Lectrosonics AM6 Operating Instructions Manual

AM6
AUTOMATIC MIXER
OPERATING INSTRUCTIONS
and trouble-shooting guide
LECTROSONICS, INC.
Rio Rancho, NM
INTRODUCTION
The AM6 has many features not found in systems composed of separate components. The AM6 includes an automatic (switchable to manual) ambient threshold sensing circuit to eliminate the need to adjust the ambient threshold for varying background noise conditions. This makes the initial setup of the AM6 quick and simple. The Last Mic Hold function is also included. With Last Mic Hold in the "On" position, the last active mic is held in the open mode until another microphone comes on. In this way, much better performance is achieved in marginal situations (i.e. very soft talkers, or talkers who turn away from the mic).
Each channel is jumperable to allow bypass of the notch filters and tone controls. This is advantageous when connecting outside music sources such as CD players or tape decks. Each channel also has remote volume control capability with the addition of a single linear potentiometer per channel. In addition, the Main level may also be remotely controlled. Two balanced line outputs are provided for amplifier feed or tape recording.
TABLE OF CONTENTS
INTRODUCTION .......................................... 1
GENERAL TECHNICAL DESCRIPTION .......................... 2
FRONT PANEL DESCRIPTION ................................ 4
REAR PANEL DESCRIPTION ................................. 5
INSTALLATION ........................................... 6
OPERATING INSTRUCTIONS ................................. 7
TROUBLESHOOTING ....................................... 7
SPECIFICATIONS ......................................... 8
SERVICE AND REPAIR ..................................... 9
RETURNING UNITS FOR REPAIR ............................. 9
WARRANTY ........................................ Back cover
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GENERAL TECHNICAL DESCRIPTION
Please refer to the block diagram of the AM6 for the following discussion.
The microphone preamp is designed around an ultra-low noise, dedicated preamplifier IC. This IC provides noise and distortion performance previously available only in discrete preamp designs. The preamp is fully balanced and RF protected. Phantom power (15 Volts) is jumperable on each channel to accommodate both dynamic and electret type microphones. The gain of the preamp is variable via a rear panel trim pot from 6dB to 55dB of gain. This adjustment of gain range allows the preamp to accept signals from mic to line level, while optimizing the preamp gain for any input signal level.
The microphone preamp feeds a low noise Voltage Controlled Amplifier (VCA). The VCA implements the automatic function, as well as allowing remote level control of any channel using a linear potentiometer.
The AM6 has two modes of operation for each channel; Auto and Direct. The operational mode is selected via the front panel Auto/Direct switch on each channel. In the Direct mode, the channel is always on. The Direct mode is analogous to a standard channel in a non-automatic mixer.
In the Auto mode, each channel is attenuated 15dB when there is no activity on the channel. When activity is detected, the channel gain increases 1dB for each 1dB that the input signal level is above threshold. The channel gain increases for 15dB, until channel attenuation is unity (0dB). After the channel attenuation reaches unity, no more gain modulation occurs even if signal levels continue to increase. This 2:1 gain modulation gives a smooth transition from full attenuation to unity gain, unlike the choppy action of automatic mixers that use gates (i.e. instantaneous change from full attenuation to unity gain).
The presence or absence of signal is determined by the Speech Filter and Log Amplifier section. Speech signals are filtered to emphasize the voice band, and converted to decibels by the log amplifier. The signal is then compared against the instantaneous value of the Fixed Threshold plus the Variable Threshold, and the appropriate channel gain is derived. The Variable Threshold introduces a threshold offset proportional to the signal to prevent sound from the system loudspeakers from turning on unused microphones.
The level of individual channels is adjusted by the front panel Channel Level control. Each channel is jumperable to tone/notch or no tone/notch. Typically, channels using microphones as their source would be jumpered for notch filtering and tone control. Line level signals, such as recorded music, would normally be jumpered to bypass the tone controls to give flat frequency response reproduction. Note that when a channel is jumpered for bypass, the volume of that channel will not be affected by the Main Level control. In this way, the volume level of a line source may be preset using the Channel Level control, and will not be disturbed if the system volume is adjusted via the Main Level control.
The signals are summed, and their volume is controlled by the Main Level control. The signal is then sent to the Notch/tone controls section.
The balanced line outputs are low impedance (100 ohms) line level drivers that may be used for amplification and tape recording.
Each channel has connections for remote gain control via linear pots (10K). Additionally, a single linear potentiometer is may be used to control overall system volume. Linear to audio taper signal conditioning is provided by the AM6 to maximize control resolution.
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Threshold setting (i.e. the input signal level at which the channel begins to come on) may be accomplished in one of two modes; Auto or Manual. In Manual mode, a front panel pot is used to adjust the minimum level at which the channels begin to come on. In the Auto mode, the ambient level is continuously monitored, and the minimum level at which channels begin to come on is set a few dB above ambient. With the AM6 set in the Auto Threshold mode, the chances of misadjustment are considerably less.
Another feature of the AM6 that simplifies setup and operation is Last Mic Hold. With Last Mic Hold in the "On" position, the last active mic is held in the open mode until another microphone comes on. In this way, much better performance is achieved in marginal situations (i.e. very soft talkers, or talkers who turn away from the mic).
Figure 1 - AM6 Block Diagram
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