Lectrosonics UM250c User Manual

Page 1
UM2 50C
FREQUENCY-AGILE UHF
BELT-PACK TRANSMITTER
OPERATING INSTRUCTIONS
Rio Rancho, NM
www.lectrosonics.com
Page 2
UM250C
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Page 3
INTRODUCTION
UHF Belt-Pack Transmitter
Thank you for selecting the Lectrosonics UM250C frequency agile, belt-pack transmitter. The UM250C combines over 80 years of engineering experience with the very latest components, in a design that addresses the most demanding professional applications.
The design of the UM250C was the direct result of numerous conversations with users, staging and touring companies and dealers across the US. The specific concerns and needs brought up in these conversations led directly to the development of the operational features offered on the UM250C. Two hundred fifty six frequencies are user selectable in 100kHz steps to alleviate interference problems in travelling venues, and the low frequency roll-off is user adjustable to adapt to varying acoustic environments and preferences.
The UM250C is a rugged, machined aluminum package with a removable, spring loaded belt clip. The input section provides a correct input tap for virtually any microphone or line level audio source. 5 Volts of bias voltage is available to power electret mics with either positive or negative bias. Level indicating LEDs are provided on the control panel to make input gain settings quick and accurate, without having to view the receiver. The battery compartment accepts any 9 Volt lithium or alkaline battery and makes a positive connection via self-adjusting contacts. The antenna is a detachable, locking 1/4 wavelength flexible bronze cable that connects to a 50 Ohm SMA port on the transmitter.
Only the UM250C transmitter is covered in this manual. Companion receivers are covered in separate manuals. The UM250C will operate with any 200 Series Lectrosonics receiver in the same frequency group.
TABLE OF CONTENTS
GENERAL TECHNICAL DESCRIPTION ...................................................................................................... 4
GENERAL ...................................................................................................................................................................... 4
DUAL BAND COMPANDOR ......................................................................................................................................... 4
NO PRE-EMPHASIS/DE-EMPHASIS ........................................................................................................................... 4
PILOT TONE SQUELCH ............................................................................................................................................... 4
WIDE-BAND DEVIATION .............................................................................................................................................. 5
LONG BATTERY LIFE ................................................................................................................................................... 5
FREQUENCY AGILITY ................................................................................................................................................. 5
ANTENNA ...................................................................................................................................................................... 5
CONTROLS AND FUNCTIONS .................................................................................................................... 6
INPUT JACK .................................................................................................................................................................. 6
POWER ON/OFF SWITCH ........................................................................................................................................... 6
POWER ON LED ........................................................................................................................................................... 6
FREQUENCY SELECT SWITCHES ............................................................................................................................. 6
MODULATION LEDS .................................................................................................................................................... 6
AUDIO LEVEL ................................................................................................................................................................ 6
ANTENNA ...................................................................................................................................................................... 7
ADJUSTABLE LOW FREQUENCY ROLL-OFF .......................................................................................................... 7
BATTERY INSTALLATION ............................................................................................................................. 7
THE BELT CLIP ............................................................................................................................................................. 7
OPERATING INSTRUCTIONS ...................................................................................................................... 8
OPERATING NOTES ...................................................................................................................................... 8
ADJUSTING THE TRANSMITTER FREQUENCY ....................................................................................... 8
MICROPHONE CORD TERMINATION ......................................................................................................... 9
5-PIN INPUT JACK WIRING ...................................................................................................................... 1 0
RF BYPASSING ........................................................................................................................................................... 10
BODY GROUND .......................................................................................................................................................... 11
LINE LEVEL SIGNALS ................................................................................................................................................ 11
WIRING HOOKUPS FOR DIFFERENT SOURCES ................................................................................................. 11
TROUBLESHOOTING ................................................................................................................................. 12
SERVICE AND REPAIR.............................................................................................................................. 1 3
RETURNING UNITS FOR REPAIR ............................................................................................................ 1 3
SPECIFICATIONS AND FEATURES ......................................................................................................... 1 4
LIMITED ONE YEAR WARRANTY ............................................................................................................. 1 6
The UM250B transmitter is FCC type accepted under Part 74: 470-608MHz and 614-806MHz
Rio Rancho, NM – USA
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UM250C

GENERAL TECHNICAL DESCRIPTION

GENERAL

The 200 series uses 75kHz wide deviation for an ex­tremely high signal to noise ratio. The transmitter circuits are all regulated to allow full output power from the beginning (9 Volts) to the end (7 Volts) of battery life. The input amplifier uses a Motorola 33078 op amp for ultra low noise operation. It is gain controlled with a wide range input compressor which cleanly limits input signal peaks over 30dB above full modulation.

DUAL BAND COMPANDOR

Traditionally, compandors have been a source of distor­tion in wireless microphone systems. The basic problem with conventional systems is that the attack and decay times are always a compromise. If the time constants are fast, high frequency transients will not be distorted, but this will cause low frequency distortion. If the time constants are slower, low frequency audio distortion will be low, but high frequency transients will then be dis­torted. The 200 system introduces an entirely new approach to solving this basic problem, called “dual-band companding.”
There are actually two separate compandors in the 200 system, one for high frequencies and one for low frequen­cies. A crossover network separates the frequency bands at 1kHz with a 6dB per octave slope, followed by separate high and low frequency compandors. The attack and release times in the high frequency compandor are fast enough to keep high frequency transient distortion at
a low level, and the low frequency compandor uses slower time constants, reducing low frequency distortion to well below that of a conventional compandor.

NO PRE-EMPHASIS/DE-EMPHASIS

The signal to noise ratio of the 200 system is high enough to preclude the need for conventional pre-emphasis (HF boost) in the transmitter and de-emphasis (HF roll off) in the receiver. Pre-emphasis and de-emphasis in an FM radio system usually provides about a 10dB improvement in the signal to noise ratio of the system, but the high frequency boost in the transmitter must be removed in a purely complementary manner or else the frequency response of the original audio signal will be altered.
Pre-emphasis can also cause distortion in the receiver. As this signal is passed through the IF filters in the receiver, distortion can be produced, most noticeable at full modulation. De-emphasis cannot be applied until the signal is converted into audio, so there is no way around this problem short of eliminating pre-emphasis altogether. Neither of these problems occur in the 200 system. The dual-band compandor in the 200 Series system essen­tially provides a dynamic pre-emphasis/de-emphasis function with extremely low distortion.

PILOT TONE SQUELCH

The 200 system utilizes an ultrasonic tone modulation of the carrier to operate the receiver squelch. This “pilot tone” consists of a 32kHz signal mixed with the audio
1 2 3 4 5
MIC
JACK
LIMIT
LED
SHUNT
LIMITER
FREQ
SWITCHES
+5V BIAS
SUPPLY
BUFFER
SET LED
DIVIDER
PHASE LOCKED LOOP
LF ROLL-OFF
INPUT AMP
FILTER
AUDIO LEVEL
PEAK AUDIO
INDICATOR &
LIMITER DRIVER
PRESCALER
LOW PASS
FILTER
LP
COMPANDOR
Vref
BASS
TREBLE
COMPANDED
LP FILTER
HP FILTER
AUDIO
UM250C Block Diagram
PILOT TONE
OSC
Vreg
+5VDC
Vreg
+3.6VDC
VOLTAGE
CONTROLLED
OSCILLATOR
PWR
TRANSMITTER
COMPANDED AUDIO
TO XMTR
DELAY
CIRCULAR
50
ISOLATOR
+9VDC
PWR
LED
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UHF Belt-Pack Transmitter
signal following the microphone preamp, just after the compandor, to control the audio output muting of the receiver. The pilot tone is filtered out of the audio signal immediately after the detector in the receiver so that it does not influence the compandor or various gain stages. The basic benefit of the pilot tone squelch system is that the receiver will remain muted until it receives the pilot tone from the matching transmitter, even if a strong RF signal is present on the carrier frequency of the system. This is extremely important in applications that include an automatic microphone mixer.

WIDE-BAND DEVIATION

The ±75kHz deviation improves the capture ratio, signal to noise ratio and AM rejection of a wireless system dramatically, compared to the more commonly used ±15kHz deviation.

LONG BATTERY LIFE

High efficiency circuits throughout the design allow over 2 hours of operation using a single 9 Volt alkaline battery. (A 9V lithium battery will provide over 7 hours of opera­tion.) The battery compartment is a unique mechanical design which automatically adjusts to fit any brand of battery. The battery contacts are spring loaded to prevent “rattle” as the unit is handled.

FREQUENCY AGILITY

The transmitter section uses a synthesized, frequency selectable main oscillator The frequency is extremely stable over a wide temperature range and over time.
Two rotary switches, located on the side panel of the unit, provide 256 frequencies in 100kHz steps over a 25.5MHz range. This alleviates carrier interference problems in mobile or travelling applications.

ANTENNA

At UHF frequencies, where wavelengths and antennas are shorter than at VHF frequencies, a resonant length wire is preferred over using the microphone cable as the antenna. The antenna on the UM250B consists of a flexible 1/4 wavelength bronze cable, detachable via an SMA connec­tor. The impedance of this connector is 50 Ohms.
Rio Rancho, NM – USA
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UM250C

CONTROLS AND FUNCTIONS

Input Jack

Power LED
Power ON/OFF
Switch

AUDIO LEVEL

Control

Modulation LEDs

ANTENNA Connector
Low Frequency Roll-Off
Adjustment (Under Cap)
Power ON/O
Frequency Select
Switches
Batter y Compartment
INPUT JACK
The input on the UM250C accommodates virtually every lavalier, hand-held or shotgun microphone available. Line level signals can also be accommodated. Use a Switchcraft TA5F connector on the cord. See the sepa­rate sheet titled “Transmitter 5-Pin Input Jack Wiring” regarding the correct connections for various micro­phones, and other sources.

POWER ON/OFF SWITCH

Turns the battery power on and off. Even when the switch is turned off or on abruptly, the pilot tone muting system prevents “thumps” or transients from occurring.

POWER ON LED

Glows when the battery is good and the Power ON/OFF switch is set to ON. A weak or dim LED means that the battery is weak. When the LED goes out, there is about 15 to 30 minutes of operation left with alkaline batteries and about 2 hours left with lithium. If the LED fails to glow when the Power ON/OFF switch is set to ON, the battery should be replaced.
The Power LED continuously monitors battery voltage. It is at full brightness with a new 9 VDC alkaline or lithium battery. As the battery voltage drops during use, the LED brightness will also decrease. After about 7 hours of operation (with a lithium battery) the battery voltage will be about 7 Volts and the LED will be nearly out.

FREQUENCY SELECT SWITCHES

These two rotary switches adjust the center frequency of the carrier. The 1.6M is a coarse adjustment and the 100K is the fine adjustment. Each transmitter is factory aligned at the center of its operating range. The default position is in the center of the transmitter’s range.
Since the internal circuits are all tightly regulated and the RF output stage has a separate discrete regulator, the transmitter will continue to operate to a battery voltage of 7 VDC. As the voltage drops to 6 VDC, the transmitter will still operate, but with degraded performance.
A weak battery will sometimes light the POWER LED immediately
after turn on, but will soon discharge to the point where the LED will
go out, just like a flashlight with “dead” batteries.
Note
The combination of an accurate battery condition indicator and regulation of all internal circuits provides much longer battery life, as well as consistent performance over the life of the battery.
MODULATION LEDS
Indicates the audio modulation level set by the MIC LEVEL control.
“-20” LED Flickers or glows when sufficient audio
is present.
“0” LED Lights up when the input level is high
enough to cause limiting. The input limiter has a very high overload thresh­old (over 30 dB).
Generally speaking, some limiting is desirable in normal operation to improve the signal to noise ratio of the system. The limiting action is not audible and does not create distortion. A highly trained ear would hear only the compression of the peaks in the audio signal, which is desirable with most tape recorders and many sound reinforcement systems.
AUDIO LEVEL
Used to adjust the audio input level for the proper modula­tion.
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UHF Belt-Pack Transmitter
Swing the door open
Press outward on the battery door in this direction

ANTENNA

The flexible wire antenna supplied with the transmitter is cut to 1/4 wavelength of the center of the frequency block (the frequency range) of the transmitter. It is removable via an SMA connector. The SMA connector is a 50 Ohm RF port which can also be connected directly to test equipment. Replacement antennas are available in pre­cut lengths for specific frequency blocks, or as a kit with instructions to cut the antenna for any frequency block.
ADJUSTABLE LOW FREQUENCY ROLL­OFF
A 18dB per octave low frequency roll-off is provided in the audio section, with the -3dB point adjustable from 35Hz to 150Hz. The actual roll-off frequency will vary somewhat according to the low frequency response of the mic capsule being used.
The low frequency roll-off control is used to prevent undesirable subsonic (or very low frequency) audio, often produced by air conditioning systems, automobile traffic and other sources from causing the compandor to mistrack. Excessive low frequency content in the audio input can cause “pumping and breathing” of background noise or modulation of the program audio in recording applications. In sound reinforcement systems, excessive low frequency content can cause excessive power amplifier drain or even damage to loudspeaker systems. By rotating the control clockwise, the hinge point of the
roll-off is increased to reduce the level of low frequencies. In controlled situations, such as a motion picture produc­tion set indoors where environmental noise is minimal, the control can be rotated counter-clockwise to permit low frequency audio to be captured.

THE BELT CLIP

The belt clip may be removed for special applications by removing one screw.
Caution
USE ONLY THE SCREW THAT IS SUPPLIED
The circuitry is tightly packed into this unit. A longer screw will permanently damage the transmitter! Use only Lectrosonics #28528 which is a Phillips head, 4-40 x 3/ 16", FL100 screw.
Belt Clip Retaining Screw
(Under Clip)

BATTERY INSTALLATION

The transmitter is powered by a standard alkaline or lithium 9 VDC battery. It is important that you use ONLY a LITHIUM battery for longest life. Standard zinc-carbon batteries marked “heavy-duty” or “long-lasting” are not adequate. Ni-cad rechargeable batteries will only provide a few minutes of operation, or less, and will run down quite abruptly. Alkaline batteries provide 2 hours of operation. Lithium batteries will provide up to 7 hours of operation. Care should be taken not to leave a fully discharged lithium battery in the transmitter, as swelling of the battery can make it difficult to remove from the compartment. The battery status circuitry is designed for the voltage drop over the life of lithium batteries.
To open the battery compartment, press outward on the cover door in the direction of the arrow as shown in the drawing. Only firm, sliding pressure is needed to open and close the battery door. Swing the door open and take note of the polarity marked inside showing the location of the positive (+) and negative (-) terminals. You can see the large and small contact holes inside the battery compartment with the door open.
Insert the battery correctly and close the cover by pressing the door closed and across, reversing the opening procedure illustrated above. If the battery is inserted incorrectly, the door will not close. Do not force the door closed.
Batter y Compartment
Rio Rancho, NM – USA
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UM250C

OPERATING INSTRUCTIONS

1) Install a fresh battery according to the
instructions above.
2) Insert the microphone plug into the input jack, aligning the pins; be sure that the connector locks in.
3) Attach the antenna to the SMA connector on the top of the transmitter.
4) Mute the sound system.
5) Turn the transmitter power switch to the “ON”
position.
6) Position the microphone in the location you will use in actual operation.
7) While speaking or singing at the same voice level that will actually be used, observe the MODULATION LEDs. Adjust the AUDIO LEVEL control knob until the LEDs begin to light. Start at a low setting where neither LED

OPERATING NOTES

The AUDIO LEVEL control knob should not be used to control the volume of your sound system or recorder levels. This gain adjustment matches the transmitter gain with the user’s voice level and microphone positioning.
If the audio level is too high — both LEDs will light frequently or stay lit. This condition may reduce the dynamic range of the audio signal.
If the audio level is too low — neither LED will light, or the
-20 LED will light dimly. This condition may cause hiss and noise in the audio, or pumping and breating in the background noise.
The first LED turns on 12dB below full deviation. The “0” LED turns on at full deviation and indicates that the input
lights as you speak. Gradually, turn the gain up until one LED lights, then the other.
The -20 LED lights when the audio level is about 12dB below full modulation. The “0” LED lights when the limiter begins to operate. There is 30dB of limiting range without overload above the “0” LED, so it is desirable that it lights up occasionally during use.
8) Once the gain has been adjusted, the audio system audio can be turned on to make level adjustments. Set the Power switch to the ON position and adjust the receiver and/or sound system level as required. Please note, there will be a delay between the moment the switch is thrown and the time when audio will actually appear at the receiver output. This intentional delay eliminates turn on thumps, and is controlled by the pilot tone squelch control.
shunt compressor is operating. The input limiter will handle peaks over 30dB above full modulation, regardless of the gain control setting. The limiter uses a true abso­lute value circuit to detect both positive and negative peaks. The attack time is 5 milliseconds and the release time is 200 milliseconds. Occasional limiting is desirable, indicating that the gain is correctly set and the transmitter is fully modulated for optimum signal to noise ratio.
Different voices will usually require different settings of the AUDIO LEVEL control, so check this adjustment as each new person uses the system. If several different people will be using the transmitter and there is not time to make the adjustment for each individual, adjust it for the loudest voice.

ADJUSTING THE TRANSMITTER FREQUENCY

If you are experiencing interference from another signal on your frequency, you may want to change the operating frequency of your system. The left switch changes the operating frequency by 1.6 MHz per step and the right switch changes it 100 kHz per step. If you are experienc­ing interference, change the operating frequency in 100 kHz steps to find a clear channel. If it is not possible to find a clear channel using the 100 kHz switch, return it to its original position and change the 1.6 MHz switch by one click then try the 100 kHz switch again.
To gain access to these switches, slide the access door sideways with a fingernail.
With the UDR200A receiver, these switches also appear on the front
panel of the receiver. Normally, you should set the transmitter
switches to match the receiver switch settings.
8
Note
With the UDR200B receiver, the front panel LED character display will indicate the correct transmitter switch set­tings.
0
1
F
E
D
C
B
A
2
3
4
5
6
9
7
8
1.6 MHz 100 kHz
0
1
F
E
D
C
B
A
2
3
4
5
6
9
7
8
Page 9

MICROPHONE CORD TERMINATION

1
2 3
4
5
VIEW FROM SOLDER
SIDE OF PINS
0.3"
0.15"
Heatshrink Tubing
TA5F Connector Assembly
Mic Cord Stripping Instructions
Caution!
Do not allow the shield wire to touch any metal part of the connector shell.
The shield wire is the antenna on VHF models and poor operating range will result.
Shield Wire
Crimp
Tabs
Rubber
Insulation
Crimp
Tabs
Rubber
Insulation
UHF Belt-Pack Transmitter
This termination is required on VHF transmitters and will still work fine on UHF transmitters.
Rio Rancho, NM – USA
Note
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UM250C

5-PIN INPUT JACK WIRING

The wiring diagrams shown on the next page represent the basic wiring necessary for the most common types of microphones and other audio inputs. Some microphones may require extra jumpers or a slight variation on the dia­grams shown.
When wiring the connector, do not use the connector body for any electrical connections.
A common mistake is to use the connector body as an audio ground. The connector body is
already used as an RF ground on VHF models and no other use is permitted.
It’s virtually impossible to keep completely up to date on changes that other manufacturers make to their products. It is possible that you may encounter a microphone that differs from these instructions. If this occurs please call our toll­free number listed on page 13 of this instruction manual. Our service department can answer your questions regarding microphone compatibility.
When used on a wireless transmitter, the microphone element is in the proximity of the RF coming from the transmitter. The nature of electret microphones makes them sensitive to RF, which can cause problems with the microphone/ transmitter compatibility. If the electret microphone is not designed properly for use with wireless transmitters, it may be necessary to install a chip capacitor in the mic capsule or connector to block the RF from entering the electret capsule. This modification is shown on the next page.
Caution
LECTROSONICS
4
3
5
2
1
1
2
3
4
5
NEG GND (OR BIAS)
POS BIAS (OR GND)
MIC
SOURCE LOAD
LINE IN
330PF
1uH
330PF
100
1K
10K
5V Mic Bias 5mA max
+
To Mic Amp
Transmitter
Input Jack
VHF transmitters use the shield of the microphone cord as the antenna. The UM250C uses a 1/4 wave flexible wire to radiate the RF signal. There is really not much difference between these two approaches, with respect to the effect of
UHF Transmitter Equivalent Input Circuit
the RF on the microphone capsule. Even in transmitters that utilize a “dangling wire,” the microphone is still part of the “ground plane” and is therefore still in the antenna circuit.
PIN 1 Shield (ground) for positive biased electret lavalier microphones. Bias voltage source for
negative biased electret lavalier microphones. Shield (ground) for dynamic microphones and line level inputs.
PIN 2 Shield (ground) for negative biased electret lavalier microphones. Bias voltage source for
positive biased electret lavalier microphones.
PIN 3 Low impedance microphone level input for dynamic microphones. Also accepts hand-held
electret microphones provided the microphone has its own built-in battery.
PIN 4 1K Ohm source load for non-Lectrosonics electret microphones. Use in conjunction with other
pins to provide attenuation of high level input signals.
PIN 5 High impedance, line level input for tape decks, mixer outputs, musical instruments, etc.

RF BYPASSING

Some mics require RF protection to keep the radio signal from affecting the capsule, even though the transmitter input circuitry is already RF bypassed (see schematic diagram).
If the mic is wired as directed, and you are having difficulty with squealing, high noise, or poor frequency response; RF is likely to be the cause.
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UHF Belt-Pack Transmitter
R
3
The best RF protection is accomplished by installing RF bypass capacitors at the mic capsule. If this is not pos­sible, or if you are still having problems, capacitors can be installed on the mic wires inside the TA5F connector hous­ing.
Install the capacitors as follows: Use 330 pF capacitors. Capacitors are available from Lectrosonics. Please specify the part number for the desired lead style.
Leaded capacitors: P/N 15117 Leadless capacitors: P/N SCC330P
2 WIRE MIC 3 WIRE MIC
Preferred locations for bypass capacitors
SHIELD
AUDIO
CAPSULE
TA5F
CONNECTOR
Alternate locations for bypass capacitors
CAPSULE
SHIELD
AUDIO
BIAS
TA5F
CONNECTO
All Lectrosonics lavalier mics are already bypassed and do not need any additional capacitors installed for proper operation.

BODY GROUND

When wiring the connector, do not use the connector body for any electrical connections. A common mistake is to use the connector body
as an audio ground. The connector body is already used as an RF ground on VHF models and no other use is permitted.
Caution

LINE LEVEL SIGNALS

The normal hookup for line level signals is: Signal Hot to pin 5, Signal Gnd to pin 1, pin 4 jumped to pin 1, and pin 3 jumped to pin 1. This gives a 40dB attenuator that allows signal levels much higher than 3V to be applied without distortion.
If more headroom is needed, insert a 100k resistor in series with pin 5. Put this resistor inside the TA5F connector to minimize noise pickup.
If lower than normal line levels (less than 1V) are expected, use this hookup: Signal Hot to pin 5, Signal Gnd to pin 1, and pin 4 jumpered to pin 1. This provides a 20dB attenuator allowing signals as high as 3V to be applied without distortion.

WIRING HOOKUPS FOR DIFFERENT SOURCES

PIN
PIN
PIN
1
2
3
4
5
1
2
3
4
5
1
2
4
3
4
5
4
3
TA5F
PLUG
4
3
PLUG
3
TA5F
PLUG
5
5
TA5F
5
1
2
1
2
1
2
3 WIRE ELECTRET MIC
POSITIVE BIAS
2 WIRE ELECTRET MIC
POSITIVE BIAS
WIRE ELECTRET MIC
NEGATIVE BIAS
SHIELD
BIAS
AUDIO
SHIELD
AUDIO
SHIELD
BIAS
AUDIO
PIN
PIN
PIN
1
2
3
4
5
1
2
3
4
5
1
2
3
4
5
4
3
TA5F
PLUG
4
3
TA5F
PLUG
4
3
TA5F
PLUG
1
5
2
2 WIRE ELECTRET MIC
NEGATIVE BIAS
SLEEVE
1
5
2
TIP
LINE LEVEL
RCA or 1/4 " PLUG
PIN
1
2
1
5
2
DYNAMIC
MIC LEVEL
1
2
3
3
Dynamic LO Z mic or electret with
manufacturers power supply.
SHIELD
AUDIO
SHIELD
AUDIO
SHIELD
Rio Rancho, NM – USA
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UM250C

TROUBLESHOOTING

Before going through the following chart, be sure that you have a good battery in the transmitter. It is important that you follow these steps in the sequence listed.
TRANSMITTER BATTERY LED OFF
NO TRANSMITTER MODULATION LEDs
RECEIVER RF LAMP OFF
NO SOUND (OR LOW SOUND LEVEL), RECEIVER MOD LEVEL LEDs ARE ON
DISTORTED SOUND
SYMPTOM
POSSIBLE CAUSE
1. Battery is inserted backwards.
2. Battery is dead.
1. Gain control turned all the way down.
2. Battery is in backwards. Check power LED.
3. Mic capsule is damaged or malfunctioning.
4. Mic cable damaged or mis-wired.
1. Transmitter not turned on.
2. Transmitter battery is dead.
3. Receiver antenna missing or improperly positioned.
4. Transmitter and receiver not on same frequency. Check switches display on transmitter and receiver.
5. Operating range is too great.
6. Transmitter antenna not connected
1. Receiver output level set too low.
2. Receiver output is disconnected; cable is defective or mis-wired.
3. Sound system or recorder input is turned down.
1. Transmitter gain (audio level) is far too high. Check modulation level lamps on transmitter and receiver as it is being used. (Refer to Operating Instructions for details on gain adjustment.)
2. Receiver output may be mis-matched with the sound system or recorder input. Adjust output level on receiver to the correct level for the recorder, mixer or sound system.
3. Excessive wind noise or breath “pops.” Re-position microphone and/or use a larger windscreen.
4. Transmitter is not set to same frequency as receiver. Check that frequency select switches on receiver and transmitter match.
HISS AND NOISE -- AUDIBLE DROPOUTS
EXCESSIVE FEEDBACK
12
1. Transmitter gain (audio level) far too low.
2. Receiver antenna missing or obstructed.
3. Transmitter antenna missing.
4. Operating range too great.
1. Transmitter gain (audio level) too high. Check gain adjustment, or reduce receiver output level, or both.
2. Transmitter too close to speaker system.
3. Mic is too far from user’s mouth.
Page 13
UHF Belt-Pack Transmitter

SERVICE AND REPAIR

If your system malfunctions, you should attempt to correct or isolate the trouble before concluding that the equipment needs repair. Make sure you have followed the setup procedure and operating instructions. Check out the intercon­necting cords and then go through the TROUBLESHOOTING section in the manual
We strongly recommend that you do not try to repair the equipment yourself and do not have the local repair shop attempt anything other than the simplest repair. If the repair is more complicated than a broken wire or loose connec­tion, send the unit to the factory for repair and service. Don’t attempt to adjust any controls inside the units. Once set at the factory, the various controls and trimmers do not drift with age or vibration and never require readjustment. There are no adjustments inside that will make a malfunctioning unit start working.
LECTROSONICS service department is equipped and staffed to quickly repair your equipment. In-warranty repairs are made at no charge in accordance with the terms of the warranty. Out-of-warranty repairs are charged at a modest flat rate plus parts and shipping. Since it takes almost as much time and effort to determine what is wrong as it does to make the repair, there is a charge for an exact quotation. We will be happy to quote approximate charges by phone for out-of-warranty repairs.

RETURNING UNITS FOR REPAIR

You will save yourself time and trouble if you will follow the steps below:
A. DO NOT return equipment to the factory for repair without first contacting us by letter or by phone. We need to know the nature of the problem, the model number and the serial number of the equipment. We also need a phone number where you can be reached 8 am to 4 pm (Mountain Standard Time).
B. After receiving your request, we will issue you a return authorization number (R.A.). This number will help speed your repair through our receiving and repair departments. The return authorization number must be clearly shown on the outside of the shipping container.
C. Pack the equipment carefully and ship to us, shipping costs prepaid. If necessary, we can provide you with the proper packing materials. UPS is usually the best way to ship the units. Heavy units should be “double-boxed” for safe transport.
D. We also strongly recommend that you insure the equipment, since we cannot be responsible for loss of or damage to equipment that you ship. Of course, we insure the equipment when we ship it back to you.
Mailing address: Shipping address: Telephones:
Lectrosonics, Inc. Lectrosonics, Inc. Regular: (505) 892-4501 PO Box 15900 581 Laser Rd. Toll Free (800) 821-1121 Rio Rancho, NM 87174 Rio Rancho, NM 87124 FAX: (505) 892-6243 USA USA
World Wide Web: http://www.lectrosonics.com Email: sales@lectrosonics.com
Rio Rancho, NM – USA
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Page 14
UM250C

SPECIFICATIONS AND FEATURES

Operating frequencies: 537.600 to 607.900 MHz
614.100 to 767.900 MHz
Frequency selection: 256 frequencies in 100kHz steps
RF Power output: 250 mW
Pilot tone: 32.764 kHz (± 2Hz); 5kHz deviation
Frequency stability: ± 0.002%
Deviation: ± 75 kHz (max)
Spurious radiation: 90 dB below carrier at frequencies less than 1GHz
Equivalent input noise: -126 dBV
Input level: Nominal 2 mV to 300 mV, before limiting.
Mic input greater than 2V, with limiting. Line input greater than 20V, with limiting (Input to pin 5, pin 4 tied to ground.)
Input impedance: Taps provided for dynamic, electret and line level.
Mic load impedance greater than 4k. Line load impedance greater than 10k.
Input compressor: Soft compressor, >30 dB range
Gain control range: 43 dB; semi-log rotary control
Modulation indicators: Dual LEDs indicate modulation level 12 dB below limiting and at the onset of limiting.
Controls: 2 position “OFF-ON” slide switch for noiseless turn on/turn off operation. Front panel knob
adjusts audio gain. Recessed control on side panel adjusts low frequency rolloff. Rotary switches on side panel adjust transmitter frequency.
Audio Input Jack: Switchcraft 5 pin locking (TA5F)
Antenna: Detachable, flexible bronze cable supplied. 50 Ohm port allows connection to test equipment.
Battery: Precision compartment auto-adjusts to accept any known alkaline or lithium 9 Volt battery.
(We’ve tried 150 different ones!)
Battery Life: 2 hours with alkaline, 7 hours with lithium
Weight: 6.6 ozs. including battery
Dimensions: 3.1 x 2.4 x .75 inches
Emission Designator: 160KF3E
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Specifications subject to change without notice.
Page 15
UHF Belt-Pack Transmitter
Rio Rancho, NM – USA
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Page 16

LIMITED ONE YEAR WARRANTY

LIMITED ONE YEAR WARRANTY
The equipment is warranted for one year from date of purchase against defects in materials or workmanship provided it was purchased from an authorized dealer. This warranty does not cover equipment which has been abused or damaged by careless handling or shipping. This warranty does not apply to used or demonstrator equipment.
Should any defect develop, Lectrosonics, Inc. will, at our option, repair or replace any defective parts without charge for either parts or labor. If Lectrosonics, Inc. cannot correct the defect in your equipment, it will be replaced at no charge with a similar new item. Lectrosonics, Inc. will pay for the cost of returning your equipment to you.
This warranty applies only to items returned to Lectrosonics, Inc. or an authorized dealer, shipping costs prepaid, within one year from the date of purchase.
This Limited Warranty is governed by the laws of the State of New Mexico. It states the entire liablility of Lectrosonics Inc. and the entire remedy of the purchaser for any breach of warranty as outlined above. NEITHER LECTROSONICS, INC. NOR ANYONE INVOLVED IN THE PRODUCTION OR DELIVERY OF THE EQUIPMENT SHALL BE LIABLE FOR ANY INDIRECT, SPECIAL, PUNITIVE, CONSEQUENTIAL, OR INCIDENTAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THIS EQUIPMENT EVEN IF LECTROSONICS, INC. HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. IN NO EVENT SHALL THE LIABILITY OF LECTROSONICS, INC. EXCEED THE PURCHASE PRICE OF ANY DEFECTIVE EQUIPMENT.
This warranty gives you specific legal rights. You may have additional legal rights which vary from state to state.
581 LASER ROAD RIO RANCHO, NM 87124 USA www.lectrosonics.com
August 24, 2004
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