KLING & FREITAG CA 1515-9, CA 1515-6, CA 1215-6, CA 1215-9, CA 1201 User Manual

KLING & FREITAG CA 1201, CA 1215, CA 1515
User's Manual
Important Information, Please Read Before Use!
KLING & FREITAG GmbH
Junkersstrasse 14 D-30179 Hannover PHONE 0 (049) 511- 969 97-0 FAX 0 (049) 511- 67 37 94 www.kling-freitag.de
User's Manual CA 1201, CA 1215-6 /-9, CA 1515-6 /-9
Thank you for your decision to buy a KLING & FREITAG product. To guarantee a trouble-free operating of the equipment and to enable the KLING & FREITAG CA speaker system to achieve its full potential, please read the operating instructions carefully before use.
With the purchase of a CA System, you have acquired a speaker system with the highest possible quality and performance capabilities.
As the owner of this system, you now have a versatile and highly professional tool which, when operated properly, is a true pleasure to use.
Symbols in User's Manual
This symbol indicates the possibility of life-threatening danger and a health risk for persons. Not following these instructions may result in serious health problems including potentially fatal injuries.
Warning
Attention
This symbol indicates a possibly dangerous situation. Not following these instructions may cause minor injuries or cause property damage.
This symbol gives instructions for the proper use of the described products. Not following these instructions may cause minor injuries or cause property damage.
Important
Information about this User's Manual
User's Manual CA 1201, CA 1215-6 /-9, CA 1515-6 /-9 Version 1.1, 12.01.2004 © by André Figula, Kling & Freitag GmbH, July 2003; all rights reserved. All specifications in this manual are based on information available at the time of pub-
lishing for the features and safety guidelines of the described products. Technical specifications, measurements, weights and properties are not guaranteed. The manufacturer reserves the right to make product alterations within legal provisions
as well as changes to improve product quality.
Please keep these instructions for future reference!
We appreciate any input with suggestions and improvements for this manual. Please send this to us at the following address:
info@kling-freitag.de KLING & FREITAG GMBH, Junkersstr.14, D-30179 Hannover Phone +49 (0) 511 - 96 99 70, Fax +49 (0) 511 - 67 37 94
or to:
KLING & FREITAG GMBH ©2003 Page 3 of 68
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Contents

Chapter Page
1. General Instructions for Using Speakers 6
2. Product Descriptions and Versions 7
2.1 CA 1201 7
2.2 CA 1215-6 7
2.3 CA 1215-9 8
2.4 CA 1515-6 8
2.5 CA 1515-9 9
3. Instructions for Suspending the Speakers 10
3.1 Using the Ancra Flying Points 11
4. Coverage Angles of the CA Speakers 12
4.1 Changing the Coverage Angles 12
5. Proper Arrangement of the Loudspeakers 13
5.1 Arrayed Speaker Systems (Cluster) 14
5.1.1 Horn not rotated 14
5.1.2 With rotated Horn 15
6. Wiring 16
6.1 Connecting the Speakon Connector to the Terminal 16
6.2 Avoiding Ground Loops 17
6.2.1 What is a Ground Loop? 17
6.2.2 Avoiding Ground Loops 17
7. Configurations and Connecting Diagrams 18
7.1 Operating the Systems without C2 Controller 18
7.1.1 CA Systems in Full-Range Mode 18
7.1.2 Full Range Mode & Subwoofer with Crossover (XO) 19
7.2 Operations with C2 Controller 20
7.2.1 Full-Range Mode with K&F C2 Controller 21
7.2.2 CA System & Bass with Controller C2 in 2-Way Active Mode 22
8. Operating the Speakers 23
9. Directions for Models with 100V Transformers 24
9.1 Reasons for selecting speakers with 100V transformers 24
9.2 Connecting diagram for the 100V speaker inputs 24
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Chapter Page
10. Crossovers 24
10.1 Wiring Diagram CA 1201 24
10.1.1 Version A (old) 24
10.1.2 Version B (new) 25
10.2 Wiring Diagram CA 1215-6 and CA 1215 -9 26
10.2.1 Version A (old) 26
10.2.2 Version B (new) 27
10.3 Wiring Diagram CA 1515-6 and CA 1515-9 28
10.3.1 Version A (old) 28
10.3.2 Version B (new) 29
11. Touching Up Damage to Paint / Changing the Front Foam 29
12. Technical Specifications 30
12.1 CA 1201 30
12.2 CA 1215-6 31
12.3 CA 1215-9 32
12.4 CA 1515-6 33
12.5 CA 1515-9 34
13. Measuring Charts 35
13.1 CA 1201 35
13.2 CA 1215-6 41
13.3 CA 1215-9 47
13.4 CA 1515-6 53
13.5 CA 1515-9 59
14. Dimensions 65
14.1 CA 1201, CA 1215-6 and CA 1215-9 65
14.2 CA 1201-M, CA 1215-6-M and CA 1215-9-M 65
14.3 CA 1515-6 and CA 1515-9 66
15. Accessories for the CA Systems 67
16. Important Information for the 'Outdoor Installation' Option 68
17. Supplied Safety and Mounting Instructions for Speakers and Accessories
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1. General Instructions for Using Speakers
Mounting the speakers
To avoid injury or damage, always be sure to mount the speakers securely so that they do not fall. Speakers, which are stacked, must be secured with safety straps. When laying the connecting cables, make sure that nobody can trip.
Suspending as well as mounting the speakers to walls or ceilings must be carried out by qualified personnel. The speakers must be hung by using at least two of the five desig­nated flying points.
Never use signal cables for suspending or securing the systems. The same applies when lifting and aligning the speakers.
Never hang more than two speakers under one another without using the designated Kling & Freitag mounting devices.
Ensure that all installation connections comply with the applicable safety regulations and that the size and strength are sufficient. Further instructions are in our user's manual for assembly equipment and in the general safety instructions for speakers and assembly equipment.
For mobile and fixed installations, use only assembly equipment from KLING & FREITAG. Make sure to observe the installation instructions and safety notes shown in the user's manual for assembly equipment. Mounting equipment and speakers must be visually inspected on a regular basis. At any sign of wear, fittings should be replaced immediately. Furthermore, all screwed connec­tions should be checked regularly.
Warning
Do not Install Speakers in any of the Following Places:
Where the speakers are permanently exposed to direct sunlight
Where the speakers are exposed to high moisture
Where the speakers are exposed to strong vibrations and dust.
Damage Caused by the Speakers' Magnetic Fields
Speakers are permanently surrounded by a magnetic field even when they are not oper­ating. Therefore, during transport and placement of the speakers, it is important to ensure that there is always approx. 1 m between the speakers and magnetic data media and computer/video monitors.
Protecting the Speakers
When selecting power amplifiers, ensure that they have a sufficient power level. Power amplifiers with an output level, which is too low, can cause the speakers to overload (clipping). Power amplifiers should never be overloaded. When the nominal power of the power amplifiers is higher than that of the speaker, overload may ruin the speaker. The input section of a power amplifier may be overloaded without displaying a clipping signal, e.g. if the headroom of this circuit is too low. We recommend turning the level controls to the maximum position and to adjust the level before the amplifiers.
Important
The Following Signals may Damage the Speakers
Permanent high-pitched signals with high frequency, and continuous noise from feedback.
Permanently distorted signals with high power.
Noises, which occur when the amplifier is on while equipment is being connected,
disconnected or switched on.
Preventing Hearing Damage
To prevent the risk of hearing damage, avoid being too close to operating speakers even if the volume level seems to be low enough.
Attention
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2. Product Descriptions and Versions

2.1 CA 1201

Short description: 2-way full-range loudspeaker system with 12" low-mid chassis and 1" high frequency horn on a rotatable 90° x 60° CD horn. Homogeneous coverage and constant direc­tivity starting at 1.2 kHz. Integrated crossover with self-resetting protection circuit for low-mid and high frequency way.
Enclosure: Trapezoidal enclosure with additional cluster angles, 15 mm birch plywood, highly stressable structured grey or black finish, internal mounting flange, 5 Ancra Jungfalk flying points, 2 butterfly handles, highly permeable, ball proof steel grille with ex­changeable black acoustic foam.
Optional models:
CA 1201-M:
CA 1201-100V:
CA 1201-SP:
Special finish in RAL colours
Enclosure with additional monitor angle
100V version with 300 VA toroidal transformer
Version with integrated power amplifier technology (not for CA 1201-M)
'SP' speakers are shipped with a separate user's manual!

2.2 CA 1215-6

Short description: 2-way high-power speaker system with 12" low-mid chassis and 1.5" high frequency horn driver on a rotatable 65° x 50° CD horn. Homogeneous coverage and constant directivity starting at 1.2 kHz. Integrated crossover with self-resetting protection circuit for high frequency way, delay and phase optimisation.
Enclosure: Trapezoidal enclosure with additional cluster angles, 15 mm birch plywood, highly stressable structured grey or black finish, internal mounting flange, 5 Ancra Jungfalk flying points, 2 butterfly handles, highly permeable, ball proof steel grille with ex­changeable black acoustic foam.
Optional models:
CA 1215-6-M:
CA 1215-6 100V:
CA 1215-6-SP:
Special finish in RAL colours
Enclosure with additional monitor angle
100V version with 300 VA toroidal transformer
Version with integrated power amplifier technology (not for CA 1215-6-M) 'SP' speakers are shipped with a separate user's manual!
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2.3 CA 1215-9

Short description: 2-way high-power speaker system with 12" low-mid chassis and 1.5" high frequency horn driver on a rotatable 90° x 50° CD horn. Homogeneous coverage and constant directivity starting at 1.0 kHz. Integrated crossover with self-resetting protection circuit for high frequency way, delay and phase optimisation.
Enclosure: Trapezoidal enclosure with additional cluster angles, 15 mm birch plywood, highly stressable structured grey or black finish, internal mounting flange, 5 Ancra Jungfalk flying points, 2 butterfly handles, highly permeable, ball proof steel grille with ex­changeable black acoustic foam.
Optional models:
CA 1215-9-M:
CA 1215-9-100V:
CA 1215-9-SP:
Special finish in RAL colours
Enclosure with additional monitor angle
100V version with 300 VA toroidal transformer
Version with integrated power amplifier technology (not for CA 1215-9-M) 'SP' speakers are shipped with a separate user's manual!

2.4 CA 1515-6

Short description: 2-way high-power speaker system with 15" low-mid chassis and 1.5" high frequency horn driver on a rotatable 65° x 50° CD horn. Homogeneous coverage and constant directivity starting at 1.2 kHz. Integrated crossover with self-resetting protection circuit for chassis and crossover, delay and phase optimisation.
Enclosure: Trapezoidal enclosure with additional monitor and cluster angles, 15 mm birch ply­wood, highly stressable structured grey or black finish, internal pole mount flange, 5 Ancra Jungfalk flying points, 2 butterfly handles, highly permeable, ball proof steel grille with exchangeable black acoustic foam, abrasion-proof plastic sliders.
Optional models:
CA 1515-6-100V:
CA 1515-6-SP:
Special finish in RAL colours
100V version with 300 VA toroidal transformer
Version with integrated power amplifier technology (not for 1215-9-M) 'SP' speakers are shipped with a separate user's manual!
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2.5 CA 1515-9

Short description: 2-way high-power speaker system with 15" low-mid chassis and 1.5" high frequency horn driver on a rotatable 90° x 50° CD horn. Homogeneous coverage and constant directivity starting at 1.0 kHz. Integrated crossover with self-resetting protection circuit for chassis and crossover, delay and phase optimisation.
Enclosure: Trapezoidal enclosure with additional monitor and cluster angles, 15 mm birch ply­wood, highly stressable structured grey or black finish, internal pole mount flange, 5 Ancra Jungfalk flying points, 2 butterfly handles, highly permeable, ball proof steel grille with exchangeable black acoustic foam, abrasion-proof plastic sliders.
Optional models:
CA 1515-9-100V:
CA 1515-9-SP:
Special finish in RAL colours
100V version with 300 VA toroidal transformer
Version with integrated power amplifier technology (not for CA 1215-9-M) 'SP' speakers are shipped with a separate user's manual!
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3. Instructions for Suspending the Speakers
Only trained personnel should suspend speaker systems. Speaker systems, whether single or connected to one another, must always be secured to a second separate point, even if two rigging points are used for suspending the speaker system!
Ensure that all connections are secured to prevent their detaching on their own and that only admissible statically tested and sufficiently sized connecting devices, ropes and chains are used.
Pay attention to the required safety factors. Please follow the accompanying safety and assembly instructions carefully as well as the corresponding national safety regulations.
A maximum load of 50 kg may be suspended from the two Ancra flying points of one Speaker. This means a maximum additional load of 25 kg on each Ancra flying point.
Wrong:
The suspended speaker weighs more than 50 kg. This exceeds the total load-bearing capacity of the upper flying points.
As a result, a maxi­mum of 2 full-range systems may be sus­pended under one another.
The rear suspension point can only support weights up to 30 kg. The flying point is thus not an appropriate secondary device to prevent collapse if another speaker is mounted.
The angle of the rope/chain in relation to the top of the mounted speaker is less than 45°. This causes the load on the flying points to ex­ceed the permissible level.
Warning
Right:
A two-point suspension was selected. Each speaker is secured with an additional safety de­vice.
The suspended speaker weighs no more than 50 kg. This falls within the total load-bearing capacity of the upper flying point.
The angle of the rope/chain in relation to the top of the mounted speaker is greater than 45°. This maintains a permissible load on the flying points.
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3.1 Using the Ancra Flying Points

Warning
Flying Stud
Used as fastener to the Ancra
Receptacle for special fasteners.
Ancra Flying Point
Flying Point.
1.)
2.)
Take the flying stud in one hand... ... and push the locking device up
against the spring tension.
3.)
Put the flat head of the holding
bolt into the guiding of the flying point.
5.)
4.)
Release the locking device when
the flying stud is located in the middle of the flying point. Make sure that the locking device clicks into place.
6.)
Check that the flying stud is se-
curely fastened and cannot be pulled out.
Please follow the accompanying
safety and assembly instructions carefully!
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4. Coverage Angles of the CA Speakers
The mid-high systems can be operated in a vertical or horizontal (i.e. as a stage moni­tor) position. The coverage pattern of the speaker can be adapted to special needs by a 90° rotatable horn.
The table below shows the coverage angles of a standing speaker: To determine the coverage pattern of the high frequency horn, shine a flashlight through the front covering at the level of the horn. You will find a silver stripe that determines the posi­tion and coverage angles of the horn.
DEFINITION:
Standing speaker:
Horn not rotated
Horn rotated
Model
CA 1201 90° h x 60° v 60° h x 90° v CA 1215-6 65° h x 50° v 50° h x 65° v CA 1215-9 90° h x 50° v 50° h x 90° v CA 1515-6 65° h x 50° v 50° h x 65° v CA 1215-9 90° h x 50° v 50° h x 90° v

4.1 Changing the Coverage Angles

To turn the horn, follow these steps:
1) Remove the four grille mounting screws on the top and bottom of the speaker with a 3 mm socket head wrench and remove the grille from the speaker enclosure.
2) Remove the screws from the high frequency horn (also using a 3 mm socket head wrench). Loosen the high frequency horn by using both hands, palms to the out­side, to grasp into the horn and lift the horn with even pressure from the palms of your hands towards the outside. Never use a screwdriver or similar objects to reach behind the edge of the horn, as this could damage it.
3) Rotate the horn 90° and screw the horn on tightly again (do not force it!).
4) Screw the grille on tightly.
If the coverage angle needs to be changed often, make sure that the horn is not always rotated in the same direction, as the connecting cable, when twisted, may causing the contacts of the driver to become loose.
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5. Proper Arrangement of the Loudspeakers
Be aware of the fact that the logical targeted alignment of this high quality speaker system can lead to a significant qualitative increase in the acoustic result. It is not possi­ble to make generalities about the alignment of specific systems because the room has a substantial influence on the signal and the audible result.
Important
As a rule, the mid- and high-transducers of loudspeakers should be mounted above the audience's face value, so that the sound distribution cannot be shadowed.
In many cases it is advisable to mount a loudspeaker higher, so that the sound will be distributed throughout the room more evenly. Low standing systems result in a greater difference in volume between front and back seats than higher standing systems.
Please note that this is only a general guideline and the best possible result may vary from room to room.
To simulate the correct alignment of the speakers beforehand, there are various pro­grams such as "Ease", "Ulysses". The Kling & Freitag speaker system data is available for download on our homepage "www.kling-freitag.de".
The following graphics will assist in making a rough estimate as to the distance range of the full-range speakers. The graphics only take into consideration the sum of the direct sound and not the influence of the room. Because of this there can, in some cases, be noticeable deviation.
Distance range of SPL (direct sound level):
-18 dB
-12 dB
-6 dB
0 dB
2m 4m 8m 16m 32m 50m
-24 dB -30 dB
-34 dB
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5.1 Arrayed Speaker Systems (Cluster)

If the loudspeakers are operated through the optional K&F C2 System Controller, we recommend turning on the 'Top Low Cut' switch for clustered operation. Thus the fre­quency response for this application can be optimised (see also K&F C2 User's Manual).
When operating the systems without the K&F C2 System Controller in a clustered con­figuration, the signal level of frequencies below 300 Hz should be reduced by 3-4 dB.
Important

5.1.1 Horn not rotated

Angle 2
Horn not
rotated
Standing speaker
Angle 1
A smaller angle 3
results in a smaller
vertical coverage
angle but increases
the sound power
level.
Combination Angle 1 Angle 2 Angle 3
CA 1201 with CA 1201
(not generally recommended *) CA 1215-6 with CA 1215-6 CA 1215-6 with CA 1215-9 CA 1215-9 with CA 1215-9
(not generally recommended *) CA 1515-6 with CA 1515-6 CA 1515-6 with CA 1515-9 CA 1515-9 with CA 1515-9
(not generally recommended *)
Application Increasing the hori-
zontal coverage an-
gle, e.g. for wide
audience planes
55°-65°
40°
45°
50°-60°
40°
45°
50°-60°
Increasing the hori-
zontal coverage angle
and sound power
level for larger dis-
tances
20°-35
20°-30°
Increasing the verti-
cal coverage angle,
e.g. for covering
balconies or for
increased sound
power level for
larger distances
Angle 3
*If several 90° systems are clustered, unwanted interference effects may appear. As a
result, we do not generally recommend clustered configurations of CA 1201, CA 1215-9 and CA 1515-9 systems. If wide angles are to be covered, we recommend the use of several 60° or 65° systems in one cluster.
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5.1.2 With rotated Horn

Angle 2
Important
Horn rotated
Standing speaker
Angle 1
Angle 3
A smaller angle 3
results in a smaller
vertical coverage
angle but increases
the sound power
level.
Combination Angle 1 Angle 2 Angle 3
CA 1201 with CA 1201 CA 1215-6 with CA 1215-6 CA 1215-6 with CA 1215-9 CA 1215-9 with CA 1215-9 CA 1515-6 with CA 1515-6 CA 1515-6 with CA 1515-9 CA 1515-9 with CA 1515-9
Application Increasing the hori-
zontal coverage an-
gle, e.g. for wide
audience planes
35° Not recommended
30°-40°
30°-45°
Not recommended
30°
30°-40°
30°-45°
Not recommended
Increasing the hori-
zontal coverage angle
and sound power
level for larger dis-
tances
Increasing the verti-
cal coverage angle,
e.g. for covering
balconies or for
increased sound
power level for
larger distances
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6. Wiring
The speaker is equipped with two parallel Speakon connectors.
Make sure that all units are switched off and all controls are turned down before con­necting your CA systems.
We recommend the use of high-quality speaker cables provided by KLING & FREITAG.
For connections to the power amplifier inputs, please use 2-pin shielded microphone
cable with high-quality connectors.
Avoid ground loops (see chapter 6.2)
Please pay attention to the respective pin diagrams in this manual!
Make sure that the +/- polarity of the speakers at the amplifier is correct. When simul-
taneously using power amplifiers from different manufacturers, be sure to use the correct specific pin configuration. It may be necessary to modify the pin configuration on the power amplifiers or on the connectors leading to them.
Upon completing the wiring, ensure that the connected speaker channels are work- ing in phase. To do so, use i.e. a phase checker. A phase error can also be recognized when the connected channels are used simultaneously. During simultaneous use the bass frequencies become notably quieter or the mid-frequencies such as voices can­not be located.
Important
To avoid loss of power, the cables should have a minimum wire gauge of 2.5 mm² - more for longer cabled distances. A minimum wire gauge can be easily calculated with the following formula:
Minimum Wire Gauge (mm²) =
Required Cable Length (m) __ 2 x Speaker Impedance (Ω)
Make sure that the optional XLR type connectors with the exposed male connec­tors are used as input. This is the only way to provide contact safety from dan­gerous currents!
If several loudspeakers are connected, the signal can be linked through from one loud­speaker to the next. Please make sure that the total impedance of the loudspeakers R() is not lower than the minimal impedance indicated on the power amplifier.
1/R
+ 1/R2 + 1/R3 + ... = 1/R
1
total

6.1 Connecting the Speakon Connector to the Terminal

1.
Warning
Important
2.
1.
2.
3.
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6.2 Avoiding Ground Loops

6.2.1 What is a Ground Loop?
Every component of a P.A. or Hi-Fi System has its own internal 0 V reference (ground). This point is often connected to the protective earth connector (PE / Ground). If two or more units are connected to one another with a line level audio cable, there may be a ground connection through the ground of the power supply cable (yellow-green) as well as through the shielding of the audio cable. The voltage difference between these two ground points causes audible interference to come from the speaker.
6.2.2 Avoiding Ground Loops
If there is a loud humming or buzzing after the CA System has been connected, then check that a "ground loop" has not been built into the system. Some power amplifiers and system controllers are equipped with a "Ground Lift" switch. Set these switches to the "Lift" position one after the other. If the noise is still audible, check if,
Important
1. the noise is caused by a ground loop before the power amplifiers / controllers (e.g. mixing console, effects or equalizers).
2. the system or parts of the system are connected to an "unclean" power supply
- meaning one, which is also running large motors, or lighting systems. An "un­clean" supply voltage, electrostatic and electromagnetic fields can cause a malfunction.
Warning
Important
Please observe the following basic rules:
Never!!! try to avoid a ground loop by disconnecting or taping the ground contact at the power connector! Extremely dangerous!
If possible, only use high-quality audio appliances with balanced signal outputs and with power cables with PE connectors.
Use high-quality cables with good shielding.
The point of ground for all connected components should merge at one central
point. The power connections should lead out in a radial manner from one point and not be linked from one unit to the next.
When installing appliances that create strong electrostatic or electromagnetic fields (large transformers, switch-mode power supplies), maintain some distance from other audio appliances. In extreme cases, the only solution is to create a completely independent "audio ground"; in other cases, it is sufficient to connect a filter in front of the audio equipment.
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7. Configurations and Connecting Diagrams

7.1 Operating the Systems without C2 Controller

The full-range system can be used alone or in conjunction with a K&F sub-woofer with integrated crossover (e.g. SW 112-XO / SW 115D-XO or SW 118E-XO). In this mode of operation the crossover limits the sub-woofer's frequency range.
7.1.1 CA Systems in Full-Range Mode
This mode of operation is ideal for speech applications and music applications without the need for a high bass content. Should more bass be needed, the bass level can be increased between 50 and 80 Hz at the mixing console.
INPUT e.g. from
mixer, AUX or
Connector Panel
OUTPUTS
-
INPUT CH 2 INPUT CH 1
+
CH 2 CH 1
-
+
If you are operating a mid-high system in a cluster (speakers arranged in close prox­imity) reduce the frequencies below 300 Hz by 3-4 dB! (The K&F C2 Controller has a 'top-low cut' switch for this purpose.)
Important
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7.1.2 Full Range Mode & Subwoofer with Crossover (XO)
In this mode of operation you can easily realise applications, where a higher bass level is needed.
Recommended combinations of the CA Systems, as described here, with K&F Bass Sys­tems:
2 CA Systems + 2- 4 x SW 112-XO 2 x SW 115D-XO 1 - 2 x SW 118E-XO
Switch To 'XO ON' Switch To 'XO ON'
INPUT e.g. from
mixer, AUX or
Connector Panel
OUTPUTS
-
INPUT CH 2 INPUT CH 1
+
CH 2 CH 1
-
+
The switch "XO" on the connecting terminal of the sub-woofer must be at "ON" or, for different versions, at "PASSIVE" for this mode of operation.
Important
Connecting Terminal 1 Connecting Terminal 2
When using the mid-high systems in a cluster (speakers in close proximity), reduce the frequencies below 300 Hz by 3-4 dB. (The K&F C2 Controller is equipped with a special filter for this purpose, which can be activated by pressing the "Top Low Cut" switch.
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7.2 Operations with C2 Controller

By using carefully adjusted filters (EQ) on special system cards for the CA Systems, the C2 Controller optimises feedback prevention and the frequency response of the spea­kers.
The controller provides optional bass boost in full-range mode, optimisation for cluster operation (Top Low Cut switch), high boost and sub-mono functions.
The C2 Controller optimises the operating safety of the speakers and power amplifiers by using special peak and RMS limiters in Sense Technology:
With other (universal) controllers, the gain of the selected power amplifiers must be known. The limiter on the C2 Controller, on the other hand, uses a special control circuit to determine the actual output voltage of the power amplifiers. The limiter then reduces the input level only when the power am­plifier actually provides more power than the speakers can handle. The ampli­fier's gain and the position of the input level control for the power amplifiers are insignificant for the limiter function of the C2 Controller.
C2- Power amplifier with Controller input level control
Limiter
Measured value (output voltage of the power amplifier)
Universal Power amplifier with Controller input level control
Limiter
Fixed value, depending on the amplifier's gain and the position of the input level control of the power amplifier.
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A
w
7.2.1 Full-Range Mode with K&F C2 Controller
LINK, e.g. to next controller
KLING &
LL SPEAKONS Front Vie
1+/1-
FREITAG
SOUND SYSTEMS
CH1 TOP OUTCH1 SUB OUT
CH2 SUB OUT
CH2 TOP OUT
CHANNEL 2 INCHANNEL 1 LINKCHANNEL 1 IN CHANNEL 2 LINK
INPUT
KLING &
SER No.
FREITAG
240V / 50Hz REMOTE CONTROL
FUSE: 100mA / SLOW BLOW
CE
MADE IN GERMANY
CH2 TOP AMPCH2 SUB AMP
CH1 TOP AMPCH1 SUB AMP
OPTIONAL
REMOTE
UNIT
HF TOP
SUB
FULLRANGE
LOW CUT
MONO
MODE
BOOST
SUB GAIN
INPUT GAIN
GND
LIFT
CH1 INPUTCH2 INPUT
AMP RETURN CH2
LF -IN |LF +IN| -HF IN+
L
A N G I S
B
B
U
U
S
S
1
1
H
H
C
C
SYSTEM
C2
CONTROLLER
L
L
L
A
A
A
T
T
T
T
N
N
I
I
I
I
N
G
G
M
M
I
G
I
M
M
I
I
I
I
I
S
S
L
L
S
L
L
P
P
P
P
B
B
U
R
U
O
O
O
O
E
T
S
T
T
T
S
2
2
1
1
2
2
W
H
H
H
H
H
H
O
C
C
C
C
C
C
P
AMP RETURN CH1
LF -IN |LF +IN| -HF IN+
SYSTEM
CONTROLLER
Rear View
C2
Important
OUTPUTS
-
+
-
INPUT CH 2 INPUT CH 1
CH 2 CH 1
+
The countersunk switch 'Full-Range Mode' on the C2 Controller should be pressed and the LED assigned to it should light up. The full-range switch accentuates the bass fre­quencies of the mid-high systems, giving a more balanced sound to music programmes.
When using the mid-high systems in a cluster (speakers in close proximity) or as a stage monitor, activate the "Top Low Cut" switch on the C2 Controller.
KLING & FREITAG GMBH ©2003 Page 21 of 68
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