Laney EA65, EA120 Owner's Manual

Page 1
Laney
EA65 & EA120
User Manual
Page 2
Laney
INTRODUCTION
Congratulations on your decision to purchase a Laney amplifier; you have bought yourself something truly unique. Typically amps that are developed with the 'acoustic' player in mind tend to sound sterile when used with an electric guitar; they do not perform well when smooth, solid distortion is desired. Conversely, amps that are developed with the 'electric' guitarist in mind tend not to perform well when used with electrified acoustic guitars. Consequently, where it is desirable to play both amplified-acoustic and electric guitars during a performance, two separate amplifiers were required to satisfactorily play the gig...until now.
The EA series start out their life as electric combo amps and are then fitted with a clean acoustic channel complete with specially tuned acoustic EQ's and dual inputs. Each pre-amp has a LO input for acoustic guitars with active electronics or EQ's and a HI input for acoustic electric guitars with passive high-impedance pickups with no electronics. Amongst the amp's other features are a switchable High-Frequency Driver and a switch that allows the electric channel to be permanently engaged, allowing both channels to be used simultaneously. This feature is extremely useful to the acoustic-only player who is using the amp as a stand-alone for both guitar and microphone, desiring independent control of each. To fully realise the potential of this remarkable amplifier, we recommend you purchase the dedicated Laney footswitch.
Laney products are designed with ease of operation as a primary objective, however to ensure you derive the best from your new amplifier, it is important you take time to read this user manual and to familiarise yourself with the
BEFORE SWITCHING ON
After unpacking your amplifier check that it is factory-fitted with a three-pin 'grounded' (or earthed) plug. Before plugging into the power-supply ensure you are connecting to a grounded earth outlet.
11
If you should wish to change the factory-fitted plug yourself, ensure that the wiring convention applicable to the country where the amplifier is to be used is strictly conformed to. As an example in the United Kingdom the cable colour-code for connections are as follows.
EARTH OR GROUND - GREEN/YELLOW NEUTRAL - BLUE LIVE - BROWN
This manual has been written for easy access of information. The front and rear panels of each unit are graphically illustrated, with each control and feature numbered. For a description of the function of each control feature, simply check the number with the explanations adjacent to each panel.
When you first receive your Laney amplifier, follow these simple procedures:
(I) Ensure that the amplifier is set at the correct voltage for the country it is to be used in.
(ii) Ensure that the speaker is connected to the appropriate socket.
(iii) Connect your instrument with a high quality shielded instrument cable. Use of cheap cables will compromise the sound of your instrument and your amplifier.
If there is a problem with your Laney amplifier
DON'T
DO
PHONE YOUR DEALER!
Care of your Laney amplifier will prolong it's life...and yours! If you follow these guidelines your equipment will give you years of playing pleasure.
Page 3
Laney
Model: EA65Model: EA65
22
1a
INPUTINPUT
2 11 12
GAINGAIN BASSBASS MIDDLEMIDDLE TREBLETREBLE FREQUENCYFREQUENCY DEPTHDEPTH REVERBREVERB
HI
5
5
5
5
5
5
5
5
6
6
6
6
6
6
6
4
4
3
2
2
131
LO
0
0
6
4
4
4
4
4
4
7
7
3
3
3
7
7
7
7
8
8
8
8
8
8
2
2
2
2
9
9
9
9
9
9
131
131
10
10
0
0
0
0
10
10
10
10
3
7
7
8
8
2
2
2
2
9
9
131
131
0
0
10
10
ACOUSTICACOUSTIC
5
5
6
6
4
4
7
7
8
8
9
9
0
0
10
10
63 4 5 107 8
5
5
4
4
3
2
2
131
0
0
Explanation of terms
1a
1b
2
3
4
5
6
HI INPUT: This high-gain, high-impedance input should be used with guitars that have a passive pickup only and have no 'on-board' active electronics; this includes pre-amps and or active EQ's.
LO INPUT: This low-gain, low-impedance input should be used with guitars with active pickups and/or active electronics.
GAIN: Controls the input-level of the pre-amplifier.
BASS: Controls the low-frequency response of the pre-amplifier.
MIDDLE: Controls the mid-frequency EQ in the pre-amplifier.
TREBLE: Controls the high-frequency EQ in the pre-amplifier.
FREQUENCY: This control is a notch filter that sweeps between 200hZ and 1.5K. Most feedback from an
acoustic guitar occurs in the mid-frequency. This control allows the user to choose the frequency that is causing your guitar to feedback, and in association with the adjacent depth control, filter it out.
15
9a
NORMALNORMAL OVERDRIVEOVERDRIVEFEEDBACK FILTERFEEDBACK FILTER
HI
5
5
5
5
5
6
6
4
4
3
7
7
8
8
2
2
9
9
131
0
0
10
10
5
6
6
6
6
6
6
4
4
4
4
3
3
7
7
7
7
7
7
8
8
8
8
8
8
2
2
2
2
9
9
9
9
9
9
131
131
0
0
0
0
10
10
10
10
10
10
INPUTINPUT
GAINGAIN DRIVEDRIVE LEVELLEVEL BASSBASS MIDDLEMIDDLE TREBLETREBLE REVERBREVERB
5
5
5
5
6
6
4
4
4
4
3
3
7
7
8
8
2
2
2
2
9
9
131
131
LO
0
0
0
0
10
10
6
6
7
7
9
9
10
10
8
8
2
2
PULL DRIVEPULL DRIVE
5
5
6
6
4
4
3
7
7
8
8
2
2
9
9
131
0
0
10
10
ELECTROELECTRO
9b1b 2122
14
13
5
5
5
5
6
6
6
4
4
3
131
0
0
6
4
4
3
7
7
7
7
8
8
8
8
2
2
2
9
9
10
10
2
9
9
131
0
0
10
10
5
5
6
6
4
4
3
7
7
8
8
9
9
131
0
0
10
10
16 17 18
VOLUMEVOLUME
5
5
5
5
6
6
6
4
4
3
2
2
131
0
0
6
4
4
3
7
7
7
7
8
8
8
8
2
2
9
9
9
9
131
0
0
10
10
10
10
HF DRIVERHF DRIVER
REVREV CHANCHAN
EA 65EA 65
19
20
9a
9b
10
11
12
13
14
7
DEPTH: This control sweeps between 12dB cut and 0dB. When used in association with the FREQUENCY control, the DEPTH control allows the frequency chosen to be cut and the problem frequency to be removed.
8
REVERB: Controls the level of reverb applied to the channel.
HI INPUT: This high-gain, high-impedance input should be used with guitars that have a passive pickup only and
have no 'on-board' active electronics; this includes pre-amps and or active EQ's.
LO INPUT: This low-gain, low-impedance input should be used with guitars with active pickups and/or active electronics.
GAIN: Controls the input-level of the pre-amplifier.
DRIVE: Allows the input-level of the pre-amplifier to be increased. When used in association with the LEVEL
control it causes pre-amplifier saturation and smooth, controlled distortion.
LEVEL: The DRIVE indicator illuminates when the overdrive is engaged. The LEVEL control, when pulled-on, is then used to set the output-level of the pre-amplifier. When used with the DRIVE control, the overall volume of the overdrive channel may be adjusted.
BASS: Controls the low-frequency response of the pre-amplifier.
MIDDLE: Controls the mid-frequency EQ in the pre-amplifier.
Page 4
Laney
3
Model: EA65/EA120Model: EA65/EA120
GAINGAIN BASSBASS MIDDLEMIDDLE TREBLETREBLE FREQUENCYFREQUENCY DEPTHDEPTH REVERBREVERB
HI
5
5
5
5
5
5
5
INPUTINPUT
5
6
6
6
6
6
4
4
3
2
2
131
LO
0
0
GAINGAIN
HI
5
5
4
4
3
2
2
131
LO
0
0
6
4
4
4
4
4
4
7
7
3
3
3
7
7
7
7
8
8
8
8
8
8
2
2
2
2
2
2
9
9
9
9
9
9
131
131
131
10
10
0
0
0
0
0
0
10
10
10
10
200Hz200Hz
BASSBASS
5
5
5
5
6
6
6
6
6
6
4
4
4
4
3
3
7
7
7
7
7
7
8
8
8
8
2
2
2
2
8
8
9
9
9
9
131
131
9
9
0
0
0
0
10
10
10
10
10
10
5
5
6
6
6
6
4
4
3
7
7
7
7
8
8
8
8
2
2
9
9
9
9
131
0
0
10
10
10
10
ACOUSTICACOUSTIC
400Hz400Hz 800Hz800Hz 1k6Hz1k6Hz 3kHz3kHz 6kHz6kHz
4
4
3
2
2
131
0
0
INPUTINPUT
23
Explanation of terms
15
16
TREBLE: Controls the high-frequency EQ in the pre-amplifier.
REVERB: Controls the level of reverb applied to the channel.
5
5
5
5
5
5
5
6
6
7
7
8
8
9
9
10
10
FEEDBACK FILTERFEEDBACK FILTER
5
464
4
4
3
2
2
131
0
0
5
6
6
6
6
4
4
4
4
3
3
7
7
7
7
8
8
8
8
2
2
2
2
9
9
9
9
131
131
0
0
0
0
10
10
10
10
55 5555
5
5
5
5
6
6
6
6
6
6
6
4
4
4
4
3
7
7
7
7
8
8
8
8
2
2
9
9
9
9
131
0
0
10
10
10
10
6
6
4
4
3
7
7
8
8
2
2
9
9
131
0
0
10
10
TREBLETREBLE FREQUENCYFREQUENCY DEPTHDEPTH REVERBREVERB
5
5
5
5
6
6
6
6
4
4
4
4
3
7
7
8
8
2
2
9
9
131
0
0
10
10
3
2
2
131
INPUTINPUT
4
4
4
4
0
0
15 16
NORMALNORMAL OVERDRIVEOVERDRIVEFEEDBACK FILTERFEEDBACK FILTER
HI
GAINGAIN DRIVEDRIVE LEVELLEVEL BASSBASS MIDDLEMIDDLE TREBLETREBLE REVERBREVERB
5
5
5
5
6
6
4
4
4
4
3
3
7
7
8
8
2
2
2
2
9
9
131
131
LO
0
0
0
0
10
10
6
6
7
7
10
10
8
8
2
2
9
9
PULL DRIVEPULL DRIVE
5
5
5
5
5
5
5
6
6
6
4
4
3
131
0
0
6
4
4
4
4
3
7
7
8
8
9
9
10
10
3
7
7
8
8
2
2
2
2
9
9
131
131
0
0
0
0
10
10
5
6
6
6
6
4
4
3
7
7
8
8
9
9
10
10
3
7
7
8
8
2
2
2
2
9
9
131
131
0
0
10
10
ELECTROELECTRO
2122
NORMALNORMAL OVERDRIVEOVERDRIVE
HI
5
5
5
5
6
6
6
6
7
7
8
8
9
9
10
10
INPUTINPUT
GAINGAIN DRIVEDRIVE LEVELLEVEL BASSBASS MIDDLEMIDDLE TREBLETREBLE REVERBREVERB
5
5
5
5
6
6
4
4
3
3
7
7
8
8
2
2
2
2
9
9
131
131
LO
0
0
10
10
5
5
5
5
5
6
6
6
10
10
7
7
8
8
9
9
4
4
3
2
2
131
0
0
PULL DRIVEPULL DRIVE
6
3
7
7
8
8
2
2
9
9
131
10
10
4
4
0
0
5
6
6
6
4
4
0
0
6
4
4
3
7
7
9
9
10
10
3
7
7
8
8
8
8
2
2
2
2
9
9
131
131
0
0
10
10
ELECTROELECTROACOUSTICACOUSTIC
5
5
6
6
4
4
7
7
8
8
9
9
0
0
10
10
17 18
VOLUMEVOLUME
5
5
5
5
6
6
6
4
4
0
0
4
4
3
2
2
131
0
0
6
4
4
3
7
7
7
7
8
8
9
9
10
10
HF DRIVERHF DRIVER
8
8
2
2
9
9
131
0
0
10
10
REVREV CHANCHAN
EA 65EA 65
19
20
VOLUMEVOLUME
5
5
5
5
6
6
6
6
4
4
3
7
7
7
7
8
8
9
9
10
10
HF DRIVERHF DRIVER
8
8
2
2
9
9
131
0
0
10
10
REVREV CHANCHAN
EA 120EA 120
17
18
19
20
21
22
23
VOLUME: Controls the overall output-level of the amplifier.
HF DRIVER: On/off switch for on-board HF driver.
CHANNEL: On-board switch for channel-changes.
REVERB: On-board switch for reverb on/off.
CHANNEL INDICATOR: Illuminates when the ELECTRO channel is in use.
CHANNEL INDICATOR: Illuminates when the ACOUSTIC channel is in use.
GRAPHIC: This 6-band slider EQ-circuit allows frequencies between 200Hz and 3.5kHz to be independently cut
or boosted.
Rear Panel Features
Model: EA65
24
MAXIMUM POWER CONSUMPTIONMAXIMUM POWER CONSUMPTION
150 WATTS 50/60 Hz150 WATTS 50/60 Hz
SUPPLY VOLTAGE - 115V
SUPPLY VOLTAGE - 115V
& FUSE RATING - 230V
& FUSE RATING - 230V
- T2A
- T2A
- T1A
- T1A
25 26 27
POWERPOWER
11
CECE
00
CAUTION
CAUTION
TO REDUCE THE RISK OF
TO REDUCE THE RISK OF
FIRE REPLACE ONLY WITH
FIRE REPLACE ONLY WITH
SAME TYPE AND RATING
SAME TYPE AND RATING
CAUTION
CAUTION
TO REDUCE THE RISK OF ELECTRIC
TO REDUCE THE RISK OF ELECTRIC
SHOCK DO NOT REMOVE COVER.
SHOCK DO NOT REMOVE COVER.
WARNING
WARNING
NO USER SERVICEABLE PARTS
NO USER SERVICEABLE PARTS
TO REDUCE THE RISK OF FIRE
TO REDUCE THE RISK OF FIRE
INSIDE. REFER SERVICING TO
INSIDE. REFER SERVICING TO
OR ELECTRIC SHOCK DO NOT
OR ELECTRIC SHOCK DO NOT
QUALIFIED SERVICE PERSONNEL
QUALIFIED SERVICE PERSONNEL
EXPOSE THIS APPLIANCE
EXPOSE THIS APPLIANCE
TO RAIN OR MOISTURE
TO RAIN OR MOISTURE
SERIAL NO.SERIAL NO.
SPEAKERSSPEAKERSSPEAKERSSPEAKERS
(4 OHM MIN.)(4 OHM MIN.)
WARNING
WARNING
THIS APPARATUS
THIS APPARATUS
MUST BE EARTHED
MUST BE EARTHED
HEADPHONESHEADPHONES
MADE IN THE UNITED KINGDOM BY BLT INDUSTRIES LTDMADE IN THE UNITED KINGDOM BY BLT INDUSTRIES LTD
DI/LINEDI/LINE RETURNRETURN SENDSEND
EFFECTS LOOPEFFECTS LOOP
DRIVEDRIVE
TipTip
REVERBREVERB
RingRing
REMOTEREMOTE
CHANNELCHANNEL
DUAL
DUAL
CHANNEL
CHANNEL
SINGLE
SINGLE
CHANNEL
CHANNEL
33 32 31 30 29 28
Page 5
Laney
Model: EA120
CHANNELCHANNEL DUALDUAL
CHANNELCHANNEL
REMOTEREMOTE
DRIVE DRIVE TipTip
REVERBREVERB RingRing
EFFECTS LOOPEFFECTS LOOP
SENDSEND RETURNRETURN
ELECTRO CHANNELELECTRO CHANNEL
SINGLE SINGLE CHANNELCHANNEL
EFFECTS LOOPEFFECTS LOOP
SENDSEND RETURNRETURN
ACOUSTIC CHANNELACOUSTIC CHANNEL
EFFECTS LOOPEFFECTS LOOP
SENDSEND RETURNRETURN
MASTERMASTER
SPEAKERSSPEAKERS DI/LINEDI/LINE HEADPHONESHEADPHONES
(4 OHM MIN.)(4 OHM MIN.)
MADE IN THE UNITED KINGDOM BY BLT INDUSTRIES LTDMADE IN THE UNITED KINGDOM BY BLT INDUSTRIES LTD
CAUTION
CAUTION
TO REDUCE THE RISK OF ELECTRIC
TO REDUCE THE RISK OF ELECTRIC
SHOCK DO NOT REMOVE COVER.
SHOCK DO NOT REMOVE COVER.
NO USER SERVICEABLE PARTS
NO USER SERVICEABLE PARTS
INSIDE. REFER SERVICING TO
INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL
QUALIFIED SERVICE PERSONNEL
WARNING
WARNING
THIS APPARATUS MUST BE EARTHED
THIS APPARATUS MUST BE EARTHED
WARNING
WARNING
TO REDUCE THE RISK OF FIRE
TO REDUCE THE RISK OF FIRE
OR ELECTRIC SHOCK DO NOT
OR ELECTRIC SHOCK DO NOT
EXPOSE THIS APPLIANCE
EXPOSE THIS APPLIANCE
TO RAIN OR MOISTURE
TO RAIN OR MOISTURE
SERIAL NO.SERIAL NO.
CECE
POWERPOWER
CAUTION
CAUTION
TO REDUCE THE RISK OF
TO REDUCE THE RISK OF
FIRE REPLACE ONLY WITH
FIRE REPLACE ONLY WITH
SAME TYPE AND RATING
SAME TYPE AND RATING
MAXIMUM POWER CONSUMPTIONMAXIMUM POWER CONSUMPTION
150 WATTS 50/60 Hz150 WATTS 50/60 Hz
11
00
SUPPLY VOLTAGE - 115V
SUPPLY VOLTAGE - 115V
& FUSE RATING - 230V
& FUSE RATING - 230V
44
- T2A
- T2A
- T1A
- T1A
3636
3535
3434
Explanation of terms
24
25
26
27
28
29
30
31
MAINS: Mains-power input socket.
POWER SWITCH: Used for engaging or disengaging mains power.
SPEAKER SOCKET: Speaker output; this may be disconnected if it is required to connect a larger enclosure.
HEADPHONES SOCKET: Headphone output for silent practicing or tuning-up.
DUAL/SINGLE CHANNEL SWITCH: Used to select either dual or single channel operation. Dual channel
mode might be used if a second guitarist were to be added to your set-up. In this mode one player could play with an acoustic guitar, whilst the other could simultaneously play an electric.
CHANNEL REMOTE SOCKET: When used with the dedicated LANEY footswitch, this sockets facilitates remote channel-changing.
DRIVE/REVERB SOCKET: When used with the dedicated LANEY footswitch, this socket facilitates remote-switching of both the REVERB and the DRIVE settings.
EFFECTS SEND SOCKET: Sends the pre-amplifier signal to an external effects-processor (signal-level nominal -6dB).
32
33
34
35
36
EFFECTS RETURN SOCKET: Accepts the output from an external effects-processor (signal-level nominal
-6dB).
DI/LINE SOCKET: Direct-injection or line-level 1/4" mono jack-socket. This provides a low-impedance output signal for connecting to a mixing-desk or power-amplifier.
EFFECTS LOOP (MASTER): This is a global effects-loop that affects the whole amplifier. For a description of how the SEND and RETURN sockets operate refer to (31) and (32).
EFFECTS LOOP (ACOUSTIC CHANNEL): This is a channel-specific effects-loop that affects only the ACOUSTIC channel. For a description of how the SEND and RETURN sockets operate refer to (31) and (32).
EFFECTS LOOP (ELECTRO CHANNEL): This is a channel-specific effects-loop that affects only the ELECTRO channel. For a description of how the SEND and RETURN sockets operate refer to (31) and (32).
Page 6
1.
BLT Industries LTD., Newlyn Road Cradley Heath West Midlands B64 6BE
Tel: (00 44) (0)1384 633821 Fax: (00 44) (0)1384 639186 Web Site http:/www.laney.co.uk
In the interest of continuing product development BLT Industries reserves the right to change specification without prior notice.
Loading...