1. That a high order of inter-modulation distortion reduction can be realized due
to non-interaction between high and low frequencies, yielding improved clarity.
2. The elimination of the passive crossover itself. The elements of the crossover
absorb power from the amplifier and may cause distortion. In addition, the
capacitors and coils of a crossover create a reactive load that is difficult for an
amplifier to drive compared to the more purely resistive load of the driver.
3. A passive crossover system requires approximately 3dB more power than an
active crossover system. In other words, an active crossover system requires half
the total power of a passive system.
A heavy aluminum extrusion and rigid endplates combine to form a rugged
unitized chassis. All construction and assembly is performed in-house and each
unit is fully tested, inspected, and re-tested before shipping.
INSTRUCTIONS
Read the following instructions completely through. If it appears too complicated,
we recommend that you have an authorized LINEAR POWER™ dealer do the
work.
IMPORTANT !!!
THE FREQUENCY CHIP MUST BE PROPERLY INSTALLED AND LOCKED
FIRMLY IN POSISTION PRIOR TO OPERATION IN ORDER TO PREVENT
THE POSSIBILITY OF SEVERE SYSTEM DAMAGE.
LINEAR POWER™ is a trademark of Linear Power, Inc.
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WIRING
Refer to the diagrams that follow. NOTE: ALL CONNECTIONS MUST BE
ELECTRICALLY AND PHYSICALLY SOUND. AVOID RUNNING POWER
CABLES AND SIGNAL CABLES ALONGSIDE ONE ANOTHER.
All crossovers that are not PHASE COHERENT will cause some phase shift at
the crossover point. In a three way system with two crossovers, there will be
phase shift at both crossover points. By reversing the electrical phase of the mid
range driver, relative to the woofer and tweeter phase, this phase shift will be
compensated so that the system will be acoustically in phase, though electrically
out of phase. In most cases the system will sound better with the phase of the
mid range drivers reversed. Although this sound complicated, it is really quite
simple to do. After your system is installed and operating, reverse the leads to
your mid range drivers, so that the positive (+) lead from the amp is connected to
the negative (-) terminal on you speaker, and the negative (-) terminal to the
positive (+) lead on the amp. Listen to the system, then return the leads to their
original positions and listen again. Connect the leads in whatever position
achieved the best sound.
THAT ALL POWER TO THE SYSTEM BE TURNED OFF PRIOR TO NETWORK
REMOVAL/INSERTION.
WE REPEAT THE WARNING: DAMAGE TO YOUR SPEAKERS CAN BE
CAUSED BY REMOVING THE RESISTOR NETWORK WHEN THE SYSTEM IS
TURNED ON!
B. Release latch on socket (lever up-release, Lever down-lock).
C. Carefully insert network.
D. Lock the network in the socket. NOTE: CHECK TO SEE THAT THE "STEREO
- MONO" SWITCH IS IN THE CORRECT POSITION.
E. Access plate can now be replaced.
SYSTEM ADJUSTMENT/USE- Recheck all wiring and connections and apply
power to system. Set all tone controls to "flat" (no cut or boost) position and
adjust volume to a comfortable level. Select a variety of program material,
preferably music that you know to be fairly accurate and containing deep bass as
well as high treble passages.
Increase volume of music source to approximately 3/4 of maximum. Adjust
variable gain on bass amplifier slowly clockwise just to the point where audible
distortion becomes noticeable, then turn gain control counterclockwise slightly.
Adjust the gain control on the midrange amplifier until you obtain balance to the
bass tones. Follow the same procedure for adjusting the gain of the treble
amplifier. Proper tonal balance will require some careful listening and
readjustment.
Volume can then be controlled by the music source volume control.
CROSSOVER FREQUENCY SELECTION
Selection of the proper crossover frequency depends on the driver selected and
the way in which they are used. For subwoofer operation, crossover frequencies
between 80 and 150 Hertz are generally preferred. For use between separate
drivers of a two or three way system, there is much more variance in the potential
choice of crossover frequencies. If a tweeter, say, has a response of 1200 to
22,000 Hertz, and a woofer a response of 28 to 2400 Hertz, the overlap area
LINEAR POWER™ is a trademark of Linear Power, Inc.
5
would be between 1200 and 2400 Hertz (the tweeter's lower end and the
woofer's upper end). The difference between these two frequencies is ONE
octave. (Octaves are logarithmic, meaning that each octave is double the
frequency in Hertz of the previous octave. So, if 20 to 40 Hertz is the first octave,
then 40 to 80 Hertz is the second octave.) The proper crossover choice is usually
about half of the octave difference of the overlap area. In the case above, since
the overlap area is one octave, the crossover point would be at one half octave,
or 1800 Hertz.
SERVICE OR REPAIR
To obtain modification, service or repair, please contact our ONLY Authorized
LINEAR POWER™ Product Service Center:
Distortion:
Inter-modulation Distortion: 0.01% maximum
Input Impedance: 10,000 ohms
Gain: Unity (Input = Output)
Frequency Response: +1dB 4 Hz to 250 KHz
Current Draw: 25 mA maximum
Crossover Points: