KRK V SERIES 2 User Manual

USER GUIDE
KRK V SERIES 2
BI-AMPLIFIED
STUDIO MONITOR
KRK SYSTEMS LLC. HTTP://WWW.KRKSYS.COM
LITK00015
Contents
Page Introduction • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 1 Design Philosophy - Design Elements • • • • • • • • • • • • • • • • • • • • • • 2-3 System Highlights - Connecting Your System • • • • • • • • • • • • • • • • • 4-5 Installing and Positioning Your Monitors • • • • • • • • • • • • • • • • • • • • • 6-8 Troubleshooting • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 9-11 Specifications • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 12
Introduction
Congratulations on your KRK purchase! And welcome to the growing family of KRK owners.
KRK’s V Series II powered studio monitors are presicion speakers designed to forever change the way you handle your most demanding jobs. V Series II moni­tors are hallmarked by defined low end, articulate midrange and precise highs, delivering clarity and accuracy on a par with many world class speakers costing far more.
In addition, V Series II monitors feature several key design elements that have made KRK sound a “studio standard”. These include radiused edges for improved imaging and slotted ports that greatly reduce port turbulence. What’s more, we’ve also added some valuable and practical enhancements like a speaker protection circuit for added confidence, an auto-on/off feature for improved convenience and upgraded driver and amplifier components to ensure peak performance in even the most demanding professional environments
Whether you are making critical mixing decisions or need to capture the subtle nuances of a unique sound, you’ll quickly discover that the V Series II Monitors are as precise about your work as you are.
IMPORTANT NOTE: Your V Series 2 monitor was originally packaged in a specially designed carton and indicated special packaging materials. Please save these items. They should be used when transporting or shipping your V Series II monitors.
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Design Philosophy
A studio monitor is really a tool used to aurally “measure” the changes in an audio path. Ask any pro or semi-pro recordist what they think makes a great studio moni­tor and you’ll get basically the same answers: “Accuracy, transparency, flat response, and the truth”.
Everybody is saying the same thing – they want the electrical signal going in to a monitor to be reproduced mechanically by the transducers and they want that to happen without any degradation to the original signal. Professionals need to trust a speaker to deliver their artistic vision in a way that will translate to a variety of audio mediums. How you get there from a technical stand point is by designing a speaker that eliminates or minimizes several damaging conditions. The KRK design philoso­phy is manifested by paying very close attention to what we call the three corner­stones:
1. Spectral Balance (Timbre)
What people tend to think sounds good is not necessarily “flat response”. A perfect­ly flat monitor tends to sound harsh and abrasive – technically correct but not very musical. Research shows us that a speaker with the proper spectral balance is most often considered “a great studio monitor”. Spectral balance is defined by:
• Smooth on-axis (not necessarily flat) response
• Smooth octave to octave response
• Smooth off-axis response (not necessarily flat)
From years of listening to feedback from some of the top engineers and producers we’ve come to understand how a properly tuned monitor can become a valuable recording tool.
2. Distortion Management
Any loss or addition to the audio signal is a distortion. Various amplifier distortions have been eliminated; the most common being intermodulation, transient intermod­ulation and harmonic distortion.
Distortion can be present in an amplifier circuit but can really be a problem when the waveform is impacted by physical conditions such as port turbulence and dif­fraction. KRK engineers implement design concepts that eliminate or minimize these damaging conditions.
3. Resonance Management
Resonance is the tendency of something to vibrate at a particular frequency after the source of energy is removed.
Resonances also play a major role in impacting the performance of a speaker. KRK design elements minimize driver and enclosure resonance.
Design Elements
Active Filter Crossovers - The V-Series 2 power amplifier contains three active fil-
ters. (Subsonic, low-pass and high-pass filter) These three filters work together to provide a seamless integration of the driver components ensuring a smooth spec­tral balance.
Bi-amplifier Design– KRK’s amplifier consists of audiophile grade components and a simple audio path for transparency. Output power is balanced to match LF and HF driver sensitivities and power handling. Your V Series 2 monitor uses a toroidal power transformer for low hum and minimum noise.
Resonant Free Enclosure Design - The cabinetry of your V Series 2 monitor is constructed from inert medium density fiberboard. It is internally braced and care­fully damped to minimize cabinet resonance.
Radiused Edges - All cabinet edges and port openings are heavily radiused to reduce diffraction resulting in better detail and stereo imaging.
Slotted Ports – Slotted ports reduce the port turbulence and distortion commonly found in poorly designed round ports.
Custom Made Drivers - KRK is renowned for designing high performance studio monitor drivers. Your V Series 2 is no exception. A woven Kevlar® LF driver was custom-designed specifically for each model. Kevlar® is one of the strongest, light­est, most rigid materials that can be used in modern speaker cone construction Kevlar’s unique physical properties minimize axial or conical break up modes. A 1inch soft dome tweeter was designed for detailed and accurate high frequency reproduction. Ferrofluid is used for increased thermal power handling and increased damping.
Defeatable Limiter - Your V Series 2 monitor contains a transparentl limiter circuit designed to mitigate the negative effects of over driving the amplifier or the speak­er. The limiter, when engaged, can greatly reduce the risk of harming a driver. It can however be defeated using the “Clip Off/Limiter Switch” on the rear panel. This is only recommended if you are using the product well within a listenable volume range. Use the indicators on the front baffle to help determine the optimum level without audible distortion
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