Lyngdorf MP-60 User guide

LYNGDORF AUDIO MP-60 2.1

OWNER’S

MANUAL

[Skriv tekst]

March 2021

TABLE OF CONTENTS

Compliance 7

WEEE 7

FCC 7

Introduction 8

Pre-Installation 9

Unpacking the Product 9

Inventory 9

Operating Voltage 9

Ventilation Requirements 9

Home Automation System Integration 10

IP Control 10

Preparing for Mounting in a Rack 10

Rear Panel 11

Remote Control 12

How to Pair Remote Control in RF Mode 13

Switching Remote Between RF and IR Mode 13

Getting Started (details in following chapters) 14

Installation via Installer Menu 14

Installation via Web Interface 14

Home Screen 16

Setup 18

Source Setup 18

Add / Edit Source 18

Source name 18

Lipsync offset (ms) 18

Volume offset (dB) 18

Audio input 18

Lyngdorf Audio MP-60 2.1 – Owner’s manual 2

Default postprocessing 19

Default voicing 19

Video input 19

Trigger out 19

Preset vTuner station 19

Arrange Sources 19

Delete Source 19

Speakers and Room 19

Speaker setup 20

Channel Designation 21

Subwoofers: 21

Low level speakers: 21

Speakers designated according to Dolby ATMOS and DTS:X specifications: 21

Speakers designated according to AURO 3D specifications: 21

LFE Channel cut-off 22

Dialog boxes for speaker options 23

Speaker Size and Bass Cutoff Frequency 24

Gain 24

Amplifier Delay 25

Natural Roll-Off 25

Bi-Amping 25

Dolby Enabled Speakers 25

Subwoofer options 26

Left and Right Sub 26

LFE and Transducer Sub 27

Gain 27

Amplifier Delay 27

Verify Speakers 27

Adjust Sub 27

Channel Gain 28

Lyngdorf Audio MP-60 2.1 – Owner’s manual 3

RoomPerfect™ 28

Global filter 28

Focus position 28

How to Set Up RoomPerfect™ 28

Initial setup 28

How to measure distances to speakers and subwoofers 28

When measuring distances to in-room subwoofers: 29

When measuring distances to in-wall subwoofers: 29

RoomPerfect™ Preparations 29

Placing the Microphone in the Focus Position 30

Volume Setting 30

Measuring the Focus Position 30

Measuring Random Room Positions 30

Room Measurements Above 90% RoomKnowledge 32

Calculation of Focus and Global Filters 32

System Configuration 32

General Setup 32

Power management 32

Default volume settings 32

Set startup volume 32

HDMI CEC settings 32

Display timeout 33

Password protection 33

Show bypass 33

Enable front IR sensor 33

Trigger Setup 33

Trigger In Setup 33

Trigger Out Setup 33

Network Setup 35

Connecting to MP-60 2.1 with a Network Cable 35

Lyngdorf Audio MP-60 2.1 – Owner’s manual 4

Set Up a Fixed IP Address in Windows 7 36

Set Up a Fixed IP Address in Windows Vista or Windows 10 37

Streaming Setup 37

Streaming Playback 37

AirPlay 37

Spotify Connect 37

UPnP 37

USB 38

vTuner 38

Video Setup 39

Video Output 39

Set the main video output of your device 39

Default Video source 40

HDMI Audio out 40

Video Input 40

Video Settings 40

Audio 41

HDMI Bandwidth 41

Zone B Setup 41

Audio Setup 41

Audio Processing 41

Voicing Setup 42

Exporting and Importing Voicings 42

Edit or delete voicing 43

Add new voicing 43

Replace all voicings from file 43

Creating Voicings 43

Manage Software 44

Download system log 44

Backup 44

Lyngdorf Audio MP-60 2.1 – Owner’s manual 5

Restore 45

Factory Reset 45

Update Software 45

Update from Remote Files 45

Update from Local Files 45

Via web interface: 45

Troubleshooting 46

RoomPerfect™ 46

Error Messages 46

No microphone connected 46

Fault – No signal 46

Fault – Signal clipping 46

Fault – Low signal 46

Can’t Turn On Via LAN or Control System 47

Retrieving and Sending an Error Log 47

3D Compatibility Not Detected 47

Remote Control Doesn’t Work 47

Trademarks 48

Service Information 48

Lyngdorf Audio MP-60 2.1 – Owner’s manual 6

Compliance

WEEE

The European Parliament and the Council of the European Union have issued the Waste Electrical

and Electronic Equipment Directive. The purpose of the Directive is to prevent waste of electrical

and electronic equipment and to promote reuse, recycling, and other forms of waste recovery.
Lyngdorf products and the accessories packed with them are subject to the WEEE Directive.

Please dispose of any waste materials in accordance with your local recycling regulations.

Products and equipment which must be collected for reuse, recycling, and other forms of recovery

are marked with the icon of the crossed-out waste receptacle.

FCC

Lyngdorf products and accessories comply with parts 15 and 68 of the FCC rules. Operation is

subject to the following two conditions: (1) this device may not cause harmful interference; and (2)

this device must accept any interference received, including any interference that may cause

undesired operation.

Changes or modifications not expressly approved by the party responsible for compliance could

void the user’s authority to operate the equipment. Equipment marketed to a consumer must be
capable of complying with the necessary regulations in the configuration in which the equipment is

marketed.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 7

Introduction

The MP-60 2.1 is an advanced Surround Sound, Preamplifier / Processor with full support of the

latest Dolby® Atmos, DTS:X PRO and Auro-3D® surround sound formats. The processor can

decode 16 discrete channels from the source and features 16 balanced XLR outputs for the

discrete channels or additional subwoofer outputs. Whatever your setup is, the MP-60 2.1 will

provide the optimal performance due to its bass-management and room correction system,

RoomPerfect™.

Both Dolby, DTS and Auro provides modes for processing legacy surround formats or for upmixing

the sound into all your speakers. This is referred to as POST PROCESSING, and it can be set on

a Source or controlled from your remote control.

The MP-60 2.1 will support any setup from the simplest stereo setup to the most advanced 3D

surround setup, and we have made great efforts for having a simple user interface, where all

settings are displayed and arranged for easy installation.

Optional modules will allow for digital integration with the most advanced media sources and/or

digital distribution of the output signals.

Please read through this manual for understanding the functions available – or as later reference.

The latest version of this manual is available for download from

Enjoy!

www.lyngdorf.com

Lyngdorf Audio MP-60 2.1 – Owner’s manual 8

Pre-Installation

Please read all material carefully prior to installation. If you need additional assistance, contact

your Lyngdorf Audio representative or visit Lyngdorf.com.

Unpacking the Product

Carefully remove the unit and accessory kit from the carton and check for shipping damage.

Contact the shipper and your Lyngdorf Audio representative immediately if the unit bears any sign

of damage.

Note: Keep the shipping carton and all packing material for future use. If this unit

is shipped for service without the original packing, damage could occur and void

the warranty.

Inventory

Check the list below to ensure that all necessary product components have been delivered. Report

all discrepancies to your Lyngdorf Audio representative immediately.

Owner’s manual
Power cord

Remote

Microphone

Microphone stand

Microphone cable

Rack ears

Operating Voltage

Lyngdorf Audio products must be connected to the mains power system only. The MP-60 2.1 will

automatically detect voltages between 100-240V.

Ventilation Requirements

The MP-60 2.1 does not have a built-in fan, nor does it require special measures to ensure proper

heat dissipation. It should be placed according to these guidelines:

It should always have at least one inch / 25mm of free space on all sides.

It should be placed in an environment free of excessive heat.

In a rack system, the MP-60 2.1 should be placed at the bottom of the rack, still with at least one

inch / 25mm free space on top and sides.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 9

Home Automation System Integration

The MP-60 2.1 is compatible with home automation systems via the RS232 and network connector

on the rear socket panel. The MP-60 2.1’s IR and trigger connections can also be programmed for

use in a home automation system.

IP Control

Connect the MP-60 2.1 to your local network and access the MP-60 2.1 by going to

http://mp60.local in your browser.

Pressing the OK button on the remote and toggling through the information, you will see the IP

address allocated to the MP-60 2.1.

Open a TCP connection on port 84 and use the same protocol as on the serial interface. Use

Telnet, Putty, or a similar program to open the TCP connection.

If you do not know the IP address of the MP-60 2.1 on your local network, the MP-60 2.1 supports

Apple’s Bonjour Discovery service, which must be on the computer with which you wish to set up
the MP-60 2.1. The software is built-in as part of the Apple OS X operating system (not iOS

devices). For Windows operating systems, the software can be found at

http://www.apple.com/support/bonjour/

Preparing for Mounting in a Rack

The MP-60 2.1 processor is equipped from the factory with feet for free-standing placement.

To install the MP-60 2.1 in a rack:

Turn the MP-60 2.1 upside-down and place it on a stable, even surface.

The screws used to fasten the rack brackets to the bottom of the MP-60 2.1 are in the holes

designated for the brackets when the product leaves the factory.
Fasten the brackets for rack mounting to the MP-60 2.1.

If so required, the feet can be removed

Mount the MP-60 2.1 in a rack.

Note: A rack mount kit is available for achieving a cleaner

4U rack-size (item # 900008201)

Lyngdorf Audio MP-60 2.1 – Owner’s manual 10

Rear Panel

On the back of the MP-60 2.1, you will find a range of inputs and outputs:
16 x XLR, Differential balanced audio outputs (configured for 7.1.4 plus 4 auxiliary)

5 x HDMI inputs and 2 x HDMI outputs, eARC on HDMI OUT 1

2 x USB A connectors, for music file playback, backup, software updating, etc.

1 x Streaming USB B audio input

1 x RJ45 Network connector (LAN/Ethernet)

1 x Microphone input for the RoomPerfect™ room correction microphone

1 x SD card slot for storing backup data

3 x Inputs from external IR receivers (IR remote control)

1 x Trigger input and 4 x trigger outputs

1 x RS-232 connector for serial control of the unit

1 x DB-25 16 channel DCI-compliant AES3 digital input (optional upgrade)

1 x DB-25 16 channel DCI-compliant AES3 digital output (optional upgrade)
1 x RJ45 16 channel AES67-compliant digital input/output (optional upgrade)

4 x Optical, 1 x AES/EBU and 3 coaxial digital audio inputs

1 x Coaxial digital audio output – stereo for Zone B

Notes:

HDMI 2.1 has a higher bandwidth and requires HDMI 2.1 8K compliant cables.

Please check that the cable is HDMI certified with a “HDMI 2.1 Ultra High Speed“

label. Using optical HDMI cables will require using an USB connection for power

supply, as the HDMI connector provides max. 5V/50mA. Please check that the

cable is HDMI certified.

Differential balanced output connection means PIN 1 is Shield/Ground, PIN2

holds audio signal and PIN 3 holds an inverted audio signal. If your power

amplifier requires a single ended (RCA) connection, you must ensure that the

PIN 3 is disconnected (lifted). PIN 3 in the MP-60 2.1 connector may not be

connected to ground.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 11

Remote Control

The MP-60 2.1 comes with a dedicated remote control, which can operate both with radio

frequencies (RF) and infrared control (IR).

Setup Access the installation menu.

Standby Turn the MP-60 2.1 on and into standby.

Audio Access the post-processing menu.

Trim Access to miscellaneous audio adjustments.

Up/Down Move up and down in menus.

Browse available settings in a menu.

Toggles between the available RoomPerfect™ filters.

Left/Right Move left and right in menus.

Toggle between neutral and the available voicings.

OK Activate the info screen, indicating the status of the unit.

Select a menu and store a selected setting.

Back Return to the previous menu.

Menu Access the user menu.

SRC Access the source menu list.

Source -/+ Toggle between active sources.

Volume +/- Turn volume up and down.

Mute Mute and restore the sound.

Play/Pause Play/pause the currently playing track in the media player.

Skip Forward / Skip in the current playlist in the media player.

Skip Backwards

Lyngdorf Audio MP-60 2.1 – Owner’s manual 12

How to Pair Remote Control in RF Mode

The MP-60 2.1 remote has both an IR and RF mode, and is by default set to IR.

To pair the RF remote control to the MP-60 2.1:

Turn on the MP-60 2.1.
Hold down Play/Pause and OK until the remote control’s green LED flashes.

Release the buttons.

Point the remote control at the MP-60 2.1 and hold it within 30 cm / 1 foot of the front panel. When

the green LED stops blinking, the remote is connected.

The remote is now RF paired to the MP-60 2.1.

To reset the pairing of the remote control, press Back and OK until the red LED flashes twice.

Switching Remote Between RF and IR Mode

To switch the remote from IR to RF mode, hold down OK and 2. The LED will flash green twice.

To switch the remote from RF to IR mode, hold down OK and 1. The LED will flash red twice.

If you press a button on the remote and the red LED at the top turns on, then you are in IR mode. If

it turns green you are in RF mode.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 13

Getting Started (details in following chapters)

Setting up the MP-60 2.1 surround sound processor requires either a network connection or a

HDMI connection to a screen by following these steps:

Connect the speakers to the power amplifiers.

Connect all external equipment, audio & video, home automation system, mains power, etc. to the

MP-60 2.1.

Switch on the MP-60 2.1 mains connector on the back and all connected equipment.

Turn on the MP-60 2.1.

Access the setup menu via the web interface or press Setup on the remote for having the Menu on

the connected screen.

Go to “Speaker and Room” and set the parameters for your speakers.
Connect the amplifiers to the correct outputs now specified in the menu.

Select and click “Verify speakers” to check that speakers and amplifiers are correctly connected.

Adjust level(s) on your subwoofer(s) using the “Adjust Sub” feature in the menu.

Measure and enter the distances to all speakers.

Run the RoomPerfect™ Guided Setup.

Set up sources, audio preferences, stand-by state, Zone B, etc.

Save and make a backup of the calibration and settings.

Installation via Installer Menu

Connect a screen to the MP-60 2.1 using any of the video output sockets on the back. Access the

menu system by pressing the Setup button on the remote control.

There are some differences between how the web interface and the Installer

Menu. This manual describes how to set up via the installer Menu interface.

Installation via Web Interface

You will need a computer, and the MP-60 2.1 must be connected to a router of an existing network.

If you do not know the IP address of the MP-60 2.1 on your local network, the MP-60 2.1 supports
Apple’s Bonjour Discovery service, which must be on the computer with which you wish to set up

the MP-60 2.1. The software is included in the Apple MAC OS operating system (not iOS devices).

For Windows operating systems, the software can be found at

http://www.apple.com/support/bonjour/

Access the web menu by typing http://mp60.local/ in your browser. Or

Press the OK button on the remote. Toggling through will display the IP address. Or

Lyngdorf Audio MP-60 2.1 – Owner’s manual 14

Download the Lyngdorf Remote application. Under “Settings”, find the MP-60 2.1 connected to the

same network as the mobile device and select “Open Device in browser”.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 15

Home Screen

The HOME screen refers to the daily operation as performed with the remote control and displays

selected input and formats. This page shows information as to audio and video inputs and formats,

and you can control the volume level or Mute the sound. These settings will be reset to default

values, when the MP-60 2.1 is turned into stand-by mode.

On the HOME screen, you can switch between signal sources, change Voicings, select

RoomPerfect™ focus points, activate Post Processing, Loudness and Lip-sync.

Post Processing allows you to choose between following tools:

Dolby Upmixer: Up-mixes all type of signals to use all existing speakers using Dolby’s techniques.
Neural:X: Up-mixes all type of signals to use all existing speakers using DTS’ techniques.

Auro-3D Auromatic: Decodes Auro 3D signals and up-mix all type of signals to use all existing

speakers using Auro’s techniques.

Auro-2D: Up-mixes stereo signals to use surround sound speakers using Auro’s techniques.

Auro-Stereo: Downmix of multi-channel signals to stereo using Auro’s techniques.

Auro-Native: Decoding of 2D Auro formats – other signals are passed through.

Legacy: Decoding object-based formats as in legacy Dolby or DTS original formats without the

height channels.

Stereo: Downmixes multi-channel signals to stereo.

Party: Distributes a full-range signal to all left and right channels.

Loudness management turns on “Late Night” functions dedicated to the specific formats being
decoded. These functions are managed individually in the setup menu: Audio Setup / Audio

Processing.

Lip-sync settings will delay the sound processing in order to have correct synchronization with the

screen images. With a general audio offset, you should adjust the lip-sync on the specific Source

settings in the Setup menu.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 16

The interface for controlling the built-in media streamer is found in the bottom section of this page.

For information as to the use of the interface see section for Streaming Setup.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 17

Setup

The SETUP screen refers to all basic settings and option in the installation of the processor.

Source Setup

In the Source menu, you will find a list related to the input connectors. This register is though very
flexible as a Source can be specified to use individual inputs for audio and video. This means that

several sources can relate to the same input connectors and vary in relation to the content – like

“Action Movie” and “Music Video” being identical in connections, but different in Post Processing

settings, Voicing filter and trigger action.

Add / Edit Source

Source name

Input your personal reference for the source.

Lipsync offset (ms)

Set delay time in milliseconds to ensure that the video and audio signals are played back

simultaneously.

Volume offset (dB)

Enables you to match input levels from different sources.

Audio input

Select the audio input connector. If you want the audio input to match the video input from an

HDMI source, select HDMI Audio. If you want to create a Source using the built-in radio player, you

should choose Internal Player, which will activate the selection of Preset vTuner stations.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 18

Default postprocessing

Select the postprocessing mode that you find most suitable for content on this Source.

Default voicing

Select the voicing that you find most suitable for content on this Source.

Video input

Select the input connection for this Source.

Trigger out

Choose which trigger output to activate when using this Source. The interface for controlling the

triggers is found in the Trigger Setup under System Configuration.

Preset vTuner station

Selects stored presets of the vTuner Internet radio station. The interface for controlling the built-in

media streamer with vTuner is found in the bottom section of the HOME page.

To save changes, you must click “Save” after making changes to each source. Do not go to the

next input before saving changes.

Arrange Sources

Change the order through Screen Setup menu by:

Highlighting it.

Moving it out of the stack by pressing right on the remote.

Moving the source by pressing up/down.

Reinserting it by pressing left.

Change the order through website menu by:

Grabbing the symbols with the mouse and moving this source to the desired position.

Delete Source

Delete an enabled source through Screen Setup by highlighting it and pressing right on the remote.

In the web menu, click the Delete button.

Speakers and Room

You need to configure the MP-60 2.1 according to your speaker setup, setting the sizes of the

speakers, so that the Bass Management function can optimize the overall performance. In the

setup page the connectors will be highlighted with information as to signal type.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 19

The purpose of the speaker setup is to tell the system which speakers and subwoofers are

available and how big the speakers are, which in turn reveals how much bass the speakers are

capable of reproducing (Bass cut-off frequency). The bass for each speaker channel is directed to

the optimal output.

References to “speakers” in this document are specific to satellite or full-range speakers and do

not include subwoofers.

Speaker setup

As factory default the MP-60 2.1 is displaying a 7.1 speaker configuration as shown below:

The setup page is an overview of the available speaker outputs.

In order to correct the setup, you click “Edit Configuration”, and by selecting each speaker or

subwoofer, you can specify size/bass cut-off and level.

Always click “Save” for the corrected setup before choosing another menu.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 20

Channel Designation

You should activate the speaker channels, which are in accordance with the DECODING FORMAT

that you want to optimize – you should NOT focus on the actual position of the speaker. For

example, the first surround speakers for a Dolby format are always LS and RS – also if they are

positioned on the back wall. The available speaker positions are:

Designations Channel Description

Subwoofers:

LFE Low Frequency Effects (Mono)

SUB L Left Channel Subwoofer

(Stereo / does not handle LFE, if LFE Subwoofer is activated)

SUB R Right Channel Subwoofer

(Stereo / does not handle LFE, if LFE Subwoofer is activated)

SUB RR Right Rear Channel Subwoofer

SUB LR Left Rear Channel Subwoofer

Low level speakers:

L Left (Bi-amping available, if AUX outputs are available)

R Right (Bi-amping available, if AUX outputs are available)

C Center

LS Left surround

RS Right surround

LRS Left rear surround (only available, if LS and RS are activated)

RRS Right rear surround (only available, if LS and RS are activated)

CB Center back

Speakers designated according to Dolby ATMOS and DTS:X specifications:

LW Left wide
RW Right wide

LTF Left top front

RTF Right top front

LTM Left top middle (only available, if RTF and RTM are activated)

RTM Right top middle

LTR Left top rear

RTR Right top rear

Speakers designated according to AURO 3D specifications:

HL Height left

HR Height right

HLS Height left surround

Lyngdorf Audio MP-60 2.1 – Owner’s manual 21

HRS Height right surround

HLR Height left rear surround

HRR Height right rear surround

HC Height center

TOP Top ceiling (aka Voice of God)

Note:

A single (mono) subwoofer must be set as LFE subwoofer – no matter where you

position it in the room.

Sub Right and Sub Left are used in combination only, as they are used for a stereo setup. But you

can activate both the LFE subwoofer and the Sub Right/Sub Left. This will direct the LFE signal to

the dedicated subwoofer and direct the bass from the speaker channels to the Right and Left

subwoofers.

LFE Channel cut-off

LFE (Low Frequencies Effects) is an individual audio channel for bass effects. The LFE channel
cut-off will add a low-pass filter for the signal to this subwoofer. Apart from the standard settings

you can create your custom cut-off setting.

The MP-60 2.1 can decode up to 16 channels (including the LFE, Low Frequencies Effects). The

system will inform you if you try to activate more speakers than the MP-60 2.1 can process, or if

you are trying to create a setup which cannot be handled due to the limitations set by Dolby, DTS

or Auro. In that case, an error message will appear.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 22

The errors could be:

Error trying to activate one or two rear surround speakers without any side surrounds.
The initial surround sound speakers must be a pair of side surround speakers (LS & RS) – no

matter where you position them.

Error trying to activate top or height speakers without the lower level speakers.

If you only can position surround speakers in the ceiling, these must be designated as lower level

surround speakers, as you are not creating a 3-dimensional sound field.

As a rule of thumb, don’t make changes if you are not familiar with the consequences, and always

make a backup before trying out other speaker setup options. When you change speaker sizes,

LFE cut-off or any distance- or delay-related settings, you need to do a new RoomPerfect

calibration, as the interaction between room and speakers are changed.

Dialog boxes for speaker options

Lyngdorf Audio MP-60 2.1 – Owner’s manual 23

Speaker Size and Bass Cutoff Frequency

When selecting a speaker size, you set the bass-cut-off frequency. Signals below this frequency

will then be redirected to another speaker or subwoofer(s) in the system. By selecting “Custom”,

you can specify the cut-off frequency directly. Available selections for speaker size are:

None: The output is unused.

XXL: Plays full range signal, LFE if no subwoofer is connected, and redirected bass from other

channels.
XL: Plays full-range signal.

L: The cutoff frequency is set to 40 Hz.

M: The cutoff frequency is set to 80 Hz.

S: The cutoff frequency is set to 100 Hz.

XS: The cutoff frequency is set to 120 Hz.

Custom: User-selectable cutoff frequency.

Which Cutoff Frequency Should You Choose?

When selecting a cutoff frequency for your speakers, you should select a

frequency higher than the lowest frequency your speaker is able to play.

Gain

If a specific speaker channel is significantly lower in level compared to the other channels, you

should decrease the gain on the highest channel to match the overall level of speaker output.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 24

Increasing gain on a speaker channel might cause a speaker or subwoofer to distort at levels

below 0 dB. Even levels ensure that the subsequent RoomPerfect™ calibration will run perfectly.

Highest and lowest speaker levels are then within the microphone’s optimal calibration levels.

Amplifier Delay

In case you pass this speaker through an amplifier or subwoofer with internal processing, you need

to compensate for this by entering the relevant delay in milliseconds.

Note:

A simple D/A conversion will normally take around 0.5 ms, whereas a subwoofer

with internal DSP processing (room correction) could delay the signal by 2 ms or

more. The delay is the same if the DSP filters are activated or not. We

recommend that you do not activate room correction software in the subwoofer,

as this will stress the amplifier and driver of subwoofer.

Natural Roll-Off

If you activate “Natural Roll-Off”, the speaker signal will not be affected by the “Bass Cut-Off”

settings, but a copy of the bass signal will be directed to the subwoofer(s). This is particularly
relevant if the frequency limitation of the speaker is close to the Bass Cut-Off frequency.

Bi-Amping

This setting is available for the Left and Right front speakers only (LF and RF). This will copy the

signal to these speakers to a pair of free outputs (if available), allowing you to use two amplifier

channels to power each of these speakers.

Dolby Enabled Speakers

This function is relevant for a setup where the front or side speakers are equipped with up-firing

drivers to imitate ceiling-mounted speakers. Delay and gain can be set for these specific speaker

channels. Dedicated speakers for this purpose will feature a cue filter to improve the sensation that

this sound is coming from the ceiling.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 25

To save changes, you must click “Save” after making changes to each source.

Subwoofer options

Do not go to the next speaker before saving changes.

Left and Right Sub

Enable or disable a pair of stereo subwoofers at the front (Sub L, Sub R).
Enable or disable a pair of stereo subwoofers at the rear (Sub LR, Sub RR).

Lyngdorf Audio MP-60 2.1 – Owner’s manual 26

LFE and Transducer Sub

Set the number of LFE subwoofers (0 – 5)

Define LFE subwoofers as Transducer / Bass Shaker (Yes, No)

Gain

In a later process you will be guided through the level settings on your subwoofer. If the settings on
the subwoofer does not allow for full correction, you can increase the level here to match the input

sensitivity of your subwoofer.

Amplifier Delay

If your subwoofer features internal processing, you need to compensate for this by entering the

relevant delay in milliseconds (ms).

Verify Speakers

This function will allow you to test if the amplifiers and speakers are connected correctly to the

outputs of the MP-60 2.1. Follow the directions on the screen.

Adjust Sub

As the subwoofers are handling the bass information from multiple speaker channels, it is essential

that the subwoofer(s) are aligned with each other and with the relevant speaker channels. Without

alignment you risk having an inferior performance due to stress on the subwoofer’s internal

amplifier.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 27

With one or more active subwoofer(s) connected to the MP-60 2.1, this menu will guide you into

setting the volume level on each subwoofer’s controls. Follow the instructions on the display to go

through two steps:

Find the correct system volume to do the subwoofer adjustment (Adjustment sound from left

speaker).

Find the optimal volume setting on your subwoofer (Adjustment sound from subwoofer).

Channel Gain

This menu will allow you as per your personal preferences to change the level of each speaker, in

its relations to the decoded signal. This means that if you prefer that some surround speakers are

higher in level with DOLBY decoded material only, you can adjust this without affecting the level of

the speaker when decoding DTS or Auro-encoded materials. If you activate “Show RP Level”, you

will see how the RoomPerfect™ calibration has corrected each speaker channel.

RoomPerfect™

RoomPerfect™ is designed to analyze and correct for the negative effects that the listening room
has on the speaker sound. See our website

Global filter

The global filter improves sound quality across the whole room. When you are moving around a

room, the global filter gives the best result.

Focus position

The focus filter improves the sound quality at a specific listening position. This makes the focus

filter the best solution for optimal sound quality at a single listening position.

It is possible to add multiple focus positions. This must be done after performing the initial

RoomPerfect™ calibration.

How to Set Up RoomPerfect™

Initial setup

www.lyngdorf.com for more detailed information.

Be sure to select the unit of measure, then enter the distances to the speakers and subwoofers.

How to measure distances to speakers and subwoofers

The best results are obtained by using a laser-equipped measuring device. Before starting, place

the RoomPerfect™ microphone at listening height in the main listening position. For each channel,

measure the straight-line distance through the air from the tip of the RoomPerfect™ microphone to

the center of the tweeter unit in the loudspeaker in question. Do not measure distances at floor

level, as these measurements will not give acoustically accurate results.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 28

When measuring distances to in-room subwoofers:

If the subwoofer(s) is in the corner of the room, measure the distance to the corner of the room.

If the subwoofer(s) is up against the wall, measure the distance from the listening position to the

back edge of the subwoofer.

If you have a stack of subwoofers taller than the listening position, measure the distance from the

listening position to the back edge of the middle of the stack.

When measuring distances to in-wall subwoofers:

If the stack of subwoofers is taller than the listening position, measure the distance from the

listening position to the dust cap of the middle of the stack of subwoofers.
If the subwoofers are lower than the listening position, measure the distance from the listening

position to the top dust cap of the top subwoofer.

The RoomPerfect™ microphone is a very sensitive and finely calibrated device

which must be treated with utmost care. If the microphone has been dropped on

the floor, it may be damaged. If this is the case, obtain a new microphone from

your Lyngdorf Audio representative before performing the system calibration.

RoomPerfect™ Preparations

Place the RoomPerfect™ calibration microphone on the stand. Be sure to fasten the screws

properly so the microphone does not move during a measurement.

Plug the supplied microphone cable into the microphone.

Connect the microphone cable to the microphone terminal on the rear panel of your processor.

Each RoomPerfect™ microphone is calibrated within very small parameters and

using a new microphone does not require adding any calibration file. The

microphone does not work with traditional power supply, and it cannot be

replaced by any other microphone design.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 29

Placing the Microphone in the Focus Position

When you are prompted to place the microphone in the focus position, place the microphone,

using the microphone stand, in your primary listening position. The height and the orientation of the

microphone should correspond to your head’s height and direction.

Volume Setting

Press Enter, and a test signal will be emitted from the left speaker. The system will give an

estimated optimal volume for calibrating the system or will accept the current volume. Adjust the

volume if required by the system and retry the measurement.

The calibration volume should not be so loud that it is inconvenient to you, or that it causes

damage to your loudspeakers. If this is the case, set it to a lower and more appropriate level. A low

volume can result in a longer calibration time or a measurement time-out. A low volume and long

measurement will not affect the quality of the result.

Measuring the Focus Position

When the calibration volume has been set, RoomPerfect™ will send a range of tones to measure

the focus position. If there is noise in the room, the measurement may take longer. This will not

affect the quality of the result. See RoomPerfect™ troubleshooting if the measurement stops

prematurely, and then retry the measurement.

Measuring Random Room Positions

When the focus position has been measured, the next step is to measure the acoustical properties

of the room. It is important to perform well spaced measurements to get a comprehensive image of

the acoustical properties of the room. See RoomPerfect™ troubleshooting if the measurement

stops prematurely.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 30

Keep taking measurements until RoomKnowledge reaches minimum 90%.

These are the rules of thumb when measuring the room:

The microphone should be in random and varying positions, heights, and orientations. Point it

up/down/sideways, the more random positions the better.

The measurements should cover the entire room, not only your listening area.

Do not take measurements behind plants, furniture, etc.

Side view of room

The microphone should not be closer than 0.5m/1.5ft from the floor, ceiling, and walls.

The microphone should be at least 1m/3ft from the front of the loudspeakers.

There should be at least 50cm/1.5ft between each measurement.

Do not take symmetrical measurements in the room.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 31

Top view of room

Room Measurements Above 90% RoomKnowledge

When RoomKnowledge has reached 90%, you can decide to add room measurements or do it

later.

To fully optimize RoomPerfect™’s understanding of the room’s acoustical properties, we

recommend you keep doing measurements until the RoomKnowledge is above 95%. The higher

the RoomKnowledge, the more accurate the room correction filters will be.

Calculation of Focus and Global Filters

When room measurements are complete, the system will calculate the focus and global filters

automatically.

Note: We recommend that you ALWAYS make a backup of the MP-60 2.1

settings and calibration data after having performed a RoomPerfect™ calibration

(see “Manage Software” in the Setup section).

System Configuration

General Setup

Power management

Choose the standby mode:

Deep sleep: The MP-60 2.1 can be turned on via remote control or the front on/off switch (Default)

Network Stand-by: The MP-60 2.1 can also be turned on via the web interface, the Remote app

or a RS232-based control system.

Choose the delay before the processor automatically turns off, when no audio or video is

processed. Setting it to “0” will disable the feature (always on).

Default volume settings

Set a max volume for the device (dB). This setting is a safety precaution.

Set startup volume

Use last volume: Sets the volume to be the same as when the MP-60 2.1 was turned off.

Use fixed volume: Sets the default volume at startup.

HDMI CEC settings

Lyngdorf Audio MP-60 2.1 – Owner’s manual 32

Set enable CEC and use ARC channel as audio input to Off or On.

Display timeout

Set seconds before turning off the display.

Password protection

Activate password protection for entering the setup menu from the remote control. The password is

7800.

Show bypass

Allow for RoomPerfect™ to be set to bypass mode for demonstration purpose.

Enable front IR sensor

Turn the MP-60 2.1’s IR sensor Off or On. This function is useful if you are using a home

automation system and other remotes are using the same IR codes as the MP-60 2.1 remote.

Trigger Setup

Trigger In Setup

Allows you to set up the system so that the MP-60 2.1 can be switched on by an external device.

The MP-60 2.1 will turn on if a voltage above 1.5V is detected.

Trigger Out Setup

Allows you to set up the system so that the MP-60 2.1 can control the power state of other devices

like amplifiers and curtains through a simple connection.

Off: No action.

Source: When the preset source for any zone is selected, it will trigger.

Use source setup menu to associate the trigger with a source.

Source A: When the preset source for Zone A/Main zone is selected, it will trigger.

Source B: When the preset source for Zone B is selected, it will trigger.

Power A: When Zone A / Main Zone is On, it will trigger.

Power B: When Zone B is On, it will trigger.

Power any: When any Zone is On, it will trigger.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 33

You can set the trigger output to be on/off or as a pulse activation. You can select either a 5V or a

12V output. The Settings menu appears when a trigger system is activated on a source.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 34

Network Setup

Connecting to MP-60 2.1 with a Network Cable

It is possible to get access to the MP-60 2.1’s web interface via a direct cable connection between

the MP-60 2.1 and a computer, or a connection via a hub or switch.

If you have a direct cable connection to a laptop (with no switch or router between the two) the

network cable must be a crossover type. Furthermore, the Mode option in the Network Setup menu

must be set to Manual IP. Finally, you must manually set an IP address on the computer you

intend to use for setting up the MP-60 2.1.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 35

Set Up a Fixed IP Address in Windows 7

Click Start / Control Panel / Network Connections to find the network connection that represents

your connection to the Internet. Most often, this is labeled simply Local Area Connection.

Right-click the connection and select “Properties”.

Click “Internet Protocol (TCP/IP)” in the list (you may have to scroll down the list to find it).
Click “Properties”.

Most default configurations will have both “Obtain an IP address” and “Obtain DNS server address

automatically” selected by default.

Click Use the following IP address and enter the following:

IP address: 192.168.1.2

Subnet mask: 255.255.255.0

Default gateway: 192.168.1.1

Click “OK” to close the configuration windows. You should now be able to access the MP-60 2.1

via your Internet browser.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 36

Set Up a Fixed IP Address in Windows Vista or Windows 10

In Windows Vista, click Start / Control Panel / Select Network and Internet / Network and Sharing

Center.

In Windows 10, right-click Start, then select “Control Panel”.

Select “Network and Internet / Network and Sharing Center”.
Click “Manage Network Connections” in the list of tasks.

Right-click your local area connection and click “Properties”.

Select “Internet Protocol (TCP/IP)” from the list.

Click the “Properties” button.

Click “Use the Following IP address” and enter the following:

IP address: 192.168.1.2

Subnet mask: 255.255.255.0

Default gateway: 192.168.1.1

Click “OK” to close the configuration windows. You should now be able to access the MP-60 2.1

via your Internet browser.

Streaming Setup

The MP-60 2.1 can access music files on your local network or on a FAT32-formatted storage

device connected to any of the USB A inputs, and you can stream music to the MP-60 2.1 from

your mobile devices.

In this menu you can configure the basic setup of the music streaming:

“Streaming players can control volume”: Set to Off or On.

“Streaming players can change input source”: Set to Off or On.

“Streaming players can power on the device from standby mode”: Set to Off or On.

Streaming Playback

The setup of the streaming player itself is done in the interface positioned in the HOME section.

AirPlay

When the MP-60 2.1 is connected to your local network, it will automatically be available from your

AirPlay-enabled devices.

Spotify Connect

When the MP-60 2.1 is connected to your local network, it will automatically be available from your
Spotify Connect enabled devices (requires a Spotify Premium account).

UPnP

Lyngdorf Audio MP-60 2.1 – Owner’s manual 37

This function allows you to select and play music files in UPnP enabled libraries on your local

network. The “..” button brings you up in the menu structure of your library.

You might have problems in accessing files as UPnP a set of protocols and not a defined standard.

The implementation of UPnP is therefore not always fully functional for media playback.

USB

This function allows you to select and play music files on attached USB devices (FAT32 format).

The “..” button brings you back up in the menu structure of your library. It opens when an USB

device is detected in any of the inputs.

vTuner

This function allows you to access radio stations and podcasts around the world. You can search

stations and podcasts through references to genre or geographical relation.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 38

When a station or podcast is playing, you can assign it to one of the 4 “select save-position”. The

saved stations can as presets be assigned to a SOURCE for direct selection, if you select “Internal

Player” as “Audio input” (see SETUP/SOURCE menu).

Video Setup

The Video Setup menu allows you to register the video system settings for the MP-60 2.1’s video

inputs and outputs, which in turn dictates which video formats can be shown on the screen when

these inputs and outputs are activated.

With a single TV/Projector these settings are set automatically.

As a rule of thumb, don’t make changes if you are not familiar with the

consequences, and always create a backup first!

Video Output

Use this menu to manage the default and preferred setting for all video outputs.

Set the main video output of your device

Here you select which of the HDMI output connectors is to be your output for the main setup.

Other outputs can be set to “follow main” or be set individually to stream video from a specific

HDMI input connector.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 39

The MP-60 2.1 features eARC (Enhanced Audio Return Channel), which will

allow the television to send a Dolby Atmos encoded audio track back through the

HDMI cable coming from the MP-60 2.1. eARC will only function on the HDMI 1

output.

The MP-60 2.1 features an internal HDMI matrix, allowing control of all three

HDMI outputs via a control system. This makes it possible to select individual

audio and video information to be distributed to other monitors.

Default Video source

Here you can set the output to be “independent” of other outputs, “follow main” or fixed at a given

HDMI input.

HDMI Audio out

Set this parameter to “Passthrough” to use the audio stream related to the respective video input.

Alternatively, you can select the output for connecting audio through a HDMI cable to the Zone B.

Video Input

In this menu, you can change what is advertised to the sources on the HDMI inputs. This is

essential, if you have more than one screen connected to the HDMI outputs. If the screens are not

identical in terms of supported video features, one of the screens might go blank, as it cannot

process the signal requested by the other television.

EDID (Extended Display Identification Data) is an embedded data file sent from

the television(s) through the MP-60 2.1 to the sources. This communication of

data differs from the communication between television and a source connected

directly to the screen, why you cannot test the function of the MP-60 2.1 through

connecting sources directly to the television. The television is the “master” of this

communication, informing all sources what signal types it can receive.

The MP-60 2.1 acts as a HDMI Repeater and will correct the EDID information

sent to the sources, if you have changed any of the settings.

Video Settings

For each video feature you can specify what to do when it is included in the EDID request to

sources:

Never: Feature is not requested.

Always: Feature is always requested.

One: Feature is requested if one of the screens accepts it.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 40

All: Feature is requested if all connected screens accept it.

The features controlled are:

Basic 3D: 3D video

HDR: High Dynamic Range (Static type, for example HDR+, HDR10)

Dolby Vision: High Dynamic Range (Dynamic type)

Deep Color: Bit depth for improved color reproduction

HLG: High Dynamic Range for streaming (Hybrid Log Gamma)

HDMI 2.0: Communication protocol (alternatively: HDMI 1.4)

Audio

Depending on the source type you can specify the optimal audio track type:

PCM or Bitstream, multichannel. Can be sent in stereo to Zone B only if played in main Zone.

PCM only, multichannel

PCM stereo only

PCM stereo up to 48 kHz only

HDMI Bandwidth

If the HDMI signal chain cannot support the full resolution due to cable length or connected

components, you can limit the maximum bandwidth to 300 MHz or 150 MHz to avoid dropouts.

Zone B Setup

Zone B refers to an adjacent space, which is linked to the main setup. An example could be a bar

area outside the listening area, where you want to play the stereo soundtrack of the cinema or

select any of the other sources connected to the MP-60 2.1. In this menu you can adjust the

default settings.

The Zone B audio output can be controlled by a control system, the web interface or the remote

application – not the handheld remote. This output can output a digital, stereo audio signal, which

you can use as input for a system in adjacent rooms. The MP-60 2.1 can decode one HDMI source

only and selecting “Follow Main” will output a stereo downmix of the movie in the main room. The

output does not hold any RoomPerfect™ filters.

Audio Setup

Audio Processing

This menu allows you to manage the audio processing presets for DTS, AURO and Dolby. These

settings are required by DTS, AURO and Dolby and cannot be managed by us.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 41

Dynamic Range Control functions in general with raising the level of quiet sounds and lowering the

level of the loud sounds. This is also known as Night Mode, but it works differently in the various

formats, why you can set it up for each format.

Dolby Center Spread is a dedicated Dolby function to spread (copy) the center channel dialogue

into the left and right speakers to fit a very large screen.

Auro Strength sets the amount of generated signal sent to other channels in the postprocessing /

up-mixing.

Auro Presets lets you select a channel configuration that best suits your speaker setup.

Voicing Setup

A voicing is an equalizer filter that can be activated to amplify or attenuate certain frequencies

according to your personal preferences. For each Source you can dedicate a Voicing, meaning

that you can emphasize bass on one input without sacrificing neutrality on others.

Exporting and Importing Voicings

It is now possible to download single voicings to a file and to add new voicings by uploading those

files as well. This will make it possible to copy a voicing from one device to another. The file format

is identical for all enabled Lyngdorf products, so if you have a voicing you like on your TDAI-3400

amplifier, it is possible to add that to your Lyngdorf multichannel processor or vice versa.

Note:

Single voicing files have the extension: single_voicing.xml and this may not be

changed.

You can also download and upload an entire set of voicings. Again, these files will work throughout

the devices which support this feature.

Note: Uploading a set of voicings with this feature will replace ALL voicings in the

amplifier. Files with an entire set of voicings have the extension: voicings.xml and

this may not be changed.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 42

Edit or delete voicing

This dropdown list contains the

voicings currently in the amplifier.

Selecting a voicing in the list will
allow you to delete or edit the

selected voicing. This will open the

voicing editor.

Add new voicing

To create a new voicing using the

voicing editor, enter the name of your

new voicing and click “Add”.

To add a voicing from a .single_voicing.xml file, browse for the file and then click “Add”.

Replace all voicings from file

This is the functionality to replace all voicings in the amplifier with a new set from a .voicings.xml

file. Remember that this will overwrite all voicings currently in the amplifier. Click browse to find the

.voicings.xml file you wish to upload and then press Apply to use it.

On the bottom of the page is a link to download the current set of voicings in the amplifier to a

.voicings.xml file.

Through selecting any of the stored Voicings, you can see the details by selecting EDIT. You can

also delete the stored Voicings and add new designs here.

Creating Voicings

A Voicing can combine up to eight filter sections. For each section, you can choose between

certain filter designs, which then in combination will give you the total correction of the Voicing.

For each Voicing you will see a green line showing the total correction as well a blue line showing

the correction caused by the selected filter section. If there is only one active filter section, only the

blue line is shown.

You can select between following filter designs:

Low Pass: Functions as a crossover filter reducing the signal above the frequency.

High Pass: Functions as a crossover filter reducing the signal below the frequency.

Low Shelf: Attenuates the lower frequencies to a specified level.

High Shelf: Attenuates the higher frequencies to a specified level.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 43

Parametric: Attenuates a specific frequency.

All these filters can be with positive or negative gain – effectively reversing the effect of the filter.

You can adjust the Overall gain for each voicing in order to be able to switch between voicings

without experience any change in perceived level.

In this example (Action Movie Voicing)

you will see the combined effect of two

filter sections:

Negative High Shelf from 120 Hz –
creating a boost in the bass region.

Negative High Shelf from 8,000 Hz

reducing the highest frequencies.

Overall gain set to +6 dB as

compensation for the reduction in

overall level experienced with the two

filters.

Try experimenting by creating your own Voicings and test the functionality of the different filter

sections.

Manage Software

From this main menu, you can access MP-60 2.1 software information, backup, restore, etc.

Download system log

Here you can download a syslog file to your PC or Mac. This file will hold information about
decoders and software behavior. If a problem occurs, this file should be included in the

correspondence with the manufacturer.

Backup

Make a complete system backup, including speaker setup and RoomPerfect™ measurements.

You can back up to an USB flash drive or the SD card, if inserted. You can name the backup for
easy identification if you want to be able to return to this setup after testing another speakers

setup. This file can also be used to move the entire setup to another MP-60 2.1 processor – and it

can be included in communications as to setup issues. When the backup is complete, the MP-60

2.1 will go into standby mode.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 44

Restore

Restore the system from a backup file. Select the backup file and start the process. When the

restauration is complete, the MP-60 2.1 will go into standby mode.

Factory Reset

Restore the system to the default factory settings.

Note: All user preference settings, system data, and RoomPerfect™ data are lost

when the MP-60 2.1 is restored to the default settings. This is why you should

create a backup if you want the option to restore the present setup later.

Update Software

Update from Remote Files

When connected to the Internet, the MP-60 2.1 will automatically identify new software updates

from our server.

Select the file listed on the remote server list.

Click “Start Update” to upload the new software to the MP-60 2.1.

Update from Local Files

On the product page on

the processor.

Via web interface:

Click “Browse” to find a file stored on your computer.

Click “Start Update” to upload the new software to the MP-60 2.1.

Or:

Copy the software file to a FAT32-formatted USB flash drive.

Make sure you “eject” the USB flash drive correctly before removing it from your PC or Mac.

Insert the USB flash drive into the USB A connector on the MP-60 2.1.

Browse and select the file in the menu and click “Start Update”.

www.lyngdorf.com you will be able to download the software file to update

Note: System settings and RoomPerfect™ data remain intact during software

updates.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 45

Troubleshooting

RoomPerfect™

The calibration microphone is very sensitive and may pick up unwanted noise, including subsonic

signals and background noise, which disturbs the measurements. If the signal is disturbed, it will
take longer for the system to make a correct measurement.

A measurement that has been disturbed by noise but completed will always be correct; it is not

necessary to redo it. If the measurement has stopped due to an error, one of the error messages

below will be shown.

Error Messages

No microphone connected

No microphone or cable is registered, why the microphone connection is not working. Check that

the microphone cable is connected to the microphone socket on the back panel. If the problem

continues, test the microphone cable by connecting the microphone directly into the microphone

socket and select Retry.

If the microphone is detected, replace the microphone cable and retry the measurement.

Fault – No signal

This error message can arise due to a signal classification of no sound. This happens if the sound

volume has been muted or a cable is disconnected.
Check the sound volume.

Check all cable connections, including interconnects, speakers, amplifiers, etc.

Check the measuring signal volume.

If none of these measures solve the error, request a replacement microphone from Lyngdorf Audio.

Fault – Signal clipping

Either the incoming signal has been classified as too loud, resulting in clipping or distortion, or a

loud noise in the immediate environment has corrupted the measurement results. If a loud noise

has in fact occurred, such as the sound of a closing door, reduce noise levels inside and in the

immediate vicinity of the room and repeat the measurement. If no loud noise has occurred, reduce

the volume of the signal and repeat the measurement.

Fault – Low signal

This error message is displayed when the measurement has lasted more than 5 minutes for the

low-frequency signal or more than 2 minutes for the high-frequency signal. This happens most

often when using a low-level measuring signal compared to the background noise in the listening

Lyngdorf Audio MP-60 2.1 – Owner’s manual 46

environment, which results in prolonged measuring times. Raise the measuring signal volume or

reduce the noise in the environment before continuing with the measurement.

If raising the volume does not eliminate the error message, the microphone or cable might be

defective. Test the microphone cable by connecting the microphone directly into the microphone

socket and select Retry.

Can’t Turn On Via LAN or Control System

The MP-60 2.1 needs to be set to Network mode to be able to turn on via a control system. It will

not turn on when in Deep Sleep. This is set up in System Configuration / General Setup/ Power

Management

Retrieving and Sending an Error Log

The processor generates a log file, which contains information of all detections and actions made

by the software. To retrieve an error log, you need to access the MP-60 2.1 via your web browser.

Under “Manage Software” you can download a text file and email it to your Lyngdorf Audio

representative.

3D Compatibility Not Detected

If the MP-60 2.1 isn’t fully booted, a Blu-ray player will not be able to detect its 3D compatibility.

Restart the player to fix the problem.

Remote Control Doesn’t Work

The remote control is paired to the MP-60 2.1 at the factory; you need to pair it again only if you

have a new MP-60 2.1 or remote.

To pair the RF remote control to a MP-60 2.1:

Turn on the MP-60 2.1.

On the remote, hold down the Play and OK buttons until the remote control’s green LED flashes.
Point the remote control at the MP-60 2.1 and hold it within 30 cm / 1 foot of the front panel; when

the green LED stops blinking, the remote is connected via Zigbee.

The remote will be paired to the MP-60 2.1.

To switch the remote from RF to IR mode, hold down OK and 1. The LED will flash red twice.

To switch the remote back to RF mode, hold down OK and 2. The LED will flash green twice.

To reset the pairing of the remote control, press Back and OK until the red LED flashes twice.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 47

Trademarks

For DTS patents, see

Limited. DTS, the Symbol, & DTS and the Symbol together are registered trademarks,
DTS:X, DTS:X Pro and the DTS:X and DTS:X Pro logos are trademarks of DTS, Inc. © DTS, Inc.

All Rights Reserved.

HDMI, the HDMI Logo and High-Definition Multimedia Interface are trademarks or registered

trademarks of HDMI Licensing LLC.

Dolby and the double-D symbol are registered trademarks of Dolby Laboratories.

This product incorporates technology that is protected by U.S. patents and other intellectual

property rights. Use of this technology must be authorized by Macrovision, and is intended for

home and other limited viewing uses only, unless otherwise authorized by Macrovision. Reverse

engineering or disassembly is prohibited.

This item incorporates copy protection technology that is protected by U.S. patents and other

intellectual property rights of Rovi Corporation. Reverse engineering and disassembly are

prohibited.

http://patents.dts.com. Manufactured under license from DTS Licensing

Service Information

In order to obtain warranty service, you must contact your original dealer or alternatively the

Lyngdorf Audio distributor of the region or country where you are located.

Lyngdorf Audio MP-60 2.1 – Owner’s manual 48

Lyngdorf Audio MP-60 2.1 – Owner’s manual 49