
60
OO
BAL/
UNBAL
MON SEND
BAL/
UNBAL
FX SEND
EQ IN
BYPASS
USB
OO
INPUT LEVEL
PRESETS
MUTE
USB THRU
U
OO
+15
OO
PHONES
FX TO MON
MON
dB
dB
10
10
5
5
U
U
Monitor EQ
5
5
10
10
20
20
30
30
40
40
50
50
60
60
OO
OO
8K4K2K1K500250125
U
+20
MAX
~100-240V 50/60 Hz 25W
L
FUSE: T1.6AL AC250V
BAL/
UNBAL
FOOTSWITCH
R
15
10
5
0
5
10
15
METERS
(MUTES ALL CHANNELS)
TAPE LEVEL
MAIN
dB
10
5
U
5
10
20
30
40
50
60
OO
Bass
Guitar
iPod
Docking Station
F ootswitch
POWER
ON
MAIN
RIGHT
(BALANCED)
48V
PHANTOM
POWER
POWER
MAIN
0dB=0dBu
OL
15
10
6
3
0
2
4
7
10
20
30
RL
BREAK
U
OO
+20
MAIN
(BALANCED)
LEFT
PROFESSIONAL MIC/LINE MIXER WITH FX
USB
Laptop Computer
with Tr acktion
for recor ding
Headphones
WARNING:
TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
MANUFACTURING DATE
SERIAL NUMBER
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES AND THE ICES-003 FOR
CANADA. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS
DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST
ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY
CAUSE UNDESIRED OPERATION.
DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • MANUFACTURED IN CHINA
FABRIQUE EN CHINE • COPYRIGHT ©2008 • "MACKIE" AND THE RUNNING MAN FIGURE
ARE TRADEMARKS OF LOUD TECHNOLOGIES, INC. • PATENT PENDING.
SRM450v2 Powered Monitors
SRM450v2 Powered Speakers
This diagram shows a guitar connected directly to channel 1 (with the hi-z switch pressed in), microphones attached to channels 2, 3, and 4, guitar effects processors connected to the left line-level input of
channel 5/6, and 7/8, a keyboard attached to channel 9/10's line-level inputs, and a drum machine
connected to channel 11/12. An iPod docking station is attached to the stereo tape inputs. An effects
processor receives a mono input from the FX send, and its stereo outputs connect to the stereo return
inputs.
Mackie SRM450v2 powered speakers are connected to the left and right main output. Two of these
speakers are also set up as stage monitors, and connect to the mixer's monitor output via a graphic EQ.
The aux mon controls of each channel allow you to create a stage monitor mix that is independent of the
main mix. Use the external graphic EQ to adjust the stage monitor EQ as desired. Headphones are used
for monitoring, and a footswitch allows you to mute/unmute the internal effects as desired.
A laptop connects to the USB port, and allows the 2-channel main mix of the performance to be recorded using Tracktion software. Two channels of audio can also play from your computer to the main
mix.
Band System ProFX12
6
ProFX8 and ProFX12
Lavalier
p
Clip-on Mic
LINE
HI-Z
BAL/
UNBAL
LINE/HI-Z IN 1
INSERT
U
G
A
C
I
N
I
M
LEVEL
U
+50
+30dB
-20dB
GAIN
LOW CUT
100 Hz
U
12kHz
+15-15
U
2.5kHz
+15-15
U
LOW
80Hz
+15-15
U
AUX
MON
+15
OO
U
+15
OO
PAN
Dual Compressors
RL
MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE
OL OL OL OL OL OL OL OL OL
dB
10
5
U
5
10
20
30
40
50
60
OO
Acoustic Guitar
and Mic
Microphones
(UNBALANCED)
MIC MIC MIC MIC MIC MIC
L
TAPE
IN
1 5/6 7/8 9/10 11/12
BAL/
BAL/
UNBAL
UNBAL
LINE IN 3
LINE IN 2
INSERT
INSERT
U
U
G
G
A
A
C
C
I
I
I
N
N
I
M
M
LEVEL
LEVEL
SET
SET
SET
U
U
+50
+50
+30dB
+30dB
-20dB
-20dB
GAIN
GAIN
LOW CUT
LOW CUT
100 Hz
100 Hz
U
U
HI
HI
HI
MID
FX
1
12kHz
12kHz
+15-15
+15-15
U
U
MID
MID
2.5kHz
2.5kHz
+15-15
+15-15
U
U
LOW
LOW
80Hz
80Hz
+15-15
+15-15
U
U
AUX
AUX
MON
MON
+15
+15
OO
OO
U
U
FX
FX
+15
OO
+15
OO
PAN
PAN
RL
RL
3
2
dB
dB
10
10
5
5
U
U
5
5
10
10
20
20
30
30
40
40
50
50
60
60
OO
OO
(MONO)
BAL/
UNBAL
BAL/
LINE IN 4
LINE IN 5
UNBAL
INSERT
LINE IN 6
U
G
A
C
I
I
N
G
A
C
I
I
N
M
M
LEVEL
LEVEL
SET
U
+50
U+50
+30dB
-20dB
GAIN
GAIN
LOW CUT
LOW CUT
100 Hz
100 Hz
U
U
EQEQEQEQ EQ EQ EQ EQ
HI
12kHz
12kHz
+15-15
+15-15
U
U
MID
MID
2.5kHz
2.5kHz
+15-15
+15-15
U
U
LOW
LOW
80Hz
80Hz
+15-15
+15-15
U
U
AUX
AUX
MON
MON
+15
+15
OO
OO
U
U
FX
+15
OO
+15
OO
PAN
PAN
RL
RL
4
dB
dB
10
10
5
5
U
U
5
5
10
10
20
20
30
30
Keyboard
40
40
50
50
60
60
OO
OO
4
3
2
R
(MONO) (MONO) (MONO) (MONO)
L
L
BAL/
LINE IN 7
LINE IN 9
UNBAL
UNBAL
R
R
LINE IN 10
LINE IN 8
G
A
U
C
I
I
N
M
LEVEL
SET
SET
U+50
+20-20
GAIN
GAIN
LOW CUT
100 Hz
U
U
HI
HI
12kHz
12kHz
+15-15
+15-15
U
U
MID
2.5kHz
2.5kHz
+15-15
+15-15
U
U
LOW
LOW
80Hz
80Hz
+15-15
+15-15
U
U
AUX
AUX
MON
MON
+15
+15
OO
OO
U
U
FX
FX
+15
OO
+15
OO
PAN
PAN
RL
RL
7/85/6
9/10
dB
dB
10
10
5
5
U
U
5
5
10
10
20
20
30
30
40
40
50
50
60
60
OO
OO
L
BAL/
LINE IN 11
R
LINE IN 12
U
+20-20
GAIN
U
HI
+15-15
U
MID
+15-15
U
+15-15
U
+15
OO
U
Effects P rocessor
FX
+15
OO
Mono in, Stereo out
RL
11/12 ST RTN FX RTN
dB
10
5
U
5
10
20
30
40
50
60
OO
Mono Effects
L
TAPE
OUT
R
PROFESSIONAL MIC/LINE MIXER WITH FX
L
BAL/
UNBAL
R
15
10
5
0
5
10
15
HI
12kHz
MID
2.5kHz
LOW
80Hz
01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
AUX
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
MON
08 CATHEDRAL
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP
13 DELAY 1 (300ms)
FX
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)
PAN
BAL/
L
UNBAL
BAL/
UNBAL
MON SEND
BAL/
UNBAL
R
ST RETURN MAIN OUT PHONES
FX SEND
STEREO GRAPHIC EQ
MAIN MIX
EQ IN
MON
BYPASS
FX PRESETS
PRESETS
MUTE
U
U
OL
OO
+15
+15
OO
FX MASTER
FX TO MON
MUTE
dB
dB
10
5
U
5
10
20
30
40
50
60
OO
10
5
U
5
10
20
30
40
50
60
OO
Monitor EQ
USB
OO
INPUT LEVEL
USB THRU
OO
PHONES
MON
dB
10
5
U
5
10
20
30
40
50
60
OO
8K4K2K1K500250125
U
+20
MAX
~100-240V 50/60 Hz 25W
L
FUSE: T1.6AL AC250V
BAL/
UNBAL
FOOTSWITCH
R
15
10
PHANTOM
5
0
5
10
15
MAIN
METERS
0dB=0dBu
(MUTES ALL CHANNELS)
TAPE LEVEL
MAIN
dB
10
5
U
5
10
20
30
40
50
60
OO
Electric
Guitar
iPod
Docking Station
POWER
48V
POWER
POWER
OL
15
10
6
3
0
2
4
7
10
20
30
RL
BREAK
U
OO
+20
Owner’s Manual
Assistive Listening
System
Headphones
WARNING:
TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
ON
MAIN
RIGHT
(BALANCED)
(BALANCED)
MAIN
LEFT
PROFESSIONAL MIC/LINE MIXER WITH FX
USB
Compressor/Limiter
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
MANUFACTURING DATE
SERIAL NUMBER
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES AND THE ICES-003 FOR
CANADA. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS
DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST
ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY
CAUSE UNDESIRED OPERATION.
DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • MANUFACTURED IN CHINA
FABRIQUE EN CHINE • COPYRIGHT ©2008 • "MACKIE" AND THE RUNNING MAN FIGURE
ARE TRADEMARKS OF LOUD TECHNOLOGIES, INC. • PATENT PENDING.
Laptop
with Tr acktion
recor ding
the service
SRM450v2 Powered Monitors
SR1521z Powered S
eakers
This diagram shows various microphones attached to channels 1 to 4, a guitar mic on channel 5/6, a
guitar effects processor connected to the left line-level input of channel 7/8, and a keyboard attached to
channel 9/10's line-level inputs. An iPod docking station is attached to the stereo tape inputs. An effects
processor receives a mono input from the FX send, and its stereo outputs connect to the stereo return
inputs. An assistive listening system is connected to the line-level main output. Dual compressors are connected to the inserts of channels 1 to 4, allowing vocal compression.
Mackie SR1521z powered speakers are connected to the left and right main output, via a compressor/
limiter. Two SRM450v2 powered speakers are set up as stage monitors, and connect to the mixer's monitor output via a graphic EQ. The aux mon controls of each channel allow you to create a stage monitor
mix that is independent of the main mix. Use the external graphic EQ to adjust the stage monitor EQ as
desired. Headphones are used for monitoring.
A laptop connects to the USB port, and allows the 2-channel main mix of the service to be recorded using Tracktion software. Two channels of audio can also play from your computer to the main mix.
House of Worship System ProFX12
Owner’s Manual
7
Microphones
ProFX8 and ProFX12
CD Player
MIC MIC MIC MIC
L
TAPE
IN
LINE
LINE
HI-Z
HI-Z
1 2 3/4 5/6 7/8
LINE IN 2 LINE/HI-Z IN 1
INSERT
U
G
A
C
I
N
I
M
LEVEL
SET
U
U
+50
+30dB
-20dB
-20dB
GAIN
LOW CUT
100 Hz
EQ
U
HI
12kHz
+15-15
U
MID
2.5kHz
+15-15
U
LOW
80Hz
+15-15
U
AUX
MON
+15
OO
U
FX
+15
OO
PAN
RL
MUTE MUTE MUTE MUTE MUTE MUTE
OL
OL OL OL OL OL
1
dB
dB
10
10
5
5
U
U
5
5
CD Turntable
10
10
20
20
30
30
40
40
50
50
60
60
OO
OO
BAL/
UNBAL
LINE IN 3
INSERT
LINE IN 4
U
G
A
C
I
N
I
G
A
C
I
N
I
M
M
LEVEL
SET
+50
+50
U
+30dB
GAIN
GAIN
LOW CUT
LOW CUT
100 Hz
100 Hz
EQ
U
U
HI
12kHz
+15-15
+15-15
U
U
MID
2.5kHz
+15-15
+15-15
U
U
LOW
80Hz
+15-15
+15-15
U
U
AUX
AUX
MON
+15
+15
OO
OO
U
U
FX
+15
+15
OO
OO
PAN
PAN
RL
RL
2
5
U
5
10
20
30
40
50
60
OO
(MONO) (MONO) (MONO) (MONO)
L
BAL/
UNBAL
R
LEVEL
SET
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
MON
FX
3/4
R
L
BAL/
LINE IN 5
LINE IN 7
UNBAL
R
LINE IN 6
LINE IN 8
G
A
U
C
I
N
I
M
LEVEL
SET
+50
U
+20-20
GAIN
GAIN
LOW CUT
100Hz
EQ
U
U
HI
12kHz
+15-15
+15-15
U
U
MID
2.5kHz
+15-15
+15-15
U
U
LOW
80Hz
+15-15
+15-15
U
U
AUX
MON
+15
+15
OO
OO
U
U
FX
+15
+15
OO
OO
PAN
RL
RL
5/6
dB
dB
10
10
5
5
U
U
5
5
10
10
20
20
30
30
40
40
50
50
60
60
OO
OO
Effects P rocessor
(UNBALANCED)
L
TAPE
OUT
R
PROFESSIONAL MIC/LINE MIXER WITH FX
L
BAL/
UNBAL
R
STEREO GRAPHIC EQ
MAIN MIX
MON
U
OL
+15
OO
OO
500250125
dB
10
MON SEND
FX SEND
PRESETS
MUTE
OO
FX TO MON
5
U
5
10
20
30
40
50
60
OO
BAL/
UNBAL
BAL/
UNBAL
EQ IN
BYPASS
U
+15
L
BAL/
UNBAL
R
ST RETURN MAIN OUT PHONES
15
10
5
0
5
EQ
10
15
HI
12kHz
MID
2.5kHz
LOW
FX PRESETS
80Hz
01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
AUX
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
MON
08 CATHEDRAL
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP
13 DELAY 1 (300ms)
FX
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)
PAN
FX MASTER
7/8 ST RTN FX RTN
dB
10
5
U
5
10
20
30
40
50
60
USB
OO
INPUT LEVEL
USB THRU
OO
PHONES
MON
dB
10
5
U
5
10
20
30
40
50
60
OO
iPod
Docking Station
Headphones
POWER
ON
MAIN
RIGHT
(BALANCED)
L
BAL/
UNBAL
FOOTSWITCH
R
15
48V
10
PHANTOM
5
POWER
0
5
POWER
10
15
MAIN
METERS
8K4K2K1K
0dB=0dBu
OL
15
10
6
3
0
2
4
U
7
10
20
30
+20
RL
BREAK
(MUTES ALL CHANNELS)
U
OO
+20
MAX
TAPE LEVEL
MAIN
dB
10
5
U
5
10
20
30
40
50
60
OO
~100-240V 50/60 Hz 20W
FUSE: T1.6AL AC250V
DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • MANUFACTURED IN CHINA
FABRIQUE EN CHINE • COPYRIGHT ©2008 • "MACKIE" AND THE RUNNING MAN FIGURE
ARE TRADEMARKS OF LOUD TECHNOLOGIES, INC. • PATENT PENDING.
(BALANCED)
MAIN
LEFT
PROFESSIONAL MIC/LINE MIXER WITH FX
USB
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES AND THE ICES-003 FOR
CANADA. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS
DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST
ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY
CAUSE UNDESIRED OPERATION.
WARNING:
TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
MANUFACTURING DATE
SERIAL NUMBER
Laptop running Tr acktion
and DJ software
Reverb
Compressor
SRM450v2 Powered Monitors
SR1530z Powered Speakers
This diagram shows two microphones attached to channels 1 and 2, a CD player connected to the linelevel inputs of channel 3/4, a CD turntable connected to the line-level inputs of channel 7/8. An iPod
docking station is attached to the stereo tape inputs. An effects processor receives a mono input from the
FX send, and its stereo outputs connect to the stereo return inputs. A reverb and compressor are connected to the insert of channel 1 allowing vocal compression and a touch of reverb.
Mackie SR1530z powered speakers are connected to the left and right main output. Two SRM450v2
powered speakers are set up as stage monitors, and connect to the mixer's monitor output. The aux mon
controls of each channel allow you to create a stage monitor mix that is independent of the main mix.
Switch the internal graphic EQ to adjust the stage monitor EQ if desired. Headphones are used for monitoring.
A laptop connects to the USB port, and allows 2-channel output of DJ software to play in your main
mix. It also can be used to record your set on the computer for posterity.
DJ System ProFX8
8
ProFX8 and ProFX12
Microphones
e
Owner’s Manual
TV monitor
MIC MIC MIC MIC
LINE
LINE
HI-Z
HI-Z
1 2 3/4 5/6 7/8
LINE IN 2 LINE/HI-Z IN 1
INSERT
U
G
A
C
I
N
I
M
LEVEL
SET
U
U
+50
+30dB
-20dB
-20dB
GAIN
LOW CUT
100 Hz
EQ
U
HI
12kHz
+15-15
U
MID
2.5kHz
+15-15
U
LOW
80Hz
+15-15
U
AUX
MON
+15
OO
U
FX
OO
+15
PAN
RL
MUTE MUTE MUTE MUTE MUTE MUTE
OL
OL OL OL OL OL
1
dB
dB
10
10
5
5
U
Dual Compressor
U
5
5
10
10
20
20
30
30
40
40
50
50
60
60
OO
OO
(MONO) (MONO) (MONO) (MONO)
BAL/
L
UNBAL
BAL/
LINE IN 5
LINE IN 3
UNBAL
INSERT
M
GAIN
OO
OO
R
LINE IN 4
U
G
A
C
I
N
I
+50
+30dB
LOW CUT
100 Hz
U
+15-15
U
+15-15
U
+15-15
U
AUX
+15
U
+15
PAN
RL
LINE IN 6
G
G
A
A
C
C
I
N
I
I
M
M
LEVEL
LEVEL
SET
SET
+50
U
U
GAIN
GAIN
LOW CUT
LOW CUT
100 Hz
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
MON
FX
Effects P rocessor
2
100Hz
EQ
U
U
HI
12kHz
+15-15
+15-15
U
U
MID
2.5kHz
+15-15
+15-15
U
U
LOW
80Hz
+15-15
+15-15
U
U
AUX
MON
+15
+15
OO
OO
U
U
FX
OO
OO
+15
+15
PAN
RL
3/4
dB
dB
10
10
5
5
U
U
5
5
10
10
20
20
30
30
40
40
50
50
60
60
OO
OO
TAPE
IN
L
BAL/
UNBAL
R
I
N
LEVEL
SET
+50
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
AUX
MON
FX
PAN
RL
5/6
dB
10
5
U
5
10
20
30
40
50
60
OO
CD+G Player
(UNBALANCED)
L
L
TAPE
OUT
R
R
BAL/
LINE IN 7
UNBAL
LINE IN 8
U
+20-20
GAIN
EQ
U
12kHz
+15-15
U
2.5kHz
+15-15
U
LOW
80Hz
+15-15
U
AUX
MON
+15
OO
U
OO
+15
PAN
RL
7/8 ST RTN FX RTN
PROFESSIONAL MIC/LINE MIXER WITH FX
L
L
BAL/
UNBAL
MON SEND
R
R
FX SEND
ST RETURN MAIN OUT PHONES
STEREO GRAPHIC EQ
15
10
5
0
5
10
15
HI
500250125
MAIN MIX
MON
MID
FX PRESETS
01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
08 CATHEDRAL
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP
MUTE
13 DELAY 1 (300ms)
FX
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)
U
OL
+15
OO
FX MASTER
FX TO MON
dB
dB
10
10
5
5
U
U
5
5
10
10
20
20
30
30
40
40
50
50
60
60
OO
OO
Video
Headphones
POWER
ON
MAIN
RIGHT
BAL/
L
UNBAL
BAL/
UNBAL
FOOTSWITCH
BAL/
UNBAL
R
15
48V
10
PHANTOM
5
POWER
0
5
POWER
10
15
MAIN
METERS
8K4K2K1K
0dB=0dBu
OL
EQ IN
BYPASS
PRESETS
U
OO
+15
USB
OO
INPUT LEVEL
USB THRU
OO
PHONES
MON
dB
10
5
U
5
10
20
30
40
50
60
OO
15
10
6
3
0
2
4
U
7
10
20
30
+20
RL
BREAK
(MUTES ALL CHANNELS)
U
OO
+20
MAX
TAPE LEVEL
MAIN
dB
10
5
U
5
10
20
30
40
50
60
OO
~100-240V 50/60 Hz 20W
FUSE: T1.6AL AC250V
(BALANCED)
DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • MANUFACTURED IN CHINA
FABRIQUE EN CHINE • COPYRIGHT ©2008 • "MACKIE" AND THE RUNNING MAN FIGURE
ARE TRADEMARKS OF LOUD TECHNOLOGIES, INC. • PATENT PENDING.
MAIN
(BALANCED)
LEFT
PROFESSIONAL MIC/LINE MIXER WITH FX
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES AND THE ICES-003 FOR
USB
CANADA. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS
DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST
ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY
CAUSE UNDESIRED OPERATION.
with Karaoke Softwar
WARNING:
TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
MANUFACTURING DATE
SERIAL NUMBER
Laptop Computer
SRM450v2
Powere d
Speaker
SWA1501
Powere d
Subwoofer
SRM350v2 Powered Monitors
This diagram shows microphones attached to channels 1 to 4, and a CD+G player connected to the
line-level inputs of channel 7/8. An effects processor receives a mono input from the FX send, and its
stereo outputs connect to the stereo return inputs. A dual compressor is connected to the insert of channel
1, and 2, allowing vocal compression.
Mackie SRM450v2 powered speakers and SWA1501 powered subwoofers are connected to the left
and right main output. Two SRM450v2 powered speakers are set up as stage monitors, and connect to
the mixer's monitor output. The aux mon controls of each channel allow you to create a stage monitor
mix that is independent of the main mix. Headphones are used for monitoring.
A laptop running Karaoke software connects to the USB port, and allows a 2-channel output to play in
the main mix.
The CD+G player allows karaoke text and graphics to be displayed on your TV monitor.
Karaoke System ProFX8
Owner’s Manual
9
Acoustic
Guitar with
pickup
Condenser
microphone
for vocals
Electric
Guitar
Headphones
Amplifier
Modeler
ProFX8 and ProFX12
press HI-Z
button
LINE
LINE
HI-Z
HI-Z
1 2 3/4 5/6 7/8
LINE IN 2 LINE/HI-Z IN 1
INSERT
U
G
A
C
I
N
I
M
LEVEL
SET
U
+50
+30dB
-20dB
-20dB
GAIN
LOW CUT
100 Hz
EQ
U
HI
12kHz
+15-15
U
MID
2.5kHz
+15-15
U
LOW
80Hz
+15-15
U
AUX
MON
+15
OO
U
FX
OO
+15
PAN
RL
MUTE MUTE MUTE MUTE MUTE MUTE
OL
OL OL OL OL OL
1
dB
dB
10
10
5
5
U
U
5
5
10
10
20
20
30
30
40
40
Electronic Drum Kit
50
50
60
60
OO
OO
BAL/
UNBAL
LINE IN 3
INSERT
LINE IN 4
U
G
A
C
I
N
I
G
A
C
I
N
I
M
M
LEVEL
SET
U
+50
+50
U
+30dB
GAIN
GAIN
LOW CUT
LOW CUT
100 Hz
100 Hz
EQ
U
U
HI
12kHz
+15-15
+15-15
U
U
MID
2.5kHz
+15-15
+15-15
U
U
LOW
80Hz
+15-15
+15-15
U
U
AUX
AUX
MON
+15
+15
OO
OO
U
U
FX
OO
OO
+15
+15
PAN
PAN
RL
RL
2
dB
10
5
U
5
10
20
30
40
50
60
OO
(MONO) (MONO) (MONO) (MONO)
L
BAL/
LINE IN 5
UNBAL
R
LINE IN 6
M
LEVEL
SET
U
GAIN
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
MON
OO
FX
OO
Keyboard
3/4
dB
10
5
U
5
10
20
30
40
50
60
OO
MIC MIC MIC MIC
BAL/
UNBAL
G
A
C
I
N
I
LEVEL
+50
LOW CUT
100Hz
EQ
U
12kHz
+15-15
U
MID
2.5kHz
+15-15
U
LOW
80Hz
+15-15
U
AUX
MON
+15
U
FX
+15
PAN
RL
5/6
(UNBALANCED)
L
TAPE
IN
R
L
L
BAL/
LINE IN 7
UNBAL
R
R
LINE IN 8
ST RETURN MAIN OUT PHONES
U
SET
15
10
+20-20
5
GAIN
0
5
EQ
U
10
15
HI
HI
12kHz
+15-15
U
MID
2.5kHz
+15-15
U
LOW
FX PRESETS
80Hz
01 BRIGHT ROOM
02 WARM LOUNGE
+15-15
03 SMALL STAGE
04 WARM THEATER
U
AUX
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
MON
08 CATHEDRAL
09 CHORUS
+15
OO
10 CHORUS + REV
U
11 DOUBLER
12 TAPE SLAP
13 DELAY 1 (300ms)
FX
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)
OO
+15
U
PAN
OO
RL
FX MASTER
7/8 ST RTN FX RTN
dB
dB
10
10
5
5
U
U
5
5
10
10
20
20
30
30
40
40
50
50
60
60
OO
OO
L
TAPE
OUT
R
PROFESSIONAL MIC/LINE MIXER WITH FX
L
BAL/
UNBAL
MON SEND
R
FX SEND
STEREO GRAPHIC EQ
500250125
MAIN MIX
MON
PRESETS
MUTE
U
OL
OO
+15
+15
FX TO MON
dB
10
5
U
5
10
20
30
40
50
60
OO
Headphone Amp
POWER
ON
MAIN
RIGHT
BAL/
L
UNBAL
BAL/
UNBAL
FOOTSWITCH
BAL/
UNBAL
R
15
48V
10
PHANTOM
5
POWER
0
5
POWER
10
15
MAIN
METERS
8K4K2K1K
0dB=0dBu
OL
EQ IN
USB
OO
INPUT LEVEL
USB THRU
OO
PHONES
MON
dB
10
5
U
5
10
20
30
40
50
60
OO
15
10
6
3
0
2
4
U
7
10
20
30
+20
RL
BREAK
(MUTES ALL CHANNELS)
U
OO
+20
MAX
TAPE LEVEL
MAIN
dB
10
5
U
5
10
20
30
40
50
60
OO
BYPASS
~100-240V 50/60 Hz 20W
FUSE: T1.6AL AC250V
Desktop
(BALANCED)
DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • MANUFACTURED IN CHINA
FABRIQUE EN CHINE • COPYRIGHT ©2008 • "MACKIE" AND THE RUNNING MAN FIGURE
ARE TRADEMARKS OF LOUD TECHNOLOGIES, INC. • PATENT PENDING.
PROFESSIONAL MIC/LINE MIXER WITH FX
MAIN
LEFT
(BALANCED)
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES AND THE ICES-003 FOR
USB
CANADA. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS
DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST
ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY
CAUSE UNDESIRED OPERATION.
MR8 Powered Reference Monitors
SERIAL NUMBER
WARNING:
TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
MANUFACTURING DATE
Mac or PC
using Tr acktion
This diagram shows an acoustic guitar connected directly to channel 1 (with hi-z switch pressed in), a
condenser microphone attached to channel 2 mic input, a guitar amplifi er modeler connected to the linelevel inputs of channel 3/4, an electronic drum kit connected to channel 5/6, and a keyboard attached
to channel 7/8.
Mackie MR8 powered reference monitors are connected to the left and right main output, for careful
and accurate monitoring of your performances.
A desktop computer connects to the USB port, and allows the 2-channel main mix to be recorded and
2 channels to be played back using Tracktion software.
Home Studio System ProFX8
10
ProFX8 and ProFX12
Microphones
MIC MIC MIC MIC
TAPE
IN
LINE
LINE
HI-Z
HI-Z
1 2 3/4 5/6 7/8
LINE IN 2 LINE/HI-Z IN 1
INSERT
U
G
A
C
I
N
I
M
LEVEL
SET
U
+50
+30dB
-20dB
-20dB
GAIN
LOW CUT
100 Hz
EQ
U
HI
12kHz
+15-15
U
MID
2.5kHz
+15-15
U
LOW
80Hz
+15-15
U
AUX
MON
+15
OO
U
FX
OO
+15
PAN
RL
MUTE MUTE MUTE MUTE MUTE MUTE
OL
1
dB
dB
10
10
5
5
U
U
5
5
10
10
20
20
30
30
40
40
50
50
60
60
OO
OO
(MONO) (MONO) (MONO) (MONO)
BAL/
L
UNBAL
LINE IN 3
INSERT
LINE IN 4
U
C
I
G
A
C
I
N
I
M
M
LEVEL
SET
U
+50
U
+30dB
GAIN
GAIN
LOW CUT
LOW CUT
100 Hz
EQ
U
HI
12kHz
+15-15
U
MID
2.5kHz
+15-15
U
LOW
80Hz
+15-15
U
AUX
MON
+15
OO
OO
U
FX
OO
OO
+15
PAN
RL
OL OL OL OL OL
2
dB
10
5
CD Turntable
U
5
10
20
30
40
50
60
OO
L
BAL/
BAL/
LINE IN 5
LINE IN 7
UNBAL
UNBAL
R
R
LINE IN 8
LINE IN 6
G
G
A
A
C
I
I
N
N
I
M
LEVEL
LEVEL
SET
SET
+50
+50
U
GAIN
LOW CUT
100 Hz
100Hz
EQ
EQ
U
U
HI
HI
12kHz
12kHz
+15-15
+15-15
U
U
MID
MID
2.5kHz
2.5kHz
+15-15
+15-15
U
U
LOW
LOW
80Hz
80Hz
+15-15
+15-15
U
U
AUX
AUX
MON
MON
+15
+15
OO
U
U
FX
FX
OO
+15
+15
PAN
PAN
RL
RL
3/4
5/6
dB
dB
10
10
5
5
U
U
5
5
10
10
20
20
30
30
40
40
50
50
60
60
OO
OO
(UNBALANCED)
L
L
TAPE
OUT
R
R
U
+20-20
GAIN
U
+15-15
U
+15-15
U
+15-15
U
AUX
MON
+15
OO
U
OO
+15
PAN
RL
7/8 ST RTN FX RTN
PROFESSIONAL MIC/LINE MIXER WITH FX
L
L
BAL/
BAL/
UNBAL
UNBAL
MON SEND
R
R
FX SEND
ST RETURN MAIN OUT PHONES
STEREO GRAPHIC EQ
15
10
5
0
5
EQ
10
15
HI
12kHz
500250125
MAIN MIX
MON
MID
2.5kHz
LOW
FX PRESETS
80Hz
01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
08 CATHEDRAL
09 CHORUS
10 CHORUS + REV
PRESETS
11 DOUBLER
12 TAPE SLAP
MUTE
13 DELAY 1 (300ms)
FX
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)
U
OL
OO
+15
OO
FX MASTER
FX TO MON
dB
dB
10
10
5
5
U
U
Effects/ Sampler
5
5
10
10
20
20
30
30
40
40
50
50
60
60
OO
OO
Owner’s Manual
Headphones
POWER
ON
MAIN
RIGHT
BAL/
L
UNBAL
BAL/
UNBAL
FOOTSWITCH
BAL/
UNBAL
R
15
48V
10
PHANTOM
5
POWER
0
5
POWER
10
15
MAIN
METERS
8K4K2K1K
0dB=0dBu
OL
EQ IN
USB
OO
INPUT LEVEL
USB THRU
OO
PHONES
MON
dB
10
5
U
5
10
20
30
40
50
60
OO
15
10
6
3
0
2
4
U
7
10
20
30
+20
RL
BREAK
(MUTES ALL CHANNELS)
U
OO
+20
MAX
TAPE LEVEL
MAIN
dB
10
5
U
5
10
20
30
40
50
60
OO
BYPASS
U
+15
~100-240V 50/60 Hz 20W
FUSE: T1.6AL AC250V
(BALANCED)
DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • MANUFACTURED IN CHINA
FABRIQUE EN CHINE • COPYRIGHT ©2008 • "MACKIE" AND THE RUNNING MAN FIGURE
ARE TRADEMARKS OF LOUD TECHNOLOGIES, INC. • PATENT PENDING.
(BALANCED)
MAIN
LEFT
PROFESSIONAL MIC/LINE MIXER WITH FX
USB
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES AND THE ICES-003 FOR
CANADA. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS
DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST
ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY
CAUSE UNDESIRED OPERATION.
WARNING:
TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
MANUFACTURING DATE
SERIAL NUMBER
Laptop Computer
with Tr acktion
MR5 Powered Reference Monitors
Keyboard workstation
This diagram shows microphones attached to channel 1 and 2 mic inputs, a keyboard workstation
attached to channel 3/4's line-level inputs, and a CD turntable connected to channel 5/6's line-level
inputs. An effects/sampler receives a mono input from the FX send, and its stereo outputs connect to the
stereo return inputs.
Mackie MR5 powered reference monitors are connected to the left and right main output, for careful
and accurate monitoring of your work.
A desktop computer connects to the USB port, and allows the 2-channel main mix to be recorded and
2 channels played back using Tracktion software.
Podcast System ProFX8
Owner’s Manual
11
Loading...