LTO PBM8.250/ MKII, PBM8.500 MKII Owner's Manual

PBM8.250/ MKII8.500
POWERED BOX MIXER
OWNER'S MANUAL
www.altoproaudio.com
Version 2.0 NOV. 2007
LTO
R
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
TO REDUCE THE RISK OF ELECTRIC SHOCK PLEASE DO NOT REMOVE THE COVER OR THE BACK PANEL OF THIS EQUIPMENT. THERE ARE NO PARTS NEEDED BY USER INSIDE THE EQUIPMENT. FOR SERVICE, PLEASE CONTACT QUALIFIED SERVICE CENTERS.
WARNING
To reduce the risk of electric shock and fire, do not expose this equipment to moisture or rain.
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
Dispose of this product should notbeplacedinmunicipalwaste and should be separate collection.
11.
12.
MovethisEquipmentonlywithacart, stand, tripod, or bracket, specified by the manufacturer, or sold with the Equipment. When a cart is used, use caution when moving the cart / equipment combination to avoid possible injury from tip-over.
Permanent hearing loss may be caused by exposure to \ extremely high noise levels. The US. Government's Occupational Safety and Health Administration (OSHA) has specified the permissible exposure to noise level. These are shown in the following chart:
HOURS X DAY SPL EXAMPLE
According to OSHA, an exposure to high SPL in excess of these limits may result in the loss of heat. To avoid the potential damage of heat, it is recommended that Personnel exposed to equipment capable of generating high SPL use hearing protection while such equipment is under operation.
8 6 4 3 2 1,5 1 0,5 0,25 or less
90 92 95
97 100 102 105 110 115
Small gig train Subway train High level desktop monitors Classic music concert
Rock concert
This symbol, wherever used, alerts you to the
presence of un-insulated and dangerous voltages within the product enclosure. These are voltages that may be sufficient to constitute the risk of electric shock or death.
This symbol, wherever used, alerts you to important operating and maintenance instructions.
Please read.
Protective Ground Terminal AC mains (Alternating Current)
Hazardous Live Terminal ON: Denotes the product is turned on. OFF: Denotes the product is turned off.
The apparatus shall be connected to a mains socket outlet with a protective earthing connection.
The mains plug or an appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable.
CAUTION
Describes precautions that should be observed to prevent damage to the product.
Read this Manual carefully before operation. Keep this Manual in a safe place. Be aware of all warnings reported
with this symbol. Keep this Equipment away from water and
moisture. Clean it only with dry cloth. Do not use
solvent or other chemicals. Do not damp or cover any cooling opening.
Install the equipment only in accordance with the Manufacturer's instructions.
Power Cords are designed for your safety. Do not remove Ground connections! If the plug does not fit your AC outlet, seek advice from a qualified electrician. Protect the power cord and plug from any physical stress to avoid risk of electric shock. Do not place heavy objects on the power cord. This could cause electric shock or fire.
Unplug this equipment when unused for long periods of time or during a storm.
Refer all service to qualified service personnel only. Do not perform any servicing other than those instructions contained within the User's Manual.
To prevent fire and damage to the product, use only the recommended fuse type as indicated in this manual. Do not short-circuit the fuse holder. Before replacing the fuse, make sure that the product is OFF and disconnected from the AC outlet.
IN THIS MANUAL:
1. INTRODUCTION................................................................................1
2. FEATURES.......................................................................................1
3. QUICK START..................................................................................4
4. CONTROL ELEMENTS......................................................................5
5. INSTALLATION & CONNECTION......................................................12
6. PRESET LIST.................................................................................16
7. BLOCK DIAGRAM..........................................................................17
8. TECHNICAL
9. WARRANTY..................................................................................20
SPECIFICATIONS...........................................................18
1. INTRODUCTION
Thank you for purchasing the PBM8 8 channel powered mixer with 24-bit digital multi-effect built-in. It is just one of the many products that a talented, multinational Team of Audio Engineers and Musicians have developed with their great passion for music. Your PBM8 is a remarkable compact powered mixer that doesn't find many equals in the market today. With 6 microphone and 2 stereo MIC/Line-level inputs for serious live performances, your PBM8 also includes a 24 Bit digital multi-effect with 16 Factory Presets and 16 variations for every preset, for a total of 256 different digital effects. There is a three bands EQ on all input channels and separate Master EQ for Main Mix and Monitor Outputs. Use it for small Gigs, for Church applications and for Conference.
LT O
LT O
Enjoy your PBM8 and make sure to read this Manual carefully before operation!
1
2. FEATURES
2 Stereo input channels with balanced TRS jacks Ultra-low noise discrete MIC preamps with +48V phantom power Extremely high headroom offering more dynamic range Each input channel with -20 dB PAD, PAN and level control 3-band equalizer on input channels 2 AUX sends for built-in or external effects, on-stage monitor mix, or headphone mixing Built-in feedback terminator
6 MIC/Line input channels with gold plated XLR and balanced Line inputs
256 position multi-effect 2-track recording IN/OUT (PHONO) Headphone output Stereo Line-level output 2 250 watt RMS amplifiers (For PBM8.250 MKII)
9-band graphic EQ for MAIN/MONITOR
2 500 watt RMS amplifiers (For PBM8.500 MKII) Output connector: 6.3 jack+4way-speakon
SPOTLIGHT
2
PMB8.250 MKII
PMB8.500 MKII
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP
TOMAIN
DSP
TOMON
PRESETS
DSP
PRESETS:
VARIATIONS
+10dB
+10dB+10dB +10dB +10dB +10dB +10dB +10dB +10dB +10dB
+10dB
CLIP
MUTE
DSP
MUTE
1
2
3
4
5
6
7
8
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
9
10
11
12
13
14
15
16
-
8
---------
88
8
8
8
8
8
8
8
8
0dB 0dB 0dB 0dB 0dB 0dB 0dB 0dB
0
dB
14.REVERB + DELAY
16.REVERB + CHORUS
15. FLANGERREVERB+
5.LARGE ROOM
13.CHORUS
12.FLANGER
11.STEREODELAY
10.MONO DELAY
9.SPRING REVERB
8.TAPEREVERB
7.PLATE
6.SMALL ROOM
4.SMALL HALL
3.LARGE HALL
2.VOCAL 2
1.VOCAL 1
5050100
100
250
250
500
5001K1K
2K5
2K55K5K8K8K
16K
16K
LEVEL
LEVEL
MONITOR
MAIN
+10dB
+10dB
-
-
8
8
0
dB
0
dB
FEEDBACK
TERMINATOR
FEEDBACK
TERMINATOR
HIGH HIGH HIGH HIGH HIGH HIGH HIGH HIGH
MID MID MID MID MID MID MID MID
LOW LOW LOW LOW LOW LOW LOW LOW
MON
AUX1 PRE
MON
AUX1 PRE
MON
AUX1 PRE
MON
AUX1 PRE
MON
AUX1 PRE
MON
AUX1 PRE
MON
AUX1 PRE
MON
AUX1 PRE
LEVEL
PAN PAN PA N PAN PA N PAN PA N PAN
+15dB +15dB +15dB +15dB +15dB +15dB +15dB +15dB
+15dB +15dB +15dB +15dB +15dB +15dB +15dB +15dB
12KHz 12KHz 12KHz 12KHz 12KHz 12KHz 12KHz 12KHz
2.5KHz 2.5KHz 2.5KHz 2.5KHz 2.5KHz 2.5KHz 2.5KHz 2.5KHz
80Hz80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz
+15dB+15dB +15dB +15dB +15dB +15dB +15dB +15dB +15dB
+10dB+10dB +10dB +10dB +10dB +10dB +10dB +10dB +10dB
+10dB+10dB +10dB +10dB +10dB +10dB +10dB +10dB +10dB
-20dB PAD
-20dB PAD
-20dB PAD
-20dB PAD
-20dB PAD
-20dB PAD
-20dB PAD
-20dB PAD
OPERATING
RightRight Right Right Right Right Right Right Right
-15dB -15dB -15dB -15dB -15dB -15dB -15dB -15dB
-15dB -15dB -15dB -15dB -15dB -15dB -15dB -15dB
-15dB-15dB -15dB -15dB -15dB -15dB -15dB -15dB -15dB
---------
88
8
8
8
8
8
8
8
---------
88
8
8
8
8
8
8
8
LeftLeft Left Left Left Left Left Left Left
0dB0dB 0dB 0dB 0dB 0dB 0dB 0dB 0dB
0dB0dB 0dB 0dB 0dB 0dB 0dB 0dB 0dB
0dB 0dB 0dB 0dB 0dB 0dB 0dB 0dB
0dB0dB 0dB 0dB 0dB 0dB 0dB 0dB 0dB
0dB0
dB
0
dB
0
dB
0
dB
0
dB
0
dB
0
dB
0
dB
MICIN (bal.)
LTO
R
LEVELLEVELLEVELLEVELLEVELLEVELLEVEL
CH 1 CH 2 CH 3 CH 4 CH 5 CH 6
CH 9-10
CH 7-8
30
30
10
10
0
0
10
10
0
9
9
15
15
0
9
9
15
15
0
9
9
15
15
0
9
9
15
15
12
3
12
3
12
3
12
3
12
3
12
3
12
3
12
3
-
AMPLIFIER
MODE
PHANTOM
48V
MAIN
+
MAIN
OFF MAIN
+
MONITOR
BRIDGEON
AUX2
OUT
STEREO
RTN
FOOT
SW.
MAIN OUTMONITOR OUTTAPE
TAPETO
CH9-10 MAIN
RIGHT
LEFT
IN OUT
LEFT RIGHT
HEADPHONE
OUT
LINEIN
(bal.)
MICIN(bal.) MICIN(bal.) MICIN(bal.) MICIN(bal.) MICIN(bal.)
MICIN(bal.)
MICIN(bal.) MICIN(bal.)
LINEIN
(bal.)
LINEIN
(bal.)
LINEIN
(bal.)
LINEIN
(bal.)
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
LINEIN
(bal.)
(MONO) (MONO)
R
L
R
L
PBM8.250
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP
TOMAIN
DSP
TOMON
PRESETS
DSP
PRESETS:
VARIATIONS
+10dB
+10dB+10dB +10dB +10dB +10dB +10dB +10dB +10dB +10dB
+10dB
CLIP
MUTE
DSP MUTE
1
2
3
4
5
6
7
8
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
9
10
11
12
13
14
15
16
-
8
---------
88
8
8
8
8
8
8
8
8
0dB 0dB 0dB 0dB 0dB 0dB 0dB 0dB
0 dB
14.REVERB + DELAY
16.REVERB + CHORUS
15. FLANGERREVERB+
5.LARGE ROOM
13.CHORUS
12.FLANGER
11.STEREODELAY
10.MONO DELAY
9.SPRING REVERB
8.TAPEREVERB
7.PLATE
6.SMALL ROOM
4.SMALL HALL
3.LARGE HALL
2.VOCAL 2
1.VOCAL 1
5050100
100
250
250
500
5001K1K
2K5
2K55K5K8K8K
16K
16K
LEVEL
LEVEL
MONITOR
MAIN
+10dB
+10dB
-
-
8
8
0
dB
0
dB
FEEDBACK
TERMINATOR
FEEDBACK
TERMINATOR
HIGH HIGH HIGH HIGH HIGH HIGH HIGH HIGH
MID MID MID MID MID MID MID MID
LOW LOW LOW LOW LOW LOW LOW LOW
MON
AUX1
PRE
MON
AUX1 PRE
MON
AUX1 PRE
MON
AUX1 PRE
MON
AUX1 PRE
MON
AUX1
PRE
MON
AUX1
PRE
MON
AUX1
PRE
LEVEL
PAN PAN PAN PAN PAN PAN PAN PAN
+15dB +15dB +15dB +15dB +15dB +15dB +15dB +15dB
+15dB +15dB +15dB +15dB +15dB +15dB +15dB +15dB
12KHz 12KHz 12KHz 12KHz 12KHz 12KHz 12KHz 12KHz
2.5KHz 2.5KHz 2.5KHz 2.5KHz 2.5KHz 2.5KHz 2.5KHz 2.5KHz
80Hz80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz
+15dB+15dB +15dB +15dB +15dB +15dB +15dB +15dB +15dB
+10dB+10dB +10dB +10dB +10dB +10dB +10dB +10dB +10dB
+10dB+10dB +10dB +10dB +10dB +10dB +10dB +10dB +10dB
-20dB PAD
-20dB PAD
-20dB PAD
-20dB PAD
-20dB PAD
-20dB PAD
-20dB PAD
-20dB PAD
OPERATING
RightRight Right Right Right Right Right Right Right
-15dB -15dB -15dB -15dB -15dB -15dB -15dB -15dB
-15dB -15dB -15dB -15dB -15dB -15dB -15dB -15dB
-15dB-15dB -15dB -15dB -15dB -15dB -15dB -15dB -15dB
---------
88
8
8
8
8
8
8
8
---------
88
8
8
8
8
8
8
8
LeftLeft Left Left Left Left Left Left Left
0dB0dB 0dB 0dB 0dB 0dB 0dB 0dB 0dB
0dB0dB 0dB 0dB 0dB 0dB 0dB 0dB 0dB
0dB 0dB 0dB 0dB 0dB 0dB 0dB 0dB
0dB0dB 0dB 0dB 0dB 0dB 0dB 0dB 0dB
0dB0 dB
0
dB
0
dB
0
dB
0
dB
0
dB
0
dB
0 dB
MICIN (bal.)
LTO
R
LEVELLEVELLEVELLEVELLEVELLEVELLEVEL
CH 1 CH 2 CH 3 CH 4 CH 5 CH 6
CH 9-10
CH 7-8
30
30
10
10
0
0
10
10
0
9
9
15
15
0
9
9
15
15
0
9
9
15
15
0
9
9
15
15
12
3
12
3
12
3
12
3
12
3
12
3
12
3
12
3
-
AMPLIFIER
MODE
PHANTOM
48V
MAIN
+
MAIN
OFF MAIN
+
MONITOR
BRIDGEON
AUX2
OUT
STEREO
RTN
FOOT
SW.
MAIN OUTMONITOR OUTTAPE
TAPETO
CH9-10 MAIN
RIGHT
LEFT
IN OUT
LEFT RIGHT
HEADPHONE
OUT
LINEIN
(bal.)
MICIN(bal.) MICIN(bal.) MICIN(bal.) MICIN(bal.) MICIN(bal.)
MICIN (bal.)
MICIN(bal.) MICIN(bal.)
LINEIN
(bal.)
LINEIN
(bal.)
LINEIN
(bal.)
LINEIN
(bal.)
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
LINEIN
(bal.)
(MONO) (MONO)
R
L
R
L
PBM8.500
ThisisthefastestwaytogetsomethingoutfromyourPBM8,ifyouhaveakeyboard and a microphone.
a. Plug the microphone into Channel 1 MIC IN.
b. Turn down AUX and LEVEL controls on the input channel.
c. Turn down MONITOR and MAIN master controls.
d. Put the EQ controls on center position.
e. Connect 2 passive cabinets to the rear speaker cabinets or 2 active cabinets to
the front MAIN OUT connectors.
f. Turn on your PBM8.
g. Sing or speak into the microphone with normal volume and adjust the channel
LEVEL control of half.
h.Ifyoulike,youcanaddsomeequalizationatthisstage.
i. Turn up the MAIN LEVEL control until you reach the desired volume. The +10 LED
on the Master LED meter should flash only occasionally, otherwise you will hear the distortion. If this LED is not active and you still hear distortion, please turn down a little the input LEVEL control or reduce the output level of your source instrument.
j. Connect your stereo keyboard into channel 7/8 and repeat the sequence.
Here you are. It is your first gig with your PBM8.
3
3. QUICK START
HOOK
UP
SMALL CLUB
4
COMPUTER SET-UP DIAGRAM
HOOK
UP
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP
TOMAIN
DSP
TOMON
PRESETS
DSP
PRESETS:
VARIATIONS
+10dB
+10dB+10dB +10dB +10dB +10dB +10dB +10dB +10dB +10dB
+10dB
CLIP
MUTE
DSP MUTE
1
2
3
4
5
6
7
8
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
9
10
11
12
13
14
15
16
-
8
---------
88
8
8
8
8
8
8
8
8
0dB 0dB 0dB 0dB 0dB 0dB 0dB 0dB
0 dB
14.REVERB+ DELAY
16.REVERB+ CHORUS
15. FLANGERREVERB+
5.LARGEROOM
13.CHORUS
12.FLANGER
11.STEREODELAY
10.MONODELAY
9.SPRINGREVERB
8.TAPEREVERB
7.PLATE
6.SMALLROOM
4.SMALLHALL
3.LARGEHALL
2.VOCAL2
1.VOCAL1
5050100
100
250
250
500
5001K1K
2K5
2K55K5K8K8K
16K
16K
LEVEL
LEVEL
MONITOR
MAIN
+10dB
+10dB
-
-
8
8
0 dB
0 dB
FEEDBACK
TERMINATOR
FEEDBACK
TERMINATOR
HIGH HIGH HIGH HIGH HIGH HIGH HIGH HIGH
MID MID MID MID MID MID MID MID
LOW LOW LOW LOW LOW LOW LOW LOW
MON
AUX1 PRE
MON
AUX1
PRE
MON
AUX1 PRE
MON
AUX1 PRE
MON
AUX1 PRE
MON
AUX1 PRE
MON
AUX1 PRE
MON
AUX1 PRE
LEVEL
PAN PAN PAN PAN PAN PAN PAN PAN
+15dB +15dB +15dB +15dB +15dB +15dB +15dB +15dB
+15dB +15dB +15dB +15dB +15dB +15dB +15dB +15dB
12KHz 12KHz 12KHz 12KHz 12KHz 12KHz 12KHz 12KHz
2.5KHz 2.5KHz 2.5KHz 2.5KHz 2.5KHz 2.5KHz 2.5KHz 2.5KHz
80Hz80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz
+15dB+15dB +15dB +15dB +15dB +15dB +15dB +15dB +15dB
+10dB+10dB +10dB +10dB +10dB +10dB +10dB +10dB +10dB
+10dB+10dB +10dB +10dB +10dB +10dB +10dB +10dB +10dB
-20dB PAD
-20dB PAD
-20dB PAD
-20dB PAD
-20dB PAD
-20dB PAD
-20dB PAD
-20dB PAD
OPERATING
RightRight Right Right Right Right Right Right Right
-15dB -15dB -15dB -15dB -15dB -15dB -15dB -15dB
-15dB -15dB -15dB -15dB -15dB -15dB -15dB -15dB
-15dB-15dB -15dB -15dB -15dB -15dB -15dB -15dB -15dB
---------
88
8
8
8
8
8
8
8
---------
88
8
8
8
8
8
8
8
LeftLeft Left Left Left Left Left Left Left
0dB0dB 0dB 0dB 0dB 0dB 0dB 0dB 0dB
0dB0dB 0dB 0dB 0dB 0dB 0dB 0dB 0dB
0dB 0dB 0dB 0dB 0dB 0dB 0dB 0dB
0dB0dB 0dB 0dB 0dB 0dB 0dB 0dB 0dB
0dB0dB0dB0dB0dB0dB0dB0dB0
dB
MICIN (bal.)
LTO
R
LEVELLEVELLEVELLEVELLEVELLEVELLEVEL
CH1 CH2 CH 3 CH 4 CH 5 CH 6
CH9-10
CH7-8
30
30
10
10
0
0
10
10
0
9
9
15
15
0
9
9
15
15
0
9
9
15
15
0
9
9
15
15
12312312312312312312312
3
-
AMPLIFIER
MODE
PHANTOM
48V
MAIN + MAIN
OFF MAIN
+
MONITOR
BRIDGEON
AUX2
OUT
STEREO
RTN
FOOT
SW.
MAINOUTMONITOROUTTAPE
TAPETO
CH9-10 MAIN
RIGHT
LEFT
IN OUT
LEFT RIGHT
HEADPHONE
OUT
LINEIN (bal.)
MICIN(bal.) MICIN(bal.) MICIN(bal.) MICIN(bal.) MICIN(bal.)
MICIN(bal.)
MICIN(bal.) MICIN(bal.)
LINEIN
(bal.)
LINEIN
(bal.)
LINEIN
(bal.)
LINEIN (bal.)
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
LINEIN
(bal.)
(MONO) (MONO)
RLR
L
PBM8.250
MIC1 MIC2 MIC3
CD PLAYER
STAGE MONITORS
MAIN SPEAKERS
D/I BOX
D/I BOX
KEYBOARD
WIRELESS MICROPHONE
GUITAR
BASS GUITAR
DRUM MACHINE
POWER AMPLIFIER
EQUALIZER
ADDITIONAL SPEAKERS
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP/FX
AUX2 POST
DSP
TOMAIN
DSP
TOMON
PRESETS
DSP
PRESETS:
VARIATIONS
+10dB
+10dB+10dB +10dB +10dB +10dB +10dB +10dB +10dB +10dB
+10dB
CLIP
MUTE
DSP MUTE
1
2
3
4
5
6
7
8
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
9
10
11
12
13
14
15
16
-
8
---------
88
8
8
8
8
8
8
8
8
0dB 0dB 0dB 0dB 0dB 0dB 0dB 0dB
0 dB
14.REVERB+ DELAY
16.REVERB+ CHORUS
15. FLANGERREVERB+
5.LARGEROOM
13.CHORUS
12.FLANGER
11.STEREODELAY
10.MONODELAY
9.SPRINGREVERB
8.TAPEREVERB
7.PLATE
6.SMALLROOM
4.SMALLHALL
3.LARGEHALL
2.VOCAL2
1.VOCAL1
5050100
100
250
250
500
5001K1K
2K5
2K55K5K8K8K
16K
16K
LEVEL
LEVEL
MONITOR
MAIN
+10dB
+10dB
-
-
8
8
0 dB
0 dB
FEEDBACK
TERMINATOR
FEEDBACK
TERMINATOR
HIGH HIGH HIGH HIGH HIGH HIGH HIGH HIGH
MID MID MID MID MID MID MID MID
LOW LOW LOW LOW LOW LOW LOW LOW
MON
AUX1 PRE
MON
AUX1
PRE
MON
AUX1 PRE
MON
AUX1 PRE
MON
AUX1 PRE
MON
AUX1 PRE
MON
AUX1 PRE
MON
AUX1 PRE
LEVEL
PAN PAN PAN PAN PAN PAN PAN PAN
+15dB +15dB +15dB +15dB +15dB +15dB +15dB +15dB
+15dB +15dB +15dB +15dB +15dB +15dB +15dB +15dB
12KHz 12KHz 12KHz 12KHz 12KHz 12KHz 12KHz 12KHz
2.5KHz 2.5KHz 2.5KHz 2.5KHz 2.5KHz 2.5KHz 2.5KHz 2.5KHz
80Hz80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz
+15dB+15dB +15dB +15dB +15dB +15dB +15dB +15dB +15dB
+10dB+10dB +10dB +10dB +10dB +10dB +10dB +10dB +10dB
+10dB+10dB +10dB +10dB +10dB +10dB +10dB +10dB +10dB
-20dB PAD
-20dB PAD
-20dB PAD
-20dB PAD
-20dB PAD
-20dB PAD
-20dB PAD
-20dB PAD
OPERATING
RightRight Right Right Right Right Right Right Right
-15dB -15dB -15dB -15dB -15dB -15dB -15dB -15dB
-15dB -15dB -15dB -15dB -15dB -15dB -15dB -15dB
-15dB-15dB -15dB -15dB -15dB -15dB -15dB -15dB -15dB
---------
88
8
8
8
8
8
8
8
---------
88
8
8
8
8
8
8
8
LeftLeft Left Left Left Left Left Left Left
0dB0dB 0dB 0dB 0dB 0dB 0dB 0dB 0dB
0dB0dB 0dB 0dB 0dB 0dB 0dB 0dB 0dB
0dB 0dB 0dB 0dB 0dB 0dB 0dB 0dB
0dB0dB 0dB 0dB 0dB 0dB 0dB 0dB 0dB
0dB0dB0dB0dB0dB0dB0dB0dB0
dB
MICIN (bal.)
LTO
R
LEVELLEVELLEVELLEVELLEVELLEVELLEVEL
CH1 CH2 CH 3 CH 4 CH 5 CH 6
CH9-10
CH7-8
30
30
10
10
0
0
10
10
0
9
9
15
15
0
9
9
15
15
0
9
9
15
15
0
9
9
15
15
12312312312312312312312
3
-
AMPLIFIER
MODE
PHANTOM
48V
MAIN + MAIN
OFF MAIN
+
MONITOR
BRIDGEON
AUX2
OUT
STEREO
RTN
FOOT
SW.
MAINOUTMONITOROUTTAPE
TAPETO
CH9-10 MAIN
RIGHT
LEFT
IN OUT
LEFT RIGHT
HEADPHONE
OUT
LINEIN (bal.)
MICIN(bal.) MICIN(bal.) MICIN(bal.) MICIN(bal.) MICIN(bal.)
MICIN(bal.)
MICIN(bal.) MICIN(bal.)
LINEIN
(bal.)
LINEIN
(bal.)
LINEIN
(bal.)
LINEIN (bal.)
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
LINEIN
(bal.)
(MONO) (MONO)
RLR
L
PBM8.250
MIC1 MIC2 MIC3
CD PLAYER
STAGE MONITORS
MAIN SPEAKERS
D/I BOX
D/I BOX
KEYBOARD
WIRELESS MICROPHONE
GUITAR
BASS GUITAR
DRUM MACHINE
POWER
ON
OFF
MAC2.4
StereoPowerAmplifier
LTO
R
CLIP
SIG
PROT
POWER
CH1 CH2
5
3. CONTROL ELEMENTS
SPOTLIGHT
4. CONTROL ELEMENTS
1MIC/LINEMONOINPUT(1to6)
Your PBM8 is equipped with 6 low-noise microphone preamplifiers with optional phantom power, 50 dB of Gainandover90dBofS/Nratio.Youcanconnect almost any type of microphone. Dynamic microphones do not need phantom power. Use phantom power only with condenser microphones but make sure that the phantom power button is disengaged before connecting the microphone. Phantom power will not damage your dynamic microphones but it may damage tube or ribbon microphones. So make sure to read the microphone instructions manual before engaging phantom power. Use switch (19) to activate/deactivate phantom power. These 6 channels are also equipped with 1/4" TRS balanced/unbalanced LINE-IN plugs to connect line-level instruments such as keyboards, drum machines and effect devices.
Never try to connect a line-level signal to the XLR MIC input when the phantom power is engaged, or you may seriously damage your equipment.
NOTE:
2 MIC/LINE STEREO LINE INPUTS
These are channels 7/8 and 9/10. They are organised in stereo pair and provided with XLR balanced socket and 1/4" TRS phone sockets. If you connect only the left jack, the input will operate in mono mode, that is the mono signal will appear on both input channels. You can use these inputs with a stereo keyboard, drum machine, etc.
3 LEVEL CONTROL
This control is used to adjust the overall level of respective channel. The adjustable range goes from to +10 dB.
This is the PANORAMA control, or balance control. You can adjust the stereo image of the signal via this control. Keep this control in center position and your signal will be positioned in the middle of stage. Turn this control fully counter clockwise and the signal will be present only on the left speaker and vice-versa. Of course a large number of intermediate positions are available.
4PAN
1
10
9
8
7
6
5
4
3
2
DSP/FX
AUX2 POST
+10dB+10dB
--
88
0dB
HIGH
MID
LOW
MON
AUX1
PRE
PAN
+15dB+15dB
+15dB
12KHz
2.5KHz
80Hz80Hz
+15dB+15dB
+10dB+10dB
+10dB+10dB
-20 dB PAD
RightRight
-15dB-15dB
-15dB-15dB
-15dB-15dB
--
88
--
88
LeftLeft
0dB0dB
0dB0dB
0dB
HIGH
MID
LOW
+15dB
12KHz
2.5KHz
0dB
0dB0dB
0dB0
dB
LEVEL
MIC IN (bal.)
MIC IN (bal.)
CH 6
CH 7-8
L
O
W
N
O
I
S
E
P
R
E
A
M
P
L
O
W
N
O
I
S
E
P
R
E
A
M
P
1
2
3
12
3
LINE IN
(bal.)
(MONO)
R
L
Loading...
+ 16 hidden pages