Page 1
T T50,T T50H
TT100 & T T100H
USER
USER
MANUAL
MANUAL
Laney
Classic British Amplification
Page 2
IMPORTANT SAFETY INSTRUCTIONS
WARNING: When using electric products, basic cautions should always be followed, including the following.
1. Read all safety and operating instructions before using this product
2. All safety and operating instructions should be retained for future reference
3. Obey all cautions in the Operating instructions and on the back of the unit
4. All operating instructions should be followed
5. This product should not be used near water, i.e. a bathtub, sink, swimming pool, wet basement, etc.
6. This product should be located so that its position does not interfere with its proper ventilation. It should not
be placed flat against a wall or placed in a built up enclosure that will impede the flow of cooling air.
7. This product should not be placed near a source of heat such as stove, radiator, or another heat producing
amplifier.
8. Connect only to a power supply of the type marker on the unit adjacent to the power supply cord.
9. Never break off the ground pin on a power supply cord.
10. Power supply cords should always be handled carefully. Never walk or place equipment on power supply
cords. Periodically check cords for cuts or signs of stress, especially at the plug and the point where the
chord exits the unit.
11. The power supply cord should be unplugged when the unit is to be unused for long periods of time.
12. If this product is to be mounted in an equipment rack, rear support should be provided.
13. The user should allow easy access to any mains plug, mains coupler and mains switch used in conjunction
with this unit thus making it readily operable.
14. Metal parts can be cleaned with a damp cloth. The vinyl covering used on some units can be cleaned with
a damp cloth or ammonia based household cleaner if necessary. Disconnect the unit from the power
supply before cleaning.
15. Care should be taken so that objects do not fall and liquids are not spilled into the unit through any
ventilation holes or openings. On no account place drinks on the unit.
16. A qualified service technician should check the unit if:
The power cord has been damaged
Anything has fallen or spilled into the unit
The unit does not appear to operate correctly
The unit has been dropped or the enclosure damaged.
17. The user should not attempt to service the equipment. All service work is done by a qualified
service technician.
18. Exposure to extremely high noise levels may cause a permanent hearing gloss. Individuals vary
considerably in susceptibility to noise induced hearing loss, but nearly everyone will lose some hearing if
exposed to sufficiently intense noise for a sufficient time. The U.S. Government's Occupational Safety and
Health Administration (OSHA) has specified the following permissible noise level exposure.
Duration Per Day In Hours Sound Level dBA, slow response
8 90
6 92
4 95
3 97
2 100
1 ½ 102
1 105
½ 110
¼ or less 115
According to OSHA, any exposure in excess of the above permissible limits could result in some hearing loss. Ear
plugs or protectors in the ear canals or over the ears must be worn when operating this amplification system in
order to prevent a permanent hearing loss if exposure exceeds the limits set forth above. To ensure against
potentially dangerous exposure to high sound pressure levels it is recommended that all persons exposed to
equipment capable of producing high sound pressure levels such as this amplification system be protected by
Lightning Bolt Symbol:
This symbol is used to alert the user to the presence
of dangerous voltages and the possible risk of
electric shock.
Exclamation Mark Symbol:
This symbol is used to alert the user to make special note of
important operating or maintenance instructions found in the
!!
reference manual.
Page 2
Page 3
Congratulations!
The TT range sets the standard by which all-TRUE tube amps will be measured. The TT50/100 combos and heads are designed to offer
the player that exclusive high-value boutique sound that every serious player aspires to.
You may find at first that the front panel of your new TT amplifier seems a little daunting. Don't be put off as a great deal of thought has
gone into the layout of the controls and features. Please follow this instruction manual carefully and all of your questions will be
answered.
Most guitar players are searching for a great, straight forward tone - How many great tones do you need?
We say three…
A great Clean tone!
A great Crunch tone!
A great Lead tone!
The TT gives you all three…. So stop searching and start playing!
Remember to check out for great features on world class artists using TT's and information on how to get the most
from your Laney amplifier.
www.laney.co.uk
BEFORE SWITCHING ON
After unpacking your amplifier check that it is supplied with a three pin 'grounded' (or earthed) lead, relevant to your region. Before plugging
into the power supply ensure you are connecting to a grounded earth outlet of the correct voltage.
Your Laney valve amplifier has undergone a thorough two stage, pre-delivery inspection, involving actual play testing, as well as valve burn in.
Valves are the most important component in your Laney valve amp. However they are also the most fragile component. The glass envelope
and valve filaments can be damaged in transit without any apparent signs of damage to the box, amp or valves. Valve damage is however quite
simple to diagnose and even more simple to remedy. These procedures are explained later in this manual..
If there is a problem with your Laney valve amplifier please contact the store where you purchased your amplifier and they will help you resolve
the problem. If for some reason they cannot help you, please call our suppor t line who will be pleased to help.
Page 3
Page 4
Instant gratification settings
Crystal Clean
BRIGHT
33
22
INPUT
33
22
11
BASS
44
00
55
44
66
77
33
88
22
11
99
1010
00
11
TREBLE
55
55
44
66
77
33
88
22
11
99
1010
00
Blues Clean
BRIGHT
3
INPUT
3
2
1
BASS
4
0
MIDDLE
5
6
7
3
8
2
1
9
10
2
1
TREBLE
5
4
0
5
4
6
7
3
8
2
1
9
10
0
These setting should be used as a guide please experiment to get the exact tone you are after
VOLUME
55
1
44
66
1010
00
REVERB REVERB REVERB
44
66
77
33
88
22
11
99
1010
00
VOLUME
5
4
6
10
0
REVERB
4
6
7
3
8
2
1
9
10
0
DRIVE DRIVE
MODERN
5
4
77
88
99
55
66
1010
1
7
8
9
5
6
10
6
7
3
8
2
1
9
10
0
BRIGHT
BASS
5
4
77
3
88
2
1
99
0
DRIVE DRIVE
44
33
22
11
00
BASS
44
7
33
8
22
11
9
00
5
4
6
7
3
8
2
1
9
10
0
MODERN
55
66
77
88
99
1010
BRIGHT
MIDDLE MIDDLE REVERB FX MIX PRESENCE
55
55
44
66
77
33
88
22
11
99
1010
00
MASTER
4
3
2
1
0
TREBLE
5
4
6
7
3
8
2
1
9
10
0
MASTER
33
22
11
TREBLE
55
44
66
77
33
88
22
11
99
1010
00
2 3
5
6
7
8
9
10
5
4
6
6
7
7
3
8
8
2
1
9
10
44
9
10
0
2 3
55
66
77
88
99
1010
00
REVERB REVERB
55
44
66
66
77
77
33
88
88
22
11
99
1010
99
1010
00
MODERN
6
10
6
10
6
10
6
10
7
8
9
BRIGHT
7
8
2
9
MODERN
7
8
9
BRIGHT
7
8
2
9
XPAND
3
2
1
BOOST
TREBLEMIDDLE MIDDLE MIDDLE REVERB FX MIX PRESENCE
5
4
4
6
7
3
3
8
2
1
1
9
10
0
0
XPAND
3
2
1
BOOST
TREBLE
5
4
4
6
7
3
3
8
2
1
1
9
10
0
0
5
4
3
2
1
0
BASS
5
4
3
2
1
0
5
4
3
2
1
0
BASS
5
4
3
2
1
0
MASTER
4
0
5
6
7
9
10
MASTER
4
0
5
6
7
9
10
1
3
5
6
7
8
9
10
5
4
6
7
3
8
8
2
1
9
10
0
5
6
7
8
9
10
5
4
6
7
3
8
8
2
1
9
10
0
2
CHANNEL
TIGHT
MUTE
DAMPING AMP
T T50
1
2
CHANNEL
TIGHT
MUTE
DAMPING AMP
T T50
3
44
33
22
11
00
33
22
11
VOLUME 1
44
33
22
11
00
33
22
11
55
66
1010
55
44
66
77
88
99
1010
00
55
66
1010
55
44
66
77
88
99
1010
00
VOLUME 2VOLUME 1
55
44
66
00
55
44
66
33
22
11
1010
00
VOLUME 2
55
44
00
55
44
66
33
22
11
1010
00
77
88
99
1010
77
88
99
66
77
88
99
1010
77
88
99
77
33
88
22
11
99
55
44
66
77
33
88
22
11
99
1010
00
77
33
88
22
11
99
55
44
66
77
33
88
22
11
99
1010
00
Blues Lead
BRIGHT
3
2
INPUT
3
2
1
BASS
4
0
5
4
6
7
3
8
2
1
9
10
0
1
TREBLE
5
4
6
7
3
8
2
1
9
10
0
Rock Rhythm
BRIGHT
3
2
INPUT
3
2
1
BASS
4
0
MIDDLE
5
4
6
7
3
8
2
1
9
10
0
1
TREBLE
5
4
6
7
3
8
2
1
9
10
0
Rock Lead
VOLUME
5
4
0
5
VOLUME
4
0
5
1
6
7
8
9
10
REVERB REVERBREVERB
5
4
6
6
7
7
3
8
8
2
1
9
10
9
10
0
5
1
6
7
8
9
10
REVERB
5
4
6
6
7
7
3
8
8
2
1
9
10
9
10
0
MODERN
5
4
6
7
3
8
2
1
9
10
0
BRIGHT
BASS
5
4
3
2
1
0
44
33
22
11
00
BASS
44
33
22
11
00
5
4
6
6
7
7
3
2
1
0
BRIGHT
44
33
22
11
00
3
8
2
1
9
10
55
66
77
33
88
22
11
99
1010
8
9
10
MODERN
55
66
77
88
99
1010
55
66
77
88
99
1010
1
3
2
CHANNEL
TIGHT
MUTE
DAMPING AMP
T T50
1
2
CHANNEL
TIGHT
MUTE
DAMPING AMP
T T50
55
44
66
33
22
11
1010
00
55
44
66
77
33
88
22
11
99
1010
00
VOLUME 1
3
55
44
66
33
22
11
1010
00
55
44
66
77
33
22
11
99
1010
00
5
XPAND
BOOST
66
77
99
1010
XPAND
BOOST
6
7
9
10
88
8
33
22
11
3
2
1
33
2
22
11
TREBLE
55
44
00
3
2
1
TREBLE
5
4
0
MASTER
55
44
00
66
77
88
22
99
1010
MASTER
5
4
0
6
7
8
2
9
10
32
66
77
88
99
1010
55
44
66
77
33
88
11
99
1010
00
32
6
7
8
9
10
REVERBREVERB
5
4
6
7
3
8
1
9
10
0
MASTER
5
4
6
3
1
10
0
TREBLEMIDDLE MIDDLEMIDDLE REVERB FX MIX PRESENCE
5
4
4
6
7
3
8
2
1
9
10
0
0
MASTER
55
44
66
33
22
11
1010
00
TREBLE
55
44
44
66
77
33
88
22
11
99
1010
00
00
DRIVEDRIVE
MODERN
55
44
7
8
9
5
6
10
77
88
99
55
66
1010
66
77
33
88
22
11
99
1010
00
BRIGHT
BASS
55
44
7
33
8
22
11
9
00
DRIVEDRIVE
4
3
2
1
0
BASS
4
77
3
88
2
1
99
0
55
44
66
77
33
88
22
11
99
1010
00
MODERN
5
6
7
8
9
10
BRIGHT
MIDDLEMIDDLE REVERB FX MIX PRESENCE
5
4
6
7
3
8
2
1
9
10
0
VOLUME 2VOLUME 1
55
44
77
33
88
22
11
99
00
55
55
66
77
88
99
1010
VOLUME 2
33
22
11
66
77
88
99
1010
55
44
33
22
11
00
55
44
00
55
44
33
22
11
00
44
33
22
11
00
77
88
99
44
33
88
22
11
00
66
77
88
99
1010
66
77
88
99
1010
66
77
88
99
1010
66
77
88
99
1010
INPUT
3
2
1
BASS
4
0
1
3
VOLUME
5
1
4
BRIGHT
6
3
2
1
10
0
REVERB REVERB REVERB
5
6
7
8
2
9
10
TREBLE
5
4
3
1
0
5
4
6
7
3
8
2
1
9
10
4
6
7
3
8
2
1
9
10
0
0
DRIVE DRIVE
MODERN
5
4
7
8
9
5
6
10
6
7
3
8
2
1
9
10
0
BRIGHT
BASS
5
4
7
3
8
2
1
9
0
5
4
6
7
3
8
2
1
9
10
0
MASTER
4
3
2
1
0
TREBLE
5
4
6
7
3
8
2
1
9
10
0
2 3
5
6
7
8
9
10
5
4
6
6
7
7
3
8
8
2
1
9
10
9
10
0
MODERN
55
44
66
77
33
88
22
11
99
1010
00
BRIGHT
BASS
55
44
33
22
11
00
55
44
66
77
33
88
22
11
99
1010
00
MASTER
55
44
XPAND
BOOST
66
77
99
1010
33
88
22
11
66
33
22
11
TREBLEMIDDLE MIDDLE MIDDLE REVERB FX MIX PRESENCE
44
00
77
88
99
1010
00
55
55
44
66
66
77
77
33
88
88
22
11
99
1010
99
1010
00
2
CHANNEL
TIGHT
MUTE
DAMPING AMP
T T50
55
44
66
33
22
11
1010
00
55
44
66
77
33
88
22
11
99
1010
00
VOLUME 2VOLUME 1
55
44
66
77
33
88
22
11
99
55
44
66
77
33
88
22
11
99
1010
00
77
88
99
1010
00
55
44
66
77
33
88
22
11
99
1010
00
Page 4
Page 5
Front Panel Controls
MUTE
12
5
4
3
2
1
0
5
4
3
2
1
0
13
VOLUME 2VOLUME 1
5
4
6
7
8
9
10
4
6
7
3
8
2
1
9
10
0
6
7
3
8
2
1
9
10
0
5
5
4
6
6
7
7
3
8
8
2
1
9
9
10
10
0
1
TT50C
& TT100C
INPUT
BASS
5
4
3
2
1
0
1
INPUT: Jack socket provided for connecting instrument.
2
BRIGHT SWITCH: Adds brightness and sparkle to the upper frequencies of the amplifier. These upper frequencies are more noticeable at low volume
2 3 4
VOLUME
5
BRIGHT MODERN
3
2
1
TREBLE
5
4
6
7
8
9
10
4
6
7
3
3
8
2
2
1
1
9
10
0
0
14 14 14
1
4
0
5
6
7
8
9
10
DRIVE DRIVE
6
10
REVERB REVERB REVERB
4
3
2
1
0
5
4
7
3
2
8
1
9
0
BASS
5
5
4
6
7
3
8
2
1
9
10
0
15
6
5
6
10
3
2
1
TREBLE
4
7
3
8
2
1
9
0
7 8
MASTER
2 3
5
4
6
4
7
3
2
8
1
9
0
10
0
5
6
7
3
8
2
1
9
10
BASS
5
4
4
6
7
3
8
2
1
9
10
0
0
5
6
7
8
9
10
BRIGHT BRIGHT
4
6
7
3
8
2
1
9
10
0
15
9
5
MODERN
5
6
7
8
9
10
5
4
6
7
3
8
2
1
9
10
0
6
10
MASTER
5
XPAND
4
6
7
3
8
2
1
BOOST
5
6
7
3
8
2
1
9
10
9
10
0
TREBLEMIDDLE MIDDLE MIDDLE REVERB FX MIX PRESENCE
5
5
4
4
6
7
3
8
2
1
9
10
0
0
16
6
7
8
9
10
11
123
CHANNEL
TIGHT
DAMPING AMP
T T50
17
18 19 20 2115
positions.
VOLUME: Sets the level of the Clean channel - channel 1.
3
DRIVE: Sets the level of Drive for the Crunch Channel - channel 2
4
MODERN SWITCH: The Modern switch applies a degree of compression to the signal which smoothes out the sound providing smooth sustain
5
BRIGHT SWITCH: Adds brightness and sparkle to the upper frequencies of the amplifier. More noticeable at low drive settings.
6
MASTER: Sets the individual level of the Crunch channel - channel 2
7
DRIVE: Sets the level of drive for the Led channel -channel 3
8
XPAND: At high levels of gain and volume, the natural tendency for a valve amp is to compress, this has the effect of limiting the dynamic range of the note.
9
The XPAND switch gives you the option of reducing the level of compression and allowing more dynamic freedom of the note should you require it. If you are
not playing at high gain and volume levels then the Xpand switch can also be used to get some interesting effects at low volume levels. At low levels the
Xpand switch functions as a mini gate and some interesting volume swell type effects are achievable.
10
MASTER: Sets the individual level of the Lead channel - channel 3
11
CHANNEL SELECT SWITCHES: Allows the user to select the the preamp channel of choice. This feature is also footswitchable and midi controllable. For more
information on MIDI switching see the MIDI application section later in this manual.
12
VOLUME 1: Sets the overall listening volume of the amplifier.
VOLUME 2: Switches in the alternate master volume level. Can be used to give a volume boost to the amplifier irrespective of which channel is selected on
13
the pre amplifier. For instance if you are playing a clean passage want to boost the volume for a solo section simply set the level of Volume 2 higher than that
of volume 1, when the appropriate time comes simply switch from volume 1 to volume 2 via the footswitch. In this case you will get an increase in overall
volume without getting an increase in the level of gain. Applies for Channels 2 and 3 as well.
BASS, MIDDLE, TREBLE : As with most amplifiers, these controls tailor the frequency response of the amplifier to get the sound you desire. Remember,
14
while playing at high volume levels, lowering the bass control will help maintain note definition. Equally, increasing the treble and mid, may help project the
sound further and ‘cut’ through everyone else.
REVERB: Sets the individual channel reverb level. Please be aware that the individual channel reverb level determines the level of channel signal sent to the
15
onboard reverb. The overall level of reverb is controlled by the master reverb level (32). If the master reverb level is set to zero no reverb will be heard
irrespective of what level is shown by the individual channel reverb send
16
BOOST: Switches in an extra tube gain stage for those who just cant get enough.
17
DAMPING: Damping is the term applied to the interaction of an amplifier in response to its load - in this case its speaker. The higher the damping factor the
more the speaker is controlled in it's response to an input. To the listener this is heard as a tighter more defined low-end response. The Damping control lets
you experiment with two levels of damping factor in order to get the bass response you're looking for. It is normal for this control to make a clicking sound
when operated.
18
AMP MUTE: This mutes the output section of the amplifier and the line out socket. I t does not effect the signal path through the pre amplifier so sends to the
effects loops and record out are maintained allowing signal levels to be monitored silently and silent recording via the record out.
REVERB: Sets the overall master level of reverb. Works in conjunction with the individual channel reverb sends.
19
FX MIX: Determines the level of signal from the FX Return jack.. With the FX MIX turned to zero the effects loop is bypassed and no signal appears frpm the
20
FX return jack. With the FX MIX set at 5 the effects loop functions as a side chain effects loop where 50% of the signal is returned from the effects return (Wet)
whilst the remaining 50% is the original (Dry) signal. With the FX MIX set to 10 the effects loop functions as an insert loop where 100% of the signal is
returned from the effects return (wet) and none of the original (dry) signal is present.The individual level of each channel sent to the FX MIX control is
determined by the individual channel volumes.
Note, when not using the effects loop set the FX MIX to zero.
If nothing is connected to the effects loop and the FX NIX is set to 100% no signal will be heard from the amplifier.
21
PRESENCE: Adds high end frequencies to the power amp stage of the amplifier giving it more definition and brilliance.
22
STANDBY: Use to enable/disable the high voltage DC to the valves. The heaters are left on to keep the tubes warm and ready to run. (Head only)
POWER: Mains power switch for the unit. Always turn off when not in use for long periods. (Head only)
23
2223
1
0
MAINS STANDBY
T T100H
3
2
1
PRESENCE
4
3
2
1
0
VOLUME 2
21
4
0
20
19
5
5
5
6
10
5
6
10
4
4
6
6
7
8
9
10
3
2
1
3
2
1
0
5
4
0
VOLUME 1
7
8
9
10
6
7
9
10
7
3
8
2
1
9
0
7
8
9
17
18
DAMPINGAMP
MUTE
TIGHT
1
3
2
8
CHANNEL
15
4
3
2
1
0
2
3
5
3
1
MASTER
16
5
5
4
4
6
6
6
7
3
8
2
1
9
10
0
TREBLE MIDDLEMIDDLEMIDDLEREVERBFX MIX
5
4
6
10
0
7
7
3
8
2
1
9
9
10
10
0
BOOST
7
8
9
MODERN
XPAND
15
6
5
5
4
4
6
6
7
3
8
2
1
0
5
4
3
2
1
0
7
3
8
8
2
1
9
9
10
10
0
4
6
3
7
8
2
9
10
1
0
MASTER
2
5
5
4
4
6
6
7
7
3
3
2
1
0
TREBLE
5
6
10
8
8
2
1
9
9
10
10
0
BRIGHTBRIGHT
7
8
9
15
5
55
4
44
6
66
7
3
33
8
2
22
1
11
9
10
0
BASSBASS
4
3
2
1
0
DRIVEDRIVE
1010
00
REVERBREVERBREVERB
44
5
6
33
7
8
22
9
10
11
00
1
VOLUME
141414
55
55
55
44
66
77
33
88
22
11
99
1010
00
TREBLE
55
66
77
88
99
1010
44
44
66
66
77
77
77
33
33
88
22
11
99
00
88
88
22
11
99
99
1010
1010
00
BASS
INPUT
BRIGHTMODERN
13
12
11
10
Page 5
5
9
78
5
6
34
1
2
Page 6
Rear Panel Functions
1
POWER CONSUMPTION
200 WATTS ~50/60HZ
~115V T5A L
~115V T5A L
230V T2A L
230V T2A L
~
~
1
POWER SOCKET : Socket for connecting mains power. Please note that the mains power fuse is also located here.
2
1
1
0
0
HT FUSE T500mA LHT FUSE T500mA L
3
CAUTION-FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE ONLY
CAUTION-FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE ONLY
WITH SAME TYPE AND RATED FUSE
WITH SAME TYPE AND RATED FUSE
WARNING -TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE
WARNING -TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE
THIS APPLIANCE TO RAIN OR MOISTURE.
THIS APPLIANCE TO RAIN OR MOISTURE.
CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVERS.
CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVERS.
NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL ONLY.
NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL ONLY.
ATTENTION - DEBRANCHER LE CORDON D’ALIMENTATION AVANT TOUTE INTERVENTION.ATTENTION - DEBRANCHER LE CORDON D’ALIMENTATION AVANT TOUTE INTERVENTION.
ATTENTION - REMPLACER LE FUSIBLE SEULEMENT PAR LE MEME TYPE
ATTENTION - REMPLACER LE FUSIBLE SEULEMENT PAR LE MEME TYPE
ET LE MEME CALIBRE.
ET LE MEME CALIBRE.
AVIS - RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR.AVIS - RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR.
WARNING - THIS EQUIPMENT MUST BE EARTHED.WARNING - THIS EQUIPMENT MUST BE EARTHED.
TT50/TT100C Rear
LINE OUTLINE OUT
OFFOFF
ONON
EXTENSION SPEAKEREXTENSION SPEAKER
8 OHMS8 OHMS
5
6
12
MIDI ADDRESSMIDI ADDRESS
1 2 4 8 1 2 4 8
1 2 3 4
CHANNEL 1 = 0000CHANNEL 1 = 0000
MADE IN THE UNITED KINGDOM BY BLT INDUSTRIES LTD.MADE IN THE UNITED KINGDOM BY BLT INDUSTRIES LTD.MADE IN THE UNITED KINGDOM BY BLT INDUSTRIES LTD.MADE IN THE UNITED KINGDOM BY BLT INDUSTRIES LTD.
RISK OF ELECTRIC SHOCK DO NOT OPENRISK OF ELECTRIC SHOCK DO NOT OPEN
CAUTIONCAUTION
0
0
1
1
4
FOOTSWITCH
FOOTSWITCH
USE ONLY WITH FS6
USE ONLY WITH FS6
!!
13
STORE
STORE
PRESS AND HOLD
PRESS AND HOLD
2 SECONDS
2 SECONDS
RECORD OUTRECORD OUT
7
14
MIDI OUTMIDI OUT
NOTE: 5 OR 7PIN DIN LEAD MAY BE USEDNOTE: 5 OR 7PIN DIN LEAD MAY BE USEDLED=MIDI SIGNAL PRESENTLED=MIDI SIGNAL PRESENT
15
MIDI THRUMIDI THRU
8
Replace only with same type and rating.
2
ON/OFF SWITCH: Main power switch for the amplifier. (Combo only)
FUSE HOLDER: Fuse holder for HT Fuse. Should this fuse fail, please replace the fuse with exactly the same type of fuse.
3
FOOTSWITCH: Use this socket to connect your FS6 footswitch only. No other device can be connected to this port. The FS6 allows
4
the user to remotely switch between Channel 1,2,3,Reverb and Volume1/2 switches on the amplifier. You can control the switches
using the footswitch and the front panel switches.
5
LINE OUT: Provides a line level signal (Nominal 600mV) for connecting to another TT amplifier via the power amp in or FX Return
socket. The Line out can also be used as a send to a mixing desk for sound reinforcement.
EXTENSION SPEAKER SOCKET: (TT50 Combo Only) Use to connect an 8ohm extension cabinet. When an extension cabinet is
6
connected you should slide the switch to the on position. Not doing so will result in mismatched impedance and will reduce the
amplifiers performance and in some cases may cause damage to your amplifier. Remember to switch back when not using an
extension cab.
RECORD OUT: Use to conect to your chosen recording device. This socket will emulate the sound of the tube output stage so you don’t
7
lose that fantastic sound. Used in combination with the mute switch will enable silent recording.
EFFECTS RETURN: 1/4“ jack socket for connecting to the output of an external effects device output. Only use good quality shielded
8
cables.
EFFECTS SEND: 1/4“ jack socket for connecting to the input of an external effects device input. Only use good quality shielded cables.
9
SPEAKER SOCKETS: (TT50H,TT100H Only) Connect your speaker cabinets here. Either one 4ohm, one 8 ohm, two 8 ohm, or two 16
10
ohm cabinets may be connected. Remember to slide the selector switch to match the total impedance connected. Ie. Two 8ohm
cabinets = 4ohms, two 16ohm cabinets = 8ohm. Not doing so will result in mismatched impedance and will reduce the amplifiers
performance and in some cases may cause damage to your amplifier.
16 Ohm SPEAKER SOCKET: (TT50H,TT100H Only) Use to connect a single 16ohm extension cabinet only. Not to be used at the same
11
time as the switched speaker sockets (10)
16
MIDI INMIDI IN
FX LOOPFX LOOP
FX SENDFX SENDFX RETURNFX RETURN
9
12
MIDI : For details of the midi interface (Items 12>16) Please see the midi section later in the manual.
Some common speaker connection details
4 ohm
9
FX SENDFX SEND
FX LOOPFX LOOP
MIDI INMIDI IN
NOTE: 5 OR 7PIN DIN LEAD MAY BE USEDNOTE: 5 OR 7PIN DIN LEAD MAY BE USED
16
LOUDSPEAKERSLOUDSPEAKERS
IMPEDANCEIMPEDANCE
8 OHM8 OHM
8
FX RETURNFX RETURN
MIDI THRUMIDI THRU
15
4 OHM4 OHM
7
RECORD OUTRECORD OUT
FOOTSWITCH
FOOTSWITCH
USE ONLY WITH FS6
USE ONLY WITH FS6
4
MIDI ADDRESSMIDI ADDRESS
CHANNEL 1 = 0000CHANNEL 1 = 0000
MIDI OUTMIDI OUT
14
STORE
STORE
PRESS AND HOLD
PRESS AND HOLD
2 SECONDS
2 SECONDS
13
LED=MIDI SIGNAL PRESENTLED=MIDI SIGNAL PRESENT
LOUDSPEAKERSLOUDSPEAKERS
IMPEDANCEIMPEDANCE
4 OHM4 OHM
8 OHM8 OHM
8 ohm 8 ohm 16 ohm
5
LINE OUTLINE OUT
8 4 2 1 8 4 2 1
12
10
LOUDSPEAKERSLOUDSPEAKERS
IMPEDANCEIMPEDANCE
4 OHM4 OHM
8 OHM8 OHM
1 2 3 4
1
1
0
0
16 OHM
16 OHM
LOUDSPEAKER
LOUDSPEAKER
ONLY
ONLY
11
LOUDSPEAKERSLOUDSPEAKERS
IMPEDANCEIMPEDANCE
4 OHM4 OHM
8 OHM8 OHM
8 ohm 16 ohm
TT50H/TT100H Rear
CAUTION-FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE ONLY
CAUTION-FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE ONLY
WITH SAME TYPE AND RATED FUSE
WITH SAME TYPE AND RATED FUSE
WARNING -TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE
WARNING -TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE
THIS APPLIANCE TO RAIN OR MOISTURE.
THIS APPLIANCE TO RAIN OR MOISTURE.
CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVERS.
CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVERS.
NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL
NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL
ONLY.
ONLY.
ATTENTION - DEBRANCHER LE CORDON D’ALIMENTATION AVANT TOUTE INTERVENTION.ATTENTION - DEBRANCHER LE CORDON D’ALIMENTATION AVANT TOUTE INTERVENTION.
ATTENTION - REMPLACER LE FUSIBLE SEULEMENT PAR LE MEME TYPE
ATTENTION - REMPLACER LE FUSIBLE SEULEMENT PAR LE MEME TYPE
ET LE MEME CALIBRE.
!!
ET LE MEME CALIBRE.
AVIS - RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR.AVIS - RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR.
WARNING - THIS EQUIPMENT MUST BE EARTHED.WARNING - THIS EQUIPMENT MUST BE EARTHED.
MADE IN THE UNITED KINGDOM BY BLT INDUSTRIES LTD.MADE IN THE UNITED KINGDOM BY BLT INDUSTRIES LTD.MADE IN THE UNITED KINGDOM BY BLT INDUSTRIES LTD.MADE IN THE UNITED KINGDOM BY BLT INDUSTRIES LTD.
CAUTIONCAUTION
RISK OF ELECTRIC SHOCK DO NOT OPENRISK OF ELECTRIC SHOCK DO NOT OPEN
Page 6
LOUDSPEAKERSLOUDSPEAKERS
IMPEDANCEIMPEDANCE
8 OHM8 OHM
HT FUSE T1A LHT FUSE T1A L
3
16 OHM
16 OHM
LOUDSPEAKER
LOUDSPEAKER
ONLY
4 OHM4 OHM
ONLY
16 ohm
~115V T6.3A L
~115V T6.3A L
230V T3.15A L
230V T3.15A L
~
~
POWER CONSUMPTION
250 WATTS ~50/60HZ
1
Page 7
Troubleshooting
Notes
In the unlikely event that you are experiencing problems, here are some of the most likely symptoms of valve malfunction and a suggested
method of correction.
Symptom 1 - Amp connections have been performed correctly but no channel switches are illuminated.
Solution 1 - Check time delay POWER FUSE and replace if necessary :-
TT50/TT50H = 230V - T2AL 250V TT100HTT100C = 230V - T3.15AL 250V
Symptom 2 - Channel switches illuminate, no sound out put. Amplifier set up correctly.
Solution 2 - Check secondary HT fuse. Replace if blown with: -
TT50/TT540H = T500mAL 250V
Symptom 3 - Secondary HT fuseblows repeatedly. This is a strong indication of a damaged valve. The diagram below indicates valve type
and position.
Solution 3 - !CAUTION! Output Tubes get very hot, Turn power off and wait to cool before touching.
Turn on the power. View the output valves, They should glow red after the unit warms up. If one valve fails to light up, replace that valve. If
the output valves check out ok, another cause of a blown secondary fuse is a damaged pre-amplifier valve. Start with valve V1 and replace it,
follow the above procedure. If the symptom persists, consult a qualified engineer, do not fit higher rated fuses. Replace Secondary HT Fuse
when problem has been rectified.
115V - 15L 250V 115V - T6.3AL 250V
100V - T5AL 250V 100V - T6.3AL 250V
TT100H/TT100C = T1A L 250V
V1,4,5,6 =ECC83 General Purpose
type Part # 005548
11
22
33
99
1010
V2,3 =ECC83 Low Noise
Selected. Part # 005570
V7,8 =EL34B Matched Pair
(TT50,TT50H)
Part # 005091x2
55
Symptom 4 - Slow loss of power
66
7744
88
V7,8,9,10=EL34B Matched Quartet
(TT100H Only)
Part # 005091x4
Solution 4 - Check first for damaged output valves (glowing ,flashing or dead) by using the procedures described in symptom 3. Replace as
necessary.
All of these trouble shooting procedures can be performed quickly, without the aid of any sophisticated test gear. We suggest that you always
maintain spare valves for emergency purposes. Keep your Laney free of dirt, dust and moisture to prevent performance failure Never subject
your valve amp to environmental conditions that would not be comfortable for you!
Tips-
The valves in your new valve amplifier will eventually need replacing due to wear, this is normal with valve amps. In most instances you
should be able to effect valve replacement yourself without incurring the costs of a service engineer. Spares are available from all good music
shops or directly from our service department. Normally valve amps give optimum performance when fitted with matched sets of output
valves as factory fitted to all Laney valve amps. NB: Damage will not occur by not fitting matched sets although the amplifiers performance
may be impaired
The following hints and tips are provided so that you can get the best performance out of your Laney valve amplifier. These are only
guidelines and should be adapted for your own preferences:-
1: Valve amplifiers take a short time to 'warm up' to optimum operating temperature. To get optimum performance out of your TT amplifier
allow the amplifier to 'warm up' for three mins. before you begin playing.
2: The position of an amplifier in a room has an effect upon the overall sound characteristics. If you wish to increase the bass response of
your amplifier place the amplifier on the floor. If you wish to reduce the bass response of your amplifier place the amplifier on a stand.
3: Do not place you amplifier hard up against a wall as this will reduce the air circulating around the back of the unit and may result in
overheating.
4: When using the 'BRIGHT SWITCH' on the amplifier keep in mind that it has a greater audible effect the lower the amount of distortion
produced by the preamplifier. At some distortion levels the 'BRIGHT SWITCH' may appear to have no effect at all.
Page 7
Page 8
Midi Information
Notes
TT Midi implementation
The advantage of midi in a guitar amplifier is that it allows your amplifier and external devices (like FX) to talk to each other. At last you can
press one button and select the amplifier channel, delay and reverb on multiple devices to get the sound you want. (No more ballet dancing
over FX pedals!)
The switches below generate, (and can be controlled) via midi Program change messages:-
Channel 1, Channel 2, Channel 3, Volume 1 / Volume 2
Reverb State can be recalled via midi but does not generate any midi information.
Imagine you can now assign a different effect to each Channel + Volume 1 and each Channel + Volume 2.
Some application notes to achieve this appear later.
The amplifier achieves these features by Storing amplifier switch states at the last received Midi Program Change
01 0
1
4 4
FOOTSWITCH
FOOTSWITCH
USE ONLY WITH FS6
USE ONLY WITH FS6
1313
PRESS AND HOLD
PRESS AND HOLD
2 SECONDS
2 SECONDS
1212
MIDI ADDRESSMIDI ADDRESS
1 2 4 8 1 2 4 8
1 2 3 4
CHANNEL 1 = 0000CHANNEL 1 = 0000
MIDI ADDRESS DIPSWITCHES: This selects the midi channel which the amplifier will send and receive on. Default setting of this are all
12
STORE
STORE
1414
MIDI OUTMIDI OUT
NOTE: 5 OR 7PIN DIN LEAD MAY BE USEDNOTE: 5 OR 7PIN DIN LEAD MAY BE USEDLED=MIDI SIGNAL PRESENTLED=MIDI SIGNAL PRESENT
1515
MIDI THRUMIDI THRU
1616
MIDI INMIDI IN
switches set to `0' ,this is called omni mode as it will respond to all midi channels. If you need to select a certain midi channel so that
your amplifier only sends and responds to messages on the selected channel it is done as follows. Each switch has a value (1,2,4,8)
simply add the switch values together to get the channel you require. Eg.
Channel 7 = 4 + 2 + 1
Channel 13 = 8 + 4 + 1
4
FOOTSWITCH SOCKET: Use this socket to connect your FS6 footswitch only. No other device can be connected to this port. The FS6
allows the user to remotely switch between Channel 1,2,3,Reverb and Volume1/2 switches on the amplifier. You can control the switches
using the footswitch and the front panel switches.
13
STORE BUTTON: The integral Led flashes to indicate the amplifier is receiving midi data or has stored the amplifiers switch state . If you
press and hold down the Store button the state of the channel, Volume and Reverb will be stored at the last received Midi program
change. The next time the amplifier receives this Midi program change via the Midi In socket the amplifier will switch to the stored state.
Please note the Reverb can only be assigned via the FS6, there is no front panel control for switching reverb.
MIDI OUT: This where the TT amplifier generates its midi information. It is a 7 Pin DIN socket provided for connecting to the MIDI IN of an
14
external MIDI equipped device. *
MIDI THRU: MIDI THRU is a daisy chain buffered output of the MIDI IN signal and contains no MIDI information generated by the amplifier.
15
Normally connected to the midi in of the next midi device in the chain f required. It is a 7 Pin DIN socket supporting phantom power
devices. *
16
MIDI IN: The TT amplifier receives Midi information here from external MIDI devices such as foot controllers or MIDI sequencers allowing
the status of the amplifier to be switched via MIDI It is a 7 Pin DIN socket supporting phantom power from some high end guitar
processors and their controllers. *
* 5 pin leads may also be used. (Note: 5 pin DIN leads do not support phantom power)
Page 8
Page 9
Midi Information
Notes
Application note 1 : TT amplifier + External FX
Shown here is a simple midi setup. The TT amplifier acts as the
master controller by switching the state of the ‘slave’ external
FX processor. Whenever channel or volume Switches are
INPUT
5
4
6
7
3
8
2
1
9
10
0
VOLUME
5
BRIGHT MODERN
4
6
3
2
1
10
0
REVERB
TREBLE
MIDDLE
5
5
4
4
4
6
6
7
7
3
3
3
8
8
2
2
2
1
1
1
9
9
10
10
0
0
0
FX Send
1
DRIVE DRIVE
5
4
6
7
7
3
8
2
8
1
9
9
10
0
BRIGHT BRIGHT
BASS
MIDDLE MIDDLE REVERB FX MIX PRESENCEBASS
5
5
5
4
4
6
6
6
7
7
3
3
8
8
2
2
1
1
9
9
10
10
10
0
0
FX Return
MASTER MASTER
2 3
5
4
6
5
4
7
3
3
2
8
2
1
1
9
0
10
0
REVERB REVERB
TREBLE TREBLE
BASS
5
5
5
4
4
4
6
6
7
7
7
3
3
3
8
8
8
2
2
2
1
1
1
9
9
9
10
10
0
0
0
Midi In
Midi Out
VOLUME 2VOLUME 1
123
5
5
5
MODERN
XPAND
4
6
3
7
8
2
9
1
10
BOOST
0
5
5
4
4
6
6
6
7
7
7
3
3
3
8
8
8
2
2
2
1
1
1
9
9
9
10
10
10
0
0
4
4
6
6
6
7
8
9
10
5
4
6
7
8
9
10
0
7
3
7
3
8
8
2
2
CHANNEL
1
1
9
9
10
10
0
0
MUTETIGHT
5
5
5
4
4
4
6
6
6
7
7
7
3
3
3
8
8
8
2
2
2
DAMPING AMP
1
1
1
9
9
9
10
10
10
0
0
0
T T50
Output
Input
FX Processor
changed the TT amplifier sends a program change to the FX
processor. The sent Program changes are shown below
FS6 Footswitch
Channel 1 + Volume 1 = Program 0 Channel 1 + Volume 2 =Program 3
Channel 2 + Volume 1 = Program 1 Channel 2 + Volume 2 =Program 4
Channel 3 + Volume 1 = Program 2 Channel 3 + volume 2 =Program 5
You then need to midi map desired FX to the above program changes on your FX processor. This gives 3 channel sounds , each at 2 different
volume levels each with different FX combination.For example a useful setup could be shown below
Channel 1 + Volume 1 = Program 0 > Small Reverb
Channel 1 + Volume 2 = Program 3 > Chorus
Channel 2 + Volume 1 = Program 1 > Small Delay
Channel 2 + Volume 2 = Program 4 > Small Multi Tap Delay
Channel 3 + Volume 1 = Program 2 > Large Hall Reverb
Channel 3 + Volume 2 = Program 5 > Long Multitap Delay
You get reverbs and chorus FX for your clean sound on channel 1.
You get delays for your rhythm sounds on channel 2.
You get reverbs and long multitap delays for your lead breaks /solos on Channel 3.
Further Possibilities
This is only an example, experiment with the amplifier sounds and FX.
Application note 2 : TT Amplifier + Midi Controller
INPUT
MIDDLE
5
4
4
6
7
3
3
8
2
2
1
1
9
10
0
0
FX Send
VOLUME
5
1
BRIGHT MODERN
4
6
7
3
8
2
1
9
10
0
REVERB
TREBLE
5
5
5
4
4
6
6
6
7
7
7
3
3
8
8
8
2
2
1
1
9
9
9
10
10
10
0
0
FX Return
MASTER MASTER
5
DRIVE DRIVE
4
5
4
6
3
7
3
8
2
2
1
9
1
10
0
BRIGHT BRIGHT
0
BASS
TREBLE TREBLE
MIDDLE MIDDLE REVERB FX MIX PRESENCEBASS
5
5
5
4
4
4
6
6
6
7
7
7
3
3
3
8
8
8
2
2
2
2
1
1
1
9
9
9
10
10
10
0
0
0
Midi Out
2 3
MODERN
XPAND
6
5
4
6
7
7
3
8
2
8
1
9
9
10
0
BOOST
10
REVERB REVERB
BASS
5
5
5
4
4
4
6
6
6
7
7
3
3
3
8
8
2
2
1
1
1
9
9
10
10
10
0
0
0
Midi In
Midi Thru
VOLUME 2VOLUME 1
123
5
5
5
4
3
2
1
0
5
4
6
7
7
3
8
8
2
1
9
9
10
0
4
4
6
6
6
7
8
9
10
5
4
6
7
3
8
2
1
9
10
0
7
3
7
3
8
8
2
2
CHANNEL
1
1
9
9
10
10
0
0
MUTETIGHT
5
5
5
4
4
4
6
6
6
7
7
7
3
3
3
8
8
8
2
2
2
DAMPING AMP
1
1
1
9
9
9
10
10
10
0
0
0
T T50
In this configuration the TT amplifier is a slave device ,its setting being called up by the
midi controller. This midi controller could be a device which purely generates
midi information or a multi effects pedal board. To setup the amplifier You
Need to do the following:-
1. Select the required patch on your pedal board/midi controller
2. Select the Channel/Volume/Reverb switch setting on your TT amp.
FS6 Footswitch
3. Press and hold the Store button. (for about 2 second)
The next time your select that patch - the setting of the Channel/Volume/Reverb switches
will be recalled. Repeat steps 1 3 for each of your favourite patches
So for all your favourite sounds, your pedal board can assign a TT amp state.
....Midi Patch 1 .---,-
Midi Controller
Midi Out
The TT amplifier will respond to 127 different program changes. Some FX processors have separate midi pedal board controllers which they
remotely phantom power. Your TT amplifier is compatible with this system as it passes phantom power from the Midi In socket to the Midi
Thru socket.
Combining Application note 1 and note 2
If you have quite a selection of midi effects toys you can combine the above applications. Useful recommendations in doing so are
1. Daisy chain the Midi out to Midi in from the midi controller to the TT amp, as shown in application 2.
2. Connect the next cable from the TT amps Midi Thru to the next devices Midi In repeat step 2. until you get to the end of you chain of toys.
Page 9
Page 10
Technical Specifications
Notes
TT50 TT50H TT100H
Power Consumption 200W 200W 250W
Supply Voltage (Factory Set) 100V/115/230V 100V/
Supply Frequency 50/60Hz
Output Power 60W @1%THD 60W @1%THD 120W @1%THD
Input Impedance 1M Ohm. Input Overload Channel 1 >2V
Effects Send (Zout=1K) 600mV nominal 600mV
Effects Return (Zin=100K) 300mV
nominal 300mV nominal 300mV nominal
Record Out (Zout=1K) 600mV nominal 600mV
Line Out (Zout=2K) 1.5v nominal 1.5V
Tubes Preamp ECC83 (12AX7) Standard and selected low noise
Output EL34 Matched Sets
115/230V 100V/115/230V
50/60Hz 50/60Hz
nominal 600mV nominal
nominal 600mV nominal
nominal 2.5V nominal
Dimensions (H,W,D)(mm) 510 x 590 x 320 285 x 655 x 250
Weight 26.5 Kg 17.5
Channel1
Input
EQ
Channel2
Drive
Channel3
Drive
EQ
EQ
Volume
Bright
Master
Volume
Master
Volume
FX Send FX Return
FX Mix
Channel
Switching
Reverb
Return
Master
Reverb
Kg 22.5 Kg
Master
Volume 1
Combine
Master
Volume 2
Simple Signal Path Of TT Amplifier
285 x 655 x 250
Record
Out
Line
Out
Mute
Output
Stage
Presence
Page 10
Page 11
Store Your Settings Here
Notes
INPUT
33
22
11
INPUT
33
22
11
INPUT
33
22
11
BASS
44
00
BASS
44
00
BASS
44
00
1
3
VOLUME
55
1
44
BRIGHT
66
33
22
11
1010
00
REVERB REVERB REVERB
55
66
77
88
99
1010
TREBLE
55
66
77
99
1010
BRIGHT
55
44
44
66
77
33
88
33
88
22
22
11
11
99
1010
00
00
VOLUME
55
44
66
33
44
33
22
11
00
22
11
1010
00
REVERB REVERB REVERB
55
66
77
88
99
1010
TREBLE
55
66
77
99
1010
BRIGHT
55
44
44
66
77
33
88
33
88
22
22
11
11
99
1010
00
00
VOLUME
55
44
66
33
44
33
22
11
00
22
11
1010
00
REVERB REVERB REVERB
55
66
77
88
99
1010
TREBLE
55
44
33
22
11
00
55
44
66
77
33
88
22
11
99
1010
44
66
77
33
88
22
11
99
1010
00
00
DRIVE DRIVE
MODERN
55
44
77
88
99
55
66
1010
1
77
88
99
55
66
1010
1
77
88
99
55
66
1010
66
77
33
88
22
11
99
1010
00
BRIGHT
BASS
55
44
77
33
88
22
11
99
00
DRIVE DRIVE
44
33
22
11
00
BASS
44
77
33
88
22
11
99
00
DRIVE DRIVE
44
33
22
11
00
BASS
44
77
33
88
22
11
99
00
55
44
66
77
33
88
22
11
99
1010
00
MODERN
55
66
77
88
99
1010
BRIGHT
55
55
44
66
77
33
88
22
11
99
1010
00
MODERN
55
66
77
88
99
1010
BRIGHT
55
55
44
66
77
33
88
22
11
99
1010
00
MASTER
44
33
22
11
00
TREBLE
55
44
66
77
33
88
22
11
99
1010
00
MASTER
44
33
22
11
00
TREBLE
55
44
66
77
33
88
22
11
99
1010
00
MASTER
44
33
22
11
00
TREBLE
55
44
66
77
33
88
22
11
99
1010
00
2 3
55
66
77
88
99
1010
55
44
66
66
77
77
33
88
88
22
11
99
1010
99
1010
00
2 3
55
66
77
88
99
1010
55
44
66
66
77
77
33
88
88
22
11
99
1010
99
1010
00
2 3
55
66
77
88
99
1010
55
44
66
66
77
77
33
88
88
22
11
99
1010
99
1010
00
MODERN
55
44
66
77
33
88
22
11
99
1010
00
BRIGHT
BASS
55
44
33
22
11
00
44
33
22
11
00
BASS
44
33
22
11
00
44
33
22
11
00
BASS
44
33
22
11
00
55
44
66
77
33
88
22
11
99
1010
00
MODERN
55
66
77
88
99
1010
BRIGHT
55
55
44
66
77
33
88
22
11
99
1010
00
MODERN
55
66
77
88
99
1010
BRIGHT
55
55
44
66
77
33
88
22
11
99
1010
00
MASTER
55
44
XPAND
BOOST
66
77
99
1010
XPAND
BOOST
66
77
99
1010
XPAND
BOOST
66
77
99
1010
33
88
22
11
33
88
22
11
33
88
22
11
66
00
55
66
77
99
1010
MASTER
44
00
55
66
77
99
1010
MASTER
44
00
55
66
77
99
1010
77
88
99
1010
55
44
66
77
33
88
88
22
11
99
1010
00
55
66
77
88
99
1010
55
44
66
77
33
88
88
22
11
99
1010
00
55
66
77
88
99
1010
55
44
66
77
33
88
88
22
11
99
1010
00
33
22
11
TREBLEMIDDLE MIDDLE MIDDLE REVERB FX MIX PRESENCE
44
00
33
22
11
TREBLEMIDDLE MIDDLE MIDDLE REVERB FX MIX PRESENCE
44
00
33
22
11
TREBLEMIDDLE MIDDLE MIDDLE REVERB FX MIX PRESENCE
44
00
2
CHANNEL
TIGHT
MUTE
DAMPING AMP
T T50
1
2
CHANNEL
TIGHT
MUTE
DAMPING AMP
T T50
1
2
CHANNEL
TIGHT
MUTE
DAMPING AMP
T T50
55
44
66
33
22
11
1010
00
55
44
66
77
33
88
22
11
99
1010
00
3
55
44
66
33
22
11
1010
00
55
44
66
77
33
88
22
11
99
1010
00
3
55
44
66
33
22
11
1010
00
55
44
66
77
33
88
22
11
99
1010
00
VOLUME 2VOLUME 1
55
44
66
77
33
88
22
11
99
55
44
66
77
33
88
22
11
99
1010
00
77
33
88
22
11
99
55
44
66
77
33
88
22
11
99
1010
00
77
33
88
22
11
99
55
44
66
77
33
88
22
11
99
1010
00
77
88
99
1010
00
55
44
66
77
33
88
22
11
99
1010
00
VOLUME 2VOLUME 1
55
44
66
77
88
99
1010
00
55
44
66
77
33
88
22
11
99
1010
00
VOLUME 2VOLUME 1
55
44
66
77
88
99
1010
00
55
44
66
77
33
88
22
11
99
1010
00
INPUT
33
22
11
INPUT
33
22
11
BASS
44
00
BASS
44
00
1
3
VOLUME
55
1
44
BRIGHT
66
33
22
11
1010
00
REVERB REVERB REVERB
55
66
77
88
99
1010
TREBLE
55
66
77
99
1010
BRIGHT
55
44
44
66
77
33
88
33
88
22
22
11
11
99
1010
00
00
VOLUME
55
44
66
33
44
33
22
11
00
22
11
1010
00
REVERB REVERB REVERB
55
66
77
88
99
1010
TREBLE
55
44
33
22
11
00
55
44
66
77
33
88
22
11
99
1010
44
66
77
33
88
22
11
99
1010
00
00
DRIVE DRIVE
MODERN
55
44
77
88
99
55
66
1010
1
77
88
99
55
66
1010
66
77
33
88
22
11
99
1010
00
BRIGHT
BASS
55
44
77
33
88
22
11
99
00
DRIVE DRIVE
44
33
22
11
00
BASS
44
77
33
88
22
11
99
00
55
44
66
77
33
88
22
11
99
1010
00
MODERN
55
66
77
88
99
1010
BRIGHT
55
55
44
66
77
33
88
22
11
99
1010
00
MASTER
44
33
22
11
00
TREBLE
55
44
66
77
33
88
22
11
99
1010
00
MASTER
44
33
22
11
00
TREBLE
55
44
66
77
33
88
22
11
99
1010
00
2 3
55
66
77
88
99
1010
55
44
66
66
77
77
33
88
88
22
11
99
1010
99
1010
00
2 3
55
66
77
88
99
1010
55
44
66
66
77
77
33
88
88
22
11
99
1010
99
1010
00
MODERN
55
44
66
77
33
88
22
11
99
1010
00
BRIGHT
BASS
55
44
33
22
11
00
44
33
22
11
00
BASS
44
33
22
11
00
55
44
66
77
33
88
22
11
99
1010
00
MODERN
55
66
77
88
99
1010
BRIGHT
55
55
44
66
77
33
88
22
11
99
1010
00
MASTER
55
44
XPAND
BOOST
66
77
99
1010
XPAND
BOOST
66
77
99
1010
33
88
22
11
33
88
22
11
66
00
55
66
77
99
1010
MASTER
44
00
55
66
77
99
1010
77
88
99
1010
55
44
66
77
33
88
88
22
11
99
1010
00
55
66
77
88
99
1010
55
44
66
77
33
88
88
22
11
99
1010
00
33
22
11
TREBLEMIDDLE MIDDLE MIDDLE REVERB FX MIX PRESENCE
44
00
33
22
11
TREBLEMIDDLE MIDDLE MIDDLE REVERB FX MIX PRESENCE
44
00
2
CHANNEL
TIGHT
MUTE
DAMPING AMP
T T50
1
2
CHANNEL
TIGHT
MUTE
DAMPING AMP
T T50
55
44
66
33
22
11
1010
00
55
44
66
77
33
88
22
11
99
1010
00
3
55
44
66
33
22
11
1010
00
55
44
66
77
33
88
22
11
99
1010
00
VOLUME 2VOLUME 1
55
44
66
77
33
88
22
11
99
55
44
66
77
33
88
22
11
99
1010
00
77
33
88
22
11
99
55
44
66
77
33
88
22
11
99
1010
00
77
88
99
1010
00
55
44
66
77
33
88
22
11
99
1010
00
VOLUME 2VOLUME 1
55
44
66
77
88
99
1010
00
55
44
66
77
33
88
22
11
99
1010
00
Page 11
Page 12
In the interest of continuing product development BLT Industries reserves the right to change specification without prior notice.
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