KEY SP-1 User Guide

Introduction

Key Rig User Guide

Congratulations on your purchase of the M-Audio Key Rig software. This multi-function device includes four high-quality instruments:

• The SP-1 Stage Piano module provides realistic reproduction of various acoustic and electric pianos, and allows two pianos to be layered

together.

•

The MS-2 Polyphonic Synthesizer is a subtractive synth that uses traditional analog-type oscillators, as well as wavetable and FM
synthesis.

• The MB-3 Electromagnetic Organ is a faithful reproduction of classic tone-wheel organs, including a Leslie rotary speaker simulator.

• The GM-4 is a General MIDI sound module featuring all 128 GM sounds and a percussion kit.

English

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System Requirements

Windows

• Pentium® III 500 MHz or AMD7 (P4 / Athlon 1 GHz or faster recommended)

• 256 MB RAM

• 600 MB free hard disk space

• Windows® XP

• VST 2.0 compatible host software

• MIDI Interface

• CD-ROM drive for installation

• Internet connection (on any computer) for software certification

Macintosh

• Power Macintosh® G3 500 MHz (G4 or faster recommended)

• 256 MB RAM

• 600 MB free hard disk space

• Mac® OS X Version 10.3 or higher

• VST 2.0, AU or RTAS compatible host software

• MIDI Interface

• CD-ROM drive for installation

• Internet connection (on any computer) for software certification

Installation Procedure

Note: The Installation CD includes both the M-Audio Key Rig as well as the M-Audio Drum & Bass Rig installers. The Key Rig package includes a

certification code for only the M-Audio Key Rig, but you may authorize the Drum & Bass Rig as a fully working 30-Day demo version (see below
for Certification Information).

Windows

1. Insert the M-Audio Key Rig CD-ROM in your computer’s CD-ROM drive.

2. Explore the CD and double-click the file named “M-Audio Key Rig Setup.” The installer will execute.

3. During the installation, the installer will ask you to specify two directories on your computer. The first directory is your VST plug-in directory.
This is where the M-Audio Key Rig VST plug-in will be installed. The second directory is Key Rig’s sound data file. The file is about 260 MB in
size and can be placed in a different location from the program, if necessary.

4. When the installer finishes installing the software, press “Finish.”

5. M-Audio Key Rig is now installed on your computer. You will need to certify your copy of the software before you begin making music—
please see “Certification” below for these directions.

Macintosh

1. Insert the M-Audio Key Rig CD-ROM in your computer’s CD-ROM drive.

2. Double-click the CD that appears on your desktop

3. Open the folder for the plug-in format you require (AU, RTAS, VST, or stand-alone)

4. When the installer finishes installing the software, press “Close.”

5. M-Audio Key Rig is now installed on your computer. You will need to certify your copy of the software before you begin making music—
please see “Certification” below for these directions.

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Certification

Key Rig User Guide

1. Once the M-Audio Key Rig software has been installed, start your host audio application (for example, Ableton Live).

2. Load the M-Audio Key Rig and open its window.

3. Click on the “M-Audio” logo in the upper right corner of the Key Rig. A pop-up window will appear.

4. Enter the Product Certification Code (printed on the Quick Start Guide included in the M-Audio Key Rig package)

5. Once you’ve entered your code, you have two choices: You may certify your product on-line or off-line. If your computer is connected to the
Internet, go to the section named “Certify On-Line” below. If your music computer is not connected to the Internet, go to the “Certify Off-Line”
section below.

Certify On-Line

1. Click the “Certify On-Line” button and Key Rig will open your default web browser and connect you to the M-Audio website.

2. Enter your registration information in the spaces provided, and press “Submit.”

3. In a few moments, you’ll receive an e-mail containing your registration certificate. Follow the directions in the e-mail to finish certification.

Certify Off-Line

1. Click the “Certify Off-Line” button. Key Rig will create an Internet shortcut on your computer’s desktop.

2. Copy this shortcut onto a disk or memory card.

3. Place the disk or memory card in a computer that is connected to the Internet.

4. Double-click the Internet shortcut on the disk or memory card, and your web browser will open, connecting you to the M-Audio website.

5. Enter your registration information and press “Submit.”

6. In a few moments, an e-mail will be sent to you containing your registration certificate. Save the certificate to the disk or memory card.

7. Place the disk or memory card back into your music computer.

8. Double-click the product certification file on the disk or memory card to complete certification.

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Using the Key Rig as a Plug-in

The M-Audio Key Rig runs as an RTAS, VST, or AU plug-in. Consult your host application’s documentation for information on loading plug-ins.

Using the Key Rig in Stand Alone Mode

In addition to support for most popular plug-in formats, the M-Audio Key Rig runs as a atand-alone application. On the Macintosh, the stand­alone version of Key Rig uses the default audio settings of the operating system. On Windows, the stand-alone version includes additional
configuration settings:

Windows Stand Alone

The Key Rig stand-alone application for Windows includes four controls at the top of the application’s window:

The controls are as follows (from left to right):

Sound Card Selector: click this control to select the desired sound card for audio output.

Output Selector: click this control to choose the audio outputs for Key Rig (for multi-output sound cards only).

On Button: clicking this button turns Key Rig on or off.

Cfg...: click this button to open the selected sound card’s ASIO Control Panel.

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Using the M-Audio Key Rig

The M-Audio Key Rig is a device consisting of four instruments, a master effect generator, and global settings. Each of these sections are explained
below:

Global

The strip at the top of the Key Rig sets global settings that affect all instruments.

Certification Dialog: to open the Certification dialog, click the Key Rig or M-Audio logos on the left or right side of the top strip of the rig. This
window also displays the Key Rig version number information.

Load/Save: the Load/Save buttons at the top of the Key Rig are for loading and saving bank files. These files contain all program/patch
information, MIDI channel and MIDI CC assignments, volumes, panning, key range, transpose, MFX (master effects) send, on/off status, etc.
for all four instruments within the Key Rig, as well as the global MFX settings, fine tune, tempo, master swing and master volume parameters.
The user can also save and load banks via the menu that appears in their host application. Key Rig banks are saved and loaded from a folder
called “Key Rig Patches.”

Master FX

Clicking the Master FX section produces a drop-down menu of 49 effects algorithms organized into submenus by type. This menu of effects is
exactly the same as the ones available in the SP-1 Stage Piano and the MS-2 Poly Synth. For a listing of effect types, see the “Effects Presets” listing
below.

Once an effect is selected, the effect name will be displayed and two specially chosen effect edit parameters, plus a mix parameter, will be
displayed with useful preprogrammed preset settings. The names of the two effect edit parameters vary depending on the type of effect that is
in use. For example, a reverb may display “Size” and “Damp” (room size and damping) for its parameters. A delay may display “Time” and “Fbk”
(delay time (speed) and feedback (regeneration)).

Mix: governs the MFX wet/dry balance.

Fine Tune: adjusts the fine-tuning of all instruments in the Rig.

Tempo: allows the user to set a song tempo that will set tempo-sync’ed delays and LFOs when there is no tempo detected from the host by

the Key Rig.

Master Volume:

controls the output volume of the whole Key Rig.

MIDI CC Controls

All useful parameters in all instruments in the Rig have been pre-assigned MIDI controllers corresponding to the default CCs used by current
M-Audio keyboards (GM Patch). See the patch and preset lists at the end of the manual.

It is also possible to customize these settings. Right-clicking (Windows) or control-clicking (Macintosh) a parameter opens a menu with the
following options:

CC: hover the mouse over this option to display a pop-up list of available MIDI continuous controllers, and select the desired continuous
controller from the list.

Learn: select this option and move a control on your hardware MIDI controller to assign it to the parameter automatically.

Forget: select this option to remove a MIDI continuous controller assignment.

Note: Each continuous controller may control only one parameter at a time.

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Instrument Controls

Key Rig User Guide

To the right of all instruments in the Key Rig is an instrument control area and mixer.

Load/Save: in addition to the global Load/Save menus at the top of the Rig, each instrument has its own Load/Save menu and library of
patches. Clicking the area above the Load and Save buttons produces a drop-down list of all factory content for an instrument. Patches can be
loaded for the instrument by clicking a patch in the drop-down list. The patch will be loaded and its name displayed in the slot. When clicking
Load or Save buttons, a Load/Save dialog appears. Patches are loaded and saved into folders with a name corresponding to the particular
instrument chosen.

Hi/Lo: sets the highest and lowest notes for the instrument’s key range.

Tr:

transposes the instrument by any amount within a range of plus or minus 24 semitones.

Ch:

MFX:

Pan: sets the instrument’s pan position.

On:

Volume: the slider on the right-hand side of the instrument controls section controls the instrument volume. A meter displays output level

selects the MIDI channel used to play the instrument.

sets the send level for the instrument to the MFX (master effects) at the top of the Rig.

turns the instrument on or off.

when the instrument is played.

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SP-1 Stage Piano

The SP-1 Stage Piano will play two piano or pad presets simultaneously, chosen via the Preset Selector wheels. The two presets can be layered or
split, or you can choose to play only a single preset by choosing “None” with one of the Preset Selector wheels. The presets include seven acoustic
pianos, four electric pianos, and three pads (only available for the second Preset Selector wheel). The first 10 SP-1 presets are created using
multiple velocity sample layers; preset 11 uses FM synthesis, and presets 12-14 (available only on Preset Selector 2) are made from a combination
of sampled strings and analog synthesis. The SP-1 has two dedicated effects.

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Preset Select Wheel 1: this rotary knob chooses a piano preset from the following list—

01 Natural Grand

02 Bright Grand

03 Soft Grand

04 Hard Grand

05 Concert Grand

06 Upright

07 Honky Tonk

08 Electric Piano 1

09 Electric Piano 2

10 Wurli

11 FM Piano

12 None

Velocity: adjusts the velocity (dynamic) response for preset 1. A setting of full (to the right) sets the largest dynamic range between hard and

soft played notes. A setting of zero (to the left) velocity has no effect on dynamics.

Tone: turning the knob to the left filters or reduces the brightness of the preset.

Mix

: sets the volume balance between preset 1 and 2.

Split: sets the note at which the keyboard splits. Preset 1 always plays below the split point and preset 2 always plays above (including the

selected note). Possible split notes are: C2, F#2, C3, F#3, C4, F#4, C5.

Detune: turning to the right adjusts the tuning of preset 1 negatively and preset 2 positively.

Preset Select Wheel 2

01 Natural Grand

02 Bright Grand

03 Soft Grand

04 Hard Grand

05 Concert Grand

06 Upright

07 Honky Tonk

08 Electric Piano 1

09 Electric Piano 2

10 Wurli

11 FM Piano

12 Straight Pad

13 Sweep Pad

14 Long Reso Pad

15 None

Octave:

Tone: turning the knob to the left filters or reduces the brightness of preset 2.

Serial/Parallel

• Serial: Both presets input to FX 1, the output of FX 1 is then input to FX 2.

• Parallel: Preset 1 is input to FX 1. Preset 2 is input to FX 2.

FX Preset Drop-Down Menu: clicking anywhere inside the white FX name field produces a drop-down FX presets list, featuring the same

effects presets available in the master “FX Type” menu.

Mix: sets the wet/dry balance of the effects.

Effects Edit Controls: the two white fields to the right of the FX mix controls display the effect parameters that can be edited, which vary in

name depending on the selected effect preset.

transposes preset 2 up or down by one or two octaves.

: preset 2 contains the same piano presets as preset 1, but has three additional pads—

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Key Rig User Guide

MS-2 Polyphonic Synthesizer

The MS-2 is a polyphonic synthesizer with preset oscillators, filters, amp, modulation, and effects settings. The synthesis is generally analog, but
oscillators are also created with wavetables and FM.

Oscillator Section

Oscillator Type: clicking in the oscillator “Type” field produces a drop-down menu of 85 oscillator presets (see “Presets Listing” for more

information). An oscillator type can include any combination of up to three analog oscillators, two wavetables, a sub oscillator (square
wave) and white noise. Analog oscillators are created from combinations of saw, unison saw, square, pulse and sine waves. FM oscillators
are made with a single sine wave carrier and up to two sine wave modulators. Presets are organized into “Styles” (pads, polys, leads, etc.)
yet all oscillators can be used for any kind of sounds and in combination with any of the different filter, amp, and modulation presets.

Wave: all oscillator types have a pre-programmed “Wave” knob assigned to the most useful parameters for changing the sound of the

oscillator. This varies and could be, for example, the width of a pulse wave, the detune of a unison sawtooth wave, the amount of sync for a
sync wave, the balance of noise to a pitched oscillator, wavetable position or FM modulator level, etc. This wave parameter is also available
to be modulated in various ways via the modulation presets.

Detune: specific oscillators within each preset have been assigned detune ranges for widening the sound.

Mono: all oscillator presets can play polyphonic or monophonic. Logical oscillators such as “Leads” or oscillators designed to play in unison

with detune will load monophonically by default, but can then be set to poly. Polyphonic types can also be set to mono.

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Filter Section

Filter Type: clicking in the filter “Type” field produces a drop-down menu of 47 filter presets (see “Presets Listing” for more information). A

filter type includes settings such as whether the filter is high pass or low pass, resonance amounts, filter velocity response, key tracking, and
filter envelope settings.

Reso:

Env Depth: controls the depth of the filter envelope and can be set positively or negatively from the zero position (12 o’clock).

Cutoff: controls filter cutoff frequency.

Envelope: the graphical envelope allows you to edit or set the filter envelope’s attack, decay, and release times, as well as sustain level, by

Amp Section

Amp Type: clicking in the amp “Type” field produces a drop-down menu of 27 amp presets (see “Presets Listing” for more information). An

Velocity

Envelope: the graphical envelope allows you to edit or set the amplitude envelope’s attack, decay, and release times, as well as sustain

Mod Section

Mod Type: clicking in the Mod ‘Type’ field produces a drop-down menu of 28 modulation presets (see ‘Presets Listing for more information).

Depth

Speed

Clock Symbol

Fade

FX Section

controls resonance amount.

clicking and dragging the three square handles.

amp type includes settings such as velocity-to-amplitude, panning, key tracking, and amp envelope settings.

: controls the velocity-to-amplitude response.

level, by clicking and dragging the three square handles.

A Mod ‘Type’ includes all useful combinations of LFO’s and Envelopes routed to pitch, the ‘Wave’ parameter, Filter, and Amplitude.

: controls the amount of the modulation.

: controls the speed or rate for LFO modulations and the attack time for envelope modulations.

: determines whether the LFO modulations are tempo-synced or free-running.

: controls the delay time for LFO modulations, and controls the decay and release time for envelope modulations.

: same as all other FX sections.

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MB-3 Electromagnetic Organ

The MB-3 is a Classic Tonewheel Organ with Leslie rotary speaker simulator.

Percussion On/Off: switches percussion section On/Off.

Short/Long

Loud/Soft

3rd/2nd

Drawbars

Laid out as per a classic Tonewheel Organ:

16‘ Fundamental
5 1/3‘ 3rd Harmonic 1 Octave and a Fifth Higher
8‘ 2nd Harmonic 1 Octave Higher
4‘ 4th Harmonic 2 Octaves Higher
2 2/3‘ 6th Harmonic 2 Octaves and a Fifth Higher
2‘ 8th Harmonic 3 Octaves Higher
1 3/5‘ 10th Harmonic 3 Octaves and a major 3rd Higher
1 1/3‘ 12th Harmonic 3 Octaves and a Fifth Higher
1‘ 16th Harmonic 4 Octaves Higher

: selects duration of percussion.

: loud or soft percussion.

: 3rd or 2nd harmonic for percussion.

Click: sets the level of mechanical key on and off clicking.

Scanner Vibrato

Classic Tonewheel Organs had an additional chorus/vibrato section. The ‘V’ settings are vibrato settings while the ‘C’ settings are choruses.

V1 & C1

V2 & C2

V3 & C3

Drive: allows you to add tube overdrive before the rotary speaker.

Rotary On/Off: turns rotary speaker on/off.

Slow/ Fast: sets rotary speed.

NB: rotary speed can also controlled by the pitch wheel. Moving the pitch wheel up sets the rotary speed to fast while moving it down sets

: produces the lightest modulation.

: produces a deeper modulated sound.

: are the deepest and grittiest settings.

it to slow.

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GM-4 General MIDI Module

The GM-4 is a 16-channel, multi-timbral GM sound player with 128 patches and a GM standard drum and percussion kit.

Key Rig User Guide

To select a channel for patch assignment or editing, click one of the 16 channel meters.

Channels 1-3 are muted by default to allow the other instruments in the Key Rig to play without interference from the GM Module. It is also useful
to use the other three instruments of the key rig at times to replace GM instruments with “better” sounds in a GM arrangement.

M: GM channel mute for the selected channel.

S: GM channel solo for the selected channel.

Category: all GM standard patches are arranged into the GM standard categories. Clicking this field produces a drop-down menu of all

categories.

Note: Although selecting a new category will also change the display of the instrument control (see below), a new sound will not be loaded until
it is selected from the instrument control

Instrument: clicking this field produces a drop-down menu of all patches within a category for selection.

Chorus: applies a standard GM chorus to the selected channel.

Reverb: applies a standard GM reverb to the selected channel. This reverb is a send to the Master FX section of the Key Rig, allowing you to set

any kind of effect and control the amount of all channels independently. It’s important to note that if the MFX is set to an effect other than the
default reverb, the GM-4 reverb effect will not be a standard GM reverb.

Volume

: sets the volume for the channel selected.

Pan: controls the pan position for the selected channel.

Tone

: the General MIDI tone control, which adjusts the brightness of the patch.

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Contacting M-Audio

We at M-Audio have worked diligently to ensure that the Key Rig is an optimal piece of software for your studio. However, due to the wide variety
of host computers and configurations, you may encounter unexpected behavior from your software. If you feel that Key Rig is not working properly,
you can contact M-Audio Technical Support for assistance.

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Key Rig Patches

Key Rig User Guide

These files are FXBs and contain all patch and setup info for the whole key rig.

01 Oceania 07 Ghostly

02 Big Pad 08 Bubbly Pad

03 Electromagnetic Combi 09 Piano + Soft Strings

04 Belly Stack 10 Fuzzy Chords

05 Rotary Club

06 Swell Tines

11 Nylon Pad

Default

SP-1 Patches

01 Natural Grand 26 E Piano 1 Autopan

02 Natural Grand + Pad

03 Natural Grand + EP 1

04 Natural Grand + EP 2

05 Ambient Grand 1 30 Electric Piano 2

06 Bright Grand 31 E Piano 2 Chorus

07 Bright Grand + Pad

08 Bright Grand + FM 33 E Piano 2 Tremolo

09 Bright Grand + Wurli

10 Soft Grand 35 E Piano 2 + Pad

11 Soft Grand + Pad 36 E Piano 2 + E Piano 1

12 Soft Grand + EP1 37 E Piano 2 + Wurli

13 Soft Grand + EP2 38 Wurli

14 Soft Grand + FM 39 Wurli Chorus

15 Hard Grand 40 Wurli Phaser

16 Hard Grand + Pad 41 Wurli Tremolo

17 Hard Grand + Wurli

18 Concert Grand 43 Wurli + Pad

19 Concert Grand + FM

20 Upright Piano 45 FM Piano Chorus

21 Honky Tonk Piano

22 Electric Piano 1 47 FM Piano Tremolo

23 E Piano 1 Chorus 48 FM Piano Autopan

24 E Piano 1 Phaser 49 FM Piano + Pad

25 E Piano 1 Tremolo 50 FM Rotary Piano

27 E Piano 1 + Pad

28 E Piano 1 + FM

29 E Piano 1 + Wurli

32 E Piano 2 Phaser

34 E Piano 2 Autopan

42 Wurli Autopan

44 FM E Piano

46 FM Piano Phaser

English

13

MS-2 Patches

01 Ambivalence 41 Sweeper Pad 81 Crushed Square Bass

02 Tek Chords

03 Saw Lead 43 Woodpecker 83 Fat Poly 1

04 Standard Bass 44 Sub Bass 84 Spooky Lead

05 Velo Digi Bells

06 Uni Brass 46 Synth Horns 86 Complex Pad

07 Ambient Synth Strings 47 Hollow Pad 87 Syncerator

08 Schreikind 48 Hybrid Poly 88 Fat Octave Lead

09 Perky Noise 49 Tek Lead 89 Fuzza Fizzle 1

10 Metal Zap 50 Tune Out Pad 90 Tune In Pad

11 Swirly Bell Pad 51 Simple Poly 91 Ana Sweep Bells

12 Syncopated 52 Ambient Square Lead 92 5th Pulse Lead

13 Simple Square Lead 53 Fuzz Bass 2 93 Rubber Bass

14 Jupiter Bass 54 Bright Bells 94 Big Octa Sweep

15 Soft Bells 55 Soft Swell Horns 95 Basic Organ

16 Soft Horns 56 Glassy Bells 96 Ambient Saw Lead

17 Rich Sweep 57 FM Shiver 97 Buzz Bass

18 Perc + Sweep 58 Analog Bass 98 Simple Pulse Lead

19 Nasty Lead 59 Noise Perc 94 Big Octa Sweep

20 Rich Pad 60 Hi Mod Strings 95 Basic Organ

21 Pulsator 61 Digi 2,3 96 Ambient Saw Lead

22 Fat Poly 2 62 State Lead 97 Buzz Bass

23 Ghost Lead 63 Fuzz Bass 98 Simple Pulse Lead

24 Thumper Bass 64 Harmony Bells2 99 Dirty Bass 1

42 Synth Strings 82 Simple Sine Pad

45 Harmony Bells 1 85 Kino Bass

25 Analog Vibrabells 65 Synth Brass

26 Brass Section 66 Soft Paddy Bell

27 Random Bells Pad 67 Basic Poly

28 Organish 68 Ultra Lead

29 Mallet Bell 69 Noise Wind

30 Pulsing Bells 70 Rich Sweeper

31 Perky Pitched Noise 71 Belly Pol

32 Fat Steam 72 Fat 5th Lead

33 Sync Lead 73 Organ Bass

34 Ultramoog Bass 74 Hollow Pad

35 Metallic 75 Steely Pulse

36 Ober It Brass 76 50s Lead

37 Belly Pad 77 Thick Square Bass

38 Fat + Fuzzy 78 Bright Pulse Sweep

39 Meta Perk 79 Swoosh Pad

40 Zap Metal 80 Uni Lead

14

MS-2 Oscillator Presets

Key Rig User Guide

Rich Pad Nasty Lead

Standard Pad State Lead

Hollow Pad Spooky Lead

Bell Sweep Fat Oct Lead

Sine Pad 50s Lead

Octa Pad Fat 5th

Rich Octa Pad 5th Pulse

Tri Pad

Pulse Pad Bumper Bass

Noise Pad Jupiter Thump

Bell Pad Rubber Bass

Combi Octa Pad Pulse Bass

Tinkle Pad

Sparkle Pad Dirty Bass 1

Tune In/Out

PWM String Pad Fuzz Bass

Rich Poly FuzzaFizz Bass

Hybrid Poly Fuzzy Bass

PWM Poly SH Bass

Square Poly OrgaThump Bass

Fat Sync Poly Square Bass

Belly Poly Thump Bass

Organ Selector Sub Bass

PWM Strings UltraMoog Bass

Puff Poly Cinema Bass

Digi Menu Synth Horns

Variable Pulse

Organish Unison Bend

Octave Poly Oberhype Brass

Hi Octave Poly Brass Section

Variable Metal

Fat Noise Soft Brass 2

Bell Buzz Soft Bells

Simple Poly Bright Bells

Digi Aah Harmonic Bells

Square Sync Analog Chimes

Sine Plus Hard Metal

Noizy Poly Harmony Bell

Saw Solo Noise Perc

Square Lead Noise

Pulse Lead

Sine Solo

Trance Lead

Drive Sweeper

UltraMoog Lead

Sync Lead

Buzz Bass

Dirty Bass 2

Synth Brass

Soft Brass 1

English

15

MS-2 Filter Presets

Soft Pad Reso Wow Bass

Bright Pad Fuzz Bass

Gentle Sweep Ultra Bass

Heavy Sweep HP Reso Bass

Reso Sweep 1 Wow Brass

Reso Sweep 2 Gentle Brass

Simple Hi Pass Bright Brass

Hi Pass Sweep Soft Brass 1

Bright Poly Soft Brass 2

Soft Poly Bright Bells

Perc Poly Soft Bells

Prc Sweep Poly HP Bells

Attack + Swell Glassy Bells

Attack + Swell Paddy Bells

Sweeper Poly Perc Bells

Reso Sweeper Noise-Perc

Extreme Velo

Hi Pass Poly

HP Zap Poly

Bright Lead

Soft Lead

Reso Lead

Sweep Lead

Perc Lead

Hi Pass Lead

HP Sweep Lead

Thump Bass

Reso Bass

Basic Bass

Buzz Bass

Noise-Wind

16

MS-2 Amp Presets

Key Rig User Guide

Velo Pad No Velo Bass

Non Velo Pad

Ambient Pad Very Perc Bass

Short Poly Simple Brass 1

Perc Poly Simple Brass 2

Very Perc Poly

Release Poly Soft Brass

Attack + Swell Velo Bells

Decay Poly No Velo Bells

No Velo Lead

Velo Lead Very Perc Bells

Attack + Swell Noise-Perc

Very Perc Lead

Velo Bass

Perc Bass

Hard Brass

Paddy Bells

Noise-Wind

MS-2 Modulation Presets

Vibrato . . . . . . . . . . . . . . . . - LFO sine wave - pitch modulation

Filter Sweep . . . . . . . . . . . . - LFO sine wave - cutoff

Reso Sweep . . . . . . . . . . . - LFO sine wave - resonance

Autopan . . . . . . . . . . . . . . - LFO sine wave - panning

Tremolo . . . . . . . . . . . . . . .

Stereo Tremolo . . . . . . . . . - LFO sine wave - amplitude and panning

Autowah . . . . . . . . . . . . . . - LFO sine wave - cutoff

Bend Up . . . . . . . . . . . . . . - Pitch bend up to note

Bend Down . . . . . . . . . . . . - Pitch bend down to note

Bend Up + Down . . . . . . . - Pitch bend up then down to note

Wave Mod 1 . . . . . . . . . . . - LFO sine wave-oscillator 1 “Wave” parameter

Wave Mod 2 . . . . . . . . . . . - LFO sine wave-oscillator 2 “Wave” parameter

Wave Mod 1 + 2

Wave Env 1 . . . . . . . . . . . . - Envelope- oscillator 1 “Wave” parameter

Wave Env 2 . . . . . . . . . . . . - Envelope- oscillator 2 “Wave” parameter

Wave Env 1 + 2

Volume Gater . . . . . . . . . . - LFO square wave - amplitude

Random Gater . . . . . . . . . - LFO S + H wave - amplitude

Autotrigger . . . . . . . . . . . . - LFO sawtooth wave - amplitude

Repeater . . . . . . . . . . . . . . - LFO sawtooth wave - cutoff

Filter Gater . . . . . . . . . . . . . - LFO square wave - cutoff

Random Filter . . . . . . . . . . - LFO S + H wave - cutoff

Speed Up+Down . . . . . . . - LFO speed up then slow down- cutoff

Triller . . . . . . . . . . . . . . . . . - LFO square wave - pitch

Laser Gun . . . . . . . . . . . . . - LFO sawtooth wave - pitch

Sci Fi . . . . . . . . . . . . . . . . . . - LFO S + H wave - pitch

Melodic . . . . . . . . . . . . . . . - LFO repeating S + H wave - pitch

. . . . . . . . - LFO sine wave-oscillator 1 + 2 ‘Wave’ parameter

. . . . . . . . . - Envelope- oscillator 1 + 2 “Wave” parameter

- LFO sine wave - amplitude

English

17

MB-3 Patches

01 Perc Organ 26 Bright Blues

02 Classic B 27 Gimme Some Lovin‘

03 Quite Righty So 28 Steve Winwood

04 Bright and Silky 29 Back To The Sixties

05 Smokey Blues 30 Full On Scream

06 Rock Solo 31 Gospel Organ

07 Child In Time

08 Thick Bars 33 Jazz Leader

09 Jimmy Smith 34 Nice Organ

10 60s Solo Organ 35 Farfisa Flute

11 Jamaican Groove 36 Silky Rock

12 Deep Peep 37 JoeyDeF1

13 Oblivion Express 38 JoeyDeF2

14 Ballsy B 39 Screamy Silk

15 Gospel Standard 40 This Is Percussion!

16 Killer Bee 41 Sunday Morning

17 Blues Standard 42 Warm Tube

18 Bright Vibrations 43 Whistling 1

19 Fundamental Jazz 44 Very Pleasant

20 Fundamental Rock 45 Bagpipe Solo

21 Emerson‘s Knife 46 Vibraphone

22 Nifty Solo 47 Template Stereo

23 THE Cat 48 Template Mono

24 Funky Percussion 49 Bombarde 16‘ A

25 Whiter Shade Of Pale 50 Full Great with 16‘

32 Capt‘n Jack

18

GM-4 Patches

Key Rig User Guide

001 Grand Piano 046 Pizzicato Strings 091 Pad 3 Polysynth

002 Bright Piano 047 Harp 092 Pad 4 Choir

003 Electric Grand 048 Timpani 093 Pad 5 Bowed Glass

004 Honky-tonk Piano 049 Strings Ensemble 1 094 Pad 6 Metallic

005 Electric Piano 1 050 Strings Ensemble 2 095 Pad 7 Halo

006 Electric Piano 2 051 Synth Strings 1 096 Pad 8 Sweep

007 Harpsichord 052 Synth Strings 2 097 FX 1 Rain

008 Clavinet 053 Choir Aahs 098 FX 2 Soundtrack

009 Celesta 054 Choir Oohs 099 FX 3 Crystal

010 Glockenspiel 055 Synth Vox 100 FX 4 Atmosphere

011 Music Box 056 Orchestra Hit 101 FX 5 Brightness

012 Vibraphone 057 Trumpet 102 FX 6 Goblins

013 Marimba 058 Trombone 103 FX 7 Echoes

014 Xylophone 059 Tuba 104 FX 8 Sci Fi

015 Tubular Bells 060 Muted Trumpet

016 Dulcimer 061 French Horns 106 Banjo

017 Drawbar Organ 062 Brass 1 107 Shamisen

018 Percussive Organ 063 Synth Brass 1 108 Koto

019 Rock Organ 064 Synth Brass 2 109 Kalimba

020 Church Organ 065 Soprano Sax 110 Bagpipes

021 Reed Organ 066 Alto Sax 111 Fiddle

022 Accordion 067 Tenor Sax 112 Shanai

023 Harmonica 068 Baritone Sax 113 Tinkle Bell

024 Tango Accordion

025 Nylon Ac Guitar 070 English Horn 115 Steel Drums

026 Steel StringAc Guitar 071 Bassoon 116 Woodblock

027 Electric Jazz Guitar 072 Clarinet 117 Taiko

028 Clean Electric Guitar 073 Piccolo 118 Melodic Tom

029 Muted Electric Guitar 074 Flute 119 Synth Drum

030 Overdriven Guitar 075 Recorder 120 Reverse Cymbal

031 Distorted Guitar 076 Pan Flute 121 Guitar Fret Noise

032 Guitar Harmonics 077 Bottle Blow 122 Breath Noise

033 Acoustic Bass 078 Shakuhachi 123 Seashore

034 Finger Bass 079 Whistle 124 Bird Tweet

035 Pick Bass 080 Ocarina 125 Telephone

036 Fretless Bass 081 Square Lead 126 Helicopter

037 Slap Bass 1 082 Sawtooth Lead 127 Applause

038 Slap Bass 2 083 Calliope Lead 128 Gunshot

039 Synth Bass 1 084 Chiff Lead GM Drums

040 Synth Bass 2 085 Charang

041 Violin 086 Solo Voice

042 Viola 087 Fifth Lead

043 Cello 088 Bass + Lead

044 Contrabass 089 Pad 1 New Age

045 Tremolo Strings 090 Pad 2 Warm

069 Oboe 114 Agogo

105 Sitar

English

19

Effects Presets

050325_KeyRig_UG_EN01

The following effects are available for the MFX (master FX and the EB-8 Electric Bass).

Parameter 1 Parameter 2
Reverb
Chorus Reverb Chorus Depth Rev Time

Room Reverb 1 Size Damping
Room Reverb 2 Size Pre-Del
Hall Reverb 1 Size Damping
Hall Reverb 2 Size Pre-Del
Plate Reverb Size EQ
Gate Reverb Size EQ
Early Reflections Size EQ

Delay

Delay Delay Feedback

Lofi Delay Delay Feedback
Stereo Delay Delay Feedback
Lofi Stereo Delay Delay Feedback
Ping Pong Delay Feedback
Lofi Ping Pong Delay Feedback
Gallop Echo Delay Feedback
Vox Tape Echo Delay Feedback

Chorus

Chorus Rate Depth

Rich Chorus Rate Depth
Ensemble Rate Depth
Space Chorus Rate Depth
Quad Chorus Rate Depth
Stereo Width Width Delay

Tremolo

Tremolo Rate Shape

Autopan Rate Shape
Rotary Speaker Slow/Fast Rate

Flanger

Flanger Rate Depth

Deep Flanger Rate Depth
Death Flanger Rate Depth

Phaser

Phaser Rate Depth
Deep Phaser Rate Depth

Wah Wah
Auto Wah Depth Frequency

Mod Wah Rate Depth
Talkbox Rate Vowel

Pitch Shift

Detune Detune Delay
Stereo Pitch Left Right

EQ

2 Band EQ 1 Low Gain Hi Gain
2 Band EQ 2 Low Gain Hi Mid Gain
Sweep EQ Wide Gain Frequency
Sweep EQ Sharp Gain Frequency
Enhancer Hi Tune Lo Depth

Distortion

Distortion Drive Tone

Amp Simulator Drive Amp Model
Feedback Amp Drive Amp Model
Overdrive Drive Shape
Bit Crusher 1 Bit Depth Rate
Bit Crusher 2 Bit Depth Rate

Dynamics

Attack Compressor Drive Ratio
Squash Compressor Drive Ratio
Limiter Drive Attack

20