Lectrosonics Quadra User Manual

Digital IEM System
INSTRUCTION MANUAL
TM
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Rio Rancho, NM, USA www.lectrosonics.com
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LECTROSONICS, INC.
Table of Contents
FCC Notice ............................................................................... 4
Industry Canada Notices ........................................................ 4
Safety Notes............................................................................. 4
System Overview..................................................................... 5
Digital IEM System
Receiver
Receiver Operation.................................................................. 6
Battery Insertion..................................................................... 6
Powering the Unit ON and OFF ............................................. 6
Control Panel/Knobs .............................................................. 6
Body Placement....................................................................... 7
LCD Boot Screens................................................................... 7
Selecting 2 Channel or 4 Channel Operation........................ 7
2 Channel Operation ............................................................... 8
4 Channel Operation ............................................................... 9
Split 1,2 Operation................................................................. 10
Split 3,4 Operation................................................................. 11
Single Channel Operation..................................................... 12
Additional Setup Options ..................................................... 13
Tune ..................................................................................... 13
Pan ....................................................................................... 13
Limiter .................................................................................. 14
Backlight .............................................................................. 14
Treble Shelf .......................................................................... 14
Lock Setup........................................................................... 14
Factory Defaults................................................................... 15
Using the Presets .................................................................. 15
Load..................................................................................... 15
Save ..................................................................................... 16
Clear .................................................................................... 16
None .................................................................................... 16
Replacement Parts ................................................................ 17
Transmitter
Transmitter Front Panel .....................................................18
Transmitter Rear Panel.......................................................18
Initial Setup ......................................................................... 19
Powering the Unit
ON and OFF .................................................................19
LCD ......................................................................................19
Audio Signal Monitoring ....................................................19
Transmitter Menus.............................................................. 20
Selecting 2 Channel
or 4 Channel Operation.....................................................20
Tuning ...............................................................................20
Input Type..........................................................................20
Audio Trim ......................................................................... 21
Lock Setup........................................................................21
Factory Default Reset .......................................................21
Rack Mount Hardware........................................................ 22
Dual Unit Rack-Mount Instructions...................................22
Single Unit Rack-Mount Instructions................................24
Replacement Parts ............................................................. 26
System
Firmware Updates ..............................................................27
Troubleshooting Guide ......................................................28
Service and Repair ............................................................. 29
Returning Units for Repair ................................................29
Specifications .....................................................................30
Warranty .............................................................. Back Cover
Rio Rancho, NM
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FCC Notice
NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. The equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
• Reorient or relocate the receiving antenna
• Increase the separation between the equipment
and receiver
• Connect the equipment into an outlet on a circuit
different from that which the receiver is connected
• Consult the dealer or an experienced radio/TV
technician for help
Changes or modifications to this equipment not ex­pressly approved by Lectrosonics, Inc. could void the user’s authority to operate it.
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Industry Canada Notices
Operation of this device is subject to the following two conditions: (1) this device may not cause interference, and (2) this device must accept interference, including interference that may cause undesired operation of the device.
This device has been designed to operate with the antenna listed below, and having a maximum gain of 6 dB. Antennas not included in this list or having a gain greater than 6 dB are strictly prohibited for use with this device. The required antenna impedance is 50 ohms.
• Lectrosonics M4T Antenna; P/N AMJR-915
To reduce potential radio interference to other users, the antenna type and its gain should be so chosen that the equivalent isotropically radiated power (e.i.r.p.) is not more than that permitted for successful communi­cation.
Safety Notes
Excessive sound levels can cause permanent hearing damage.
1. Always adjust the volume to the lowest level before listening to unknown transmissions.
2. Use the lowest reasonable level consistent with hearing safety.
3. Don’t use high sound levels in the earphone to overcome high ambient sound levels. That is absolutely foolish! Demand and use high isolation earphones.
4. Don’t expose your ears to sound levels that cause them to ring. If your ears do ring after exposure, think of it as a warning bell telling you not to do that again.
OSHA (Occupational Safety Health Administration) guidelines on the maximum allowable time exposure to sound pressure levels that will cause hearing damage are as follows:
8 hours at 90 dB SPL 4 hours at 95 dB SPL 2 hours at 100 db SPL 1 hour at 105 dB SPL 30 mins at 110 dB SPL 15 mins at 115 dB SPL
NEVER expose your ears to 120 dB SPL or higher! Damage will occur.
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LECTROSONICS, INC.
Digital IEM System
4 CHANNEL MODE
System Overview
The Quadra system provides an entirely new level of audio and RF performance in a wireless monitor system. The combination of analog or digital input capability, ultra-low latency 24 bit, 48 kHz audio, digital RF modulation and discrete four channel mixing capa­bility make the Quadra a truly unique IEM product for mission-critical, professional applications.
The system is designed for line level analog audio signals and AES/EBU digital audio input signals. 48kHz/24-bit audio, ruler-flat 20Hz to 20kHz frequency response, ultra-low distortion and high dynamic range assure excellent audio quality. Housings and panels are machined aluminum with electrostatic powder coated and anodized finishes and laser etched mark­ing for durability. An intuitive mixing interface and comprehensive LCD on the belt pack receiver provide performing artists and monitor engineers alike with a comfortable and confident user experience.
M4 Transmitter
The half-rack transmitter can accept up to four inputs from digital or analog sources. The inputs can be con­figured as follows:
The input connectors are full size balanced XLR types for AES/EBU and balanced line level analog signals. Input preamp circuits use a special balanced amplifier with very high common mode rejection to minimize hum and noise.
Either analog or AES/EBU digital input signals are converted to an internal 24-bit digital format which is then encoded, organized into packets, and passed to an RF modulator using spread spectrum techniques and error correction for robust reception. The modu­lated RF signal is filtered before and after amplification to suppress out-of-band noise and spurious signals, and a circulator/isolator guards against intermodulation interference (IM).
The transmitter can be free-standing or rack-mounted in single units (via an optional rack mounting kit) or in a dual configuration using supplied hardware.
A USB port is provided for firmware updates.
• Four analog inputs using all four jacks
• Two digital inputs using jack 1 and two balanced
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analog inputs using jacks 3 and 4
• Four digital inputs using jacks 1 and 2
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M4 Receiver
The receiver employs advanced antenna switching diversity reception, switching between the antennas during packet headers in order to maintain a seamless audio signal. A configurable four-channel mixer on the top of the receiver housing allows the user to mix four discrete audio channels according to the needs of the performance. The headphone jack is fed from a high­quality stereo amplifier with adequate power to drive headphones or earbuds to sufficient levels for stage performance or other environments with significant background noise. A high-density, backlit LCD allows the user to make setup changes via the available menu options.
A USB port is provided for firmware updates.
Frequency Range
Using the license free 902 - 928 MHz ISM band, this system is outside the normal broadcast frequencies thus providing both technical and operational advan­tages over standard analog systems.
Freq 1
OR
Freq
Freq
1A
1B
Freq 2
OR
Freq
Freq
2A
2B
2 CHANNEL MODE
Freq
3A
Freq 3
OR
Freq
3B
Freq
4A
Freq 4
OR
Freq
4B
In four-channel mode, the system occupies 4 MHz and is selectable between four available center frequen­cies: 907.776, 912.384, 916.992 and 923.904 MHz. In two-channel mode, Quadra occupies 2 MHz and is selectable between eight available center frequen­cies: 906.624, 908.928, 911.232, 913.536, 915.840,
918.144, 922.752 or 925.056 MHz.
Multi-Channel Capability
Quadra can be configured to provide either 2 or 4 audio channels. In the 2-channel mode, eight different frequencies are available, each with two audio chan­nels. In the 4-channel mode, four different frequencies are available, each with four audio channels. Multiple Quadra systems can be operated in the same location to provide up to 16 total audio channels between all units.
The performer can then use the on-board mixer to tai­lor the audio output to his or her tastes or the require­ments of the performance at hand.
Rio Rancho, NM
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Receiver Operation
Battery Insertion
The receiver is powered by three AA batteries, either alkaline, lithium, or rechargeable types. Do not use “heavy duty” batteries from a drug store - they will not last long in the M4 receiver.
Open the battery door by pressing on it while sliding it downward. It should then flip open allowing full access to the battery compartment. Carefully note the battery orientation as indicated by the diagrams inside. The outer two batteries are positive (+) facing in, while the middle battery is positive (+) facing out.
After the Power Up Sequence is displayed briefly, the Main Window appears and the M4R is ready for opera­tion.
Note also that the BAT T LED should be lit. Green indicates good power. Red indicates your batteries are 2/3 depleted. Flashing red indicates that you should replace your batteries as soon as possible.
To turn the receiver off, press and hold the power but­ton for three seconds. A countdown will be displayed until the power is turned off.
Control Panel/Knobs
The four knobs on the top edge of the M4 receiver (two are in a dual concentric arrangement and two are separate) allow for a number of mixer configurations by using the Chan. Setup in the LCD menu. The first knob (the tall, skinny one) is usually set as a Master Volume, while the other three can be set up differently depending on the artist’s needs and preferences. See Selecting 2 Channel or 4 Channel Operation below for details.
Once the three batteries are in place, close the door by swinging it shut then sliding it upwards while apply­ing slight pressure. It should snap shut and line up with the case.
Powering the Unit ON and OFF
Press the power button once to turn on the unit. Check to see that the LCD displays the single screen Power Up Sequence showing the company logo, model num­ber and firmware revision.
Power Button
The headphone jack is a standard 1/8” stereo TRS (tip, ring, sleeve) jack with standard headphone wiring (tip is left, ring is right, sleeve is ground). The headphone amp can deliver 200mW into a 32 Ohm load so it is important to always start with the volume low before plugging in your headphones or earbuds.
CAUTION: Hearing damage can result from listening too loudly with this receiver!
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Body Placement
Position the receiver on a belt, guitar strap, wardrobe, etc. so that the antennas are oriented vertically and not touching a metallic surface. Make sure the antennas are on the outside of thick or metallic costuming so the antenna whips will be out in the open. For maximum receive sensitivity, it is good practice to keep the an­tenna whips from direct contact with a person’s body.
Digital IEM System
To access the setup menus, press the MENU/SEL button at the upper left of the membrane panel. Press the BACK button to back up one level or return to the main window. The UP and DOWN arrow buttons along the right side of the control panel allow you to navigate between menu options and to adjust specific param­eters within the setup screens.
Battery status is indicated by a GREEN LED. The LED turns RED to indicate that your batteries are 2/3 depleted. FLASHING RED indicates that you should replace your batteries as soon as possible.
LCD Boot Screens
The boot sequence will briefly display the company logo, model number and firmware revision.
If a preset is active, this screen will appear, including the word (modified) if the preset has been edited.
Following the boot-up sequence, the receiver will re­vert to the Main Window, showing the following:
Operating
Frequency
RF Level Meter
Audio
Level
Meters
The blue RF LED indicates an RF lock between the transmitter and receiver, when lit.
Selecting 2 Channel or 4 Channel Operation
The Chan. Setup screen allows you to select whether the receiver operates in 2 channel, 4 channel or split 4 channel modes, and then how the knobs on the top of the receiver are configured as a mixer.
Each Chan. Setup screen allows selection of 2 Chan­nel and 4 Channel modes, plus a second line for selec­tion of the knob configurations.
2/4 channel
selection
knob
configuration
Press MENU/SEL to toggle the highlight between the Chans and Knob lines and use the UP and DOWN arrow keys to make selections.
Operating Mode and
Knob Configuration
Rio Rancho, NM
NOTE: Review the individual setup options in the following section.
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2 Channel Operation
In this mode, two channels are fed to the transmitter and are available at the receiver.
Master(1,2) mode
AUDIO CH.
1
MASTER VOLUME
2
NO
FUNCTION
NOTE: the transmitter must be also in 2 Channel mode for the receiver to operate in this manner.
2-ch. mode allows for three different knob setups:
• Master(1,2)
This is the factory default and is equivalent to standard IEM systems where only a stereo signal is used. The tall, thin knob is the stereo master volume.
• Master(1)+2
Feeds audio channel 1 to the master volume (tall, thin knob) and audio channel 2 to the lower concentric knob for independent control. You can develop a stereo mix by panning each channel in the stereo field (see panning, below).
• 1+2
Gives you individual control over both audio channels. Audio channel 1 is fed to the tall thin knob, and audio channel two is fed to the lower concentric knob. In this setup, there is no master volume knob.You can develop a stereo mix by panning each channel in the stereo field (see pan­ning, p. 10).
NO
FUNCTION
Master(1)+2 mode
MASTER VOLUME
AUDIO
CH. 2
MASTER VOLUME
AUDIO
CH. 1
NO
FUNCTION
8
1+2 mode
AUDIO
CH. 2
AUDIO
CH. 1
NO
FUNCTION
LECTROSONICS, INC.
4 Channel Operation
In this mode, all four audio channels fed to the trans­mitter are available at the receiver.
Master(1,2)+3,4 mode
AUDIO CH.
1
MASTER VOLUME
2
Digital IEM System
AUDIO
CH. 3
AUDIO
CH. 4
NOTE: the transmitter must be in 4 Channel mode for the receiver to work in this manner.
Audio can be routed to the four audio control knobs in the following ways:
• Master(1,2)+3,4
Feeds channels 1 & 2 to the master volume knob in a fixed stereo relationship, while audio chan­nels 3 & 4 are on the two smaller separate knobs. This gives you individual control over two of the channels in their relationship to the stereo mix. For instance, you may want to have drums and bass (in stereo) on 1 & 2, your guitar in ch. 3 (first small knob, in the middle) and your vocals in ch. 4 (second small knob, closest to the headphone jack). After choosing this mode, you would use the master knob to control your overall volume, and the other two knobs to change how those two individual channels are mixed into the master.
• Master(1)+2, 3, 4
Places ch. 1 on the master knob, and then gives you individual control over channels 2, 3 and 4. Use this mode if you plan to have a mono mix as a starting point, and then add three additional chan­nels that you would like to adjust during perfor­mance. An example would be drums and bass (in mono) on 1, backing vocals on 2, your guitar on 3, and your vocals on 4. Each of the channels can still be panned in the stereo field.
• 1+2+3+4
Gives you individual control over all four audio channels. In this setup, there is no master vol- ume knob. You can develop a stereo mix by pan­ning each channel in the stereo field (see panning, below).
NO
FUNCTION
Master(1)+2,3,4 mode
AUDIO
CH. 1
MASTER VOLUME
AUDIO
CH. 2
AUDIO
CH. 3
AUDIO
CH. 4
1+2+3+4 mode
AUDIO
CH. 1
AUDIO
CH. 3
AUDIO
CH. 4
Rio Rancho, NM
AUDIO
CH. 2
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Split 1,2 Operation
Split modes allow you to use a single M4T transmitter running in the 4 Channel mode to send two different 2 channel stereo mixes to two different receivers or groups of receivers using a single radio frequency.
Split 1+2 mode delivers audio channels 1 and 2 to the tall, thin knob and the lower concentric knob. The knobs can be set up to function in three different ways.
NOTE: the transmitter must be in 4 Channel mode for the receiver to work in this manner.
• Master(1,2)
Equivalent to standard IEM systems where only stereo signal is used. The tall, thin knob is the ste­reo master volume and is fed from audio channels 1 & 2. Although there is audio on channels 3 & 4 in the transmission itself, they are muted and thus the lower main knob and two individual knobs do not function.
• Master(1)+2
Feeds audio channel 1 to the master volume (tall, thin knob) and audio channel 2 to the lower con­centric knob for independent control.
• 1+2
The two knobs function independently with neither one working as a master. Feeds audio channel 1 to the tall, thin knob and audio channel 2 to the lower concentric knob for independent control.
Master(1,2) mode
AUDIO CH.
1
MASTER VOLUME
NO
FUNCTION
Master (1)+2 mode
AUDIO
CH. 1
MASTER VOLUME
AUDIO
CH. 2
2
FUNCTION
NO
FUNCTION
NO
NO
FUNCTION
10
1+2 mode
AUDIO
CH. 2
AUDIO
CH. 1
NO
FUNCTION
LECTROSONICS, INC.
NO
FUNCTION
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