CLARITY
Lighting and Media Control
OPERATOR MANUAL
Issue 2.01
Desktop (MAC/PC)
LX300
LX600
LX900
Covering software Version 2
May 2013
Document number: LX-T01U-A2
LSC Lighting Systems (Aust) Pty. Ltd.
ABN 21 090 801 675
Building 3, 66-74 Micro Circuit
Dandenong South, Victoria 3175 Australia
Tel: +61 3 9702 8000 Fax:+61 3 9702 8466
email: info@lsclighting.com
web: www.lsclighting.com
DISCLAIMER
Both LSC Lighting Systems (Aust) Pty. Ltd. and OpenClear Pty. Ltd. have a corporate policy of
continuous improvement, covering areas such as product design and documentation. To achieve this
goal, we undertake to release software updates for all products on a regular basis. In light of this
policy, some detail contained in this manual may not match the exact operation of your product.
Information contained in this manual is subject to change without notice.
In any event, neither LSC Lighting Systems (Aust) Pty. Ltd. nor OpenClear Pty. Ltd. can be held
liable for any direct, indirect, special, incidental, or consequential damages or loss whatsoever
(including, without limitation, damages for loss of profits, business interruption, or other pecuniary
loss) arising out the use or the inability to use this product for its intended purpose as expressed by
the manufacturer and in conjunction with this operating manual.
Servicing of this product is recommended to be carried out by LSC Lighting Systems (Aust) Pty. Ltd.
or its authorized service agents. No liability will be accepted whatsoever for any loss or damage
caused by service, maintenance or repair by unauthorized personnel.
In addition servicing by unauthorized personnel may void your warranty.
LSC Lighting Systems’ products must only be used for the purpose for which they were intended.
Clarity LX products are manufactured in Australia.
Clarity
Contents
Operator Manual
Contents
1 Latest Features 1
1.1 Overview _________________________ 1
1.2 Version 2 _________________________ 1
1.2.1 Rig Mode __________________________ 1
1.2.2 OSC ______________________________ 1
1.2.3 Page Bookmarks ____________________ 1
1.2.4 User Definable Keyboard Shortcuts _____ 1
1.2.5 Date/Time Scheduler. ________________ 1
1.2.6 Audio Control Device _________________ 1
1.2.7 Intensity Levels windows _____________ 1
1.2.8 Touch Screen Input Support ___________ 1
1.2.9 Touch Mode ________________________ 2
1.2.10 Redesigned Record Dialogue Box _______ 2
1.2.11 Out Timing ________________________ 2
1.2.12 Console Emulation __________________ 2
1.2.13 Show Files _________________________ 2
1.2.14 New User preferences ________________ 2
1.2.15 New Cue-list Options _________________ 2
1.2.16 Minor Changes _____________________ 3
1.2.17 Fixture Attribute Default Values ________ 3
1.2.18 MAC Installation ____________________ 3
1.2.19 User Manual _______________________ 3
2 Introduction/Models 4
2.1 Overview _________________________ 4
2.2 Desktop Version ____________________ 4
2.3 Console Models ____________________ 4
2.4 Common Features __________________ 4
2.5 Help _____________________________ 5
3 Desktop (PC or MAC) Clarity 6
3.1 Overview _________________________ 6
3.1.1 Software __________________________ 6
3.2 Installing Clarity on a PC _____________ 6
3.3 Installing Clarity on a Mac ____________ 8
3.3.1 HASP Installation for Mac _____________ 8
3.4 HASP Diagnostics ___________________ 8
3.5 Demo Mode _______________________ 8
3.6 Desktop DMX Output ________________ 9
3.7 Desktop ArtNet Output ______________ 9
3.8 VX10 Playback Wing ________________ 9
3.9 VX20 Programming & Playback Wing __ 10
3.9.1 USB Indicator _____________________ 10
3.9.2 DMX Indicators ____________________ 10
3.9.3 Desklamp ________________________ 10
3.9.4 Kensington Lock Slot ________________ 10
3.9.5 USB Slot _________________________ 10
3.10 Starting Clarity ____________________ 11
3.11 Loading a Show ___________________ 11
3.11.1 Show Tab ________________________ 11
3.12 Modes Of OPeration ________________ 12
3.12.1 Console Window ___________________ 13
3.13 Basic Desktop Operation ____________ 15
3.14 Patching _________________________ 16
3.15 Programming _____________________ 17
3.15.1 Attribute Controls __________________ 17
3.15.2 Attribute Quick Menus _______________ 18
3.15.3 Universal Controller_________________ 18
3.15.4 Creating a Lighting Look _____________ 18
3.16 Playback _________________________ 19
3.16.1 Control Booth _____________________ 19
3.16.2 Adding a Virtual VX Wing ____________ 19
3.16.3 Selecting a Virtual VX Wing __________ 19
3.17 Adding a Cue-list to a VX Wing _______ 20
3.18 Wing Playback Pages _______________ 20
3.18.1 Locking a Playback __________________ 21
3.18.2 Page Bookmarks ___________________ 21
3.18.3 Managing VX Pages _________________ 21
3.19 Wing Playbacks ____________________ 21
3.20 Wing Group Masters ________________ 22
3.21 Extended Wing Controls _____________ 23
3.22 Programming with the VX20 Wing _____ 25
3.22.1 Trackball _________________________ 25
3.22.2 Programmer Buttons ________________ 25
3.22.3 VX20 Soft Menus ___________________ 26
3.23 External Control Inputs ______________ 27
3.24 VX20 MIDI _______________________ 27
3.25 Desklamp Intensity _________________ 28
3.26 Free Mode ________________________ 28
4 LX Consoles 29
4.1 Overview _________________________ 29
5 LX300 Console 30
5.1 Overview _________________________ 30
5.2 LX300 Rear Panel __________________ 30
5.2.1 Power Input and Mains Switch _________ 31
5.2.2 DMX Outputs ______________________ 31
5.2.3 Ethernet __________________________ 31
5.2.4 DVI Video Out _____________________ 31
5.2.5 USB _____________________________ 31
5.2.6 MIDI _____________________________ 31
5.2.7 Audio In/Out ______________________ 31
5.2.8 LED Desk Lamps ___________________ 31
5.2.9 External Inputs ____________________ 31
5.2.10 Reset ____________________________ 32
5.4 LX300 Front Panel __________________ 33
5.4.1 LX300 Playbacks ___________________ 33
6 LX600 Console 35
6.1 Overview _________________________ 35
6.2 LX600 Rear Panel __________________ 36
6.2.1 Power Input and Mains Switch _________ 36
6.2.2 Mains Outputs _____________________ 36
6.2.3 DMX Outputs ______________________ 36
6.2.4 Ethernet __________________________ 36
6.2.5 DVI Video Out _____________________ 36
6.2.6 USB _____________________________ 37
6.2.7 MIDI _____________________________ 37
6.2.8 SPMTE Timecode ___________________ 37
6.2.9 Audio In/Out ______________________ 37
6.2.10 LED Desk Lamps ___________________ 37
6.2.11 External Inputs ____________________ 37
6.2.12 Reset ____________________________ 37
6.4 LX600 Front Panel __________________ 38
7 LX900 Console 39
7.1 Overview _________________________ 39
7.2 LX900 Rear Panel __________________ 39
7.2.1 Power Input and Mains Switch _________ 40
7.2.2 Mains Outputs _____________________ 40
7.2.3 DMX Outputs ______________________ 40
7.2.4 DMX Input ________________________ 40
7.2.5 Ethernet __________________________ 40
7.2.6 DVI Video Out _____________________ 40
7.2.7 USB _____________________________ 40
7.2.8 MIDI _____________________________ 40
7.2.9 SPMTE Timecode ___________________ 40
7.2.10 Audio In/Out ______________________ 40
Contents
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Operator Manual
7.2.11 LED Desk Lamps ___________________ 41
7.2.12 External Inputs ____________________ 41
7.2.13 Reset ___________________________ 41
7.4 LX900 Front Panel __________________ 42
7.5 LX900 Split Cross Fade ______________ 42
8 LX Console Controls 44
8.1 Overview _________________________ 44
8.2 Power Switches ____________________ 44
8.3 Grand Master _____________________ 44
8.4 Encoder Wheel Touch Screen _________ 44
8.4.1 Trackpad Mode ____________________ 45
8.5 Encoder Wheels and Buttons _________ 46
8.5.1 Rig _____________________________ 47
8.5.3 Universal _________________________ 48
8.5.4 Direct ___________________________ 49
8.5.5 Expand __________________________ 49
8.5.6 Virtual Wheels _____________________ 49
8.5.7 Intensities ________________________ 50
8.5.8 Graphical ________________________ 50
8.5.9 Timing ___________________________ 51
8.5.10 Dynamics ________________________ 52
8.5.11 Matrix ___________________________ 52
8.5.12 Media ___________________________ 52
8.5.13 Palettes __________________________ 52
8.6 Keypad and Command Centre ________ 53
8.6.1 User Buttons ______________________ 53
8.6.2 Intensity Wheel ___________________ 53
8.6.3 Numeric Keypad ___________________ 53
8.6.4 Command Centre __________________ 53
8.7 Playbacks ________________________ 55
8.7.1 LX300 Button Playbacks _____________ 55
8.7.2 Fader Playbacks ___________________ 56
8.7.3 Playback Controls __________________ 56
8.7.4 Playback Touch Screens _____________ 57
8.7.5 Assign or Clear a Playback ___________ 57
8.7.6 Configuring a Playback ______________ 57
8.7.7 Playback Pages ____________________ 58
8.7.8 Locking a Playback _________________ 59
8.7.9 Managing Pages ___________________ 59
8.7.10 Page Bookmarks ___________________ 59
8.7.11 Page Groups ______________________ 60
8.7.12 Extended Playback Controls __________ 60
8.7.13 Releasing a Playback _______________ 62
8.7.14 Releasing ALL Playbacks _____________ 62
8.7.15 Clearing a Playback ________________ 62
8.7.16 Edit _____________________________ 62
8.7.17 Group Masters ____________________ 62
8.7.18 Playback Contents Indicator __________ 63
8.8 Action Buttons ____________________ 64
8.8.1 Action Button Pages ________________ 64
8.8.2 Assigning an Action Button ___________ 64
8.8.3 Clearing an Action Button ____________ 65
8.9 Touch Screen(s) ___________________ 65
9 Basic Operation 67
9.1 Overview _________________________ 67
9.2 Patching _________________________ 67
9.3 Programming _____________________ 68
9.4 Playback _________________________ 68
9.4.1 Performance Window _______________ 68
10 Customizing Clarity 69
10.1 Overview _________________________ 69
10.2 LX Tools _________________________ 69
10.3 Touch Screen Operation _____________ 69
10.4 Dockable Windows _________________ 69
10.5 Resizing Panes ____________________ 69
10.6 Rig Mode Icons ____________________ 69
10.7 Universal and Direct _______________ 69
10.8 Attribute Control Size ______________ 69
10.9 Preferences ______________________ 71
10.10 Keyboard Shortcuts ________________ 71
11 Patching Fixtures 73
11.1 Overview ________________________ 73
11.2 Spreadsheet View _________________ 74
11.3 Patching Fixtures __________________ 74
11.3.1 Drag and Drop Patching _____________ 74
11.3.2 Patching Dimmers __________________ 74
11.3.3 Clarity Universes ___________________ 74
11.4 Clone from other fixture(s) __________ 75
11.4.1 Cloning Example ___________________ 76
11.5 Keypad Patching __________________ 76
11.5.1 Patching Commands: ________________ 76
11.6 Multi-Patch _______________________ 76
11.6.1 Keypad Multi-Patch _________________ 76
11.6.2 Copy Multi-Patch ___________________ 77
11.6.3 Removing Multi-Patches _____________ 77
11.7 Selecting Fixtures _________________ 77
11.8 Inverting/Swapping Attributes ________ 77
11.9 Intensity Fade Profiles ______________ 78
11.10 Minimum and Maximum Intensity _____ 79
11.11 Custom Fixtures ___________________ 80
11.12 Connecting Output Devices __________ 80
11.13 Configuring ArtNet Outputs __________ 80
11.14 Editing the Patch __________________ 80
11.14.1 Editing a Fixtures Address ____________ 81
11.14.2 Editing a Fixtures Name or Number ____ 81
11.14.3 Deleting Fixtures ___________________ 81
11.14.4 Un-Patching Fixtures ________________ 81
11.14.5 Exporting the Patch _________________ 81
12 Rig 82
12.1 Overview ________________________ 82
12.2 Arranging Fixtures _________________ 82
12.3 Aligning Fixtures __________________ 83
12.4 Fixture Icons _____________________ 83
12.5 Multiple Views ____________________ 84
12.5.1 Creating a new View ________________ 84
12.6 Configuring a View _________________ 84
12.6.1 Background Image _________________ 85
12.7 Selecting Fixtures In Rig View ________ 85
13 Universal 87
13.1 Overview ________________________ 87
13.2 Universal Mode Pages ______________ 87
14 Direct 89
14.1 Overview ________________________ 89
15 Intensities 90
15.1 Overview ________________________ 90
15.2 Channel Controller Mode ____________ 90
15.2.1 Settings for Channel Controller Mode ___ 91
15.2.2 Operating in Channel Controller Mode ___ 91
16 Timing 92
16.1 Overview ________________________ 92
16.2 Cuelist Times _____________________ 92
16.3 Cue Times _______________________ 92
16.3.1 Intensity Fade Out times. ____________ 92
16.4 Cue Attribute Times ________________ 93
16.4.1 Timing Mode ______________________ 93
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Operator Manual
16.4.2 Timing Tab _______________________ 93
16.5 Setting Times _____________________ 94
16.5.1 Setting Times by Direct Entry _________ 94
16.6 Fade Curves ______________________ 95
16.7 Filtering Times ____________________ 95
16.7.1 Combining Filters __________________ 96
16.7.2 Complex Timing ___________________ 97
16.8 Previewing Times __________________ 97
16.9 Recording Times __________________ 97
16.10 Reset Timing _____________________ 97
16.11 Time Presets _____________________ 97
16.11.1 Recording Time Presets ______________ 97
16.11.2 Applying Time Presets _______________ 98
17 Dynamics (real time effects) 99
17.1 Overview ________________________ 99
17.2 Applying Dynamics ________________ 99
17.3 Controlling Dynamics ______________ 100
17.3.1 Waveform Control _________________ 100
17.3.2 Dynamics Attribute Controls _________ 101
17.4 Multiple Attribute Dynamics _________ 101
17.4.1 Stopping Dynamics ________________ 102
17.4.2 Resync __________________________ 102
17.4.3 Attribute Control Dynamics Indicators _ 102
18 Matrix 103
18.1 Overview _______________________ 103
18.2 Terminology _____________________ 103
18.3 Patching a LED Matrix _____________ 103
18.4 Creating a Matrix _________________ 103
18.5 Editing a Matrix __________________ 104
18.5.1 Deleting a Matrix __________________ 104
18.6 Matrix Control ___________________ 105
18.7 Transforms ______________________ 105
18.8 Adding Media to a Pixel Source ______ 106
18.9 Selecting Media in a Pixel Source ____ 106
18.10 Adding and Deleting Pixel Sources ___ 107
18.11 Viewer _________________________ 107
18.12 Activating a PixelSource ___________ 107
18.13 Activating Selected Cells ___________ 108
18.14 Pixel Source Layering and Transparency108
18.15 PixelSource Transitions ____________ 108
18.16 Dynamics _______________________ 108
18.17 Recording Matrix Settings __________ 109
19 Media 110
19.1 Overview _______________________ 110
19.2 Patching Media servers ____________ 110
19.3 Network Connection _______________ 110
19.4 Configuration ____________________ 110
19.4.1 Reload __________________________ 110
19.5 Media Server Operation ____________ 110
19.5.1 Browser _________________________ 111
19.5.2 Controls _________________________ 111
19.6 Recording Cues __________________ 111
19.7 Supported Media Servers ___________ 112
20 Palettes 113
20.1 Overview _______________________ 113
20.2 Arranging Palettes and Groups ______ 114
20.3 Groups _________________________ 114
20.4 Colour Presets ___________________ 114
20.5 Beam Presets ____________________ 115
20.6 Favourites ______________________ 115
20.7 Presets _________________________ 115
20.7.1 Fixture Specific Presets _____________ 116
20.7.2 Fixture Type Presets _______________ 116
20.8 Freesets ________________________ 116
20.8.1 Permutating Freesets _______________ 116
20.8.2 Scaling Freesets ___________________ 116
20.9 Dynamic Presets __________________ 117
20.10 Recording a Preset or Freeset ________ 117
20.11 Palette Icons _____________________ 118
20.11.1 Group Icons ______________________ 118
20.11.2 Preset & Freeset Icons ______________ 118
20.11.3 Preset and Freeset Shortcuts _________ 118
20.12 Applying Presets and Freesets _______ 119
20.12.1 Keyboard Commands _______________ 119
20.12.2 Apply in Palettes Mode ______________ 119
20.12.3 Apply in the Palettes window _________ 120
20.12.4 Build Mode _______________________ 120
20.12.5 Live Times _______________________ 120
20.12.6 Apply Palettes in the Programmer window121
20.12.7 Masking _________________________ 121
20.13 Applying Dynamic Presets __________ 122
20.13.1 Masking Dynamic Presets ___________ 122
20.13.2 Base ____________________________ 122
20.13.3 Preserve Dynamics _________________ 123
20.14 Controlling Dynamics ______________ 123
20.15 Deactivate a Preset or Freeset _______ 123
20.16 Recording Cues with Presets & Freesets.124
20.17 Updating a Preset During Programming 124
20.18 Updating a Preset During Playback ____ 124
21 Programmer 126
21.1 Overview ________________________ 126
21.2 Programmer Attributes Tab _________ 126
21.3 Selection Sidebar _________________ 127
21.4 Selecting Fixtures _________________ 127
21.4.1 Selection phase vs. Programming phase 127
21.4.2 Selecting Multiple Types of Fixtures ____ 127
21.4.3 Deselecting Fixtures ________________ 127
21.4.4 Selection Order ___________________ 128
21.4.5 Attribute Quick Menus ______________ 128
21.4.6 Programmer Toolbar Fixture Buttons ___ 128
21.5 Individual Fixture Control ___________ 129
21.6 Groups _________________________ 129
21.6.1 Editing Groups ____________________ 129
21.6.2 Sort ____________________________ 130
21.6.3 Subgroups _______________________ 130
21.6.4 Buddying ________________________ 130
21.6.5 Ctrl Tab _________________________ 131
21.6.6 Intensity and Colour Icons ___________ 131
21.6.7 Position Icons _____________________ 131
21.7 Session Control ___________________ 132
21.7.1 Altered Fixture Indication ____________ 132
21.7.2 Blind Programming_________________ 133
21.7.3 Clearing a Programmer _____________ 133
21.7.4 Clearing a Fixture from a Programmer _ 133
21.7.5 Clearing an Attribute from a Programmer133
21.8 Programmer Toolbar _______________ 133
21.8.1 Undo / Redo ______________________ 133
21.8.2 None, Prev, All, Next _______________ 133
21.8.3 Grab ____________________________ 134
21.8.4 Preview _________________________ 134
21.8.5 To Preset ________________________ 134
21.8.6 Record/Save ______________________ 134
21.8.7 Append last/Save As _______________ 134
21.8.8 Update __________________________ 134
21.8.9 Highlight _________________________ 136
21.8.10 Highlight and Lowlight settings _______ 136
21.8.11 Blind ____________________________ 136
21.8.12 Clear/Close _______________________ 136
21.9 Programmer Toolbox ______________ 137
21.9.1 Show Undo View __________________ 137
21.9.2 Trim (knock out remainder) __________ 137
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21.9.3 Remainder Dim ___________________ 137
21.9.4 Controls ________________________ 137
21.9.5 Renumber Fixtures ________________ 137
21.9.6 Grab DMX _______________________ 137
21.9.7 Copy ___________________________ 137
21.9.8 Paste ___________________________ 137
21.9.9 Flip ____________________________ 138
21.9.10 Personalizing the Toolbar ___________ 138
21.10 DMX Input _______________________ 138
21.11 Parking Fixtures __________________ 138
21.12 Universal Control Panel _____________ 139
21.13 Attribute Controls _________________ 139
21.13.1 Attribute Quick Menus _____________ 139
21.13.2 Fixture Quick Menus _______________ 140
21.13.3 Attribute Control Size ______________ 140
21.13.4 Attribute Control Order _____________ 141
21.14 Fanning Attributes ________________ 141
21.14.1 Offset Fanning ___________________ 141
21.14.2 Fanning Selection Order ____________ 141
21.14.3 Fanning in the Universal Control Panel _ 142
22 Command Line Programming 143
22.1 Overview ________________________ 143
22.2 Fixture Selection __________________ 143
22.3 Intensity Entry ___________________ 143
22.4 Intensity Wheel ___________________ 144
22.5 Fade Time Entry __________________ 144
22.6 Fixture Numbering for Keypad Entry __ 144
22.6.1 Changing Fixture Unit Numbers ______ 144
23 Record 145
23.1 Overview ________________________ 145
23.2 Recording a Cue __________________ 145
23.2.1 New Cue-list _____________________ 145
23.2.2 Cue-list Playback Settings and Options 146
23.2.3 Cue Options _____________________ 146
23.2.4 Existing Cue-list __________________ 146
23.2.5 Contents Options _________________ 147
23.2.6 Keep Settings ____________________ 148
23.2.7 Clear recorded values ______________ 148
23.3 Editing Cues _____________________ 148
23.3.1 Undo Redo ______________________ 149
24 Control Booth 150
24.1 Overview ________________________ 150
24.2 Cue-list Playback Settings __________ 150
24.2.1 Cue-list Playback Options ___________ 151
24.2.2 Cue-list Chase Options _____________ 154
24.2.3 Cue-list Priority Settings ____________ 155
24.3 Playback Control Panel _____________ 155
24.4 Manipulating cues and cue-lists ______ 156
24.4.1 Cue-list Folders ___________________ 156
24.4.2 Copying and Merging Cues __________ 156
24.4.3 Copy Full State ___________________ 157
24.4.4 Undo Redo ______________________ 157
24.4.5 Cue Notes _______________________ 158
24.5 Sync FX _________________________ 158
24.6 Mark Cues (Move in Black) __________ 158
24.7 Audio Playback ___________________ 159
24.7.1 Audio Fixture ____________________ 160
24.8 Simple SCRIPT language (Macros) ____ 160
24.9 Learn new cue-list_________________ 161
24.10 Bookmark _______________________ 162
25 Editing Cues and Cue-lists 163
25.1 Overview ________________________ 163
25.2 Editing a Cue _____________________ 163
25.3 Editing Follow or Wait Times ________ 163
25.3.1 Saving the Edit ___________________ 165
25.4 Editing Channels to be “Cue Only” ___ 165
25.4.1 “Cue Only” Indication ______________ 165
25.5 Live Edit Indication _______________ 166
25.6 Block Cue _______________________ 166
25.7 Undo Redo Edits _________________ 166
25.8 Exporting a Cue to the Programmer __ 166
26 Performance Window 167
26.1 Overview _______________________ 167
26.2 Previewing Cue-lists _______________ 168
26.3 The Grid ________________________ 168
26.4 Adapting Existing Programming _____ 168
26.4.1 Sync FX _________________________ 168
26.5 Managing the Grid ________________ 169
26.5.1 Copying Active Cells to a Common Row 169
26.5.2 Cell Properties ____________________ 169
26.6 The Metronome __________________ 171
26.6.1 Metronome Settings _______________ 172
26.7 Performance Freesets/Groups _______ 172
27 Levels Window 173
27.1 Overview _______________________ 173
27.2 DMX Values _____________________ 173
27.3 Output Values ___________________ 173
27.4 Programmer Values _______________ 174
27.5 Cue List Values __________________ 174
27.6 Customizing The Display ___________ 174
27.7 New Window ____________________ 174
28 Intensity Levels 175
28.1 Overview _______________________ 175
28.2 View Setings ____________________ 175
28.3 Console View ____________________ 176
28.4 Follow View _____________________ 176
29 Show Files and Packages 177
29.1 Overview _______________________ 177
29.2 Saving and Loading Shows _________ 177
29.3 Importing and Exporting Shows _____ 177
29.4 Desktop Clarity local Media libraries __ 177
30 MIDI 179
30.1 Overview _______________________ 179
30.2 MIDI Control of Selected Playback ___ 179
30.2.1 MIDI Settings ____________________ 179
30.2.2 MIDI Channel _____________________ 179
30.2.3 MIDI Note On Messages ____________ 179
30.2.4 MIDI Control Function ______________ 180
30.2.5 Learn Midi _______________________ 180
30.3 MIDI Timecode ___________________ 180
30.3.1 Automatic Entry of Events ___________ 181
30.3.2 Manual Entry of Events _____________ 181
30.3.3 Editing Events ____________________ 181
30.3.4 Managing Playlists _________________ 182
30.3.5 MIDI Timecode Playback ____________ 182
30.3.6 Recede __________________________ 182
30.3.7 Skip Intervening Events ____________ 182
30.3.8 Big Time ________________________ 182
30.3.9 Simulator ________________________ 182
31 Remote Control 184
31.1 Overview _______________________ 184
31.2 Controlling Clarity via an IPhone _____ 184
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31.2.1 Setting up OSC on an iPhone ________ 184
31.2.2 Setting up OSC on Clarity ___________ 184
31.2.3 Controlling Clarity with OSC _________ 185
31.3 Controlling Other Devices From Clarity 186
32 Scheduler 187
32.1 Overview _______________________ 187
32.2 Schedule an Event ________________ 187
33 Tracking Backup 188
33.1 Overview _______________________ 188
33.2 Setting up Tracking Backup _________ 188
33.3 Operating From The Slave __________ 189
34 Preferences and About 190
34.1 User Preferences _________________ 190
34.1.1 New Show Preferences _____________ 193
34.2 About Clarity ____________________ 194
35 LX Tools 195
35.1 Overview _______________________ 195
35.2 Starting LX Tools _________________ 195
35.2.1 Brightness _______________________ 195
35.2.2 Software Management _____________ 196
35.2.3 Help ____________________________ 196
35.2.4 Configure Monitors ________________ 196
35.2.6 Networking ______________________ 197
35.2.7 Calibrate Touch Screens ____________ 198
35.2.8 Clock ___________________________ 198
35.2.9 Diagnostics ______________________ 198
35.2.10 System Information _______________ 198
35.2.11 Keyboard ________________________ 198
36 Software Upgrade 199
36.1 Overview _______________________ 199
36.2 Desktop Upgrade _________________ 199
36.3 LX Console Upgrade _______________ 199
37 Technical Support 200
38 Fixture Editor 201
38.1 Overview _______________________ 201
38.2 Fixture Request Service ____________ 201
38.3 Fixture Editor ____________________ 201
39 Operating Concepts and
Terminology 202
39.1 Overview _______________________ 202
39.2 Programmer / Playback ____________ 202
39.3 Priority Control ___________________ 202
39.4 Attribute Default Values ____________ 202
39.5 Programmer Control _______________ 202
39.6 Playback Control __________________ 203
39.7 Recording and Playback Concepts ____ 203
39.7.1 Tracking Playback _________________ 203
39.7.2 Typical Tracking Operations __________ 203
39.7.3 Advantages of Tracking _____________ 204
39.7.4 Disadvantages of Tracking ___________ 204
39.7.5 Cue Only Playback _________________ 205
39.8 Recording Cues ___________________ 205
39.8.1 Content Options ___________________ 206
39.8.2 Cue Only (recording) _______________ 207
39.8.3 Mark Cues (Move in Black) __________ 208
39.9 DMX 512 ________________________ 208
39.10 DMX Universes ___________________ 208
39.10.1 DMX Slot ________________________ 208
39.10.2 Attribute. ________________________ 208
39.11 HTP (HIGHEST TAKES PRECEDENCE) __ 208
39.12 LTP (LATEST TAKES PRECEDENCE) ___ 208
39.13 RDM ___________________________ 208
40 Hints and Tips 210
40.1 Simple Cue Playback _______________ 210
40.2 Parked channels __________________ 210
40.3 One Shot Chase __________________ 210
40.4 Performance Window Tips___________ 210
40.5 Flashing a cue ____________________ 211
40.6 Quick Record _____________________ 211
40.7 Snapping Forwards or Backwards _____ 211
40.8 Operate Clarity Like a Manual Desk ___ 211
40.9 Programmer Override ______________ 211
40.10 Media Server Thumbnails ___________ 211
40.11 Audio Playback ___________________ 212
40.12 Automated Follow Spot Audio Cues ___ 212
40.13 Simple RGB Mixing ________________ 212
40.14 Recording Only Pan (or Tilt) _________ 213
40.15 Time Presets _____________________ 213
40.16 Sorting, Buddying & SubGroups ______ 213
40.17 Universal Control. _________________ 213
40.18 Copy And Paste ___________________ 213
40.19 Fans Buttons _____________________ 214
40.20 Multiple Programmers ______________ 214
40.21 Cuelist Folder Order _______________ 214
41 Index 215
42 COMPLIANCE STATEMENTS 218
Clarity
Operator Manual
Conventions Used in this Manual
Throughout this manual, certain conventions have been used to make the meaning clearer.
1) A word in Bold test represents a button, a Tab, an area or label on the GUI (Graphical User
Interface).
2) The terms “Click” “Select” and “Touch” are interchangeable.
3) Emphasis is indicated by underlining.
4) Notes or Hints are displayed in italic font
Copyright Notices
Clarity application software is developed by OpenClear Pty. Ltd.
www.openclear.com.au
Copyright © 2009 OpenClear Pty. Ltd.
All rights reserved.
USB and RDM software modules and LX products are developed by LSC Lighting Systems (Aust) Pty. Ltd.
www.lsclighting.com
Copyright © 2009 LSC Lighting Systems (Aust) Pty. Ltd.
All rights reserved.
Contents of this manual, Copyright © 2012
OpenClear Pty. Ltd. and LSC Lighting Systems (Aust) Pty. Ltd.
All rights reserved.
Clarity
Latest Features
Operator Manual
Page 1
1 Latest Features
1.1 OVERVIEW
Both LSC Lighting Systems (Aust) Pty. Ltd. and OpenClear Pty. Ltd. have a corporate policy of
continuous improvement covering areas such as product design and documentation. To achieve
this goal, we undertake to release software updates for all products on a regular basis. The latest
features to be added to this version of Clarity are listed below.
1.2 VERSION 2
Clarity Version 2 contains the following new or enhanced features.
1.2.1 Rig Mode
Rig mode is a fixture selection tool and two dimensional visualiser. It shows a geographical view
of the patched fixtures (and groups) which you can arrange so that they are positioned as they
actually are in your rig. This allows you to rapidly find and select fixtures for programming by
clicking on them or touching them. A background image of your stage or venue can be added to
aid selection and multiple views can be created. The intensity, colour and position of the fixtures
are also displayed. See section 12 for more details.
1.2.2 OSC
OSC stands for “Open Sound Control” and was developed as a protocol to replace MIDI. It has
evolved to the point where it is used for many types of devices other than audio devices or
synthesizers and Clarity now has both OSC client and OSC server functionality. This allows
Clarity to control OSC devices and also to be controlled by OSC devices. See section 31 for
more details.
1.2.3 Page Bookmarks
Page bookmarks allow instant recall of pages on all connected control surfaces (LX console or
VX wings). See sections 8.7.10 for details.
1.2.4 User Definable Keyboard Shortcuts
You can now define your own keyboard shortcuts for a wide variety of Clarity functions. See
section 10.10 for details.
1.2.5 Date/Time Scheduler.
You can define various playback actions to occur at specific dates or times, with optional
repeats for “n” repeats or forever. This function is intended for scenarios where Clarity operates
unattended. See section 0 for details.
1.2.6 Audio Control Device
You can now add virtual fixtures that can be assigned to specific audio slots to control
individual playback volume or start/pause/stop playback of specific audio slots. See section
24.7.1 for details.
1.2.7 Intensity Levels windows
The Intensity Levels view complements the normal “Levels” views by providing intensity
specific information with optional auto-compression (hiding levels that are at zero). This makes
it much easier to see all of the channels in use when there a large quantity of fixtures. The
window provides two default views:
Console Output which (by default) shows the source of each fixtures level.
Cue-list contents which (by default) follows the current cue-list.
You can add more custom views and undock individual views to locate them on external
monitors etc. See section 28 for details.
1.2.8 Touch Screen Input Support
Several GUI sections have been redesigned to be more suitable to touch input, such as the
record dialog, control booth cue-list settings pane, sort controls etc.
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1.2.9 Touch Mode
Enabling the option “Show, Settings, Control widget touch mode” optimizes operations on
touch screens so that the cursor is not hidden and makes it easier to make larger changes by
flicking any parameter control so that the value will continue moving with inertia (similar to
scrolling on an iPhone).
1.2.10 Redesigned Record Dialogue Box
The record dialogue has been redesigned to incorporate recording cues, groups,
presets/freesets and page bookmarks, all from one central dialogue.
1.2.11 Out Timing
You can now specify an optional out delay and out fade time for intensities in the Control Booth
window.
1.2.12 Console Emulation
The desktop version of Clarity now operates in either the standard desktop mode or in console
emulation modes to mimic the software configuration and control layouts on a LX300, LX600 or
LX900 console.
See section 3.12 for details.
1.2.13 Show Files
Clarity has a new method of saving/exporting and loading/importing shows and handling media
files.
See section 29 for details.
1.2.14 New User preferences
Close edit session when saved. Pressing Save when editing a cue or cue-list will close the
edit session as well.
Default fade time. Defines the default fade time for new parameter values in the
programmer.
On level. Defines the intensity level applied by pressing the On/Full button (LX) or F key on
the keyboard. A double-tap of this button will set the intensity to 100%.
HTP override priority. LTP playbacks at this priority or higher will override HTP playbacks,
otherwise HTP takes precedence over LTP.
Run ‘lamp on’ macros in parallel. Normally the ‘Lamp on’ command is executed sequentially
for each fixture to avoid overloading the rig, but in some cases this is unnecessary so this
option causes all selected fixtures to be “lamped-on” at the same time so that the operation
completes quicker.
Invert flash button operation on rate faders. If a cue-list is loaded on a playback and
there are un-used (clear) playbacks to the right of the loaded playback, then the unused
playbacks can be linked to the loaded playback to provide greater live control of Chase Rate,
Playback Rate, FX Rate and FX Amplitude. Normally you need to hold the Flash button while
moving the rate/amplitude fader to adjust the value. If you reach a fader end-stop but you
need to more range, you can release the flash button and move the fader to the opposite end,
then hold flash and move fader to continue adjusting the value. This is known as “scooting” the
fader.
This new user preference, “Invert flash button operation on rate faders”, means that you just
move the fader without holding flash to adjust the value, then (if you reach the fader end stop)
hold flash to reposition the fader. So the fader is always connected giving you get instant
control but you can hold the Flash button down to 'scoot' the fader! See sections 3.21 and
8.7.12 for more details.
1.2.15 New Cue-list Options
Solo on flash. When this is enabled for a playback, pressing it’s flash button will set all other
playbacks to 0% intensity unless they have ‘Solo safe’ enabled.
Solo safe. Prevents an active playback from being set to 0% by other “Solo on flash”
playbacks.
Release on pause/back. Causes the pause/back button to release the playback instead of
stepping back (useful for chases).
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Action button toggle. When a cue-list is assigned to an LX600 or LX900 Action button,
pressing the Action button will play the cue-list. If this option is ticked, pressing the Action
button will play the cue-list and pressing the Action button again will release the cue-list. This
option is used with cue-lists that contain a single cue allowing you to fade the cue up and down
using just the one button.
1.2.16 Minor Changes
Added ability to re-order and name pages.
Added a confirmation dialog before deleting any palettes.
Allow drag n drop of multiple cues and cue-lists in control booth.
Add cue-list folders to control booth.
Added 'UNPATCHED FIXTURES' area to patch window, plus ability to unpatch and re-patch
fixtures. Unpatched fixtures do not count towards your license limit.
Add Patched slot count to the “About” dialogue.
Redesigned sort controls so they pop-in at the bottom of the programmer window.
Palette window's Remove menu item now called De-activate.
Solo can trigger Button playbacks that have been configured as “Go on fader up”.
Ability to switch to fixture editor from Show menu.
Implement Function + Release to do Release all and Function + double-tap Release to
ignore the “ignore release all” preference.
Added ability to change extension type on VX wings.
1.2.17 Fixture Attribute Default Values
When an attribute of a fixture is not under control of a programmer or playback, the DMX value
that is output for that attribute will be its default values contained in Clarity's fixture library.
You can now set your own default values. See section 39.4 for details.
1.2.18 MAC Installation
The installation of the desktop version of Clarity has been simplified. See section 3.3 for details.
1.2.19 User Manual
The individual user manuals for the desktop and console models have been merged into a single
user manual that covers all versions of Clarity.
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2 Introduction/Models
2.1 OVERVIEW
Clarity lighting and media control is available as a Desktop software package for PC or MAC
(with optional USB connected peripherals) or in three console models, LX300, LX600 and
LX900.
There are separate sections in this manual for the Desktop version (with its optional
peripherals) and for each of the Console models.
The software is common to all platforms, however there are small differences that are
particular to each platform due to the different hardware controls of each platform. The
common operating system is described in detail with separate sections for of the various
operations that can be performed. The screen shots used in these sections of the manual are all
from the LX600. There might be slight variations in the screen layout in other modes of
operation.
The Desktop version can be configured to run in desktop mode or to emulate any of the console
platforms. Emulating a console is most useful for pre-programming a show for a console when
the console is not available.
2.2 DESKTOP VERSION
Clarity Desktop
shown with optional VX20 wing and
external monitors.
The desktop version is described in its own section of this manual. A range of USB accessories
are available for desktop operation.
2.3 CONSOLE MODELS
There are three models in the LX range of consoles….
LX300
LX600
LX900
Each console is described in its own section of this manual.
2.4 COMMON FEATURES
The desktop and LX consoles all run the renowned Clarity software with many years of proven
reliability on thousands of shows. Some of the main features of Clarity are:
Full Drag and Drop Patching, with intelligent fixture Cloning.
Rig View with 2D simulation and easy fixture selection.
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Seamless fixture substitution, brand to brand, model to model, type to type, etc, from
the world's most comprehensive Fixture Library.
Multiple programmers, each with independent unlimited Undo/Redo.
Media Server Integration with clip thumbnails (supports Arkaos VJ DMX, ArKaos Media
Master, Catalyst, Green Hippo’s Hippotizer, Pandora’s Box, ROBE Digispots).
LED pixel mapping with picture and video playback – maximum size limited only by
available DMX slots.
Full Dynamics Editor and Effects Engine with smooth cross-fading of effects.
Freesets – just like Presets, but independent of fixture type and quantity.
Time Presets and Live Time Busking interface.
Unlimited Groups, Presets, Freesets, Cues and Chases.
Audio playback and time-code synchronization.
Full tracking cue-lists with Macro scripts and Undo/Redo of cue record/delete.
Unique Performance window live interface, a very powerful ad-lib playback matrix grid.
2.5 HELP
The desktop installation includes a copy of this manual that can be found in the LSC folder.
The LX consoles contain a copy of this manual that can be viewed on screen and on-board
video tutorials of common operations. They are contained in the LX Tools utility.
To start LX Tools from the console press Function+Fine+Fine at the same time.
To start LX Tools from the keyboard press Ctrl+Alt+L at the same time.
If you are experiencing problems with Clarity either contact your local LSC agent or post a
message on the LSC forum at http://www.lsclighting.com/forums/
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3 Desktop (PC or MAC) Clarity
3.1 OVERVIEW
Desktop
The desktop version of Clarity consists of a software application and optional control surfaces
and interfaces. In its simplest form, Clarity can be run with just a computer where control is via
a Graphical User Interface (GUI) or Command Line input and output is via ArtNet (DMX over
Ethernet). Hardware can be added in the form of USB to DMX adaptors and USB Playback and
Programming wings that also include DMX outputs.
The desktop version of Clarity is available for both PC and MAC operating systems. Purchased
versions of Clarity desktop include a USB dongle (HASP) that you plug into a USB port of the
same computer that is running Clarity or into the secure compartment in the rear of a VX10 or
VX20 wing. When you start Clarity, it reads the license from the dongle and automatically
enables the channel capability that you have purchased. Multiple dongles can be plugged in at
the same time to increase your available DMX channels.
Your Clarity USB Hasp Dongle is a valuable item. Without it, Clarity will operate in “Demo
Mode” as described below. Therefore you should care for it as you would any other valuable
piece of equipment. LSC recommends that you insure your USB Hasp Dongle against loss, theft
or damage as LSC cannot supply a replacement in these circumstances.
3.1.1 Software
The Clarity software contained on the Clarity CD is also available as a download from the LSC
website, www.lsclighting.com.
Both the CD and downloaded versions are identical although both LSC Lighting Systems (Aust)
Pty. Ltd. and OpenClear Pty. Ltd. have a corporate policy of continuous improvement. To
achieve this goal, we undertake to release software updates for all products on a regular basis.
In light of this policy, the website might contain a later version of Clarity than the version on
your CD or in your console. Please check the web site for the latest version of Clarity software.
3.2 INSTALLING CLARITY ON A PC
When using a PC type of computer, LSC recommends running Clarity on Windows Vista ©,
Windows 7 ©, or Windows 8 © operating systems.
Note: The Clarity software and device drivers must be installed before connecting any QX DMX
nodes or VX wings to your computer.
Install the software by double-clicking on the Clarity installation file supplied on the CD or
downloaded from the LSC website (www.lsclighting.com).
Note: The name of the Clarity installation file will be different depending on which version of
software you are loading but will be of the form Clarity-PC-x.y.z.exe where x.y.z is the version
number of the software.
Windows will ask you if you want to allow Clarity to make changes to your computer. Click Yes
and the “LSC Clarity Setup” dialog box appears.
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Components are selected for installation by checking there box. Position your mouse over a
component to see its description.
A new installation of Clarity requires all 3 components to be installed.
Clarity
LSC QX/VX USB Driver
Aladdin HASP SRM
The Aladdin HASP SRM software is for the USB Dongle that contains your Clarity license.
An upgrade to a new version of Clarity only requires 2 components to be installed.
Clarity
LSC QX/VX USB Driver
Continue the installation by clicking Next, then follow the on screen instructions.
The QX/VX drivers are certified 64 bit drivers, however you may be asked to confirm their
installation. Installation of the “Aladdin HASP SRM” software can take several minutes. You can
check the operation as described in “HASP Diagnostics” below.
When the installation is complete, click Close.
If you accept the defaults, Clarity will be installed in C:\Program Files\LSC\Clarity.
You can now plug in a QX DMX node, VX wing or USB license dongle (Hasp). The first time that
you do this, windows automatically installs their device drivers. This takes a few moments and
windows will inform you that “Your device is ready to use”.
To run Clarity, click on Start\All Programs\LSC\Clarity where you will see all of the installed files.
Click on Clarity to run the program.
The above steps are for installation on Windows 7. The process for Windows Vista and Windows
8 will be similar.
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3.3 INSTALLING CLARITY ON A MAC
Previously Clarity-Mac was distributed as an installation package. When you run the package it
displays a wizard that walks you through the installation procedure.
This has now been replaced with a simpler process. Drag the app (Clarity.app) over to the
Applications folder. When you run Clarity for the first time it will automatically install the fixture
library into the Clarity data location (i.e. {home}/Clarity).
3.3.1 HASP Installation for Mac
If you have purchased a Clarity license you will need to install the HASP SRM Runtime.
Double click HASP SRM RTE Installer.pkg
Follow the on screen instructions to install the HASP SRM Runtime.
If you have previously installed the HASP SRM Runtime (possibly from a previous version of
Clarity) then you might see an error message telling you that the software cannot be installed.
This only means that the version already on your computer is the same as the version you tried
to install so it was not required. Click Close.
3.4 HASP DIAGNOSTICS
You can verify that the HASP SRM Runtime is correctly installed by navigating to
http://localhost:1947 to view the “HASP SRM Admin Control Centre”. Make sure you USB
license dongle is plugged into a USB port then click on HASP Keys to verify that your key is
recognized. You might have to refresh the page if you are too quick.
3.5 DEMO MODE
If Clarity is run without a USB dongle it will run in Demo mode. Demo mode has full
functionality but the intensity of all fixtures will black out and all non-fadable channels will
freeze for a short period on a regular basis. It is therefore not suitable for running a show,
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however it is ideal for training and demonstrations or to create off line shows that can be run
on a purchased version of Clarity or on a LX console.
3.6 DESKTOP DMX OUTPUT
DMX512 output is obtained by connecting any of the following devices to the USB port of your
computer. Multiple devices can be connected.
LSC Clarity QX1 interface provides 1 universe of DMX output.
LSC Clarity QX2 interface provides up to 2 universes of DMX output.
LSC Clarity VX10 wing provides up to 2 universes of DMX output.
LSC Clarity VX20 wing provides up to 4 universes of DMX output.
QX1
Provides 1 universe of DMX output
QX2
Provides 2 universes of DMX output
The QX1 and QX2 interfaces are powered directly from the computer’s USB connector. Connect
your DMX controlled equipment to the relevant DMX universe connectors. The DMX outputs are
fully isolated from the USB input.
Note that the DMX output has to be patched in Clarity before it will work. See section 11.12 for
details.
3.7 DESKTOP ARTNET OUTPUT
ArtNet is a protocol that is transmitted over Ethernet LAN (Local Area Network) or WAN (Wide
Area Network) and supports up to 255 DMX Universes on a single cable. To use ArtNet it must
be connected to the internal universes within Clarity in the Patch window. See section 11.13 for
details.
3.8 VX10 PLAYBACK WING
Control of Playback on a computer can be augmented by adding an
LSC Clarity VX10 playback wing. This provides 10 fader Playbacks
with LCD displays and multiple page selection, a Grand Master and
DBO (Dead Black Out), two DMX512 universe outputs, remote
trigger inputs and a secure compartment for installing your license
dongle and a front panel USB port.
Connect the VX10 wing to a USB port of your computer using the cable provided. The VX10 is
powered directly from the computer’s USB connector. A separate power supply is required
when your computer’s USB connector cannot supply sufficient power for the VX10.
VX10 Rear Panel
The rear panel is described in detail below.
Power Input
LED Desk
Lamp Socket
2 DMX Universe Outputs
USB dongle
compartment
Remote Trigger
Inputs
USB to
Computer
Kensington
Lock slot
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3.9 VX20 PROGRAMMING & PLAYBACK WING
Programming controls on a computer can be augmented by
adding an LSC Clarity VX20 wing. This has all of the features of
the VX10 but adds 10 button Playbacks with LCD displays and
multiple page selection, Programmer controls (including
trackball), MIDI in and out and includes four DMX512 universe
outputs.
Connect the VX20 wing to a USB port of your computer using the cable provided. The VX20 is
designed to operate off USB power, however for some computers and when using a LED
gooseneck light, there may be insufficient USB power to operate the VX20. To cater for this,
the VX20 is fitted with an internal universal mains power supply. We recommend connecting
the VX20 using the supplied IEC cable to a source of 85 to 264 Volts AC mains power wherever
possible. The backlight for the LCD screen only works when external power is connected.
VX20 Rear Panel
3.9.1 USB Indicator
The LED beside the USB connector shows the status:
Flashing RED = No USB connected. (The DBO button also flashes)
Steady RED = USB connected but Clarity not running on computer.
Green = USB data is OK.
3.9.2 DMX Indicators
The LED beside each DMX connector shows the status:
Green = DMX data is OK.
3.9.3 Desklamp
The Desklamp socket provides 12volts power for a LED. Pins 1 and 2 are ground and pin 3 is +12
Volts. The brightness control is accessed by holding down Function and Select together.
3.9.4 Kensington Lock Slot
The Kensington Lock slot allows you to secure your VX10 or VX20 wing using a commercially
available tethering device.
3.9.5 USB Slot
The top panel of the VX10 and VX20 wings has a standard USB connector allowing you to connect
other USB devices such as memory devices to store your shows.
Multiple VX10 and VX20 wings can be connected to your computer.
Note: The QX and VX products are designed to be powered from the USB port on our computer.
However due to the design of some computers or your particular configuration, there may not be
enough power to operate the VX products. If you experience problems in the installation process,
first try a different USB port on your computer or try powering the VX10 with an external power
supply or if you have a VX20, plug it into the mains supply. If you still experience problems,
check the LSC website or contact your local dealer.
Note that the DMX output has to be patched in Clarity before it will work. See section 11.12 for
details.
4 DMX Universe Outputs
LED Desk
Lamp Socket
Mains Input
USB to
Computer
Remote Trigger
Inputs
MIDI In
MIDI Out
USB dongle
compartment
Kensington
Lock slot
USB Indicator
DMX Indicator
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3.10 STARTING CLARITY
If you are running a purchased copy of Clarity, please ensure that your USB license dongle is
plugged into a USB port on the PC or in the secure rear port your VX10 or VX20 wing before
you start Clarity.
To start Clarity, double click on the Clarity icon on your desktop or browse to the LSC menu
from your Start button.
3.11 LOADING A SHOW
When you start Clarity, it prompts you to load a show.
The Mode: function allows you to run Clarity as a normal desktop version or to emulate a
console version of Clarity (LX300, LX600 or LX900) on your computer. If “Mode” is left as Auto,
then the mode is determined from the show file that is loaded. For example, if you load a show
saved on a LX600 then Clarity will start up in LX600 emulation mode. Clicking the dropdown
box allows you to make a selection.
Selecting a console mode is particularly useful when you are creating or editing a show on the
desktop version that will be loaded onto a console version of Clarity. Once you have made your
selection………
Clicking Last Show loads the last show to be saved.
Clicking Open shows a standard file navigator allowing you to select any show.
Clicking Recent opens a drop down box containing your most recent shows.
Clicking New Show starts a new show.
3.11.1 Show Tab
When Clarity is running you can always start a new show, change to an existing show, save or
rename a show from the Show tab on the top toolbar. Selecting “Change show…” allows you to
also change the “Mode” as described above and below.
Mode:
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3.12 MODES OF OPERATION
Clarity's top toolbar is available in all modes of operation and has tabs allowing you to switch
between the main windows of: Patch, Rig, Programmer, Palettes, Control Booth,
Performance, Levels and Intensity Levels.
Desktop Mode
When Clarity is started in a LX console emulation mode (described above), the main window is
contained within a special ‘wrapper’ window which can be scrolled to navigate the main
window. This allows the main window to remain at the original size it would be on the console
to preserve graphical layouts and positions.
LX300 emulation Mode
LX600 emulation Mode
LX900 emulation Mode
The wrapper window’s toolbar provides several options:
Fullscreen. The wrapper is set to full screen mode and the wrapper’s toolbar is hidden.
Resizable. The main window’s size will follow the size of the wrapper window and the
scrollbars are hidden, unless the wrapper window is smaller than the main window’s
minimum size.
Hide toolbar. This option replaces the window wrapper’s toolbar with a small yellow
disc on the top right of the wrapper window. Clicking on this presents the toolbar
options as a drop-down menu.
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Split/Join (LX900 mode only). The LX900 has two internal monitors. This splits the
wrapper into two separate wrapper windows. If this is running on a system with two or
more monitors then the other wrapper window will be presented on the other monitor
and will appear full screen if the original wrapper was full screen.
Left/Right (LX900 mode only). This switches the view between the LX900’s left or right
internal monitors (unless the wrapper has been split). The left monitor of the LX900
displays the “Levels”, Intensity Levels” and “Performance” windows.
Playback display mode (LX600 or LX900 modes). The LX600 and LX900 have
playback displays positioned at the bottom of the main screen(s) and this controls how
they are presented in the wrapper:
o Auto. If the main window size is normal (1280x1024) then the playback display
is positioned at the bottom as usual. If the Resizable option is enabled then the
playback display is only displayed if the main window size is 1280x1024. For
example, if running on a 1280x1024 host system in full screen mode.
o Always Hidden Playback displays are never shown.
o Always Visible Playback displays are always shown at the bottom of the main
window even if the main window size is not 1280x1024. Note that if the main
window width is less than 1280 then the playback display will be truncated.
3.12.1 Console Window
When running in an emulation mode, a top-level Console tab is provided to show the console’s
internal encoder wheel touch screen and includes tabs for displaying the virtual control surfaces
of the relevant LX console.
For example, the LX600 Console tab allows you to select the LX Programmer, LX Action
Buttons and LX600 Playbacks controls:
Click here for
display options
LX Controls
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LX Programmer
LX Action Buttons
LX600 Playbacks
The buttons and faders all work as if they were on the actual console.
If you need to press two buttons at the same time, pressing and holding a button for 1 second
will latch that button down. For example, if you wanted to hold the Function modifier or one of
the wheel modifier buttons you latch it by holding it for one second. Press it again to un-latch
it.
The playbacks on the LX600 and LX900 do not have dedicated contents displays as in the
LX300 but show their contents on the touch screen located above them on the console. These
displays are emulated at the bottom of the screen on your computer. Depending upon the
screen resolution of your computer you might have to scroll to the bottom to see the playback
displays.
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LX600 Playbacks with main screen scrolled down to see the playback displays.
The playback controls work in exactly the same manner as in the actual consoles. See the
playback sections of the consoles for details.
When hovering over an emulated LCD screen, a zoomed version of the LCD is presented to aid
readability. This is also configurable via the tool menu. The emulation views also snap to screen
boundaries and to each other to aid layout.
3.13 BASIC DESKTOP OPERATION
The tabbed windows of the main menu bar follow the same order as the basic steps used in
control lighting fixtures.
1. Patch allows you to select your fixtures from a fully integrated fixture library of over
2000 fixture personalities supplied by Carallon, an independent supplier of fixture
libraries. You patch a fixture to its DMX slot by drag and drop.
2. Rig, Programmer and Palettes allow you to select fixtures and control their attributes
to create (record and edit) looks, effects, cue lists and palettes.
3. Control Booth and Performance provide extensive methods of playback.
4. Levels shows you what is happening on the output.
All of these operations are described in detail in their relevant sections of this manual.
The right end of the top toolbar has buttons for Clear All, Release All and DBO.
Clear All clears all fixtures from all Programmers.
Release All releases all fixtures from all Playbacks.
See the Programmer and Control Booth sections for more details on Clearing
and Releasing.
DBO (Dead Black Out) instantaneously blacks out all fixtures and dimmers.
This is a momentary action. When the button is released, all output is
instantly restored.
GM (Grand Master). When you hover the mouse over the DBO button, the
Grand Master (GM) appears. You can click on 0 (Black Out) or 100 (Full
level) or drag the virtual fader to set an overall intensity level. The DBO
button flashes red if the Grand Master is set to any level below 100%. It
stays red when the Grand Master is set to 0%.
Display scrolled
to see Playback
contents
Playback
contents
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3.14 PATCHING
Clicking on the Patch tab reveals the patch window.
To patch a fixture:
In the Library, click on the fixture manufacturers name to show all of their models then
select your model of fixture. Dimmers are located in the “Generic” listing.
Drag the fixture name and drop it into the desired DMX slot in the Patch Field or double
click the fixture name to patch it to the next available slot.
Enter the quantity of fixtures in the pop up “Add Devices” dialog then click Patch.
Continue to select fixtures and patch them as above.
In the “Connections” Pane, click the down arrow beside the Universe that you have
patched your fixtures to and then select the output DMX connector to use.
Library
Patch Field
Connections
Information on
selected fixture
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3.15 PROGRAMMING
Clicking on the Programmer tab reveals the programmer window.
All patched fixtures are available in the Selection sidebar, organized in tabs of patched fixture
types and groups.
Select the tab for the fixtures to control then click on the fixtures to select them.
Click and drag to quickly select multiple fixtures.
Clicking on a selected fixture de-selects it.
When a fixture(s) is selected, its attribute controls appear.
Fixtures can also be selected in the Rig view. See section 12 for details.
3.15.1 Attribute Controls
Clarity uses Attribute Controls in many of its windows to control the values of fixture attributes,
dynamic effects and timing controls. Specific Attribute Controls automatically appear when
required for the fixtures or objects that you select.
Attribute Controls are adjusted by clicking and dragging with a mouse anywhere within each
attributes window.
A single Attribute Control for controlling one dimmer looks like this:
To adjust the intensity of the dimmer, click and drag anywhere in the bar below the attribute
name “Intensity”.
If seven dimmers are selected the Attribute Control looks like this:
To adjust the intensity of all 7 dimmers, click and drag anywhere inside the bar. All these
dimmers are set to 50%.
Fixture type and
Group Tabs
Click on Fixtures
to select them
Attribute
Controls
Universal
Controller
Selection
Sidebar
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When you select different fixtures that have multiple attributes, Attribute Controls
automatically appear for each type of fixture and each attribute of each fixture type.
3.15.2 Attribute Quick Menus
To access the “Attribute Quick Menus, either click on the name of an Attribute Control or right
click in the Attribute Control area. Each individual Attribute Control has its own specific quick
menu, offering rapid access to common settings relevant to that attribute.
For example:
Gobo Colour
Typical Attribute Quick Menus
3.15.3 Universal Controller
The Universal controller at the bottom of the Programmer window can also be used to control
the attributes of all selected fixtures. These controls work with any type of fixture that has been
selected and are especially useful to simultaneously control selections of mixed fixture types.
Clicking and dragging in these controls uses low mouse gearing for accurate control, but can be
made even finer by holding down [Shift] whilst dragging.
3.15.4 Creating a Lighting Look
Select the fixture(s) to be controlled.
Use the Attribute Controls or the Universal Controller to get the desired look.
To record the look as the first cue in a cue-list click Record.
In the Record dialog that opens accept the defaults and click Record.
Select fixtures and adjust attributes to set the next look.
Attribute
Name
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To record this look as the next cue in the Cue-list click Append Last.
Repeat until all cues in the cue-list have been recorded.
Click Clear to clear all attributes from the Programmer.
3.16 PLAYBACK
Desktop Clarity provides several means of playing back the cues that you have recorded.
3.16.1 Control Booth
Clicking on the Control Booth tab reveals the Control booth window.
Clicking on a Cue-list (that you have recorded) allows it to be controlled by the buttons
in the “Control” pane.
Dragging a Cue-list to the Playbacks pane creates a new Playback with buttons and a
fader to control the Cue-list. Multiple pages of Playbacks are available. The function
buttons of your computer keyboard (F1 through F7) act as “Go” buttons for playbacks 1
to 7 respectively.
3.16.2 Adding a Virtual VX Wing
Cue-lists are assigned to the playbacks on VX wings in the Control Booth window by drag and
drop onto a virtual copy of the selected wing on the Clarity screen. When a wing is plugged into
the computer running Clarity, the real and virtual wings both operate simultaneously. Move a
fader on the real wing and the same fader on the virtual wing also moves. Click a button on the
virtual wing and both it and the real wing button light.
To add a virtual wing you must be running in “Desktop Mode”. In the
Control Booth window click Hardware, Manage and in the Hardware
dialog box select add virtual wing....
From the Add new device box drop down list select your model of
playback wing or DMX node and click OK then Close.
3.16.3 Selecting a Virtual VX Wing
To select a Virtual Wing, in the Control Booth window click Hardware,
then click on the name of the Wing that you added above (Clarity VX10
or Clarity VX20). The selected wing appears on the screen. The virtual
wing is fully functional except that the Grand Master is not activated until a
hardware USB wing is connected.
Cue-lists
Controls for
Selected Cue-list
Playbacks Pane.
Drag and drop cue-lists to
create Playbacks
Hardware
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VX20 Virtual Wing Display
3.17 ADDING A CUE-LIST TO A VX WING
To add a cue-list to a playback on a wing, in the Control Booth window, drag the cue-list
from the cue-list column onto the LCD window of the virtual wing playback. If the actual
wing is connected, the cue-list also appears in the same playback as on the virtual wing.
Cue-lists already on a wing playback can be moved to a different playback by dragging
them on the virtual wing.
To copy a cue-list to another playback, hold [Ctrl] (PC) or [Cmd] (Mac) whilst dragging
on the virtual wing.
3.18 WING PLAYBACK PAGES
The playbacks on the Clarity VX10 and VX20 wings can have up to 99 pages of cue-lists.
On the VX10 wing, the Page Buttons select the current page for all 10 playbacks.
Playbacks and Page Buttons on a VX10 Wing
On the VX20 wing, playbacks are divided into 2 separate banks. Playbacks 1 to 5 and 11 to 15
are in the left bank and playbacks 6 to 10 and 16 to 20 are in the right bank and each bank has
separate Page Buttons.
Playbacks and Page Buttons on a VX20 Wing
Virtual VX20 Wing
Left Bank
Page buttons
and display
Left Bank
Playbacks
Right Bank
Playbacks
Right Bank
Page buttons
and display
Page buttons
and display
Playbacks
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When you start a new show, only page one exists. When a cue-list is dropped onto any
playback on a page of a virtual wing, the next higher page is automatically created.
You can manually create any page number (up to 99) by directly selecting that number as
described below. This also automatically creates all of the in between pages up to the selected
page number.
The page number display beside the page buttons shows a ▲ or ▼ symbol when a higher or
lower page exists.
Pressing Page ▲ or Page ▼ selects the next higher or lower page number.
To directly select any page number, hold either Page ▲ or Page ▼ and use the
numbered [flash] buttons below the faders to enter the page number.
For example, to go to page 21, hold either Page ▲ or Page ▼ and tap 2, 1.
Use the 10 button as a 0.
Holding Function and pressing Page ▲ or Page ▼ increments or decrements the page
number by 10.
3.18.1 Locking a Playback
A playback on a VX wing can be locked so it is unaffected by page changes. On the virtual
wing, right click on the playback and select Lock this playback. The letter L is displayed.
3.18.2 Page Bookmarks
Page bookmarks allow instant recall of pages. See section 8.7.10 for details.
3.18.3 Managing VX Pages
Pages can be re-ordered and named. See section 8.7.9 for details.
3.19 WING PLAYBACKS
VX20 Playback masters
The area of the LCD screen adjacent to each playback shows the name of any cue-list that is on
the playback and also the names of the current cue and the next two cues in the cue-list.
GM (Grand master): controls the overall intensity of all fixtures on the output. If more
than one VX wing is connected, the Grand Masters work on a Lowest Takes Precedence
basis.
DBO (Dead Black Out): Whilst held down, it blacks out all intensity of all fixtures on the
output.
1-10 Intensity Flash
Grand Master
DBO
Left Bank Page
Right Bank Page
Function
Select
Release
Edit
Record
Pause/Go Back
Master Go
11-20 Play
11-20 Pause
1-10 Go
1-10 Pause
1-10 Intensity Faders
LCD screen
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Intensity fader: that controls the overall intensity of all fixtures on the output of its
playback (Playbacks 1 to 10 only).
Flash button: Instantly flashes the intensity of all fixtures on the playback to full level
(Playbacks 1 to 10 only). Also see “Solo” and “Solo Safe” in section 24.2.1
(Go): Plays the next cue in the cue-list or restarts a paused fade. Pressing will
start the fade to the next cue even if the current fade has not finished.
Press Function+ to snap to the next cue.
o The indicator in the button lights during the transition to the next cue.
o The indicator in the button slowly flashes if any of the attributes in the cue have
been overridden.
If the playback contains a chase, pressing will start the chase. If you continue tapping
(to the beat of the music) it will automatically adjust the chase speed to the beat.
II I Pauses any fades in progress. If no fades are in progress, if fades back to the
previous step.
Press Function+ II I to snap to the previous cue.
o The indicator in the button lights when the fade to the next cue has completed.
Select: Selecting a playback allows it to be controlled by the Master and Master II I
buttons and also selects the playbacks cue-list in the Control Booth window allowing you
to see and or change the playback settings of the cue-list.
o To select a playback tap Select then tap any button of the desired playback.
o The cue-list name of the “currently selected cue” is displayed in reverse video (black
text on white background).
(Master Go): Plays the next cue or restarts a paused fade of the selected playback.
See Select above.
II I (Master Pause /Go Back): Pauses the fade of the selected playback. If no fade is
in progress, if fades back to the previous step. See Select above.
Release: To release a playback, tap Release. All buttons of all playbacks flash. Tap
any button of the playback to be released.
To clear (remove) a cue-list from a playback, right click on the name of the cue-list on
the virtual playback then click Clear.
Edit: To edit a cue on a playback, tap Edit. All buttons of all playbacks flash. Tap any
button of the playback to be edited.
Record: opens the Record Cue dialog box.
To append a cue to the last recorded cue-list, press Record twice.
To record the cue on a playback on a VX wing, press Record then press the flash
button of that playback.
Page: the Page buttons are described earlier in this section.
3.20 WING GROUP MASTERS
You can configure any of the VX wing fader playbacks (or Control Booth playbacks) as fixture
“Group Masters”. When a playback is converted into a Group Master, it no longer controls its
previous cue-list (if any) but instead acts as a submaster over the intensity of the selected
group as determined by your choice of either “Additive, Scale+, Inhibiting or Limiting”
mastering as described below.
To create a Group Master on a wing, in the Control Booth window, Right click on the LCD
window of the virtual wing playback and select Set as Group Master...
See above for details on how to display the virtual wing.
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