klevgrand Pipa User Manual

Welcome!

!"#$%#$%&"'%($')%*+,(+-%./)%Pipa0%+%1/2+-%$3,&"'$#4')%+1+#-+5-'%./)%#6+7%89:1;<%+,7%=+2%>%?#,7/@$% 89:ABC!;A99D<E%F&%"+$%5'',%7'$#G,'7%+,7%7'1'-/H'7%53%I-'1G)+,70%+%$*+--%$&(7#/%#,%C&/2J"/-*0% C@'7',E%!"#$%#,$&)(*',&%#$%+%2)/$$/1')%5'&@'',%+%@+1'&+5-'%$3,&"'$#4')%+,7%+%G)+,(-+&#,G%$+*H-'% H-+3')%$H'2#+-#4'7%#,%G',')+&#,G%1/2+-%$/(,7$E%6#H+%$#*(-+&'$%&"'%$/(,7%/.%"(*+,%1/#2'$%#,%+%,'@% @+3K%#,$&'+7%/.%($#,G%/)7#,+)3%$+*H-'$%/)%H)/2'$$#,G%/$2#--+&/)$%@#&"%./)*+,&%L-&')$0%6#H+%($'$%+%

-+)G'%7+&+5+$'%/.%@+1'&+5-'$%'M&)+2&'7%.)/*%)'+-%1/2+-%$+*H-'$E%!"'%5','L&%/.%&"#$%&'2",#N('%#$% &"+&%#&O$%H/$$#5-'%&/%$'+*-'$$-3%*/)H"%5'&@'',%&"/$'%@+1'&+5-'$%@#&"%H)/H')%H"+$'%+-#G,*',&E% !"#$%&'2",#N('%',+5-'$%6#H+%&/%2/,&#,(/($-3%*+J'%&)+,$#&#/,$%5'&@'',%H#&2"0%./)*+,&$%+,7% 73,+*#2$%@"#2"%#$%1')3%($'.(-%#,%*($#2+-%2/,&'M&$E%

P'&%&"'%#QC%1')$#/,%+&%&"'%9HH%C&/)'%

P'&%&"'%9:%A%BC!%A%99D%1')$#/,%+&%J-'1G)+,7E$'%

RFSTUCFUP%8VTCI!Q6%QURW<%

:,&#-%(,-/2J'70%&"'%H-(GX#,%@#--%/(&H(&%Y%$'2/,7%/.%$#-',2'%,/@%+,7%&"',E%!/%(,-/2J%&"'%.(--%1')$#/,0% 2-#2J%&"'%V'*/%-+5'-%85/&&/*%-'.&%2/),')<%+,7%&3H'AH+$&'%3/()%-#2',$'%J'3E%

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PIPA – DOCS ( / )1 6

Pipa

TMH)'$$#1'%B/2+-%C3,&"'$#4')

U/&'%&"+&%6#H+%2/,$(*'$%N(#&'%$/*'%S6:%X%'$H'2#+--3%/,%H)/2'$$/)$%@#&"%$*+--')% RZ%2+2"'E%?'%)'2/**',7%&"+&%3/(%7/@,-/+7%&"'%7'*/%+,7%*+J'%$()'%3/()% $3$&'*%"+,7-'$%&"'%H-(GX#,%5'./)'%H()2"+$#,GE

User interface

!"'%*+#,%1#'@%#$%7#1#7'7%#,&/%[%7#..')',&%H+)&$\%

A. Voice 8?"+&%1/#2'%&/%5'%($'7%+,7%"/@%#&%$"/(-7%$/(,7<

B. LFO/Envelope%8]/@%&"'%1/#2'%$"/(-7%5'%+-&')'7%/1')%&#*'<

C. Reverb, Room & Output

D. Presets

E. Header%8!#&-'%+,7%$'&(H<

A. Voice

!"#$%H+)&%/.%&"'%($')%#,&').+2'% "+,7-'$%&"'%$'&(H%+,7%$/(,7% /.%&"'%1/#2'%)',7')#,GE%

1. Voice Type

S-#2J%&/%2"//$'%5'&@'',% *+-'0%.'*+-'%+,7%*#M'7%8*+-'%+,7%.'*+-'%7'H',7#,G%/,%H#&2"<E%

2. Fluctuation

!"#$%H+)+*'&')%2/,&)/-$%&"'%#,&'),+-%@+1'&+5-'%H-+3')$%*/)H"%$H''7E%9%"#G"%1+-('%*+J'$%#&% H/$$#5-'%&/%*+J'%+%N(#2J')%2"+,G'%/.%1/@'-$%+,7%73,+*#2$E%!"#$%2+,%+-$/%+77%$/*'%+)&#.+2&$% @"',%1/@'-$%+,7%73,+*#2$%+)'%2"+,G#,GE%9%-/@%1+-('%*+J'$%&"'%&)+,$./)*+&#/,$%$/(,7%+%5#&%*/)'% )/5/%5(&%+-$/%*#,#*#4'$%&"'$'%+)&#.+2&$E%

3. Randomness

977$%$*+--%)+,7/*%1+-('$%&/%H#&2"%+,7%',1'-/H'%/,%'+2"%,/&'X/,%'1',&%+,7%5/&"%1/#2'$0%#.%6#H+%#$% $'&%&/%&@/%1/#2'$E%B')3%($'.(-%@"',%($#,G%&@/%1/#2'$%&/%*+J'%#&%$/(,7%+$%#.%#&%#$%+%7(5E%

4. Number of Voices

S"//$'%5'&@'',%/,'%$#,G-'%1/#2'%/)%&@/%87/(5-#,G%&"'%,/&'8$<%H-+3'7<E%

5. Vowel

C'&$%&"'%#,#&#+-%1/@'-%1+-('E%!"'%1/@'-$%)+,G'$%.)/*%+%$/.&%Q%&/%+,%/H',%9E%

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BDCE123

7891012

6. Dynamics

C'&$%&"'%#,#&#+-%73,+*#2%1+-('E%9%-/@%1+-('%#$%+%$/.&%,/&'%8H#+,#$$#*/<0%+,7%+%"#G"%1+-('%+%$&)/,G%

8./)&'<E%

7. Vowel & Dynamics mods

!"'$'%H/H(H$%*/7(-+&'%&"'%1/@'-%+,7%73,+*#2$%H+)+*'&')$%53%'M&'),+-%#,H(&%8S&)-Y%+,7%S&)-Z%2+,% 5'%*+HH'7%&/%+,3%=FVF%2/,&)/-%2"+,G'0%2"+,,'-%+.&')%&/(2"%/)%J'3%&)+2J#,G<E%9%H/$#'%1+-('%+77$% &"'%*/7(-+&#/,%1+-('%&/%&"'%H+)+*'&')0%+,7%+%,'G+'%1+-('%$(5&)+2&$%&"'%1+-('E%

8. Body

F,2)'+$'%/)%7'2)'+$'%&"'%.(,7+*',&+-%.)'N(',23E%

9. Nose

F,2)'+$'$%/)%7'2)'+$'$%&"'%+)'+%+)/(,7%;J]4%/.%&"'%+(7#/%$#G,+-E%

10.Air

977$%$/*'%$(5&-'%"#G"%.)'N(',23%,/#$'%&/%&"'%$#G,+-%&/%$#*(-+&'%+#)%^/@%

11.Pan mode / Spatial Width

!"')'%+)'%&")''%7#..')',&%@+3$%/.%$H+&#+-#4#,G%&"'%1/#2'$E%S-#2J%&"'%7)/H%7/@,%&/%2"//$'%/,'%/.% &"'*E%!"'%CH+&#+-%?#7&"%H+)+*'&')%7'&')*#,'$%&"'%L,+-%@#7&"E%!"'%H/$#&#/,#,G%/.%'+2"%1/#2'% "+HH',$%+&%,/&'X/,0%$/%&"#$%H+)+*'&')%@/,O&%H+,%+,3%/,G/#,G%$/(,7$%#.%+(&/*+&'7E%

B. LFO / Envelope

!"#$%$'2&#/,%#$%5+$'7%/,% ./()%&+5$\%P9FU0%6F!S]0% VWU9=FSC0%BQ?TRE%S-#2J% /,'%/.%&"'$'%&+5$%&/%$'-'2&% @"+&%@"+&%R_Q%+,7% ',1'-/H'%&/%2/,&)/-E%

1. LFO Range

C'&$%&"'%+*H-#&(7'%/.%&"'% R_Q%/(&H(&E%!"#$%7'&')*#,'$%53%"/@%*(2"% &"'%R_Q%@#--%+..'2&%&"'%$'-'2&'7%H+)+*'&')%8G+#,0%H#&2"0%73,+*#2%/)%1/@'-<E%

2. LFO Rate

C'&$%&"'%.)'N(',23%/.%&"'%R_Q%/(&H(&E%

3. Ctrl1 mod

C'&$%"/@%*(2"%S&)-Y%$"/(-7%+..'2&%&"'%R_Q%)+,G'E%

Random Pan

6+,$%&"'%1/#2'%)+,7/*-3E

Panorama

6+,$%+22/)7#,G%&/%.)'N(',23%8.)/*%-'.&%&/%)#G"&<

Dubbing Pan

CH)'+7$%&"'%1/#2'$%`%/,'%&/%&"'%-'.&%+,7%/,'%&/%&"'%)#G"&E%

Only works when number of voices is set to two.

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4. Wave selector

S-#2J%&/%)'1'+-%+%H/H(H%/.%7#..')',&%@+1'./)*$%&"+&%&"'%R_Q%$"/(-7%/(&H(&E%

5. Envelope (ADSR/AR/WEIGHT)

F,&')+2&%@#&"%&"'%',1'-/H'%53%2-#2J#,G%+,7%7)+GG#,GE%T+2"%',1'-/H'%"+$%9&&+2J%!#*'0%9&&+2J%S()1'% +,7%a'-'+$'%S()1'E%Note that the Release Time is shared between all tabs, and the gain envelope also has a decay and sustain level%8&"/$'%+)'%,/&%+1+#-+5-'%./)%6F!S]0%VWU9=FSC%+,7%BQ?TR<E%

9--%&+5$%'M2'H&%G+#,%"+1'%+%@'#G"&%H+)+*'&')E%!"#$%H+)+*'&')%$'&$%"/@%*(2"%/.%&"'%$'-'2&'7% H+)+*'&')%8H#&2"0%73,+*#2$%/)%1/@'-<%$"/(-7%5'%+..'2&'70%5/&"%#,%H/$#'%+,7%,'G+'%7#)'2&#/,$E% V3,+*#2$%+,7%B/@'-%@'#G"&%/..')$%.(--%)+,G'0%+,7%&"'%H#&2"%@'#G"&%G/'$%.)/*%XZ%/2&+1'$%&/%bZ% /2&+1'$E%

6. Envelope Attack Mod (vel)

C'&$%"/@%*(2"%&"'%+&&+2J%&#*'%$"/(-7%5'%+..'2&'7%53%1'-/2#&3E%9%H/$#'%1+-('%$"/)&',$%&"'%+&&+2J% &#*'%+&%"#G"')%1'-/2#&#'$0%+,7%+%,'G+'%1+-('%$"/)&',$%&"'%+&&+2J%&#*'%+&%-/@')%1'-/2#&3%1+-('$E%

7. Envelope Release mod (vel)

C'&$%"/@%*(2"%&"'%)'-'+$'%&#*'%$"/(-7%5'%+..'2&'7%53%1'-/2#&3E%9%H/$#'%1+-('%$"/)&',$%&"'% )'-'+$'%&#*'%+&%"#G"')%1'-/2#&#'$0%+,7%+%,'G+'%1+-('%$"/)&',$%&"'%)'-'+$'%&#*'%+&%-/@')%1'-/2#&3% 1+-('$E%Please note that this parameter affects all the envelopesE

C. Reverb, Room & Output

1. Reverb type selector

!"')'%+)'%c%7#..')',&%)'1')5%+-G/)#&"*$%&/%2"//$'%.)/*Ed%

2. Reverb Level

C'&$%&"'%G+#,%-'1'-%/.%&"'%@'&%$#G,+-E%

3. Reverb Width

C'&$%&"'%$&')'/%@#7&"E%

4. Reverb Size

C'&$%&"'%$#4'%/.%&"'%$#*(-+&'7%$H+2'%8+,7%7'2+3%&#*'<E%

5. Room type selector

!"')'%+)'%e%7#..')',&%)//*$%&/%2"//$'%.)/*E

6. Room Level

C'&$%&"'%G+#,%-'1'-%/.%&"'%@'&%$#G,+-E%

7. Output Level

C'&$%&"'%/(&H(&%G+#,%-'1'-E

8. Output Mod

!"#$%H/H(H%*/7(-+&'$%&"'%G+#,%-'1'-%53%'M&'),+-%#,H(&%8S&)-Y%+,7%S&)-Z%2+,%5'%*+HH'7%&/%+,3%=FVF% 2/,&)/-%2"+,G'0%2"+,,'-%+.&')%&/(2"%/)%J'3%&)+2J#,G<E%9%H/$#'%1+-('%+77$%&"'%*/7(-+&#/,%1+-('%&/% &"'%H+)+*'&')0%+,7%+%,'G+'%1+-('%$(5&)+2&$%&"'%1+-('E%U/&'%&"+&%&"'%G+#,%*/7(-+&#/,%/22()$% 5'./)'%5/&"%&"'%)//*%+,7%)'1')5%*/7(-'$%#,%/HH/$#&'%&/%&"'%/(&H(&%-'1'-%H+)+*'&')E

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D. Presets

S-#2J%/,%&"'%H)'$'&%,+*'%&/%)'1'+-%+%-#$&%/.%.+2&/)3%H)'$'&$0%/)%/,%&"'%-'.&A)#G"&%+))/@$%&/%$&'H% &")/(G"%&"'%-#$&E%!"'%.+2&/)3%H)'$'&$%+)'%7#1#7'7%#,&/%c%2+&'G/)#'$%+,7%2/,&+#,$%+%@#7'%$'-'2&#/,%/.% H+&2"'$%&"+&%@/)J$%G)'+&%+$%#$0%5(&%+-$/%+$%+%$&+)&#,G%H/#,&%./)%.()&"')%&@'+J#,GE

E. Header

CT!:6%

!"#$%H/H(H%$'&$%"/@%'M&'),+-%#,H(&%$"/(-7%5'% "+,7-'7%+,7%H)/2'$$'7%@#&"#,%&"'%H-(G#,E%

S!aR%Y%A%S!aR%Z

!"'$'%&@/%*/7(-+&/)$%2+,%5'%($'7%&/%+..'2&% 1+)#/($%H+)+*'&')$%-#J'%1/@'-0%73,+*#2$0%G+#,0% H#&2"%+,7%R_Q%)+,G'E

1. Source

S-#2J%&/%$'-'2&%@"+&%S&)-Y%A%S&)-Z%$"/(-7%5'%*+HH'7%&/Ed

2. Learn

9--%=FVF%SSO$%+)'%,/&%+1+#-+5-'%#,%&"'%C/()2'%-#$&E%F.%3/(O7%-#J'%&/%($'%$/*'%/&"')%=FVF%SS0%&"#$% .(,2&#/,%2+,%5'%"+,73E%S-#2J%&/%$&+)&%-'+),#,G%*/7'%+,7%&"',%$',7%+%=FVF%SS%&/%&"'%H-(G#,%8&"'% R'+),%5(&&/,%@#--%2"+,G'%5+2J%&/%,/)*+-%$&+&'%+$%$//,%+$%+%=FVF%SS%'1',&%#$%)'2'#1'70%+,7%&"'% C/()2'%@#--%(H7+&'<E%

3. Attack

C'&$%&"'%$*//&",'$$%/.%2"+,G'$%@"',%,'@%1+-('$%+)'%$',&E

4. Pitch Bend Range

U(*5')%/.%$'*#&/,'$E%_)/*%Y%&/%ZfE%

5. Pitch Bend Attack

C'&$%&"'%$*//&",'$$%/.%2"+,G'$%@"',%,'@%1+-('$%+)'%$',&E%

General

9%$'&%/.%,+&()+-%$/(,7#,G%$/(,7$%#,%7#..')',&%^+1/()$%+,7%1+)#+&#/,$E

Pads

!"'$'%H+&2"'$%+)'%$/.&')%+,7%*'+,&%&/%$/(,7%/)G+,#2%+,7%*($#2+-0%5(&%,/&% ,'2'$$+)#-3%"(*+,E

Vocal effects

V#..')',&%&)+,$#&#/,$%5'&@'',%./)*+,&$%+,7%73,+*#2$%&"+&%)',7')$%+%2/(H-'%/.% H)/,(,2#+&#/,$E

Leads

9--%&"'$'%H+&2"'$%+)'%#,%-'G+&/%*/7'%+,7%*'+,&%&/%5'%($'7%+$%*'-/73A-'+7% $/(,7$E

Experimental

!"'%*/)'%'7G#')%+,7%(,'MH'2&'7%$'&%/.%H+&2"'$E

Basics

C&+%1/@'-$E%P//7%&/%"+1'%+$%+%$&+)&#,G%H/#,&%@"',%2)'+&#,G%,'@%H+&2"'$E

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6. Legato Switch

F.%$'&%&/%QU%8G)'',<%6#H+%@#--%5'%#,%-'G+&/%*/7'0%/,-3%H-+3#,G%/,'%,/&'%+&%+%&#*'E

7. Legato Pitch Glide Time

!#*'%./)%&"'%H#&2"%&/%+-&')%&/%&"'%,'M&%&/,'%8+$$(*#,G%#&%@+$%H-+3'7%@"',%+,/&"')%,/&'%@+$%7/@,<E%

8. Legato Velocity Glide Time

!#*'%./)%&"'%1'-/2#&3%1+-('%&/%+-&')%@"',%+%,'@%,/&'X/,%#$%$',&%8+$$(*#,G%#&%@+$%H-+3'7%@"',% +,/&"')%,/&'%@+$%7/@,<E%

Signal Flow

Speciﬁcations / System requirements

Weight Weight Weight

Ctrl1 Ctrl1 Ctrl1 Ctrl1

Vowel parameter Dynamics parameter Pitch (MIDI note on)

ENV

LFO

MODS

Ctrl1 Ctrl2

Velocity

ENV

LFO

MODS

Ctrl1 Ctrl2

Velocity

ENV

LFO

MODS

Ctrl1 Ctrl2

Velocity

Synthesizer AMP

MODS

Ctrl1 Ctrl2

Velocity

LFO

ENV (gain)

FILTERS

Body Nose

Air

Room

ReverbOutput gain

Wavetable database

Male

Female

Mixed

Mac

Windows

iOS

cf%5#&%9:ABC!;A99D%H-(GX#,

cf%5#&%BC!;A99D%H-(GX#,

9:1;%H-(GX#,

*+2QC%YgEhb%

QH',PR

?#,7/@$%[b%

C6Y%/)%"#G"')

#6+7%9#)%Z%/)%5'&&')%

#QC%hEYb

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PIPA – DOCS ( / )6 6

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klevgrand Pipa User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

Welcome!

User interface

A. Voice

B. LFO / Envelope

C. Reverb, Room & Output

D. Presets

E. Header

Signal Flow