Koch Guitar Electronics Supernova Operating Instructions Manual

OPERATING INSTRUCTIONS GB
2008 Koch Guitar Electronics
We, Koch Guitar Electronics, Neonweg 27, 3812RG Amersfoort, The Netherlands, declare under our sole responsibility that the product:
Guitar Amplifier
To which this declaration relates is in conformity with the following harmonized standards:
Part 1 : residential, commercial and light industry;
* EN 50082-1 [1991] Electromagnetic compatibility. General immunity standard.
Part 1 : residential, domestic and light industrial environment;
* EN 60065-1 [1993] Household electronic apparatus
Part 7 : Heating under normal operating conditions
* EN 60335-1 [1988] Safety of household and similar electrical appliances.
Part 1 : general requirements
following the provisions of Council Directive 98/336/EEC on the approximation of the laws of the Member States relating to electromagnetic compatibility and the provisions of Council Directive 73/23/EEC on the approximation of the laws of the Member States relating to low voltage and electrical safety.
Amersfoort, 1 December 2007
Dolf Koch
Normal
Volume
Drive Gain
Bass
Volume Volume
Mid Treble High Gain Ultra Gain
Bass Presence Bass
Volume Volume
Mid Mid
Presence Bass
Treble Treble
Mid Treble Master-1
OTS Drive Spring Reverb
Master-2
OTS Volume
Bright Clean
Inputs
1 4 5
2 3
Bass
S-1
CHs
Mid
S-2
OTS
Bright
P-1
Master
Voicing
FX Loops
Power Standby
Hi-Cut
P-2
Reverb
STORE
Speaker Damping
H M L
-5
+5
-5
+5
-5
+5
-5
+5
-5
+5
-5
+5
-5
+5
0
10
0
10
0
10
0
10
0
10
0
10
0
10
0 10 0 10 0 10 0 10 0 10 0 10 0 10-5 +5 -5 +5-5 +5 -5 +5-5 +5 -5 +5 -5 +5
1
2
2
1
1
4
3
3
5
5
5
4
4
6
6
6
7
7
8
8
8
9
9910101111121213131414151516
16
11 12 13 14 15 16 20 21 22 23
24292530263127 28
32 33
10 17
17
17
18
18
18
19
19
19
20
20
21
MODEL 6060
MODEL 120
21
22
32
7
HT
Fuse
HT
Fuse
Power
Power
AT1.25A
Ceramic
AT1.25A
Ceramic
On
On
Off
Off
VAC:
VAC:
50/60 Hz, 250 Watts
50/60 Hz, 250 Watts
Fuse -100/120V: (T) 220/240V:
Fuse -100/120V: (T) 220/240V:
230
230
115
115
100
100
6.3A
6.3A
3.15A
3.15A
-10dBV Signal Level
-10dBV Signal Level
Mute-to-Tune
Mute-to-Tune
(Mono)
(or)
(or)
Channels
Channels
ChannelSelect
ChannelSelect
MIDI
MIDI
on
on
11223344556
6
FXMute
FXMute
Master1/2
Master1/2
From FX
From FX
From FX
From FX
From FX
From FX
Level
Level
Level
Level
Level Level
From FX
From FX
ToFX
ToFX
ToFX
ToFX
ToFX
ToFX
ToFX
ToFX
In
In
Thru
Thru
Serial FX Loops
Serial FX Loops
Loop S1
Loop S1
Loop S2
Loop S2
Loop P1
Loop P1
Loop P2
Loop P2
Parallel FX Loops
Parallel FX Loops
ToTuner
ToTuner
L
R
MIDI
MIDI
FS2
FS2
FS6
FS6
Speaker Outputs
Speaker Outputs
ALWAYS CONNEC T SPE AKERS BEFO RE US E !!!
ALWAYS CONNECT SPEAKERS BEFO RE US E !!!
120 WattsO utputPo wer
1x 4
1x 4
1x 8
1x 8
2x 8
2x 8
2x16
2x16
16
16
Stereomod e:2x 60 Watts Output Power Mono mode:60 Watts Output Power (L)
R Power Amp
Stereo
Mono
On Off
Mute switch onFrom-FX
Mute switch onFrom-FX
Mute switch onTo-FX
Mute switch onTo-FX
E N G L I S H
Thank you forchoosing the Supernova from KOCH. You now own a "state-of-the-art" all-tube guitar amplifier of the highest quality. The Supernova has been designed and built by people who - fromtheir own experience as musicians - take guitar sound and quality very seriously. That is why this product was designed and built with the utmost care in order to meet all professional standards. Our goal was not only to design an amp which sounds fantastic and is easy to operate, but also to build it in such a way that it will serve you loyally for many years to come. Please take your time to read this manual carefully before you switch on the Supernova and also please fill in the warranty card and mail it. Thanks and lots of success with your new Supernova!
CAUTION: * BEFORE PUTTING INTO OPERATION
READ THESE OPERATING INSTRUCTIONS
CAREFULLY. * NO USER SERVICEABLE PARTS INSIDE. * REFER SERVICING TO QUALIFIED
SERVICE PERSONNEL ONLY.
WARNING:
* TO REDUCE THE RISKS OF ELECTRICAL SHOCK, DO NOT
REMOVE THE COVER.
* TO REDUCE THE RISK OF FIRE OR SHOCK HAZARD, DO
NOT EXPOSE AMPLIFIER TO RAIN OR MOISTURE. * THIS APPARATUS MUST BE EARTHED. * TUBES ARE HOT. DO NOT TOUCH DURING OPERATION.
FRONT PANEL FUNCTIONS
[1] INPUTS
NORMAL - Input for standard instruments, e.g. guitars with single-coil pickups. BRIGHT CLEAN - Input for high-output instruments, e.g. guitars with humbucker pickups. This
input has 6dB gain reduction to prevent overload and a filter which compensates guitar cable losses by boosting the high frequenciesas of 3Khz. (Due to their higher coil impedance, humbucker pick-ups suffer more from cable losses than single-coils, which may result in lack of sparkle in the clean sound)
NOTE: The BRIGHT CLEAN input only changes Channel 1, the CLEAN channel, but does not affect the Channel 2-5, the distortion channels.
[2] VOLUME: Controls the volume levelof Channel 1, the CLEAN channel. [3] BASS, MID & TREBLE: Classic passive tone controls ofChannel 1. [4] DRIVE: This DRIVE knob controls the amount of distortion in Channel 2, a medium gain
Pre-EQ Overdrive channel. Cleaner sound is achieved at lower settings (3 to 5),at higher settings (5 to 10) medium overdrive occurs which will produce more sustain and distortion.
[5] VOLUME: Controls the volume levelof Channel 2. [6] BASS, MID & TREBLE: Classic passive tone controls thatregulate low, mid and high
frequencies respectively, of Channel 2.
In this Pre-EQ Overdrive channel thetone control circuit is located before the overdrive stage, therefore it pre-shapes the overdrive tone which results in a bluesy type of distortion with lots of sweet mid-range harmonics.
[7] GAIN: This GAIN knob controls the amount of distortion in Channel 3, a medium gain Post-EQ Overdrive channel. Cleaner sound is achieved at lower settings 3-4, at middle settings 4-6 medium overdrive occurs which will produce more sustain and distortion. At high settings 6-10 heavy overdrive occurs, adding a lots of sustainand compression.
[8] VOLUME: Controls the volume level of Channel 3. [9] PRESENCE: Controls the amount ofboost in the upper mid frequency range of Channel 3. [10] BASS, MID & TREBLE: Classic passive tone controls of Channel 3.
In this Post-EQ Overdrive channel the tone control circuit is located after the overdrive stage, therefore it shapes the final overdrive tone which results in a more raw and rock type of distortion with lots of grind anddynamics.
[11] GAIN: This channel has four gain stages and thereforedelivers lots of sustain and compression without losing dynamics. This GAIN knob controls the amountof distortion in Channel4. Cleaner sound is achieved at lower settings 3-4, at middle settings 4-6 medium overdrive occurs which will produce more sustain and distortion. At high settings6-10 heavy overdrive occurs.
[12] VOLUME: Controls the volume level of Channel 4.
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